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The Builders Labourers' Federation
Making Change Happen Black and White Activists talk to Kevin Cook about Aboriginal, Union and Liberation Politics Kevin Cook and Heather Goodall Published by ANU E Press The Australian National University Canberra ACT 0200, Australia Email: [email protected] This title is also available online at http://epress.anu.edu.au National Library of Australia Cataloguing-in-Publication entry Author: Cook, Kevin, author. Title: Making change happen : black & white activists talk to Kevin Cook about Aboriginal, union & liberation politics / Kevin Cook and Heather Goodall. ISBN: 9781921666728 (paperback) 9781921666742 (ebook) Subjects: Social change--Australia. Political activists--Australia. Aboriginal Australians--Politics and government. Australia--Politics and government--20th century. Australia--Social conditions--20th century. Other Authors/Contributors: Goodall, Heather, author. Dewey Number: 303.484 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying or otherwise, without the prior permission of the publisher. Cover images: Kevin Cook, 1981, by Penny Tweedie (attached) Courtesy of Wildlife agency. Aboriginal History Incorporated Aboriginal History Inc. is a part of the Australian Centre for Indigenous History, Research School of Social Sciences, The Australian National University and gratefully acknowledges the support of the School of History RSSS and the National Centre for Indigenous Studies, The Australian National -
Persianism in Antiquity
Oriens et Occidens – Band 25 Franz Steiner Verlag Sonderdruck aus: Persianism in Antiquity Edited by Rolf Strootman and Miguel John Versluys Franz Steiner Verlag, Stuttgart 2017 CONTENTS Acknowledgments . 7 Rolf Strootman & Miguel John Versluys From Culture to Concept: The Reception and Appropriation of Persia in Antiquity . 9 Part I: Persianization, Persomania, Perserie . 33 Albert de Jong Being Iranian in Antiquity (at Home and Abroad) . 35 Margaret C. Miller Quoting ‘Persia’ in Athens . 49 Lloyd Llewellyn-Jones ‘Open Sesame!’ Orientalist Fantasy and the Persian Court in Greek Art 430–330 BCE . 69 Omar Coloru Once were Persians: The Perception of Pre-Islamic Monuments in Iran from the 16th to the 19th Century . 87 Judith A. Lerner Ancient Persianisms in Nineteenth-Century Iran: The Revival of Persepolitan Imagery under the Qajars . 107 David Engels Is there a “Persian High Culture”? Critical Reflections on the Place of Ancient Iran in Oswald Spengler’s Philosophy of History . 121 Part II: The Hellenistic World . 145 Damien Agut-Labordère Persianism through Persianization: The Case of Ptolemaic Egypt . 147 Sonja Plischke Persianism under the early Seleukid Kings? The Royal Title ‘Great King’ . 163 Rolf Strootman Imperial Persianism: Seleukids, Arsakids and Fratarakā . 177 6 Contents Matthew Canepa Rival Images of Iranian Kingship and Persian Identity in Post-Achaemenid Western Asia . 201 Charlotte Lerouge-Cohen Persianism in the Kingdom of Pontic Kappadokia . The Genealogical Claims of the Mithridatids . 223 Bruno Jacobs Tradition oder Fiktion? Die „persischen“ Elemente in den Ausstattungs- programmen Antiochos’ I . von Kommagene . 235 Benedikt Eckhardt Memories of Persian Rule: Constructing History and Ideology in Hasmonean Judea . -
Tuesday, 14 July 2009
14 Jul 2009 Estimates Committee A—Legislative Assembly 1 TUESDAY, 14 JULY 2009 Legislative Assembly ESTIMATES COMMITTEE A—LEGISLATIVE ASSEMBLY Estimate Committee A Members Mr SD Finn (Chair) Mrs JM Attwood Mrs BM Kiernan Mr J-P H Langbroek Mr TJ Nicholls Mr KG Shine Mrs JA Stuckey In Attendance Hon. RJ Mickel, Speaker Mr N Laurie, Clerk of the Parliament Mr M Ries, Deputy Clerk Mr M Hickey, Director of Corporate and House Services Mr C Atkinson, Manager, Financial and Administrative Services Committee met at 8.30 am CHAIR: Good morning, Mr Speaker. Welcome to your first estimates committee in the role of Speaker. I declare this meeting of Estimates Committee A now open. Can I start first by acknowledging the traditional owners of the land on which this hearing is taking place today. My name is Simon Finn. I am the member for Yeerongpilly and the chair of this committee. Joining me on the committee are: Mr John-Paul Langbroek, the member for Surfers Paradise and deputy chair; Mrs Betty Kiernan, the member for Mount Isa; Mrs Julie Attwood, the member for Mount Ommaney; Mr Kerry Shine, the member for Toowoomba North; Mr Tim Nicholls, the member for Clayfield; and Mrs Jann Stuckey, the member for Currumbin. The committee will examine the proposed expenditure contained in the Appropriation (Parliament) Bill 2009 for the Legislative Assembly and the Appropriation Bill 2009 for the portfolios of the Premier and Minister for the Arts, the Treasurer and Minister for Employment and Economic Development, and the Minister for Public Works and Information and Communication Technology. -
Two Queens of ^Baghdad Oi.Uchicago.Edu
oi.uchicago.edu Two Queens of ^Baghdad oi.uchicago.edu Courtesy of Dr. Erich Schmidt TOMB OF ZUBAIDAH oi.uchicago.edu Two Queens of Baghdad MOTHER AND WIFE OF HARUN AL-RASH I D By NABIA ABBOTT ti Vita 0CCO' cniia latur THE UNIVERSITY OF CHICAGO PRESS CHICAGO • ILLINOIS oi.uchicago.edu The University of Chicago Press • Chicago 37 Agent: Cambridge University Press • London Copyright 1946 by The University of Chicago. All rights reserved. Published 1946. Composed and printed by The University of Chicago Press, Chicago, Illinois, U.S.A. oi.uchicago.edu Preface HE historical and legendary fame of Harun al- Rashld, the most renowned of the caliphs of Bagh dad and hero of many an Arabian Nights' tale, has ren dered him for centuries a potent attraction for his torians, biographers, and litterateurs. Early Moslem historians recognized a measure of political influence exerted on him by his mother Khaizuran and by his wife Zubaidah. His more recent biographers have tended either to exaggerate or to underestimate the role of these royal women, and all have treated them more or less summarily. It seemed, therefore, desirable to break fresh ground in an effort to uncover all the pertinent his torical materials on the two queens themselves, in order the better to understand and estimate the nature and the extent of their influence on Harun and on several others of the early cAbbasid caliphs. As the work progressed, first Khaizuran and then Zubaidah emerged from the privacy of the royal harem to the center of the stage of early cAbbasid history. -
Punk Aesthetics in Independent "New Folk", 1990-2008
PUNK AESTHETICS IN INDEPENDENT "NEW FOLK", 1990-2008 John Encarnacao Student No. 10388041 Master of Arts in Humanities and Social Sciences University of Technology, Sydney 2009 ii Acknowledgements I would like to thank my supervisor Tony Mitchell for his suggestions for reading towards this thesis (particularly for pointing me towards Webb) and for his reading of, and feedback on, various drafts and nascent versions presented at conferences. Collin Chua was also very helpful during a period when Tony was on leave; thank you, Collin. Tony Mitchell and Kim Poole read the final draft of the thesis and provided some valuable and timely feedback. Cheers. Ian Collinson, Michelle Phillipov and Diana Springford each recommended readings; Zac Dadic sent some hard to find recordings to me from interstate; Andrew Khedoori offered me a show at 2SER-FM, where I learnt about some of the artists in this study, and where I had the good fortune to interview Dawn McCarthy; and Brendan Smyly and Diana Blom are valued colleagues of mine at University of Western Sydney who have consistently been up for robust discussions of research matters. Many thanks to you all. My friend Stephen Creswell’s amazing record collection has been readily available to me and has proved an invaluable resource. A hearty thanks! And most significant has been the support of my partner Zoë. Thanks and love to you for the many ways you helped to create a space where this research might take place. John Encarnacao 18 March 2009 iii Table of Contents Abstract vi I: Introduction 1 Frames -
William Ernest Henley - Poems
Classic Poetry Series William Ernest Henley - poems - Publication Date: 2004 Publisher: Poemhunter.com - The World's Poetry Archive William Ernest Henley(1849 - 1902) William Ernest Henley (August 23, 1849 - July 11, 1903) was a British poet, critic and editor. Henley was born in Gloucester and educated at the Crypt Grammar School. The school was a poor relation of the Cathedral School, and Henley indicated its shortcomings in his article (Pall Mall Magazine, Nov. 1900) on T. E. Brown the poet, who was headmaster there for a brief period. Brown's appointment was a stroke of luck for Henley, for whom it represented a first acquaintance with a man of genius. "He was singularly kind to me at a moment when I needed kindness even more than I needed encouragement." Brown did him the essential service of lending him books. Henley was no classical scholar, but his knowledge and love of literature were vital. After suffering tuberculosis as a boy, he found himself, in 1874, aged twenty- five, an inmate of the hospital at Edinburgh. From there he sent to the Cornhill Magazine where he wrote poems in irregular rhythms, describing with poignant force his experiences in hospital. Leslie Stephen, then editor, visited his contributor in hospital and took Robert Louis Stevenson, another recruit of the Cornhill, with him. The meeting between Stevenson and Henley, and the friendship of which it was the beginning, form one of the best-known episodes in English literature (see Stevenson's letter to Mrs Sitwell, Jan. 1875, and Henley's poems "An Apparition" and "Envoy to Charles Baxter"). -
Indigenous Popular Music an Example of Cultural Vitality and a Curriculum Resource
S P E C I A L F E A T U R E Indigenous popular music An example of cultural vitality and a curriculum resource Dr. Karl Neuenfeldt Central Queensland University In Governor-General Bill Hayden’s 1996 Australia Indigenous popular music provides useful examples Day Address, he spoke pointedly and movingly of of cultural vitality in practice as education, as two things related to cultural vitality: a sense of empowerment and as entertainment (Davison and pride within indigenous communities; and, a sense Neuenfeldt 1996). These overlap and many of synthesis between indigenous and non- indigenous Australian musicians, groups and song indigenous Australians. His remarks still hold value writers (such as Archie Roach, Yothu Yindi and even in the present social and political climate in Kev Carmody) combine all three levels in their which there are serious challenges to the music. They present an indigenous musical voice acceptance of tolerance and diversity in Australian previously either absent or muted or cliched within society, and by extension, the education system. Australian society and education curricula. They are Australian examples of an international group Hayden said the processes of pride and synthesis of articulate indigenous spokespersons whose mode are taking place on several levels: the political, the of artistic expression is popular music and whose social and the cultural. The cultural level is work has impacted on how individuals, groups and addressed here, specifically how cultural vitality is even nations imagine themselves and use music to an integral element of indigenous affairs today and forge identity. how it impacts on the broader society through the education system. -
“Paul Robert Burton Band”
“PAUL ROBERT BURTON BAND” The “Paul Robert Burton Band” is a musical collaboration, presenting to the public an expanding ensemble of world-class virtuoso musicians from an infinitely wide variety of musical styles and genres. Every player is unique, however they all have something very much in common, commitment and dedication to the Arts. Music can transport the soul to higher realms and these musicians together invoke that feeling. “ We can easily say that Paul Robert Burton and his band were the standout act at this year’s Kiama Jazz & Blues Festival. Where ever he played and in whatever venue (café, outdoor concert, club) or line up (from solo to full on band) the crowds were huge, bopping and excited. Venues were full to capacity and then some! During a sidewalk café appearance, the crowds spilled onto the street & stopped traffic! Apart from his musical gifts, Paul was appreciated by festival management as a source of information regarding other artists, and brought great energy, inspiration and spirit to our Festival. People raved for weeks afterwards, and purchased Paul’s CD’s aplenty, and we have had considerable requests since the festival as to where & when Paul might play again. ” Ross Eggleton, Festival Director Eevi Stein, Festival Coordinator & Publicity Kiama Jazz & Blues Festival April 1- 3 2011 PAUL ROBERT BURTON (Songwriter, Producer, Sound Engineer, Upright Bass, Foot Drums, Guitarlele, Harmonicas, Ocarinas and Vocals) www.paulrobertburton.com www.reverbnation.com/paulrobertburton www.youtube.com/paulrobertburton Paul Robert Burton is a Multi-tasking, Multi-instrumentalist, Singer, Songwriter, Producer and Sound Engineer. Beginning his career some 30 years ago as a session musician, Paul has performed with Elvis Presley’s drummer D J Fontana, James Brown’s drummer Toni Cooke and has an extensive list of musical associations with a veritable “who’s who” of the Australian Music Industry. -
A Victorian Arabian Nights Adventure: a Study in Intertextuality
Loyola University Chicago Loyola eCommons Dissertations Theses and Dissertations 1988 A Victorian Arabian Nights Adventure: A Study in Intertextuality Nancy Victoria Workman Loyola University Chicago Follow this and additional works at: https://ecommons.luc.edu/luc_diss Part of the English Language and Literature Commons Recommended Citation Workman, Nancy Victoria, "A Victorian Arabian Nights Adventure: A Study in Intertextuality" (1988). Dissertations. 2663. https://ecommons.luc.edu/luc_diss/2663 This Dissertation is brought to you for free and open access by the Theses and Dissertations at Loyola eCommons. It has been accepted for inclusion in Dissertations by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. Copyright © 1988 Nancy Victoria Workman A VICTORIAN ARABIAN NIGHTS ADVENTURE: A STUDY IN INTERTEXTUALITY by Nancy Victoria Workman A Dissertation Submitted to the Faculty of the Graduate School of Loyola University of Chicago in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy August 1988 copyright 1988 Nancy V. Workman ACKNOWLEDGMENTS I wish to thank my director, Dr. Frank Fennell, for his assistance during this project. I also wish to thank my other readers, Drs. Micael Clarke and Joyce Wexler, for their help. They all offered encouragement and interest, even as they read additional drafts and alternate versions. It is only through their efforts that I did not succeed in imitating Scheherazade's perpetual narrative too faithfully. For financial assistance, I wish to thank the Kosciuszko Foundation which awarded me a grant for 1985- 1986. -
Whatever Happened to Reconciliation? [PDF 399KB]
RQI RESOURCE SHEET Presentation by Professor Mick Dodson For the Public Lecture Series 2007 Whatever Happened to Reconciliation? 20 June 2007 Good Evening Ladies and Gentlemen: My first duty is to acknowledge that we are on the ancestral lands of the Wurundjeri people. My greetings to all of the Wurundjeri and, in particular, I pay my respects to your elders. It is great to be on your traditional country. Thank you also to Raimond Gaita who in my opinion is one of Australia’s very great thinkers. He challenges us to not only think but to do. Though, what I think we really desperately need are some very great Australian listeners – particularly among our politicians. You never hear anyone talk about our great listeners! The overarching title of this public lecture series asks the question; ‘Whatever happened to Reconciliation?’ I was told by the organisers that I should feel free to give my address its own individual title but I’m really just as happy to stick with the one given. Because it’s a question I hear quite often and I suspect that the various speakers taking part in the lecture series will come at it from all sorts of different perspectives. As was the case with Peter Sutton last week. And I think it’s important that I deal with it very directly, particularly as I understand I am the only Aboriginal speaker in the series. But also because I am a director of Reconciliation Australia which perhaps offers me a broader, more everyday experience of what’s happened to reconciliation than other commentators whose views may be based more on perceptions or assumptions. -
Aladdin March11 2019
4. ROCK 2 Yeah, Diamond in the Rough. WHEEZER Gotcha. Wheezer starts walking away only to be stopped by Jafar. The two pantomime a dispute until finally Jafar ushers the unenthusiastic Wheezer back to the cave entrance. WHEEZER (CONT'D) So like “dudes”, I supposed that leaves out liars, cheats, and thieves? ROCK 1 Right on, dude! ROCK 2 Right on! Thunder and rumbling are heard and strobe flashes as rocks sink back down to floor level, then disappear. JAFAR I can’t believe this! I’m never going to get that lamp! WHEEZER So what are we going to do now, boss. We’ve got a big problem... Jafar has been thinking to himself, and now, without looking at Wheezer, slaps one hand over Wheezer’s mouth to shut him up, and begins reasoning things out loud to himself. JAFAR Diamond in the Rough - that can only mean one thing: a common person who has shining qualities within. I must find this Diamond in the Rough if I am ever going to get the magic lamp. Jafar starts to exit off. JAFAR (CONT'D) Come, we must return to the palace. Jafar exits, followed by Wheezer. ACT 1, SCENE 2 Curtain opens on Aladdin’s home. 5. A group of children are playing catch. They range in age from school age up and include the boys Rashid, Abdul,and Malek and the girls Kadri, Coco, and Riaz. Aladdin, a handsome young man, enters from the opposite side of the stage. Ali spies Aladdin coming and beckons to him. RASHID Aladdin! Come play with us! KADRI Yes! Come Aladdin. -
The Readings Prize for New Australian Fiction 2020 Shortlist
FREE SEPTEMBER 2020 The Readings Prize for New Australian Fiction 2020 shortlist page 5 New books by Elena Ferrante, Yotam Ottolenghi, Yaa Gyasi, Jock Serong and more BOOKS MUSIC FILM EVENTS VIKA & LINDA page 22 ELENA KATE BRIAN DEER HELEN FIONA HARDY FERRANTE MILDENHALL page 13 MACDONALD page 18 page 6 page 6 page 16 CARLTON 309 LYGON ST 9347 6633 KIDS 315 LYGON ST 9341 7730 DONCASTER WESTFIELD DONCASTER, 619 DONCASTER RD 9810 0891 HAWTHORN 701 GLENFERRIE RD 9819 1917 MALVERN 185 GLENFERRIE RD 9509 1952 ST KILDA 112 ACLAND ST 9525 3852 STATE LIBRARY VICTORIA 285-321 RUSSELL ST 8664 7540 | SEE SHOP OPENING HOURS, BROWSE AND BUY ONLINE AT READINGS.COM.AU 2020 SHORTLIST THE READINGS PRIZE FOR NEW AUSTRALIAN FICTION Available now at Readings readings.com.au | search ‘Readings Prize shortlist’ on our website to buy all six books in one specially priced pack NEWS September 2020 READINGS MONTHLY 3 a copy of the book from Readings, and will his highly anticipated new novel on Tuesday run until 30 September 2020. The entry 6 October, and many more! For details on Bargains September form is online. For all of the details about how to watch, and to see what’s on offer You might notice something missing from how to enter, visit readings.com.au/news/ across our whole events program, visit your Readings Monthly this month. Due to enter-our-how-to-write-the-soundtrack-to- readings.com.au/events the ongoing lockdowns, restrictions and News your-life-competition or search for the book supply issues in Victoria, we are unable on our website.