DOCSLIB.ORG

Bear Family Records Sales Sheet

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Bear Family Records Sales Sheet PRODUCT INFO (CD) August 7, 2020 Artist Various Artists Title Gonna Shake This Shack Tonight From The Vaults Of Decca & Coral Records Label Bear Family Productions Catalog no. BCD17602 EAN-Code 5397102176029 Price code: AH Format CD (Digipak) with 32-page booklet Genre Country, Hillbilly No. of tracks 30 75:58 Min. Release date August 7, 2020 INFO: • Great Country Boogie from Decca Records! • A successful up-tempo mixture of honky-tonk and country music from top stars like Hank Penny, Hank Garland, Grady Martin, Jimmie Davis and other fantastic, but largely unknown fellow musicians. • The CD features some very successful cover versions of Sixty Minute Man, Hot Rod Rag, Juke Joint Johnny and Bloodshot Eyes and of course several originals. • The liner notes in the extensive and illustrated booklet are written by hillbilly expert Roland Heinrich. 'Series' are playing an important role in the extensive catalogue of Bear Family Records, which has grown over decades. Our Rockabilly series 'That'll Flat Git It!', or 'Rocks!' with the most important stars of Rock 'n' Roll and Rhythm & Blues are among our successful classics. 'Gonna Shake This Shack Tonight!' is dedicated to the often neglected or even unloved country boogie artists. The assertion that country musicians didn't have a blast before Elvis is simply wrong! Already in the '40s musicians made the walls of country dance halls shake! That's Country Boogie! Our latest release in this series focuses on recordings from the US Decca and Coral labels. The latest installment in Bear Family's groundbreaking 'Gonna Shake This Shack Tonight!' series features the hillbilly and boogie roots of Rockabilly and Rock 'n' Roll, this time with jewels from Decca and Coral labels. Included are big names like Jimmie Davis (Cherokee Boogie), but also artists who remained almost unknown like Jim Atkins(I'm A Ding Dong Daddy From Dumas) and Rusty Keefer with his original version of I'm Here To Get My Baby Out Of Jail. With their own version, The Everly Brothers made it to position #76 in the Billboard charts in 1962! Other hillbilly rockers on this compilation include Tabby West, Hard Rock Gunter, Wayne Raney, Tommy Sosebee, Chuck Murphy, Terry Fell, Kenny Roberts and Arlie Duff. With this Decca edition we continue one of our most successful series! TRACKLISTING: CD: Jimmy Atkins & His Pinetoppers: I’m A Ding Dong Daddy (From Dumas) T. Texas Tyler: Hot Rod Rag Tabby West: Chat Chat Chattanooga Lonnie Glosson: Pan American Boogie Tex Williams: Big Bear Boogie Autry Inman: Happy Go Lucky Grandpa Jones: 8 More Miles To Louisville Roy Duke: I Mean, I Mean Hank Penny: Bloodshot Eyes Tabby West: Texas Millionaire Hardrock Gunter: Hesitation Boogie Texas Bill Strength: Paper Boy Boogie Gene Stewart: Empty Seat In The Bar Room Booth Rusty Keefer: I’m Just Here To Get My Baby Out Of Jail Tex Williams: Rancho Boogie Jimmie Davis: Cherokee Boogie (Eh-Oh-Aleena) Tommy Sosebee: All Night Boogie Kenny Roberts: I’m Looking For The Bully Of The Town Hardrock Gunter: Honky Tonk Baby Chuck Murphy: Blue Ribbon Boogie Hank Garland: Guitar Shuffle Tabby West: Inchin’ Up Grady Martin: Long John Boogie Tommy Sosebee: The Barber Shop Boogie Hardrock Gunter: You Played On my Piano Jimmy Atkins & His Pinetoppers: Juke Joint Johnny Tabby West: Pretty Little Dedon Arlie Duff: Courtin’ In The Rain Wayne Raney: 40th And Plum Roberta Lee & Hardrock Gunter: Sixty Minute Man Bear Family Records GmbH - Grenzweg 1 - 27729 Holste - Germany Telefon: +49 (4748) 8216-0 Fax: +49 (4748) 8216-20 E-Mail: [email protected] Web: b2b-bear-family.de ALSO AVAILABLE: Various Artists: Billy Walker: Gonna Shake This Shack Tonight! Vol.2 Gonna Shake This Shack Tonight From The Vaults Of Sage & Sand Records Whirlpool BCD16892 AH BCD17521 AH CD (Digipak) with 52-page booklet CD (Digipak) with 28-page booklet EAN: 4000127168924 EAN: 5397102175213 Hank Williams: Various Artists: Gonna Shake This Shack Tonight Gonna Shake This Shack Tonight! Vol. 1 Rockin'Chair Money From The Vaults Of RCA & X Records BCD16636 AH BCD16864 AH CD (Digipak) with 44-page booklet CD (Digipak) with 48-page booklet EAN: 4000127166364 EAN: 4000127168641 Bear Family Records GmbH - Grenzweg 1 - 27729 Holste - Germany Telefon: +49 (4748) 8216-0 Fax: +49 (4748) 8216-20 E-Mail: [email protected] Web: b2b-bear-family.de .
Load more

Recommended publications
  • Alshire Records Discography
    Alshire Discography by David Edwards, Mike Callahan & Patrice Eyries © 2018 by Mike Callahan Alshire International Records Discography Alshire was located at P.O. Box 7107, Burbank, CA 91505 (Street address: 2818 West Pico Boulevard, Los Angeles, CA 90006). Founded by Al Sherman in 1964, who bought the Somerset catalog from Dick L. Miller. Arlen, Grit and Oscar were subsidiaries. Alshire was a grocery store rack budget label whose main staple was the “101 Strings Orchestra,” which was several different orchestras over the years, more of a franchise than a single organization. Alshire M/S 3000 Series: M/S 3001 –“Oh Yeah!” A Polka Party – Coal Diggers with Happy Tony [1967] Reissue of Somerset SF 30100. Oh Yeah!/Don't Throw Beer Bottles At The Band/Yak To Na Wojence (Fortunes Of War)/Piwo Polka (Beer Polka)/Wanda And Stash/Moja Marish (My Mary)/Zosia (Sophie)/Ragman Polka/From Ungvara/Disc Jocky Polka/Nie Puki Jashiu (Don't Knock Johnny) Alshire M/ST 5000 Series M/ST 5000 - Stephen Foster - 101 Strings [1964] Beautiful Dreamer/Camptown Races/Jeannie With The Light Brown Hair/Oh Susanna/Old Folks At Home/Steamboat 'Round The Bend/My Old Kentucky Home/Ring Ring De Bango/Come, Where My Love Lies Dreaming/Tribute To Foster Medley/Old Black Joe M/ST 5001 - Victor Herbert - 101 Strings [1964] Ah! Sweet Mystery Of Life/Kiss Me Again/March Of The Toys, Toyland/Indian Summer/Gypsy Love Song/Red Mill Overture/Because You're You/Moonbeams/Every Day Is Ladies' Day To Me/In Old New York/Isle Of Our Dreams M/S 5002 - John Philip Sousa, George M.
    [Show full text]
  • HOUSE JOINT RESOLUTION 1221 by Maggart a RESOLUTION To
    HOUSE JOINT RESOLUTION 1221 By Maggart A RESOLUTION to honor and commend Harold Ray Bradley upon being inducted into the Country Music Hall of Fame. WHEREAS, the members of this General Assembly are proud to formally recognize those talented musicians whose influence on and participation in a genre of music is of great import and whose talent has set them apart as the finest of American artists; and WHEREAS, veteran guitarist Harold Ray Bradley is one such musician who is widely renowned for his prolific recordings, studio achievements, and industry leadership; and WHEREAS, in recognition of the impact he has had on the genre of country music, Harold Bradley was formally inducted into the prestigious Country Music Hall of Fame by the Country Music Association in 2006; and WHEREAS, born on January 2, 1926, in Nashville, Harold Bradley first took an interest in the banjo, but his brother, the late Owen Bradley, steered him toward guitar; by 1943, Harold Bradley was playing amplified jazz guitar and acquired his first job playing lead guitar with Ernest Tubb’s Texas Troubadours; and WHEREAS, from 1944 to 1946, he proudly served his country as a member of the United States Navy during World War II; he then headed home to Nashville to study music; and WHEREAS, Mr. Bradley’s first country recording session came in 1946, when he recorded with Pee Wee King’s Golden West Cowboys in Chicago; his acoustic rhythm guitar opened Red Foley’s 1950 smash hit “Chattanoogie Shoe Shine Boy,” which jumped to number one on both the country and pop charts; and WHEREAS, though a capable lead guitarist, Harold Bradley’s studio specialty has been rhythm work; on many sessions he lent his musical talents to a studio-triumvirate with lead specialists Hank Garland and Grady Martin; and HJR1221 01147350 -1- WHEREAS, Mr.
    [Show full text]
  • Whiskey River (Take My Mind)  I 
    whiskey river (take my mind) i introduction 00 Bush rev pg proofs 000i-xxiv i i 12/11/06 9:58:38 AM THIS PAGE INTENTIONALLY LEFT BLANK whiskey river (take my mind) iii The True Story of Texas Honky-Tonk by johnny bush with rick mitchell foreword by willie nelson University of Texas Press, Austin introduction 00 Bush rev pg proofs 000i-xxiv iii iii 12/11/06 9:58:39 AM iv copyright © 2007 by the university of texas press All rights reserved Printed in the United States of America First edition, 2007 Requests for permission to reproduce material from this work should be sent to: Permissions University of Texas Press P.O. Box 7819 Austin, TX 78713-7819 www.utexas.edu/utpress/about/bpermission.html ∞ The paper used in this book meets the minimum requirements of ansi/niso z39.48-1992 (r1997) (Permanence of Paper). library of congress cataloging-in-publication data Bush, Johnny. Whiskey river (take my mind) : the true story of Texas honky-tonk / by Johnny Bush with Rick Mitchell ; foreword by Willie Nelson. — 1st ed. p. cm. Includes discography (p. ), bibliographical references (p. ), and index. isbn-13: 978-0-292-71490-8 (cl. : alk. paper) isbn-10: 0-292-71490-4 1. Bush, Johnny. 2. Country musicians—Texas—Biography. 3. Spasmodic dysphonia—Patients—Texas—Biography. 4. Honky-tonk music—Texas— History and criticism. I. Mitchell, Rick, 1952– II. Title. ml420.b8967a3 2007 782.421642092—dc22 [B] 2006033039 whiskey river (take my mind) 00 Bush rev pg proofs 000i-xxiv iv iv 12/11/06 9:58:39 AM Dedicated to v John Bush Shinn, Jr., my dad, who encouraged me to follow my dreams.
    [Show full text]
  • THE HISTORY of SMU FOOTBALL 1910S on the Morning of Sept
    OUTLOOK PLAYERS COACHES OPPONENTS REVIEW RECORDS HISTORY MEDIA THE HISTORY OF SMU FOOTBALL 1910s On the morning of Sept. 14, 1915, coach Ray Morrison held his first practice, thus marking the birth of the SMU football program. Morrison came to the school in June of 1915 when he became the coach of the University’s football, basketball, baseball and track teams, as well as an instructor of mathematics. A former All-Southern quarterback at Vanderbilt, Morrison immediately installed the passing game at SMU. A local sportswriter nicknamed the team “the Parsons” because the squad was composed primarily of theology students. SMU was a member of the Texas Intercollegiate Athletic Association, which ruled that neither graduate nor transfer students were eligible to play. Therefore, the first SMU team consisted entirely of freshmen. The Mustangs played their first game Oct. 10, 1915, dropping a 43-0 decision to TCU in Fort Worth. SMU bounced back in its next game, its first at home, to defeat Hendrix College, 13-2. Morrison came to be known as “the father of the forward pass” because of his use of the passing game on first and second downs instead of as a last resort. • During the 1915 season, the Mustangs posted a record of 2-5 and scored just three touchdowns while giving up 131 Ownby Stadium was built in 1926 points. SMU recorded the first shutout in school history with a 7-0 victory over Dallas University that year. • SMU finished the 1916 season 0-8-2 and suffered its worst 1920s 1930s loss ever, a 146-3 drubbing by Rice.
    [Show full text]
  • A Biography of Doc Watson by Dan Miller Edited by Steve Carr
    A Biography of Doc Watson by Dan Miller Edited by Steve Carr Introduction Over the past fifty years the guitar has had a very powerful influence on American music. Predominantly a rhythm instrument at the turn of the century, the guitar began to step out of the rhythm section in the 1930’s and 40’s and has maintained a dominant presence in every form of music from rock, to folk, to country, bluegrass, blues, and old- time. While Elvis, the Beatles, Bob Dylan, and other pop icons of the 50’s and 60’s certainly played a large role in bolstering the guitar’s popularity, the man who has had the deepest, most enduring, and most profound influence on the way the acoustic flat top guitar is played as a lead instrument in folk, old-time, and bluegrass music today is Arthel "Doc" Watson. To those of us who have spent hundreds of hours slowing down Doc Watson records in order to learn the tastefully selected notes that he plays and emulate the clear, crisp tone he pulls out of his instrument, Doc is a legend. However, Doc’s influence extends far beyond the small niche of guitar players who try to faithfully reproduce his guitar breaks because Doc Watson is not just a guitar player and singer - he is an American hero. To be recognized as a "national treasure" by President Jimmy Carter, honored with the National Medal of the Arts by President Bill Clinton, and given an honorary doctorate degree from the University of North Carolina calls for being more than a fine musician and entertainer.
    [Show full text]
  • “The Stories Behind the Songs”
    “The Stories Behind The Songs” John Henderson The Stories Behind The Songs A compilation of “inside stories” behind classic country hits and the artists associated with them John Debbie & John By John Henderson (Arrangement by Debbie Henderson) A fascinating and entertaining look at the life and recording efforts of some of country music’s most talented singers and songwriters 1 Author’s Note My background in country music started before I even reached grade school. I was four years old when my uncle, Jack Henderson, the program director of 50,000 watt KCUL-AM in Fort Worth/Dallas, came to visit my family in 1959. He brought me around one hundred and fifty 45 RPM records from his station (duplicate copies that they no longer needed) and a small record player that played only 45s (not albums). I played those records day and night, completely wore them out. From that point, I wanted to be a disc jockey. But instead of going for the usual “comedic” approach most DJs took, I tried to be more informative by dropping in tidbits of a song’s background, something that always fascinated me. Originally with my “Classic Country Music Stories” site on Facebook (which is still going strong), and now with this book, I can tell the whole story, something that time restraints on radio wouldn’t allow. I began deejaying as a career at the age of sixteen in 1971, most notably at Nashville’s WENO-AM and WKDA- AM, Lakeland, Florida’s WPCV-FM (past winner of the “Radio Station of the Year” award from the Country Music Association), and Springfield, Missouri’s KTTS AM & FM and KWTO-AM, but with syndication and automation which overwhelmed radio some twenty-five years ago, my final DJ position ended in 1992.
    [Show full text]
  • WILLIE NELSON a Wandering Spirit Finds His Way Home
    MARCH/APRIL 2010 ISSUE MMUSICMAG.COM MARCH/APRIL 2010 ISSUE MMUSICMAG.COM JAKOB DYLAN DRIVE-BY TRUCKERS SHARON JONES PETER FRAMPTON CONTENTS MARCH/APRIL 2010 WILLIE NELSON A wandering spirit finds his way home SLASH Going it alone WARREN HAYNES Gov’t Mule’s new kick COVER STORY KAKI KING WILLIE NELSON SLASH Guitar heroine 36 An American legend talks about how his 44 The guitar giant who fired up Guns N’ Roses and + new album helped him rediscover his roots. Velvet Revolver steps to center stage. KAKI KING DON WAS BROADWAY 24 The innovative young guitarist follows inspiration 48 One of the music world’s most respected ROCKS wherever it leads. producers knows it’s all about the song. MARCH/APRIL 2010 VOLUME 01, ISSUE 02 PETER FRAMPTON WARREN HAYNES PERIODICAL $6.99 U.S. / $7.99 CANADIAN SOCIAL 34 A veteran guitar slinger discusses his new music 62 Why Gov’t Mule’s frontman is always ready and NETWORKING and the perils of superstardom. eager for a new musical challenge. GET GREAT VOCALS 2 MARCH/APRIL 2010 M2_mag_v3.indd 2 3/22/10 10:15 PM MARCH/APRIL 2010 ISSUE MMUSICMAG.COM MARCH/APRIL 2010 ISSUE MMUSICMAG.COM MARCH/APRIL 2010 37 MARCH/APRIL 2010 ISSUE MMUSICMAG.COM MARCH/APRIL 2010 ISSUE MMUSICMAG.COM t’s Thursday afternoon in Evansville, Ind., and Willie Nelson composition “Man With the Blues,” Nelson and friends ramble is—as always—on the road. He played a show last night, he’ll through songs like Ernest Tubb’s “Seaman’s Blues” and Merle I play a show tomorrow night, another the night after that, and Travis’ “Dark as a Dungeon” on their way to the traditional blues another the night after that, stretching out ahead for most of the moan “Nobody’s Fault But Mine,” a number Nelson only recently coming year.
    [Show full text]
  • Stan Martin Whiskey Morning Label: Twangtone Records Catalog# 042014 Release Date: August 1, 2014
    Stan Martin Whiskey Morning Label: Twangtone Records catalog# 042014 Release Date: August 1, 2014 “Stan Martin’s music is a celebration of what’s best about country music. His rolling, popping Telecaster runs are the kinds that cause players to adopt that beloved plank as their ax of choice. This boy sure can play.”-Rick Allen, Vintage Guitar Magazine- Hot on the heels of his 2012 release of Distilled Influences , Stan Martin is hitting full stride as a consummate artist with his fifth studio album Whiskey Morning slated for an August 1, 2014 release. Stan’s competence to author and deliver a three minute tale with infectious choruses, honest vocals and colorful Telecaster precision deliver appeal broad enough to not only satiate the appetites of devote honky tonk fans but to seduce those who find themselves Track Listing: straddling between Americana and classic country. 1. Champagne Wishes 3:33 2. Come on Trouble 3:11 Born and raised in the projects of South Boston, Stan Martin sounds more like a 3. If 4:12 direct disciple of country greats such as Merle Haggard and Buck Owens with a 4. Little Bit Right 3:17 resemblant vocal tone to Dwight Yoakam and Tele skills compared to Pete 5. Damn This Town 4:06 Anderson. “Martin was raised on records featuring Don Rich, James Burton, Roy 6. Reasons for Drinking You Gone 3:03 Nichols and Grady Martin, but, heretical as it may sound, he’s on the same 7 Running Away 3:56 level.”- John Conquest, Third Coast Music- 8. Singer of Songs 3:55 9.
    [Show full text]
  • Don't Let the Stars Get in Your Eyes
    Specht: Don’t Let the Stars Get in Your Eyes “Don’t Let the Stars Get in Your Eyes”: Slim Willet’s Idiosyncratic Chart-Topper Lives On1 Joe W. Specht ProducedSlim Willet bydecked The Berkeley out in his ‘Stars’Electronic outfit. Press, Courtesy 2009 Joe W. Specht. 1 Journal of Texas Music History, Vol. 9 [2009], Iss. 1, Art. 4 “Don’t Let the Stars Get in Your Eyes”: Slim Willet’s Idiosyncratic Chart-Topper Lives on In the fall of 1952, and well on into 1953, the nation’s radio airwaves and jukeboxes were filled with the sound of “Don’t Let the Stars Get in Your Eyes.” The song, penned by Abilene disc jockey Slim Willet, was all the rage with four different versions in Billboard’s Country & Western Top 10. On Billboard’s Pop chart, Perry Como took the song to Number 1, selling over one million copies. Willet, born Winston Lee Moore on December 1, 1919, in Victor, Texas, (western Erath County), began his radio career in the late 1940s at Abilene’s Hardin-Simmons University. While working as student manager of KHSU, the school radio station, Moore adopted the pseudonym “Slim,” because he was anything but slender. He took Willet from the Willets, characters in 37 his favorite comic strip Out Our Way. After graduating from Hardin-Simmons in 1949, Slim went to work for Abilene radio station KRBC. He also wrote songs, and in 1950, he recorded one of his signature tunes, “I’m a Tool Pusher from Snyder,” for Dallas-based Star Talent Records.
    [Show full text]
  • Preview Preview
    PREVIEW PREVIEW [email protected] In its initial days of operation, Warner Bros. Records had no handle on rock and roll at all. Founded in March of 1958, the major label, a division of the celebrated Warner Bros. film studio, had an inner circle of old- timers at the helm that were primarily interested in the film soundtrack end of the business and clearly unfamiliar with music for teenagers. Lounge acts, instrumentals, and TV and movie music comprised a good portion of Warner’s release slate, and what little tangible success they did achieve with the youth market during that era derived from spinoff singles by the photogenic stars of Warner Bros.-produced television programs. Perky Connie Stevens from ‘Hawaiian Eye’ and Edd ‘Kookie’ Byrnes, the heartthrob of ’77 Sunset Strip,’ teamed for the novelty duet Kookie, Kookie (Lend Me Your Comb), which cracked the pop Top Five in the spring of 1959. Connie did even better the next year with her sugary Sixteen Reasons, But those were rare PREVIEWoccurrences. Their handsome co-stars, Roger Smith, Robert Conrad, and Efrem Zimbalist, Jr., had WB singles that went 3 nowhere. Ditto rugged Western star Clint Walker. Movie luminary Tab Hunter struck gold in ‘57 on Dot with his cover of Sonny James’ smash Young Love but only managed three minor chart entries for WB despite high hopes harbored by the label’s braintrust. The label’s other intermittent attempts to court the teenage demographic usually slipped through the commercial cracks until The Everly Brothers came over from Cadence Records in late 1959 to provide salvation.
    [Show full text]
  • September 2020
    AlaPressaHE EWSLEttER OF THE LABAMA RESS SSOCIatION T N A P A SEPTEMBER 2020 Important Dates Statement of ownership due in October National Newspaper Week 2020 America’s Newspapers Webinars October 4-10 Content available for your news Digital Selling Skills for products through Alabama Power Sales Executives Foundation/APA Journalism Sept. 30, 11 a.m.-noon Foundation grant Nominate someone for APA’s NNA.org/convention Lifetime Achievement and Emerging October 1-3, 2020 Journalist awards #NNAathome Ozark editor marks 63 years National Newspaper Week on the job October 4-10, 2020 APA Journalism Foundation internship with Tallapoosa Publishers, Inc. Join NNA’s online convention SEPTEMBER 2020 AlaPressa 2 Statement of ownership filing due The publisher of each publication mailed distribution is produced: sending Periodicals Class Mail must file • Not later than Oct. 10 for publications USPS Form 3526 by Oct. 1 of each year at issued more frequently than weekly. the original entry post office. • Not later than Oct. 31 for publications The information issued weekly or provided on Form less frequently, but 3526 allows the U.S. more frequently than Postal Service to monthly. determine whether the publication meets • For all other publications, in the first Alabama Press Association the standards of Periodicals mailing issue whose primary mailed distribution is Alabama Newspaper Advertising Service Inc. privileges. Newspapers with electronic produced after Oct. 1. 600 Vestavia Parkway, Suite 291 subscriptions to claim will also use Form Please send a copy of your Statement Vestavia, AL 35216 3526x. of Ownership to the APA office at: 600 (205) 871-7737 The required information must appear in Vestavia Parkway, Ste., 291, Vestavia, AL.
    [Show full text]
  • NY Unofficial Archive V5.2 22062018 TW.Pdf
    ........................................................................................................................................................................................... THE UNOFFICIAL ARCHIVE: NEIL YOUNG’S “UNRELEASED” SONGS ©Robert Broadfoot 2018 • [email protected] Version 5.2 -YT: 22 June 2018 Page 1 of 98 CONTENTS CONTENTS ............................................................................................................................. 2 FOREWORD .......................................................................................................................... 3 A NOTE ON SOURCES ......................................................................................................... 5 KEY .......................................................................................................................................... 6 I. NEIL YOUNG SONGS NOT RELEASED ON OFFICIAL MEDIA PART ONE THE CANADIAN YEARS .............................................................................. 7 PART TWO THE AMERICAN YEARS ........................................................................... 16 PART THREE EARLY COVERS AND INFLUENCES ........................................................ 51 II. NEIL YOUNG PERFORMING ON THE RELEASED MEDIA AND AT CONCERT APPEARANCES, OF OTHER ARTISTS ..................................................... 63 III. UNRELEASED NEIL YOUNG ALBUM PROJECTS PART ONE DOCUMENTED ALBUM PROJECTS ....................................................... 83 PART TWO SPECULATION
    [Show full text]