hsad.ca Design. + During this 15-week immersive experience, you will spend 40 hours a week in the studio mentored by in the studio mentored During this 15-week immersive experience, you will spend 40 hours a week of work. bodies considered one or more artists, creating professional exhibitions and gallery visits, you will be supported critiques, guest lectures, individual and group Through for grants, and processes in the development of your work, your portfolio, documents and submission exhibition preparation. body of work during an artist talk, along with a set of artist documents and a your current present You’ll final portfolio. We are offering a new, immersive studio experience this summer at the Haliburton School of studio experience this summer at the Haliburton School immersive a new, offering are We Art is designed specifically for emerging artists, visual arts graduates and This unique, intensive studio program and further develop their work with the guidance of a established practitioners who want to re-examine faculty in a supportive, inspiring environment. team of professional Highlights: some of the Program are Here • • • details, contact Sandra Dupret: For program [email protected] Take Your Studio Practice to Studio Your Take This Summer. the Next Level Certificate — May to August, 2016 Advancement Graduate Studio Process Course Calendar 2016

Haliburton School of Art + Design 2016 Course Calendar twitter.com/flemingHSAD facebook.com/flemingHSAD instagram.com/flemingHSAD 705.457.1680 1.866.353.6464 ext. 3 Free Toll [email protected] 297 College Drive Box 839, Haliburton, Ontario K0M 1S0 hsad.ca is for Haliburton School of Art + Design

We’ve changed our name, but not our commitment to providing the best possible art education experience for our students. Our new name now reflects the breadth of our expanded programming: art and design studies offered in full-time, part-time, and accelerated formats; available at multiple campus locations and partner institutions.

The letter H features prominently in our new identity:

is inspired by the iconic Haliburton campus red doors that symbolize the opening of creative possibilities for all students.

is for Haliburton and the wonderful community of artists, designers and makers who live here.

is an acknowledgment of our longstanding history in shaping art education since 1968.

Cover Art John Anderson, Morning Joy Study, 2011

John Anderson is a veteran studio and plein air painter. His first major influence was the work of Andrew Wyeth; later it was the Group of Seven and Tom Thomson. John teaches in our summer program: Landscape Painting – Inside & Out Oil Painting – Introduction to Plein Air Oil Painting – Plein Air Intermediate/Advanced hsad.ca hsad.ca

Design.

+ During this 15-week immersive experience, you will spend 40 hours a week in the studio mentored by in the studio mentored During this 15-week immersive experience, you will spend 40 hours a week bodies of work. considered one or more artists, creating professional exhibitions and gallery visits, you will be supported guest lectures, critiques, individual and group Through for grants, and processes in the development of your work, your portfolio, documents and submission exhibition preparation. body of work during an artist talk, along with a set of artist documents and a your current present You’ll final portfolio. For program details, contact Sandra Dupret: For program [email protected] • • • We are offering a new, immersive studio experience this summer at the Haliburton School of immersive studio experience this summer at the Haliburton a new, offering are We Art Highlights: some of the Program are Here the Next Level This Summer. the Next Level — May to August, 2016 Advancement Graduate Certificate Studio Process specifically for emerging artists, visual arts graduates and is designed This unique, intensive studio program and further develop their work with the guidance of a re-examine established practitioners who want to faculty in a supportive, inspiring environment. team of professional Take Your Studio Practice to Your Take Course Calendar 2016

Haliburton School of Art + Design 2016 Course Calendar twitter.com/flemingHSAD facebook.com/flemingHSAD instagram.com/flemingHSAD 705.457.1680 1.866.353.6464 ext. 3 Free Toll [email protected] 297 College Drive Box 839, Haliburton, Ontario K0M 1S0 hsad.ca Welcome! Haliburton School of Art + Design

College Information ...... 3 Courses and Programs Course Listings by Date ...... 4 Expressive Arts – Ontario College Graduate Certificate ...... 9 Expressive Arts Courses ...... 10 Spring 2016 Peterborough ...... 12 OCAD University ...... 13 Haliburton ...... 15 Concentrated Study, Drawing and Painting ...... 16 Summer 2016 Haliburton ...... 19 Sustainable Building and Construction ...... 63 Fall 2016 McMichael Canadian Art Collection ...... 65 Peterborough ...... 66 Five Oaks Education and Retreat Centre ...... 68 Haliburton ...... 69 Visual and Creative Arts Diploma (VCAD) ...... 72 Instructor Biographies ...... 74 General Information Important Information ...... 89 Refund Policy ...... 89 FAQ ...... 90 Activities Schedule ...... 91 Community Arts Events ...... 91 Entertainment – On Stage ...... 92 Art Talks ...... 93 Bursaries ...... 94 "Adopt a Cabin" Renovation Fund ...... 95

Like us on Facebook: flemingHSAD Haliburton

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HSAD Sculpture Forest Trail

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21 Sudbury Ottawa 3.5 hrs College 4.5 hrs Cabins SSFC Employment Resource Head Centre Haliburton oo Lake Haliburton Highlands Kingston e Secondary School Rail's End l W 3 hrs J D Hodgson Gallery o Elementary School l le Peterborough 1.5 hrs Toronto 2.5 hrs 1

Indulgence. Immersion. Inspiration. Haliburton School of Art + Design offers cottage country and city DATES art experiences . The majority of coursesmee are held in Haliburton in the summer • Haliburton months, with additional offerings in the fall and spring as detailed . • Peterborough 2 • OCAD U in Toronto TIMES • McMichael Canadian Art Collection in Kleinburg Week-long courses: 9:00 am to 4:30 pm, Monday to Friday • Five Oaks Education and Retreat Centre in Paris, Ontario unless otherwise indicated . (Some courses are 6 days .) Saturday workshops: 9:00 am to 5:00 pm Spring: Courses are held at Fleming’s Haliburton Campus in the Saturday morning workshops: 9:00 am to noon village of Haliburton and at the Sutherland Campus in Peterbor- ough . Additional offerings are available at the Ontario College of Art and Design University (OCAD U) in Toronto . FEES Week-long adult credit courses (5 days): $340 .58 Summer: Courses are held in the village of Haliburton, just 2½ Saturday workshops: $105 .32 hours north of Toronto and 3½ hours west of Ottawa . Most are Saturday morning workshops: $45 .14 located at Fleming’s Haliburton Campus and J . Douglas Hodgson Elementary School . Some classes are held at other venues within Kids’ courses: $105 .90 per week (half days) the village . A map featuring locations is available online and Youth courses: $207 .68 specific locations/room number of each course will be posted Teen courses: $231 .55 at the entrances of the Fleming Campus and JDH Elementary . Materials extra . Outdoor signage and staff members will also help direct you . In order to accommodate changing registration levels and specific needs, precise room locations are determined the Friday prior to the start of the course and are subject to change. [email protected] Fall: Courses will be held at Fleming’s Haliburton Campus in the 1.866.353.6464 ext. 3 or 705.457.1680 village of Haliburton, at the Sutherland Campus in Peterborough, Fax: 705 .457 .2255 Five Oaks Education and Retreat Centre in Paris Ontario, and the 297 College Drive, Box 839, Canadian Art Collection in Kleinburg . Haliburton, Ontario K0M 1S0

Visual and Creative Arts Diploma (VCAD) OPENING DATES FOR REGISTRATION Investigate our unique and flexible options for earning a diploma in the visual arts . Choose the learning path that’s right for you! March 1 Spring and summer Haliburton & OCADU See pages 72–73 for more information . courses and spring Peterborough courses

March 28 Expressive Arts – Part-time within the 8-week VCAD Credits: Within this calendar, spring program foundation courses are indicated by a single asterisk (*), July 4 Fall in all locations non-credit courses are indicated by a double asterisk (**), elective courses have no asterisk. Dear Art Enthusiast, Welcome to the Haliburton School of Art + Design! We are very excited to launch our new school name and new brand identity with this year’s summer school calendar . We’ve changed our name to better reflect our school’s expanded programming, including our summer school courses . Between these pages you will find amazing courses that focus on a variety of visual and performing arts, as well as great design courses – all taught by professionals from across the country . 2016 marks our 48th year of providing the largest of selection of summer art programming in the country . We have grown from a small program that offered a handful of fall landscape painting and photography courses to a college campus that welcomes 300 full-time students and 2,500 part-time students throughout the year . Besides a great new look, the evolution of our school brand means you will have more programming choices and greater access to unique courses developed and delivered by Canada’s best creative talent . We have built our longstanding reputation on providing an intimate, hands-on learning experi- ence and that continues to be our direction as we move into this new phase of our history Whatever your skill level or interests, we have over 300 courses for you to choose from, including 70 brand new classes . Come and explore your creative possibilities with us this summer . I look forward to seeing you in the studios soon . . Yours in art,

3

Sandra Dupret Dean, Haliburton School of Art + Design

Open House • College President: Dr . Tony Tilly Saturday, April 2, 2016 • 10 am – 2 pm • Campus locations in Peterborough, Lindsay, Haliburton, and Cobourg . • 6,000 full-time students; 10,000 part-time students; Experience what we have to offer! 68,000+ alumni • Talk to Fleming faculty, staff, and students, and tour • More than 110 full-time programs in Business and Justice, our fabulous campus . Environmental and Natural Resource Sciences, Fine Arts, Community Development and Health, Trades and Technology, • See the studios, Great Hall, and classrooms . General Arts and Science, and Continuing Education . • Get information about accommodation options, and • More than 900 part-time courses are offered in evening sessions, visit the village of Haliburton . week-long or weekend workshops, day classes, or online . The college’s portfolio includes both career-enhancing programs and • You may want to stroll through the Haliburton lifestyle and leisure courses . Sculpture Forest that surrounds the campus . See page 91 . • Fleming College, as a member of OntarioLearn, offers hundreds of online courses; this is a flexible option for students balancing a career, education, and personal commitments . There will be another Open House in the fall . Call us for the date if you are interested in visiting . flemingcollege.ca – SU

COURSE LISTINGS by date

OPENING DATES FOR REGISTRATION

March 1 Spring and summer Haliburton & OCADU courses and spring Peterborough courses March 28 Expressive Arts – Part-time within the 8-week hsad.ca 1.866.353.6464 ext. 3 spring program July 4 Fall in all locations

OTHER-THAN-HALIBURTON IN THE SPRING AND SUMMER

FLEMING COLLEGE, PETERBOROUGH OCAD U, TORONTO

Saturday, May 14 (page 12) June 6 to 10 (page 13) Acrylic Textures & Dimensions Workshop . . . . Victoria Wallace Contemporary Figure Painting – Issues & Methods . . Andy Fabo Beadwork Basics Workshop ...... Andrew Bullock Drawing: Form, Space & the Urban Environment Creative Brush Expressions – Japanese Sumi-e ...... Thomas Hendry ...... Cassandra Wyszkowski Figurative Abstraction in Acrylic ...... Brian Smith Jewellery – Rivets, Wraps & Making Connections Open Studio – Painting ...... Andrea Mossop 4 ...... Amanda Brittin Painting – Impressions, Inspirations & Ideas . . . . Joanna Nash Nuno Felting Workshop ...... Susan MacDonald Watercolour Greetings Workshop ...... Marg McIntyre June 13 to 17 (page 14) Artistic Exploration – Painting & Drawing ...... Jay Dampf Expressionism – Power, Passion & Paint ...... Steve Rose Life Drawing & Painting – Landscape of the Model ...... Joanna Nash Open Studio – Painting ...... Andrea Mossop Portrait Painting ...... Brian Smith

Sutherland Campus, Peterborough OCAD U, Toronto – SU

HALIBURTON IN THE SPRING & SUMMER

April 25 to 29 (page 15) June 27 to July 1 (page 18) Artistic Narrative through Assemblage ...... Kal Honey Drawing & Painting Media Sampler . . . Elizabeth. Hutchinson Felted Wearable Art ...... Diane Lemire May 9 to 13 (page 15) Painting – Creating Composition ...... Shannon Partridge Coloured Pencils & Pastels ...... Marta Scythes Pottery – Hand Building & Personalized Decoration .April Gates Iron Sculpture Open Studio ...... Rene Petitjean Stone Carving – Relief & Letter Carving . . . . . Fly Freeman Painting Basics ...... Shannon Partridge Watercolour Basics & Beyond ...... Marta Scythes

July 4 to 8 (page 19) DRAWING & PAINTING Acrylic, Collage, Yoga & Meditation ...... Jill Segal – ADVANCED INDIVIDUAL STUDIES (page 16) Acrylics – Changing the Subjects . . . . . Marianne Broome May 9 to 13 Acrylics & Mixed Media – Introductory . . Annette Blady Van Mil Painting – Advanced Individual Studies . . . . . John Leonard Bird Carving – Beg/Interm ...... Uta Strelive May 16 to 20 Conceptual Transformations ...... Elinor Whidden Visual Arts – Advanced Individual Studies . . . . . John Leonard Creating Written Memoirs ...... Nora Zylstra-Savage Dry Stone Walling ...... John Shaw Rimmington Dyeing – Wrap & Rust ...... Maggie Vanderweit Saturday May 21 (page 17) Fibre Arts for Quilters ...... Jan Anderson Percussion Instruments Workshop ...... John Proctor Fundamental Drawing ...... Charles O’Neil Glassblowing and Glassblowing II ...... Sally McCubbin May 30 to June 3 (page 17) Harp – Intermediate ...... Maureen McKay Conceptual Transformations ...... Elinor Whidden Jewellery – Stone Setting: Beg/Interm/Adv . .Susan Watson Ellis Kids’ Pop Art ...... Michele Karch Ackerman June 20 to 24 (page 17) Kids’ Zoo Mania ...... Toni Caldarone Mindfulness Creativity & Spirituality within Expressive Arts Landscape Painting 101 ...... Rod Prouse ...... Julie McIntyre Music – Campfire & Beyond ...... October Browne Musical Instrument Construction ...... Philip Davis Oil Painting – Intuitive Expression ...... Sue Miller 5 Painting Birds ...... Matthew Mancini Painting from the Model – Adv ...... John Leonard Passionate Paint I and Passionate Paint II . . . . . Al Van Mil Photography – Travel & Landscape ...... Rob Stimpson Expressive Arts Pottery – Beginners ...... April Gates Printmaking – Screen Monoprinting Plus . . . Linda Kristin Blix Graduate Certificate Totem Carving ...... Wayne Hill See pages 9 – 11 Watercolour Painting – Advanced ...... Art Cunanan Full-time program: Youth/Teen Animation ...... Tammy Rea April 25 to June 17, 2016 Youth/Teen Mixed Media Creations ...... Amanda Brittin

April 25 to 29 Saturday, July 9 (page 25) Introduction to Expressive Art ...... Julie McIntyre Abstracting the Landscape in Acrylics Workshop May 2 to 6 ...... Marianne Broome Sandtray & Writing within Expressive Arts Beadwork Basics Workshop ...... Andrew Bullock ...... Verity Barrett & Julie McIntyre Expressive Painting Workshop ...... Sue Miller May 9 to 13 Fabric Printing – Print, Paint & Roll Workshop . . . Gunnel Hag Expressive Arts – Exploring Relationships . . . Ed Hagedorn Frame Drum Making Workshop ...... John Proctor Jewellery – Silver Ring Workshop ...... Susan Watson Ellis May 16 to 20 Painted Floor Cloths Workshop ...... Amanda Brittin Mindful Music & Movement in Expressive Arts Painting – Mixed Media Layers Workshop ...... Holly Dean ...... Gary Diggins & Dorit Osher May 23 to 27 Expressive Arts and Resiliency . . . . . Markus Alexander May 30 to June 3 Expressive Arts Modalities ...... Julie McIntyre & Robin McGauley June 6 to 10 Planning Expressive Arts Experiences . . . Robin McGauley Bursaries and Scholarships are available. See page 94. June 13 to 17 Professional Issues with the Expressive Arts ...... Marylisa Ince The following courses and workshops are being offered in Haliburton.

July 11 to 15 (page 26) Oil Painting Open Studio ...... Andrea Mossop Acrylics – Explore, Express, Experiment . . . . . Kim Lee Kho Open Studio – Painting ...... V . Jane Gordon Creative Writing – Ignite Your Potential . . . Nora Zylstra-Savage Paint Like the Group of Seven ...... Al Van Mil Decoy Carving ...... Doug Mason Paint Like the Masters ...... Matthew Mancini Digital Integration & Collage ...... David Clarkson Photography – In Camera ...... Elisabeth Feryn Drawing with Ink & Colour ...... Charles O’Neil Pottery – Form & Function ...... Scott Barnim Fabric Printing – Irresistible Resists ...... Gunnel Hag Printmaking – Woodcut ...... Marta Scythes Glassblowing and Glassblowing II ...... Terry Craig Spinning ...... Wendy E . Bateman Harp – Beginner ...... Maureen McKay Stone Carving ...... Fly Freeman Japanese Brush Painting I ...... Cassandra Wyszkowski Wire Sculpture ...... Charles O’Neil Jewellery ...... Michael Letki Writing That Resonates ...... Ken Murray Kids’ Oceanic Adventures ...... Marcin Wisniewski Youth/Teen Cuisine ...... Dana Jackson Kids’ Play with Drama ...... Leanne Schachow Youth/Teen Movie Making . . . Tammy. Rea & Martha Larsen Landscape Painting – Working the Land . . . . . Rod Prouse Saturday, July 23 (page 40) Millinery – The Art of Hat Making ...... Karyn Gingras Acrylic Non-Objective Abstract Workshop . . Marianne Broome Musical Instrument Construction – Interm/Adv . . . Philip Davis Hand Set Metal Type & Letterpress Workshop . . . Robert Mann Oil Painting – Introduction to Plein Air . . . . John Anderson Harmonica – Beginner Workshop ...... Carlos del Junco Open Studio – Painting ...... V . Jane Gordon Jewellery – Rivets, Wraps & Making Connections Painting – Layered Mixed Media ...... Holly Dean ...... Amanda Brittin Photography – Creative Images ...... Rob Stimpson Mindfulness – Introductory Workshop ...... Sheila Miller Pottery II ...... Lisa Barry Painting with Unconventional Tools Workshop Quilting – Complex Design & Piecing ...... Helen Garland ...... Rosemary VanderBreggen Stained Glass and Stained Glass – Interm . . Wendy Ladurantaye Wearable Technology Workshop ...... Gabriel Lazdins Symbols & Expressive Patterns ...... Suzi Dwor Zentangle® Workshop ...... Chari-Lynn Reithmeier Teen Choral Crew ...... Andy Rush Textile Collage – Mixed Media ...... Maggie Vanderweit July 25 to 29 (page 41) Ukulele Ensemble I ...... Eve Goldberg Acrylic Abstraction & Expressionism I ...... Gwen Tooth 6 Ukulele for Beginners ...... Brenna MacCrimmon Animals in Art ...... Jay Dampf Watercolour Painting – Experimental ...... Kal Honey Beadwork Through the Ages ...... Andrew Bullock Weaving – Basic Level I and Weaving – Sett Study Bird Carving – Interm/Adv ...... Bruce Lepper ...... Ralph Johnston Collage & Acrylic Explorations ...... Rose Pearson Youth/Teen Metal Jewellery Arts ...... Susan Watson Ellis Contemplative Photography – Looking & Seeing ...... John McQuade Saturday, July 16 (page 33) Creative Writing – The Power of Story . . . . Nora Zylstra-Savage Encaustic & Photo Transfer Workshop . . . . . Susan Fisher Felting – Traditional & Contemporary Wet Techniques Jewellery – Forged Bangle Workshop . . . . Todd Jeffrey Ellis ...... Susan MacDonald Landscape Painting Workshop ...... Matthew Mancini Garden Art in Clay ...... Paul Portelli Mosaic Windows & Lamps Workshop . . . . . Amanda Brittin Japanese Sumi-e & Watercolour – East Meets West Open Studio Painting Workshop ...... V . Jane Gordon ...... Cassandra Wyszkowski Our Stories Preserve Our Histories (9am to noon) . . Jim Blake Kids’ Colour Kaleidoscope ...... Rebecca Reynolds Paper Engineering: Pop-Up Workshop . . . . Helen McCusker Kids’ Paper Maché ...... Gayle McIvor Transfer Painting on Fabric Workshop . . . . . Sylvia Naylor Oil Painting – Plein Air Interm/Adv ...... John Anderson Painting & Collage – Unconventional July 18 to 22 (page 34) ...... Rosemary VanderBreggen Abstracting the Landscape in Acrylic . . . . Marianne Broome Painting Light ...... Andrea Mossop Acrylics ...... Mary Intven Wallace Plein Air Landscape Painting – Intro ...... Sam Paonessa Artist Retreat: Yoga, Meditation & Drawing Portraiture Drawing & Painting ...... Marta Scythes ...... Sheila Miller & Liz Wilde Pottery – Form & Style ...... Duncan Aird Contemporary Collage ...... Kal Honey Printmaking – The Etched Image ...... Anna Gaby-Trotz Creative Choral Music ...... Sherry Squires Quilting – Serendipity Strips & Curves ...... Elaine Quehl Creative Choral Music II ...... Andy Rush Silkscreening for Contemporary Design & Application Dyeing to Quilt ...... Elaine Quehl ...... Dave Murray Encaustic Mixed Media & Collage ...... Susan Fisher Silversmithing/Metalsmithing Open Studio . . Todd Jeffrey Ellis Free Motion Machine Embroidery ...... Sylvia Naylor Songwriting and Songwriting – Interm/Adv . Katherine Wheatley Glassblowing and Glassblowing – Style & Form . . Andrew Kuntz Stone Carving – Power Tools ...... Fly Freeman Japanese Brush Painting II ...... Cassandra Wyszkowski Travelling with a Sketchbook ...... Nancy. Newman Jewellery Casting ...... Michael Letki Wire Sculpture – Large Scale ...... Charles O’Neil Kids’ Musical Jam ...... Charlie Kert Youth/Teen Build Your Own Skateboard Deck and Kids’ Picasso Pizzazz ...... Michele Karch Ackerman Youth/Teen Build Your Own Skateboard Deck II Landscape Art Alternatives ...... David Clarkson ...... Bryce Petersen Life Drawing – Basics & Beyond ...... Helen McCusker Youth/Teen Pop-Up Book ...... Helen McCusker Mosaics ...... Annette Blady Van Mil Zentangle® ...... Chari-Lynn Reithmeier Saturday, July 30 (page 47) August 8 to 12 (page 55) Embroidery – Contemporary Processes Workshop Acrylics & Mixed Media – Interm . . . . Annette Blady Van Mil ...... Kate Carder-Thompson Acrylics: Non-Objective II ...... Lila Lewis Irving Felting Workshop ...... Elisha Barlow Blacksmithing ...... Rene Petitjean Glass Flamework Workshop ...... Brad Sherwood Celtic Designs & Monograms ...... Marta Scythes Jewellery – Sterling Silver Fold Formed Earrings Workshop Cheesecloth Imagery on Fabric ...... Mary Pal ...... Todd Jeffrey Ellis Decoy Carving – Contemporary Antique Style . . . . Ken Hussey Spirit Doll Workshop ...... Linda Lee Purvis Expressive Arts in Palliative Care ...... Julie McIntyre Thread Sketching & Painting Workshop . . . . Jan Anderson Glass Fusing, Slumping & Surface Decoration . . Kirei Samuel Tree Sculpture Workshop ...... Suzi Dwor Image Transfer for Quilts & More . . . . . Rachel MacGillivray Wire Sculpture Workshop ...... Charles O’Neil Indigo & Shibori ...... Harriet Boon Jewellery – Chain Making: Beginner/Interm/Adv August 1 to 5 (page 48) ...... Susan Watson Ellis 3D Printing ...... Shannon Kennedy Kids’ Around the World ...... Hannah Strand Acrylics – Material Exploration & the Artistic Voice Kids’ Handbuilding Pottery ...... Lisa Barry ...... Victoria Wallace Landscape Painting – Large Format . . . . . Ljubomir Ivankovic Acrylics: Non-Objective I ...... Lila Lewis Irving Landscape Sketching & Painting . . . . . Elizabeth Hutchinson Artistic Explorations – Painting & Drawing ...... Jay Dampf Painting – Unlock Your Personal Style ...... Gary. Smith Bladesmithing ...... Jeff Helmes Paper Sculpture & Collage ...... Suzi Dwor Clothing Renovations ...... Laurie Pye Pastel Painting – Intro and Pastel Painting – Interm Contemporary Landscape Painting ...... John Leonard ...... Margaret Ferraro Contemporary Sculpture ...... Helen Cho Photography – Technically Minded but Artistically Inclined Creative Writing ...... Catherine Graham ...... Michael Bainbridge Drawing – Experimental ...... Kate Carder-Thompson Portrait Painting ...... Matthew Mancini Drum Making and Drumming ...... David Berger Pottery – Raku: Copper Matte, Patinas & Lustres Expressive Arts – Creative Connections . Lorrie Margaret Beaton ...... Michael Sheba Fabrics – Colour, Patterns & Painterly Effects . . . Margot Miller Pyrography – The Art of Burning ...... Carole Peters Figure Drawing – Beyond the Line ...... Gary Smith Rug Hooking – Traditional East Coast Primitive and Finger-Style Guitar Playing ...... Rick Fines Rug Hooking – Traditional East Coast Primitive – Interm Glass Flamework Techniques and ...... Donna Sproule Glass Flamework Techniques II ...... Brad Sherwood Studio Sampler ...... Paul Marshall 7 Kids’ Adventures in Art ...... Jessica Wallace Woodcarving – Relief ...... Neil Cox Kids’ Metal Jewellery Arts ...... Susan Watson Ellis Youth Archery & Fencing ...... Brad Sherwood Make-up FX & Character Design . . . Rhonda. Morley Causton Youth/Teen Drawing & Painting Outside the Lines Negative Painting ...... Nancy Newman ...... Rebecca Reynolds Painting – Contemporary Methods & Meanings . . . . Andy Fabo Painting – Power Tips from the Masters . . . . . Yves Ameline August 9 to 11 (page 54) Plein Air Landscape Painting – Interm/Adv . . . . Sam Paonessa Robert Bateman – Passions & Practices . . . Robert Bateman Portrait Sketching & Development ...... Matthew Mancini August 13 & 14 (page 61) Pottery Throwing Camp – Interm/Adv ...... Rene Petitjean Timber Framing – Introduction to Design . . . . Glenn Diezel Silk Explorations ...... Beth Abbott Silver Clay – Mould & Fire ...... Sophia Tink August 15 to 19 (page 62) Youth/Teen Casting & Sculpture ...... Suzi Dwor Botanical Drawing & Painting ...... Marta Scythes Iron Sculpture ...... Rene Petitjean Photoshop ...... Michael Bainbridge Pottery – Creating & Troubleshooting Glazes . . . Michael Sheba Printmaking Fusion ...... Otis Tamasauskas Quilting – 4 Tops in 4 Days ...... Judith Dingle SoulCollage® ...... Julie McIntyre Timber Framing ...... Glenn Diezel Watercolour Portraiture – Intermediate/Adv . . . . Atanur Dogan

August 20 to 27 (page 64) OHS Spinning Certificate – Level III … Beth Abbott, Wendy E . Bateman, Harriet Boon, Roslyn Darling , Donna Hancock, Louise Jackson, Julia Lee, and Karen Richens Courses for Kids, Youth and Teens OHS Spinning Certificate – Level VI All course names for our younger artists start with … Beth Abbott, Hazel Alexander, Friedl Ballaban, Wendy E . 'Kids,' 'Youth' or 'Teen,' depending on the age requirement. Bateman, Harriet Boon, Louise Jackson, Julia Lee, and Age groupings have recently changed. Beth Showalter See page 89 for more information. August 22 to 26 (page 64) Youth/Teen GoPro ...... Tammy Rea Youth/Teen Pottery ...... Lisa Barry OTHER THAN HALIBURTON IN THE FALL HALIBURTON IN THE FALL

September 19 to 23 (page 69) Photographic Landscapes – The Big Picture . . . Rob Stimpson

MCMICHAEL, KLEINBURG October 24 to 28 (page 69) September 5 to 9 (page 65) Contemplative Photography – Ways of Nature . . John McQuade Florals – Big & Bold ...... Marianne Broome Contemporary Landscape Painting – Adv II . . . . John Leonard Landscape Painting – Inside & Out ...... John Anderson Painting Colour & Light ...... Janine Marson September 12 to 16 (page 65) Quilts – Colour & Design ...... Beth Abbott Contemporary Landscape Painting – Adv II . . . . John Leonard Watercolour Basics ...... Marg McIntyre

FLEMING COLLEGE, PETERBOROUGH Saturday, November 5 (page 71) Chain Bracelet Workshop ...... Susan Watson Ellis Saturday, September 17 (page 66) Embroidery for Crazy Quilting Workshop Encaustic & Photo Transfer Workshop . . . . . Susan Fisher ...... Chari-Lynn Reithmeier Engaging Children & Families through the Arts Workshop Folded Metal Ornaments Workshop . . . . . Todd Jeffrey Ellis ...... Julie McIntyre Natural Home & Body Products Workshop . . Linda Lee Purvis Finger-Style Guitar Workshop ...... Rick Fines Nuno Felting Workshop ...... Susan MacDonald Free Motion Quilting Workshop ...... Jan Anderson Painted Floor Cloths Workshop and Painted Floor Cloths Rug Hooking Workshop ...... Donna Sproule – Adv Workshop ...... Amanda Brittin Wire Sculpture Workshop ...... Charles O’Neil Printmaking – Woodcut Workshop ...... Marta Scythes Zentangle® Workshop ...... Chari-Lynn Reithmeier

Saturday, October 22 (page 67) Acrylic Textures & Dimensions Workshop . . . . Victoria Wallace 8 Coloured Pencils & Pastels Workshop . . . . . Marta Scythes Felting – Intermediate Workshop ...... Heidi Hudspith Harmonica – Beginner Workshop ...... Carlos del Junco Jewellery – Hammered Mixed Metal Workshop ...... Amanda Brittin www.hsad.ca Natural Home & Body Products Workshop . . Linda Lee Purvis 297 College Drive P .O . Box 839 Haliburton Ontario K0M 1S0 FIVE OAKS EDUCATION AND RETREAT CENTRE, PARIS ON

September 27 to 30 (page 68) askus@hsad .ca Introduction to Expressive Arts ...... Julie McIntyre 705.457.1680 Toll free: 1 .866 .353 .6464 ext . 3

Waiting until the last minute limits REGISTER your choice of courses and may cause Courses for Kids, Youth and Teens unnecessary disappointment . All course names for our younger artists start with See registration details on page 89 . 'Kids,' 'Youth' or 'Teen,' depending on the age requirement. ASAP! Age groupings have recently changed. See page 89 for more information. OPENING DATES FOR REGISTRATION

VCAD Credits: Within this calendar, March 1 Spring and summer Haliburton & OCADU foundation courses are indicated by a single asterisk (*), courses and spring Peterborough courses non-credit courses are indicated by a double asterisk (**), March 28 Expressive Arts – Part-time within the 8-week elective courses have no asterisk. spring program See pages 72–73 for more information regarding the July 4 Fall in all locations Visual and Creative Arts Diploma. Expressive Arts Ontario College Graduate Certificate Program

Full-time Program Dates: Monday, April 25 to Friday, June 17, 2016

The Expressive Arts Certificate is an eight course Ontario College Graduate Certificate program consisting of four mandatory courses SPRING 2016 and four elective courses . Fleming’s certificate can be achieved on a full-time basis by attending the eight-week intensive format program in the spring, or on a part-time basis by registering for individual courses . Individual course registrations will be considered in the eight-week program on March 28, 2016, dependent upon the program registration level and space availability . A limited number of additional courses are THE CURRICULUM typically included in the summer program, providing additional options Mandatory Courses for part-time students . Please note, however, that the courses within HALIBURTON the eight week spring program have a greater degree of security from – Expressive Arts: Exploring Relationships the risk of cancellation due to insufficient registration . – Introduction to Expressive Arts Program Highlights – Through four mandatory and four elective – Planning Expressive Arts Experiences courses, you will explore your own creativity and learn how to design – Professional Issues with the Expressive Arts and deliver expressive arts programming to people in a variety of circumstances . You will examine the theoretical and practical Elective Courses approaches to expressive arts as a means of assisting people and – Expressive Arts Modalities (Labyrinth & Mandalas) learn how to protect yourself from burnout . Fleming’s Ontario Graduate – Mindful Music & Movement in Expressive Arts certificate in Expressive Arts is a helpful addition to the counselling, – Sandtray & Writing within Expressive Arts teaching, or ministry you currently offer others . As a teacher, artist, nurse, social worker, minister, or someone in a caring profession, – Expressive Arts and Resiliency you will benefit from knowing how to facilitate the development and Please note that the elective courses are subject to change. transformation of the people in your care, through expressive arts . A limited number of courses are also available each Why Choose Fleming? – The Expressive Arts certificate cannot be summer . The following EXA credit courses are scheduled 9 found elsewhere, in particular with the choice of studying full or during the summer of 2016: part-time . We offer this flexibility so professionals working with adults – Mindfulness, Spirituality & Creativity in Expressive and children can fit this training into their busy schedules . Backed by Arts with Julie McIntyre, June 20 to 24 Fleming College’s Haliburton School of Art + Design reputation, and – Expressive Arts – Creative Connections with Lorrie the enthusiastic faculty experienced in counselling therapies and/or Beaton, August 1 to 5 the arts, you will benefit professionally and personally from your time spent in pursuit of this certificate . – Palliative Care within the Expressive Arts with Julie McIntyre, August 8 to 12 Minimum Admission Requirements – Human service or arts diploma/ degree . Students who do not meet the formal academic requirements – Introduction to Expressive Arts with Julie McIntyre, may be considered by applying through an alternate mature student September 27 to 30 (Paris, ON) admissions procedure . Inquire for additional information . Part-time The following offerings may also be of interest but they do students must submit official transcripts or be approved through the not count as credits toward the Expressive Arts certificate . alternative admission process prior to attending class . – Percussion Instruments Workshop with John Proctor, How to Apply – Full-time Domestic students must apply through May 21 Ontario Colleges . Go to www .ontariocolleges .ca – SoulCollage® with Julie McIntyre, August 15 to 19 OCAS Code: EXA – Engaging Children & Families through the Arts College Code: SSFL Workshop with Julie McIntyre, September 17 (Peterborough) Campus Code: 4 You must submit your official transcripts of your diploma or degree in the arts or human sciences field of study . Students who do not meet Fees and Additional Costs the formal academic requirements may be considered by applying Domestic student tuition fees are $1,792 .51 for the intensive through an alternate mature student admissions procedure . Inquire for eight-week program plus a $160 material fee payable to additional information . the academic coordinator . Part-time students pay individual Full-time International applicants must apply directly through course registration fees of $340 .58 plus a $20 .00 material Fleming College, the International Student Office . Go to fee per course . Note that tuition and fees are subject to international@flemingcollege .ca for assistance through the admissions change. process . Although this program is not OSAP-eligible, there are Part-time students register for individual courses within the full-time bursaries available to students who qualify . program or during the summer schedule, through the Haliburton International student tuition fees are $6805 .35 for the inten- Campus . Official transcripts must be submitted prior to attending sive eight-week program plus a $160 material fee payable to classes . Dependent upon the complete program registration level the academic coordinator . Part-time students pay individual and space availability in the full-time program, part-time students can course registration fees are $879 .70 plus a $20 .00 material register on March 28, 2016, for up to four courses . When you have fee per course . Note that tuition and fees are based on successfully completed the eight required courses inform the college, Canadian dollar rates and are subject to change . with a signed letter, that you wish to graduate . EXPRESSIVE ARTS COURSES Please note: To register for these courses you must meet the admission requirements for the EXA Graduate Certificate Program. Details available on page 9.

As a teacher, artist, nurse, social worker, minister, or someone in another helping profession, you will benefit from knowing how to facilitate the development and transformation of the people in your care, through expressive arts.

Introduction to Expressive ArtsM COURSE CODE ARTS112 SECTION 41 INSTRUCTOR Julie McIntyre DATES April 25 – 29, 2016 FEE $340 .58 (+ $20 material fee payable to coordinator) ”Sitting quietly, doing nothing, spring comes and the grass grows by itself.” (Zenrin). When we provide the right conditions for ourselves, we open the door to growth . Tapping into our creativity provides a natural source of imagery and energy to use for healing and personal expression . This course will introduce you to the theory and practice of the expressive arts . If you are working in the human service field, you will learn about the applicability of visual arts, music, writing, movement and theatre to your work settings . Mindful Music & Movement in Expressive ArtsE COURSE CODE ARTS774 SECTION 41 Sandtray & Writing within Expressive ArtsE INSTRUCTOR Gary Diggins & Dorit Osher DATES May 16 – 20, 2016 COURSE CODE ARTS2057 SECTION 41 FEE $340 .58 (+ $20 material fee payable to coordinator) INSTRUCTOR Verity Barrett & Julie McIntyre 10 DATES May 2 – 6, 2016 Mindful music – creating intentional soundscapes: Learn how FEE $340 .58 (+ $20 material fee payable to coordinator) to approach vocal or instrumental sounding as an improvisa- tional practice that can be applied to various contexts: a group This course provides an introduction to the practice and theory celebration, a ritual of loss, a community building event, or a of Sandtray-Worldplay Therapy and the application of journalling deep listening meditation . Mindful music incorporates user- within expressive arts . These modalities give voice to the internal friendly instruments and allows individuals to express aspects of and external worlds of both children and adults . They are tools the human life through intentional soundscapes . We will explore with which to explore, for example, issues of loss, abuse, and sonic rituals that span from the jubilant to the ambient and self-esteem and that can provide new perspectives on life experi- engage participants as mindful collaborators . ences . Learning will be facilitated through the use of didactic, demonstrated and experimental methods . In the sandtray portion, Mindful movement – dance and somatics: Explore the body-mind all participants will build sandtrays as well as observe others, connection and the wisdom and imagination of the psychological with ample opportunity for questions, discussion and feedback . and sensory states that exist in the body . You will be introduced Emerging from the sandtray section, you will gently move into to a wide variety of approaches and techniques to experience journalling using various creative techniques of exploring the the continuity and deep connection of the mind-body processes . inner and outer worlds through writing, poetry, movement and art Experiences of embodiment and the expressive potential of the making . Learn to weave these modalities through each other to body will be the predominant mode of expression while also give them greater form and personal meaning . You are encour- allowing for multimodal approaches such as writing and image aged to bring any poems that are meaningful to you . This course making . Instruction will culminate in a living arts performative will be of interest to professionals working with children and experience of integrating personal narrative by engaging informa- adults in educational, health, recreation or therapeutic settings . tion from the body .

When we are present in our bodies, we are fuller in our relationship with ourselves and more “connected to one another. – DORIT OSHER

The M or E beside the course name indicates whether the course is Mandatory or Elective toward the Expressive Arts Certificate. These courses do not count towards Fleming’s Visual and Creative Arts Diploma (VCAD). Expressive Arts – Exploring RelationshipsM Planning Expressive Arts ExperiencesM COURSE CODE ARTS91 SECTION 41 COURSE CODE ARTS171 SECTION 41 INSTRUCTOR Edward Hagedorn INSTRUCTOR Robin McGauley DATES May 9 – 13, 2016 DATES June 6 – 10, 2016 FEE $340 .58 (+ $20 material fee payable to coordinator) FEE $340 .58 (+ $20 material fee payable to coordinator) Successful completion of Introduction to Expressive Arts (formerly Please note: Successful completion of Introduction to Expressive Introduction to Expressive Arts Therapies) is recommended prior Arts (formerly Introduction to Expressive Arts Therapies) is recom- to taking this course. mended prior to taking this course. Explore various types of relationships and connections as you This course will teach you to plan and lead expressive arts progress from working on self, to working in pairs, to working in experiences for others . Instruction will address a broad spectrum groups, using expressive arts . Experiential, demonstrated, and of expressive arts experiences as well as present the theoretical SPRING 2016 didactic learning methods will investigate the depth and value tools for assessing what type of experiences might be appropriate of expressive arts and their power to deepen connections . You for various individuals and populations . You will learn how music, will be encouraged to take advantage of group connections to movement, visual, and narrative arts can promote self-awareness deepen your personal expressive arts experience, awareness and and personal growth with various populations . There will be appreciation . There will be ample opportunity for practice, discus- opportunities to experience leadership in the non-judgmental sion and feedback using role playing of the client, the expressive atmosphere of the student group . arts practitioner, and the witness/observer . HALIBURTON Professional Issues with the Expressive ArtsM E Expressive Arts and Resiliency COURSE CODE ARTS183 SECTION 41 COURSE CODE ARTS2217 SECTION 41 INSTRUCTOR Marylisa Ince INSTRUCTOR Markus Alexander DATES June 13 – 17, 2016 DATES May 23 – 27, 2016 FEE $340 .58 (+ $20 material fee payable to coordinator) FEE $340 .58 (+ $20 material fee payable to coordinator) Please note: Successful completion of Introduction to Expressive Resiliency has often to do with dexterity of response . In thinking Arts (formerly Intro to Expressive Arts Therapy) and Expressive about working cross-culturally, we examine how cultures Arts: Exploring Relationships (formerly Exploration of Therapeutic interface . However, in acting with awareness, cross-culturally, we Relationships) is recommended prior to taking this course. step into responding and interacting . The arts aid in supporting It is important to recognize the parameters of utilizing expressive response rather than reaction and in interaction rather than arts within the bounds of one’s training experience . How does one isolation . Instruction is designed to provide a working knowledge handle situations that are beyond the scope of our professional of how to facilitate a multi-modal approach to expressive arts and practice? What are the needs of cultural and racial minorities resiliency, fostering meaningful creative expression to increase which can be appropriately integrated into the expressive arts? 11 personal and collective well-being . How do we handle burnout creatively? This course will cover ethical and professional issues which may arise as a result of using the expressive arts .

This resource-oriented, arts-based and body- centered work has the ability to touch an I believe that the ability to be creative is inherent “individual or community deeply, creating lasting in every human being and our creative expression change for the better. The work is impactful in “is directly linked to our sense of wellbeing and a gentle and deep way. I’ve been facilitating satisfaction with life. expressive arts work for 30 years and I still – MARYLISA INCE find it exciting, energizing and most especially, nurturing. – MARKUS G. SCOTT-ALEXANDER Fleming College and the International School for Interdisciplinary Studies Expressive Arts ModalitiesM Fleming College is pleased to be affiliated with the Inter- national School for Interdisciplinary Studies in Toronto, COURSE CODE ARTS357 SECTION 41 Ontario . www .isis-canada .org ISIS-Canada is a certificate- INSTRUCTOR Robin McGauley & Julie McIntyre granting training institute in intermodal expressive arts DATES May 30 – June 3, 2016 therapy . Students who graduate from ISIS-Canada can FEE $340 .58 (+ $20 material fee payable to coordinator) apply their credits toward a MA degree in Expressive Arts Labyrinths and mandalas are ancient and powerful tools to Therapy at the European Graduate School in Switzerland centre, strengthen, and help us move out into the world . They expressivearts .egs .edu . have also been used for contemplation, ritual, initiation, celebra- tion and personal spiritual growth . Centering exercises with Graduates of Fleming’s Expressive Arts Certificate breath, movement, colour, sound and words will lead you into the program will be granted the following should they choose creation of a personal mandala, combining the ritual mandala of to continue studies at the International School for the East and the self-exploratory/expressive mandala of the West . Interdisciplinary Studies: Experiencing the labyrinth will provide further opportunities for • Credit for 100 studio hours in the ISIS program self-exploration and expressive arts applications . Instruction will be of interest to professionals working with children and adults in • The distinction of “Arts Specialization” on their educational, health, recreation or therapeutic settings . Partici- ISIS certificate pants will also explore the practices of labyrinth and mandalas as powerful tools for self-care as expressive arts practitioners and facilitators . PETERBOROUGH FLEMING COLLEGE SUTHERLAND CAMPUS, PETERBOROUGH, ONTARIO

The following workshops will be held at the Sutherland Campus in Peterborough.

SATURDAY, MAY 14, 2016

Acrylic Textures & Dimensions Workshop** COURSE CODE ARTS2200 SECTION 48 INSTRUCTOR Victoria Wallace DATES May 14, 2016 FEE $105 .32 (+ $10 material fee payable to instructor) LOCATION Fleming College Sutherland Campus, Peterborough Discover techniques that create the complex, mysterious appearance of depth and texture in works of art . Learn to build layers gradually, both obscuring and excavating previous layers selectively . Play and experiment with intarsia, accretion, incising, Jewellery – Rivets, Wraps & Making Connections** excavation, and intaglio as you develop and evolve your artistic COURSE CODE ARTS2075 SECTION 49 skills . INSTRUCTOR Amanda Brittin DATES May 14, 2016 Beadwork Basics Workshop** FEE $105 .32 (+ $10 approximate material fee payable to instructor) COURSE CODE ARTS2198 SECTION 49 LOCATION Fleming College Sutherland Campus, Peterborough INSTRUCTOR Andrew Bullock Work with copper, brass and aluminum sheet metal and wire, DATES May 14, 2016 semi-precious stones, glass, as well as silver-plated wire to create FEE $105 .32 (+ $25 material fee payable to instructor) several pieces of jewellery of your choice . Learn to wire-wrap LOCATION Fleming College Sutherland Campus, Peterborough both drilled and undrilled stones and beach glass, and to create 12 Project: Beaded Rosette Necklace rivets and tabs to secure pieces in both beautiful and functional Instruction will introduce basic off-loom bead weaving stitches ways . Emphasis is placed on being able to transfer the methods that comprise the foundation of historical and contemporary learned in this course to home jewellery making from handheld beading . Depending upon the project, techniques will include butane torch work to hammering, texturing, wire-wrapping, and bead embroidery, edge beading, bead fringes, necklace stringing, etching metals . You are encouraged to bring fun objects, stones peyote stitch and finishing methods . These skills are used to and beach finds to incorporate into wonderful jewellery pieces . create a broad range of work from jewellery to three-dimensional Instruction is suited to beginner as well as experienced students . objects . Designing with colour, texture, and form will also be discussed . Skills and techniques learned will be applicable to a variety of projects . An overview of glass bead history and use in Nuno Felting Workshop** Native North America will also be included . COURSE CODE ARTS1742 SECTION 49 INSTRUCTOR Susan MacDonald DATES May 14, 2016 Creative Brush Expressions – Japanese Sumi-e** FEE $105 .32 (+ $25 approximate material fee payable COURSE CODE ARTS1777 SECTION 49 to instructor) INSTRUCTOR Cassandra Wyszkowski LOCATION Fleming College Sutherland Campus, Peterborough DATES May 14, 2016 Create a unique one-of-a-kind, show stopping work of art with FEE $105 .32 (+ $38 material fee payable to instructor) a little fibre, a little silk, some soap and water, and a few simple LOCATION Fleming College Sutherland Campus, Peterborough processes . Learn about an ancient craft that’s fashionably at Please note: Students who have taken this workshop previously home in this modern world . Your project can be adapted to make will be accommodated and challenged at the appropriate level of a scarf, neck warmer, tube/ring scarf, table runner, bed end skill. or virtually whatever you can imagine . Total material costs will This unique workshop is suitable for the beginner painter or the depend upon projects chosen . seasoned artist and is designed to introduce the fascinating world of Japanese Brush Painting (known as Sumi-e) . Instruction in this Watercolour Greetings Workshop** water-based medium will emphasize: various brush techniques, gradation of tones/values to achieve depth, amazing textures for COURSE CODE ARTS690 SECTION 49 rocks and trees, water effects, etc ., brush control that develops INSTRUCTOR Marg McIntyre spontaneous expression, effective simplicity in composition and DATES May 14, 2016 design . Also included will be a lesson on beautiful spring blos- FEE $105 .32 (+ $20 material fee payable to instructor) soms that symbolize renewal and joy . This stimulating technique LOCATION Fleming College Sutherland Campus, Peterborough can be expressed in an abstract or a more representational Through the popular step-by-step instruction style, learn simple, approach, with an overlying impressionistic, personal style that elegant watercolour techniques and designs that are ideal to use encourages the creative spirit . Potters and fabric painters who for greeting cards, bookmarks, and more . You will leave feeling wish to beautify their work with expressive brush strokes will also relaxed and accomplished, with a greater appreciation for the benefit from this instruction . Beautiful soft flowing music will watercolour medium . No drawing skills or previous watercolour underpin the learning process by adding a peaceful atmosphere . experience is required . OCAD U ONTARIO COLLEGE OF ART AND DESIGN UNIVERSITY, TORONTO

The Haliburton School of Art + Design is pleased to be affiliated with the Ontario College of Art and Design University (OCAD U). Enjoy this urban perspective and experience from an exciting downtown location, around the corner from the Art Gallery of Ontario, and within walking distance of SPRING 2016 numerous galleries, museums, and theatres.

Fleming College and OCAD U have a transfer agreement that enables some graduates to apply for admission to second year of one of OCAD U OCAD three OCAD University studio Program Majors . Applicants must meet grade criteria .

The following courses will be held at the Ontario College of Art and Design (OCAD) University in Toronto.

JUNE 6 TO 10, 2016

Contemporary Figure Painting – Issues & Methods Figurative Abstraction in Acrylic COURSE CODE ARTS2176 SECTION 41 COURSE CODE ARTS1168 SECTION 41 INSTRUCTOR Andy Fabo INSTRUCTOR Brian Smith DATES June 6 – 10, 2016 DATES June 6 – 10, 2016 FEE $340 .58 FEE $340 .58 LOCATION OCAD U, Toronto LOCATION OCAD U, Toronto Please note: This course is not suitable for beginners. Please note: This course is not suitable for beginners Contemporary figurative painting is a robust field with a rich With intermediate-to-advanced level instruction, this course will range of formal, thematic and conceptual possibilities . Instruc- develop your ability to abstract from the human form, see shapes 13 tion begins with figurative gesture painting from life sessions in in the figure more clearly, develop more satisfying compositions conceptual and thematic contexts, proceeds to a layering project that include the draped and undraped body, and develop a using sketches and painting from life to create layers of associa- looser, freer approach to painting the figure . tive meaning, and concludes with a diptych in which a personal photo images are contrasted with figure images from media sources . You will draw on sketches from life sessions as well as Open Studio – Painting print and digital media, art history, and your own research and COURSE CODE ARTS1258 SECTION 41 sketchbooks for source materials . Brief visual presentations of INSTRUCTOR Andrea Mossop relevant artists will provide an expanded notion of contemporary DATES June 6 – 10, 2016 figure painting . FEE $340 .58 LOCATION OCAD U, Toronto Drawing: Form, Space & the Urban Environment Please note: This course is not suitable for beginners. Individual instruction will challenge you to further develop your COURSE CODE ARTS2099 SECTION 41 personal vision and artistic practice . This studio opportunity is INSTRUCTOR Thomas Hendry structured around your consultation with the instructor-as-mentor DATES June 6 – 10, 2016 on materials, media, techniques, ideas, and process of vision-to- FEE $340 .58 execution to create your own body of work . Learn how to assess LOCATION OCAD U, Toronto the evolution of your work in self and group critiques . You are Whether it’s a still-life or a streetscape, drawing well-structured welcome to work in the media of your choice . 3D forms is an important part of the grammar of representational images . This course will investigate some of the aspects of perspective that are particularly useful for artists . Methods of visual comparison such as sighting and measuring will also be presented . Short lectures and handouts will be supported by lots of drawing time . Key drawing principles will initially be explored using still-life objects and progress to working with architectural elements in the neighbourhood (weather permitting) . Emphasis will be on looking at the structure that underlies objects and Waiting until the last minute limits scenes . Drawing will be mostly linear, using pencils . Some REGISTER your choice of courses and may cause consideration will be given to shading, but it is not the focus of unnecessary disappointment . instruction . ASAP! See registration details on page 89 .

I have taught art courses for nearly two decades and the pleasure for both student and teacher “when ideas ‘click’ never gets old for me. – THOMAS HENDRY The following courses will be held at the Ontario College of Art and Design (OCAD) University in Toronto.

Painting – Impressions, Inspirations & Ideas Life Drawing & Painting – Landscape of the Model COURSE CODE ARTS2086 SECTION 41 COURSE CODE ARTS550 SECTION 41 INSTRUCTOR Joanna Nash INSTRUCTOR Joanna Nash DATES June 6 – 10, 2016 DATES June 13 – 17, 2016 FEE $340 .58 FEE $340 .58 LOCATION OCAD U, Toronto LOCATION OCAD U, Toronto Please note: This course is for advanced painters, and not suit- Please note: This course is not suitable for beginners. It is an able for beginners. intermediate/advanced level art class for which previous drawing Competence in observational drawing as well as advanced and painting experience is required. level painting skill is required . How an artist chooses what and This course was influenced by the American artist/teacher Jim how to create is very personal . Awareness of surroundings, Dine, and offers a unique, in-depth exploration of one model and self-knowledge, curiosity and reflection on meaningful personal one work surface . The discipline of examining one subject over a subjects are some of the qualities cultivated by mature artists . sustained period enhances an understanding of the exterior and Examine possible points of departure that can help develop new prods the imagination to reveal interior possibilities . In response works: previous artworks, sketchbook images, meaningful photos, to observations, you are guided in the methods of mixing media – text (fiction, poetry), significant objects, sounds (music, notes), combining and juxtaposing in sequence: dry, water based, acrylic concepts, experience, observations (concrete or abstracted from and/or oil materials . You will work to build up your graphic and/or reality), stories (narratives), and more, are all potential material paint surface, then work at reduction and simplification . Weather for painting content . Explore the passage from idea to image, and permitting you will be working outdoors with a model at the from image to potential artwork . You will be required to bring a beginning of the course . Emphasis is placed upon work process few examples of your artworks to help the instructor intuit your and the evaluation of the image . Special attention is directed level and skills . Instruction will address individual needs as well toward finding and losing definition, developing sensitivity to as themes applicable to the whole group . Instruction is supported marks, varying edges, building up surface, challenging your by discussion, critiques, DVDs, books and visual examples . visual memory, and developing a personal touch . At the end of each day the image can be toned down by scraping or applying a semi-transparent wash, muting the day’s accumulated detail . The course is accompanied by slide presentations with commentaries JUNE 13 TO 17, 2016 as well as individual and group constructive critical discussions . To help the instructor intuit individual technical needs and help 14 you advance your personal work process, examples of successful Artistic Exploration – Painting & Drawing and unsuccessful works (unframed, photo or slides) should be COURSE CODE ARTS21 SECTION 41 brought to the first class . INSTRUCTOR Jay Dampf DATES June 13 – 17, 2016 Open Studio – Painting FEE $340 .58 LOCATION OCAD U, Toronto COURSE CODE ARTS1258 SECTION 42 INSTRUCTOR Andrea Mossop For all artists there is a process for enhancing individual style DATES June 13 – 17, 2016 and technique . In this course you will learn the skills needed to FEE $340 .58 improve your personal ability and imagination, whether you are LOCATION OCAD U, Toronto a new artist wishing to explore different mediums or experienced and wishing to master your techniques . On an individual basis, Please note: This course is not suitable for beginners. you will be taken step-by-step through the drawing and painting Individual instruction will challenge you to further develop your process, with emphasis on clear, enjoyable methods . This course personal vision and artistic practice . This studio opportunity is offers you the unique opportunity for instruction on projects and structured around your consultation with the instructor-as-mentor mediums of your own choosing . You will also benefit from demon- on materials, media, techniques, ideas, and process of vision-to- strations given to other students . Assistance will be provided by execution to create your own body of work . Learn how to assess the school if you wish to contact the instructor regarding ideas the evolution of your work in self and group critiques . You are and mediums . welcome to work in the media of your choice .

Expressionism – Power, Passion & Paint Portrait Painting COURSE CODE ARTS1689 SECTION 41 COURSE CODE ARTS579 SECTION 41 INSTRUCTOR Steve Rose INSTRUCTOR Brian Smith DATES June 13 – 17, 2016 DATES June 13 – 17, 2016 FEE $340 .58 FEE $340 .58 LOCATION OCAD U, Toronto LOCATION OCAD U, Toronto Expressionism is a very unique approach and experience in Please note: This course is not suitable for beginners. Painting artistic movements . It is an artistic force that is intense and highly experience is required to participate. personal . Essentially expressionism offers an opportunity to This exciting will develop your ability to capture the likeness of paint with subject matter but the overall feeling is one where the any model in any opaque paint medium . You may work in any emotion is more important than the accurate depiction of objects . opaque paint medium (gouache, acrylic, water-soluble oils, Content will range from portraits, to landscape, human and traditional oils without solvents) that you are comfortable with . animal forms, to still life – all super charged with profound energy Starting with an understanding of composition, value studies and and impact . Instruction is ideal if you crave a freer attitude in your monochromatic paintings, you will advance to expressive paint- work and/or want to step outside your own creative comfort zone ings of the model in a full palette . Works by a variety of artists will into a different realm . be discussed throughout the course . HALIBURTON HALIBURTON SCHOOL OF ART + DESIGN, HALIBURTON, ONTARIO

APRIL 25 TO 29, 2016 MAY 9 TO 13, 2016

Artistic Narrative Through Assemblage Coloured Pencils & Pastels SPRING 2016 COURSE CODE ARTS1425 SECTION 41 COURSE CODE ARTS1837 SECTION 41 INSTRUCTOR Kal Honey INSTRUCTOR Marta Scythes DATES April 25 – 29, 2016 DATES May 9 – 13, 2016 FEE $340 .58 (+ $20 material fee payable to instructor) FEE $340 .58 (+ $2 material fee payable to instructor) The intention of this course is to provide an opportunity to explore Explore the exciting realm of coloured pencils in this comprehen- creativity and express ideas through the use of a variety of found sive course for all levels of drawing ability . Learn the properties, and low-tech materials . Basic skills and concepts will be introduced uses and possibilities of several different dry and wet tools HALIBURTON but playfulness, experimentation and narrative will be stressed including pencil crayons, pastels, carbon and watercolour as opposed to skills and specific techniques . The materials will pencils . You will also become familiar with various surfaces be utilized as an artist’s tool rather than a means of developing through discussion and exploration . Colour theory will be a particular element of craftsmanship . Contemporary relevance, discussed as it is key to understanding the results attainable . parallel references and personal interests will be researched, Mixing and layering techniques will be demonstrated and you will discussed and presented as you investigate your place within the be encouraged to experiment with innovative methods . A wide context of current practice . range of subjects will be introduced to enable you to choose a direction of study for the remainder of the course . Instruction will include frequent demonstrations and ongoing feedback as Waiting until the last minute limits needed . REGISTER your choice of courses and may cause unnecessary disappointment . Iron Sculpture Open Studio ASAP! See registration details on page 89 . COURSE CODE ARTS2177 SECTION 41 INSTRUCTOR Rene Petitjean 15 DATES May 9 – 13, 2016 FEE $433 .17 includes $92 .59 material fee Please note: This course is not suitable for beginners. This course is an excellent opportunity to challenge, explore, and expand upon your iron sculpture skills . The learning environ- ment is an independent open studio format that is suitable for individual subject matter and style of approach . Expand your visual language, technical skills, and artistic vocabulary in a safe and highly creative environment . Instruction will encourage creative design and content, as well as effective execution of your ideas . There will be ongoing personal and group critiques as well as daily discussion of advanced techniques and processes . Depending upon projects chosen, additional material fees may apply .

Painting Basics COURSE CODE ARTS1746 SECTION 41 INSTRUCTOR Shannon Partridge DATES May 9 – 13, 2016 FEE $340 .58 (+ $30 material fee payable to instructor) This course is designed as an introduction to acrylic painting . The projects will help you develop drawing and painting skills, as well as learn an overview of acrylic painting techniques while encouraging personal visual exploration and expression . Working from a variety of sources, while focusing on a selection of painting concerns and perspectives, you will acquire a foundation for future artistic painting endeavors .

VCAD Credits: Within this calendar, foundation courses are indicated by a single asterisk (*), non-credit courses are indicated by a double asterisk (**), elective courses have no asterisk. The positive energy in this place is amazing!

See pages 72–73 for more information regarding the ~ CATHY BREDE Visual and Creative Arts Diploma. “ CONCENTRATED STUDY DRAWING & PAINTING – Advanced Individual Studies

We are pleased to offer this opportunity for personal and profes- These courses are offered in Haliburton. sional growth as you immerse yourself in a deeper investigation of drawing and painting . With an emphasis on conceptual as Please note: These courses are not suitable for beginners. 16 opposed to technical investigations, learning will consist of Participants should be engaged in professional activities such facilitated discoveries resulting from interactions between all as exhibiting, teaching, lecturing and/or adjudicating. Detailed artists – students and instructors alike . Experience dialogue assessment guidelines are available upon request. Participation on a professional to professional level with your instructor and requires the completion of a post-secondary arts program or the understand that differences of opinion are not only accepted but equivalent experience. Admission is subject to assessment. viewed as learning tools . These shared interests and exchanges will contribute significantly to your development as an artist . To maintain academic rigour and provide an effective learning Painting – Advanced Individual Studies environment, admission is subject to assessment of suitability . COURSE CODE ARTS914 SECTION 41 Previous students of these courses are approved for participation INSTRUCTOR John Leonard and will not be required to engage in the detailed application and DATES May 9 – 13, 2016 approval process again . FEE $340 .58 Please submit the following information by April 7, 2016: With an emphasis on conceptual as opposed to technical inves- – Colour images of work (minimum of 6) tigations, this course will provide an opportunity to expand your – Artist statement and biography visual language, painting skills, and visual arts literacy . Instruction – C .V . including complete exhibition record will encourage you to confront your own creative processes such – Details of relevant visual arts training and/or experience as imagery, content, ideas, and manner of execution as you and related aesthetic experience if applicable explore the painting medium of your choice . Individual attention – Your personal and professional goals as well as your and group dialogue will address your body of work, personal reasons for wanting to attend questions and challenges . Digital files will not be accepted . Mail to: Fleming College, Box 839, Haliburton, ON K0M 1S0 Visual Arts – Advanced Individual Studies Attention: Shelley Schell COURSE CODE ARTS915 SECTION 41 Register for the courses you are interested in as soon as possible . INSTRUCTOR John Leonard Registrations are accepted prior to determination of acceptance . DATES May 16 – 20, 2016 Full refunds will be issued if an application is deemed unsuitable . FEE $340 .58 Feasibility of courses will be determined two weeks in advance of With an emphasis on conceptual as opposed to technical inves- course start . tigations, this course will provide an opportunity to expand your visual language, painting skills, and visual arts literacy . Instruction will encourage you to confront your own creative processes such Always absolutely outstanding. Rigorous, rich as imagery, content, ideas, and manner of execution as you learning yet loads of fun. How does he do it? A explore the media of your choice . Individual attention and group “true educator.” dialogue will address your body of work, personal questions and – RHODA PAYNE challenges . SATURDAY, MAY 21, 2016 JUNE 20 TO 24, 2016

Percussion Instruments Workshop** Mindfulness Creativity & Spirituality E COURSE CODE ARTS2163 SECTION 41 Within Expressive Arts INSTRUCTOR John Proctor COURSE CODE ARTS2196 SECTION 41 DATES May 21, 2016 INSTRUCTOR Julie McIntyre FEE $105 .32 (+ $95 material fee payable to instructor) DATES June 20 – 24, 2016 This workshop is ideal for drum circle facilitators, sound and FEE $340 .58 (+ $20 material fee payable to instructor) expressive arts practitioners, music teachers, camp counsellors, To register for this course you must meet the admission require- youth and adult education workers, and anyone who would like

ments for the EXA Graduate Certificate Program. Details available SPRING 2016 to build a variety of percussion instruments for low cost . The on page 9. This course is an elective credit toward Fleming following instruments will be built during the workshop: Hand College’s Expressive Arts Certificate. It is not an elective credit Drum from PVC plumbing pipe that converts to a Middle Eastern toward Fleming College’s Visual and Creative Arts Diploma. Doumbec with a goatskin head, Coffee can drum and beater, with Please note: It is strongly recommended that students have taken a calfskin head, Soup can rattle, corrugated plastic hose shaker, Introduction to Expressive Arts (formerly Introduction to Expres- Spring drum, Guiro, Didgeridoo . Priming and decorating options sive Arts Therapy and Expressive Arts – Exploring Relationships will be discussed . Many other drums and percussion instruments (formerly Exploration of Therapeutic Relationships).

made from recycled and found materials will also be discussed . HALIBURTON This workshop includes sawing, sanding, and gluing . Please Essential to well-being, the interconnectivity of mindfulness, dress appropriately . spirituality and creativity will be explored through expressive arts experiences in this reflective, contemplative and creative course . Through meditation, guided visualization, art making, movement, sound and writing, you will work both indoors and out in the MAY 30 TO JUNE 3, 2016 natural world to connect to self, community, spirit and nature to develop a personal practice of the contemplative and creative, Conceptual Transformations centred self . Some time will be spent in silent reflection while walking, writing or making art . This course will appeal to those COURSE CODE ARTS926 SECTION 41 who are searching for a deepened connection to a self-care prac- INSTRUCTOR Elinor Whidden tice and to those who are working with caregivers or populations DATES May 30 – June 3, 2016 who could benefit from the principles and practices . FEE $340 .58 Every object has its own story . As artists we can transform the form and function of everyday objects in order to create new meaning . Progressing from a series of warm-up exercises 17 intended to inspire new ways to think about materials, you will be challenged to use ideas and concepts to transform objects from everyday life into art . Instruction will not include demonstrations Love it. Summer camp for adults but better. or specific techniques but will provide the time and support of the – MARA BARTOLUCCI instructor to help you explore the theme of transformation using “ old clothes as material inspiration . This course is intended for students that are self-directed and self-motivated . JUNE 27 TO JULY 1, 2016

Drawing & Painting Media Sampler COURSE CODE ARTS1507 SECTION 41 INSTRUCTOR Elizabeth Hutchinson DATES June 27 – July 1, 2016 FEE $340 .58 (+ $50 material fee payable to instructor) This is a great drawing and painting sampler course suited to all abilities . In an easy, relaxed classroom atmosphere you will create artworks using a variety of mediums such as pencil, watercolour, acrylics and soft pastels . Each day, using the step-by-step instruction style, a new medium, technique, colour theory, composition or design element will be introduced . The basic elements and principles of art will be incorporated into the lessons . In addition to creating artworks using the step-by-step method, you will be given an opportunity each day to create your own artwork using the newly introduced technique and design element in the ‘artist choice’ time slot .

Felted Wearable Art Painting – Creating Composition COURSE CODE ARTS2003 SECTION 41 COURSE CODE ARTS2235 SECTION 41 INSTRUCTOR Diane Lemire INSTRUCTOR Shannon Partridge DATES June 27 – July 1, 2016 DATES June 27 – July 1, 2016 FEE $340 .58 (+ $95 material fee payable to instructor) FEE $340 .58 (+ $20 material fee payable to instructor) Wet felting turns loose wool into strong durable fabric that has Discover fun and interesting ways of developing physical compo- endless creative potential . Explore colour and contrasts as you sitions as subjects for acrylic paintings . Working with 2D and 3D work with silk fabrics, fine Merino, and other wools . Learn to objects, and from a variety of materials, textures, and shapes, you create textures using different materials and techniques to struc- will create and compose models which will become subjects for ture and layer . Nuno and needle felting will also be addressed . painting . Learn about cultivating compositional techniques as well Decorative elements will be added using Blueface Leicester as how to create unique paintings that depict a combination of knitting yarns and a wide range of other materials that you would abstraction and representation sourced from still life . 18 like to work with; the choices are unlimited . Instruction will enable you to make very fine, fashionable, quality felt . Instruction and Pottery – Hand Building & Personalized Decoration techniques will be practiced on a versatile garment that can be worn as a skirt or cape . COURSE CODE ARTS1402 SECTION 41 INSTRUCTOR April Gates DATES June 27 – July 2, 2016 (6 days) Stone Carving – Relief & Letter Carving FEE $405 .70 includes $18 .42 initial material fee COURSE CODE ARTS1843 SECTION 41 (+ $10 material fee payable to instructor) INSTRUCTOR Fly Freeman Instruction focusses on the creation of expressive, functional and DATES June 27 – July 1, 2016 sculptural forms, through fundamental handbuilding techniques, FEE $340 .58 (+$25 initial material fee payable to with an emphasis on surface explorations . The characteristics instructor) and working properties of clay will be discovered throughout Please note: This course will take place in a classroom as project development . Surface decoration will be explored in full, opposed to the stone studio. Project sizes will be appropriately as you investigate multiple techniques to introduce pattern and limited. imagery . Incorporate the use of found objects, texture, various resist techniques, water etching, and image transfer to clay Explore a variety of sculp- surfaces . Instruction is suitable for beginners as well as interme- tural specialties, from letter diate potters looking for new approaches to the ceramic surface . carving to techniques that While most techniques are transferable to mid and high fire clay will enable you to create the bodies, a low white clay body will be used to accommodate an illusion of depth by carving intensive firing schedule . One bisque and one glaze firing will be into the stone surface . If you completed during this course . Additional clay will be available for are new to stone carving this purchase from the school at a cost of $20, which includes glazing is an excellent introduction and firing . the art, as you will learn very controlled stone carving skills . If you have stone carving experience these are valuable skills to Watercolour Basics & Beyond add to your repertoire and an effective way to refine your carving COURSE CODE ARTS1184 SECTION 41 abilities . Instruction will include visual imagery and examples of INSTRUCTOR Marta Scythes relief carving, linear and conceptual perspective, the relationship DATES June 27 – July 1, 2016 between drawing and carving, layering, and how shadow and FEE $340 .58 (+ $2 material fee payable to instructor) light can be used to create the illusion of depth . Practical applica- tions will involve working on a relief carving, or inscription, or a Discover the beauty of the wonderful medium of watercolour . combination thereof, either from your own drawing or photograph In an easy, relaxed class atmosphere, the basics of watercolour as approved by the instructor . Monumental sculpture and painting will be explored . With each lesson, new watercolour historical work will be discussed . Please reference the material techniques, colour theory, composition and design elements will list regarding tool and stone costs . be introduced and incorporated into the step-by-step instructional demonstrations . work produced. sense, choosingsubjectmatter, andopen discussions aboutthe placed onexperimentation,building apersonalstyleandcolour technique willremainanimportant aspect,emphasiswillbe fluid acrylics,aswellheavybody paintswithcollage.While in avarietyofformats,usingtraditional paintingmaterialsand an excitingjourneyofdiscovery Learn techniquesusingacrylicpaintsandproductsthatwillbegin DATES DATES INSTRUCTOR Acrylics &MixedMedia–Introductory INSTRUCTOR Acrylics –ChangingtheSubjects INSTRUCTOR Acrylic, Collage,Yoga &Meditation JULY 4TO 8,2016 DATES FEE FEE FEE and uniquenesswillbeencouraged. from individualattentionandgroupdialogue.Personalexpression you wouldliketoadhereyoursupportsurface.You willbenefit papers, foundnaturalobjects,photographsandanythingelsethat acrylic mediumswithmagazinepictures,orientalandstained ideas, combiningfluidacrylicpaint,watercolourcrayonsand You willbeencouragedtoexperimentwithnewconceptsand joy ofself-expressioninafunfilled,non-judgmentalenvironment. centred place,youwillexploreyourcreativityandexperiencethe allows youtoconnectwithyourauthenticcreativeself.Fromthis self-awareness andself-compassion.Itcalmsthemind Kripalu Yoga, whichfacilitatesconnectiontoyourbody, relaxation, of gentleyogaandmeditation.You willbeintroducedtoGentle tion ofacrylicpaintingandcollage,combinedwiththeexperience This excitingprocessorientedcourse,invitesyoutoanexplora- Some acrylicpaintingexperienceisnecessary. Please note:Thiscourseisnotsuitableforbeginnerpainters. own photos. your ownpaintingsusingthereferencepicturesprovidedor lots ofone-on-oneattentionyouwillincorporatetheseskillsinto glazing andmuchmore.Inafriendly, relaxedatmospherewith harmony, addingtexture,paintingallaprima,impastotechniques, blending andexpressivebrushwork,theimportanceofvalues cropping referencematerial,compositionandperspective,soft Topics covered willincludedifferentcolourpalettes,selectingand the additionofdifferentmediums,andusingtools. get themostoutofversatileacrylicpaints,withandwithout and non-objectiveabstracts.Manytipswillbegivenonhowto also touchontheabstractionofrepresentationalsubjectmatter realistic floralswillbepartofdailydemonstrations.Instruction in .Techniques forlooserepresentationallandscapesandglowing personal style.Itisahighlyinstructivecoursewithlotsoffunbuilt approaches toacrylicpaintingwhileyoudevelopyourown This excitingcoursewillprovideinspirationthroughdifferent Please note:Thiscourseisnotsuitableforbeginners. COURSE CODE COURSE CODE COURSE CODE  ARTS1500 $340.58 ARTS1175  ARTS1270 $340 .58(+$25materialfeepayabletoinstructor) July 4–8,2016 Jill Segal July 4–8,2016 Annette BladyVan Mil $340 .58(+$20materialfeepayabletoinstructor) July 4–8,2016 Marianne Broome

.You willbeencouragedtowork

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41 41 41 students thatareself-directed andself-motivated . old clothesasmaterial inspiration.Thiscourseisintended for instructor tohelp youexplorethethemeoftransformation using or specifictechniques butwillprovidethetimeand supportofthe everyday lifeintoart.Instructionwillnotincludedemonstrations challenged touseideasandconcepts totransformobjectsfrom intended toinspirenewwaysthink aboutmaterials,youwillbe meaning .Progressingfromaseriesofwarm-up exercises form andfunctionofeverydayobjects inordertocreatenew Every objecthasitsownstory INSTRUCTOR Conceptual Transformations INSTRUCTOR Bird Carving–Beginner/Intermediate Carving byUtaStrelive DATES DATES FEE FEE advanced carversaswell. and willprovideinterestingopportunitiesforintermediate will dependuponskilllevel.Instructionissuitedforbeginners and uniquemarkingsoftheprojectbird.Degreecompletion in applyingacrylicpaintswillenableyoutorendertheplumage accomplished withpowerandwoodburningtools.Instruction with aknifeforgeneralshaping.Featherdetailingwillbe carving tools,instructionwillbeavailableifyouprefertowork niques .Whilemuchofthecarvingwillbedonewithpower Learn anddevelopbirdcarving,texturingpaintingtech- Project: Half-sizeNorthernCardinal COURSE CODE COURSE CODE $340.58 ARTS926  ARTS1614 July 4–8,2016 Elinor Whidden $340 .58(+$40materialfeepayabletoinstructor) July 4–8,2016 Uta Strelive

.Asartistswecantransformthe

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19 HALIBURTON JULY 2016 Creating Written Memoirs COURSE CODE ARTS56 SECTION 41 INSTRUCTOR Nora Zylstra Savage DATES July 4 – 8, 2016 FEE $340 .58 This course provides the opportunity to start or continue writing your personal stories and enhance your writing style . Of particular emphasis will be ‘Stories of the Heart’ – stories that touch the emotions . Explore personal experiences and stories that make you laugh, cry, cringe or shout out loud . Word prompts, visualiza- tions, rapid writes, and discussions will enhance your learning and your writing style . Tips and techniques will be provided to bring your stories of life . Write, share and receive oral feedback in a sensitive and positive environment . Don’t wait until it’s too late – put it in writing and enjoy the journey! Instruction will accommo- date those in process as well as those newly undertaking written memoirs or life stories . Encouragement, support and reference material will be provided .

Dry Stone Walling COURSE CODE ARTS1833 SECTION 41 Dyeing – Wrap & Rust INSTRUCTOR John Shaw Rimmington COURSE CODE ARTS1847 SECTION 41 DATES July 4 – 8, 2016 INSTRUCTOR Maggie Vanderweit FEE $340 .58 DATES July 4 – 8, 2016 Learn the elements of traditional dry stone walling as well as FEE $340 .58 (+ $30 material fee payable to instructor) present day adaptations and potential developments of the Please note: Participants are required to have a current tetanus walling craft as it exists in Canada . Instruction will address vaccination. techniques for building a simple dry stone wall including cheek- Discover the fascinating process of eco-friendly direct dyeing with ends, batter throughstones, building stones, base work, hearting, natural plant materials and rusty metal . Learn which plants are coverbands, and various forms of wall coping including vertical effective, how to use non-toxic mordants and rust, and how to coping and turf top . The group will collaborate to collectively build create organic, soft, complex, layered cloth to use in your textile 20 a new dry stone garden feature . There will be a strong emphasis art . A variety of finishing options will be explored and each piece on using local stone and designing walling projects according to created will be beautifully unique! the material at hand . There will be no man made materials such as manufactured stone or gabion cages utilized . Discussions and references will also include dry stone sculpture and various other Fibre Arts for Quilters manifestations of dry laid work including ovens, fireplaces, fire COURSE CODE ARTS2210 SECTION 41 pits, gates, cairns, benches, bridges and arches . INSTRUCTOR Jan Anderson DATES July 4 – 8, 2016 FEE $340 .58 (+ $25 material fee payable to instructor) Learn fibre art techniques such as painting, dying, stamping, free motion quilting, thread sketching, thread painting, and hand embellishments as you design, create, experiment and play in a supportive environment . Skills learned will be applied to the creation of a small quilt or large wall hanging that depicts your passion and story .

Fundamental Drawing COURSE CODE ARTS98 SECTION 41 INSTRUCTOR Charles O’Neil DATES July 4 – 8, 2016 FEE $340 .58 This course will make it easy for the uninitiated to fearlessly approach the process of drawing in a refreshing and creative environment . Learn to work with an assortment of media in a variety of techniques . Exploration of light and shade, contour and gesture drawing will increase perception of form and space, line and tone, as well as provide a basic understanding of expression . Subject matter will include indoor and outdoor material as well as a life model . Approaches to subject matter will be kept as simple as possible until you feel ready for more involvement . Creativity will be emphasized and special technique development will foster expression and creativity . Working with pencil, conté, crayon, ink, washes, charcoal and glue, among other media, you will enjoy individual, personalized instruction . Work in a relaxed, non- threatening environment conducive to overcoming frustrations and fears about the process of drawing . INSTRUCTOR Glassblowing II INSTRUCTOR Glassblowing DATES DATES FEE FEE clearly indicatewhichlevelyouareregisteringfor. This coursewillrunsimultaneouslywithGlassblowingII.Please safety, historyandcurrenttrendsinglass. have anopportunitytoparticipateindiscussionsonequipment, vases, bowls,paperweights,gobletsandsculpture.You willalso molten materialontheendofasteelblowpipetoformitinto degrees Fahrenheit,atwhichtimeyoulearnhowtogatherthe and glasssculptors.Glassisfirstmeltedinafurnaceat2100 methods arestillusedtodaybytheworld’s leadingvesselmakers using traditionaltechniquesthatdateback2000years!These As abeginningstudent,youwilldiscovertheartofglassblowing clearly indicatewhichlevelyouareregisteringfor. This coursewillrunsimultaneouslywithGlassblowing.Please contemporary artform. studio designandequipmentconstruction,aswellglassa have anopportunitytoparticipateindiscussionsaboutmodern design, youwillsetupyourownpersonalprojectgoals.You will techniques andstudioproductionmethods.Withanemphasison work .Therewillbedemonstrationsonadvancedcolouring goblets andstemware,aswellsolidsculpturehotbit Learn techniquesforvesselmaking,includingvases,bowls, will focusonadvancedhotforminganddecoratingtechniques. Please note:Thiscourseisnotsuitableforbeginners.Instruction COURSE CODE COURSE CODE  ARTS101  ARTS103 (+ $10materialfeepayabletoinstructor) $527 .62includes$18704materialfee July 4–8,2016 Sally McCubbin material feepayabletoinstructor) $527 .62includes$18704materialfee(+$10 July 4–8,2016 Sally McCubbin

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DATES INSTRUCTOR Harp –Intermediate FEE $40 fortheweek. securely stored.Therewillbesomeharpsavailableforrentat harp youareencouragedtobringit.Harpswillbeproperlyand one ofthegreatpleasuresthiscourse.Ifyouhaveyourown The opportunitytosharelearningwithfellowharpistswillbe the harp,andguidancewithaccompanyingotherinstruments. music fortheharp,funofimprovisationandcompositionat of theharp.Instructionwillincludeensembleplaying,arranging of harpplaying,andwillprovidepracticaltipsonmaintenance tion, thecoursewillincreaseyourappreciationforrichhistory inspiring environment.Inadditiontoindividualandgroupinstruc- learning goals.LearnseveralCeltictunesinarelaxedand proficiency inharptechnique.Instructionwillsupportindividual Enhance currentskillsandfurtheryourunderstandingof is suitedtoadvanced-beginnerorintermediateskilllevels. Please note:Thiscourseisnotsuitableforbeginners.Instruction COURSE CODE DATES DATES DATES the levelyouareregisteringfor. These courseswillrunsimultaneously. Pleaseclearlyindicate INSTRUCTOR Jewellery –StoneSetting:Advanced INSTRUCTOR Jewellery –StoneSetting:Intermediate INSTRUCTOR Jewellery –StoneSetting:Beginner FEE FEE FEE advanced setting designs. encouraged touse criticalthinkingtoproblemsolve inthese and tapered,aswell asmultiplestonedesigns.You willbe cabochon andfacetedstonessuch asbasket,prong,crown, Instruction willenableyoutoform complexsettingsforyour Please note:Thiscourseisnotsuitable forbeginners. unique jewellerycreation. set usinganelectrichammer your bezelon.Oncetheformiscompletedstonewillbe shaft machine.You willalsodesignajewelleryformtomount bearing intothebezelusingstonesettingburrsandaflex for round,oval,orfreeformfacetedstones.Learntocuta Instruction willenableyoutofabricatesterlingsilverbezels Please note:Thiscourseisnotsuitableforbeginners. to setstonesinfinishedjewellerypiecesofyourowndesign. pendant, orpinformonwhichtoattachyourbezelsinorder for round,oval,orfreeformcabochons.Designasimplering, Instruction willenableyoutofabricatesterlingsilverbezels COURSE CODE COURSE CODE COURSE CODE  ARTS1845 $340 .58(+$5materialfeepayabletoinstructor) July 4–8,2016 Maureen McKay  ARTS1494  ARTS1493  ARTS1492 dependent uponprojectschosen) $340 .58(+amaterialfeepayabletoinstructor, July 4–8,2016 Susan Watson Ellis dependent uponprojectschosen) $340 .58(+amaterialfeepayabletoinstructor, July 4–8,2016 Susan Watson Ellis dependent uponprojectschosen) $340 .58(+amaterialfeepayabletoinstructor, July 4–8,2016 Susan Watson Ellis

.Polishingwillcompleteyour

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21 HALIBURTON JULY 2016 Music – Campfire & Beyond COURSE CODE ARTS2098 SECTION 41 INSTRUCTOR October Browne DATES July 4 – 8, 2016 Courses for Kids, Youth and Teens FEE $340 .58 (+ $10 material fee payable to instructor) All course names for our younger artists start with Please note: This course is not suitable for absolute beginners. 'Kids,' 'Youth' or 'Teen,' depending on the age requirement. Instruction is at an advanced beginner/intermediate level. Age groupings have recently changed. Explore a variety of styles such as folk, country, blues, and Celtic . See page 89 for more information. Learn accompaniment techniques for these styles, and how to transpose songs from one key to another in order to suit your vocal range . Travis style picking and alternating thumb technique Kids’ – Pop Art** will be taught as well as hammer-ons, pull-offs, slides, bends, COURSE CODE ARTS2172 palm muting, harmonics and more . Playing with a pick, basic INSTRUCTOR Michele Karch Ackerman strumming and finger style techniques will all be utilized . Learn DATES July 4 – 8, 2016 the basics of music theory and how to discern the chords of a FEE $105 .90 (+ $20 material fee payable to instructor) song by ear . Have fun jamming and gain a new repertoire of songs to sing and play along with . This course is most suitable for SECTION 41 9:00 – 12 Noon, 4 – 6 years old (4 by Jan . 1, 2016) guitars . SECTION 42 1:00 – 4:30pm, 7 – 9 years old Pop goes the imagination in this funky and fantastic week of  creativity! Meet Andy Warhol, the father of the Pop Art movement October Browne is a true musician and teacher. and tour his zany house filled with cats and wigs and tomato soup Her patience, enthusiasm and unique approach cans . Create your own art filled ‘house’ and explore the wonderful has had an amazing influence on my playing and world of Pop Art . Pop-up books, giant bubble gum paintings and “understanding of music. Most of all she’s great comic art are just a yummy taste of the wacky works of Andy fun.

Warhol and the Pop artists . – MELANIE ALEXANDER

Kids’ Zoo Mania** Musical Instrument Construction COURSE CODE ARTS2207 COURSE CODE ARTS141 SECTION 41 INSTRUCTOR Toni Caldarone INSTRUCTOR Philip Davis DATES July 4 – 8, 2016 DATES July 4 – 8, 2016 FEE $105 .90 (+ $20 material fee payable to instructor) 22 FEE $340 .58 (+ $20 material fee payable to instructor) SECTION 41 1:00 – 4:30pm, 4 – 6 years old (4 by Jan . 1, 2016) SECTION 42 9:00 – 12 Noon, 7 – 9 years old This course will introduce the principles, materials and methods of stringed instrument construction . Through hands-on work, as With so many animals in the zoo you must have a favourite! Using well as lectures and demonstrations, you will progress through your imagination and observations from Henry Moore’s abstract the first steps of construction of your own guitar or violin . Formal bronzes and Vincent Van Gogh’s brush strokes for inspiration, lectures will focus on acoustics, glues and gluing, grading and you’ll create a variety of zoo animals ranging from paper maché to selection of materials, tools, tool maintenance, bending, forms sculpted creatures . Start by learning how to sketch your animals and moulds . Time is limited but progress can be made in using a variety of mediums and then build your basic structures . mastering the skills to advance rough cut wood toward a good, working violin or guitar . By the end of the first course you can expect to have the instrument sides bent and assembled on T hank you for having enhanced my personal moulds as well as the backs and tops shaped to smooth outer artistic growth both as an instructor and student archings . The course welcomes and challenges beginners to “in my creative vision and for being a part of a woodworking and enthusiastic musicians as well as experienced community that shares their creative spirit." craftspeople . Violin and guitar materials are available for purchase form the instructor at a cost of approximately $120 per instru- – TONI CALDARONE ment . Returning students continuing projects will be accommo- dated at their current level of project development . Landscape Painting 101 COURSE CODE ARTS496 SECTION 41 INSTRUCTOR Rod Prouse DATES July 4 – 8, 2016 FEE $340 .58 (+ $30 mandatory material fee payable to instructor) How many of us have wished that we could paint our own vision of Canada’s breath-taking landscape? This course will teach you techniques that incorporate fundamental colour and painting principles, as well as visioning methods derived from photography and working directly in en scene . Even as a complete novice, you can experience the thrill of creating your own acrylic landscape painting . This course will provide a solid introduction to landscape painting . Using a simplified but expressive acrylic pallet, you will learn to manipulate line, shape, tone, texture and colour and a recipe to put it all together as a finished landscape painting . Most of the course will be studio time with a couple of field trips to provide the opportunity to sketch and photograph . individual creativityandself-expression. including abstractionareexplored.Anemphasisisplacedon impressionism, expressionismandcontemporaryprocesses approaches topaintingthefigureincludingclassicalrealism, to reviewworkingtheoryincolouranddesign.Avarietyof ence inworkingfromthemodel.You willhaveanopportunity This courseisintendedtoadvanceprevioustrainingorexperi- Please note:Thiscourseisnotsuitableforbeginners. work inoiloracrylicpaints. to completeonefullyfinishedbirdpainting.You arewelcometo you willfocusontechnique,composition,colour, formandtexture by-step manner Instruction willaddresspaintingrealisticbirdsinasimplifiedstep- DATES INSTRUCTOR Painting fromtheModel–Advanced INSTRUCTOR Painting Birds INSTRUCTOR Oil Painting–IntuitiveExpression DATES DATES FEE FEE FEE tion ofsourcesinspirationtocreateaconsistentbodywork. lends itselftoconsistency authentic creativeself.Whilelooseandfree,intuitivepaintingstill and materialswillaidinthecreativeprocesstapintoyour Playful explorationwithoilpaintaswelltheuseofothertools learning specifictechniquesandcreatingproducts. painting isanopportunitytolearnaboutyouasopposed Of valuetobothbeginnersandexperiencedpainters,intuitive COURSE CODE COURSE CODE COURSE CODE welcome . effective presentation ofyourideas.Alllevelsexperience are staging yourpaintingandwilloffer amultitudeofoptionsfor you discoveryourownstyleofpainting .Thiscourseisabout your newrepertoireinafreeanduninhibited mannerwillhelp the figure,tofindyourpersonal passion inpaint.Reactingto Explore interestingwaysofinterpreting still-life,landscapeand aging environment,usingthepaint mediumofyourchoice. advance levelsofartisticinsight.Work inapositiveandencour demonstrations andprojects,plusindividualattentionwill to buildavocabularyofexpressivetools.Aserieslectures, paint .Developabstractedimageryfromrealsubjectmatter Learn tobestexpressyourpassionsinthevisuallanguageof DATES INSTRUCTOR Passionate PaintI These courseswillrunsimultaneously. Pleaseclearlyindicatewhichlevelyou areregisteringfor. FEE COURSE CODE  ARTS2112 $340.58 ARTS158 $340.58 ARTS2033 $340 .58(+$15materialfeepayabletoinstructor) July 4–8,2016 Sue Miller July 4–8,2016 John Leonard July 4–8,2016 Matthew Mancini $340.58 ARTS1877 .Working fromyourownbirdreferencephoto, July 4–8,2016 Al Van Mil

.Instructionwillalsoaddresstheutiliza-

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- painting . uninhibited mannerwillhelpyou discover yourownstyleof in paint.Reactingtoyourgrowingperspective inafreeand still life,landscapeandfigureto find yourpersonalpassion medium ofyourchoice.Exploreinterestingwaysinterpreting in apositiveandencouragingenvironment, usingthepaint individual attentionwilladvancelevels ofartisticinsight.Work tools .Aseriesoflectures,demonstrations andprojects,plus from realsubjectmattertobuildavocabularyofexpressive In thisinteractivecourseyouwilldevelopabstractedimagery painting experienceisrequired. Please note:Thiscourseisnotsuitableforbeginners.Previous DATES INSTRUCTOR Passionate PaintII FEE DATES INSTRUCTOR Photography –Travel &Landscape FEE the fundamentals. photography as introduceyoutonewchallengeswithtravelandlandscape course willhelpyoutomoveoutofyourcomfortzoneaswell will learnwhatittakestobeamoreeffectivephotographer Through assignments,critiquesofyourworkandslideshows,you where youcreateyourvisualinterpretationofthelandscape. the villageandsurroundingareaslookingforplacesofinterest out ofthetoolsyouhave.You willspendtimewanderingthrough images, addemotiontoyourpicturesandhowgetthemost portrait ofpeopleintheoutdoors,howtoenhanceyourlandscape the useofsimpletechniques,discoverhowtotakeaneffective will learnhowtocreateanimage,notjusttakeapicture.Through places youvisit.Goodphotographsaremade,notjusttakenYou photo essaythatbecomesyourownpersonalinterpretationofthe landscape .Inthiscourseyouwilllearnhowtocreateaneffective camera becomesourvoicethroughvisualinterpretationofthe been and,forthemostpart,captureasenseofplace.The again .Onthesetripsweallwanttodocumentwherehave Our travelsandjourneystakeustoplaceswenevermayvisit DSLR cameras. traditional andpointshootcamerasbutisbestsuitedto f-stops andshutterspeeds)isessential.Instructioncansuit balance, f-stops,ISO,etc.)andhowthecameraworks(i.e. of wherethecameracontrolsarelocated(i.e.menu,white Please note:Thiscourseisnotsuitableforbeginners.Knowledge COURSE CODE COURSE CODE “ every level. creative abilitiesofeverystudentat in addressingtheneeds&extending Instructors are fabulous and very capable $340.58 ARTS2081 .Assignmentsaredesignedbasedonyouknowing  ARTS701 July 4–8,2016 Al Van Mil $340 .58(+$5materialfeepayabletoinstructor) July 4–8,2016 Rob Stimpson

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– JILLAXISA

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23 HALIBURTON JULY 2016 Totem Carving COURSE CODE ARTS354 SECTION 41 INSTRUCTOR Wayne Hill DATES July 4 – 8, 2016 FEE $340 .58 (+ material fee of $60 for pole or $30 for mask blank, payable to the instructor) Design and carve a 4' West Coast totem pole or an individual mask . Working hands-on and side-by-side with other carvers you will learn the traditional processes that produce the best results . A short lesson on history and traditions will provide a better under- standing of totems and the social implications of this medium .

Watercolour Painting – Advanced COURSE CODE ARTS248 SECTION 41 INSTRUCTOR Art Cunanan DATES July 4 – 8, 2016 FEE $340 .58 Please note: This course is not suitable for beginners. It is imperative that participants have had at least three previous Pottery – Beginners watercolour courses prior to participating. At an advanced level, you will explore traditional and experimental COURSE CODE ARTS175 SECTION 41 techniques in watercolour painting . Instruction will be provided INSTRUCTOR April Gates on composition and design and the course is geared to sharpen DATES July 4 – 9, 2016 (6 days) skills and enhance personal interpretation . Learn how to make a FEE $405 .70 includes $18 .42 initial material fee contour painting, how to layer washes to get the right value and Instruction in this course will be delivered at the beginner level use local and colour values to make strong statements . Sessions of wheel throwing and will include demonstrations on cylinders, on compositions will include directing the eye with edges, placing bowls, plates, glaze techniques and the firing process . The darks and other colours, and advice on handling patterns and development of your own personal style and the encourage- loosening painting style . Learn by demonstration and critique and ment of artistic license will prevail . One bisque and one glaze benefit from individual attention . You will have an opportunity to fire will be accomplished during the course . Should you be enjoy some on-location painting, weather permitting . 24 inspired and enthusiastic upon completion of this course, you would be capable of taking Pottery II . Additional clay will be available for purchase from the school at a cost of $20 per bag, Youth/Teen Animation** which includes glazing and firing . A beginner’s tool kit may be COURSE CODE ARTS1826 SECTION 41 purchased from the school at a cost of approximately $20 . Please INSTRUCTOR Tammy Rea inform the school if you require one . DATES July 4 – 8, 2016 FEE $231 .55 (+ $30 material fee payable to instructor) Printmaking – Screen Monoprinting Plus Please note: This course is open to youth and teens from 10 to 18 years of age. COURSE CODE ARTS599 SECTION 41 INSTRUCTOR Linda Kristin Blix Explore the amazing world of animation . As the technologies DATES July 4 – 8, 2016 for stills and video advance and blur, animation is becoming a FEE $340 .58 (+ $75 material fee payable to instructor) powerfully creative media . Use clay, paper, people, sand, and more to create characters and simple stories . Stop-motion anima- Screen monoprinting is an innovative and painterly printmaking tion will also be created . Easy, step-by-step instruction will be technique . Brilliant fabric dyes are painted onto a silk screen provided and creativity encouraged . You will work individually and using a wide variety of brushes, sponges and tools . A squeegee in small groups . When the course is finished, your clay character is then used to pull clear medium over the screen, releasing and a USB stick with the movies will go home with you . Some of the painting onto the paper . The colours and unique surface the best animation in the world, and other kids’ productions will textures are spectacular and cannot be achieved through painting be shown during the week and the course will finish up with a directly on paper . This extremely versatile, fun and non-toxic short film festival of your work! technique forces a fresh and free manner of painting . The most satisfying prints will be created letting the unexpected happen and releasing the need to control . Those previously concerned Youth/Teen Mixed Media Creations** with the technical aspect of printmaking will be amazed at COURSE CODE ARTS2009 SECTION 41 the multi- coloured prints created with such simplicity . Playful INSTRUCTOR Amanda Brittin experimentation with abstraction rather than detailed realism DATES July 4 – 8, 2016 works extremely well with this spontaneous and fluid technique . FEE $231 .55 (+ $40 material fee payable to instructor) The surprise element of screen monoprinting will thrill and delight both the painter and printmaker . To add another dimension and Please note: This course is open to youth and teens from 10 to complexity to the painterly screen prints, you will create relief 18 years of age. prints using butter soft carving material Softolium . The strong Work with a great variety of art media and techniques, bringing linear lines of the relief prints juxtapose beautifully with the more new perspectives to classic materials and discovering some new ethereal monoprints . More layering opportunities are created media . From sculpture to drawing, and design to painting, both through the use of paper stencils, collage and stamps . Create fun projects and challenging lessons will be undertaken . If you collographs, reduction prints and monotypes if you choose more have some, you’re encouraged to bring ideas and sketches to playful experimentation . This course is a good starting point for develop more fully . those beginning their artistic journey, yet challenging to seasoned artists . to bringyourown. enhancing texture.Referenceimageswillbeprovidedorfeelfree tion anddifferenttechniquesexploredforlayering,glazing Texture willbeincorporatedtoprovideaninterestingfounda- palette, emphasiswillbeoncompositionandvaluerelationships. scene .Working withtheelementsofdesignandchoicecolour from areferencephototocreateanabstractedversionofthe Discover howtosimplifyandextracttheessentialinformation demonstrates theprocessofpushingyourcreativeboundaries! making withothertools.You willproduceapieceofworkthat such asloosewashes,thickpaletteknifeapplicationandmark oils oracrylics,explorecolourmixingandvarioustechniques style ofself-expressiononcanvasorothersurfaces.Working in barriers, andmovetowarddevelopingyourownunique,intuitive away frombeingattachedtooutcome,breakthroughcreative combating fears.Instructionisprocessorientedtoguideyou the liberatingfeelingofbreakingouttraditionalrealmand exposed toanewwayofapproachingpaintingandexperience music andotherexercisestocleartheobjectivemind,youwillbe principles learnedcanalsoapplytorepresentationalwork.Using shop willappealtoartistsinterestedinnon-traditionalart,butthe Suited toallartisticlevelsfrombeginneradvanced,thiswork- FEE FEE FEE FEE INSTRUCTOR Fabric Printing–Print,Paint&RollWorkshop** INSTRUCTOR Expressive PaintingWorkshop** INSTRUCTOR Beadwork BasicsWorkshop** INSTRUCTOR Abstracting theLandscapeinAcrylicsWorkshop** SATURDAY, JULY 9,2016 DATES DATES DATES DATES projects . personal statements onfabricsthatyoucanusein yourtextile bags, tea-towels and more.Imaginetheopportunity forcreating unique lineoffabrics .Applyyourskills tot-shirts,cushioncovers, manipulating textureandcolourwith thegoalofestablishinga stamps androllers,printoriginal designs.Createby Explore theuseofpigmentsonfabric, learnhowtomake Native NorthAmericawillalsobeincluded. variety ofprojects.Anoverviewglassbeadhistoryandusein discussed .Skillsandtechniqueslearnedwillbeapplicabletoa objects .Designingwithcolour, texture,andformwillalsobe create abroadrangeofworkfromjewellerytothree-dimensional peyote stitchandfinishingmethods.Theseskillsareusedto bead embroidery, edgebeading,beadfringes,necklacestringing, beading .Dependingupontheproject,techniqueswillinclude that comprisethefoundationofhistoricalandcontemporary Instruction willintroducebasicoff-loombeadweavingstitches Project: PeyoteStitchBeadedFeather COURSE CODE COURSE CODE COURSE CODE COURSE CODE $105.32 ARTS1512  ARTS2201 $105.32 ARTS1738  ARTS2198 July 9,2016 Marianne Broome $105 .32(+$25materialfeepayableto instructor) July 9,2016 Gunnel Hag July 9,2016 Sue Miller $105 .32(+$25materialfeepayabletoinstructor) July 9,2016 Andrew Bullock

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DATES DATES FEE FEE FEE FEE INSTRUCTOR Frame DrumMakingWorkshop** INSTRUCTOR Painting –MixedMediaLayersWorkshop** INSTRUCTOR Painted FloorClothsWorkshop** INSTRUCTOR Jewellery –SilverRingWorkshop** DATES DATES cowhide lacedhandlewillbeattached,andabeaterassembled. finishing the18"drumhoop,agoatskinwillbegluedon, style framedrum,includingabeater In thisworkshop,youwillassemblean18"NativeAmerican media painting,and theinspirationtomakemany more . will gainnewtechniques andideas,agorgeouslayered mixed enced artistsare welcome tojoininthiscreativeexperience .You discussions andindividualattention .Curiousbeginnerstoexperi- and stencils.Instructionwillguideyouwithdemonstrations, canvas orboardwithacrylicpaints andmediums,collage,stamps complex pieceofartinanencouraging environment.Work on Trust yourintuitionanddiscoverstyleas youcreatearich, for underfoot. and stress-freeworkshopthatresultsinawonderfulpieceofart taught inadditiontomoredetailedhand-paintingtips.Enjoyafun painting techniques suchas colour-washing andstencilling will be own personalstylewithlotsofhelpfromtheinstructor interior décor A floorclothcanbefunkyandwhimsicalorcreatedtomatch stamps tocreateatrulyuniquepiece. may thenbedecoratedortexturedusingfiles,burrsand/or Learn toform,solder, andfinishasterlingsilver bandringwhich COURSE CODE COURSE CODE COURSE CODE COURSE CODE  ARTS441  ARTS2026  ARTS405  ARTS2170 .You willhavecompletefreedomtodesign inyour $105 .32(+$85materialfeepayabletoinstructor) July 9,2016 John Proctor $105 .32(+$15materialfeepayableto instructor) July 9,2016 Holly Dean $105 .32(+$35materialfeepayabletoinstructor) July 9,2016 Amanda Brittin $105 .32(+$30materialfeepayabletoinstructor) July 9,2016 Susan Watson Ellis

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25 HALIBURTON JULY 2016 JULY 11 TO 15, 2016 A wonderful celebration of art and craft. Acrylics – Explore, Express, Experiment “ – RENNE COUTTS COURSE CODE ARTS1894 SECTION 41 INSTRUCTOR Kim Lee Kho DATES July 11 – 15, 2016 FEE $340 .58 (+ $95 material fee payable to instructor) The most versatile of all paint media, acrylics can do almost Decoy Carving anything you want . Through the magic of acrylic mediums you COURSE CODE ARTS69 SECTION 41 can change the appearance, behaviour and characteristics of INSTRUCTOR Doug Mason acrylics in surprising ways, from pourable glazes to texturized and DATES July 11 – 15, 2016 transparent impasto, layered encaustic-like effects to sculpted FEE $340 .58 (+ $35 material fee payable to instructor) surfaces . In this intensive, materials and process-based course, Project: Green Wing Teal Drake a variety of acrylic mediums, physical processes and techniques will be explored . These may include drip, scrape, scratch, Learn and develop current decoy carving and painting skills . scumble, tickle, pour, squeeze, sculpt, roll, collage, layer, making Instruction will introduce the safe use of power tools for shaping skins and embedding objects . You will also investigate tools – how a wooden blank and progress through head and body shaping, to select, use and customize them, with particular emphasis feather flow and shapes, eye placement, sanding, and acrylic on unconventional choices . All levels and abilities are welcome painting techniques . Discussions will include anatomy, feather (including advanced), the only prerequisite is an open mind and groups and shapes, and other related topics . Instruction is an adventurous spirit . suited for beginners and will provide interesting opportunities for intermediate and advanced carvers as well, should the project be of interest . Creative Writing – Ignite Your Potential COURSE CODE ARTS706 SECTION 41 Digital Integration & Collage INSTRUCTOR Nora Zylstra Savage COURSE CODE ARTS2194 SECTION 41 DATES July 11 – 15, 2016 INSTRUCTOR David Clarkson FEE $340 .58 DATES July 11 – 15, 2016 Get inspired – Get REALLY inspired . Whether you’re a novice or FEE $340 .58 professional, fiction or non-fiction writer, these writing exercises and styles will inspire . This hands-on high energy course provides Every digital medium suggests compositional techniques that an encouraging, safe space for discovering different writing styles emphasize editing and integration – remixing, sampling, montage 26 and techniques which could include: dialogue, story components, or collage – and also the translation of content between media . personal narratives, poetry, essays, perspectives and journal Explore those strategies and general digital aesthetics in photog- entries . You will have fun responding to numerous multimedia raphy, video, painting and drawing, through studio projects, writing prompters and stimuli . Experiment with writing tools such discussions and presentations of artwork . Different media, as clustering, mind mapping, rapid writing and short-shorts . Let interests, and skill levels will be accommodated . You are required these triggers be a starting point for expanding your writing hori- to provide a Mac laptop computer, loaded with preferred software . zons and creativity . There will be time to share and get positive feedback on your work . Be ready to jump in and dive deep! Drawing with Ink & Colour COURSE CODE ARTS1031 SECTION 41 INSTRUCTOR Charles O’Neil DATES July 11 – 15, 2016 FEE $340 .58 The art of pen and ink will be explored through a series of exercises designed to improve observational skills, composition, value range, and technique . The element of colour will be intro- duced with water-based paints and washes such as watercolour, gouache, and more . These techniques will add variety and interest to completed works . Design, composition and colour theory will be addressed throughout the course .

Fabric Printing – Irresistible Resists COURSE CODE ARTS1274 SECTION 41 INSTRUCTOR Gunnel Hag DATES July 11 – 15, 2016 FEE $340 .58 (+ $45 material fee payable to instructor) Discover a thousand different paths to the same goal: gorgeous cloth . Experiment with a wide variety of ingredients to create an exciting range of patterns and texture on fabric – both abstract and representational . Not only will you learn in-depth techniques for tied, clamped and pole wrap resists, you will also use soy wax and glue to create gorgeous fabrics with exquisite colour and complexity . As well as learning to mix your own pigment colours you will learn the techniques of hand painting/dyeing and how to make your own stamps and stencils to create one-of-a-kind resist printed fabrics . Truly irresistible! DATES INSTRUCTOR Harp –Beginner FEE for theweek . and securelystored .Therewillbeharps availableforrentat$40 own aharpyouare encouragedtobringit–harps willbeproperly harp, andguidance withaccompanyingotherinstruments .Ifyou for theharp,funofimprovisation andcompositionatthe experience ensembleplaying,an introduction toarrangingmusic instrument .Instructionwillincludeopportunities tobegin renting aharp,aswellbasictuning andmaintenanceofthe types ofharpsandwhattolookfor ifinterestedinbuyingor the richhistoryofharpplaying.Discussionwilladdressdifferent individual andgroupinstruction,you willgainanappreciationof a relaxed,supportiveandinspiringenvironment.Inadditionto as youlearnthefundamentaltechniquesforplayingharpin Enjoy acomprehensiveintroductiontothisbeautifulinstrument Please note:Nopreviousmusicalexperienceisrequired. COURSE CODE “ INSTRUCTOR Glassblowing II INSTRUCTOR Glassblowing which levelyouareregisteringfor. These courseswillrunsimultaneously. Pleaseclearlyindicate FEE FEE DATES DATES current trendsinglass. participate indiscussionsonequipment,safety, historyand goblets andsculpture.You willalsohaveanopportunityto of asteelblowpipetoformitintovases,bowls,paperweights, time youlearnhowtogatherthemoltenmaterialonend melted inafurnaceat2100degreesFahrenheit,which leading vesselmakersandglasssculptors.Glassisfirst years! Thesemethodsarestillusedtodaybytheworld’s blowing usingtraditionaltechniquesthatdateback2000 As abeginningstudent,youwilldiscovertheartofglass- well asglassacontemporaryartform. about modernstudiodesignandequipmentconstruction,as You willhaveanopportunitytoparticipateindiscussions on design,youwillsetupyourownpersonalprojectgoals. techniques andstudioproductionmethods.Withanemphasis work .Therewillbedemonstrationsonadvancedcolouring goblets andstemware,aswellsolidsculpturehotbit Learn techniquesforvesselmaking,includingvases,bowls, techniques. Instruction willfocusonadvancedhotforminganddecorating Please note:Thiscourseisnotsuitableforbeginners. COURSE CODE COURSE CODE Love it.Itistheperfectrestorativevacation!  ARTS1844 $340 .58(+$5materialfeepayabletoinstructor) July 11–15,2016 Maureen McKay  ARTS101  ARTS103 material feepayabletoinstructor) $527 .62includes$18704materialfee(+$10 July 11–15,2016 Terry Craig (+ $10materialfeepayabletoinstructor) $527 .62includes$18704materialfee July 11–15,2016 Terry Craig

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DATES INSTRUCTOR Jewellery Japanese BrushPaintingI INSTRUCTOR DATES FEE FEE strokes . painters whowishtobeautifytheirworkwithexpressivebrush atmosphere .Instructionisalsosuitableforpottersandfabric underpin thelearningprocessbyaddingadelightful,peaceful ‘kissing cousin’ofSumi-e,alongwithbeautiful,flowingmusic,will keep creativityflowing.Japanesepoetry‘Haiku’whichisthe add aninterestingflavour and PlumTree .Orientalphilosophyasrelatedtopaintingwill the fourparagons–Bamboo,JapaneseOrchid,Chrysanthemum any futurepaintingmediumorartisticpursuit.Discoverandlearn all .Thisisaveryintensivecourseprovidingfirmfoundationfor of subjectsandreceiveareferencecopyeachlesson,tenin effective simplicityincompositionskills.You willpaintavariety depth, brushcontrolthatdevelopsspontaneousexpression,and will beonvariousbrushtechniques,lightandshadetoachieve (known asSumi-e),abeautifulwater-based medium.Emphasis introduce youtothejoyfuldisciplineofJapanesepainting Suitable forthebeginnerorseasonedpainter, thiscoursewill supplies willalsobeavailablefromtheinstructor You arewelcometobringyourownmaterialsandtoolsbut session dealingwithsupplies,sourcesandpricingwillbeheld. of currentjewelleryartistswillbereferencedandaninformation your ownprojectswiththeguidanceofinstructor on surfacetreatments,aswellpracticeyourskillsandwork you willhaveanopportunitytoexplorenewideas–particularly other materials.Ifyouareworkingatamoreexperiencedlevel, aged tousethemcreativelywhileworkinginsterlingsilverand beginner, youwillbeintroducedtothesemethodsandencour Fabulous jewellerycanbemadeusingsimpletechniques.Asa COURSE CODE COURSE CODE  ARTS114  ARTS117 the instructor) $340 .58(+amaterialfeeofapprox$38payableto July 11–15,2016 Cassandra Wyszkowski $340 .58(+$35materialfeepayabletoinstructor) July 11–15,2016 Michael Letki .Manyothersubjectsarepursuedto

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27 HALIBURTON JULY 2016 as a direct painterly response, one can refresh and personalize the landscape painting experience . Please note that this is not necessarily a plein air course or an exercise in studio abstraction, rather a selection of painting strategies with a goal of helping you develop . With this in mind, to be productive and versatile, work will be done in acrylics .

Millinery – The Art of Hat Making COURSE CODE ARTS516 SECTION 41 INSTRUCTOR Karyn Gingras DATES July 11 – 15, 2016 FEE $340 .58 (+ $45 – $70 per hat material fee payable to instructor) Please note: Basic cutting and sewing skills are required to participate in this course. This course is an introduction to the basic millinery technique of hand blocking . You will enjoy the rare opportunity to make use of vintage wooden hat blocks, or moulds . These vintage wood moulds provide a fascinating visual history of different hat styles of the 20th century . Learn hand blocking techniques for both felt and straw materials, as well as assembly and embel- Kids’ Oceanic Adventures** lishment practices to create a unique, one-of-a-kind hat . Retro COURSE CODE ARTS2226 or contemporary, classic, or funky, it’s up to you . Please bring a INSTRUCTOR Marcin Wisniewski reliable sewing machine that is in good working order . DATES July 11–15, 2016 FEE $105 .90 (+ $20 material fee payable to instructor) SECTION 41 1:00 – 4:30pm, 4 – 6 years old (4 by Jan . 1, 2016) Karyn (Gingras) was amazing. I enjoyed this SECTION 42 9:00 – 12 Noon, 7 – 9 years old course tremendously. Beyond what I had Immerse yourself in a variety of art and craft activities! Make “hoped for. Thank you Karyn and HSTA for this ocean slime and fish soap, build and sink boats in buoyancy opportunity.” experiments, create underwater finger puppets, and sink the – ERIN BARNETT, MILLINERY 28 shark as you discover the ways in which our oceans – filled with exciting and thrilling creatures – are not only a vital part of our planet but are also a source of artistic inspiration . Musical Instrument Construction – Intermediate/ Advanced Kids’ Play with Drama** COURSE CODE ARTS1487 SECTION 41 INSTRUCTOR Philip Davis COURSE CODE ARTS1119 DATES July 11 – 15, 2016 INSTRUCTOR Leanne Schachow FEE $340 .58 (+ $20 material fee payable to instructor) DATES July 11 – 15, 2016 FEE $105 .90 (+ $5 material fee payable to instructor) Please note: This course is not suitable for beginners. Prior completion of a minimum of one instrument to a good standard SECTION 41 9:00 – 12 Noon, 4 – 6 years old (4 by Jan . 1, 2016) is required. SECTION 42 1:00 – 4:30pm, 7 – 9 years old Instruction will stimulate the hands and imagination beyond You’re a kid . . it’s natural for you to be over-the-top fun, excitable, your established competency in instrument fabrication . Begin and of course – dramatic! This course will introduce you to the by setting a logical goal and proceed to make or acquire working confident star that lives in you and take your wacky imagination drawings . Group seminars will replace demonstrations of basic to the stage . In a supportive environment, you’ll explore the making and these will progress you to advanced theory and prac- voices and body movements for many characters and learn to tice of design, as well as the ability to make diverse instruments . create your own characters by applying learned acting techniques to storytelling, role-playing, improvisational scenes, and script development . You’ll sing and dance your heart away to a final Oil Painting – Introduction to Plein Air musical production at the end of the week, showing off your COURSE CODE ARTS596 SECTION 41 fabulous talent while wearing colourful costumes and accessories . INSTRUCTOR John Anderson Come out and play! DATES July 11 – 15, 2016 FEE $340 .58 (+ $10 material fee payable to instructor) Landscape Painting – Working the Land This course is designed to engage you in the fundamental COURSE CODE ARTS1540 SECTION 41 aspects of painting with oils . Exploring the idea of landscape INSTRUCTOR Rod Prouse painting as an artistic and creative endeavour will be stressed . DATES July 11 – 15, 2016 The language of paint will be developed through mark making, FEE $340 .58 (+ $20 material fee payable to instructor) colour, form, texture and composition . Through the under- standing of these issues and with individual instruction, you will Please note: This course is not suitable for beginners. develop confidence in your own painting ability . This course is This course is designed to assist you to move beyond the literal suitable whether you have limited painting and drawing experi- and develop a personal voice in painting the land . Explore ways ence or if you are a more experienced painter planning to expand to interpret landscape, distil the painting possibilities in a scene, your capabilities and further develop your skills . You are invited to and apply relevant principles of design and technique to the work with oil paint in an environment that encourages individual work . Analyze observed landscape and reconstruct it in paint with freedom and expression . Weather permitting, the majority of class a mind to developing a unique style . Using an analytical as well time will be held outdoors . welcome toworkinthemediaofyourchoice. the evolutionofyourworkinselfandgroupcritiques.You are execution tocreateyourownbodyofwork.Learnhowassess on materials,media,techniques,ideas,andprocessofvision-to- structured aroundyourconsultationwiththeinstructor-as-mentor personal visionandartisticpractice.Thisstudioopportunityis Individual instructionwillchallengeyoutofurtherdevelopyour Please note:Thiscourseisnotsuitableforbeginners. DATES INSTRUCTOR Painting –LayeredMixedMedia INSTRUCTOR Open Studio–Painting DATES FEE FEE beginners toexperiencedartistsarewelcome. discussions, individualattention,andfriendlycritiques.Curious exercises tostimulaterightbrainresponse,demonstrations, and discussmanyothercreativeideas.Instructionwillinclude transfers, createbeautifulcompositionsusingdesignprinciples, cils tobuildrelief,addmetallicpaintformagicalhighlights,make between fluid,softbodyandheavyacrylicpaints,usesten- subtle texturewithacrylicmediums,explorethedifference and rip.Learntoconcealrevealcollageelements,build brushes andunusualtools,makemonoprints,drip,pour, sand, oil pastels,ink,pencil,charcoal,writing,andmore.Paintwith with acrylicpaintsandmediums,collage,stampsstencils, Trust yourintuition asyouworkonpaper, canvasandboard your personalstyleinanencouragingandnurturingatmosphere. Create threeormorerich,complexpiecesofartwhileexploring COURSE CODE COURSE CODE $340.58 ARTS1258  ARTS2212 July 11–15,2016 V $340 .58(+$25materialfeepayabletoinstructor) July 11–15,2016 Holly Dean .JaneGordon

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DATES DATES FEE INSTRUCTOR Pottery II INSTRUCTOR Photography –CreativeImages FEE includes glazing and firing. for purchasefrom theschoolatacostof$20perbag, which accomplished during thecourse.Additionalclaywill beavailable and firingkilns.Therewillbeone bisquefireandoneglaze pieces andvases.You willalsoexperienceglazemixing,loading throwing techniquesincludingcylinders, bowls,plates,lidded the formandfunctionofclay spent onthewheel,youwilldevelop abetterunderstandingof Through theuseofdemonstrations, critiquesandmuchtime diate levelofskill. participate. Instructioninthiscourseisdeliveredataninterme- – Beginnersorequivalentwheelworkexperienceisrequiredto Please note:Thiscourseisnotsuitableforbeginners.Pottery new ideasincreatingimageswithyourcamera. and lecturesinvolvingothermediumswillalsohelpyouformulate and howtomakethemworkforyourimagery effective .Inthiscourseyouwillexaminewhatthosefactorsare, Visual mediumsrelyonmanyfactorstomaketheimagecreated cast asidethesepre-conceptionsandlookatthingsdifferently that iswhatwephotograph.Ifyouwanttobecreativemust have pre-conceivedideasabouthowsomethingshouldlook,and Learn howtocreateanimage,notjusttakeapicture.We all Good photographsaremade,notjusttaken.Theycreated shoot camerasbutisbestsuitedtoDSLRcameras. Please note:Instructioncanbenefittraditionalandpoint COURSE CODE COURSE CODE “ between culture,landscapeandidentity. and narrativetropestoexploredialogues personal, observed,imaginative,indexical fascinating process-basedartthatfuses to thenaturalworld.Shecreatesa body andspacewithparticularregard Gordon) operatesatthenexusbetween documentation approaches,(V. Jane Utilizing uniqueresearchand  ARTS179  ARTS918 $405 .70includes$1842initialmaterialfee July 11–16,2016(6days) Lisa Barry $340 .58(+$5materialfeepayabletoinstructor) July 11–15,2016 Rob Stimpson

CN STUDIOCONTEMPORARY ART .Therewillbedemonstrationsof

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29 HALIBURTON JULY 2016 Quilting – Complex Design & Piecing Stained Glass – Intermediate COURSE CODE ARTS2135 SECTION 41 COURSE CODE ARTS213 SECTION 41 INSTRUCTOR INSTRUCTOR Helen Garland Wendy Ladurantaye DATES DATES July 11 – 15, 2016 July 11 – 15, 2016 FEE FEE $340 .58 (+ $15 material fee payable to instructor) $340 .58 30 Learn design and sewing techniques that will enable you to trans- Please note: This course is not suitable for beginners. form a photograph or idea into an art quilt . Begin by translating Challenge yourself in creating an original design, use glass an image into a piece-able design, progress to preparing a freezer effectively, and perfect skills and techniques . Work through your paper pattern and auditioning fabrics, and complete the process project using the appropriate foil or lead came method . Safe with the construction of your quilt top . Instruction will include art studio practices will be emphasized as you work at your own pace and design principles, sewing sequences, techniques for sewing and ability with individual support . Structure, reinforcement, the linear, inset and curved seams, and border options . Step-by- process of repairing stained glass, and use of rondels, bevels and step instruction and individual attention will guide you from the clusters will be covered . deconstruction of your photograph or idea to the construction of a This course will run simultaneously with Stained Glass. Please representational art quilt . Finishing techniques will be discussed . clearly indicate which level you are registering for. You will be required to bring a familiar and reliable sewing machine in good working order . Symbols & Expressive Patterns COURSE CODE ARTS1667 SECTION 41 Stained Glass INSTRUCTOR Suzi Dwor COURSE CODE ARTS211 SECTION 41 DATES July 11 – 15, 2016 INSTRUCTOR Wendy Ladurantaye FEE $340 .58 (+ $30 material fee payable to instructor) DATES July 11 – 15, 2016 This course will benefit painters, collage artists, quilt makers, fibre FEE $340 .58 (+ $50 material fee payable to instructor) artists, and printmakers with or without prior experience . Explore Stained Glass is an exciting medium that uses light and colour to the symbols, patterns, art, architecture and music from a variety create delicate or dramatic, whimsical or practical results, regard- of cultures around the world . India, Nepal, Israel, Australia, Tibet, less of your artistic abilities or experience . Instruction will provide Mexico, Japan, Africa, Ireland and more will be included in inspi- an overview of basic history, designing for glass, and limitations rational and creatively adventurous investigations . From a study of the glass media, as well as develop safe practices, skills and of the meaning and use of the five universal symbols – circle, techniques . Two small initial projects will provide basic skills in square, triangle, spiral, and cross – you will begin to create your both copper foil and traditional leaded methods of construction . personal palette of images . Explore and experiment with a wide In a relaxed environment and with individual support, progress range of materials: watercolours, acrylics, pencil, charcoal, acrylic to the design and execution of a larger, more complex project in mediums, rice papers and gold leaf papers to create a series of the method of your choice, working at your own pace and ability . art explorations . Automatic drawing, painting techniques, resist Consider a small lamp, jewellery box, clock, panel or sculpture . painting, collage, and plaster relief work on a variety of papers This course will run simultaneously with Stained Glass – Interme- will be used to support the desired effect for surfaces . You will diate. Please clearly indicate which level you are registering for. also create a personal mandala on an 18 x 18 inch birch plywood panel using your new repertoire of symbols, patterns and colours . A mandala is a symbol, usually circular and sometimes square, that can release creative blocks and lead to personal insights and artistic discoveries . Art technique demonstrations and presenta- tions with visuals will be rich and plentiful . machine ingoodworkingorder you wishtotellwithyourart.You arerequiredtobringasewing 5 to10uniqueandcreativewallhangings.Try tothink ofstories in thecollagesandotherfuturework.You willbeabletocomplete creating beautifulstampswithavarietyofsimplematerialstouse with paint,ink,paper, variousmediumsandgesso .Spendaday as aground,thencreate,stencil,stamp,glueandaddlayers Explore waystoprepareacompletelyoriginal“distressedcanvas” Please note:Basicsewingskillsarerecommended. DATES INSTRUCTOR Ukulele EnsembleI INSTRUCTOR Textile Collage–MixedMedia INSTRUCTOR Teen ChoralCrew** FEE FEE FEE DATES DATES accomplishments .Getreadytosing! equipment willbeavailableandyou’llreceiveanaudiorecordof you justneedtobringenthusiasmandwillingness.Recording nity, wherever!Anylevelofexperienceorsingingabilitywillwork; really coolsongs,andthenperformforclassrooms,thecommu- Become partofacrackentertainmentunit,learnbunch Please note:Thiscourseisopentoteens1318yearsofage. tenor ukulele.Baritoneukulelescannotbeaccommodated mended .You arerequiredtobringyoursoprano, concert,or by theinstructor and ChalmersDoane,aswellsupplementalmaterialprovided tuning, usingtheUkuleleinClassroomseriesbyJamesHill play effectivelyinamusicalensemble.InstructionwillworkC6 strumming patterns,improvemelodyandharmonyplaying, experiences andinterests.Expandyourvocabularyofchords beyond-beginner skilllevelsinordertoaccommodatearangeof will workwitharrangementsthataregearedtoavarietyof music readingskills,andlearntoplayinagroup.Instruction playing inanensemble.ExplorethekeysofCandF, develop Extending beyondbeginnerlevelskill,thiscoursefocuseson is required. some experiencereadingstandardmusicnotationfortheukulele of basicukulelechords,familiaritywiththeCmajorscale,and priate ifyouhavecompletedtheintroductorycourse.Knowledge Please note:Thiscourseisnotsuitableforbeginners.Itappro- COURSE CODE COURSE CODE COURSE CODE “ themselves. Afabulousweek! develop self-confidenceandself-esteem within encouraging butalsoinclinesher studentto capable of.Herinspirationisboth helpfuland and stretchbeyondwhattheythink theyare teacher whoinspiresherstudentstorisk Eve isanoutstanding,vivacious,knowledgeable  ARTS2184  ARTS2191 $340.58 ARTS1545 $231 .55(+$20materialfeepayabletoinstructor) July 11–15,2016 Andy Rush $340 .58(+$35materialfeepayabletoinstructor) July 11–15,2016 Eve Goldberg July 11–15,2016 Maggie Vanderweit .AukulelestrungwithalowGstringisrecom-

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DATES DATES INSTRUCTOR INSTRUCTOR Watercolour Painting–Experimental Ukulele forBeginners FEE FEE cannot beaccommodated. bring yoursoprano,concert,ortenorukulele.Baritoneukuleles strung withalowGstringisrecommended.You arerequiredto as supplementalmaterialprovidedbytheinstructor the ClassroomseriesbyJamesHillandChalmersDoane,aswell songs .InstructionwillworkinC6tuning,usingtheUkulele ment techniquesandchordformations,gainarepertoireof play melodiesinthekeyofC,practiceavarietyaccompani- accompaniment techniques.ReadandplayaCmajorscale, learn howtoplaybasicukulelechords,andexploresomesimple skills whileplayingonyourownandinagroup.You willalso practice pluckingasimplemelody, anddevelopyourlistening basic notenamesandhowtorecognizethemonamusicstaff, ence playingbutwanttodevelopyourmusicianship,learnthe Whether youhaveneverplayedaukuleleorsomeexperi- spirit . are welcome–youneedonlyanopenmindandadventurous compass inboldlyexploringnewdirections.Alllevelsandabilities turn youwillbeencouragedtohearandtrustyourowninner personal expressionanddirectionareparamount,atevery your voice.Thiscourseisbothsafehavenandlaunchingpoint: explore thevastarrayofoptionsandstarttofindyourpath creative, non-threateningenvironment.Ifyou’rejustbeginning, it –pushfurther If you’realreadyexcitedwithyourcurrentdirection,develop enable youtobetterunderstandanddevelopyourartisticvision. and subjectmatter adventurous aspossibleinyourmediacombinations,methods set andself-directedexercises,youwillbeencouragedtoas watercolour paintingandhowitmightbecreated.Throughboth Challenge yourpreconceptionsaboutwhatconstitutesa COURSE CODE COURSE CODE ARTS250  ARTS2190  July 11–15,2016 Kal Honey $340 .58(+$35materialfeepayabletoinstructor) July 11–15,2016 Brenna MacCrimmon $340 .58(+$20materialfeepayabletoinstructor) .Ifyou’restuck,becomeunblockedina .Groupdiscussionandpersonalattentionwill

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31 HALIBURTON JULY 2016 Weaving – Basic Level I Youth/Teen Metal Jewellery Arts** COURSE CODE ARTS261 SECTION 41 COURSE CODE ARTS395 SECTION 41 INSTRUCTOR Ralph Johnston INSTRUCTOR Susan Watson Ellis DATES July 11 – 15, 2016 DATES July 11 – 15, 2016 FEE $340 .58 (+ $35 material fee payable to instructor) FEE $231 .55 (+ $45 material fee payable to instructor) This course introduces you to the 4 harness floor loom, devel- Please note: This course is open to youth and teens from 10 to oping basic set-up and weaving skills . Instruction is suitable for 18 years of age. beginner weavers, or novice weavers who want to focus on good You will be surprised at how easy it is basic weaving skills . You will be guided step-by-step through to create things as intricate looking as warping, setting up a loom, and weaving, with the opportunity the King’s or Twist Chain . Learn these to play with colour and design along the way . Instruction will techniques and other skills to create address individual skill levels, and give suggestions for fine current jewellery styles . After mastering tuning technique and efficiency as your skills develop . The goal the basics, cut, saw, form and decorate is to set up and weave two projects during the week – a set of various metals into unique creations . As hot mats/potholders, and your choice of either a) placemats or skills increase, you will start to develop runner, or b) a scarf . Materials will be provided by the instructor your own designs for bracelets, cuffs, for purchase, although you may bring 4/8 cotton, mop cotton, pendants, earrings, rings, key rings or 2/8 cotton, or scarf yarn of your own if you wish . A half day loom chains . Decorate and personalize with maintenance and tuning-up session is included to help you beads, and tumbled stones . understand how looms work, and how to have them work well for you . You may bring your own 4 harness floor loom, or use one of the school’s . Please indicate upon registration if you require a loom . This course will run simultaneously with Weaving Sett Study. Please clearly indicate which level you are registering for.

Weaving – Sett Study COURSE CODE ARTS1075 SECTION 41 INSTRUCTOR Ralph Johnston Courses for Kids, Youth and Teens DATES July 11 – 15, 2016 All course names for our younger artists start with FEE $340 .58 (+ $40 material fee payable to instructor) 'Kids,' 'Youth' or 'Teen,' depending on the age requirement. 32 Please note: This course is not suitable for beginners. Completion Age groupings have recently changed. of Weaving – Basic Level I or a general understanding of weaving See page 89 for more information. and setting up a loom is required to participate. Explore one of the most important aspects of weaving – sett (a cloth’s ends and picks per inch), and not be intimidated by it . With lots of samples, careful explanations, and hands-on weaving, you’ll develop a feel for well-woven cloth, as well as practical ways to achieve it . From heavy rugs to light lace weave, all weaving needs to be sett well for its purpose . By closely examining what’s going on structurally, and critiquing finished results, it’s easier to understand what’s happening, and what adjustments would help . A well sett cloth is faster to weave, handles and drapes better, lasts longer, and uses less yarn than a poorly sett cloth . Knowing how to choose a suitable reed, what weight to beat at, and what weft slope to use, are invaluable skills for any weaver to have . You’ll have the choice to either a) weave a set of samples with one yarn to explore what happens to the same cloth at various warp and weft setts, or b) use various yarns to design well sett samples or small projects of different types . Included in this course is a session on loom tuning and maintenance, to help you understand your own loom and keep it in prime working condition . You may bring your own 4-shaft floor loom or use one of the school’s . Please indicate upon registration if you require a loom . This course will run simultaneously with Weaving – Basic Level I. Please clearly indicate which level you are registering for.

Waiting until the last minute limits REGISTER your choice of courses and may cause unnecessary disappointment . ASAP! See registration details on page 89 . atmospheric landscapes. the landscapeinasimplifiedmannertoachieveconvincingand and traditionalmethods,youwillbeguidedthroughpainting methods forpaintinginthefield.Basedonbothcontemporary This workshopwillintroducebothdirectandindirectpainting DATES DATES INSTRUCTOR Mosaic Windows&LampsWorkshop** INSTRUCTOR Landscape PaintingWorkshop** INSTRUCTOR Jewellery –ForgedBangleWorkshop** INSTRUCTOR Encaustic &PhotoTransfer Workshop** SATURDAY, JULY 16,2016 DATES DATES FEE FEE FEE FEE to enjoythisworkshop. Experience withencausticorpaintingingeneralisnotnecessary of encausticpainting.Thecreativeoptionsarevirtuallyendless transferring, collagingphotoimages,andthebasictechniques images withencausticpainting.Gainproficiencyphoto Explore techniquesthatwillenableyoutocombinephotographic open space thatisnotair-conditioned . silicone Note:This workshopwilltakeplacewithin aventilated note thatthisworkshop requiresgoodhandstrength anduses grout materialsto beappliedoncetheprojecthas cured .Please choices forprojectswillbediscussed andyouwilltakehome either anabstractorimage-based piece.Adhesivesandgrouting pendants orlampprojectandlearn howtodesignandcreate window (1'x2'approx.size),oronetwoclearglasshanging translucent hangingpendantlamp .Bringeitherasmallframed into mosaictesseraeandcreating avibrantmosaicwindowor Work witharainbowofcolour;nipping translucentstainedglass depending onthesizeandwidthoffinishedpiece. for purchasefromtheinstructorasbangledimensionswillvary intensive, informativeworkshop!Sterlingsilverwillbeavailable metal smith,yourhammeringskillswillgetawork-outinthis ling silverbangle.Whetheryou’reabeginneroranexperienced Learn theprocessofmovingmetaltocreateadimensionalster COURSE CODE COURSE CODE COURSE CODE COURSE CODE “ fundamentally abasichumanneed. of furnitureorapainting,thejoycreatingis for ourselves.Whethermakingaring,piece of materialsthatweusetomakeausefulobject with ourhands,gettingdirtyandhavingthefeel In ourcurrentsociety, mostofusrarelywork  ARTS1780  ARTS2182 $105.32 ARTS1879  ARTS781 $105 .32(+$30materialfeepayabletoinstructor) July 16,2016 Susan Fisher material feepayabletoinstructor) $105 .32(+$14persquarefoot,project July 16,2016 Amanda Brittin July 16,2016 Matthew Mancini your projectpayabletotheinstructor) $105 .32(+$25to$50materialfeedependingon July 16,2016 Todd JeffreyEllis

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– AMANDABRITTIN - will beexplored. person .Theseandotheraspectsofhistorically-basedstorytelling stories arebesttoldinthefirstpersonandothertimesthird imagination, turnthemintocompellingstories.Sometimesthese use bitsandpiecesfromthepastand,withsomeresearch some creativeworktobringthesestorieslife.Discoverhow a recordofwhatpeoplesaidortheywerethinkingittakes happenings arewovenintothetale.Sinceweusuallydon’thave only becomecaptivatingwhenthepeople,eventsandactual well ascommunityhistories.Facts,dates,artefactsandlocations telling ofstories.Thisistruefamilyandpersonalas One ofthebestwaystomakepastcomealiveisthrough specific andbroad-basedprofessionalartisticrealms. members willbeencouragedtocontributeideasthatdelveinto and betweenworkingartistswillstimulateproduction.Group to agroupofpractices,wherediscussionsacrossdisciplines contemporary issues.Thisisacollegialenvironment,open mentored interactionwithimageryandformatsthatinclude expand yourworkingmediaofchoicethroughenhancedand creative executioninyourwork.You willhavetheopportunityto application ofnewideas,techniques,andprocessestoenhance Mentorship willinspireinnovationinyourpracticesandthe Further developyourpersonalambitionsandartisticpractices. media, fibrework,drawing). welcome toworkinthemediaofyourchoice(e.g.painting,digital Please note:Thisworkshopisnotsuitableforbeginners.You are DATES FEE DATES DATES INSTRUCTOR INSTRUCTOR Our StoriesPreserveHistories** Open StudioPaintingWorkshop** INSTRUCTOR Transfer PaintingonFabricWorkshop** INSTRUCTOR Paper Engineering:Pop-UpWorkshop** DATES FEE FEE FEE determine finished products. sense ofadventure andwillingnesstoexperimentwill ultimately painted fabrics.Whilepreviousexperience isnotrequired,a Many sampleswill beavailableforreference,inspiring yourown and colourful,unpredictablebackgrounds forfutureprojects. with resists,andprinting.Transfer paintscanproducelovelyskies paint withdifferentitemssuchas brushes andsponges,working suede, feltandinterfacings.Exploretheeffectsofapplying that haveahighsyntheticcontent suchaspolyesters,synthetic Transfer paints,oftencalleddispersedyes,work bestwithfabrics those wholiketodobookembellishmentormakegreetingcards. and othermediatoembellish.Techniques suitscrapbookersand cally foldflat.Usepaperpunches,decorativeandpaintedpapers, multi-layered folds,movingparts,andsculptedpiecesthatmagi- engineering techniquescreatenested‘peek-a-boo’parallelfolds, wonderful surpriseseachtimethey’reopened.Usingpaper Make cardsandpop-upartworkstoamazedelight– COURSE CODE COURSE CODE COURSE CODE COURSE CODE $45.14 ARTS2101 $105.32 ARTS2236  ARTS2199  ARTS2168 July 16,2016 Jim Blake July 16,2016 V $105 .32(+$12materialfeepayabletoinstructor) July 16,2016 Sylvia Naylor $105 .32(+$10materialfeepayabletoinstructor) July 16,2016 Helen McCusker .JaneGordon

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33 HALIBURTON JULY 2016 JULY 18 TO 22, 2016 Artist Retreat: Yoga, Meditation & Drawing COURSE CODE ARTS2001 SECTION 41 Abstracting the Landscape in Acrylics INSTRUCTOR Liz Wilde & Sheila Miller DATES July 18 – 22, 2016 COURSE CODE ARTS1668 SECTION 41 FEE $340 .58 (+ $15 material fee payable to instructor) 34 INSTRUCTOR Marianne Broome DATES July 18 – 22, 2016 Delve into daily Kripalu Yoga sessions, guided mindfulness FEE $340 .58 (+ $20 material fee payable to instructor) meditation, and exploration of your personal drawing style . Ease the body with mixed level Kripalu Yoga, modified for individual Learn to simplify and extract the essential information from a needs, and calm the mind with guided mindfulness meditation . reference photo or actual scene to create an abstracted version The combination of slow, attentive yoga and meditation balances on canvas . While working with elements of design and choice of spatial awareness and focus and is ideal for artistic expression . colour palette, emphasis will be on composition and value rela- All levels of experience and flexibility are welcome . For the art tionships . Where relevant, texture and collage will be incorporated component, use drawing pencils, erasers, conte, charcoal, and to provide an interesting foundation, and different techniques will pastels on paper . Inspired by movement, music and nature, be explored for layering, glazing and enhancing these elements . focus on strong composition, your personal colour palette, and Daily demonstrations and individual attention will enhance injecting a sense of life, motion and mood into your drawings . Be instruction . Suitable for beginners or experienced painters . prepared to work outside occasionally, weather permitting . While suitable for beginners, instruction also offers experienced artists Acrylics an opportunity for unique creative exploration . COURSE CODE ARTS1 SECTION 41 INSTRUCTOR Mary Intven Wallace Contemporary Collage DATES July 18 – 22, 2016 COURSE CODE ARTS2079 SECTION 41 FEE $340 .58 INSTRUCTOR Kal Honey Explore the versatility and radiant colour of acrylics while devel- DATES July 18 – 22, 2016 oping your painting skills . A variety of techniques and styles will FEE $340 .58 (+ $20 material fee payable to instructor) be explored and practiced in a supportive environment . Instruc- Note: This course is not suitable for beginners. Instruc- tion will consist of demonstrations, individual attention and group tion assumes a familiarity with values, colour systems and discussions . Learn to apply colour, value, and composition theory composition. via teacher led projects or your own choice of subject and style as you create original works of art . From the bold immediacy of appropriated media imagery to the nuanced subtlety of texture, colour and form – collage has the potential to say anything you want it to say . With inspiring and thought-provoking examples from 20th-century masters as well as current practitioners as starting points, instruction will investigate many artistic ideas and issues via the medium of collage . Through challenging, open-ended exercises, you will be I nstructors are fabulous and very capable in provided ample opportunity to develop your own directions in a addressing the needs & extending creative collegial, supportive environment where it is safe to take the risks “abilities of every student at every level. necessary for growth . Group and individual discussions will help – JILL AXISA clarify your artistic thinking, provide insight, and help you to place your work in the context of contemporary practice . presented by DATES Tenor Soprano Bass Alto INSTRUCTOR Creative ChoralMusic appropriately. note thedivisionofvocalsectionsandensureyouareregistering singing timetogethereverydaywithbothconductors.Please Choral MusicIIandthestudentsofboththesecourseswillenjoy Please note:ThiscoursewillrunsimultaneouslywithCreative new repertoire. variety ofactivities,instillrenewedenergy, and provideawealthof of thecourseistofreecreativityandvocalflexibilitythrougha and toexperiencesinginginalargergroup.Ultimately, thegoal Creative ChoralMusicIIcoursetosingmorechallengingmusic classical music.Theclasswilloccasionallycombinewiththe choral musicgenresincludingfolk,world,jazz,showtunes,and in harmonyandimprovinglisteningskills.Exploreavarietyof tune, strengtheningbreathing,eartraining,scorereading,singing singing .Topics includehealthysinging,warm-ups,singingin as thosewhowantmoreexperienceandconfidenceinchoral This coursewelcomessingerswithnopriorexperienceaswell FEE registering appropriately. Please notethedivisionofvocalsectionsandensureyouare COURSE CODE COURSE CODE COURSE CODE COURSE CODE extended “ 53rd Haliburton 53rd Haliburton & CraftFestivalArt a public art gallery andregistered gallery CanadianCharity118950641RR0001 a publicart hours... July 22,23,24 A celebrationofexcellenceincraftandart! of thehealthiestactivitiestoparticipatein. psychological andspiritualwell-beingisone Group singingpromotespositivephysical,civic, apply onlineatwww.railsendgallery.com CALL FORENTRY deadline Feb 20 ARTS2094 ARTS2093  ARTS2096 ARTS2095 Fri12-7Sat9:306Sun4 $340 .58(+$25materialfeepayabletoinstructor) July 18–22,2016 Sherry Squires

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DATES DATES Tenor Soprano Bass Alto INSTRUCTOR Creative ChoralMusicII INSTRUCTOR Encaustic MixedMedia&Collage INSTRUCTOR Dyeing toQuilt FEE FEE FEE DATES appropriately. note thedivisionofvocalsectionsandensureyouareregistering singing timetogethereverydaywithbothconductors.Please Choral Musicandthestudentsofboththesecourseswillenjoy Please note:ThiscoursewillrunsimultaneouslywithCreative the school. You willhavetheopportunitytoperformatvariousvenuesaround your voicebylearningmoreaboutvocalhygieneandwarmingup. arrangements tosuittheensemble’s skills. Learntotakecareof sharing music,listeningtochoralmusicexamples,andmodifying from ourownvariedchoirs,creatingmusicalaccompaniment, address improvising,creatingharmonies,moving,sharingstories to performancestandard,instructionanddiscussionwillalso tion tolearningalimitedvariedrepertoireanddevelopingit creating anensemble,andcommunityperformance.Inaddi- singing inharmony, modifyingandperfectingarrangements, For theexperiencedchoralmusician,thiscoursewillfocuson Please note:Thiscourseisnotsuitableforbeginners. registering appropriately. Please notethedivisionofvocalsectionsandensureyouare textile tofoundsculpture,fromceramic topaper, orbeyond. integrate encaustictechniquesinto yourmixedmediaworkfrom embraced bycontemporarymixed mediaartists.Learnhowto Encaustic, anancientbeeswax-based technique,iscurrently chemical processinvolvedtoensureyoursuccessandsafety on yourcotton.Learnhowtousedyessafelyandunderstandthe fabric .Mixthickeneddyestousewithresistsandpaintdesigns resists, suchasflourpasteandsoywaxtocreatepatternon stitch fabrictoproduceshibori-dyedcloth.Prepareandapply parfait dyeingmethods.Learntowrapapoleandfold/clamp/ multi-coloured cottons,usingbothlow- natural fibres.You willbeintroducedtoseveralwaysofproducing methods ofdyeingwithProcionMXFibreReactiveDyesfor Create one-of-a-kindclothforyourquiltswhilelearningseveral COURSE CODE COURSE CODE COURSE CODE COURSE CODE COURSE CODE COURSE CODE ARTS1306 ARTS1304 ARTS1307 ARTS1305   ARTS1488  ARTS1812 $340 .58(+$25materialfeepayabletoinstructor) July 18–22,2016 Andy Rush $340 .58(+$100materialfeepayableto instructor) July 18–22,2016 Susan Fisher $340 .58(+$60materialfeepayabletoinstructor) July 18–22,2016 Elaine Quehl

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35 HALIBURTON JULY 2016 Free Motion Machine Embroidery Japanese Brush Painting II COURSE CODE ARTS1257 SECTION 41 COURSE CODE ARTS115 SECTION 41 INSTRUCTOR Sylvia Naylor INSTRUCTOR Cassandra Wyszkowski DATES July 18 – 22, 2016 DATES July 18 – 22, 2016 FEE $340 .58 (+ $15 material fee payable to instructor) FEE $340 .58 Free motion machine embroidery is a very versatile technique . Please note: This course is not suitable for beginners. Japa- It can be used to create line drawings, thread paintings, and nese Brush Painting I or training in Japanese Brush Painting, textures, both realistic and abstract . Once you have mastered the particularly the four paragons (Bamboo, Plum, Orchid and basics, building up a repertoire of free motion machine embroi- Chrysanthemum) is required. dery skills, you can explore further by experimenting with a variety Instructional emphasis will be on more advanced brush tech- of threads on different fabrics . Fabric paints and various types niques, continuing concentration on gradation of tones, the of crayons can be used to colour your fabric . Exercises of your manipulation of contrasting values, further use of the black choosing will show how fusibles, organza and appliqué can be and white disciplined brush strokes and an introduction to the used with free motion . Demonstrations instructions and individual use of colour and simplified colour theory . This course will help critiques will increase awareness of colour, texture, patterns, to reinforce Level I, with group demonstrations and individual shape, and composition . Inspiration for the exercises or a small instruction . Colourful florals, such as the big bold blue iris, project will come from the environment . Work can be developed landscape elements, such as birch trees and rocks, fruit, such as in a realistic way or with a more abstract approach . Emphasis grapes with big expressive leaves and vines, are just some of the is on developing your personal skills at your own pace . You will subjects covered . Excitement will build as delightful dragonflies be required to bring a reliable sewing machine in good working and butterflies lead you on to explore further the poetic painting order . Please bring an instructional manual if the machine is not of Sumi-E with ten new lessons as well as a review of Level I completely familiar to you . where necessary . Flowing, gentle music will enhance the learning process that emphasizes spontaneous yet controlled painting of Glassblowing Sumi-E with watercolour . COURSE CODE ARTS101 SECTION 43 INSTRUCTOR Andrew Kuntz Jewellery Casting DATES July 18 – 22, 2016 COURSE CODE ARTS119 SECTION 41 FEE $527 .62 includes $187 .04 material fee INSTRUCTOR Michael Letki (+ $10 material fee payable to instructor) DATES July 18 – 22, 2016 As a beginning student, you will discover the art of glassblowing FEE $340 .58 (+ $35 material fee payable to instructor) using traditional techniques that date back 2000 years! These Using the ancient lost wax casting process to make jewellery 36 methods are still used today by the world’s leading vessel makers opens the door to a fascinating world where an almost unlimited and glass sculptors . Glass is first melted in a furnace at 2100 variety of three-dimensional forms and textures can be created . degrees Fahrenheit, at which time you learn how to gather the The tiniest details, textures and forms will be faithfully repro- molten material on the end of a steel blowpipe to form it into duced . Learn how virtually anyone with a shoebox of tools can vases, bowls, paperweights, goblets and sculpture . You will also do this at home! You will work on several pieces with emphasis have an opportunity to participate in discussions on equipment, placed on appropriate design for the methods, quality of safety, history and current trends in glass . workmanship and finishing techniques . You are welcome in this This course will run simultaneously with Glassblowing – Style & course whether you are working at a beginner or intermediate Form. Please clearly indicate which level you are registering for. level of skill .

Glassblowing – Style & Form COURSE CODE ARTS657 SECTION 41 INSTRUCTOR Andrew Kuntz DATES July 18 – 22, 2016 FEE $527 .62 includes $187 .04 material fee (+ $10 material fee payable to instructor) Please note: This course is not suitable for beginners. As an experienced glassblower you will be challenged with the exploration of advanced techniques such as bit working, stems and feet, handles, spouts, cane work, and goblet making, using more advanced colour applications . Cold working techniques will also be covered . Instruction and practice will be augmented with a visual presentation, printed material, studio safety, and regular discussions of work in progress . With a maximum of 12 students in the studio, you will have ample opportunity for hands-on learning . Please note: This course will run simultaneously with Glass- blowing. Please clearly indicate which level you are registering for. INSTRUCTOR DATES DATES Kids’ PicassoPizzazz** Kids’ MusicalJam** INSTRUCTOR art inthiswonderfulweekofcreativity! our ownmini-gallery!Becomethemodernmasterandcelebrate form thisniftyhistoryintoamazingcreationstobedisplayedin Modigliani’s longandskinnypeople,youwill learnitallandtrans- Monet’s paintingwithlight,toDegas’wacky compositions,to own masterfulworksofart.FromPicasso’s zanyportraitsto secret techniquesoftheseincrediblepaintersandcreateyour Seine River, wherethemodernmasterscreated thesensational the-twentieth-century Parisandthefamous“LeftBank”of with hiswackyandwildpaintings!Travel backintimetoturn-of- Pablo Picassowasfamousforturningtheartworldupsidedown curriculum connectionsandasynopsisoftheplot. rest ofnature.Visitwww the beautyofnaturalworld,andhowyou’llcoexistwith keeping, simplerhythmicpatterns,andresponsevocals.Explore own instrumentsalong.Learnaboutrhythmandmovement,beat and triangleswillbeprovidedbutyou’rewelcometobringyour whackers, tambourines,maracas,bells,rhythmsticks,shakers parents andfriends.Percussioninstrumentssuchasboom- dances, andbackdropsthatwillculminateinperformancesfor performance .Developyourowncharacters,costumes,dialogue, and educational,musicaltheatrecoursegearedtowardalive There’s goingtobeaROCKgardenparty!It’s aninteractive,fun

FEE FEE welcome towork inyourpreferredartmediaandmaterials . nature –andnew waystoexpressthem–inanymedia .You are and illustratedpresentations youwillexplorenewideas about directed studioexercises orfieldprojects,readings, discussions, exploring, morethanperfecting,skills .Throughavarietyof environmental approachtolandscape art.Itisaboutactively This innovativecoursetakesanexperimental, experiential, DATES INSTRUCTOR Landscape ArtAlternatives FEE COURSE CODE COURSE CODE COURSE CODE SECTION 41 SECTION 41 SECTION 42 SECTION 42 'Kids,' 'Youth' or'Teen,' dependingontheagerequirement. All coursenamesforouryoungerartistsstartwith Courses for Kids, Youth and Teens and Youth Kids, for Courses $105.90 ARTS1411  ARTS576 $340.58 ARTS2195 1:00 –4:30pm,46yearsold(4byJan.1,2016) 9:00 –12Noon,79yearsold 9:00 –12Noon,79yearsold 1:00 –4:30pm,46yearsold(4byJan.1,2016) July 18–22,2016 Charlie Kert $105 .90(+$20materialfeepayabletoinstructor) July 18–22,2016 Michele KarchAckerman July 18–22,2016 David Clarkson Age groupingshaverecentlychanged. See page89formoreinformation.

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painters’ techniques. of oils(nosolvent) .Visualpresentations willhighlightvarious oil mediumsinan environmentthatemphasizesthe safehandling inspired projects. Learnmoreabout combinationtechniquesand Develop youroilpaintingskillsincreative andindependently Please note:Thiscourseisnotsuitable forbeginners. made fullandroundbytheobservationoflightshadow contour linedrawings,andculminatesinrenderingsofthefigure “stick-figure” stylegesturedrawings,progressingtowellobserved artist .Thisbeginner-to-intermediate coursebeginswithsimple artistic training–butitalsocreatesfearintheinexperienced Drawing thehumanfigurehasalwaysbeencornerstoneof DATES DATES INSTRUCTOR Oil PaintingOpenStudio INSTRUCTOR Mosaics INSTRUCTOR Life Drawing–Basics&Beyond DATES FEE FEE FEE benefit fromthiscourse. masterpieces .Maketheordinaryextraordinary!Allskilllevelswill cracked pots,smashedglass,oldbuttons,andmirrorsinto hands-on demonstrations.Turn yourbrokentiles,chippedchina, amazing worksofart.Basictechniqueswillbetaughtthrough and, byblendingtraditionalandmoderntechniques,createsome of mosaics.Gainanappreciationthehistoryandtechniques or image.Discovertheunusual,creative,innovativeandfunworld small piecesofcolouredglass,stoneortiletoproduceapattern By definition,amosaicissurfacedecorationmadebyinlaying COURSE CODE COURSE CODE COURSE CODE $340.58 ARTS2178  ARTS136 $340.58 ARTS1502 July 18–22,2016 Andrea Mossop $340 .58(+$20materialfeepayabletoinstructor) July 18–22,2016 Annette BladyVan Mil July 18–22,2016 Helen McCusker

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37 HALIBURTON JULY 2016 Open Studio – Painting Photography – In Camera COURSE CODE ARTS1258 SECTION 44 COURSE CODE ARTS1690 SECTION 41 INSTRUCTOR V . Jane Gordon INSTRUCTOR Elisabeth Feryn DATES July 18 – 22, 2016 DATES July 18 – 22, 2016 FEE $340 .58 FEE $340 .58 Please note: This course is not suitable for beginners. While the modern digital camera has many tools to help with the Individual instruction will challenge you to further develop your creative process, taking interesting and effective photos involves personal vision and artistic practice . This studio opportunity is imagination and a sense of design, along with technical know- structured around your consultation with the instructor-as-mentor how . This course will be of interest to beginning and intermediate on materials, media, techniques, ideas, and process of vision-to- photographers . Learn to make consistently better images through execution to create your own body of work . Learn how to assess hands-on interactive work with your camera controls in the the evolution of your work in self and group critiques . You are classroom, on daily practical field trips, and through in-depth welcome to work in the media of your choice . reviews and critique sessions . The instructor will share basic post production techniques on images . Instruction is best suited to digital SLR cameras; point-and-shoot cameras with manual Paint Like the Group of Seven functions could be accommodated . COURSE CODE ARTS2188 SECTION 41 INSTRUCTOR Al Van Mil Pottery – Form and Function DATES July 18 – 22, 2016 FEE $340 .58 COURSE CODE ARTS318 SECTION 41 INSTRUCTOR Scott Barnim Learn to paint like Tom Thomson and the Group of Seven . DATES July 18 – 23, 2016 (6 days) Discover and practice the unique techniques this group of artists employed as you gain a more expressive grasp of landscape FEE $405 .70 includes $18 .52 initial material fee painting . Instruction is suitable for beginners, those new to Please note: This course is not suitable for beginners. acrylics or oils, or the experienced artist wishing to advance This course will provide the opportunity to gain confidence with skills . You will be interpreting your own reference materials and, your skills and techniques and develop a better understanding of depending on the weather, working outside . form as it relates to function . Through the use of demonstrations, slides, critiques and time spent on the wheel, you will feel more at Paint Like the Masters ease with the clay . You will experiment with a variety of decora- tive techniques on both wet and partially dry pots with an eye to COURSE CODE ARTS1872 SECTION 41 how these techniques can enhance the form . This will allow for INSTRUCTOR Matthew Mancini personal expression to play a larger role in the making process . 38 DATES July 18 – 22, 2016 Additional clay will be available for purchase from the school at a FEE $340 .58 (+ $5 material fee payable to instructor) cost of $20 per bag, which includes glazing and firing . As if setting up your easel in front of your favourite work at the Louvre, Prado, or Metropolitan Museum of Art, this course will explore the process of painting in oil using Master painters of It’s about the endless possibilities. Ceramics, the past as guide and inspiration . Encompassing portraiture, as a process, offer endless possibilities so not the figure, the landscape or still life, you will work from one “matter what level you’re at you can always build painting all week enabling you to assimilate the artist’s technique, skill, knowledge and creativity.” gain insight into their methods, but most importantly, learn a – SCOTT BARNIM methodical approach to painting in oil .

Printmaking – Woodcut COURSE CODE ARTS2174 SECTION 41 INSTRUCTOR Marta Scythes DATES July 18 – 22, 2016 FEE $340 .58 (+ $20 material fee payable to instructor) Learn the processes of carving an image into a wood plate, inking the surface, and hand printing multiple copies of your image . The reduction method, reducing the printable surface to superimpose different colours on each print, will be demonstrated . Subject choice and exploring personal style will be encouraged . This introductory relief printmaking course is open to all levels .

Spinning COURSE CODE ARTS334 SECTION 41 INSTRUCTOR Wendy E . Bateman DATES July 18 – 22, 2016 FEE $340 .58 (+ $40 material fee payable to instructor .) Whether you are pursuing a new interest or hoping to upgrade existing spinning skills, you will benefit from this course . Instruc- tion will take into consideration individual skill levels . The basics including fibre preparation, spinning equipment and mainte- nance, as well as various spinning methods, colour and fibre blending, and basic acid dyeing will be covered . Instruction will also address yarn construction and the control of colour effects . the materiallistregardingtoolandstonecosts. to completeasmallsculptureduringthecourse.Pleasereference traditional masonrycanbeaddressedindividually carving skills.Morespecializedtechniquessuchasletteringand experienced withpowertoolstorefreshordevelopnewhand tools willbeincluded.Thisisanexcellentopportunityforthose a handcarvingcourse,briefintroductiontotheuseofpower primary emphasis,supportedbysometheory in developingsubjectmatter of stonewillbeexplored,withindividualassistanceavailable final shaping.Avarietyoftechniquesforvarioustypes as thepoint,toothedandflatchisels,specializedraspsfor methods forthebeginnerstonecarverandintroducetoolssuch aesthetic .Instructionwillfocusonbasic,traditionalsculptural activity forcenturiesandhasaddressedbothfunction Stone carvingwithhammerandchiselshasbeenatraditional may limitthesizeofyourproject. Please note:Your physicalabilitytomanipulatetheblockofstone INSTRUCTOR Wire Sculpture INSTRUCTOR Stone Carving DATES FEE FEE DATES and createanoriginal wiresculpture,inascaleof your choosing. creation ofwiresculptures .You willthen be encouragedtodesign to theaesthetics, materials,toolsandtechniquesused inthe functional, decorative orboth!Thiscoursewillintroduce you Wire sculptureisanexciting,expressive artformthatcanbe (wire cutters,pliers). Please note:Thiscourserequires extensive useofhandtools COURSE CODE COURSE CODE  ARTS269 $340.58 ARTS328 $340 .58(+$50materialfeepayableto instructor) July 18–22,2016 Charles O’Neil July 18–22,2016 Fly Freeman

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.Whileprimarily .You canexpect ment ofbothstoryandcharacterflowsfromthis. honing, revision,refinement,editing,amplificationanddevelop- this storydo?and,Howdidwritermakethedothat?All great writers,andbeginallworkwithtwoquestions:Whatdoes Participants willlistentoeachother’s work, readtheworkof this wayisadisciplinethat,likeanyotherskill,canbedeveloped. resonance andvoiceinyourowncraft.To listentoyourworkin what needsworkinsideacar, youwilldevelopyourearforthe the revsandsputtersofanengine,cansaywhat’s workingand listen toyourwork.Likethemastermechanicwho,uponhearing resonate withareaderlongafterthestoryisover?Learnhowto What areyouavoiding?isitthatmakesapassageorstory know byyourstory?Whatpatternsareshowingupinwork? taking yourreaderandwhatdoessee,hear, and What experiencedoyoucreateforyourreader?Whereare You writesomething.Now, whatdoesthatpieceofwritingdo? DATES DATES INSTRUCTOR INSTRUCTOR Youth/Teen Cuisine** Writing ThatResonates INSTRUCTOR Youth/Teen MovieMaking** DATES FEE FEE FEE maintained . not screenavideoatFriday’s Festivaliftheseboundariesarenot or violencewillbeallowed.Theinstructorsreservetherightto profile movieaswellworkonateamstory International Children’s FilmFestival.You willcreateacharacter Many videosfrompastcourseshavebeenfinalistsatthe Toronto experience isnotrequiredandallequipmentwillbeprovided. product willbeaUSBstickcollectionofthemovies.Previous will bescreenedattheFridayafternoonFilmFestival.Thefinal and digitallyeditingyourmovie,you’llproduceashortmoviethat script, creatingastoryboardandshotlist,usingvideocamera, Learn howtotellandshowagoodvideostory 18 yearsofage. Please note:Thiscourseisopentoyouthandteensfrom10 judges waitingathome. make exoticandfamiliarrecipestosatisfyyourpersonalpanelof desserts allfromscratch.Sautéed,simmeredandstewed,wewill salads tosauces,youwillcreatedelightfuldinnersanddelectable book, aculinaryspectaclewillcommence!Pastatopreservesand of deliciousdishes.Equippedwithapersonalandstylizedcook- As ayoungchefyouwilllearntheskillsneededtocreatevariety kitchen anddiscoversomeofthetrickiesttechniquesincooking. You havetoeat;itmightaswellbefun!Comeandcreateinthe age. Itisnotrecommendedforthosewithfoodallergies. Please note:Thiscourseissuitableforyouth10to18yearsof COURSE CODE COURSE CODE COURSE CODE 'Kids,' 'Youth' or'Teen,' depending ontheagerequirement. All coursenamesforouryoungerartistsstart with Courses for Kids, Youth and Teens and Youth Kids, for Courses ARTS685 $340.58 ARTS2102  ARTS1825  Dana Jackson July 18–22,2016 Ken Murray $231 .55(+$20materialfeepayabletoinstructor) July 18–22,2016 Tammy Rea &MarthaLarsen $231 .55(+$40materialfeepayabletoinstructor) July 18–22,2016 Age groupingshave recentlychanged. See page89formoreinformation.

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39 HALIBURTON JULY 2016 JULY 23, 2016 Mindfulness – Introductory Workshop** COURSE CODE ARTS2204 SECTION 41 Acrylic Non-Objective Abstract Workshop** INSTRUCTOR Sheila Miller DATES July 23, 2016 COURSE CODE ARTS1678 SECTION 41 FEE $45 .14 TIME 9:00am to noon ➔ NOTE! INSTRUCTOR Marianne Broome DATES July 23, 2016 Enjoy an experiential introduction to Mindfulness Meditation . FEE $105 .32 (+ $5 material fee payable to instructor) Practice relaxation and awareness exercises, including simple stretching, and build up to 20 minute sitting and walking medita- Suitable for all skill levels, this is an exciting opportunity for tion sessions . Instruction is suited to those with or without other exploration and creativity . Composition and design provide yoga or meditation experience . the foundation for a successful abstract painting . To this end, different design possibilities and ways to kick-start your painting will be discussed, along with the selection of a suitable colour Painting with Unconventional Tools Workshop** palette . Many abstract painting techniques will be demonstrated, COURSE CODE ARTS2169 SECTION 41 including ways to incorporate and enhance texture and using INSTRUCTOR Rosemary VanderBreggen various tools for layering, glazing and scraping away paint . Refer- DATES July 23, 2016 ence pictures will be provided but please also bring your own . FEE $105 .32 (+ $40 material fee payable to instructor) Learn unique and unconventional approaches to painting . Explore Hand Set Metal Type & Letterpress Workshop** the use of found and altered tools, as well as manipulated paint COURSE CODE ARTS2223 SECTION 41 consistency as you discover new means of self-expression . INSTRUCTOR Robert Mann DATES July 23, 2016 FEE $105 .32 (+ $10 material fee payable to instructor) From historical significance to contemporary application, letter- press printing holds a charming allure . Instruction will address We all have art in our heart, we just need to let go typefaces, point size, line length, line-spacing (leading), letter- and give over to the process, happiness follows! spacing, and adjusting the space within letters (kerning) . Working “ – ROSEMARY VANDERBREGGEN from the California Job Case, create a small project that may be a business card, wedding invitation, date card, letterhead, label, birth announcement, Jack & Jill card, or other . The emphasis will be on the creation of the original; the number of copies printed in class will depend on class size . This workshop would be of 40 interest to the inexperienced as well as fine artists, printmakers, bookbinders, graphic designers, and stationery designers . Wearable Technology Workshop** COURSE CODE ARTS2224 SECTION 41 INSTRUCTOR Gabriel Lazdins Harmonica – Beginner Workshop** DATES July 23, 2016 COURSE CODE ARTS2090 SECTION 41 FEE $105 .32 (+ $40 material fee payable to instructor) INSTRUCTOR Carlos del Junco A necktie that’s an audio meter, a skirt that flashes to the beat, a DATES July 23, 2016 scarf that blinks when you start moving – these fun and simple FEE $105 .32 possibilities are wearable technologies . Skills and techniques can Discover this remarkable and unassuming little instrument . Learn be applied to other creative projects such as paintings, sculp- how to hold the traditional 10-hole diatonic harmonica (the one tures, jewellery, ceramics, glassworks, fibre arts, skateboards, that Bob Dylan uses as well as the progressive blues players like and more . Learn the basic processes for designing, attaching, Little Walter and Paul Butterfield), how to achieve good tone, and and activating creations . This workshop is ideal for those with the basics of playing single notes: tongue blocking vs . pucker a passion for art, design, and engineering, as well as crafters, method . Playing an easy train rhythm, a scale and a couple of makers, DIYers, and electronic hobbyists . basic melodies based on the scale will be the goal of instruction .

Time and circumstance permitting, an introduction to bending ® notes will also be included . Instruction is suited to those with no Zentangle Workshop** previous experience . COURSE CODE ARTS1592 SECTION 41 INSTRUCTOR Chari-Lynn Reithmeier DATES July 23, 2016 Jewellery – Rivets, Wraps and Making Connections** FEE $105 .32 (+ $25 material fee payable to instructor) COURSE CODE ARTS2075 SECTION 41 Zentangle is an easy to learn, relaxing and fun way of creating INSTRUCTOR Amanda Brittin beautiful images by drawing structured patterns . The Zentangle DATES July 23, 2016 method increases focus and creativity, provides artistic satisfac- FEE $105 .32 (+ $10 material fee payable to instructor) tion, and instills a sense of personal well-being . Learn the history Work with copper, brass and aluminum sheet metal and wire, and language of the art form and, step-by-step, construct many semi-precious stones, glass, as well as silver-plated wire to create "tangles" (patterns) . Instruction will develop the ability to use the several pieces of jewellery of your choice . Learn to wire-wrap Zentangle method in your daily life, as a meditative art form, a both drilled and undrilled stones and beach glass, and to create jump start to your creativity, an enhancement to your journal, to rivets and tabs to secure pieces in both beautiful and functional incorporate pattern into your other projects, or simply for fun! ways . Emphasis is placed on being able to transfer the methods learned in this course to home jewellery making from handheld butane torch work to hammering, texturing, wire-wrapping, and etching metals . You are encouraged to bring fun objects, stones and beach finds to incorporate into wonderful jewellery pieces . Instruction is suited to beginner as well as experienced students . and expressiveabstractpaintings. development .Experimentandplayyourwaytobeautiful,original of workwiththementoringrequiredforyourpersonalartistic encouraged toexperimentfearlesslyandworkonyourownbody materials aswellyourart.Withguidanceandsupport,you’llbe leaving yourbrushesbehind.Pushtheboundariesof instincts –beadventurouswithhandsandtools,sometimes boundaries ofyourimagination.Learntotrustowncreative colour use,concept,compositionanddesignasyoustretchthe develop yourpersonalartisticsignature.Learntheguidelinesfor Experience variousapproachestoabstractionasyoudiscoverand mediums, suppliesandpersonalprojectscanbediscussed. course .Your experiencewillbeenhancedinspecificsregarding recommends thatpotentialstudentscontacthimpriortothe more thanthedepictionofnatureandanimals.Theinstructor their stylesandmediums.Skillslearnedcanbeappliedtomuch will learnagreatdealfromthedemonstrationsgiventoothersin production ofanimalart.Inadditiontoindividualattention,you and easygoing,step-by-stepinstructioninthephysical,practical an excellentopportunityforthoseinneedofindividualattention mediums andthestylesofyourchoice.Thishands-oncourseis or moreadvancedlevelofskillyouwillexplorethathistoryinthe is justasrelevanttoday walls andtheimportanceofourconnectiontonaturalworld Our artistichistorybeganwiththeportrayalofanimalsoncave DATES INSTRUCTOR Animals inArt INSTRUCTOR Acrylic Abstraction&ExpressionismI JULY 25TO 29,2016 FEE FEE DATES COURSE CODE COURSE CODE “ art trends. materials usedtodayanduptodateoncurrent Gwen isenthusiastic,informativeabouttheart $340.58 ARTS1876 $340.58 ARTS996 July 25–29,2016 Gwen Tooth July 25–29,2016 Jay Dampf .Whetheryouareworkingatabeginner

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INSTRUCTOR Bird Carving–Intermediate/Advanced INSTRUCTOR Beadwork ThroughtheAges DATES DATES FEE FEE preparing topaint,mounting thebirdand on thesafeuseof tools. also beprovided on anatomy, featherdiversity, eyeplacement, paints andexploring basicpaintingtechniques.Instructionwill shaping, feather groups, imitatingfeatherdetail,applying acrylic Emphasis willbeonthevariousstages ofbirdcarvingincluding Please note:Thiscourseisnotsuitable forbeginners. Project: Goldfinch–OpenWing Position be explored. Contemporary applicationsforeachofthesetechniqueswillalso neck bag,embellishedwithlazystitchbeadworkwillbecreated. and sinewasthreadwillbediscussed.Asmallbrain-tanned variations andtraditionalmaterialssuchasbrain-tannedleather are achievedbysewingrowsofseveralbeadsatonce.Origins, areas ofworklikepipebags,shirtstripsandtipidesigns work .LazyStitchCommonlyusedonthePlainstocoverlarge you willdesignaprojectandproducecustomstripofbead- heddle beadingandloosewarpwillbediscussed project suchasaheadband,beltorbracelet.Variations including Loom Beadwork.Beadingonaloomproduceslong,narrow be discussedandyouwilldesigncreateabeadedkeychain. drum sticksandthebaseoffeathers.Originsvariationswill Stitch, thisstitchisusedtobeadaroundcylindricalobjectslike detail .PeyoteStitchKnownbyseveralnamesincludingGourd produce auniquerosette,learninghowtomaintaincrisplinesof are circularbeadeddiscsoftenusedformedallions.Designand glass wampumbeadsanddeerskinwarplace.Rosettes be discussedandyouwillcreateawovenwampumbandusing The history, manufactureandimportanceofwampumbeadswill historical contextofbeadedarticles.Wampum BeadWeaving . reproduce fivetechniquesandgainanappreciationofthe First Nation’s beadworkmethodsvarydramatically COURSE CODE COURSE CODE  ARTS290  ARTS1999 $340 .58(+$30materialfeepayableto instructor) July 25–29,2016 Bruce Lepper $340 .58(+$50materialfeepayabletoinstructor) July 25–29,2016 Andrew Bullock

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41 HALIBURTON JULY 2016 Collage & Acrylic Explorations COURSE CODE ARTS1004 SECTION 41 INSTRUCTOR Rose Pearson DATES July 25 – 29, 2016 Wonderful support for creative beginners. FEE $340 .58 (+ $40 material fee payable to instructor) Coming to “art camp” is a highlight of my year. Please note: Instruction is best suited to students with some “ – D. BORG painting experience but beginners can be accommodated. In this exciting process-oriented course you will learn to combine collage materials and acrylic paint as a means of personal visual expression and distinct vocabulary . With a creative spirit, you will be encouraged to explore and experiment with new techniques using oriental and tissue papers, magazines, photographs, found Felting – Traditional & Contemporary Wet Techniques objects, fabric, fibres, acrylic paint and anything else that you would like to adhere to your support surface . Make your own COURSE CODE ARTS2209 SECTION 41 stamp and stencil and learn how to make polymer transfers . INSTRUCTOR Susan MacDonald Composition and design principles will be addressed . Personal DATES July 25 – 29, 2016 creative expression and uniqueness will be encouraged as you FEE $340 .58 (+ $10 initial material fee payable to benefit from individual attention as well as group dialogue . instructor) From artful, felted fashion accessories to home décor accents, Contemplative Photography – Looking & Seeing felting provides a range of creative options . Learn Nuno and tradi- tional wet felting techniques, ancient crafts that are fashionably COURSE CODE ARTS2227 SECTION 41 contemporary and versatile . The addition of texture and colour INSTRUCTOR John McQuade will be explored as your personal creativity is encouraged . Project DATES July 25 – 29, 2016 ideas include scarf, tube/ring scarf, shawl, table runner, bed end, FEE $340 .58 and more . Fabrics created could also be used for garments such When eye and mind are in the same place at the same time as vests, dresses, and jackets . Total material costs will depend you see clearly and your images are unique and vivid . A strong upon projects chosen . image is enhanced by a clear and direct first perception . This course studies true perception through the synchronization of Garden Art in Clay eye and mind . Instruction will investigate elements of the visual world – colour, light, space and more as ways to connect with COURSE CODE ARTS2104 SECTION 41 pure perception . On that basis, in a synchronized or contempla- INSTRUCTOR Paul Portelli 42 tive way, you will explore the world considering topics such as DATES July 25 – 29, 2016 ordinary/personal world, people and other sentient beings, flowers FEE $351 .69 includes $18 .52 initial material fee and weeds . Learn how to make an equivalent photographic Create some whimsy that only art can bring to the outdoors . image that embodies the contemplative qualities of clear seeing: Brighten up a garden, fence or shed wall with pieces that can be simplicity, space and purity . Instruction includes assignments and enjoyed outdoors all year long . Discover imaginative and unusual image reviews . No photographic experience is required . alternatives to sculpting and hand building clay specifically for outdoor garden pieces . Learn techniques and tricks used to Creative Writing – The Power of Story create illusions in clay and what is necessary to enable your pieces to winter over . Personal creativity will be emphasized as COURSE CODE ARTS1815 SECTION 41 you are encouraged to work with many new techniques in a high- INSTRUCTOR Nora Zylstra Savage energy, supportive atmosphere . Additional clay will be available DATES July 25 – 29, 2016 for purchase from the school at a cost of $20 per bag, which FEE $340 .58 includes glazing and firing . Our lives are made up of stories; stories that make us laugh, cry, heal, and many times inspire others . The easiest place to start is Japanese Sumi-e & Watercolour – East Meets West from what you know best – and that’s you . This hands-on, high energy, fun course integrates effective writing techniques and COURSE CODE ARTS724 SECTION 41 styles with your own personal experiences . Through a myriad of INSTRUCTOR Cassandra Wyszkowski writing prompts and stimuli, including music, words, phrases and DATES July 25 – 29, 2016 visualizations, you’ll have an endless supply of writing topics and FEE $340 .58 jumping off points to expand your writing horizons . Discussion will Please note: Japanese Brush Painting levels I and II are required include methods of strengthening and converting your personal to participate in this course. Japanese Brush Painting IIl would be stories into works of fiction . You will have the opportunity to write, an asset but is not absolutely necessary. share and receive oral feedback in a sensitive and positive envi- This course is designed to expand your creative horizons and ronment . This is a great chance to explore and further develop introduce you to numerous fascinating and expressive waterco- creative writing skills and techniques using you own personal lour methods that will harmonize with the art of Japanese Brush stories as source material . Be bold . Mine the power of your stories Painting . Instruction will include composition, design, western and put it in writing! watercolour and further oriental brush techniques, interesting subjects blending traditional with non-traditional, textures, colour mixing, colour values to achieve depth, background washes, and spontaneous wet-in-wet explorations . Engage in stimulating N ora is an outstanding teacher. She is well exercises and practice techniques that can be expressed in an prepared… And she focuses on her students not abstract or a more representational approach, with an overlying “herself. I learn so very much from her. impressionistic personal style . Explore transparent florals, landscape elements with textured rocks and trees, lake scenes and quiet streams . Individual attention will assist and encourage you to find your personal creative voice . INSTRUCTOR Painting &Collage–Unconventional INSTRUCTOR Oil Painting–PleinAirIntermediate/Advanced DATES DATES FEE FEE Individuality willbe encouragedandallskilllevels are welcome. and critiqueswill inspirediscussionandtheexchange ofideas. books andonline sourceswillbereferenced.Dailydiscussions papers asinspiration .Historicandcontemporary examplesfrom learn colourandcompositionconcepts usingfoundandaltered paper sourcesascollagematerial .Withtheincorporationofpaint, lour paintasasurface,alterpapers withpaint,andexploremany various techniquesandtoolsforapplying acrylicand/orwaterco- as inspirationforpainting,andcollage asamedium.Practice tive waysofusingcollagepapersin yourpaintedworks,collage Delve intopaintsurfacetreatmentsandlearnnewinnova- from alimitedpalettewillalsobeaddressed. imposed byoutdoorpainting.Effectivevalueandcolourmixing to completeafinishedoilsketch,giventhetimeconstraints elements ofsuccessandthesequencetechniquesnecessary elements ofsuccessfuloilpaintingon-location.You willlearnthe of paintingoutdoors.Instructionwillhelpyouidentifythe painting skillsasyouundertaketheparticularchallenges This coursewillprovideanopportunitytoimproveyouroil with theinstructorwillbearrangedbyschool. – IntroductiontoPleinAirisrecommended.Alternatively, contact Please note:Thiscourseisnotsuitableforbeginners.OilPainting INSTRUCTOR INSTRUCTOR DATES

Kids’ PaperMaché** Kids’ ColourKaleidoscope** DATES painted andreadyfordisplayorplay layering throughavarietyoftechniques.Finishedpieceswillbe world withmasksandcreaturesusingtheancientartofpaper Let yourimaginationsoarwithpapermaché.Createafantastical effects andtheory sculptures while(almostaccidentally)learningaboutcolour of colour!You’ll createfun,fantasticalpaintings,drawingsand cut, crumple,paste,paintandplayinthisactiveexploration Get readytosmudge,smear, staple,stamp,stomp,splatter, rub,

FEE FEE COURSE CODE COURSE CODE COURSE CODE COURSE CODE “ SECTION 42 SECTION 41 SECTION 41 SECTION 42 and fascinatingpeople. Always inspirational–beautifulsetting  ARTS2165  ARTS597  ARTS2208  ARTS2029 $340 .58(+$30materialfeepayabletoinstructor) July 25–29,2016 Rosemary VanderBreggen $340 .58(+$10materialfeepayabletoinstructor) July 25–29,2016 John Anderson 9:00 –12Noon,79yearsold 1:00 –4:30pm,46yearsold(4byJan.1,2016) 1:00 –4:30pm,79yearsold 9:00 –12Noon,46yearsold $105 .90(+$20materialfeepayabletoinstructor) July 25–29,2016 Rebecca Reynolds $105 .90(+$20materialfeepayabletoinstructor) July 25–29,2016 Gayle McIvor .

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paints (nosolvents). Abstract Expressionists.Instructionissuitedtoacrylicand/oroil tion fromTurner’s influenceonMonet,theImpressionists andthe contemporary applicationsforapersonalandcreativeinterpreta- will beemployedtocreatelargeworkinoiloracrylic.Explore of glow, opalescenceandluminosity and wipingtobalancetranslucentopaquecolourforeffects techniques oftexturing,scraping,floating,scumbling,glazing, practice oflayering.Buildthetexturepaintingthrough cally realorabstractimage,youwillemployJ.MW movement incolourandgesture.Inyourchoiceofthenaturalisti- paint thismagicalqualityoflight,capturingtheworldasluminous seem freshandmoderneventocontemporaryeyes.Learn Turner’s dashing,daringsea,skyandweatherscenesof1840 Please note:Thiscourseisnotsuitableforbeginners. of classtimewillbeheldoutdoors. vidual freedomandexpression.Weather permitting,themajority with acrylicoroilpaintinanenvironmentthatencouragesindi- painter planningtofurtherdevelopskills.You areinvitedtowork painting anddrawingexperienceorifyouareanexperienced and style.Thiscourseissuitablewhetheryouhavelimited tion, andencouragementwillincreaseyourcreativeconfidence form, textureandcomposition.Demonstrations,individualatten- Instruction willaddresspaintingprinciplessuchastone,color, exploring theartisticandcreativeopportunitiesoflandscape. Engage inthefundamentalaspectsofpaintingoutdoorswhile INSTRUCTOR Painting Light INSTRUCTOR Plein AirLandscapePainting–Introductory DATES DATES FEE FEE COURSE CODE COURSE CODE 'Kids,' 'Youth' or'Teen,' dependingontheagerequirement. All coursenamesforouryoungerartistsstartwith Courses for Kids, Youth and Teens and Youth Kids, for Courses $340.58 ARTS1278 $340.58 ARTS2035 July 25–29,2016 Andrea Mossop July 25–29,2016 Sam Paonessa Age groupingshaverecentlychanged. See page89formoreinformation.

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43 HALIBURTON JULY 2016 Portraiture – Drawing & Painting COURSE CODE ARTS1834 SECTION 41 INSTRUCTOR Marta Scythes DATES July 25 – 29, 2016 FEE $340 .58 (+ $20 material fee payable to instructor) Please note: This course is suitable for all skill levels but some previous painting experience is recommended. Basic drawing and painting techniques will be reviewed and built upon . Learn the anatomical structures that mould the face, head and neck before studying individual facial features . Preliminary exercises will be introduced to achieve likeness of character and explore shapes, forms and textures of skin and hair . Drawing and painting exercises will be used to analyze values and depict the different planes that form the face in various lighting scenarios . Composition, colour theory and mixing, and perspective will be addressed as they apply to portraiture . Male and female models will be studied for comparative analyses . Instruction will include daily demonstrations and ongoing feedback .

Pottery – Form & Style COURSE CODE ARTS2186 SECTION 41 Quilting – Serendipity Strips & Curves INSTRUCTOR Duncan Aird COURSE CODE ARTS1657 SECTION 41 DATES July 25 – 30, 2016 (6 days) INSTRUCTOR Elaine Quehl FEE $405 .70 includes $18 .52 initial material fee DATES July 25 – 29, 2016 Please note: This course is not suitable for beginners. FEE $340 .58 Immerse yourself in an investigation and development of your Liberate yourself from the shackles of precision piecing and fly personal artistic style . Your aesthetic will evolve through the by the seat of your pants while producing original quilt designs study of individual pieces in a potter’s repertoire, demonstrations, using free-form strips and curves . You will be introduced to a visual references, and critiques, encouraging the development different method of free-hand cutting and piecing each morning of a considered body of work . Additional clay will be available and shown a variety of options for using that method . The rest of for purchase from the school at a cost of $20 per bag, which 44 the day will be available to cut, sew and work on your construc- includes glazing and firing . tion . Work from the previous day will be addressed for feedback and discussion on composition and design . There will be minimal Printmaking – The Etched Image measuring and little use of rulers! COURSE CODE ARTS2113 SECTION 41 INSTRUCTOR Anna Gaby-Trotz Silkscreening for Contemporary Design & Application DATES July 25 – 29, 2016 COURSE CODE ARTS2218 SECTION 41 FEE $340 .58 (+ $120 material fee payable to instructor) INSTRUCTOR Dave Murray Discover the beauty of the etched line and explore the production DATES July 25 – 29, 2016 of multiple prints . Copper plates are coated with an acid resistant FEE $340 .58 (+ $20 material fee payable to instructor) ground onto which you draw to create your image . After an image Instruction will introduce and encourage exploration of screen- is etched, you have a matrix you can print over and over again . printing as it applies to contemporary art and illustrations . Learn You will have the opportunity to create line etchings as well as effective use of associated equipment and how to translate your move into more complex techniques where tone is added to the art into the print space . Discussions will also address how prints plate . Instruction will address black and white etching as well as can be marketed, sold, and displayed in the contemporary art colour . Emphasis is on exploration and creativity . All skill levels world . are welcome .

Silversmithing/Metalsmithing Open Studio COURSE CODE ARTS1995 SECTION 41 INSTRUCTOR Todd Jeffrey Ellis DATES July 25 – 29, 2016 FEE $340 .58 (+ $60 material fee payable to instructor) Please note: This course is suitable for all skill and experience levels. You must consult with the instructor prior to class in order to arrive with the appropriate material for your unique project. Contact information is available on the material list. A supportive, open studio concept will enable you to experience the wide variety of projects that metal working techniques can be used for . From raising a vessel of sterling silver or copper, to embellishing mild steel components of bicycles and motorcycles, the possibilities are boundless . Beginners are welcome and experienced students will be accommodated with appropriate challenge and guidance . Working one-on-one with the instructor you will be guided to bring the metal forming project you choose to an exciting functional conclusion . you –thiscoursewillhelpunderstandwhy a songheardatcertainpointinyourlifethatsaysitallfor stimulating, andexcitingcourse.Thereissomethingabout instruments, songs,andyourimaginationtothisintense, creative writingexercises,aswellcollegialcritiques.Bring will beampleopportunityforparticipationinsongwritingand masters andhowtheirinspirationtechniqueswork.There found inanyothermedium.Studysomeofthecontemporary it continuestobearculturalandemotionalinformationnot sions willrevealsomeofthemysterysongwritingandwhy point ofview, style,andcontentwithinsongs.Livelydiscus- writing .Investigatedifferentsong-writingstyles,perspective, Explore thecreativegift,process,andartcraftofsong completion ofthreeorfoursongsisareasonableexpectation. to collaborateandcreatearrangementsharmonies.The will includeconstructivecritiquesessionsandopportunities explore andovercomeparticularstumblingblocks.Instruction writing exercises.Time withthe instructorwillenableyouto individual andcollaborativesongassignmentsspeed- within varioussongstructures.Increaseyouroutputwith to atitle,writingfromdifferentpointsofview, andwriting and chordvoicing.Explorenewlyricalexpressionsbywriting writing melodies,newchordprogressions,alternatetunings, yourself indifferentmusicalwayswithnewmodalscalesfor or usingthesameoldchordprogressions.Learntoexpress writing .Movebeyondvariationsofthesameoldsong Break throughyourcreativelimitationsandrethinksong Please note:Thiscourseisnotsuitableforbeginners. DATES DATES INSTRUCTOR Songwriting –Intermediate/Advanced INSTRUCTOR Songwriting which levelyouareregisteringfor. These courseswillrunsimultaneously. Pleaseclearlyindicate FEE FEE COURSE CODE COURSE CODE $340.58 ARTS871 $340.58 ARTS714 July 25–29,2016 Katherine Wheatley July 25–29,2016 Katherine Wheatley

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. and stonecosts. the entirecourse.Pleasereferencemateriallistregardingtool drills andwater-swivels .Pleaseexpectnoiseanddustthroughout mounting, and drillingpostingbasesrequiringdiamondcore- Sculpture baseoptionswillalsobecovered–relatedproblemsin tooling, andbringingsculpturestoafinefinishwithpower-tools . computerized methodsofstonecutting,diamondsinsculptural preparation suchaspre-deliveryPelligriniwiresawcontouring, methods, modernquarryingdiamonddrilling,stone identification ofstonesthatarebestsuitedtopower-tool carving include safety, properuseofairtoolsandelectricgrinders, mini-grinders, andsharpeningcarbidetools.Discussionswill and electric grinders,carvingwithrotatingdiamond-bladeson upgraded andfittedwithcarbidepoints,utilizingairtools carving opportunity focussedonworkingwithtraditionalchisels laying outsculptureswithinstonemass,followedbyextensive power toolsandequipment.Therewillbeashortreviewof Explore contemporaryapproachestostonecarvingutilizing may limitthesizeofyourproject. Please note:Your physicalabilitytomanipulatetheblockofstone DATES INSTRUCTOR Stone Carving–PowerTools INSTRUCTOR Travelling withaSketchbook DATES FEE FEE cottage . next timeyoutravel,evenifthetripisjusttoyourdockat approaches .Gainthecouragerequiredtopaintonlocation followed bysometimeenpleinairapplyingnewskillsand shared .Newtechniqueswillbeintroducedintheclassroom, Many practicalideasfortravellingwithasketchbookwillbe media andtechniquestocapturetheessenceoflandscape. to paintingandsketchingonlocation.Useavarietyoftools,water enjoyable .Discovereasy, enjoyableandsuccessfulapproaches a sketchbookmakestheexperiencemorememorableand Whether youtravelnearhomeorfartherafield,travellingwith Please note:Somewatercolourexperienceispreferable. COURSE CODE COURSE CODE $340.58 ARTS312  ARTS2164 July 25–29,2016 Fly Freeman $340 .58(+$10materialfeepayabletoinstructor) July 25–29,2016 Nancy Newman

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45 HALIBURTON JULY 2016 Wire Sculpture – Large Scale COURSE CODE ARTS415 SECTION 41 INSTRUCTOR Charles O’Neil DATES July 25 – 29, 2016 FEE $340 .58 (+ $95 material fee payable to instructor) Project: Garden Heron This course requires extensive use of hand tools (wire cutters, pliers). Wire Sculpture is an exciting, project-specific expressive art form that can be enjoyed in your home, office or garden . This project specific course is suitable if you are interested in creating works on a larger scale . In preparation for this undertaking, you will be led step-by-step through a couple of smaller projects to establish a comfort level with the material in use . Then, you will design and create a large scale project suitable for display in a garden or outdoor setting . Youth/Teen Pop-Up Book** COURSE CODE ARTS2171 SECTION 41 INSTRUCTOR Helen McCusker DATES July 25 – 29, 2016 FEE $231 .55 (+ $15 material fee payable to instructor) These courses will run simultaneously. Please clearly Please note: This course is open to youth and teens from 10 to indicate which level you are registering for. 18 years of age. Create your own amazing pop-ups; wonderful surprises each time Youth/Teen Build Your Own Skateboard Deck** they’re opened . Learn the fundamentals of paper engineering techniques, how to make parallel folds, nested folds, angled folds, COURSE CODE ARTS1914 SECTION 41 moving parts and lots more . You will then create a decorated INSTRUCTOR Bryce Petersen hard-cover book to bind your pop-up work together . DATES July 25 – 29, 2016 FEE $231 .55 (+ $15 material fee payable to instructor and kit fee collected by school) Zentangle® 46 Please note: This course is open to youth and teens from COURSE CODE ARTS1804 SECTION 41 10 to 18 years of age. INSTRUCTOR Chari-Lynn Reithmeier Use the innovative techniques created by the Roarockit DATES July 25 – 29, 2016 Skateboard Company in Maui, Hawaii to build your own FEE $340 .58 (+ $45 material fee payable to instructor) skateboard deck . Learn how to build a professional quality Zentangle is a fun, relaxing, and easy to do art form . Explore longboard or street deck using 7 layers of Canadian hard the history and philosophy as well as the tools, techniques, and maple veneer, a one sided foam mould and atmospheric unique vocabulary of Zentangle . Each class will begin with a pressure . Then, using basic woodworking tools like warm-up tile, exploring four new tangles (patterns) . Learn to surforms and sandpaper you will prepare the deck for create personal, unique tangles from observed patterns within graphics . Your creativity will make your deck a one-of- your environment . Instruction will incorporate the principles of a-kind design as you apply your own graphics using Notan and explore various shading techniques . Learn traditional stencil and paint techniques . No previous woodworking Zentangle methods as well as techniques using white ink on experience is required . Please reference the material black paper, utilizing colour, and the Renaissance technique list for deck details, choices and costs . This kit fee will which incorporates the principals of Chiaroscuro . The steps to be collected at the first class . Wheels and trucks are not different tangles will be included . In addition to your personal included in your kit . work there will be a group project and the course will culminate in the creation of a Zendala (Zentangle Mandala) . Instruction is Youth/Teen Build Your Own Skateboard Deck II** suited to novice and experienced skill levels . COURSE CODE ARTS1827 SECTION 41 INSTRUCTOR Bryce Petersen DATES July 25 – 29, 2016 FEE $339 .89 includes skateboard deck kit (+ $15 material fee payable to instructor) Please note: This course is open to youth and teens from 10 to 18 years of age, who have previously taken Youth/ Teen Build Your Own Skateboard Deck. Take the next step and build a custom deck using your woodworking experience, hand-made moulds and of Courses for Kids, Youth and Teens course, your own design flare to create a deck that will All course names for our younger artists start with show off your advanced skills and eye for style . Instruc- 'Kids,' 'Youth' or 'Teen,' depending on the age requirement. tion will introduce you to mould-making, deck layout and Age groupings have recently changed. new graphic techniques . Your registration fee includes See page 89 for more information. the materials for building a skateboard deck . Wheels and trucks are not included in your kit . INSTRUCTOR Glass FlameworkWorkshop** DATES INSTRUCTOR Felting Workshop** INSTRUCTOR Embroidery –ContemporaryProcessesWorkshop** JULY 30,2016 DATES DATES FEE FEE FEE grandmother’s embroidery! revealed throughtheprojectsyouwillcomplete.Thisisnotyour potential .Thesubversiveandsexyofstitchingwillbe stitches andthenexploretheirsculpturalmark-making embroidery intheirartisticpractices,youwilllearnfundamental Taking inspirationfromcontemporaryartistswhoincorporate previous glassexperience isnecessary provide anintroductory experienceforthisexciting medium.No commonly setup inhomestudios.Thisworkshopis intendedto relatively inexpensive wayforyoutoworkwithmolten glassandis possibilities inpursuingflameworking further objects .Therewillalsobediscussionregarding someofthe for hands-onpractice,creatinganumber ofsmallflameworked small glasssculpture.Additionallyyou’llhavetheopportunity demonstrations inthetoolsandtechniques ofbeadmakingand learn thebasicsofoperatingaflameworking torchsafelyandsee glass objects.Thisworkshopisdividedintotwoparts:youwill blow andmanipulateit,creatinghighlydetailedcolourful torch .You canheatglasstoamoltenstate andthensculpt, Flameworking isamethodforshapingthroughtheuseof items, andmore. fashion embellishments,flowers,vessels,handbags,holiday range ofprojectsincludingjewellery, hats,scarves,hairand include needlefelting.Your newskillscanbeappliedtoawide addition oftextureandcolour items .Learntofeltsimpleformsandthenexperimentwiththe and dryfeltingtechniquestocreatetwothree-dimensional Transform wool fibresintoartfulcreations!Utilizetraditionalwet COURSE CODE COURSE CODE COURSE CODE  ARTS2239  ARTS699  ARTS1772 $105 .32(+$25materialfeepayabletoinstructor) July 30,2016 Kate Carder-Thompson depending uponprojectschosen) $105 .32(+amaterialfeeofapprox$30 July 30,2016 Brad Sherwood $105 .32(+$25materialfeepayabletoinstructor) July 30,2016 Elisha Barlow

.Instructionandpracticewillalso

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purchase . the studentmateriallist,materialswillbeavailableforoptional to havefunenhanceskilllevelandtechnique.Inaddition texture-filled worksofart.Asenseadventureandtheability transform wallhangings,quilts,garments,pillowsandmoreinto of ahoop,watersolublestabilizerandyourimaginationyouwill unique embroideryskillsanddesignsonfabric.Withtheuse foot .Threadsketchingandthreadpaintingenableyoutodevelop Become athreadartistwithyourfreemotionsewingmachine free motionquiltingskillisrequired. Please note:Thisworkshopisnotsuitableforbeginners.Basic DATES DATES INSTRUCTOR INSTRUCTOR Spirit DollWorkshop** Jewellery –SterlingSilverFoldFormedEarrings** INSTRUCTOR Thread Sketching&PaintingWorkshop** DATES FEE FEE FEE to itscreation.Simplerustichand-stitchingskillsarehelpful herbs andpureessentialoilstoaddfurtherdetaildimension optionally ‘charged’withearthenergyascoopofnatural a personalstyleorstatement.Thedollwillbepoly-stuffedand initiative, orbemadeasawhimsicalcharacterthatexpresses designed tosuitaspecificintentrepresentpersonalgoalor feathers, buttons,ribbons,andmuchmore.Thedollcanbe and felt,furtherembellishyourdollwithbeads,threads, space .Choosematerialsfromapaletteoffabrics,vinyl,leather, a stand,suspendasifflying,ordisplayinanaltar, car, orspecial Create aunique,primitive/contemporaryspiritdolltomounton designs toproduceauniquepairofcontemporarystyleearrings. different foldsyouwillcreate3-dimensionalshapesofvarious sheet metalinthishands-onworkshop.Throughtheuseoffour silver earrings.Explorethe`foldformmethod’ofworkingwith No experienceisneededtocreateyourownoriginalpairof COURSE CODE COURSE CODE COURSE CODE  ARTS2202  ARTS1519 $105.32 ARTS2024 $105 .32(+$25materialfeepayabletoinstructor) July 30,2016 Linda LeePurvis $105 .32(+$75materialfeepayabletoinstructor) July 30,2016 Todd JeffreyEllis July 30,2016 Jan Anderson

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47 HALIBURTON JULY 2016 Tree Sculpture Workshop** AUGUST 1 – 5, 2016 COURSE CODE ARTS2222 SECTION 41 INSTRUCTOR Suzi Dwor 3D Printing DATES July 30, 2016 COURSE CODE ARTS2132 SECTION 41 FEE $105 .32 (+ $28 material fee payable to instructor) INSTRUCTOR Shannon Kennedy Explore a variety of tree images from Canada and around the DATES August 1 – 5, 2016 world, studying their sculptural qualities . Trees represent the FEE $340 .58 (+ a material fee payable to instructor, bridge between sky and earth . Their beauty lies in their personal dependent upon projects chosen) stories, they play a role in mythology, and they bear fruit, flowers, pods and leaves . These factors will inspire you to create and 3D printing is a remarkable development of use and value to construct your own personal tree that will be a relief wall piece or everyone from DIY hobbyists to professional artists . Easy-to-use free standing sculpture . Using sticks, foam, plaster gauze, washi modeling tools and apps turn your ideas into 3-dimensional and rice papers, and acrylic paints, explore the creation of trunks, reality . Beginning with a hand drawing, extrude into a 3D model, limbs, roots, flowers, animals and leaves as possibilities on your and then modify and prepare your 3D model to 3D print . Learn tree . Experimental collage and assemblage techniques may also the basics of 3D modelling and printing, converting images to 3D be incorporated . All levels of artistic skill are welcome . models, and critical basic concepts in computer aided design (CAD) including extrusion, scaling, mesh, water-tight, and even interlocking parts . Wire Sculpture Workshop** COURSE CODE ARTS416 SECTION 41 Acrylics – Material Exploration & the Artistic Voice INSTRUCTOR Charles O’Neil COURSE CODE ARTS2124 SECTION 41 DATES July 30, 2016 INSTRUCTOR Victoria Wallace FEE $105 .32 (+ $45 material fee payable to instructor) DATES August 1 – 5, 2016 Project: 3' Heron FEE $340 .58 (+ $46 material fee payable to instructor) This course requires the use of simple hand tools (wire cutters, Stimulate your subconscious creative spirit and access your pliers). unique artistic voice through the exploration of personal meta- Wire sculpture is an exciting and expressive art form . In this phor, meditation and acrylic paints and mediums . Through workshop you will receive step-by-step instruction to success- the examination of the myriad of acrylic mediums available to fully create your project . With a variety of wires (steel, copper, the artist today, you will learn to familiarize yourself with their galvanized) this creation is designed for indoor or garden use, incredibly diverse artistic applications, making the creative and will be a great addition to any setting . process second nature . Work with mixed media and acrylic skins, textured acrylic skins, glazes and washes, the use of stencils, 48 incising, immediate transfer onto a variety of rigid substrates, knife painting with light moulding paste, 21st century grisaille, interference acrylics and discover how to utilize textured acrylic mediums . Instruction is suitable for beginner to professional artists .

Aspire to inspire before you expire. Anon “ – VICTORIA WALLACE

Acrylics: Non-Objective I COURSE CODE ARTS1267 SECTION 41 INSTRUCTOR Lila Lewis Irving DATES August 1 – 5, 2016 FEE $340 .58 Please note: This course is not suitable for beginner painters. Abstraction experience is not required. Learn the basic principles of non-objective painting – no images allowed . Non-objective painting has a complete lack of subject matter . Boldness, individualism and experimentation will be encouraged, emphasizing shapes, values and colour .

Welcome to a big adventure” “ – LILA LEWIS IRVING and mediums. the schoolifyouwishtocontactinstructorregardingideas strations giventootherstudents.Assistancewillbeprovidedby mediums ofyourownchoosing.You willalsobenefitfromdemon- offers youtheuniqueopportunityforinstructiononprojectsand process, withemphasisonclear, enjoyablemethods.Thiscourse you willbetakenstep-by-stepthroughthedrawingandpainting and wishingtomasteryourtechniques.Onanindividualbasis, a newartistwishingtoexploredifferentmediumsorexperienced improve yourpersonalabilityandimagination,whetheryouare and technique.Inthiscourseyouwilllearntheskillsneededto For allartiststhereisaprocessforenhancingindividualstyle DATES INSTRUCTOR Bladesmithing INSTRUCTOR Artistic Exploration–Painting&Drawing FEE FEE DATES as assemblinga wood handle. Instruction willcover forging,heat-treatingandfinishing, aswell Create ahand-forged, hand-finishedknifeusingsimple tools. COURSE CODE COURSE CODE  ARTS2032 $340.58 ARTS21 $340 .58(+$100materialfeepayableto instructor) August 1–5,2016 Jeff Helmes August 1–5,2016 Jay Dampf

SECTION SECTION 41 42 working with . they wouldliketo considerworkingwithand/orinterested in Students arestrongly encouragedtobringmaterials andtools be consideredwhen developingideasandmaterial resources. The contextandconditionsofthe immediateenvironmentwill but isnotlimitedto,textile-based materials and/ortechniques. curiosity andtranslateitintoasoft sculpturethatincorporates, Choose anobjectorideathatholds meaningorinterest a conduittothediscoveryofpersonal andsculpturalmeaning. and techniques.Thepleasureofproductionisapproached as use asresourcesthe“stuff”ofeverydaylife:materials objects topersonalfetishesthefabricsoflife-world,youwill 21st centuriesandencouragedtothinksculpturally introduced tocontemporarysculpturalconcernsofthe20thand production, lecturesandon-goingclassdiscussion,youwillbe investigation ofsoftsculpture.Throughacombinationstudio Explore materialassemblageandshiftingmeaningthroughthe contemporary landscapepainting. work .Instructionwilladvanceexistingskillsandknowledgeof a personalapproachandadvancetheconceptuallevelofyour to useyourcreativityandself-expressioninthedevelopmentof choice .Examinecontemporarydevelopmentsinarttoenableyou modern landscapepaintingasyouworkinthemediumofyour This coursewillcoverboththetheoryandtechniquesof Please note:Thiscourseisnotsuitableforbeginners. DATES INSTRUCTOR Clothing Renovations INSTRUCTOR Contemporary Sculpture INSTRUCTOR Contemporary LandscapePainting FEE FEE FEE DATES DATES machine ingoodworkingorderandasergerifyouhaveone. sewn onabuttonbefore.Itisnecessarytobringsewing and challengedatanysewingskilllevelevenifyouhavenever be presentedthroughoutthecourse.You willbeaccommodated cultures, artmovements,andinspirationaldrawingactivitieswill fashion history, symbolsandimagesfromothercountries materials intoauniqueandpersonalgarment.Visualideasfrom colour andtexturebycombiningassemblingavarietyof create somethingnewandexciting.Enjoyyourloveoffabrics, trapunto, appliqué,dryfelting,andmixedmediatoplayfully expressive stitching,stamping,fabricsurfacealteringmethods, art .Incorporatecreativemachineandhandsewingtechniques, Turn anolddressintoapieceofsophisticatedorwildwearable and reassemblingthemintoanewsweater, hat,bagorblanket. pieces .Havefunshrinkingoldwoolsweaters,cuttingthemup, Easily revamp,renovate,andrenewclothingintonewexciting Please note:Noprevioussewingexperienceisrequired. COURSE CODE COURSE CODE COURSE CODE “ becoming new...again. possibilities. Inthisclass,weexploretheold Creativity isallabouttrainingtheeyetoseenew  ARTS1842 $340.58 ARTS2219 $340.58 ARTS686 $340 .58(+$25materialfeepayabletoinstructor) August 1–5,2016 Laurie Pye August 1–5,2016 Helen Cho August 1–5,2016 John Leonard

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– LAURIEPYE .Fromfound

49 HALIBURTON AUGUST 2016 Creative Writing COURSE CODE ARTS61 SECTION 41 INSTRUCTOR Catherine Graham DATES August 1 – 5, 2016 FEE $340 .58 This course will help you gain access to and develop your inner voice, helping you listen and respond to your own writing . Learn how to tap into your own creativity and strengthen your writing skills in a supportive workshop environment . Topics include: getting started, character, dialogue, structure, description, point of view, and good beginnings . Step by step, you will experience the various components of the writing process; generating ideas/ subject matter, first draft, the writing workshop, the art of revision and the final draft . This course can be taken repeatedly by new writers of fiction, creative non-fiction, poetry and memoir, as well as experienced writers who want to refresh and expand their skills .

Drawing – Experimental COURSE CODE ARTS79 SECTION 41 INSTRUCTOR Kate Carder-Thompson DATES August 1 – 5, 2016 FEE $340 .58 (+ $30 material fee payable to instructor) Please note: This course is not suitable for beginners. Confront your current creative processes in this experimental, intensive drawing course . You will be encouraged to rethink old Drum Making and Drumming habits as you explore new drawing supports and re-visit trusted COURSE CODE ARTS289 SECTION 41 tools that can be used in exciting new ways . You will be chal- INSTRUCTOR David Berger lenged to discover what it is you want to say through your mark DATES August 1 – 5, 2016 making and choice of imagery, ideas, and themes . Instruction will FEE $340 .58 (+ a material fee of $45 for frame consist of a brief lesson followed by an open-ended project and drums and $65 for asheko drums, payable to the 50 will conclude with a group discussion of challenges and triumphs . instructor) In this course you will make your own frame drum, including its beater, or an asheko drum, and learn to play them . Discussions will include the methods involved in making ashekos, djembes and other rhythm instruments . Discover how to tan the hides necessary for these drums . Understand different varieties of woods, hides, and techniques used in a variety of drum construc- tion . Explore the history, ceremony and cultures from which these drums come, learning rhythms and stories about the role of drums . You will also be challenged to explore your own rhythm while learning to play your drum . A performance will be created for presentation toward the end of the week . No woodworking or drumming experience is required to benefit from this course .

Expressive Arts – Creative ConnectionsE COURSE CODE ARTS2214 SECTION 41 INSTRUCTOR Margaret Lorrie Beaton DATES August 1 – 5, 2016 FEE $340 .58 (+ $25 material fee payable to instructor) To register for this course you must meet the admission require- ments for the Expressive Arts Graduate Certificate Program. Details available on page 9. This course is an elective credit toward Fleming College’s Expres- sive Arts Certificate. It is not an elective credit toward Fleming College’s Visual and Creative Arts Diploma. Immerse yourself in the curious, playful, and creative side of expressive arts . Learn to integrate creativity into your work with others, while honouring the concepts and theories of traditional expressive arts approaches . Instruction will include a range of tools suitable for use within a variety of populations as well as with individuals . Discover how to creatively incorporate visual art, music, drama, dance/movement, poetry, and creative writing into your practice . This is an excellent opportunity to explore your own creativity and develop skills to design and deliver creativity-based expressive arts experiences . will notbeused. The abilitytoreadmusicisnotnecessary asstandardnotation time listening to greatguitarplayers from various traditional styles . ment .You willdoalotofplayinginclassandalsospendsome explore movingbasspatterns,chordinversionsandaccompani- playing .Learnexercisestostrengthenyourrighthandand used toenhanceandputmoreexpressionintoyourguitar Using examplesfrombluesandfolktraditions,studytechniques required. knowledge ofchordsandsomesimplerighthandpatternsis Please note:Thiscourseisnotsuitableforbeginners.Basic unique artisticstyle. and softpastels,theresultswilldemonstrateyourpersonal expression andcreativityratherthancopying.Working incharcoal Working frombothimagesandmodels,youwillfocuson Please note:Thiscourseisnotsuitableforabsolutebeginners. DATES DATES INSTRUCTOR Finger-Style GuitarPlaying INSTRUCTOR Figure Drawing–BeyondtheLine INSTRUCTOR Fabrics –Colour, Patterns&PainterlyEffects DATES FEE FEE FEE of expressivetechniques. have theopportunitytocombineexistingskillswithanewrange able forbeginners,whileexperiencedartistsofanymediumwill range makesthemidealforfashionorinteriors.Instructionissuit- or dilutedforsoftandsubtletransparentshadeshues.This strength forstrongbrilliantcolour Vie dyesareidealforusingfull of acrylicpaintonfabrics.Colour Vie dyesandexploretheversatility environmentally friendlyColour Experiment withwater-based, pieces, orworksoncanvas. cloths, banners/signage,wall shawls, scarves,sarongs,table ideal surfaceembellishmentfor prints, markingandstamping–all painting, fluidwash,leaf/botanical original fabrics.Learnhand texture inthecreationoffabulous, Explore colour, patternand COURSE CODE COURSE CODE COURSE CODE “ “ Textiles tellahistoryoftheworld. art school. W ill becomingagain. Very enjoyable townand  ARTS1730 $340.58 ARTS303 $340.58 ARTS2215 $340 .58(+$15materialfeepayabletoinstructor) August 1–5,2016 Margot Miller August 1–5,2016 Rick Fines August 1–5,2016 Gary Smith

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– MARGOTMILLER – PHILIPSIM INSTRUCTOR DATES Kids’ AdventuresinArt** FEE masterpieces . Travel throughtimeandplace asyoucreateyourownoriginal build aportfoliothat willastoundeventhetoughest artcritics! about famousartists.FromImpressionismtoGraffitiArt, you’ll tunities todevelopyourownunique artisticstylewhilelearning environment .Everydaywillbringnewexperiences andoppor and sculpturemediumstechniques inafun,focused Unleash yourcreativity!Explorea variety ofpainting,drawing

COURSE CODE INSTRUCTOR Glass FlameworkTechniques indicate whichlevelyouareregisteringfor. These courseswillrunsimultaneously. Pleaseclearly INSTRUCTOR Glass FlameworkTechniques II FEE FEE DATES DATES No previousglassexperienceisnecessary open mindandideasthatyouwouldliketodevelopinglass. and theuseofmoulds.You areencouragedtobringan glass toadvancedconstructions,includingblowing introductory methodsofshapingandmanipulatingmolten demonstrations andhands-onpractice,instructionwillcover allow forprogressionbeyondthebasics.Throughlectures, gain asolidfoundationinflameworkingpracticethatwill and techniques.Working witharangeofglassesyouwill methods ofshapingandconstructingusingavarietytools able operationofequipment,youwillquicklyprogressto of flameworking.Beginningwiththesafeandcomfort- fundamental understandingofglassthroughtheprocesses colourful glassobjects.Thiscoursewillprovideyouwitha sculpt, blowandmanipulateit,creatinghighlydetailed of atorch.Glassisheatedtomoltenstateandyouthen Flameworking isamethodofshapingglassthroughtheuse to achieve. You areencouragedtobringideasofprojectsyouwouldlike operation, demonstrations,lecturesandhands-onpractice. course willconsistofareviewstudiosafetyandtorch blown formsandmulticomponentconstructions.This and colourapplication.Developskillstocreateadvanced advanced methodsofflameworkingdesign,construction Building onbasicmethodsandtechniquesyouwilllearn Please note:Thiscourseisnotsuitableforbeginners. SECTION 41 SECTION 42 COURSE CODE COURSE CODE  ARTS2051 9:00 –12Noon,79yearsold 1:00 –4:30pm,46yearsold(4byJan.1,2016) $105 .90(+$25materialfeepayabletoinstructor) August 1–5,2016 Jessica Wallace  ARTS1760  ARTS1761 projects chosen) payable totheinstructor, dependingupon $340 .58(+amaterialfeeofapprox$100 August 1–5,2016 Brad Sherwood projects chosen) payable totheinstructor, dependingupon $340 .58(+amaterialfeeofapprox$100 August 1–5,2016 Brad Sherwood

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51 HALIBURTON AUGUST 2016 Kids’ Metal Jewellery Arts** Negative Painting COURSE CODE ARTS397 COURSE CODE ARTS2048 SECTION 41 INSTRUCTOR Susan Watson Ellis INSTRUCTOR Nancy Newman DATES August 1 – 5, 2016 DATES August 1 – 5, 2016 FEE $105 .90 (+ $30 material fee payable to instructor) FEE $340 .58 (+ optional $30 material fee payable to SECTION 41 9:00 – 12 Noon, 4 – 6 years old (4 by Jan . 1, 2016) instructor – details on material list) SECTION 42 1:00 – 4:30pm, 7 – 9 years old Please note: This course is not suitable for beginners. Unique jewellery creations made by YOU! Learn to form and This course is positively negative! Add this exciting and dramatic decorate copper, aluminum, nickel silver and bronze . Then add approach to your painting repertoire . Whether you paint in water- a little fun and a few personal touches with beads and marbles . colour or acrylics, working in the negative will energize you and You’ll make custom tags for your pets, pendants for yourself, I .D . add a whole new level to your creative process . Learn to develop bracelets and key rings . Decorate your projects using hand- unique images by using the space in and around an object . stamping and hammering techniques and also learn to shape Create exciting under-paintings and enhance your image with wire into chains, rings and pins . layers, lost and found edges, and textures . Increase the range of values in your painting, moving from light to dark and back again, creating the illusion of depth . Initially, you will learn to “think Make-up FX & Character Design negatively” through step-by-step demonstrations and exercises . COURSE CODE ARTS2231 SECTION 41 Simplify shapes, create effective compositions and refine your INSTRUCTOR Rhonda Morley Causton images to achieve paintings with dynamic impact . DATES August 1 – 5, 2016 FEE $340 .58 (+$145 material fee payable to instructor) Painting – Contemporary Methods & Meaning Bruising, abrasions, all degrees of burns, severe burn scars, scar- COURSE CODE ARTS2123 SECTION 41 ring from old incisions or cuts, frost bite, bald cap creation and INSTRUCTOR Andy Fabo application, age makeup, break down makeup, zombie makeup, DATES August 1 – 5, 2016 glass embedded in the skin, character design, and more will FEE $340 .58 be learned, demonstrated and practiced . Learn to completely transform appearances and create characters using Out of Kit Please note: This course is not suitable for beginners. FX makeup . In the film industry many makeup effects are done Contemporary painting embraces a wide spectrum of thematic, on set, quickly and effectively, from products in the makeup formal and conceptual approaches while pushing the boundaries artist’s kit . You will be encouraged to be innovative, creative and of the material practice . Instruction begins with the creation of a bold and you explore how the products work and what they are figure painting in a contemporary context, proceeds to a diptych commonly used for . This exploration will progress to the creation juxtaposing form and content in the two panels, and concludes 52 of unique character makeups . Instruction will also address how to with the creation of a painting in which images are layered over sanitize makeup palettes, brushes and equipment, preventing the each other to create a complexity of meaning . You will draw on models’ exposure to bacteria, and germs . Discussion will include print and digital media, art history, and your own research and the importance of continuity on film, as well as other aspects of sketchbooks for source material . Brief visual presentations of the film industry as they pertain to the role of the makeup artist . relevant artists will provide an expanded notion of contemporary painting .

Painting – Power Tips from the Masters COURSE CODE ARTS2240 SECTION 41 INSTRUCTOR Yves Ameline DATES August 1 – 5, 2016 FEE $340 .58 Let the great Masters of art history help you become a more accomplished and technically proficient artist . Instruction combines the study of art history (one third) and painting practice (two thirds) . Analyze masterpieces by Leonardo, Constable, Gauguin, Matisse, Picasso and many other great artists, discover what makes them successful and apply this learning to your own work . Gain a deeper appreciation of great art, from cave paintings to 20th century artists, and acquire greater power and structure in your own work . There is the option to work on a single painting or a number of separate pieces and the choice of subject matter will be yours . You may work in your medium of choice but acrylics are recommended due to their ability to accom- modate corrections and re-work . Whether you are a beginner or a seasoned artist, a representational or abstract painter, you will be stimulated to explore new concepts and experiment with new visual approaches .

Very well-run and organized – Nice collection of evening activities. “ – HEATHER HAYES equipment . some locationsmayrequirewalkingandtransportingpainting and expression.Bepreparedtoworkoutdoorsnotethat oil paintinanenvironmentthatencouragesindividualfreedom of landscapepainting.You areinvitedtoworkwithacrylicor Review fundamentalsandlearntohavefunwiththechallenges visual editingskillsasyoupushtheboundariesofyour. the field.Solidifypaintingprinciplesandtechniques,develop Improve yourpleinairpaintingskillsthroughconcentratedtimein experience isrequired. Please note:Thiscourseisnotsuitableforbeginners.Pleinair week . to participatebysittingforafewshortportraitposesduringthe be discussedthroughoutthecourse.Eachstudentwillasked work withaprofessionalmodel.Works byavarietyofartistswill as posingforeachother, youwillcompleteaself-portrait andalso and isolatetheuniquefeaturesthatidentifyeachofus.Aswell to proportionandexpression,youwillbechallengedlookfor anatomical understandingoftheelementsfacethrough ability tocapturethelikenessofanymodel.Startingfromasimple This excitingandin-depthportraiturecoursewilldevelopyour DATES DATES INSTRUCTOR Pottery ThrowingCamp–Intermediate/Advanced INSTRUCTOR Portrait Sketching&Development INSTRUCTOR Plein AirLandscapePainting–Intermediate/Advanced FEE FEE FEE DATES from the schoolatacost of $16perbag. much moreenjoyable .Additionalclayis availableforpurchase humour andawillingness tocutpotsinhalfwillmake theweek be donetoeasethe transportof‘trophypots’.Alimbersense this coursetocoverglazingandfiring .Onebisquefiringmay make reclaimingclayaseasypossible .Itisnottheintentof personal practiceofpot-making.Apug-millwillbeavailableto opportunity toincreaseyourthrowing skillaswelldevelopa inspirational videos,andlotsofwheel time,youwillhavethe series ofdemonstrations,specific exercises,classdiscussions, technique, goodtools,andpropercareofyourbody tice, practice.ThrowingisaphysicalskillItrequiresproper techniques, increaseyourthrowingskills,andpractice,prac- course willencourageandchallengeyoutolearnnewthrowing bigger pieces,moreconsistently, looserpots,tighterpots?This ‘hit thewall’intermsofbeingabletothrow on increasingyourthrowingskills?Doyoufeelthathave Have youeverwishedcouldspendseveraldaysjustfocusing Please note:Thiscourseisnotsuitableforbeginners. COURSE CODE COURSE CODE COURSE CODE “ – Ithinkthatistrueofmostpeople! Colour iswhatdrivesmycreativity $340.58 ARTS2173  ARTS735 $340.58 ARTS326 August 1–5,2016 Sam Paonessa $355 .39includes$1481initialmaterialfee August 1–5,2016 Rene Petitjean August 1–5,2016 Matthew Mancini

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.Througha DATES DATES INSTRUCTOR INSTRUCTOR Silver Clay–Mould&Fire Silk Explorations INSTRUCTOR Youth/Teen Casting &Sculpture** FEE FEE FEE DATES addressed . Techniques suchasVitrea160paintforenamellingwillalsobe include rings,pendants,earrings,oranon-wearableartpiece. will designaminimumoffourprojectsyourchoice.Possibilities synthetic stones,firing,andpolishing.Withthesetechniquesyou carving, attachingfindings,layeredleaftechnique,setting filigree (syringetype),burnoutmethods,appliqué,hollowforming, virtually anyshapeyoudesire.Learnvarioustechniquessuchas: 99 .9%puresilvermetalYou canmanipulatethismediuminto Silver MetalClayisamediumthatmouldslikeclaybutfiresto Bring yourjewelleryorartdesignstolifeusingMetalClay would behelpful. with silkisnecessary waste productstouseonyourfibreartpieces.Noexperience silk cocoonstoseehowisharvestedanddyevarious proper handlingofvarioussilkfabricsforcreativeprojects.Reel formations, silkembroidery, andmanyotherpossibilities.Learn masks usingbeautifullydyedsilkfibres,otherthreedimensional of projectssuchasdyedscarves,piecedsilkcreations,paper, Immerse yourselfinsilk,usingitallitsformstocreateavariety unique . paint, fabric,sticks, glitter, orotheritemstomakeyourpiece or wearable–the creativepossibilitiesarelimitless .Mixandadd or amaskfromyour face.Realisticorimaginative, freestanding Learn touseplastergauzesafely castyourhands,feet,and/ 18 yearsofage. Please note:Thiscourseisopento youthandteensfrom10to COURSE CODE COURSE CODE COURSE CODE  ARTS703  ARTS2192  ARTS2225 $340 .58(+$377materialfeepayabletoinstructor) August 1–5,2016 Sophia Tink $340 .58(+$55materialfeepayabletoinstructor) August 1–5,2016 Beth Abbott $231 .55(+$30materialfeepayableto instructor) August 1–5,2016 Suzi Dwor .Asewingmachineingoodworkingorder

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53 HALIBURTON AUGUST 2016 54

Robert Bateman – Passions & Practices**

COURSE CODE ARTS2241 SECTION 41 Please join us as INSTRUCTOR Robert Bateman Robert Bateman DATES August 9 – 11, 2016 hosts one of our 9:30am to noon and 2:00pm to 5:30pm FEE $495 "Art Talks" Spend time with Robert Bateman . Slow down, pay attention, and get acquainted with nature as he shares his philosophies, passions Wednesday, August 10 and practices . Learn how to foster creative ideas, in accordance with his belief that a good idea is the basis for a strong work of art . Visual Life Sketches presentations and discussions, starting with an idiosyncratic review See page 93 for details. of art history, will lead to Bateman’s artistic journey and an analysis of some of his works . Though not an art studio class, tips and techniques will be in abundance and there will be at least one hike outdoors to take photographs for reference in future paintings . A demonstration painting will anchor discussions and reveal subtleties of technique . You are invited to bring a digital image of one or two pieces of your work which Bateman will gently and publicly critique for the enlightenment of the group . “ matter, andopenin-classdiscussionsabouttheworkproduced. building apersonalstyleandcoloursense,choosingsubject important aspect,emphasiswillbeplacedonexperimentation, heavy bodypaintswithcollage.Whiletechniquewillremainan using traditionalpaintingmaterialsandfluidacrylics,aswell In thiscourseyouwillbeencouragedtoworkinlargerformats, acrylic painting. designed forthosewhohavesomepreviousexperiencewith Please note:Thiscourseisnotsuitableforbeginnersand colours . as youexploretheinfinitepossibilitiesofarrangingshapesand painting skills.Boldnessandexperimentationwillbeencouraged Learn theprinciplesofnon-objectiveartandfurtherdevelopyour in paintinganddesignisrequired. Please note:Thiscourseisnotsuitableforbeginners.Experience FEE FEE FEE FEE DATES DATES DATES DATES INSTRUCTOR Celtic Design&Monograms INSTRUCTOR Blacksmithing INSTRUCTOR Acrylics: Non-ObjectiveII INSTRUCTOR Acrylics &MixedMedia–Intermediate AUGUST 8TO 12,2016 media of yourchoice. Instruction issuitable forallskilllevelsandyoumay workinthe symbolic elements willbestudiedandincorporated intodesigns. will beexplored.Traditional worksusingzoo-morphological and will bedemonstratedandmotifs,patterns, andcolourthemes monograms ininkandcolour Learn tocreatebeautifulandintricate Celticdesigns,bordersand projects chosen,additionalmaterialfeesmayapply strated .PleasebringaprojectconceptwithyouDependingupon opportunity willbeprovidedtopracticewhatyou’veseendemon- and more.FinishingtechniqueswillalsobestressedAmple simple forgingprinciplessuchasdrawingout,punching,scrolling smithing techniques.Instructionwillprovideanunderstandingof produce appealingandfunctionalobjectsusingtraditionalblack- tion .You willhaveanopportunitytolearntheskillsrequired Learn thebasicsofblacksmithinginahands-onstudiositua- concentration, physicalexertionandmechanicalaptitude. You mustbepreparedtoworkindependentlywithahighlevelof Please note:Thiscourseinvolvestheuseofhotforgesandmetal. COURSE CODE COURSE CODE COURSE CODE COURSE CODE openness tocreativityandexpression. artists. Ilovedthevarietyofcoursesand A welcoming communityforbeginnerstoexpert $340.58 ARTS712  ARTS2175  ARTS38 $340.58 ARTS1268 August 8–12,2016 Annette BladyVan Mil $340 .58(+$2materialfeepayabletoinstructor) August 8–12,2016 Marta Scythes $433 .17includes$9259materialfee August 8–12,2016 Rene Petitjean August 8–12,2016 Lila LewisIrving

.Various techniquesandprocesses

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. DATES FEE FEE INSTRUCTOR INSTRUCTOR COURSE CODE Cheesecloth ImageryonFabric Decoy Carving–ContemporaryAntiqueStyle DATES students intheexplorationofthisuniquestyledecoy to thebeginnercarverbutwillalsoaccommodateexperienced the lookandpatinaofacentury-olddecoy decoy andprogresstopaintingagingtechniquescreate Using simplehandtoolslearntoshapeandcarveatraditional Project: KankakeeMarshPintail create usefulpatterns. images maybeadjustedonacomputer, tabletorphotocopierto animals, whimsicalcreaturesorabstractdesigns.Examinehow encouraged toexploreavarietyofsubjects–landscapes, II water-soluble waxpastelsandacrylictextilepaints.You are fibre art,youwilllearnhowtopaintabackdropusingNeocolour responses .Inadditiontoaddingtextureandinterestyour how todepictthequalitiesofhumanfacethatelicitemotional ture willbeinvestigatedthroughthestudyofphotostodetermine and landscapesoutofsimplecheesecloth.Nuancesportrai- Learn variousmethodsofdesignandcreatestunningportraits learning howtocreatedramatictextileartwithcheesecloth. sculpting withfibre,employingtransparencyandcontrast, Discover auniquemethodofmanipulatingtextilesthatinvolves COURSE CODE ARTS2179

 ARTS1928  Mary Pal $340 .58(+$40materialfeepayabletoinstructor) August 8–12,2016 Ken Hussey instructor) $340 .58(+$35optionalmaterialfeepayableto August 8–12,2016

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55 HALIBURTON AUGUST 2016 Expressive Arts in Palliative CareE Image Transfer for Quilts & More COURSE CODE ARTS2197 SECTION 41 COURSE CODE ARTS2213 SECTION 41 INSTRUCTOR Julie McIntyre INSTRUCTOR Rachel Anne MacGillivray DATES August 8 – 12, 2016 DATES August 8 – 12, 2016 FEE $340 .58 (+ $20 material fee payable to instructor) FEE $340 .58 (+ $15 material fee payable to instructor) To register for this course you must meet the admission require- Please note: Basic sewing skills are required. ments for the Expressive Arts Graduate Certificate Program. Quilting and fabric arts are an integral part of Canada’s history Details available on page 9. and contemporary arts practice . Create personalized fabric blocks 56 This course is an elective credit toward Fleming College’s Expres- suitable for quilting, wall art or collage, by combining traditional sive Arts Certificate. It is not an elective credit toward Fleming textile arts with modern image transfer . Explore the exciting College’s Visual and Creative Arts Diploma. possibilities of transferring imagery onto cloth by experimenting Please note: It is strongly recommended that students have taken with solar prints, photochemical transfer, solvents, acrylic Introduction to Expressive Arts (formerly Introduction to Expres- medium, and iron-on transfers . Imagery can be photographs, text sive Arts Therapy and Expressive Arts – Exploring Relationships or artwork . Exercises will provide knowledge of new techniques, (formerly Exploration of Therapeutic Relationships). a library of samples for future reference, and the beginnings of original artwork . You will be required to bring a sewing machine An aging population and trending hospice care lend to incorpo- in good working condition, tested prior to class . rating the expressive arts in caring for the dying, caregivers, and families . Instruction will incorporate a multi-cultural approach to death and dying with resources on expressive arts activities Indigo & Shibori to provide meaningful expression for those in palliative care as COURSE CODE ARTS1302 SECTION 41 well as self-care for caregivers and families . Explore various art INSTRUCTOR Harriet Boon forms such as memoir writing, communication and preserving DATES August 8 – 12, 2016 memories through the arts, as well as creative ways to process FEE $340 .58 (+ $50 material fee payable to instructor) the experiences for the hospice professional . Expressive art forms such as expressive writing, poetry, storytelling, art making, For centuries indigo has been the used worldwide, from clothing drumming, movement and sound will also be incorporated . This for workers to regal garments . Learn techniques to create indigo course will be of interest to those who work in all areas palliative vats for dyeing fabrics a variety of shades of blue . Instruction will care, both with individuals and groups . No artistic skill is required also include a green indigo vat . Explore Japanese resist methods but an open heart, a curious mind and a playful spirit will of clamping, stitching and binding – patterning known as Shibori . enhance the experience . The fascinating history and culture of indigo will also be explored .

Glass Fusing, Slumping & Surface Decoration COURSE CODE ARTS1496 SECTION 41 INSTRUCTOR Kirei Samuel DATES August 8 – 12, 2016 FEE $340 .58 (+ $110 material fee payable to instructor) Waiting until the last minute limits REGISTER your choice of courses and may cause Explore, experiment and discover the exciting possibilities of unnecessary disappointment . kiln-fired glass . Design, colour, kiln theory, fusing, slumping, and surface design techniques will be explored through a ASAP! See registration details on page 89 . variety of projects including a panel, platter, tile and jewellery . Further enhance your work using pattern bars and etching for truly unique results . You will be required to supply or purchase (System 96) compatible glass for use in this class . Previous experience is not necessary to enjoy this course . FEE FEE FEE DATES DATES DATES INSTRUCTOR Jewellery –ChainMaking:Advanced INSTRUCTOR Jewellery –ChainMaking:Intermediate INSTRUCTOR Jewellery –ChainMaking:Beginner are registeringfor. Intermediate &Advanced.Pleaseclearlyindicatewhichlevelyou This coursewillrunsimultaneouslywithJewelleryChainMaking: and linkagestocreateyourownuniquedesigns. you’ll beencouragedtoexperimentwithproportions,materials styles .Onceyouhavemasteredbasicjewellerymakingskills, which willbeconnectedtocreatetraditionalandmodernchain symmetrical orabstract.Learntoformwireandfabricatelinks Chains –theycanbedelicateorheavy, traditionalormodern, are registeringfor. Beginner &Intermediate.Pleaseclearlyindicatewhichlevelyou This coursewillrunsimultaneouslywithJewelleryChainMaking: design willbeaddressed. element formation,andproportionalconsiderationsforyour fine chainfabrication.Linkmanipulationforthissizeofchain, Further yourchainmakingskillsbyexploringthetechniquesof Please note:Thiscourseisnotsuitableforbeginners. registering for. Beginner &Advanced.Pleaseclearlyindicatewhichlevelyouare This coursewillrunsimultaneouslywithJewelleryChainMaking: hammers andsteelblocks. oval orcurvedaswellhowtoflattenandforgethemusing to manipulatesolderedlinksaltertheirshapefromround require soldering,suchassinglelinkdesigns.You willalsolearn Expand yourchainmakingskillstoincludedesignsthat Please note:Thiscourseisnotsuitableforbeginners. COURSE CODE COURSE CODE COURSE CODE Plan toattendtheArtAuction onAugust11!  ARTS46  ARTS1659  ARTS1495 dependent uponprojectschosen) $340 .58(+amaterialfeepayabletoinstructor, August 8–12,2016 Susan Watson Ellis dependent uponprojectschosen) $340 .58(+amaterialfeepayabletoinstructor, August 8–12,2016 Susan Watson Ellis dependent uponprojectschosen) $340 .58(+amaterialfeepayabletoinstructor, August 8–12,2016 Susan Watson Ellis See page91formoreinformation.

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permitting . be preparedtospendsometimepainting outdoors,weather of experienceinsketchingandwatercolour painting.Please pencil andwatercoloursketching. Instructionissuitedtoalllevels painting .Explorewatercolourtechniquesfor penandinkor elements withpaint,suggestdetail,andexploreexpressive plan, learntoseethe‘bigshapes’,handlecommonlandscape and skillsasyouselectaview, create asketchandvalue Step bystep,easytofollowinstructionwillfocusontechniques brush .Explorethestepsnecessarytomasterthistechnique a largecanvasareoftentheresultofgoodcontrolbroad richness oftexturesandspontaneousexpressionhighlightedon thus intensifyingthecontrastbetweenlightandshadow humidity depth, densityandairvibrationsgeneratedbywinds,heat the work;italsoenableseffectiverepresentationofexact Painting withlargebrushstrokesisameansnotonlytoaccelerate INSTRUCTOR FEE FEE FEE FEE DATES DATES DATES DATES Kids’ HandbuildingPottery** Kids’ AroundtheWorld** INSTRUCTOR Landscape Sketching&Painting INSTRUCTOR Landscape Painting–LargeFormat INSTRUCTOR everything fromteacupstospaceships! You’ll beencouragedtoimaginativeasyou’llmaking project everyday, makingthisclassexcitingandchallenging. making pinchpotsandworkingslabs.Therewillbeadifferent you exploretraditionalhandbuildingtechniquessuchascoiling, wheel .Push,rollandpinchyourclayinlotsofcreativewaysas Fabulous potterycanbecreatedwithouttheuseofa dot painting,andmore! weaving, Indianmandala,FrenchImpressionistpiece,Australian the-world adventurewithanAfricanmask,SouthAmerican weaving, painting,drawing,andresist.Returnfromyouraround- and exploreavarietyofvisualarttechniquesincludingcollage, play gamesfromdifferentcountries,takepartinmusiccircles, crafts andlearningculturalarthistory Spend eachdayonadifferentcontinent,makingtraditional

COURSE CODE COURSE CODE COURSE CODE COURSE CODE SECTION 42 SECTION 41 SECTION 41 SECTION 42 .Themethodenhancesthealterationcausedbylight,  ARTS798  ARTS2237 $340.58 ARTS2220 $340.58 ARTS2238 1:00 –4:30pm,79yearsold 9:00 –12Noon,46yearsold 9:00 –12Noon,79yearsold 1:00 –4:30pm,46yearsold(4byJan.1,2016) to instructor) $118 .80(includesclay)(+$5materialfeepayable August 8–12,2016 Lisa Barry $105 .90(+$20materialfeepayabletoinstructor) August 8–12,2016 Hannah Strand August 8–12,2016 Elizabeth Hutchinson August 8–12,2016 Ljubomir Ivankovic

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57 HALIBURTON AUGUST 2016 Painting – Unlock Your Personal Style Pastel Painting – Introductory COURSE CODE ARTS2216 SECTION 41 COURSE CODE ARTS1100 SECTION 41 INSTRUCTOR Gary Smith INSTRUCTOR Margaret Ferraro DATES August 8 – 12, 2016 DATES August 8 – 12, 2016 FEE $340 .58 (+ $20 material fee payable to instructor) FEE $340 .58 58 Visual preferences play an important role in personal painting This course begins with a thorough introduction to pastel supplies style . In spite of this, they are often not actively considered at and their many application techniques . Study each technique a conscious level or evaluated for context . Engage in exercises separately, first by example, then by demonstration, resulting comparing opposite visual preferences to learn how to apply in the creation of a sample booklet of different pastel mixing them to your own work and determine which you favour . In this techniques . Utilize the proper techniques to keep a clear palette, manner you will be able to explore and identify your current control values, and layer pigment to create the luminous and personal painting style and consider how to refine and push it to rich quality of this medium . Instruction will familiarize you with new levels . Instruction is appropriate to all levels and choice of different types of pastels, how to use them in conjunction with painting media . each other, and the most beneficial way of achieving impact with the medium . Basic colour theory is addressed while taking inventory not only of the colours you have, but how to mix the ones you don’t have . Learn the traditional technique for setting up a painting with a value sketch using a limited, then an expanded Learn the rules and break them. palette . Individual studies of many popular subjects such as “ – GARY SMITH trees, bushes, flowers, fruits, skies, and water will be covered . This course will run simultaneously with Pastel Painting – Inter- mediate. Please clearly indicate which level you are registering for. Paper Sculpture & Collage COURSE CODE ARTS1147 SECTION 41 Pastel Painting – Intermediate INSTRUCTOR Suzi Dwor COURSE CODE ARTS1759 SECTION 41 DATES August 8 – 12, 2016 INSTRUCTOR Margaret Ferraro FEE $340 .58 (+ $55 material fee payable to instructor) DATES August 8 – 12, 2016 Work with a variety of papers, including rice, mulberry, washi, FEE $340 .58 and watercolour papers in a non-traditional way to create two-and Please note: This course is not suitable for beginners. three-dimensional works of art . Explore colour, texture, patterning, design and the physical properties of paper and its relationship Upon assessment of your current skill level and clarification of to other media such as paint, wax resist, and a variety of drawing your goals, increasingly complex exercises will address colour materials . You will tear, weave, wrap, layer, stamp, paint, make mixing, technique development, value studies, composition, and marks, and continue to experiment with your supplies . Experi- studio and on-location organization . Engage in an interesting ment with collage, assemblage, fibre techniques on paper, and colour theory exercise using intuition to choose your palettes and learn 20 ways to manipulate paper . Projects include a book cover, then compare to colour theory . Under- painting will be discussed 3D paper garment, abstract collages, relief landscapes and self- and used by personal choice . Build a body of work that reflects directed explorations . This is a very exciting and rich experimental your intuitive palette, with minor variances . Individual critiques for mixed media class for beginners and experienced artists . personal artistic growth will be part of the instructional process . This course will run simultaneously with Pastel Painting – Intro- ductory. Please clearly indicate which level you are registering for. suitable forintermediate-to-advancedphotographers. because instantfeedbackisrequiredforevaluation.Instruction to shootingfilmbutcameraswillnotbesuitableinclass in-camera results.Principlestaughtinthiscourseapplyequally of yourphotosisnotincluded.Emphasiswillbeonbetter evaluation onvariousprinciplesandtechniques.Post-processing Instruction willconsistofacombinationtheory, practice,and you todevelopacriticaleye,makingbetterphotographer how thetechnicalchoicesyoumakewillaffectyourartandhelp Whether youshootlandscapes,people,abstracts,orkittens,learn proceed toforgetaboutitandgetonwithtakinggreatphotos). equipment, andvariousmodesofexpression(soyoumaythen with thetechnicalcapabilitiesandlimitationsofmedium,your of-field, low-light,oractionshootingtogainanintimatefamiliarity especially digital.Gobeyondthesimpleconsiderationsofdepth- settings do.Photographyisaninherentlytechnicalmedium– means understandingmorethanjustwhatyourbasiccamera the technicalknow-howtoexpressit.Asaphotographer, that Being anartistisn’tjustaboutcreativity;it’s alsoaboutpossessing regarding equipmentrequirementsandsuitability. is required.Priortoregisteringpleasereferthemateriallist working familiaritywithyourcamera’s menuandfunctionsettings Please note:Thiscourseisnotsuitableforbeginners.Agood be discussedthroughoutthecourse. ings ofthemodelinafullpalette.Works byavarietyofartistswill monochromatic paintings,youwilladvancetoexpressivepaint- Starting withanunderstandingofcomposition,valuestudiesand traditional oilswithoutsolvents)thatyouarecomfortablewith. opaque paintmedium(gouache,acrylic,water- solubleoils, any modelinopaquepaintmedium.You mayworkinany This excitingwilldevelopyourabilitytocapturethelikenessof experience isrequiredtoparticipate. Please note:Thiscourseisnotsuitableforbeginners.Painting DATES FEE FEE INSTRUCTOR Portrait Painting INSTRUCTOR Inclined Photography –Technically MindedbutArtistically DATES COURSE CODE COURSE CODE $340.58 ARTS2017 $340.58 ARTS579 August 8–12,2016 Michael Bainbridge August 8–12,2016 Matthew Mancini

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. DATES FEE DATES INSTRUCTOR Pottery –Raku:CopperMatte,Patinas&Lustres INSTRUCTOR Pyrography –TheArtofBurning FEE Please bring10bisquedpiecesusingRakuClay firings and,timepermitting,Rakukilndesignwillbediscussed. emphasize processratherthanproduction.Therewillbedaily Matt .Instructionwillencourageanexperimentalapproachand results withthespectacularbutelusivetechniquecalledCopper on usingthesetechniquesasabasisforobtainingsuccessful Lustres andPatinas.Particularemphasistimewillbespent and post-firingreductiontechniquesastheyrelatetoMetallic obtained atwill.Therebeathoroughstudyofeffectivefiring evaluated onebysothatsuccessfuloutcomescanbe Raku effects.Topics willbesystematicallystudiedandresults is achallengingexplorationofthetechnicalaspectsvarious This six-dayadvanced-levelprofessionaldevelopmentcourse Raku experienceisrequired. Please note:Thiscourseisnotsuitableforbeginners.Previous appreciation forthewondersofwood. ized portraits,addingcolour, andreliefcarving,you’llhaveanew Beginning withsimplepatterns,todesigningyourownpersonal- on woodofdifferenttypes,culminatingwithdriftwoodslabs. and othermaterials.Themajorityofexerciseswillbeworking methods ofburningasyouexperimentonwood,leather, paper experienced woodburners.You’ll learntousevarioustoolsand Instruction inthiscourseissuitableforbothbeginnersand Woodburning isaveryuniquemethodofartisticrepresentation. COURSE CODE COURSE CODE “ this artform!” My studentswilldevelopa“burning” passionfor  ARTS1975  ARTS494 $424 .22includes$3704materialfee August 8–13,2016(6days) Michael Sheba $340 .58(+$40materialfeepayabletoinstructor) August 8–12,2016 Carole Peters

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59 HALIBURTON AUGUST 2016 Rug Hooking – Traditional East Coast Primitive Studio Sampler COURSE CODE ARTS1128 SECTION 41 COURSE CODE ARTS2189 SECTION 41 INSTRUCTOR Donna Sproule INSTRUCTOR Paul Marshall DATES August 8 – 12, 2016 DATES August 8 – 12, 2016 FEE $340 .58 (+ $75 material fee payable to instructor) FEE $340 .58 (+ $45 material fee payable to instructor) Rug hooking has evolved from a utilitarian chore to a valued This survey course will include playful explorations in painting, aesthetic . This course will provide an introduction to the rudi- printmaking, sculpture, mixed media, and new media . It’s an ments of rug hooking in an open and accepting environment . ideal opportunity if you seek variety for yourself or those you work Discussions will address the creative curve of the medium with or you simply can’t decide on one medium . The variety of along with the underpinning of the environmental pluses . Learn materials to be explored makes this course well suited to both basic techniques and types of materials used to create East beginners and experienced artists . Coast Primitive-style hooked rugs . Simple yet evocative hooking techniques typical of primitive rugs will provide the foundation of knowledge to which you are welcome to apply your own creativity, Woodcarving – Relief design and colour preferences . With instructor assistance, you COURSE CODE ARTS2234 SECTION 41 will design your own first piece for the floor or wall . INSTRUCTOR Neil Cox This course will run simultaneously with Rug Hooking – Tradi- DATES August 8 – 12, 2016 tional East Coast Primitive Intermediate. Please clearly indicate FEE $340 .58 (+ $20 material fee payable to instructor) which level you are registering for. Project – Owl in tree Learn the steps and techniques involved to complete a small Rug Hooking – Traditional East Coast Primitive wildlife carving . Beginning with drawing and modeling exercises, Intermediate you will proceed to complete the scene in wood, working from a roughed out blank . Instruction will address everything from tool COURSE CODE ARTS2187 SECTION 41 sharpening and safety to research and creative design . INSTRUCTOR Donna Sproule DATES August 8 – 12, 2016 FEE $340 .58 (+ $75 material fee payable to instructor) Please note: This course is not suitable for beginners. Basic rug hooking skills (not latch hook) are required. Rug hooking has evolved from a utilitarian chore to a valued aesthetic . Further your rug hooking skills as you explore Primitive East Coast style methods and design . Discussions will focus on 60 primitive “wide cut” rug hooking, its historical use of reclaimed fibres, and how this age old form of expression can be used to create a simple image of self . The acquisition and preparation of repurposed clothing for rug production will underpin practical work . While there will be choice regarding project content and design, instruction will particularly address the infusion of “you” idea of self into your finished piece . This course will run simultaneously with Rug Hooking – Tradi- tional East Coast Primitive. Please clearly indicate which level you are registering for. FEE FEE DATES INSTRUCTOR Youth/Teen Drawing&PaintingOutsidetheLines** INSTRUCTOR Youth Archery&Fencing** DATES their work. artists whoareusingnew, surprising waystomakeanddisplay sculpt music!You’ll alsobeintroduced toinspiringcontemporary your imagination.Drawupside-down,paintfoodflavours,and explore theunusualinanencouragingatmospherethatwillignite unexpected perspectives.Playwithavarietyofartmaterialsand Engage allofyoursensesandseetheworlddifferentlyfrom 18 yearsofage. Please note:Thiscourseisopentoyouthandteensfrom10 ability inthesedisciplines. tion, youwillhavetheopportunitytodevelopanappreciationand Through demonstrations,coaching,gamesandfriendlycompeti- involve propershootingtechnique,bowknowledgeandcare. – footwork,techniquesandrules.Intheafternoon,archerywill enjoyable way skill .Thiscoursewillintroduceyoutobothactivitiesinasafeand focus, physicalcoordination,patience,disciplineandtechnical Fencing andarcheryaretwodistinctartsthatdevelopmental age. Please note:Thiscourseisopentoyouthfrom1012yearsof COURSE CODE COURSE CODE 'Kids,' 'Youth' or'Teen,' depending ontheagerequirement. All coursenamesforouryounger artistsstartwith Courses for Kids, Youth and Teens and Youth Kids, for Courses  ARTS2206  ARTS1522 .Inthemorningyouwilllearnbasicsoffencing $231 .55(+$20materialfeepayabletoinstructor) August 8–12,2016 Rebecca Reynolds $207 .68(+$40materialfeepayabletoinstructor) August 8–12,2016 Brad Sherwood Age groupingshave recentlychanged. See page 89 formore information.

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buying atimberframehome. provide agoodoverviewforanyoneinterestedinbuildingor the frame,electrical,plumbingandfinishingdetails.Thiswill engineering, siteconsiderationsandfloorplanlayout,enclosing timber framedesignandterminology, timberselection,sizingand finishing ofatimberframehome.Topics tobe discussedinclude: This workshopwillintroduceyoutothedesign,constructionand Timber Frame structuresuntilapproximately1:00pm. college at9:00amonSundaymorningandwilltraveltovarious visits, requiringattendanceonSunday. Thegroupwillmeetatthe Timber Framing week-longcourse(seepage63)andinvolvessite Please note:Thisworkshopisarequiredprerequisitetothe FEE INSTRUCTOR Timber Framing–Introduction toDesign** AUGUST 2016 13TO 14, DATES

COURSE CODE REGISTER ASAP! Find outaboutCommunity ArtsEvents See page91formoreinformation. $120.61 ARTS383

August 13–14,2016 Glenn Diezel Saturday: 9:00amto4:30pm Sunday: 9:00amto1:00pm in andaround Haliburton! your choiceofcoursesandmaycause See registrationdetailsonpage89 .

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61 HALIBURTON AUGUST 2016 AUGUST 15 TO 19, 2016 Pottery – Creating & Troubleshooting Glazes COURSE CODE ARTS2167 SECTION 41 Botanical Drawing & Painting INSTRUCTOR Michael Sheba DATES August 15 – 20, 2016 (6 days) COURSE CODE ARTS1836 SECTION 41 FEE $405 .70 includes $18 .52 material fee INSTRUCTOR Marta Scythes DATES August 15 – 19, 2016 Please note: This course is not suitable for beginners. Successful FEE $340 .58 (+ $2 material fee payable to instructor) completion of Pottery – Understanding Glazes I is required. While studying a wide variety of botanical specimens, you will This professional development course will provide a brief review learn several drawing and painting techniques and their applica- of theory and basics followed by working in an open studio tions . Through a series of progressive exercises you will develop concept . You will use experimental methods and computer your technique and observational skills leading to in-depth glaze calculation software to work with the instructor as advisor, analyses . This will enable you to visually interpret the intricate on individual, personalized projects of your choosing to create shapes, forms, textures and colours of the plants studied . At the new glazes, correct glaze faults or troubleshoot and fix problem beginning of the course, emphasis will be placed on accurately glazes . Although you will work in Cone Six Oxidation, the universal depicting botanicals, with the option of later experimenting with principles learned will apply to all glazes and temperatures . A expressive colour choices and different drawing and painting maximum class size of 12 ensures individual attention . styles . Composition and perspective as they apply to botanical art will be addressed . Instruction will include frequent demonstra- Printmaking Fusion tions and ongoing feedback as needed . This course is suitable for all skill levels . COURSE CODE ARTS2211 SECTION 41 INSTRUCTOR Otis Tamasauskas DATES August 15 – 19, 2016 Iron Sculpture FEE $340 .58 (see material list for additional costs) COURSE CODE ARTS113 SECTION 41 Instruction will present two printmaking techniques – woodcut INSTRUCTOR Rene Petitjean (relief) and waterless (plate) lithography . Elect to work in both or DATES August 15 – 19, 2016 specialize in one . Choose to navigate an individual direction or FEE $433 .17 includes $92 .59 material fee rely on guidance to establish your narrative . Woodcut instruc- Please note: This course involves the use of hot forges and metal. tion will address the use of cutting tools, chisels, and dremels, You must be prepared to work independently with a high level of the transfer of a direct toner copy to a wood surface, inking in concentration, physical exertion and mechanical aptitude. black and white or colour, paper selection, and printing by hand or press . Waterless plate lithography instruction will include This course will introduce you to the unique world of iron aluminum plate preparation for drawing, plate processing and 62 sculpture by blending traditional and modern techniques to printing, photographic transparency creation and exposure, create amazing and unusual sculptural pieces . Skills learned will image development, inking in black and white or colour, and aid in the production of both indoor and outdoor sculpture as well digital and photographic processes enabling photographic as yard art . Learn basic forging, welding, and cutting techniques . printing . Traditional finishes, colour and patination will also be addressed . Please bring a project plan . If you are returning to this course, you will be encouraged to work on projects at an appropriate skill level . There will be an emphasis on coal and propane forge work . Depending upon projects chosen, additional material fees may apply .

Photoshop COURSE CODE ARTS1752 SECTION 41 INSTRUCTOR Michael Bainbridge DATES August 15 – 19, 2016 FEE $340 .58 Please note: Basic Windows skills are essential and required. Photoshop itself is practically identical on both Mac and PC, however, so program instruction is applicable to both platforms. This course is intended for and taught using the full-version of Photoshop CS5 but may also be suitable for Photoshop Elements users (lite version) as nearly all of the tools and practical techniques are transferable . There is no instruction given in the use of Elements specifically, however . Ansel Adams said, “The negative is comparable to the composer’s score, and the print to its performance” . The ability to digitally manipulate images provides vast opportunities ranging from simple correction of We're pleased to welcome Otis Tamasauskas as an invited imperfections to highly artistic applications and results . Restore, lecturer and visiting artist from Queen's University. enhance, or completely alter an existing image . Learn the basics of choosing appropriate file types and options for web and print, and complete digital manipulation techniques using advanced tools including selective application of effects and filters, and layers . Taking photographs is not part of the instruction – please bring your own digital images . DATES DATES INSTRUCTOR SoulCollage INSTRUCTOR Quilting –4Tops in4Days FEE FEE as skilledquiltersarewelcome. working order samples for eachdesign.Pleasebringasewingmachineingood by step-by-stepprintedinstructions,demonstrationsand encouraging results.Individualattentionwillbeaccompanied foolproof fabricselection,youwillseeveryfast,beautifuland production techniques,designstoenhanceproductivity, and use oftherotarycutter, rulerandmat.Combinedwithclever will (re)introduceefficienciesandshortcutscreatedwithcorrect quilting oneofthem.Withaback-to-basicsapproach,instruction techniques, infourdays.Thefinaldaywillbespentlayeringand squares, trianglesandoctagonscreatefourquilttops,using quilts/throws, orthatspecialquiltforyourdogcat.Usingstrips, and fundraisingeventsorauctions,ababyquilt,productionbed learn createthebeautifulgiftofadonationquiltforcharitable Instruction suitsbeginnerandexperiencedquilterswhowantto Experience thejoyofcreatingquick,easyandsimplequilts. expressive arts. intuitive innerwisdomandenhancingthatthroughotherformsof to incorporatetheuseofSoulCollagethroughaccessingyourown poetry, journalling,music,movementandstorytelling,learnhow transitions .Combinedwithotherexpressiveartformssuchas personal meaningthatwillhelpyouwithlife’s questionsand your intuitionandcreatinganincredibledeckofcardswithdeep Originated bySeenaFrost,SoulCollageisaprocessforaccessing who arelookingforatimeofreflectionthroughcarethesoul. interest toprofessionalsseekinganotherskillsetorthose creativity, psychologyandspirituality Discover asimple,inexpensive,self-carepracticethatcombines COURSE CODE COURSE CODE be thenewhome ofHaliburtonSolarandWind. goals oftheSustainable BuildingProgram.Thebuildingwill their organization’s visionandmissionaligndirectlywiththe very excitedtobeworkingwithAbbey Gardensagainas off –gridAlternativeEnergyPresentation Centre.We are Gardens CommunityTrust tobuildanew1,200 square-foot Design andConstructionprogram willpartnerwithAbbey In April,2016,FlemingCollege’s SustainableBuilding appropriate andresponsiblemanner techniques toachievethebuilding’s sustainablegoalsinan “natural” andmoderngreenbuildingmaterial a sustainablebuilding.Studentswilllearnhowtobalance tradespeople andareinvolvedinallaspectsofconstructing Students interactwithprojectconsultants,inspectors,and saving techniques. showcasing greenbuildingtechnologiesandnewenergy- across Canadawillconstructanewsustainablebuilding, sive, hands-onexperiencewhereupto26studentsfrom program, basedoutoftheHaliburtonCampus,isaninten- Building DesignandConstructionprogram.The20-week Fleming isthefirstCollegeinCanadatoofferaSustainable Sustainable BuildingandConstruction  ARTS2166  ARTS2128 .Beginnerswithnoquiltmakingexperienceaswell $340 .58(+$25materialfeepayabletoinstructor) August 15–19,2016 Judith Dingle $340 .58(+$20materialfeepayabletoinstructor) August 15–19,2016 Julie McIntyre ®

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assistance andcritiques. demonstrations, individual acter expressive results,fullofchar of effectsthatwillproduce media paintingswithavariety subject .Createvibrantwater capture thelikenessofyour unique towatercolourasyou Explore thespontaneitythatis with portraitureissuggested. Please note:Thiscourseisnotsuitableforbeginners.Experience good oldfashioned‘barnraising’. joinery foracompleteframe,assembleitandendtheweekwith This isahands-oncoursewhereyouwilllayoutandcutthe exposure todifferenttimberframestructuresandtechniques. optional participationinafter-school tourswillprovideyouwith the framewillbeprovided.Referencetobooks,slides,videosand Instruction onwoodselection,tooluseandmethodsforenclosing provide acomprehensiveintroductiontotimberframedesign. mortise andtenonwoodjoineryoakpegs.Thiscoursewill Learn theage-oldcraftofbuildingwithheavytimberusing course. duction toDesignWorkshop (seepage61)priortotakingthis Please note:StudentsmustattendtheTimber Framing–Intro- FEE INSTRUCTOR INSTRUCTOR Watercolour Portraiture–Intermediate/Advanced Timber Framing FEE DATES DATES COURSE CODE COURSE CODE .Instructionwillinclude

www.flemingcollege.ca Contact:  $340.58 ARTS2130 $387.18 ARTS298 August 15–19,2016 Atanur Dogan August 15–20,2016(6days) Glenn Diezel [email protected] 705-457-1680 Ted Brandon

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63 HALIBURTON AUGUST 2016 OHS Spinning Certificate Program – Level III Youth/Teen GoPro** COURSE CODE ARTS475 SECTION 41 COURSE CODE ARTS2205 SECTION 41 INSTRUCTORS Beth Abbott, Wendy E . Bateman, Harriet Boon, INSTRUCTOR Tammy Rea 64 Roslyn Darling , Donna Hancock, Louise Jackson, DATES August 22 – 26, 2016 Julia Lee, and Karen Richens FEE $231 .55 (+ $20 material fee payable to instructor) DATES August 20 – 27, 2016 Please note: This course is open to youth and teens from 10 to FEE $351 .33 (+ a material fee of approximately $75 18 years of age. payable to the class treasurer) Over 2 million GoPro cameras were sold last year, but most The Ontario Spinners’ Certificate Program is a six-level program people that own them barely scratch the surface of what these developed by the Education Committee of the Ontario Hand- great little cameras are capable of . Alternate between lessons, weavers and Spinners (OHS) . practice, and editing with Microsoft Movie Maker and GoPro Level III: This course will be held over eight full days . Assign- Studio (free editing software) as you learn shooting techniques, ments must be completed and mailed to instructors over the camera settings, the use of different mounts, dollies and acces- following seven months for OHS certification . sories, time lapse, speed ramping, and more . Bring in your great footage or learn to take it, and then learn how to edit it with music Course of Study: Preparation and spinning techniques for 5 fleece and titling . You are required to provide your own GoPro or similar types – twist and its relationship to diameter . Spinning to end use, style camera . time management techniques as related to spinning and end use products . Mohair, Mohair blends, multiplying and Navajo plying, exotic and lichen dyes, use of after-baths, dye tests, dye safety . Youth/Teen Pottery** COURSE CODE ARTS1613 SECTION 41 OHS Spinning Certificate Program – Level VI INSTRUCTOR Lisa Barry DATES August 22 – 26, 2016 COURSE CODE ARTS147 SECTION 41 FEE $255 .06 (+ $10 material fee payable to instructor) INSTRUCTORS Beth Abbott, Hazel Alexander, Friedl Ballaban, Please note: This course is open to youth and teens 10 to 18 Wendy E . Bateman, Harriet Boon, Louise Jackson, years of age. Julia Lee, Beth Showalter DATES August 20 – 27, 2016 Learn to throw on a potter’s wheel and have fun with exciting FEE $351 .33 (+ $85 material fee payable to instructor) handbuilding techniques . Use these techniques to create mugs, bowls and a wide variety of objects . There will be demonstrations The Ontario Spinners’ Certificate Program is a six-level program with the wheel, attaching spouts and handles and a full explora- developed by the Education Committee of the Ontario Hand- tion of decorative techniques . Exercise your imagination and weavers and Spinners (OHS) . practice your new skills to create meaningful objects and master Level VI: This course will be held over eight consecutive days and the potter’s wheel . will require homework assignments to be completed and mailed to instructors over the following six months for marking . Course of Study: Evaluation of handspun products; novelty yarns; creative dyeing; analysis and duplication of commercial yarns; Find out about Community Arts Events instructional techniques; resumes and portfolios; design chal- in and around Haliburton! lenge assignment; and in-depth studies . See page 91 for more information. M M

INSTRUCTOR Contemporary LandscapePainting–AdvancedII DATES FEE an introductiontoorlearnmoreaboutCanada,itspeoples,theircultures,andhistory this settingcombineswiththeartwithingallerytomakeMcMichaelperfectvenuefor the HumberRiverValley Located inKleinburg,Ontario,thegallerynestlesamid100acresofserenewoodlandsoverlooking including theGroup’s contemporaries,FirstNations,andInuitartists. of Seven,thegallery’s permanentcollectionalsoincludesworksbyotherwell-knownCanadians, Canadian art.RenownedforitscollectionofpaintingsbyCanada’s mostfamousartists,theGroup The McMichaelCanadianArtCollectionisuniqueinitsdevotiontocollectingandexhibiting Canadian ArtCollectioninKleinburg,Ontario. The HaliburtonSchoolofArt+DesignispleasedtobeaffiliatedwiththerenownedMcMichael COURSE CODE c LOCATION C MICHAEL MICHAEL CANADIAN ARTCOLLECTION, KLEINBURG,ONTARIO $340.58 ARTS1533 McMichael CanadianArtCollection,Kleinburg September 5–9,2016 John Leonard These courseswillbeheldattheMcMichaelCanadianArtCollectioninKleinburg,Ontario. Build onyourtechnicalandconceptualawareness,focusingcontemporarypotentials. .ReminiscentofthelandscapesthatinspiredmanyCanada’s artists,

SECTION Registration forFallcourseswillbeacceptedasofJuly4,2016. There willbeanemphasisonpersonalexpressionandcreativity

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INSTRUCTOR Contemporary LandscapePainting–AdvancedII DATES FEE COURSE CODE LOCATION $340.58 ARTS1533 McMichael CanadianArtCollection,Kleinburg September 12–16,2016 John Leonard .

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65 FALL 2016 PETERBOROUGH FLEMING COLLEGE SUTHERLAND CAMPUS, PETERBOROUGH, ONTARIO

Free Motion Quilting Workshop** COURSE CODE ARTS2025 SECTION 49 INSTRUCTOR Jan Anderson DATES September 17, 2016 FEE $105 .32 LOCATION Fleming College Sutherland Campus, Peterborough Please note: A basic understanding of the use of a sewing machine is required. Interpret and enhance your wall hangings, quilts, pillows, garments and more with free motion stitches . This is not a typical free motion workshop – no stippling allowed! Learn to free motion with passion while having fun in a light-hearted and supportive environment . Instruction is suitable for all levels, with sewing SEPTEMBER 17, 2016 machine ability .

Encaustic & Photo Transfer Workshop** Rug Hooking Workshop** COURSE CODE ARTS1780 SECTION 49 COURSE CODE ARTS1131 SECTION 49 INSTRUCTOR Susan Fisher INSTRUCTOR Donna Sproule DATES September 17, 2016 DATES September 17, 2016 FEE $105 .32 (+ $30 material fee payable to instructor FEE $105 .32 (+ $60 material fee payable to instructor) LOCATION Fleming College Sutherland Campus, Peterborough LOCATION Fleming College Sutherland Campus, Peterborough Explore techniques that will enable you to combine photographic Learn the very basics of rug hooking . Skills instruction will be images with encaustic painting . Gain proficiency with photo accompanied by lively, on-going discussion of creative design, 66 transferring, collaging photo images, and the basic techniques acquisition of affordable wool, and the ideals of East Coast tradi- of encaustic painting . The creative options are virtually endless . tions in rug making . Experience with encaustic or painting in general is not necessary to enjoy this workshop . Wire Sculpture Workshop** COURSE CODE ARTS416 SECTION 49 Engaging Children & Families through the Arts INSTRUCTOR Charles O’Neil Workshop** DATES September 17, 2016 FEE $105 .32 (+ $25 material fee payable to instructor) COURSE CODE ARTS2203 SECTION 49 LOCATION Fleming College Sutherland Campus, Peterborough INSTRUCTOR Julie McIntyre DATES September 17, 2016 Project: Tree on Rock FEE $105 .32 (+ $20 material fee payable to instructor) This course requires the use of simple hand tools (wire cutters, LOCATION Fleming College Sutherland Campus, Peterborough pliers). Instruction is suited to professionals working with young children Wire sculpture is an exciting and expressive art form . In this and families in children’s mental health, group homes, child workshop you will receive step-by-step instruction to success- protection, transition housing or community centres . Through fully create your project . With a variety of wires (steel, copper, interactive art making in pairs and small group format, learn galvanized) this creation is designed for indoor or garden use, how to engage with children, assisting them in communica- and will be a great addition to any setting . tion through playful art activities . Explore how to help families communicate through art making . Clay, movement, music, ® and art making will all play a role in your explorations . Bring an Zentangle Workshop** open heart, a curious mind, comfortable clothing and a sense of COURSE CODE ARTS1592 SECTION 49 wonder . No artistic ability is required . INSTRUCTOR Chari-Lynn Reithmeier DATES September 17, 2016 FEE $105 .32 (+ $25 material fee payable to instructor) Finger-Style Guitar Workshop** LOCATION Fleming College Sutherland Campus, Peterborough COURSE CODE ARTS483 SECTION 49 Zentangle is an easy to learn, relaxing and fun way of creating INSTRUCTOR Rick Fines beautiful images by drawing structured patterns . The Zentangle DATES September 17, 2016 method increases focus and creativity, provides artistic satisfac- FEE $105 .32 tion, and instills a sense of personal well-being . Learn the history LOCATION Fleming College Sutherland Campus, Peterborough and language of the art form and, step-by-step, construct many Please note: A general knowledge of chords is required. “tangles” (patterns) . Instruction will develop the ability to use the This workshop is an opportunity to enhance and increase Zentangle method in your daily life, as a meditative art form, a expression in your guitar playing . Instruction will concentrate jump start to your creativity, an enhancement to your journal, to on right-hand guitar skills . You will learn some essential finger incorporate pattern into your other projects, or simply for fun! picking patterns to add colour to your guitar playing . The ability to read music is not necessary as standard notation will not be used .

DATES DATES FEE FEE FEE FEE previous experience. notes willalsobe included.Instructionissuited tothosewithno Time andcircumstancepermitting, anintroductiontobending basic melodiesbased onthescalewillbegoal of instruction. method .Playinganeasytrainrhythm,ascale andacoupleof the basicsofplayingsinglenotes: tongueblockingvs.pucker Little Walter andPaulButterfield),howtoachievegoodtone, that BobDylanusesaswellthe progressivebluesplayerslike how toholdthetraditional10hole diatonicharmonica(theone Discover thisremarkableandunassuming littleinstrument.Learn INSTRUCTOR Harmonica –BeginnerWorkshop** clutch orglassescase,andalsoasculpturalprojectofchoice. Techniques willbeappliedtocreateaseamlessfeltedpillowcase, various shapes,formsanddecorativesurfaceembellishments. objects andbothwetdryfeltingtechniqueswillachieve sional forms.Resistswillbeusedtocreateseamlessfelted Further developyourfeltingskillsasyouexplorethreedimen- wet feltingexperienceisrequired. Please note:Thisworkshopisnotsuitableforbeginners.Some INSTRUCTOR Felting –IntermediateWorkshop** feedback providedasrequested. as inspiration.Techniques willbedemonstratedandongoing of subjectswillbestudiedbutyoumaybringreferencematerial will beexploredresultinginharmoniouscoloureffects.Avariety key toachievingoptimalresults.Layeringofindividualcolours exploration .Value andcolourtheorywillbediscussedastheyare familiar withvarioussurfacesupportsthroughdiscussionand application ofdryandwetcolouredpencils.You willalsobecome skill levels,instructionwilladdresstheproperties,usesand Explore theexcitingrealmofcolouredpencils.Suitableforall INSTRUCTOR Coloured Pencils&PastelsWorkshop** skills . excavation, andintaglioasyoudevelopevolveyourartistic selectively layers gradually, bothobscuringandexcavatingpreviouslayers appearance ofdepthandtextureinworksart.Learntobuild Discover techniquesthatcreatethecomplex,mysterious INSTRUCTOR Acrylic Textures &DimensionsWorkshop** OCTOBER 22,2016 DATES DATES

COURSE CODE COURSE CODE COURSE CODE COURSE CODE LOCATION LOCATION LOCATION LOCATION .Playandexperimentwithintarsia,accretion,incising,  ARTS2200 $105.32 ARTS2090  ARTS2221  ARTS2100 Fleming CollegeSutherlandCampus,Peterborough Fleming CollegeSutherlandCampus,Peterborough Fleming CollegeSutherlandCampus,Peterborough Fleming CollegeSutherlandCampus,Peterborough $105 .32(+$10materialfeepayabletoinstructor) October 22,2016 Victoria Wallace October 22,2016 Carlos delJunco $105 .32(+$25materialfeepayabletoinstructor) October 22,2016 Heidi Hudspith $105 .32(+$1materialfeepayabletoinstructor) October 22,2016 Marta Scythes The followingcourseswillbeheldatFlemingCollegeSutherlandCampus,Peterborough.

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DATES FEE FEE INSTRUCTOR materials used. work .Thetotalmaterialfeewillvarywithindividualprojectsand to bringanystonesormaterialsyouwantincorporateintoyour and cuffbracelets,pendantnecklaces.You areencouraged three pieces.Potentialprojectsincludeearrings,rings,bangle tive andfunctionalpurpose,therewillbetimetomaketwoor the pieces.Mixingmetalsandusingstoneswirefordecora- jewellery pieces.Rivets,wrapsandtabswillbeincorporatedinto of metalsheetandtocut,bendhammeritintobeautiful Learn toanneal,withasimplehandheldbutanetorch,variety Jewellery –HammeredMixedMetals** as gifts. leave withabounty ofpremiumproductstouseat homeorgive fresh roomspray toeliminateodourswhileslaying germs .You will cleaner, dryerbagand/or moth-deterrent drawersachet;and a choices overtheircommercialcounterparts: disinfectingsurface selection ofchemical-freeproducts forthehomemakehealthier muscles willbeespeciallywelcomed overthewintermonths.A soap, andamanicureinjar!Further, mini hotpacksforaching body polish,clayfacemasks,oatmeal bathsachet,foaminghand including: bathbombs,salts, fizzyfootbathnuggets,sugar at home.Enjoymakingavarietyoftoxin-freebodyproducts will serveasahandyreferencetoencouragefurtherexploration including pureessentialoils,buttheaccompanyinghandouts a thoroughunderstandingofhowtosafelyusekeyingredients, alternatives .Thisfun-filledworkshopwillnotonlyprovideyouwith and yourwalletwillenjoythevirtuesofthesecleangreen dients tomakeeffectivehomeandbodycareproducts,you Using amorenaturalpaletteofsimple,kitcheningre- INSTRUCTOR Natural Home&BodyProductsWorkshop** DATES

COURSE CODE COURSE CODE LOCATION LOCATION  ARTS2183  ARTS2120 Fleming CollegeSutherlandCampus,Peterborough Fleming CollegeSutherlandCampus,Peterborough the instructor, dependinguponprojectschosen) $105 .32(+amaterialfeeofapprox$20payableto October 22,2016 Amanda Brittin $105 .32(+$60materialfeepayabletoinstructor) October 22,2016 Linda LeePurvis

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67 FALL 2016 FIVE OAKS FIVE OAKS EDUCATION AND RETREAT CENTRE, PARIS, ONTARIO

68 A Creative Retreat – Stay and Dine Onsite

Haliburton School of Art + Design is pleased to provide this opportunity for creative immersion in the beautiful and inspirational surroundings of SEPTEMBER 27 TO 30, 2016 Five Oaks Education and Retreat Centre . M Five Oaks is situated on 116 acres of gorgeous Carolinian Forest and Introduction to Expressive Arts bordered by the Grand River and Whiteman’s Creek . Just minutes COURSE CODE ARTS112 SECTION 42 from the picturesque town of Paris, Ontario it’s the perfect location to INSTRUCTOR Julie McIntyre disconnect from it all and reconnect with what matters most . There are DATES September 27 – 30, 2016 several buildings to accommodate groups of all sizes, each offering its TIME Tuesday, September 27, 10:30am to own unique rustic charm and comforts . Known for fresh local cuisine, Friday, September 30 at 12:30pm . all meals are served buffet style in a bright dining room that seats up to Further detail in student letter . 100 guests . FEE $340 .58 (+ $20 material fee payable to instructor) Staying on-site: LOCATION Five Oaks Education and Retreat Centre, $445 – includes overnight accommodation and all meals from Paris, ON lunch on the 27th to lunch on the 30th . To register for this course you must meet the admission Commuting: requirements for the Expressive Arts Graduate Certificate $290 – includes lunch and supper each day of the program . Program. Details available on page 9. This course is a Please note evening hours . mandatory credit toward Fleming College’s Expressive Arts Certificate. It is not a mandatory credit toward Fleming College’s Visual and Creative Arts Diploma. How to Register: 1 . Register for the course and pay full tuition with Haliburton School of ”Sitting quietly, doing nothing, spring comes and the Art + Design . grass grows by itself.” (Zenrin). By telephone with Visa or MasterCard 1 .888 .353 .6464 ext . 3 When we provide the right conditions for ourselves, we open the door to growth . Tapping into our creativity Online at www .hsad .ca provides a natural source of imagery and energy to use By mail HSAD, Box 839 Haliburton, ON K0M 1S0 for healing and personal expression . This course will * Note: this fee applies to the 2015/16 academic year and is subject to introduce you to the theory and practice of the expres- MTCU increases sive arts . If you are working in the human service field, you will learn about the applicability of visual arts, music, 2 . Contact Five Oaks to pay for your choice of meals and accommoda- writing, movement and theatre to your work settings . tion, either overnight or commuter rate listed above: Call the Five Oaks office at 519-442-3212 or email registrar@fiveoaks .on .ca HALIBURTON will beavailableonafeeforservicebasis. image sharing,andconstructivecritiques.Largeformatprinting graph willbediscussed.Coursecontentincludeassignments, between andsuitabilityofdocumentingorinterpretingaphoto- will thentakeyoureffortstothenextlevel.Thedifferences combined functions,andlensselection.Photoimagingsoftware capture iteffectively and postprocessingtorecognizeanexistingcomposition taken .Usethreetechniques;pre-visualization,imagecapture, scenes forinspiration.Goodphotographsaremade,notjust lakes andrivers,explorephotographictechniquesutilizingthese diverse .Fromvistasoverlookingunbrokenforesttothewealthof The landscapesoftheHaliburtonHighlandsarevariedand of yourcameraandphotoimagingsoftwareisessential. Please note:Thiscourseisnotsuitableforbeginners.Knowledge DATES INSTRUCTOR Photographic Landscapes–TheBigPicture SEPTEMBER 19TO 23,2016 Fees quotedintheFall2016sessionapplyto2015/16academicyearandaresubjectMinistryofTraining, CollegesandUniversitiesincreases. Registration forFallcourseswillbeacceptedasofJuly4,2016. FEE COURSE CODE REGISTER ASAP! ARTS2180 $340.58 September 19–23,2016 Rob Stimpson .Instructionwilladdresscamerafunctions, your choiceofcoursesandmaycause See registrationdetailsonpage89. Waiting untilthelastminutelimits

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IN THEFALL and serenity purity nance andformofthesecontemplativearts:simplicity, spaceand will alsobeexplored.Your imageswilldisplaythesamereso- aesthetics suchasbrushpainting,poetry, haiku, Zen,andmore eastern aesthetics,Impressionismandvisualhaiku.Eastern nature andwillincludetopicssuchascontemplativelandscape, of ourlife.Instructionintroducesacontemplativeapproachto spiritual insight.Thewayoftheseasonsreflects In Easterncontemplativetraditionsnaturehasbeenawayto FEE FEE INSTRUCTOR Contemplative Photography–Ways ofNature OCTOBER 24 TO 28,2016 INSTRUCTOR Florals –Big&Bold DATES DATES to bringyourown. different referencephotosareprovidedbutyoualsowelcome assistance willbeavailableinanencouragingenvironment.Many handling thebackground,andmuchmore.Lotsofindividual work, softblendingonpetals,achievingdepthandharmony, attention todrawingfloralanatomy, colourmixing,values,brush- Instructional emphasiswillinclude‘seeing’thepartsofflower, explanations oftechniqueswillsupportindividualcreativity demonstrations ofhugefloralpaintings,accompaniedbydetailed manner aswellexploredthroughalooserapproach.Daily flowers inacrylics.Dramaticfloralswillbepaintedarealistic This excitingcourseisanopportunitytopaintglowing,close-up experience inacrylicsisrecommended. Please note:Thiscourseisnotsuitableforbeginners.Previous COURSE CODE COURSE CODE .Throughthispracticeonediscoversanaturalelegance .Previousphotographicexperienceisnotrequired $340.58 ARTS2228  ARTS2097 October 24–28,2016 John McQuade $340 .58(+$5materialfeepayabletoinstructor) October 24–28,2016 Marianne Broome

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69 HALIBURTON FALL 2016 Landscape Painting – Inside & Out Quilts – Colour & Design COURSE CODE ARTS2232 SECTION 41 COURSE CODE ARTS2193 SECTION 41 INSTRUCTOR John Anderson INSTRUCTOR Elizabeth Abbott DATES October 24 – 28, 2016 DATES October 24 – 28, 2016 FEE $340 .58 FEE $340 .58 (+ $45 material fee payable to instructor) Please note: This course is not suitable for beginners. Become comfortable with colour by working with solids and prints Learn to create from a reference photo . Explore the process of in different colour combinations . Explore the use of value, the creating great landscape compositions from photo references . most important component of good quilt design . Work with back Using your camera to see as a painter and printing the results and whites and a bit of colour and create free form quilts to learn for reference will provide the basis for studies . Employ a variety if about design and colour together . Whether you are a beginner or techniques and develop a number of approaches to successful a seasoned quilter in traditional designs, you will learn to be more paintings . You are welcome to work in oils or acrylics . free in choosing colour and more comfortable in working with your designs . Painting – Colour & Light COURSE CODE ARTS1934 SECTION 41 INSTRUCTOR Janine Marson DATES October 24 – 28, 2016 FEE $340 .58 (+ $6 material fee payable to instructor) I have found that my students enjoy the “step Learn to see colour as value in black and white and how to by step” style of instruction followed by “artist identify value and intensity as they relate to colour . Develop your “choice” time to experiment with the new design skills with a keen eye to create stronger compositions by technique on their own.

organizing how you pattern analogous or contrasting values and – MARG MCINTYRE intensities together in your work . Create expressive mood in your paintings by using these methods to expose subtle nuances as well as learn to identify colour temperature and how to mix fresh Watercolour Basics clean colour . Discover the mysteries of making better value and colour choices to fill your paintings with energy, colour and light . COURSE CODE ARTS2233 SECTION 41 Subject matter will range from nature-based and representational INSTRUCTOR Marg McIntyre to realist . You can choose to work in the media of heavy body, DATES October 24 – 28, 2016 fluid or high flow acrylics, watercolour or pastels . Demonstrations, FEE $340 .58 (+ optional $50 material fee payable to practical colour theory, group discussion, as well as opportunities instructor) 70 for one-on-one instructor interaction ensure a sound knowledge Discover the beauty of watercolour . In an encouraging, relaxed in the working methods of these exciting mediums . atmosphere and through step-by-step instruction, learn about different types of paper, brushes and paints . Colour mixing, watercolour washes and several painting techniques will be As in life, art requires courage to keep going; covered and you will also benefit from some basic drawing and doing so is a discovery of what one is made composition lessons . Daily demonstrations and continuous “of inside. A quote from Winston Churchill has feedback will complement instruction . always been an inspiration. “Success is not final, failure is not fatal; it is the courage to continue that counts.”

 – JANINE MARSON DATES FEE FEE FEE FEE DATES DATES INSTRUCTOR Natural Home&BodyProductsWorkshop** INSTRUCTOR Folded MetalOrnamentsWorkshop** INSTRUCTOR Embroidery forCrazyQuiltingWorkshop** INSTRUCTOR Chain BraceletWorkshop** NOVEMBER 5,2016 DATES sterling silverwire. the instructororyoumaybring10to12feetof1mm,1/2hard or ChainMail.Sterlingsilverwillbeavailableforpurchasefrom multiple linkbraceletsuchastheKing’s Chain,Parallel Learn toform,sawandconnectsilverlinksconstructa as gifts. leave withabountyofpremiumproducts touseathomeorgive fresh roomspraytoeliminateodours whileslayinggerms.You will cleaner, dryerbagand/ormoth-deterrentdrawer sachet;anda choices overtheircommercialcounterparts: disinfectingsurface selection ofchemical-freeproducts forthehomemakehealthier muscles willbeespeciallywelcomed overthewintermonths.A soap, andamanicureinjar!Further, mini hotpacksforaching body polish,clayfacemasks,oatmealbathsachet,foaminghand including: bathbombs,salts,fizzyfootbathnuggets,sugar at home.Enjoymakingavarietyoftoxin-freebodyproducts will serveasahandyreferencetoencouragefurtherexploration including pureessentialoils,buttheaccompanyinghandouts a thoroughunderstandingofhowtosafelyusekeyingredients, alternatives .Thisfun-filledworkshopwillnotonlyprovideyouwith and yourwalletwillenjoythevirtuesofthesecleangreen dients tomakeeffectivehomeandbodycareproducts,you Using amorenaturalpaletteofsimple,kitcheningre- Your creationswillbecometreasuredfamilykeepsakes! into colourfultreedecorationssuitableforindoorsandoutdoors. techniques youwillfold,bendandtwistwirerodsheetmetal Christmas ornamentsforyourtree.Throughsimplemetalforming Start yourseasonbymakinganassortmentofuniquemetal patterns . will completeyourblockbycombiningstitchestocreatenew lace, embroiderwithbeadsandapplycharmsbuttons.You embellish withembroiderystitches,learninghowtoincorporate method ofhandpiecingacrazyquiltblockyouwillcontinueto the SpiderWeb Rose.Beginningwithaneasyandeffective Daisy andFrenchKnot.Usingsilkribbonyouwillalsocreate including theFeather, Herringbone,Buttonhole, Cretan,Lazy Learn manyofthetraditionalcrazyquiltembroiderystitches COURSE CODE COURSE CODE COURSE CODE COURSE CODE  ARTS1677  ARTS2120  ARTS888  ARTS1593 the instructor, dependinguponprojectschosen) $105 .32(+amaterialfeeofapprox$40payableto November 5,2016 Susan Watson Ellis $105 .32(+$60materialfeepayabletoinstructor) November 5,2016 Linda LeePurvis $105 .32(+$55materialfeepayabletoinstructor) November 5,2016 Todd Jeffrey Ellis $105 .32(+$30materialfeepayabletoinstructor) November 5,2016 Chari-Lynn Reithmeier

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FEE FEE FEE FEE DATES INSTRUCTOR INSTRUCTOR Painted FloorClothsWorkshop** Nuno FeltingWorkshop** INSTRUCTOR Printmaking –Woodcut Workshop** INSTRUCTOR Painted FloorClothsAdvancedWorkshop** DATES DATES DATES registering for. Advanced Workshop. Pleaseclearlyindicatewhichlevelyou’re This workshopwillrunsimultaneouslywithPaintedFloorCloths art forunderfoot. fun andstress-freeworkshopthatresultsinawonderfulpieceof be taughtinadditiontomoredetailedhand-paintingtips.Enjoya painting techniquessuchascolour- washingandstencillingwill own personalstylewithlotsofhelpfromtheinstructor interior décor A floorclothcanbefunkyandwhimsicalorcreatedtomatch virtually whateveryoucanimagine. a scarf,neckwarmer, tube/ringscarf,tablerunner, bedendor home inthismodernworld.Your projectcanbeadaptedtomake processes .Learnaboutanancientcraftthat’s fashionablyat a littlefibre,silk,somesoapandwater, andafewsimple Create auniqueone-of-a-kind,showstoppingworkofartwith This introductoryreliefprintmakingworkshopisopentoalllevels. Subject choiceandexploringpersonalstylewillbeencouraged. the surface,andhandprintingmultiplecopiesofyourimage. Learn theprocessesofcarvinganimageintoawoodplate,inking for. Workshop. Pleaseclearlyindicatewhichlevelyou’reregistering This workshopwillrunsimultaneouslywithPaintedFloorCloths advanced designplanningandpaintingskills. tions willbeexplored.You willbeencouragedtodevelopmore painting techniques,decoupage,andimagetransferapplica- cloths inalternativeshapesandnon-lineardimensions.Advanced Expand yourskillsandknowledgeasyoulearntofabricatefloor Please note:Thisworkshopisnotsuitableforbeginners. COURSE CODE COURSE CODE COURSE CODE COURSE CODE “  ARTS405  ARTS1742  ARTS2181  ARTS1280 .You willhavecompletefreedomtodesigninyour $105 .32(+$35materialfeepayabletoinstructor) November 5,2016 Amanda Brittin the instructor, dependinguponprojectschosen) $105 .32(+amaterialfeeofapprox$25payableto November 5,2016 Susan MacDonald $105 .32(+$10materialfeepayabletoinstructor) November 5,2016 Marta Scythes $105 .32(+$35materialfeepayabletoinstructor) November 5,2016 Amanda Brittin Change: ifnotnow, thenwhen?

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71 HALIBURTON FALL 2016 Visual and Creative Arts Diploma (VCAD)

Your summer school courses count toward the Visual and Creative Arts Diploma. Week-long adult courses count as electives for the Visual and Creative Arts Diploma. You may be surprised by the number of credits you’ve accumulated. 12 electives + a two-week capstone course + 14 foundation credits = VCAD If you would like to pursue the diploma you can acquire the required foundation courses in just two semesters, from September to April.

The Visual and Creative Arts Diploma program is unique in its focus on the development of the art student as an individual . Visit It provides students the opportunity to learn the fundamental practices of not only making their art, but looking, thinking and flemingcollege.ca/programs/ talking about it, within a flexible delivery framework that supports visual-and-creative-arts-diploma their personal strengths, interests and preferences . for full details .

72 VCAD = foundation courses + elective courses

These courses are required to develop the The elective courses build upon the foundation courses and foundational skills for Visual and Creative focus on studio-based learning and techniques . You can Arts Diploma candidates: acquire these elective courses through one of two learning – 3D Design pathways: the Specialist Option; or the Generalist Option . – Art History – The Recent Century Specialist Option – Contemporary Art Investigations Take one of our 15-week Art Certificate programs: – Design I – Artist Blacksmith – Drawing Disciplines – Ceramics – Media Explorations I – Digital Image Design – Visual Documentation – Drawing & Painting (Visual Arts Fundamentals) – Business for Artists – Fibre Arts – Concept Development – Glassblowing – Design II – Jewellery Essentials – Media Explorations II – Moving Image Design – Portfolio and Presentation – Photo Arts – 2 General Education Electives – Sculpture

Generalist Option Or, you can obtain your elective courses by taking a Generalist Within this calendar, Option . Choose 12 courses plus a two-week capstone course . foundation courses are indicated by a single asterisk (*), Study at your own pace, including spring, summer and fall 73 non-credit courses are indicated by a double asterisk (**), courses . With this option you can fast-track and complete your elective courses have no asterisk. diploma in one calendar year .

Transfer Agreements – Ontario College of Art & Design University (OCAD U) – Emily Carr University of Art + Design – Nova Scotia College of Art and Design University (NSCAD) – Alberta College of Art and Design (ACAD) – York University – Wayne State University – Nipissing University Your INSTRUCTORS

Beth Abbott has studied a wide variety of fibre arts for at least 40 Jan Anderson became a committed fabric artist-quilter after years, taking dozens of courses and workshops, and developing taking her first course at the Haliburton School of The Arts . her own work . She is a graduate of the Fibre Arts Certificate After experimenting and creating with glass, wood, stone, paper program from St . Lawrence College, Kingston . Beth also earned a and wire she is addicted to the texture, diversity and colour of Master Spinner Certificate from Georgian College, Owen Sound, textiles . Jan manipulates wax, wool rovings, rust, paint, dye, in 1990 and has delivered workshops in Canada and the US . She pigment, canvas, cotton, origami, embellishments, and more to has won many awards for her work and is the author of Icelandic produce unique wall hangings . She has over seventeen years of Fleece – A Fibre for All Reasons (2001) . Beth taught high school teaching experience at colleges and universities in Ontario and is and adults for 33 years, retiring to a second career teaching and recognized for her passion, creativity and innovation, touched by writing about fibre arts . Since then she has taught workshops humour and motivation . www .bytheriverstudio .ca and developed her own work . She brings a long love of fibre arts, John Anderson is a veteran studio and on-location painter . His fabrics and fibres to her courses . excitement about the language and the process of painting is Duncan Aird is a practicing studio potter, dedicated to creating infectious . When not fulfilling his duties as District Sales Manager functional pottery for everyday living . He explores glaze move- for Curry’s Art he is painting or teaching . John’s first major ment through the use of slip and texture in both oxidation and influence was the work of Andrew Wyeth; later it was the Group wood firings . His work has been exhibited in both group and of Seven and Tom Thomson . His interest in the work of North solo exhibitions, nationally and internationally, where it has been American impressionists such as Aldro Hibbard was followed by 74 among the award winners . Duncan has been teaching ceramics interest in contemporary plein air painters like Matt Smith, David for more than a decade at the Dundas Valley School of Art as Curtis, Trevor Chamberlain, Kevin MacPherson and Richard well as Mohawk College, where he is currently also the Ceramics Schmid . John’s work is a blend of many of these painters’, along Technician . www .airdpottery .com with his own interpretation of light and colour . His work focuses Hazel Alexander graduated with distinction from the Ontario on strong compositions filled with the mood of the moment . Handweavers and Spinners Spinning Certificate Course . She Light is fleeting – its impact leaves a profound impression – enjoys teaching all levels of spinning from beginning to more learning to see that and capture it in paint is his passion . John advanced skills, including designer yarns and various fibres such is represented by Ethyl Curry Gallery in Haliburton, Marlowe as cotton, camelid fibres, silk and mohair blends . Hazel enjoys Gallery, Barrie, Double Doors Gallery, Anten Mill, Blue Mountain spinning a wide variety of fibres and exploring new techniques to Foundation for the Arts Gallery in Collingwood and Riverside showcase them . Gallery, London, UK . www .johndavidanderson .ca Markus Alexander is a pioneer in the field of expressive arts . Since 1985, he has worked with students from over 20 countries, focusing on the heart of cross-cultural values . He is senior faculty at the European Graduate School in Switzerland and has taught there since its inception in 1996 . His focus is on individual as well as community resilience through art-making which includes dance theatre, music, painting, poetry and prose, as well as sculpture . Originally from New York, he now resides in Edmonton where he is director of World Arts Organization, focusing on training people in low skill/high sensitivity work for Global Haliburton School of Art + Desig n Health . This year he will teach in Hong Kong, Ireland and Malta . Faculty Exhibition “Wanderlust” www .worldartsorg .com Yves Ameline is a graduate of Queen’s University and I’Ecole des Hautes Etudes Commerciales in Paris, France . His artistic career July 2–31, 2016 began at age 10 when he was given his first camera, and blos- somed after he retired from a 33 year business career and began studying at the Haliburton School of The Arts . His award-winning acrylic paintings have been exhibited in countless juried shows and several solo shows . An enthusiastic teacher and passionate student of art history, he has had extensive teaching experience, most notably at York University, both in the MBA program and the Division of Executive Development . Welcome Students! Meet & Mingle Tuesdays July 5,12,19, 26 4:30–6 pm ~ Gallery admission by donation 23 York Street, Haliburton Village Tues–Sat 10–6, Sun 12–4 Bringing art to life in Haliburton! www.railsendgallery.com ’s realisticpaintingstyle,featuringwildlifeinits Robert Bateman’s Lisa BarryisagraduateofSheridanCollege’s CeramicsProgram Verity BarretthasaMaster’s DegreeinSocialWork andhasspent Scott Barnimhas40yearsofexperienceasapotter Elisha BarlowholdsaVisualArtsHonoursDegreefromthe Friedl Ballaban,B.AHon,EdisagraduateoftheOHS Michael Bainbridgeworkedfortenyearsasacameramanand children’s books. New Works, (2010),andLifeSketches(2015),aswellseveral Worlds (1996),ThinkingLikeaMountain(2000),Birds(2002), of RobertBateman(1985),AnArtistinNature (1990),Natural books thatincludeTheArtofRobertBateman (1981),TheWorld named afterhim.Hehasbeenthesubjectofmany films and been awarded14honorarydoctoratesandhasthreeschools are numerous,includingOfficeroftheOrderCanada.Hehas millions ofdollarsforthesecauses.Robert’s honoursandawards environmental andpreservationissues,usinghisarttoraise century’s “heroesofconservation.”Heisaspokesmanformany naturalist, recognizedbytheAudubonSocietyasoneof20th world .BesidesbeingoneofCanada’s best-knownartists,heisa habitat, encouragestheviewertocloselyobservenatural creative atmosphereforherstudents. a passionandenergytoherteachingthatensureslively artist throughworkshopsandlearningopportunities.Lisabrings has exhibitednationallyandcontinuestodevelopherselfasan techniques aswellkilnfiringprocesses.Anartistofnote,she Design .Lisahasabroadrangeofexperiencewithvariouspottery and hasalsoachievedaBFA fromtheAlberta CollegeofArtand with children,youth,andtheirfamilies. Sandtray-Worldplay extensivelyforthepast17yearsinherwork mental healthclinics.Verity, whospecializesintrauma,hasused a parenttherapist,CASworkerandcounsellorinchildren’s over 25yearsworkingwithchildren,youthandtheirfamiliesas or throughgalleryexhibitions.www lusterware, anexquisitebodyofworkavailableathisshowroom, studio showroom.ScottalsoproducesIslamicreducedpigment which canbefoundinselectedshopsandgalleries,orathis comprehensive lineoflivelydecoratedreductionfiredstoneware, Ceramics program.TheBarnimPotterystudioproductionisa world .ScottteachesparttimeatSheridanCollege’s newBA in publicandprivatecollectionsCanadathroughoutthe the CardiffMetropolitanUniversityinWales .Hisworkisincluded training wasasanapprenticeandculminatedwithMFA from animal imagerywithaquirky, rustictwist. printing andfelting.Muchofherworkaddresseslandscapes Arts .Herprimaryfocusisintheareasofdrawing,silk-screen certificate programatFlemingCollege’s HaliburtonSchoolofThe University ofWestern OntarioandisagraduateoftheFibreArts in Ontario,EuropeandAustralia. strations andcompetitions.Friedlisamemberofspinningguilds spinners ofallagesandlovestoparticipateinspinningdemon creative andtherapeuticaspectsofspinning.Sheteachesnew a “lifetime”incorporatebusinessandtheclassroomwith from GermantoEnglish.Friedlcombinesherexpertise designers fromEuropeandtranslatespatternsforpublication (2009-2013) .Sheenjoysworkingwithspinnersandknitwear 2008) andhasvolunteeredastheOHSSpinningEducationChair Spinning CertificateProgramme(HaliburtonSchoolofTheArts other photographers.www regularly, and doesPhotoshopworkandpre-pressprocessingfor ences inhisfield,teachesphotographyanddigitalmanipulation collectors .Michaelisafrequentguestspeakeratmajorconfer izes inartandspecimenphotographyformuseumsprivate exhibited publicly, andfeaturedinternationally to stillphotography director ofphotographyinfilmandTVbeforeswitchingfull-time .Sincethen,hisworkhasbeensoldprivately, .theoccurrenceca .scottbarnimpottery .Henowspecial .Hisinitial .com - - - Jim Blakeworksasafacilitator, consultant,educatorandstory Annette BladyVan MilisagraduateofOCADU.Formanyyears, David Berger, BAandMES,isaneco-philosopherwhoassists Margaret LorrieBeaton,MA,isanexpressiveartspractitioner/ Linda KristinBlixstudiedprintmakingattheUniversityof Wendy E.Batemanteachesweaving,spinning,braiding,creativity, pursue artonafull-timebasis.www The popularityofthestyleshehasdevelopedallowedherto to mediaandmaterialsthatinspireshermosaicsartwork. glass andencaustic.Itisthisdiverseopen-mindedapproach approach topaintingusingmixedmedia,foundobjects,stained first love.Annettehasspentseveralyearsdevelopingherunique projects alloverNorthAmerica,butpaintinghasalwaysbeenher she hasworkedasanarchitecturalandinteriordesigneron Leadership: ThePoweroftheCirclewaspublishedin2006. trainings, andpersonaldevelopmentcourses.HisbookEco schools, andindividualsinthedeliveryofworkshops,teacher Over thepast25years,Davidhasworkedwithcorporategroups, of Spiritfest,along-running,annualcommunityartsfestival. was aprofessoratYork University, andheisalsotheco-director that specializesinindividualizededucation.Forsevenyearshe co-founder ofAvenue RoadAcademy, analternativehighschool tion, experienceandtheenvironment.Heisprincipal students andeducatorstobridgethegapbetweeninforma nity artsprojects.www imagination inchildrenthroughartsprogrammingandcommu process theiremotions.Margaretalsoencouragescreativityand She usesexpressiveartstoempowerindividualsexpressand bereavement supporttoindividualsandgroupsafteradeath. College .MuchofMargaret’s workfocusesongriefandoffering the ExpressiveArtsGraduateCertificateProgramatFleming facilitator, an artist, andagriefcounsellor tally attentivethroughherartpractice. www techniques inuniquewaysandhas beenwidelyexhibited. Studio forfiveyears.Linda’s workcombinesmultiplecreative throughout Ontario.Shealsotaughtscreenprintingat Open and childreninnumerousartinstitutions,galleriesschools balanced andfulfillinglifehasinspiredherteachingofadults Department .Herstrongconvictionthatartisessentialfora the OntarioCollegeofArtandDesign,PaintingDrawing painting wasacknowledgedwithherHonoursDiplomafrom Studio PrintmakersCentre.Apassionforfiguredrawingand Manitoba’s SchoolofFineArt,Toronto SchoolofArtandOpen was ChairoftheToronto FestivalofStorytellingfrom2001-2003. School ofToronto from1996-2002(nowStorytellingToronto) and Festival ofStorytelling.JimservedastheChairStorytellers collaboration withtheCityofToronto MuseumsandtheToronto performances recountingpartsofToronto’s historydonein ‘Fabled City–TheLostStoriesofToronto’, aseriesofstorytelling historical records.From2003-2013hewasthecuratorof – journals,recordings,maps,artefacts,newspaperarticles,and historically-based storiesusingawidevarietyofsourcematerials teller OHS MeritAward sheisrecognizedandforbeingenvironmen ideas .ArecipientoftheEnviroHeroforArtsAward andan travels whileteachinghercraftandsharingenvironmental originality andjudges’choiceawardsforherworkenjoys studio forover40years.Shehasreceivednumerousdesign, Arts DiplomaProgramandhasbeentheownerofFibresWEB graduate ofSirSandfordFlemingCollege’s VisualandCreative Spinners SpinningCertificateprogram,aMasterSpinner, a graduate “withdistinction”fromtheOntarioHandweaversand textile science,andcolourdesignfortextiles.Sheisa .lindakblixcom .Overtheyearshehascreatedandperformednumerous .lorriethecreativeexplorer .annetteblady .Sheisagraduateof .com .com - - - -

INSTRUCTORS 75 Harriet Boon is a spinner, dyer, retired sheep farmer, weaver and Kate Carder-Thompson holds a Bachelor of Fine Arts from retailer . She earned her Master Spinner certification in 1976 Concordia University and a Bachelor of Education from the and has been instructing in Spinning Certificate programs University of Toronto . A former secondary school teacher, ever since . Since the 1970s, she has been involved with Kate has instructed courses and lectured at several public art FIBRES – from source to finished article – in co-operation with galleries in South Western Ontario . Kate is a member of the numerous organizations in Ontario and the US . She is continuing Fibre Arts Certificate faculty at the Haliburton School of The Arts, self-education in the fibre and natural dye field with classes in teaching fundamental sewing skills, project design and surface Canada and abroad . alteration techniques such as embroidery . Her recent artistic practice involves using embroidery as a means of disrupting the Amanda Brittin's educational and work background in archaeology and museum exhibition design inform her artistic choices in symbolically loaded patterns associated with specific cultures . that she looks to both functionality and beauty in the objects www .katecarderthompson .wordpress .com she creates . Whether designing a canvas floorcloth, a whimsical Helen Cho received a MA in Fine Art from Goldsmiths College, mosaic mirror, or a chunky silver, gold and opal ring, both University of London (UK) with a scholarship from Arts and the practical aspects and the visual beauty of the piece are Humanities Research Council (UK) . Her artworks have been considered . Amanda is currently working with highly variegated exhibited at Kunstlerhaus Bethanien, Berlin; Kunstverein American southwest turquoise in her silver and copper jewellery Wolfsberg, Berlin; Kumho Museum, Seoul; National Museum of pieces . www .etsy .com/ca/shop/AmandaBrittin Contemporary Arts, South Korea; Artspeak, Vancouver; Articule, Montreal; Galerie Martin van Zomeren, Amsterdam; and Galerie Marianne Broome, a full time artist and popular instructor, is known for her realistic paintings of flowers, impressionistic landscapes Magnus Müller, Berlin, among others . She has participated in and her abstracted work . She has received numerous awards for artists-in-residences at Ssamziespace, Seoul; the Banff Centre, her paintings in juried exhibitions . Marianne shares a wealth of Banff; and European Ceramic Work Centre, Oisterwijk, the information with her students through daily demonstrations and Netherlands . She is a recipient of numerous grants from Canada discussions . There is always lots of one-on-one assistance and Arts Council, Ontario Arts Council and Toronto Arts Council . encouragement at the student’s own level while leaving the door www .helencho .net open for individual creativity . www .naturesedgestudio .ca David Clarkson has exhibited his multimedia artwork internation- ally since 1980 . His work has been reviewed in Artforum, Art October Browne has been playing guitar for more than 30 years and singing for 20 . She has recorded four CD’s on which in America, New York Times, and many other publications . He she plays guitar, mandolin, cittern, bodhran and fiddle . Her has also been featured in various exhibition catalogs and books composition “Waterford Girls” was chosen as the first track on among which are Abstract Painting in Canada (2007) and Post- the Borealis Records release “Six Strings North of the Border” Hypnotic (1999) . He has written about contemporary art in Flash in 2006 . October can also be heard on compilations with Art, Canadian Art, and other well-known magazines . Recently artists such as George Michael and Bruce Cockburn . She has he contributed to Sarah Charlesworth: Doubleworld (2015), a become known for her intimate, heartfelt guitar instrumentals, retrospective catalog published by The New Museum in New 76 emotive singing, and is one of a small handful of women who York . David teaches in the Faculty of Art, and Interdisciplinary play fingerstyle guitar professionally . October has played around Graduate Studies Program of OCAD University, Toronto . the world in various musical capacities that range from musical www .davidclarkson .info director and band member, to accompanist and soloist . She Neil Z. Cox's primary interest is figurative sculpture . He’s fasci- has performed and toured with artists such as Oliver Schroer, nated with storytelling and fleshing out some of the breadth and Owen Pallett, Loretto Reid, Kirk Elliott, The Hidden Cameras, subtlety of feeling in his pieces . His training includes working Madlove, The Harbord Trio, Cindy Thompson, Jamie Snider, with a number of esteemed artists in Canada as well as abroad . Pat O’Gorman and Andy Stochansky, Anne Lederman, Brenna While he works primarily in wood, stone, and bronze, he also MacCrimmon and Laurel MacDonald . Recently October has been enjoys a number of other media including computer graphic touring North America as a solo artist as well as in a duo with modelling, snow, ice, and clay . www .zaleski .ca/cox P .E .I . jazz singer Teresa Doyle, and with Celtic band ‘Nollaig” . Terry Craig is a former Harbourfront glass studio resident and a www .octoberbrowne .com Sheridan College graduate . He has worked with hot glass for Andrew Bullock is a lifelong beadwork researcher and has been over 20 years and in that time has worked for and in many of creating and restoring Indigenous beadwork for decades . This North America’s finest glass studios including Pilchuck in Seattle, award-winning craftsman has been featured in ¿Reading Native WA . and The Studio at the Corning Glass Museum in Corning Art¿ at Mt Kearsarge Indian Museum, located in Warner NH, NY . Terry was the studio technician at the Mississauga Living where he is a Founding Trustee . His work can also be found Arts Centre for four years until he relocated to the Haliburton at Robbins Museum of Archeology, and in private collections area where he now runs his own glass studio, designs glass throughout North America . A Trent University Alumni, Andy studio equipment, lectures and writes about studio safety and has facilitated Traditional Teachings and workshops at Trent ergonomics . Terry also designs glass studio equipment, lectures University, University of Ontario Institute of Technology and the and writes about studio safety and ergonomics . He has been an Canadian Canoe Museum . His professional experience includes instructor and teaching assistant at the Haliburton School of The founding and being the past owner of Wandering Bull, Inc ., a Arts since 1995 . http://artechstudios .ca supply house featuring top quality beadwork, supplies and refer- Art Cunanan, C .S .P .W .C, revels in the varied landscape of Ontario . ence material . Currently, Andy is developing a series of instruc- Best known for his effective and sophisticated use of light, tional workshops designed to share his talent and appreciation his watercolours sparkle with freshness and spontaneity . for Traditional Beadwork . www .redleafbeads .com Art conducts watercolour workshops all across Canada, Toni Caldarone is an artist, instructor and freelancer . She has been the US and Europe and has work represented by Canadian teaching children and adults since 2005, currently through galleries . Private and corporate collections in Canada, the TDSB’s ConEd Learn4Life program and Neilson Park Creative US, Australia, Philippines and Europe house his paintings . Centre in addition to Haliburton . Toni is a mixed-media expres- www .artbcunanan .com sive artist where her life’s journey and her creative vision have Jay Dampf's classes attract both the curious beginner and the allowed her the opportunity to translate her skills into hands-on more experienced artist because he has an ability to create an experiences for her students . She sells her artwork through atmosphere of infectious enthusiasm and relaxed, constructive gallery exhibitions, art fairs, commissions and private sales . Her learning . At present, he teaches 13 classes weekly in a variety mission statement is: ‘To encourage creativity through positive of media, techniques and personal pursuits, as well as weekend energies’ . www .stonesbytoni .com seminars in drawing, painting, and drawing for woodcarvers . His Carlos delJuncoisoneofthoseplayerswhosemusicso Holly Deanacquiredherartisticknowledgeandskillsthroughan Philip Davishasbeenfascinatedbymusicalinstrumentsfora Roslyn Darlinghasbeenahandspinnerandyarndesignerfor Glenn Diezelhasbeenabusytimberframersince 1979andruns shops andprojectsthroughoutCanada andtheUS. best diatonicharmonicaplayers.www This willbeauniqueopportunityto learnfromoneoftheworld’s has alsotaughtextensively, bothprivatelyandsmallworkshops. touring inCanada,theUSandEuropeforlast15years in themusicalrainbowrighttherehishands.Carloshasbeen through aprism–suddenlyitseemshe’s holdingeverycolour like saying“JimiHendrixplaysguitar”.Heblowsthebluesharp as multiplenationalawards.To sayheplaystheharmonicais World HarmonicaChampionshipinTrossingen, Germany, aswell Named Carlos”.ThisincludestwoGoldMedalsfromtheHohner category orrephrasethequestionto“BestHarmonicaPlayerNot advanced thatwhenitcomestoawards,it’s eitherretirethe great depthandmystery nature inallheraspects.Herpaintingsareoftenabstract,with in classicalandfantasyliterature,abbeyruins,ancienttrees life inlayersofcolour, textureandwords.Shefindsinspiration in herjoyofexplorationandplayart.Holly’s ownartcomesto encourages studentstogetintouchwiththeirintuitionandshare studio andontheroad.Herfriendlynurturingteachingstyle Now HollyteachesartworkshopsandcoursesinherMerrickville tice andextensiveresearchand,is,forthemostpart,self-taught. amalgam oflifeexperience,workshops,exploration,study, prac the HaliburtonSchoolofTheArts. construction since1980atOCADUniversityand1997 and restoringsince1985hastaughtmusicalinstrument Germany instruments andbowsacrossCanada,theUS,England, right personalmusicalgoal.Asamaker, heisrepresentedby cover awiderangeoftechniquesandstrategiesforfindingthe instrument makingasmoreofapersonalexplorationbutcan and laterFrankfurt,Germanyto‘getitright’.Philipnowsees rather seriouslyandstudiedinToronto, thenLondon,England, kind werenote-worthilybad.Probablybecauseofthis,hetookit very longtime.Earlyattemptsatbuildinganinstrumentofany techniques toallages,inmanydifferentvenues. Spinners .Roslynenjoysteachingspinningandfibrepreparation Spinning EducationChairfortheOntarioHandweaversand Guild ofSpinnersandWeavers, andcurrentlyservesasthe Certificate Programin2014.SheisamemberoftheToronto spindles andwheels.RoslyncompletedtheOHSHandspinning source ofpleasure.Sheisanincorrigiblecollectorfleece, and weavingthenext.Blendingcoloursfibresareanendless and thenspinningfinesilk,cottonlinenthreadsforknitting spinning bulkywoolyarnsforrughookingfloormatsoneday, many years.Sheparticularlyenjoysthecontrastbetween of inspirationarereflectedinhiscontinuingartisticgrowth. travels throughAfrica,SouthAmericaandEurope.Thesesources interests inwildlife,artandarchaeologyhavesparkedextensive by severalyearsintheadvertisinganddesignindustry Brown College’s Fine&CommercialArtsprogram,followed specialized artprogramatCentralTechnical School,andGeorge as hiseducationandexperience,whichincludetheprestigious, on wallsacrossNorthAmerica.Hisartisticinterestsareasvaried in CanadaandtheUS,virtuallyallofhisworksarehanging the Toronto BoardofEducation.Jay’s arthaswonmanyawards carving shows,aswelltheAward ofTeaching Excellencefrom reputation hasrecentlyearnedhiminvitationstojudgewood involved withandhasinstructedat manyoftheguild’s work of theTimber FramersGuildofNorthAmerica,hehasbeen a timberframeandwoodworkingcompany .Hehasmaintainedaprofessionalpracticeofbuilding .www .hollydeancom .carlosdeljuncocom .Alifelongmember .Jay’s - - - Todd JeffreyEllisreceivedanartsdiplomafromNiagaraCollege Suzi DworhasaMaster’s inArtEducationandhasstudiedthe Atanur DoganisagraduateoftheFineArtsprogramatDokuz Judith Dingleisafull-timetextileartist.Since1978herworkhas Gary Digginshasmaintainedaprivatetherapeuticpracticefor Charles LewtonBrain, andDonStuart.In2000Jefferywas renowned masters asLoisEtheringtonBetteridge,Brian Clarke, School ofTheArts andthroughextensivestudieswith such has studiedatOCADU,GeorgeBrown College,theHaliburton repoussé, andthemovingofmetal in1995.Sincethattimehe His loveofmetalworktookholdwhen hediscoveredchasing, teaching, directing,andset,prop, and furnituredesigning. Des .Hehasworkedextensivelyinvarious areasofthearts: in 1970andcompletedhisdegree atOCADUattaininghisB. Craftsmen, NY; aswellacrosstheUSandsouthernOntario. Rodman Hall,St.Catharines,JordanArtGallery;100American Albright KnoxGallery, Buffalo;CanadaKofflerGallery, Toronto; are manyandincludejuriedexhibitsworkshopsatthe Mental Health,aswellprivateretreats.Herachievements also runsworkshopsforWellspring CancerCentreandNiagara Fleming College,FibreprogramandBuffaloStateUniversity and fibredesignatKentState,Ohio;ClevelandInstituteofArt, and three-dimensionalworksofart.Shetrainedinpaper-making paper ofincrediblecolourandqualitythatisusedforcollage creative, intuitive,knowledgeable,andenergetic.Suzimakes Niagara publicschools.Herstudentsdescribeherasextremely working inaprogramcalled“LearningThroughtheArts” taught FibreDesignatBuffaloStateUniversityandiscurrently US, Paris,andMexico.Anaccomplishedartistteacher, she www in theFederationofCanadianArtistsandOakvilleArtSociety held inToronto .Atanurhasmaintainedanactivemembership portrait artistatthe“2004InternationalPortraitArtsFestival” invited bythePortraitSocietyofCanadatobedemonstrating of fiveportraitartists,deemedbestintheworld.Hewasalso 2004, thePortraitSocietyofCanadaselectedAtanurasone Edmonton, Victoria,andnumerousshowingsinVancouver York, LosAngeles,PortlandandSeattle; Toronto, Ottawa,Calgary, and Japan.InNorthAmerica,hisworkhasbeenshowninNew Turkey andinZurich,Paris,London,aswellTaiwan subject’s faceandhands.Hehasexhibitedhisworkthroughout of characterandaredistinguishedbyauniquerenderinghis colour andsculpture.Hisportraitsreflectanacuteawareness Eylul UniversityinBuca,Izmir, wherehespecializedinwater supportive atmospherefordevelopmentandexploration. taught extensivelyforover25yearsandisknownprovidinga Robert Shaw published inmagazinesandbookssuchasTheArtQuiltby awards andherflatconstructedquiltshavebeenwidely for herwork,includingCanadaCouncilandOntarioArts homes throughouttheworld.Shehaswonacclaimandawards National MuseumofCivilizationinOttawa,aswellprivate in Toronto, theClaridgeBronfmanCollection inMontrealandthe many publiccollectionssuchastheTextile MuseumofCanada the Yee HongWellness Foundation.Herworkisalsolocatedin Place Hotel,C-I-L,Extendicare,anda15’x8’silkdonorquiltfor interiors .CorporateclientsincludeSeiko,Xerox,Rolex,Bristol constructions commissionedforresidentialandcorporate for herarchitecturallyscaledquiltedwallhangingsandtextile Europe, NewZealand,Japan,andTaiwan .Sheiswellknown been exhibitedinsoloandgroupshowsCanada,theUS, published byFriesenPress.www arts centre,Silence.Hisbook,Tuning theEardrums , hasbeen performed internationally Gary hascomposedforfilm,recordedondozensofprojects,and Israel, suchasHebrewUniversity has beenbringingtheworktocommunitiesandinstitutionsin communities affectedbyconflictand,forthepasttwoyears, ‘soundwork assoulwork’.HehastakenhisprocessestoAfrican over threedecades.Hisapproachcombinescounsellingwith .doganartcom .Judithisarespectedteacherandlecturerwhohas .Heiscurrentlyalsoinvolvedinthe .garydigginscom .Asamulti-instrumentalist, .In .Suzi - .

INSTRUCTORS 77 awarded ‘Best Holloware Award’ in the Metal Arts Guild’s ‘Under at the Art Gallery of Peterborough . Her work has been juried Glass’ Exhibition . In 2003 he participated in a group exhibition into a prestigious show in Sagamihara, Japan and has also at Metalurge in Toronto, which showcased his expertise in been shown in Denver, Co . She is represented by the Soho the decorative form . He has taught at Niagara College, York Myriad Gallery, Altanta; the Ethel Curry Gallery, Haliburton; The University, Toronto Teacher’s College, and the Haliburton School Gallery on the Lake, Buckhorn and Meta 4 Gallery, Port Perry . of The Arts, and served on the executive of the Metal Arts Guild www .fisherencaustic .com of Canada for seven years . In 2008 he was published in 500 Fly Freeman trained as a sculptor in Scotland, where she started Metal Vessels . In 2010 he had an exhibition with Susan Watson her career as a stone carver, carving everything from gargoyles, Ellis at the Ontario Craft Council Gallery and Jeffrey and Susan to gravestones and large-scale public commissions in granite . A created the window display for the Guild Show during the 2010 move to Canada mid-career led to a radical shift in her sculptural Film Festival . www .silversmith .ca practice: carving has been joined by construction as a sculptural Andy Fabo is a Toronto artist, art critic, curator and art educator . He method, and wood and other media are now worked alongside has exhibited nationally and internationally, including a retro- the stone . www .flyfreeman .com spective at the Canadian Museum of Contemporary Canadian Anna Gaby-Trotz, Hon BA and MFA Printmaking, is a printmaker Art in 2005 . He has published essays and reviews in Canadian and photographer who often travels to the most remote places periodicals (Descant, Parachute, C Magazine, Fuse) as well in Canada to explore our relationship to the land . Her current as numerous exhibition catalogues, and has taught at various work explores her relationship to a landscape that is melting universities (McMaster, Brock, York and University of Toronto) and changing before our eyes . Whether working from the side and the Toronto School of Art . His paintings and drawings are in of a river-bank or in a college or university, she believes in the museum collections across Canada and his videos, collabora- transformative power of art . Following completion of her Master’s tions with Michael Balser, have shown globally and are in North degree Anna pressed this philosophy into service when she built American and European collections . www .visualaids .org an inner city arts program for some of the most underprivileged Margaret Ferraro divides her time between her two disciplines people in Canada . Her efforts culminated in a final show of – teaching and painting . For over 20 years she has built a reputa- photographs and community art titled ‘Where We Stand’, tion in the Ottawa Valley area, as a teacher of figure drawing and portraits that are now on permanent display in Edmonton’s pastel workshops . Believing that a strong foundation in drawing Commonwealth Stadium . Anna operates Lift Ground Print Studio/ unlocks the keys to self-expression, Margaret urges artists of all Gallery in Huntsville and is also the Technical Director of Open ages to build this skill . She teaches many pastel courses at her Studio in Toronto . She has exhibited work in Canada, Japan, and country home/studio, in an intimate non-judgmental setting . the US . http://annagabytrotz .com/home .html She teaches internationally, claiming pastel as the perfect plein Helen Garland's quilts are influenced by her life-long interest in air medium, in such ideal places as France, Italy and Costa drawing, painting and sewing . While studying at Stourbridge Rica . Margaret has exhibited widely throughout Canada and College of Art in the UK and Ontario College of Art in Toronto she the US, and has participated in the Pastel Society of America developed an interest in quilting as an art medium for realistically 78 Show, National Arts Club, NYC, and at Pastel Artists of Canada depicting the natural environment . She uses various art elements juried exhibitions in various locations throughout Canada . She such as colour, line, shape and value, along with complex is a designated master pastel list, with Pastel Artists of Canada . designs, to create realistic images of flora and landscape in www .ferraro-art .com fabric . When not quilting, Helen is an elementary school teacher . Elisabeth Feryn is a freelance photographer specializing in April Gates is a full time ceramic artist and educator . After colourful documentary, portrait and publicity photography . She has and long meanderings in travel, work and education, she finally worked with clients as diverse as Loreena McKennitt, Timothy answered the call to study ceramics . A lifelong background Findley, the Stratford Festival Theatre, the Shaw Festival, and in image making married a concern for function and ritual ~ the Contemporary Art Forum Kitchener and Area (CAFKA) . and Blackbird Pottery was born . April’s graphic and illustrative Her professional career also encompasses teaching digital work has been nationally exhibited, collected and published . photography, from beginners with their new cameras, to Her current obsession is to marvel the endless potential of advanced techniques and digital workflow . She is a faculty the ceramic surface . As a facilitator, April is passionate about member at Conestoga College where she teaches Portraiture helping others to find their voice through artistic explorations . in the Photography Certificate Program . In between teaching www .blackbirdpottery .ca and commercial assignments Elisabeth pursues her own artistic Karyn Gingras, when signing up for a night school class in tap practice . www .eferyn .com dancing, was told that the course was full . But, they added, Rick Fines is one of Canada’s leading blues, roots music and the millinery course had lots of space . The rest, as they say, is slide guitarists and a veteran of the folk and blues circuits in history . Karyn is the owner/designer of Lilliput Hats, 25-year-old North America . His work with Jackson Delta brought two Juno traditional millinery . As all the Lilliput hats are crafted on site in nominations, he has three Mapleblues awards and has released the studio/atelier, the store has become a curious landmark in his seventh solo CD “Driving home” . When teaching, his relaxed the city, where visitors can glimpse old-world techniques while style and sense of humour blend seamlessly with his brilliance as their hat is made before their eyes . Lilliput hats are carried across a musician and songwriter . www .rickfines .ca the country at Holt Renfrew and other fine boutiques in Canada Susan Fisher graduated from Concordia University with an Honours and the US . The hats are in the collections of Whoopi Goldberg, BFA and a post graduate diploma in Art Education . She then Celine Dion, and the Governor General of Canada Adrienne continued her education at Trent University where she achieved Clarkson . Karyn’s many theatre, television, and film credits a Master’s Degree specializing in First Nations Art History . From include Mama Mia, Music Man, and The Evelyn Dick Story . an early passion for printmaking and especially photography, She is the recipient of several awards, including the 1999 City she embraced the specialized techniques of encaustic painting, of Toronto Accessories Designer of the Year, the One-of-a-Kind an ancient medium rediscovered and currently popular with Show Best Traditional Craft, and the One-of-a-Kind Show Hall of a growing number of artists . She has had numerous solo Fame . She has taught at the International Academy of Design shows in the Peterborough area including a major solo show and Ryerson University of Design . www .lilliputhats .com Eve Goldbergisacompellingsongwriterandinterpreterwhose Catherine Grahamisanaward-winningwriterandauthoroffive V. JaneGordon , workswithawidevarietyofmediaininstallation Gunnel HagstudiedtextiledesigninSwedenandEngland.Her Edward Hagedorn,MA,DTATI, OATR, RPworked as avisual www fun, supportiveenvironmentforstudentstolearnandgrow can makemusicandinherteachingshestrivestocreatea on makingmusicforthejoyofit.Shebelievesthateveryone on guitar, ukulele, singing,andsongwritingwithanemphasis is amuchsought-aftermusicteacherandleadsworkshops and shehasreleasedthreealbumstowidespreadacclaim.Eve favourite atfestivalsandconcertseriesacrossNorthAmerica, Known forherwatercolourvoiceandsolidguitarstyle,sheisa music spansfolk,blues,country, swing,bluegrass,andmore. New Quarterlyandelsewhere.www Review, PoetryDaily, Joyland,TheUlsterTatler, PrairieFire,The Poets .HerworkhasappearedinTheFiddlehead,PoetryIreland Vol. IV&VandTheWhitePage:Twentieth CenturyIrishWomen work isanthologizedinTheFieldDayAnthologyofIrishWriting, an ExcellenceinTeaching Award atthe UniversityofToronto, her International FestivalofAuthors’PoetryNOWcompetitionand and theCanadianAuthorsAssociationAward .Winnerofthe of Insects,afinalistfortheRaymondSousterPoetry Award poetry collectionsincludingHerRedHairRiseswiththeWings a varietyofmedia.www systems tomanipulatenarrativetropesacrosstimeandthrough for morethan20years.V and SirSandfordFlemingCollege,HaliburtonSchoolofTheArts She hasbeenafacultymemberofDundasValley SchoolofArt of Canadacertificateforcommunitycontributionsinthearts. Hamilton ArtistsInc.andreceivedtheOlympic88Government Arts Award medal.Sheisanhonourarylifetimememberof of theWoman oftheYear intheArtsawardandHamilton Inquiries .V and Vol 2andTheLegBook,publishedbyIndependentArt well asTheArtist’s InquiryBook,40yearsofCriticalWritingVol gallery-based publicationscollectedintheNationalArchiveas Europe, aswellmanyprivatecollections.Shehasauthored and hasworkinanumberofpubliccollectionsCanada As anartistandcurator, shehasmountedover100exhibitions Department atSirGeorgeWilliamsUniversity(nowConcordia). and drawing,aspecialtyinartseducationfromtheFineArt University andaMaster’s degreewithastudiomajorinpainting has anundergraduatedegreeinArtHistoryfromQueen’s contexts andhybridworksingalleriescommunities.She Soft Texture .www has publishedtwobooks:CreatingTexture andCreatingTexture: she hasreceivedmanygrantsandawardsforherwork.Gunnel have beenrepresentedatInternationalDesignexhibitionsand the NationalInstituteofDesigninAhmadabad,India.Herfabrics Sheridan Collegefor12yearsandhasbeenavisitinglecturerat film andtheatreproductions.ShetaughtintheTextile Studioat studio, Trees Textile DesignersandPrinters,producesfabricsfor produce visualart inhishomestudio.www expressive artstherapy has endeavouredtomergethisnew treatmentapproachwith Dyadic-Developmental Psychotherapy (attachmenttherapy)and Children’s AidSocieties.Since2004Edhasbeentraining in of Cobourg,privatechildtreatment programs,andvarious on-going clinicalinvolvementwith the TherapeuticFamilyCare through hisprivatepracticeArtreach .Additionally, hemaintains he hasbeensupplyingexpressiveartstherapeuticservices of RegisteredPsychotherapistsOntario.Forthepast25years Association andisaRegisteredPsychotherapistwiththeCollege Ed isaRegisteredArtTherapistwiththeOntarioTherapy Therapy atLesleyUniversityinCambridge,Massachusetts. Institute andcompletinghisMaster’s Degree inExpressive artist andteacherbeforetrainingattheToronto ArtTherapy .evegoldbergcom .Janeisafrequentrecipientofgrants,andthewinner .colourviecomgunnelhagblogspotca .Althoughtimeis limited, hecontinuesto .Vjanegordoncom .Jane’s currentprojectsemployhaptic .catherinegrahamcom .edwardhagedorn .ca . Thomas Hendryisavisualartistandeducator Elizabeth Hutchinson'strainingasapainterisextensive .Sheisa Ken Hussey, Ward World ChampionintheContemporaryAntique Heidi HudspithachievedherBFA fromMcMasterUniversity Kal Honeyisanaward-winninggraduateofOCAD,whoseworkin Wayne Hill,alifelongwoodcarverandmusician,hascarvedover Jeff Helmesbeganbladesmithingin2003,workingoutofa Donna HancockcompletedtheOHSSpinningCertificateProgram self-employed asafulltimeswordsmith. smithing andbladesmithingfulltimesince2004.Heiscurrently observations .Herworkhasbeen exhibitedingroupexhibits her community her dailylife, walks, andbyherinteractionswith peoplein is acontemporaryCanadianpainter whoseworkisinformedby painting attheNewYork AcademyofArt,inNewYork City Guelph, andmorerecently, sheearnedher MFA, cumlaude,in graduate oftheformerOntarioCollege ofArt,theUniversity excellence andisasought-afterinstructor category ofdecoys.Kenhasfirmlyestablishedareputationfor and evolvedintowhatwouldbecomethecontemporaryantique efforts startedwithworkingdecoys,progressedtodecorative, much betterwoodendecoysperformedthanplasticones.His began carvingdecoyswhen,asanavidhunter, henoticedhow culminated inmanyyearsasagraphicdesigninstructor studies ingraphicdesign,heenjoyedavariedcareerthat Armed withaMechanicalEngineeringdiplomaandfurther Decoy category, hasbeencarvingduckdecoyssince1982. enjoy workinginboththefibreandculinaryarts. Joanne MogridgeofCocoaWest Chocolates.Shecontinuesto completed athreeyearapprenticeshipaschocolatierwith constant sourceofinspirationeversince.Morerecently, Heidi Certificate .Thetactileandsculpturalnatureoffelthasbeena Alberta CollegeofArtandachievingFlemingCollege’s FibreArts became enthralledwithfibreartswhilelaterstudyingatthe www shops, givinglecturesandjuryingexhibitionsthroughoutOntario. Centre, andVisualArtsMississauga,aswellleadingwork Studio ProcessAdvancement;regularlyatNeilsonParkCreative programs atHaliburton,includingDigitalImageDesignand is adventurous.Heteachesindiploma,certificateandsummer likes tocreatealearningenvironmentthatisassupportiveit (solo) wasatHamilton’s DeFactoGallery subtle patterns,textandwordplay painting, assemblage,andcollageencompassesboldgraphics, www also servedontheboardofdirectorsforMuskokaArtsGuild. for thecityofOrilliafeaturedinOrillia,OperaHouse.Hehas the BassProShopinVaughn MillsMall,andatotempole He createdacollectionoftotempolesandmassivearchfor Achievement Award, 1996fromAndyMitchell,MP, Gravenhurst. in NorthAmerica,1999KeyWest OldIslandDays,andLifetime 1998 IsleMoradaArtShow, Floridaand Second Prize–TheBest carving awards,alongwithJimiMcKee,includingFirstPrize– 350 totempolesandmasks.Hehasbeentherecipientofmany www Thomas hasbeenactiveasanartinstructorforover15years. Ontario CollegeofArt,andisarecipientanOCAmedal. He isagraduatewithHonoursoftheUniversityGuelphand focus isontherichnessandcomplexityofhumanform. Toronto area.Hisprincipalmediumisdrawingandhisprimary been includedinnumerousexhibitionswithinandoutsidethe College’s ArtistBlacksmithprogram,Jeffhaspursuedblack primitive hand-builtforgeinhisbackyard.AgraduateofFleming and fibres. Ontario andasmallbusinesssellinghand-dyedmohairyarns camelid fibres.Donnahasaherdof50AngoraGoatsnearElora, teaching spinningmohair, weakaciddyeingandspinning also beenaninstructorattheOntarioHandspinningSeminar, in 2000.Shehastaughtbeginningspinningfor10yearsand .kalhoney .totempolecarvingwebscom .thomasdrawsblogspotca .ca .Herworkisdistinct foritsexactingemotional .Hismostrecentexhibition .Asaninstructor, Kal . .Hisworkhas .He .She .She - -

INSTRUCTORS 79 Canada, the US, and Holland . It has been collected by individ- Shannon Kennedy has been exploring the cutting edge of design uals in many countries, including Japan, Australia, and the US, using digital manufacturing technologies like 3D printing for as well as Canada . Permanent collections include the University years, integrating the skills of the craft artist and the technolo- of Guelph print study collection, Guggenheim Asher Inc . gies of manufacturing . 3D modeling, rapid prototyping, and 3D Collection, and the former Prince Edward Island Council of the printing advance techniques have created a new way for her Arts print collection . https://elizabethhutchinson .wordpress .com/ designs as a jeweller to be realized . She graduated in 1996 from Marylisa Ince is an artist, educator, and expressive arts practi- the Ontario College of Art and Design and furthered her jewellery tioner with 30 years of experience in the area of creativity and making skills by attending George Brown College’s Jewellery Art learning . A graduate of the Expressive Arts program at Fleming Program . She and her partner are currently running their own College, Marylisa has also studied at the International School jewellery business, Cynosure Jewelry . www .cynosure-jewelry .com for Interdisciplinary Studies (ISIS) in Toronto, the Canadian Charlie Kert has spent his professional career as an arts educator, Association of Child and Play Therapy, and holds a MEd in Adult music teacher and children’s rock singer, progressive folk rock Education and Community Development, as well as an Honours singer and film composer . He is supported by the Toronto Ontario Degree in Psychology . Marylisa believes that the ability to be Arts Council and has played at festivals and schools all over creative is inherent in every human being and that our creative Ontario and Michigan since 2001 . Since graduating with an expression is directly linked to our sense of wellbeing and Honours Degree in Theory and Composition from the University satisfaction with life . www .expressivetransitions .ca of Western Ontario, Charlie has established his own music Mary Intven Wallace, award winning artist, educator, and author, school: Little Fingers Music . He has been running this private shares her love of the land, sea and sky in her impressionist music studio, employing a roster of other music educators, for paintings of the Canadian landscape . In her acrylic paintings, the past 15 years, offering piano, guitar, and vocal classes to she shares her view of this wonderful world as a place of vibrant students of all ages and levels . He has also designed introduc- colour . Mary’s landscapes brighten the walls of galleries across tory group courses that teach music basics to young children Canada, many private collections, and are also featured in her (singing, dancing, percussion, keyboarding reading, writing, published books . etc .) . Aside from being an accomplished musician, Charlie was also a sponsored skateboarder . As a teenager, he tested new Ljubomir Ivankovic comes from the tradition of European schools equipment, performed demos, competed and was featured of fine arts . Throughout his forty year career, he has become a on television and print media . He still enjoys skating today . devoted professional who has learned to enrich his art with his www .littlefingersmusic .com personal sensitivity . With a precise line and a fair technique, he uses figurative art in a rather surreal way . Transcending Kim Lee Kho is a visual artist whose work, informed by 20+ years everyday life, he majestically paints human bodies and portraits, in design, includes painting, drawing, sculpture, video, and landscapes, still life and interiors, primarily in oil . The elegant photo-based and digital mixed media . She has participated in and balanced composition of his paintings is the basis of his exhibitions, residencies and mentorships in Ontario, Alberta style . Ljubomir paints with voluminous forms and a very rich and BC, and been awarded numerous grants by the Ontario 80 palette . The predominant role of light is also part of his signature . Arts Council . In 2015 Kim had a solo show at the Art Gallery www .ljubomir .com/ of Mississauga . Kim teaches in numerous programs in Haliburton, including Digital Image Design and Studio Process Dana Jackson, as a professional food writer, recipe developer, Advancement; regularly at Neilson Park in Etobicoke; also and author of the popular food blog Hot Pink Apron, loves to leading workshops, speaking and jurying for groups throughout inspire eaters of all ages to become more vibrant, knowledge- Ontario . A popular and articulate instructor, Kim likes to create able, confident and creative home cooks . To do so, she relies a safe and adventurous environment for students to explore on a few key ingredients: a palpable passion for food, years of without fear; being challenged while enjoying the process of experience cooking in professional kitchens, and a great attitude . discovery . www .kimleekho .ca www .hotpinkapron .com Andrew Kuntz is a renowned Canadian glass artist whose work Louise Jackson has been a spinner and dyer for 28 years . She has been widely praised for its classical grace, contemporary earned her Master Spinner/Dyer Certificate from Georgian simplicity, and vibrancy of colour . In addition to winning a College in Owen Sound in 1996 . She has enjoyed teaching fleece number of significant awards, his pieces have been extensively preparation and spinning basics, demonstrating at Fall Fairs exhibited around the globe, including at: the Canadian Embassy and Historical Society events, as well as conducting spinning in Washington, D .C .; Pilkington, Sheffield, and Oxford Museums and nature dyeing workshops . For the past eight years, Louise in England; the Galerie Art et Creation in Lyon, France; Tai has been a class technician and dyeing instructor in the OHS Pei Fine Art Museum; the Hong Kong Museum of Art; and Spinning Certificate Program at Fleming College in Haliburton . the Museum of Contemporary Craft in New York . Andrew’s Ralph Johnston learned to weave in his teens and has his Honours privately owned work is represented in numerous domestic and Associateship in Textile Design from the Scottish College of international collections, including gifts to the Premier of China Textiles . He is the co-author of Sashes, Straps and Bands, a and Prime Minister of Ireland from the Canadian government, book on weaving warp faced twill bands . A skilled instructor, installed work at the Palace of Prince Faisal bin al Saud in he teaches a wide variety of weaving, but among his current Riyadh, Saudi Arabia, and the US Ambassador to Canada . interests are ceintures fléchées (traditional voyageur sashes), Andrew trained in blown and sculptural glass at Sheridan College loom maintenance and eight harness weaving . School of Design from 1977 to 1980 . Since that time, he has Michele Karch Ackerman is a nationally recognized contemporary been a resident artist at Harbourfront Glass Studio in Toronto, artist whose installations are known for inspiring viewers with he has taught at Alberta College of Art and Sheridan College, their provocative and touching subject matter and aesthetics . A and he has participated in numerous workshops and exhibitions graduate of the Ontario College of Art and Design, her installa- throughout the world . He is a founding member of the Glen tions have been shown in over forty solo exhibitions at public Williams Glass Cooperative in Glen Williams, Ontario . galleries across Canada, including a retrospective at The Tom Wendy Ladurantaye has enjoyed an eclectic art journey . After Thomson Gallery . She has been the recipient of numerous graduating from Sheridan College in general fine arts, she awards from the Ontario Arts Council and Canada Council, studied the glass medium under Jim Schnick and Clark Guettel, awarded residencies throughout Canada and has received and joined the faculty of the Haliburton School of The Arts over national media coverage . Michele has taught for over twenty 25 years ago . Her commissioned glass has found homes world- years at the Haliburton School of The Arts where her teaching is wide, with her favourites being the church windows installed in widely recognized for its innovative and motivational style . St . George’s Anglican Church, Haliburton, and St . Margaret’s Julia Leehasbeenknittingsinceshewasachildandspinning Gabriel Lazdinsbeganhisworkwithroboticsandcomputersduring Martha Larsenhastaughttechnologyattheelementaryschoollevel Diane Lemire,amultidisciplinaryartist,isfascinatedbythe John LeonardisaToronto-based painter knitting, Juliaisawriter, runner, singer, andartsadministrator while stillbeingpracticalanddurable.Whennotspinning creating yarnsandfabric.Julialikesherpiecestobenoticed, Colour, texture,andfunctionalityareprimarymotivationswhen a garmentthatwillbringpleasuretothewearerandviewer interprets avisualimage,orsometimessentiment,tocreate Certificate Program.Whendesigningherwearabletextiles,Julia and isacoursecoordinatorforthe2011-2017OHSSpinning Certificate ProgramofferedattheHaliburtonSchoolofTheArts for 20years.Sheisagraduateofthe1994-2000OHSSpinning 21st centurytechnology integrated technologiestoapplynewsolutionsincorporate and hardwarecomponents,hedesignssolutionswhichengage developer atRyerson University solutions andproductstolife.Gabrielnowworksasa different technologies(thatusuallydon’tco-exist)tobringnew Specializing inintegratedtechnologies,heisabletomesh tion, andsystemsdesignforhospitalsresearchgroups. (3D printing),productdesign,sustainablebuilding,construc engaged himinprojectsinvolvingtextiles,additivemanufacturing the inventorofSegway Recognition ofScienceandTechnology) hostedbyDeanKamen, his timewithFIRSTroboticscompetitions(ForInspirationand also producesmoviespersonallyandforcommunityprojects. for OutstandingStaffLeadershipandStudentMotivation.Martha tion .ThismethodologyhasresultedinherreceivinganAward encourage herstudentstoprovidetheimaginationandinspira projects to713yearolds.Herstyleisteachthebasicsand for 12years.ShehasenjoyedinstructingmanyMovieMaker art-making inanymedia. the importanceofmakingtimetodiscoverjoyinprocess paint mediaartist.Wendy believesstronglyinthejourneyand as wellhermentor, MaryIntvenWallace, fellowauthorand She hasfoundinspirationinmanyofhersuccessfulstudents, teaching techniqueswhichbuilduponthelearner’s strengths. solution focusedproblemsolvingskills,andenjoyssupportive Anglican Church,Wilberforce,Ontario.Wendy developedstrong www 2014 wasawardedtheMississippiValley Textile MuseumAward . exhibited throughouttheregionandabroad,in2010 light andairy, feltisajoytoworkwithandwear to makewidelydifferentprojects.Whethersturdyandwarm,or work andlovesthechallengeofusingsamebasicmaterial recycling allnaturalfabricsandobjectsforincorporationintoher a senseofmemory, time,andplace.Sheenjoysutilizing textile art,mixed-mediasculptures,andpaintingsthatevoke draws inspirationfromthenaturalworldaroundhertocreate numerous possibilitiesnaturalfibersgiveherinfeltmaking.She Canada DevelopmentCorp. the StationGallery(Whitby),CBSRecords –NewYork andthe of Algoma,theArtGallerySarnia, theArtGalleryofLindsay, Council, theMinistryofCultureand Recreation,theArtGallery collections includingtheNationalGallery, theOntario Arts the USHisworkisheldinover40publicgalleriesandcorporate internationally inSpain,France,Portugal,Holland,Braziland most recentlyatpublicgalleriesthroughoutCanadaaswell University andothers.Hehasbeeninmorethan350exhibitions, and artschoolsincludingOCAD,UniversityofToronto, York Academy Fleming College,OCADandamemberoftheRoyalCanadian .dianelemirecom .JohnhastaughtatmanyofOntario’s universities . .Hisbroadmediaexperiencehas .Working withbothsoftware .Heisagraduateof .Shehas - . - . Rachel MacGillivrayisamulti-disciplinarytextileartistwho Susan MacDonaldhasachievedinternationalrecognitionasamulti Brenna MacCrimmonhasbeenstudyingandperformingthe Lila LewisIrvinghasanMFA inTheatricalDesignfromthe Michael Letkihasbeenmakingjewelleryforover40years.After Bruce Leppercametocarvingwildfowlin1986,afteracareer joys inlifeissharingthepassionfor sewingandmaking. textile arthasbeenshownacrossCanada .Oneofherbiggest have beenshowninToronto andattheLouvre,Paris,her Brunswick tostudyfibreartsatNBCCD .Herfashiondesigns in theToronto fashionindustry, RachelmovedeasttoNew a degreeinFashionDesignfromRyerson Universityandworking New BrunswickCollegeofCraft&Design(NBCCD).Aftergetting currently teachesintheFashionaswellTextile studiosatthe www artist attheOntarioCraftsCouncil’s GuildShopinYorkville . of Toronto’s mostexclusivefashionhousesandsheisafeatured discipline artist.Heruniquecreationsarenowavailableinsome Japan .www in BalkanandTurkish songintheUS,Canada,Franceand whom anewrecordingisintheworks.Shehastaughtworkshops Mediterranean andtheBalkanswithvocalquartetTurkwaz with duo Alcalica,andsingingplayingmusicfromtheEastern electro-acoustic melangeofTurkish andGreeksongswithBerlin staged aroundtheworld.Hercurrentprojectsincludean Volcano playwhichhastouredacrossCanadaandbeen includes musicaldirectorforGoodnesstheaward-winning of thecastBobblewithBobbyMcFerrin.Hertheatrework Europe .In2010,shefoundherselfinMoscowasamember on manyalbumsandfilmsoundtracksinCanada,theUS recorded withtheabovemusiciansandhasappearedasaguest beat DJShantelandtheBucovinaClubOrkestra.Brennahas rock groupBabaZula.ShehasalsotouredEuropewithBalkan Gypsy), MuammerKetencoglu(tradBalkan)andexperimental performed inTurkey andabroadwithSelimSesler(tradTurkish music ofTurkey andtheBalkansforover25years.Shehas important partofherwork.www Teaching throughoutOntarioandQuebechasbecomean galleries .LilaisanelectedmemberoftheOSAandCSPWC Wisconsin .Shehasexhibitedwidelyinbothpublicandprivate University ofIowaandanMFA inFineArt fromtheUniversityof interests inimagemakingandjewellery. Harbourfront CraftStudios.Currently, heispursuinghisownarts also heldthepositionofstudioadvisorforSheridanCollegeand Arts CouncilandtheInternationalGoldCorporation.Hehas received severalawardsforhiswork,notablyfromtheOntario Haliburton SchoolofTheArtsforover25years.Michaelhas to besuccessfulartists/jewellers.Hehasbeenteachingatthe apprentices throughhisownstudio,manyofwhomwenton Mohawk Collegesandwasinvolvedinthetrainingofmany Designs forover20years.MichaelhastaughtatSheridanand he andpartnerPaulaLetkioperatedthejewellerystudio graduating fromartschoolEngland,hecametoCanadawhere prestigious Waterfowl FestivalinEaston,Maryland. in CanadaandtheUS.Heshowshisworkannuallyat and teacherofbirdcarvinghasworkinmanycollections carving, referredtoasBestinWorld .Heisarespectedjudge Scheeler MemorialAward whichisthehighestawardinwildfowl Championship inOceanCity, Md.InApril2010hewontheJohn Best inMastersDecorativeLife-sizeWildfowlattheWard World he placedsecondinWorld DecorativeMiniatureWildfowl,and including manyBestofShowsinCanadaandtheUS.In2003 began competingin1987,hehaswonnumerousribbons as anadvertisingartdirectorandgraphicdesigner .suemacdesignscom .greengoatmusicca .lilalewisirvingcom .Sincehe

INSTRUCTORS 81 Matthew Mancini attended the Ontario College of Art and Design Language Festival at Bishops University in Sherbrooke, from 2001 to 2003 but left to pursue a more classical realist QC . Helen’s teaching is based on a solid understanding of approach that led him to delve into a six year study of the drawing and design principles and personal attention to techniques used in the 19th Century ateliers of Paris, France . In each student . She is enthusiastic about helping students addition to perfecting them in his own work, Matthew regularly discover their potential and encouraging artistic exploration . teaches the principles and methods of classical realism in http://eaglewoodstudios .blogspot .ca/ drawing and oil painting . www .matthewmanciniart .com Robin McGauley is a retreat leader, spiritual director and artist . Robert Mann is an accomplished typographer with professional She is a graduate of Fleming College’s Expressive Arts Certificate experience spanning five decades . A linotype operator in the program and trained with Lauren Artress to become a Veriditas 1960’s, he gained experience in ad work, book publishing, and Certified Labyrinth Facilitator . Robin worked for nine years magazine work, eventually finding himself producing display ads as Program Director of a retreat centre where she created for both weekly and daily newspapers . In 1970 he started his meaningful experiences for a variety of groups and individuals to own weekly newspaper which he operated for six years . Robert deepen their connection with self . www .robinmcgauley .com has since operated his own professional print shop where he is Julie McIntyre has an undergraduate degree and diploma in social able to meet a range of printing and duplicating needs . work and psychology, and has completed graduate studies Paul Marshall is a full time arts educator and part time artist . He in alternative dispute resolution, visual arts, art therapy, and has been teaching for 10 year and prior to that was an interpreter expressive arts . After a 35 year career as a social worker, she for Ontario Parks . Paul has an Honours Bachelor of Fine Arts is currently in private practice as an art therapist . Her passion degree from York University and an Honours specialist in Visual and experience in grief, bereavement and palliative care, abuse, Arts Education . neglect, trauma and mental health has led her to develop and Janine Marson is a graduate of the Design Art Program at Georgian facilitate programs involving expressive arts for groups of all ages . College in Barrie, and received a BA Fine Art from the University She offers regular retreats on developing a personal spirituality of Guelph . Her 25 year career has established a strong sense and mindfulness through the arts . An enthusiastic wish to make of direction, garnered several exhibitions and awards, and has the world a little brighter through art has led her to develop provided the opportunity to influence hundreds of students programs in Haiti, Kelowna, and more recently, assisting with a with her calm, encouraging spirit . Janine is one of the mural- program in Liberia to support children impacted by the Ebola ists for The Group of Seven Outdoor Gallery in Huntsville and virus . An artist herself, she is passionate about the power of the is very active within the dynamic Muskoka art community . arts to promote integrated health and wellness . Julie coordinates www .janinemarson .blogspot .com Fleming College’s Expressive Arts Graduate Certificate program and is also a SoulCollage® Facilitator . Doug Mason's observations of waterfowl in marshes and fields provide the inspiration and background for his wildfowl sculp- Marg McIntyre's paintings are exhibited all over the world and are tures . He designed his first carvings as functional hunting decoys based upon her experiences in the Caribbean and her life in Ontario . She is certified by the Ontario College of Teachers and 82 in his late teens . His artistry soon vaulted him into competing in the major Canadian and US competitions where he has been is affectionately known as ‘Mrs . Mac’ by thousands of children successful at all levels and, for the last six years, competes at and fellow teachers that she has taught to draw and paint in the the Masters level . Doug’s accomplishments include Best in schools of Hastings and Prince Edward District School Board . Show awards at the North American, Canadian National, and Her popular, simple step-by-step instruction style is easy to follow Ward World Championships, culminating with a 3rd place in and has enabled her students to produce beautiful pieces of World Floating Pairs in 2009 . Over the last 5 years Doug has artwork in a short period of time . Marg works in all media but her been part of the judging fraternity at the Ward World Waterfowl passion is watercolour and pencil . Gordon MacKenzie, Marilyn Carving Championships in Ocean City, Maryland . In 2009 he was Coulter and the late Jack Reid have been very influential in the accepted to display his waterfowl sculptures at the prestigious development of her personal style . www .margmcintyre .com Easton Waterfowl Festival . He has had numerous publications in Gayle McIvor graduated from the Haliburton School of the Art’s Wildfowl Carving Magazine and has also appeared many times in Surface Design Certificate program in 2005 . Years of textile and the Wildfowl Carving and Collecting calendar . fibre exploration, combined with the experience of Permaculture Sally McCubbin finds her passion in the design, fabrication, and training on Vancouver Island, inspired her to create Earth Elf refinement of objects . This devotion was developed in her years Designs . A business devoted to the creation of one-of-a-kind at Sheridan College . Since starting a residency at Toronto’s upcycled wearables . She has exhibited with the Vancouver Island Harbourfront Centre in 2005, Sally has been exhibiting her work Surface Design Association in many shows, won an Honourable locally and internationally, traveling to and learning from the Mention Award in the Cowichan Valley Arts Show in 2011, and world’s glass experts, participating in collective creative groups participated in many juried art festivals and events across BC . and shows, and generally soaking up the world’s glass and Upon return to Ontario she has been busy teaching fibre and design cultures . Her efforts have often been recognized with textile art, creating and innovating new designs, experimenting award for both the quality of her work and her ideas and inten- with new techniques, and is a member of the Art Hive, Art tions . She has recently accepted a teaching position at Sheridan Collective . College and, with her partner, has started a glass design label, Maureen McKay studied concert harp with Judy Loman and Marie TIMID glass, through which they pursue large-scale design and Lorcini and was harpist with the North York Symphony . She is a public installation . www .sallymccubbin .com faculty member at the Royal Conservatory of Music, where she Helen McCusker is a practicing artist with more than 35 years has taught classical and Celtic harp full-time since 1980 . Since of experience . A graduate of the Sheridan College Illustration 1993 she has been a harp examiner for the RCM and was senior Program, Helen has worked for publishers such as Addison- contributor for the 2009 (current) Syllabus, which establishes Wesley, Holt Rinehart & Winston, Nelson’s and TVOntario . She grade level requirements for harp students throughout Canada . has work in private collections both nationally and internationally Maureen developed the Celtic harp program at the Gaelic College and exhibits regularly in solo, juried and group exhibitions . in Cape Breton where she taught for many years . She applies her Helen has been an art instructor for over 15 years, specializing M .Sc . (Human Physiology, U . of T .) to bring the added dimension in drawing and painting from the figure, paper engineering of ergonomic awareness to harp playing, incorporating injury and paper sculpture . She has taught classes throughout the prevention with skill development . Maureen enjoys working with GTA and has been invited to lead workshops at the English students of all ages and levels of harp playing . www .clarsach .ca Margot Miller, recipientofaDesignCanadaAward, isanHonours Dave MurrayisaToronto basedillustratorandcreator Andrea Mossop,agraduateofFineArtfromTheUniversity Rhonda MorleyCaustonbecamewellversedinmakeupapplication, Sue Millerisafulltimeexpressivepainterandartseducator Sheila Miller, M.Mus,hasbeenpracticingYoga since1989 John McQuadeisafounderofMiksangcontemplativephotography the MontréalCanadiens .http://davemurrayillustration .com cycling, playingguitar (poorly),walkinghisdog,and cheeringfor creating imagesforagrowinglistof clients,Davecanbefound www FX andmovieindustry, includingPaulJones(PJFXStudios). alongside someofthebiggestnamesinToronto’s Makeup music videostobigbudgetfeaturemovies.Rhondahasworked acter developmentonmanyfilmproductions–everythingfrom ated atthetopofherclass.ShehasdonespecialFXandchar surface .www of paintappliedwiththeknife,achievingasensuouslytextured sive, spontaneousmanner, withearthyunderpaintingandlayers with environment,andisworkedoutonthecanvasinanexpres beauty anddanger, survivalanddeathoccurinourrelationship tion totheearthanditshistoricalenergy Environment playsaroleinourpsychefromsenseofconnec Nature andsimplicityareaconsistentthemeinherwork. various privatecollectionsacrossNorthAmericaandEurope. work isexhibitedinOntarioandNewfoundlandheld Walls AcrossCanada.www England, MallorcaandMenorcawiththeorganizationDryStone destinations suchasScotland(Mull,Iona,Orkneys),Ireland, has organizedculturalwalkingtours,titled“Walk theWalls” to for aBritishandCanadiancompanyinIndia.Recentlyshe traditional textiletechniques,andhasworkedasadesigner US .ShehastravelledextensivelyintheFarEast,documenting studio .HerworkhassoldinshowsandstoresCanadathe clothing, yardage,floorclothsandfurniturefromhershop years Margothastaughtworkshops,designedandsoldprinted College, Queen’s UniversityandFlemingCollege.Formany business ofart,shehastaughtatSheridanCollege,St.Lawrence Crafts Council.Asalecturerandinstructorinthearts Ontario, theNationalFilmBoardofCanada,andOntario at numerousgalleriesandshowsincludingtheArtGalleryof Management ProgramatFlemingCollege.Shehasexhibited (College MedaWinner)andalsoagraduatetheEcotourism Graduate oftheOntarioCollegeArtandDesignUniversity, Introduction toContemplativePhotography.www Weston .Herecentlypublishedabook,LookingandSeeing: completing aPhDonthegreatmodernistphotographerEdward various communitycollegesanduniversitiesiscurrently meditation instructor titioner intheShambhalaBuddhisttraditionandisacertified Toronto . School ofArtandprivatelythroughout EasternOntarioand School ofTheArts,St.LawrenceCollegeBrockville,theOttawa drawing, andarthistory, Andreateachesforthe Haliburton particular expertiseinpaintingand appliedcolourtheory, life her creativityandknowledgeinteachinglecturing.With painting fromtheOntarioCollegeofArtin1974,isnotedfor Western Ontarioandadvancedstudioworkindrawing of MakeupArt,aprivatecareercollegefromwhichshegradu life casting,sculptingandmouldmakingwhileattendingSchool years .www 21 residentialmeditationretreatswithmasterteachersoverthe Teaching MeditationTechniques courseatKripalu.Shehassat teaching meditationsince2002followingcompletionofthe Teacher Training attheKripaluCenter teacher, havingcompletedherBasicandAdvancedYoga and teachingYoga since1998.SheisaCertifiedKripalu Yoga translates as“GoodEye”.Heisalongtimemeditationprac which hehastaughtfor30years.MiksangisaTibetan wordthat .facebookcom/REEL-TWISTED-FX-598970143465950 .soundofbody .sueamillerartcom .Johnhasbeenaliberalartsinstructorat .ca .margotmiller-summerhouse .com .Sheilahasalsobeen .Theinterplaybetween .miksangorg .Whennot .Her - - - - - Dorit Osher, MSW, isapsychotherapist,dancer, educatorand Charles O’Neilisafull-timeartistwithwiderangeofinterests Nancy Newmanisanexperiencedartistandteacherwhosupports Sylvia NaylorwaseducatedinEnglandwhereshelaterbecamea Joanna Nash,BAConcordia,M.AArtEdMcGillU,isacareer Ken Murray'scriticallyacclamineddebutnovel,Eulogy,was physical form.Throughembodiedmindfulness, somatic prac about developingmovementthatcaptures thecomplexityofour evolves fromimprovisationalmovement/dance andiscurious psychology worker whoworksasapsychotherapist withafocusinsomatic Toronto, Vancouver, andSouthAfrica.Doritisaclinicalsocial independent danceartistinLondon (UK),Amsterdam,Paris, with theBatshevaDanceCompanyinTelAviv, Israel,andasan creator 2008 .www Distinction throughtheHaliburtonHighlandsArtsCouncilin Haliburton SculptureForest.HewashonouredastheArtistof Michigan, theStuartWietzmanCollectionofNew, York andthe International Airport’s Terminal #3,TheDesignFirmofSouthfield for internationalleaders.PublicworkscanbeviewedatPearson recently purchasedbythefederalgovernmentofCanadaasgifts in bothprivateandcorporatecollectionsincludeswork sculpture, drawing,andpainting.Charles’workcanbefound member since1997,heteachesseveraladultcoursesinwire Fleming College’s HaliburtonSchoolofTheArts.Asafaculty Blacksmithing andaDiplomainVisualCreativeArtsfrom well asinternationally wire, hisworkisnowfeaturedingalleriesacrossthecountryas he becameinterestedinsculpting.Working primarilyinmetal With abackgroundindrawingandpainting,thelate1990’s and alongaffiliationwiththeHaliburtonSchoolofTheArts. COAA, ECOAA,(associate)CSPWC,BMFA, Nancyispastpresi societies inSouthernOntario.Inadditiontobeingamemberof Aurora CulturalCentreandisafrequentguestinstructorforart juried, groupandsoloshows.Sheteachesartclassesatthe artists, educatorsandartsocietieshasparticipatedinmany award-winning watercolourist,shehasledavarietyofcoursesfor students withindividualfeedbackandencouragement.An collections inmanycountries.www in galleriesEngland,CanadaandtheUS.Herworkisprivate American periodicals . Sylvia has exhibitedher artwork extensively a varietyofpublications.Severalarticleshavebeenpublishedin Her workhasgarnerednumerousawardsandbeenfeaturedin Sylvia hastaughtworkshopsinCanada,theUSandEngland. receiving asilvermedalforthehighestmarksincountry and Textiles throughtheCity&GuildsofLondon Institute, teacher specializingintextilecrafts.ShethenstudiedEmbroidery groups inherstudio.www (2007-2013) .Shepaintsandcoachesindividualartistssmall workshop tomedicalstudentsatHarvardUniversity, Boston of Architecture(2000-2012),andtaughtanannualdrawing tions .Shewasprofessoroffreehanddrawing,McGillSchool erment andaliveness intheirlives.www others infinding greater freedom,creativity, compassion,empow tices, expressive arts andmovement,Doritteaches and supports the SocietyofYork RegionArtists.www dent oftheToronto Watercolour Societyandthepastpresidentof painter withanexhibitionhistoryandartworksinpubliccollec from theToronto ArtsCouncil.www Random HouseofCanadaAward, andanEmergingArtist’s grant awards, includingtheinauguralMarinaNematAward, UofT’s the organizationPoetsHouse.Heisrecipientofnumerous a teachingartistwithCommunityWord Projectandtaughtwith his MFA atTheNewSchoolinYork City, Kenalsotrainedas University ofToronto, SchoolofContinuing Studies.Whileearning Maclean’s .Since2009,hehastaughtcreativewritingatthe Review, BrooklynRail,OttawaCitizen,CanadianBusiness,and fiction hasappearedinPrairieFire,GlobeandMail,Mendacity published byTightrope BooksinJune2015 .Hisfictionandnon- .Shehasworkedasaprofessionalcontemporarydancer .Sheisinterestedinthecreationof movementthat .charlesoneilcom .CharleshasearnedacertificateinArtist .joannanashcom .sylvianaylor .kenmurray .nancynewmanartcom .doritosher .ca .com .com . - - - -

INSTRUCTORS 83 Mary Pal is a Canadian fibre artist whose current work exemplifies Bryce Petersen began his art education in Haliburton, achieving her fascination with fibre manipulation and the tactile possibilities certificates in Glassblowing and Artist Blacksmithing . He then of stitch . Her work defies easy classification, encompassing pursued his Bachelor of Fine Arts in Studio Art and Art History at art quilt, mixed media, sculpting, stitch and paint on richly Concordia University and now holds his Bachelor of Education as textured fibre backgrounds . Her artwork has received numerous a secondary visual arts/history teacher . Being an interdisciplinary awards at international exhibitions and is in many private and artist, Bryce enjoys teaching the arts in various capacities that museum collections . Mary enjoys sharing her passion for textile bring new ideas to the classroom . His love for working with youth art and teaches classes internationally . A past member of the has taken him across Canada including the east coast, Canada’s Board of Directors for Studio Art Quilt Associates, she is an interior and the Arctic . active participant in shaping the growing fibre art movement . Rene Petitjean is a blacksmith, iron sculptor and potter . He has http://marypaldesigns .com/ supplied his works to galleries and stores for over 30 years Sam Paonessa has been painting professionally for over 30 years . and has undertaken many corporate commissions . Currently His work can be seen reproduced on greeting cards, calendars, he works with architects, landscape architects and interior and numerous other products, with subject matter ranging from designers, producing forged architectural elements for clients in landscape and still life to figure . A founding member of Plein Air Canada and the US . www .renepetitjean .com Canada and an active member of the Ontario Society of Artists, Paul Portelli, a professional sculptor, manipulates the natural Sam finds inspiration for his landscapes from natural beauty and beauty and versatility of terra cotta clay with colour and glazes the breath taking vistas of Georgian Bay, Killarney, Algonquin to create his popular Greenman, whimsical circus animals, Provincial Park, Québec, Maine and Italy to name a few . He Venetian carnival figures, a full range of functional pieces and shares his talent by conducting demonstrations in addition figurative work . Many of Paul’s works have been exhibited in to teaching painting workshops across Ontario and Morocco . public and private galleries and are held in private collections His works have gained the attention of fine art collectors, both in Canada, the US, Europe, and Africa (Ghana: President corporate and private, across North America and Europe . John Agyekum Kufuor and King Safrotwe Kakradae IV) . After www .sampaonessa .com graduating in Fashion Arts from Seneca College he continued Shannon Partridge, MFA, is a multidisciplinary artist whose practice his studies in Visual Arts at the Ontario College of Art and Sir includes painting, sculpture, installation and animation . Recent Sandford Fleming College (Haliburton School of Fine Arts) . Paul exhibitions include solo shows; Constructed Realities, Chapel has been an instructor in visual arts and business departments Gallery, Bracebridge; and Behavioural Enrichment, Durham at Sir Sandford Fleming College, Durham College, Seneca Public Art Gallery, Durham . Recent group shows; Everyday is College and Ryerson University . In addition to his career in art Political, No Foundation, Toronto; Seoul World Arts Festival, and teaching, he is a specialist in retail design, merchandising SeJong Cultural Center, Seoul, Korea; 7 Peintres Torontois, and event coordination . He operated a gallery/sculpture studio Bigue Art Gallery, Montreal; Au Feminin: 13 Women Redrawing for 22 years and was instrumental in developing the branding Boundaries, Canadian Fine Arts Gallery, Toronto; and The Glass and advertising campaign in his community . He has worked with 84 House, Georgian College, Barrie . She received scholarships many major retailers in visual merchandising and event planning, for artist residencies at Vermont Studio Center, Vermont, and including Holt Renfrew, Microsoft, Proctor and Gamble, Lindt Ox-Bow, Michigan, USA, as well as grants from the Ontario Arts Chocolates and Mercedes Benz . Paul is the author of articles Council . Shannon holds an MFA in painting from the University in many Canadian publications, such as Crafts Plus, Style and of Waterloo, where she received the Sylvia Knight Award for Men’s Wear Canada, and also has made regular guest appear- Graduate Studio Excellence . www .shannonpartridge .com ances on television shows, Cityline, Craftscape and Savior Faire . Rose Pearson earned her Bachelor of Fine Arts degree from York www .paulportelli .com University, majoring in painting and drawing . She went on to John Proctor, of Earth Tones Studio, builds drums and teaches receive her education degree and has over 20 years of experi- workshops on the construction of a variety of drums including ence teaching art in both the public school system in Alberta Djembe, Taiko, Ashiko and Frame . He also teaches creating and Ontario, privately from her studio in Haliburton County and percussion instruments crafted from Hard Shelled Gourds . for the Haliburton School of The Arts . Rose is the coordinator Making musical instruments from recycled materials is a current of the Visual and Creative Arts diploma and the Studio Process passion . John also facilitates drumming and soundscapes for Advancement certificate programs at Fleming College . In those who respond to the call and the dance of the drum beat . addition to creating bodies of work for public gallery exhibi- www .earthtonesstudio .org tions, she is a member of the Haliburton County Studio Tour . Rod Prouse, a graduate of Ontario College of Art in 1968, exhibits www .rosepearson .com mainly in painting and printmaking and recently in video and Carole Peters has expressed her lifetime interest in art through photo-based art . To date his professional career has seen 36 solo many different mediums such as painting, designing and exhibitions and as many group exhibitions across Canada, the screen-printing in the commercial art field, and most recently US, and in England and Germany . Solo exhibitions have included Pyrography (otherwise known as wood-burning) . In the past 3 such institutions as the McMichael Canadian Art Collection . His decades she has won many first prize ribbons with her wildlife work is included in private and public collections in Europe, Asia portraits . This art form can be done with almost any material as and North America . His teaching agenda is based on delivering a its canvas, but her favourite is Northern Ontario driftwood slabs . sound understanding of design principals and personal attention This wood is found littering the beaches of the Great Lakes and to develop individual potential . Rod’s current paintings refer- is a symbol of Canada’s historic lumber industry, as well as the ence Canadian landscape in a refreshing contemporary style . forest animals she depicts . Shallow relief carving is added to the www .rodprouse .com burning, as well as minimal color, using stain and other mediums Linda Lee Purvis is a multi-media artist, writer, teacher, and to bring the portrait to life . This wonderful ancient art form can self-actualization coach . She has designed work for television, truly be called “painting with fire” . www .scorchart .com magazines, and art galleries, including the Art Gallery of Ontario, and has work in private collections around the globe . Her passions are deeply rooted in the natural world, and she infuses elements of nature in much of her work – which in addition to art, extends to the use of herbs, essential oils, sound, and Elaine QuehlisaCanadianquiltartist,teacher, andfabricdyer/ Chari-Lynn ReithmeieranhonoursgraduateofGeorgianCollege Tammy Reahasspentthelast20yearsincomputerworld– Laurie Pyehasworkedasavisualartistandseamstressformore Rebecca ReynoldsachievedherBFA fromConcordiaUniversity www Professional ArtistMemberofSAQA(StudioArtQuiltAssociates). line ofcommercialfabricthroughNorthcottFabrics.Elaineisa show inHouston,Texas in2013.Shehasreleasedherfirst at theInternationalQuiltAssociation’s annualjuriedandjudged receiving aFirst-PlaceawardintheArt-Naturescapescategory featured inthebookArtQuiltPortfolio:NaturalWorld, and accomplishments includebeingchosenasoneof21artists national exhibits,andhasbeenwidelypublished.Herrecent into andselectedforawardsatnumerousinternational textured withfree-motionstitching.Elaine’s workhasbeenjuried like nature’s dappledlight.Eachartquiltisalsoabundantly she employstocreatedepth,drama,andcontrast,read hand-dyed bytheartisttoprovidewiderangeofvalues leaves), flowersandtrees.Allfabricusedinherartworkis themed artquiltsfeaturinglusciousfoliage(particularlyhosta designer bestknownforherdramaticandcolourfulnature- have additiontothecloset. and trickscanturnathrowawaypieceofclothingintomust learning tothreadaneedle,allareamazedathowjustfewtips one-of-a-kind wearableart.Fromseasonedsewerstothosejust ment andthefuninusingvisualartssewingskillstocreate www reduction, personalexpression,andbody/mind/spiritwellness. their personalgoalswithauthenticity, throughartforstress facilitates programstoassistindividualsindefiningandaligning of naturetothosethatexperience‘nature-deficit’living,and more .Shecreatesuniquemethodsofsummoningthepower is aCertifiedZentangle art routineshefindsrelaxationandinspirationinZentangle schools andHaliburtonSchoolofTheArts.Aspartherdaily workshops aroundOntario,privately, atvariousinstitutions,art ink toexpresshercreativevision.Chari-Lynn teachescreative variety ofmediaincludingfibre,beads,polymerclay, paint,and to London,England.Shehascontinuedproduceart,usinga Ontario andhasworkinprivatecollectionsfromToronto, Ontario a painterinthe1990’s, sheexhibitsingalleriesSouthern School ofDesignandVisualArts.Beginningherartcareeras produces videofromtheinternettobroadcast. Tammy hastaughtvideocreationatallschoollevelsandalso the Haliburton48CreateVideocompetitionforages7to70. and thenthelast10ofthoseworkingwithdigitalvideo.Sheruns Laurie hasfoundthatallagesandskilllevelscanfindenjoy created commissionedoneofakindoutfitsfordiscerningclients. a successfulcostume,bridalanddancewearcompanyhas well asexcitingworknationallyandinternationally workshop/pd facilitationforparticipants,artistsandteachers,as play anactiveroleindeliveringclassroomprogramming,and the RegionalManagerforSouthCentralOntarioenabledherto program leaderfortheartsrehabinNiagaraarea.Herroleas the LearningThroughTheArtsteamin2001andisnow new waytoexpressherselfthroughallmediums.Shejoined their amazingtalentswithher, andthechallengeofdiscovering learning hascomefromtheexperienceofhavingothersshare Mohawk College,StoneyCreek,Lauriefeelsthathergreatest than 25years.AlthoughformallytrainedinFinePlasticsat spontaneity andplayfulnessofchildren’s gestures.Hercreative, focus oncolour, textureandlayering,areinspired bythe Rebecca’s paintings,drawingsand installationworkscurrently to earningherExpressiveArtsCertificate atFlemingCollege. and herteachingdegreefromNipissing Universityinaddition .elainequehlcom .synergylifeartscom ® teacher .www .charilynncom .Shehasrun - Jill Segalisanaward-winningprofessionalartist, enthusiastic Marta Scythesisamedicalillustrator, fineartistandeducator Leanne SchachowisagraduatefromYork Universitywitha Kirei Samuel'sfascinationwithglassstarted25yearsago,purely Andy Rushhasrecentlyretiredfroma40yearteachingcareer, Steve RoseisagraduateofOCADwithmajorindrawingand Karen Richenshasbeenafibreandtextileenthusiastforover inspiring travel/painting tripstoPeruandothercountries .Sheis spirituality andcreativity andenjoystakinggroupsof artistson as internationally art associationsandeducationalinstitutions inCanadaaswell conducts demonstrations,classes and workshopsfornumerous popular artteacher, andcertifiedKripalu Yoga teacher University Masters ofDesigninStrategicForesight andInnovationatOCAD Lawrence Colleges,SouthamptonArtSchoolandispursuinga Queen’s University scientific animationsfortheHospitalSickChildrenand Communications fromtheUniversityofToronto andhascreated Encyclopedia .MartaholdsaMaster’s ofScienceinBiomedical best-selling UPNORTH natureseriesaswellinTheCanadian York) .McClellandandStewartfeaturedherillustrationsintheir University ofToronto MedicalSocietyandHarperCollins(New Her workhasbeenpublishedbyHarrowsmithMagazine, as performingregularlywithherimprovisationcomedytroupe. working asadirectorforseveralmusicalperformances,well participated inover50theatricalevents.Leanneiscurrently as adirector, stagemanager, andcostumedesigner, shehas Working atseveraltheatrecompaniesoverthelastnineyears the importanceofadramaticexperiencethrougheducation. at schoolboardconferencesandcommunityeventspromoting secondary programforover15yearsandisanannualpresenter Education .Shehasbeenteachingdramaticandvisualartsinthe Bachelor ofFineArts(Theatre/VisualArts)anda a featuredartistinprintandontelevision. Arts Trail andStudioTour ofPrinceEdwardCountyandhasbeen in jewellery, plates,bowlsandartwork.KireiisamemberofThe opened herstudio/gallerywhichhousesone-of-a-kindpieces eventually participatinginsomeofthefinestevents.In2009she many yearsshetravelledtheOntarioartandcraftshowcircuit, by accidentwhenafriendgavehersomescrapglass.For workshops .www for findingupliftingandfunsongsarrangingthemhis Queen’s University, Andywasanartisangoldsmith.Hehasagift Ontario .Beforepursuingformalmusicandeducationstudyat of the110-voiceOpenVoices CommunityChoirinKingston, and guitarmusic.Heisalsothefounderartisticdirector instructing sailtraining,metalsmithing,band,choralsinging, www collected inprivateandcorporateinternationalcollections. the HaliburtonSchoolofTheArts,andOCAD.Hisworkis fine artsattheNeilsonParkCreativeCentre,Kofler diverse backgroundasanartist/educator painting .Hehasexhibitedhisworkextensivelyanda wool spinning,feltingandShetlands. variety oftextile-relatedworkshops,especiallythosepertainingto International BacktoWool Challenge.Shehastaughta member oftheToronto Spiders,international winnersofthe graduate oftheOHS,SpinningCertificatecourseandaspinning self-sufficiency ofgrowingherownfibreandfood.Karenisa she hasraisedShetlandsheepfor15yearsandenjoysthe Indonesia, India,NepalandAfrica.Apassionatespinner, twenty years,shespentayearoftravelseekingtextilesin Camp Director children’s programmingfortwoveryrewardingsummersas ships andclassrooms.RebeccaalsoledtheGlenhyrstArtGallery in suchsettingsascamps,theatres,museums,libraries,cruise more than20yearsofexperienceinstructingchildrenallages engaging anddynamicteachingstylehasbeenhonedthrough .steveroseca .www .www .bmcmedutorontoca/~marta .open-voicesorg .Jillhasco-facilitated manyworkshopson .ShecurrentlyteachesatFlemingandSt .rebeccareynoldsca .Stevehastaught .She .

INSTRUCTORS 85 represented by galleries in Ontario, the Caribbean, and Florida Brian Smith was accepted into the Ontario College of Art with and participates regularly in juried shows . She is an elected advanced standing and full scholarship . After graduating in member of the Society of Canadian Artists and a signature 1969, he worked as a graphic designer, including founding member of the Toronto Watercolour Association . Her acrylic and his own brand development company, LOGOSBRANDS, in mixed media paintings are loose and expressive, characterized 1979 . Over the next 27 years, he and his company won over by bold vibrant colours, interesting textures and a strong sense of 90 national and international design awards . Throughout this design . www .jillsegal .com time, Brian has also been a practicing fine artist, specializing in John Shaw Rimmington spent many years specializing in restoring classical drawing and painting from the figure . His works range historic stone and brick buildings and eventually extended his through a variety of media and styles, and are represented in focus to using stone in landscaping and building traditional dry collections across Canada and the US . He has exhibited in stone walls . His expertise has developed from masonry practice numerous gallery exhibitions, juried and invitational shows, and and comprehensive research into traditional stonework in Britain, recently won the top prize at the Etobicoke Annual Juried Show where he has worked with professionals associated with the Dry and the Colour and Form Society Annual Juried Exhibition . Stone Walling Association of Great Britain . He is the president In 2006, the Drawing Society of Canada elected Brian as an of the DSWA of Canada, (www .dswac .ca), an organization that Honorary Drawing Master acknowledging his lifelong dedication offers instructional workshops for homeowners and landscape to drawing as a primary art form . Brian has taught life drawing students on every aspect of dry stone construction . In 2004 he and portraiture for over twenty years and has instructed at the and members of the DSWAC built Springdale Bridge, a perma- Ontario College of Art and Design, the Koffler Centre for the Arts, nent 6 foot arched stone bridge in downtown Port Hope and Nielson Park Creative Centre, Visual Arts Mississauga, Haliburton in 2005 he collaborated with international dry stone artist Dan School of The Arts and StudioQ . www .drawn2life .com Snow to build a permanent stone ruin on the same site . In 2006 Gary Smith has been a teacher and a practicing artist for over 50 he initiated a unique project based on a book by Farley Mowat, years in Toronto and abroad . He is truly passionate about both . where dry stone wallers from all over the world collaborated to A member of the Portrait Society of America, he has done over build a permanent stone structure in the shape of a pre-Viking 3,000 commissioned portraits, mostly quickly in pastels . There dwelling in Canada . He also designed and built the 12 foot high are three books about his pastels and his urban paintings . He dry stone `Cheese Wedge’ at the Niagara Botanical Gardens . In is a Certified Golden (acrylics) Teacher and has done murals in 2012 he designed, organized and oversaw the building of the acrylics in Guelph, Toronto and St . John’s, Nfld . Some recent first double arched dry stone bridge in Canada at a private estate highlights in his career include a major exhibition in 2013, near Montreal, QC . http://thinking-stoneman .blogspot .ca Passageways, in the Distillery and also winning 1st Prize in the Michael Sheba has a B .Sc . in Chemistry from McMaster University Louvre/Carrousel in Paris in their International Figure Drawing and studied ceramics in Holland . Originally working in stoneware Competition . His recent exhibition record includes Louvre/ and porcelain, he has for over 25 years been recognized for his Carrousel in Paris, two group shows in China, Masters in innovative contemporary approach to Raku as well as develop- Canadian Art, Hittite Gallery, Yorkville, Artexpo and Artosino in 86 ment of clay bodies and glazes . His work has been exhibited and a solo show, Passageways From a Cell Phone, at Gallery in Canada, the US and Europe . He was a board member and 50 in Toronto . Gary was one of the seven international judges committee chair for the OCC, and vice-president and exhibitions for an exhibition in the Louvre/Carrousel in Paris . He founded chair for Fusion . Winner of various awards and honours, he and ran a Sunday figure drawing club, Club Draw, for 13 years has been an instructor at Metchosin, the New Brunswick Craft and was also a part of the Artists’ Network of Riverdale . He School, Canadore College, St . Lawrence College, University of frequently does demos and art talks for galleries and art groups; Toronto Faculty of Education, throughout Ontario, as well as he teaches painting and portraiture at LucSculpture School in the US, Mexico and Turkey . He was also artist-in-residence and he provides advanced training and coaching in his studio . at Millsaps College, Mississippi and Vitra Studio, Istanbul . His www .escapewithgary .com/ work is found in the Indusmin, Saks Fifth Avenue and Charles Donna Sproule has been hooked on East Coast style primitive rug Bronfman corporate collections, Burlington Art Centre, and the hooking since 1999 when the craft’s free style and economy Canadian Clay and Glass Gallery . Michael’s work is published of re-using orphaned wool cloth spoke to a need to escape the in Raku: A Practical Approach, Hand-Formed Ceramics, The convention and cost of mainstream art forms . She now helps Ceramic Design Book, Ceramics: Mastering the Craft, Making others find joy in this relaxing and rhythmic pastime . Her work Marks. Mastering Raku, and 500 Raku. hangs at Galleries in the Perth, Ontario area and has travelled Brad Sherwood began working with glass as a student at OCAD across Canada in private collections, museums, and competi- University . Upon graduating in 1994 with a diploma in sculp- tions . http://loverugsandkissingmats .weebly .com/index .html ture, he received an artist residency in the Glass Studio at Sherry Squires graduated with BMus and BMus Ed from Memorial Harbourfront Centre . He continues to develop his unique tools University and has enjoyed a varied and fulfilling career . While and methods for glass forming . Brad worked for several years in Newfoundland she taught private piano lessons, as well as as a scientific/industrial glassblower and has incorporated that elementary and secondary school, and was sought after as an knowledge into his art . He teaches Flameworking, Introduction accompanist and coach . In 1985, she moved to Toronto where to Hot Glass and Three Dimensional Design at Sheridan College . has she worked as an accompanist, organist, teacher, vocal Also, Brad continues his love for fencing and archery while coach, music director for community theatre and conductor of a coaching for the City of Guelph, and The Ontario Centre for staff choir for the Bayer Company . In 1987, she started teaching Classical Sport . at St . Christopher House, now known as West Neighbourhood Beth Showalter finds inspiration in colour, textiles, fibres, people, House, where she now coordinates the music programs and history . She graduated from UWO with Bachelor degrees in conducts choir, Toronto Song Lovers . She also has been the Fine Arts, Studio Honours and Education . Beth completed the accompanist for the Jubilate Singers choir since 1986 and is OHS Spinning Certificate Program in 2014 . She has taught visual founding member, arranger and music director for Daughters of arts at the secondary school level since 2000 and is also the the Rock, an a cappella trio of women whose mandate is to bring Head of Arts at her current location . Beth enjoys experimenting, the folk music of Newfoundland to those outside the province . sharing ideas, learning new techniques and being immersed in a variety of fibre arts . Uta Strelivehasarichandvariedartisticteachingpast.Since Otis Tamasauskas, BFA, RCA,isinternationallyacclaimedas one Sophia Tink's individualistic,imaginative,andidentifiableartpieces Rob Stimpsonisaninternationallypublishedphotographer Hannah StrandisaMontessoriCasateacherandgraduateof major carvingcompetitions.www carving clubsandothergroupshasalsojudgedinmany Germany collectors andadmirersinCanada,theUS,England,France Maryland .Herbirdsresideinthehomesandboardroomsof World ChampionshipWoodcarving CompetitioninOceanCity, most competitionsshehasentered,includingtheprestigious sculptures .Herpieceshavewonfirstplaceandbestofshowat blocks ofwoodintobiologicallycorrect,artisticallyconceivedbird 1981 shehasspentherfavouritetimeinstudio,transforming experiences multiply cultural awareness,andmakesenseoftheirworldas lies inhelpingchildrenexpressthemselvescreatively, develop ment, empowerment,andequality www College, UniversityofToronto, andQueen’s University and hastaughtprintmakingatMcMasterUniversity, Scarborough Master PrinterandDirectorofEtchingatOpenStudioinToronto lithography, photo,andwoodcutdistinguisheshiswork.Otiswas challenging printtechniques,hisdeftuseofengraving,intaglio, or printedelements.Anaccomplishedvirtuosointhemost assemblage orinstallationisoftencombinedwithpainted anchor theeyeinhisactive,energeticwork.Three-dimensional incorporation ofstrong,visualelements,wholeorinpieces, built andideasassembledlikeaconstructionorcollage.The conventional confinesoftheprintmakingprocesswithimages of Canada’s mostinnovativeprintmakers.Hereachesbeyondthe www recognized throughouttheworldfor herartworkandworkshops. the jewelleryindustry Sculpting CI,RussianFiligree,andSeniorArtClayInstructorin certifications suchasMokumeGaneCertificationJapan,Clay Japanese ArtofFloralDesignandhasachievedspecialized She isformallytrainedwiththeSogetsuIkebanaSchoolin a professionalartistandinstructorofone-of-a-kindofferings. highest metalsmithingstandards.Since1982shehasbeen are handsketched,sculpted,finelydetailedandfinishedtothe www and hasbeenpartofHSADteachingfacultyforover10years. lodges inOntario,on-boardshipstheArcticandAntarctic Along withhisphotoassignments,heteachesphotographyat Ocean Expeditionsasaphotographerandguidesince2010. England, Australia,CanadaandtheUS.HehasworkedwithOne Canadian GeographicMagazine.Rob’s fineartimagesresidein Cathay Pacific,JapanAirin-flightmagazinesandheblogsfor has gracedCanadianGeographic,ExploreMagazine,and An ArtistsandPhotographersGuidetoWildOntario.Hiswork Society into theCollegeofFellowsinRoyalCanadianGeographical Summit .InOctober2012hewasnominatedandaccepted and BestTravel PhotographyAward fromtheOntarioTourism Northern LightsAward fromtheCanadianTourism Commission the province.Robhasgarnerednumerousawards,includinga Ontario ParksGuides,calendars,magazinesandnationaladsfor the pasttenyearsandhisworkhasappearedoncoversof has photographedforOntarioTourism and OntarioParksfor art piecesusingavarietyofmediumsthatexpressencourage programs attheHaliburtonSchoolofTheArts.Shecreatesvisual the VisualandCreativeArts,ExpressiveFibreArts .otisinkcom/ .sophiaartcom .robstimpsoncom .Hehascontributedtonumerousbooksandco-authored .Utateachescarvingandsculpturedesignclassesto . .Alongwithhergallerywork,shehas been .natureartistscom .Asateacher, herpassion . .He - Jessica Wallace, forthepast10years,hasbeendevelopingand Maggie Vanderweit hasbeensewingsincechildhoodandquilting Rosemary VanderBreggen isagraduateofStudioProcess Al Van MilstudiedfineartattheUniversityofGuelphandOCAD. Gwen Tooth specializesinteachingbold,expressive,acrylic of teachingelementaryschoolinCanada,Jessica’s experi College oftheCaymanIslands.Combinedwiththreeyears Program, aswelltheHumanitiesinstructorforInternational the UniversityCollegeofCaymanIsland’s Teacher Training high sideofSt.IgnatiusCatholicSchool,anadjunctprofessorfor for theNationalGallery, theartteacherforbothprimaryand In theCaymanIslands,sheworkedasEducationManager diverse inage,socio-economicstatus,andculturalbackgrounds. range ofstudents,communitymembersandorganizations, teaching inspirationalprogramsinCanadaandabroadtoawide SDA andajuriedartmemberofSAQA.www studio .MaggieisaprofessionalmemberofConnections,CQA, She sellsheroriginaltextileartatmajorexhibitionsandfrom schools, artcolleges,shops,theCQAand'Creativ'Festival. quilted surfaces.Maggiepresentslecturesandclassesforguilds, silk fusion,felt,handembroidery, beading,anddenselymachine wall-hangings createdwithherowndyedandpaintedfabrics, galleries andmuseumsaroundtheworld.Itincludesoriginal world, inpublicbuildingsOntario,andhasbeenexhibited for over35years.Herworkisinprivatecollectionsaroundthe sculpture andphotography mediums ofcollageandpaint,towhichshehasrecentlyadded corporate andprivatecollections.Sheworksprimarilyinthe widely andisapublishedartistwithworkininternational, attended SheridanCollegeSchoolofDesign.Rosemaryexhibits Valley SchoolofArtinIndependentMentoredStudyandalso Resident ArtistatHSADin2015.Shespent5yearsDundas Advancement atFlemingCollegeandwasthefirstReclaim www represent Al’s workinOntario,Quebec,NewYork, andEurope. among others.Avarietyofagentsandprestigiousgalleries Canadian OperaCompanyandtheNationalBalletofCanada, painted onstageasaperformanceartistwithmembersofthe Ontario, aswellinmanyprivatelyownedgalleries.Hehasalso has exhibitedintheNationalGalleryandTheArtof elements combinetraditionalandcontemporaryimagery painting anddrawing.Landscape,stilllife,figurativeabstract style continuestoevolveasheexploresthemanypossibilitiesof he againbegantopursuepaintingfull-time.Hiscolourfuleclectic 1986 .Sellinghissubsequentarchitecturalcompaniesin1989, tectural modelcompaniesintheworldbyNewYork magazinein art company, which grewtobenamedoneofthetopthreearchi scene duringtheseventies.In1980,hefoundedacommercial Graduating in1972,hewasdeeplyinvolvedtheCanadianart printmaking, bookartsandtextile.www Art andDesignUniversity, whereshestudieddrawing,painting, Gwen completedaBachelorofFineArtsattheOntarioCollege addition toearningaFineArtsCertificatefromHumberCollege, Arts Mississauga,Gallery1313,andPropellerinToronto .In and groupshows.GalleriesincludeBeaux-ArtsBrampton,Visual pates injuriedshowsandexhibitsherpaintingsregularlysolo communicate herpassion,energy, andcommitment toeducating had theopportunitytoreachbeyond theclassroomtofurther and CaymanNationalCurriculum. Asapublishedauthorshehas while integratingalleducationalaspects oftheCanadian,UK, emotional well-being,personalgrowth andcreativeexpression, empowering cross-curricularartprogramsdesignedtocreate ences haveallowedhertocreateandimplementnumerous pursued manyartdisciplinesforoverfortyyears.Gwenpartici approaches toinnovative,intuitivedrawing.Shehaspassionately abstraction conceptsandtechniquesaswellexploratory .alvanmilcom . .zhibitorg/gwentooth .stonethreadsca .He - - -

INSTRUCTORS 87 and empowering communities by encouraging creative art activi- Liz Wilde worked as Educational Director at the McMichael Gallery, ties that can help people resolve conflicts and problems, develop evolved into a computer art and animation consultant and interpersonal skills, manage behaviour, reduce stress, increase teacher for Amiga in the early 90’s, worked as a teacher of visual self-esteem and self-awareness, and achieve insight . Jessica arts and media arts in the Regional Arts Program at Cawthra has also been an avid artist for her entire life, opening her first Park Secondary School, and taught for 18 summers at the solo-exhibition before she turned sixteen . Haliburton School of The Arts . Viewing, creating, and teaching Victoria Wallace is a mixed-media visual artist and educator of art is a central part of her life . At present she enjoys spending acrylic, encaustic, and sculptural media . She operated a mural days in her studio, attending life drawing sessions with Central and specialty paint finish company in Toronto for over 25 years, Connection art group, and reconnecting full time with personal which included work for television programs, commercials, film, artistic endeavours . She is excited to share her love for drawing restaurants, businesses and private collections across Canada with simple materials and a mindful approach . and internationally . She has been trained as a Golden Artist Marcin Wisniewski has been a children’s educator for over 5 years . Educator for Golden Paints, Tri-Art Acrylic Program instructor He holds a Master of Arts degree from Concordia University, and Product Specialist, and R&F Handmade Paints Certified has worked as a primary school teacher in Seoul, South Korea, Encaustic Instructor . She has taught and had exhibits at The and has been facilitating arts and crafts activities at Branksome Art Gallery of Peterborough, Humber College Assembly Hall Hall and Upper Canada College for over 2 years . He likes art and has been an exhibitor during the Kawartha Autumn Studio in all of its forms and enjoys helping kids explore the world by Tour for the past 7 years . Victoria very much enjoys facilitating more experiential means . When not working with children he the personal creative evolution of each individual artist in her co-curates In Your Pocket, an annual program of short videos workshops . www .victoria-wallace .com recorded using smartphone technologies . Susan Watson Ellis followed graduation from the University of Cassandra Wyszkowski attended the New School of Art in Toronto Toronto with an apprenticeship to a German Goldsmith . In 1981 and went on to receive complete training in the medium of she opened Paradigm Designs, creating handcrafted jewellery Japanese Brush Painting (sumi-é) under Ruth Yamada . In 1972, which sold across Canada . Her work won recognition in 2000 as she earned her Japanese seal on the basis of a test painting part of the Ontario Craft Council’s “Looking Forward Exhibition” submitted to a panel of sumi-é judges in Japan . Cassandra representing contemporary Canadian craft, and curated by the received further training in Western watercolour and Chinese Victoria and Albert Museum in London England . She was also painting and has developed a unique style based on these chosen to be part of their “Craft in the Making II” exhibition in oriental traditions . She is a member of the Sumi-é Artists of 2003, and their juried exhibition “Craft ‘07” . Her work is part of Canada, has been teaching and painting professionally for over the permanent contemporary Canadian silver collection at the 30 years, and has exhibited in numerous galleries in solo and Macdonald Stewart Art Centre in Guelph, Ontario . Susan sells group exhibitions throughout the country . Cassandra has also her work from her studio, the One of a Kind Shows in Toronto delivered workshops to painters’ and potters’ guilds throughout and at the Ontario Craft Council’s Guild Shoppe in Toronto . Susan Ontario . Her paintings are held in private and corporate 88 has taught jewellery courses and workshops since 1992 at the collections in North America and abroad . Cassandra has been Haliburton School of The Arts, St . Lawrence College, Academy of teaching at the Haliburton School of The Arts every summer Artisans, OCAD, and through the Ontario Arts Council’s Artist in since 1976 . Education program . www .paradigmjewellery .com Nora Zylstra Savage promotes individual self-worth and community Katherine Wheatley sings truth, bravely, and in detail . Acoustic appreciation of personal life stories through her business, roots with catchy melodies, arresting vocals, great guitar playing, Storylines . She accomplishes this through memoir and creative lyrics that get you and that you get – these are all things that writing courses which she has been teaching since 1993 . She have been written over and over again about her music . Like has created and facilitates memoir and music intergenerational Shawn Colvin, Edie Brickell and Joni Mitchell, she mines programs (Bridging the Gap) for high school and middle school heartache and produces lyrical and melodic gold . And like one students . Bridging the Gap went international and is now being of her earliest influences, Gordon Lightfoot, she invokes nature delivered in Holland . As a personal historian, Nora records to reflect the emotional intent of her songs . Katherine won other people’s life stories and brings enthusiasm, humour and the Duke Ellington Award for arranging, the Gordon Delamont sensitivity to all her programs . www .story-lines .ca Award for Composition and the CMPA award for songwriting at Humber College . Her song “Hallelujah” won a Golden Quill award and was selected, along with “Some Sweet Country” for the new Rise Again songbook (30th anniversary publication of Rise Up) . In addition to touring across Canada, the US and Europe as a solo singer/songwriter, Katherine is a member of the Toronto super group “Betty and The Bobs”, plays regularly in the hilarious and moving duo “Wendell and Wheat” and tours every winter with Jude Vadala and Tannis Slimmon in the trio “Boreal” . She’s been on Stuart McLean’s Vinyl Cafe, TVO’s Studio Two, CBC’s Vicki Gabareau Show and CTV’s Canada AM, and has written music for film and television documentaries . www .katherinewheatley .com/ Elinor Whidden received a BA in Canadian Studies/Environmental Studies from Trent University, a BFA from Nova Scotia College of Art & Design and a MFA from SUNY at Buffalo . She has exhibited throughout North America, recently showing work in Alberta and Ontario as well as Detroit, Michigan . Elinor is the recipient of numerous grants and awards including creation grants from the Ontario Arts Council and the Canada Council for the Arts . www .elinor .whidden .com Important Information

Accommodation Information – See page 90 . Receipt – Your receipt will be emailed to you if you register online Administrative Fee – All part-time HSAD course cancellations and mailed if you register by telephone or mail . are subject to a $25 administrative fee . If you cancel in writing Skill Levels – Courses are designed for the beginner to the any time up to 14 days prior to course start, you will receive a full advanced student, unless otherwise indicated . Limited class size refund less a $25 administrative fee . See below for full refund allows for individual instruction at each level, providing maximum policy . benefit to all students . Please be sure to check the experience recommendations indicated before you register for a course . Age Groups – Kids: 4 (by Jan . 1, 2016) to 6 years and 7 to 9 years Transcripts/Final Grades – Printed transcripts are not auto- matically provided unless you have completed a Certificate or Youth: 10 to 12 years Diploma, or have requested one . To access your grade, please Teen: 13 to 18 years visit https://mycampus .flemingc .on .ca and follow the instruc- Cancellation of Courses – Please see details outlined in the tions . You will need your student number, which is shown on your Refund Policy section below . receipt for payment . Fees – Tuition fees for most part-time credit courses are $6 .43 Weaving Looms – You should bring your own loom if possible . per hour . The part-time service fee is $0 .74 per course hour to a However, there will be a limited number of looms available from maximum of $45 per course . Service fee details below . Material the school . The looms will be available on first come, first served costs are extra and subject to tax . basis . Freedom of Information – Information given will be used for administration purposes such as registration, student records, Should you require further information, class lists and mailing lists . please call our office for assistance: Harmonized Sales Tax (HST) – Where applicable, HST is 705-457-1680 included in the course fee listed . Toll-free 1-866-353-6464 ext. 3 International Fees – Registrants who are not Canadian Citizens or [email protected] Landed Immigrants will be required to pay course fees based on an international rate . The international rate for a part-time course is calculated at $17 .78 per hour plus a $0 .74 per course hour Material Lists (up to a maximum of $45) service fee . A week long credit course A list of materials needed for your course is accessible on-line will cost $879 .70 . Material costs are extra and subject to tax . (usually by May 1) . Simply visit www .hsad .ca and search for 89 Part-Time Service Fee – A part-time service fee of $0 .74 per your course name . There will be a link on that page . course hour (up to a maximum of $45) applies to all adult week- Important details to check: long courses and adult weekend workshops . The fee is included – Course name in the advertised fee and will cover services offered to students at – Course code and section number the Haliburton School of Art + Design . – Instructor – Date VCAD Credits: Within this calendar, These checks will ensure you are accessing the correct foundation courses are indicated by a single asterisk (*), material list for your course . non-credit courses are indicated by a double asterisk (**), This list will also indicate any material fees that will be payable elective courses have no asterisk. to the instructor . Please check the status of your course if See pages 72–73 for more information regarding the you are concerned about the investment in materials . Your Visual and Creative Arts Diploma. material list can be mailed to you upon request .

REFUND POLICY

If We Cancel: When the college finds it necessary to cancel If You Cancel: All notifications of cancellation must be a course, a full refund of fees will be granted . Decisions on received in writing . course cancellations are made two weeks prior to course start If you cancel any time up to 14 days prior to course start, you in order to provide fair notice to students and instructors . will receive a full refund less a $25 administrative fee . If you Notifications are made by telephone – be sure to give us cancel later than 14 days prior to course start, there is no an alternate number to call if possible . Should you wish refund of fees . This policy applies in all circumstances due to transfer to another course, every effort will be made to to our commitment to students and instructors two weeks accommodate you, providing there is space . You will be prior to course start . Should you be able to attend a different contacted only in the event of cancellation . We cannot be course within the fiscal year, we would be happy to attempt to responsible for travel or accommodation expenses . accommodate you . Courses are non-transferable. Our fax number is (705) 457-2255 and is available 24 hours/ Transcripts are issued for credit courses, making it impera- day 7 days/week . Notification is also welcomed electronically tive that the student registered is the student that attends. at askus@hsad .ca

No refunds, partial or whole, will be granted if we receive insufficient written notification. It may take 2 to 4 weeks for refunds to be processed. FAQ 2016

What are the admission requirements? Is smoking allowed? Students must be 19 years of age or older or a secondary school Smoking is only permitted in designated areas . Please ask for graduate to register for credit courses . Saturday workshops, Kids’, details when you’re on site . Youth and Teen courses are not subject to this requirement . Can you help me with special needs? What are the ages for courses? Fleming College strives to accommodate individuals with special Kids: 4 (by Jan . 1, 2016) to 6 years and needs . Equal access is important to us . Students requiring special 7 to 9 years support while at the school should inform us upon registration . Self-identification is your responsibility . Please contact the school Youth: 10 to 12 years in a timely manner to enable us to make necessary arrange- Teen: 13 to 18 years ments . call (705) 457-1680 or TTY (705) 749-5521 . Please adhere to the ages indicated . The school maintains the right to request proof of age and, if necessary, will remove a child Is there a discounted fee for seniors? from a course . No refund will be granted in these instances . We don’t offer a senior rate for any of our courses, workshops or supplies . Which bus service goes to Haliburton? Can-ar Coach Service has daily service from Toronto . How can I find out more about the local area? 1-800-387-7097 www .can-arcoach .com Information about the Haliburton Highlands is available at www .experiencehaliburton .com and www .haliburtoncounty .ca . Is there a taxi service in Haliburton? Hyland Taxi, 24 hour service, 705-457-1777 Where do people stay when they take a course? The Haliburton School of Art + Design maintains an accommoda- Register Early! tion list at www .hsad .ca under the Haliburton Accommodations It is advisable to register as soon as possible . tab . Options range from private to commercial, from room & Waiting until the last minute limits your choice of courses and board to hotels; the distance to the school is indicated with each . may cause unnecessary disappointment . The County of Haliburton Visitor Information Centre has information available about bed and breakfast establish- 90 ments, motels, housekeeping cottages and resorts ranging from rustic to luxury . Information can be mailed to you, OPENING DATES FOR REGISTRATION or names and phone numbers given at your request . Call during business hours: Monday to Saturday until June; March 1 Spring and summer Haliburton & OCADU 7 days per week in July and August: 1-800-461-7677 or courses and spring Peterborough courses (705) 286-1777 . Visit www .experiencehaliburton .com email tourism@experiencehaliburton .com March 28 Expressive Arts – Part-time within the 8-week spring program Can I get art supplies there? July 4 Fall in all locations Art supplies will be available for purchase on-site Mondays and Wednesdays from July 4 to August 11, 2016 . There are also some art supplies available at local retail outlets . Can we get something to eat at the school? Fleming Campus: There is a small servery located at our Hali- burton campus . Coffee, muffins, juices, soups, salads, and daily lunch specials are available . The hours are Monday to Friday, 8:30 am to 1:30 pm . There are also vending machines with drinks and snacks, as well as a microwave and fridge available for your use . Picnic tables will be situated around the property . There are a number of restaurant options in the village . Please note that there will not be food service for Saturday workshops . J . Douglas Hodgson Elementary School: There is no cafeteria at this location . Food service options, at time of printing, are unconfirmed . Check our website at www.hsad.ca Can I bring my pet? for the latest information. Sorry, but pets are not permitted in any of the school locations . How do I know if the skill level is right for me? Calendar Accuracy We do our best to indicate the skill level that instruction will be The material in this calendar has been prepared in advance offered at . If there is no indication, assume that it’s suitable for of the academic session to which it pertains . The information beginners . Please give careful consideration to the appropriate- presented herein was the most current and accurate information ness of your course as it relates to your skill level as this will at the time of printing . Fleming College reserves the right to make ensure a positive learning experience for all involved . We would changes without further notice . For the most current information, be happy to assist you with any questions . please visit www .hsad .ca OpportunitiesBEYOND to relax, explore THE and enjoy STUDIOduring summer school! n Faculty Exhibition Meet & Greet at the Rails End Gallery & Art Centre Massage Tuesdays (July 5 to 26) • 4:30 to 6:00 pm Massage appointments will Rails End Gallery & Arts Centre be available on-site in the Meet and mingle at the Faculty Show and Sale of new work . This 23 York St ., Haliburton summer . A schedule and is a great opportunity to relax and enjoy the company of fellow 705-457-2330 sign-up sheet will be posted . students and instructors as you unwind at the end of the day! www .railsendgallery .com Admission by donation . n Art Talks COMMUNITY ARTS EVENTS Wednesdays • 4:45 to 6:00 pm Haliburton has a thriving and supportive arts scene with activities The Haliburton School of Art & Design sponsors a weekly free and events year round . Check out: presentation open to all students, staff and public . Join us in the Haliburton Highlands Arts Council – www .haliburtonarts .on .ca Great Hall . See page 93 for specific presentations . Haliburton Art & Craft Festival, see ad page 35 . Tour de Forest Artisans Tour, see ad page 48 . n Walk-About & Instructor Feature The Forest Festival, see ad page 96 . Thursdays • 4:00 to 5:45 pm HSAD Faculty Exhibition, see ad page 74 . Students, family, friends and community members are welcome Haliburton County Studio Tour, see ad page 96 . to visit classrooms to see the work in progress and talk with the instructors . Instructor work will also be available to view on screen Highlands Summer Festival, see ad page 96 . in the Great Hall . Highlands Opera Studio www .highlandsoperastudio .com 91 n Samplings and Entertainment Sculpture Forest Thursdays • 5:30 to 6:30 pm The Haliburton Sculpture Forest, which wraps around the Each Thursday evening you’re invited to the Great Hall to relax, campus, is a unique outdoor collection of sculptures by Canadian sample locally produced food and beverages, and enjoy a free and international artists . The Sculpture Forest experience, which concert . The Art Auction will replace entertainment on August 11 . is unstructured and unscripted, is ideal for families looking for See page 92 for specific entertainers . an interesting outing, for those who enjoy outdoor trails, and for people looking for a unique artistic experience . Visit the Sculpture Forest anytime . www .haliburtonsculptureforest .ca

Haliburton School of Art + Design Faculty Art Auction a fabulous annual event with a long history There will be many unique works of art, all created and generously donated by artists who are members of the faculty at the Haliburton School of Art + Design . A number of Silent Auction items will also be available . Thursday, August 11, 2016 Haliburton Campus of Fleming College, Great Hall Preview at 5:00pm • Auction at 7:00pm 2015 Art Auction donation Admission is free and all are welcome! from Matt Mancini All proceeds from the Art Auction are directed to bursaries for students attending arts programs at the Haliburton Campus.

The Haliburton School of Art + Design and the Haliburton Campus Friends Committee gratefully acknowledge the on-going support of the faculty, staff and friends who donate so generously to this event. PLEASE WELCOME Join us in the Great Hall from 5:30 to 6:30 pm. TO THE STAGE Our entertainment is suitable for adults and children alike.

Thursday, July 7 Thursday, July 28 October Browne Katherine Wheatley October Browne has been According to the Toronto playing guitar for more than Star, Katherine Wheatley 30 years and singing for 20 . “turns pebbles of She has recorded four CDs everyday life into dreamy on which she plays guitar, mountains of song .” It’s mandolin, cittern, bodhran an apt observation about and fiddle . She can also be this geologist-turned- heard on compilations with songwriter . As she travels artists such as George Michael between shows on North and Bruce Cockburn . She America’s highways, the has become known for her landscape, as well as the intimate, heartfelt guitar instrumentals, emotive singing, and characters she encounters is one of a small handful of women who play fingerstyle guitar on her travels, inspire her songs . She has an uncanny ability to professionally . October has played around the world in various take minor observations in life and find their soul . With offhand musical capacities that range from musical director and band wit, vibrant lyrics and an infectious passion for performing, member, to accompanist and soloist . www .octoberbrowne .com Katherine has been captivating audiences everywhere she performs . Warren Footz from SEE Magazine in Edmonton wrote “As a listener, it’s hard not to sit back, close your eyes and watch Thursday, July 14 the movie play . And man, can this serene red head ever play Eve Goldberg and Brenna MacCrimmon guitar .” www .katherinewheatley .com Known for her watercolour voice and solid guitar style, Eve Thursday, August 4 92 Goldberg is a compelling writer and interpreter whose music spans folk, blues, country, swing, bluegrass, and gospel . Brenna MacCrimmon is a Canadian folk singer who has been performing, Rick Fines studying and teaching Balkan and Turkish music since the late Rick Fines has been playing music 1980s . professionally for 30 years now and is a veteran of the folk and blues circuits in North America . His song “Riley Wants His Life Back” won first place in the blues category of the International Songwriting Competition, with B .B . King as one of the judges! He won Maple Blues Awards for Acoustic Act of the Year (twice) and Songwriter of the Year . His work with Jackson Delta brought nominations from both the Juno and the Handy Awards . Rick has toured around the world sharing his understanding of blues, finger-style and bottleneck guitar . His 11th recording, Solar Powered, was recorded just south of Haliburton using solar power exclusively . www .rickfines .com

Thursday, July 21

Andy Rush and the Thursday, August 11

Choral Singers Annual Art Auction Experience the power of the See page 91 for details . collective voice! A group of individuals – most meeting for the first time just four days prior to become part of this choral group – will raise their voices together in song . The result will be extraordinary . Andy Rush’s passion for performance and music motivates his musicians and Community Arts Events energizes entire rooms . You’ll witness and hear but, most of all, Check out some Haliburton-area you’ll feel the remarkable phenomenon of the collective voice . arts events on page 91 . Join us in the Great Hall from 5:30 to 6:30 pm. Wednesday, July 6 Our entertainment is suitable for adults and children alike. The Domestic Acts of Love with Michele Karch Ackerman Michele Karch-Ackerman makes clothing for ghosts . For over twenty years she has stitched conceptual wardrobes to manifest healing . From stitching christening gowns for pioneer babies who died before they could be baptized, making Travel Coats for Lost Souls for those who died in the Swiss Air Crash, and nightgowns Art Talks for soldiers who perished in the First World War, to creating a mythical boarding school for the Dionne Quintuplets and a series of foundling garments for the unwed mothers who were forced to give up their babies in the early to mid-twentieth century . Her most recent exhibition Little Flower Sanatorium was inspired by tuberculosis sanatoriums (involving Michele in an artist residency at a hospital) and was featured in Part Two of her retrospective 4:45 to 6:00pm • Wednesdays from July 6 to August 10 The Domestic Acts of Love; an exhibition partnership between Tom Thomson Gallery and The Grimsby Public Gallery . Join Art Talks are held in the Great Hall of Fleming Campus. Michele as she takes you on a visual tour of the eight major Friends, family and community members welcome. shows that encompass this remarkable exhibition . Her newest Free! publication Little Flower Sanatorium will be available for viewing .

Wednesday, July 13

A Cultural Exploration of Textiles Wednesday, August 3 with Gunnel Hag The Draw of Art Explore the magic of colour and pattern in printed and dyed with Kate Carder-Thompson fabrics from around the world . Historical dyed and printed fabrics are compared with contemporary fabrics to gain an Kate’s work is as varied as it is unexpected, ironic, and thought understanding of the production of these exquisite textiles and provoking . She confronts creative processes in such a way that the role they continue to play in contemporary patterns and you see things a little differently than you did before . Whichever 93 colours . Fabric samples will be available to view and discuss . the medium, the common thread is consideration of the first visual glimpse of the concept – the drawing . Through a visual survey of her work she’ll have you rethinking habits, supports and Wednesday, July 20 techniques, considering new tools and re-visiting trusted ones, Monet’s Water Lilies – A Big Story about Painting and realizing the potential of creative process . with Andrea Mossop Wednesday, August 10 Monet’s revolutionary approach redefined painting, realizing a painting as much more than a window onto a naturalistic three- Life Sketches dimensional world . Through images of his work and sanctuary at with Robert Bateman Giverny, discover what the act of painting was to him and the role it played in his relationship with his home, garden, family, and Join Robert Bateman as he recounts his evolution as an artist; a France . Learn how he came to paint the large Water Lilies – and journey firmly rooted in a passion for the natural world . Glimpse what they mean . Consider how to move Monet’s legacy forward his perspectives and practices, both in life and art . His recently into your personal way of painting . released memoir, Life Sketches, will be available for purchase .

Wednesday, July 27 The Art of Material Culture with Rosemary VanderBreggen Emotional surprises, infinite possibilities, and unexpected explore haliburtonsculptureforest.ca relationships all arose from Rosemary’s daily visits to the landfill . As the 2015 Reclaim Artist in Residence, she undertook a seemingly straightforward project that twisted and turned into an free unexpected and deep life experience . The frailty of the human admission. condition, the nostalgia of memories, and the perception of value were all apparent as she sought objects for use in her open dawn art . It became so much more than an effort to recycle . “My art will forever be changed by the experiences I’ve had within this to dusk. residency and I plan to continue my study of found objects through garbage .” 30+ sculptures in Glebe Park Haliburton.. Bursaries

n Haliburton School of Art + Design Apply for the following bursaries using the Financial Aid Office Art Auction Bursaries online fund application. The Marketing and Advancement Department is offering n CFUW Haliburton Chapter Student Bursary bursaries of $450 for one-week courses and $800 for full time Awarded to a female student in financial need enrolled in a full- programs . These bursaries exist through funds raised at the time program at the Haliburton Campus . Must also be a resident annual Art Auction and are available to students taking any credit of Haliburton County . (Variable amount) course within this brochure . Term: Fall Haliburton School of Art + Design – One-Week Courses n Denis Cliff Endowed Bursary Several bursaries are awarded to students studying in short Awarded to a student in financial need who is enrolled in the programs throughout the year . ($450) Visual Arts Fundamentals and Drawing Program at the Haliburton Term: Spring, Summer & Fall Campus . (Variable amount) Submission process: Contact Haliburton Campus for application . Term: Fall 1-866-353-6464 ext . 3 or 705-457-1680 or askus@hsad .ca Deadline: April 29, June 13, & September 13, 2016 n Donald Crump Endowed Bursary Awarded to a full-time student in financial need enrolled in the Haliburton School of Art + Design – Full-Time Programs Photo Arts Certificate Program at the Haliburton School of Art + Several bursaries are awarded to students studying full-time in Design . (Variable amount) both arts and non-art programs at the Haliburton School of Art + Term: Fall Design . ($800) Deadline: August 19, 2016 Terms: Fall, Winter & Spring Submission process: Financial Aid Office online application n Kathleen Finlay Memorial Bursary Deadline: Details available on web page Awarded to a full-time student in financial need enrolled in the We gratefully acknowledge numerous donors as well as the Visual & Creative Arts Fundamentals (Drawing and Painting) faculty, staff and friends of the Haliburton School of Art + Design program . (Variable amount) for their generosity in providing the works of art and organizational Term: Fall time for the Art Auction. n Carole and Don Finn Endowed Bursary 94 Please refer to web page for additional information and application details. Awarded to a full-time student in financial need in the Arts Certificate/Diploma Program at the Haliburton Campus . (Variable n Stanley F. Dance Scholarship amount) Awarded to a student registered in a course that focuses on Term: Fall writing or music . (1x $228) n Clark Guettel Memorial Student Bursary Term: Summer Awarded to a full-time student in the Glassblowing Program at the Submission Process: Contact Haliburton Campus for application . Haliburton Campus . (Variable amount) 1-866-353-6464 ext . 3 or 705-457-1680 or askus@hsad .ca Term: Winter n Haliburton Friends Student Bursaries – Sustainable Building Awarded to a full-time student in the Sustainable Building Questions? Program at the Haliburton Campus . (Variable amount) Term: Spring

Please refer to the website for details n Haliburton Campus Staff Bursary and application deadlines. Awarded to a full-time in financial need that is registered in a flemingcollege.ca/financial-aid/scholarships-and-bursaries program that is offered at the Haliburton Campus . (Variable Select your program of choice from the right-hand column . amount) Terms: Fall, Winter & Spring Request additional information at n Janet Honsberger Endowed Bursary 1-866-353-6464 ext . 3 or 705-457-1680 Awarded to a full-time student registered in the Visual and askus@hsad .ca Creative Art Diploma and/or any of the Arts certificate programs offered by the Haliburton School of Art + Design . (Variable amount) Submission guidelines are subject to change, please check the College website to confirm all submission information prior to the Term: Fall start of your program or course . n The Gallen-Ludgate Arts Bursary Awarded to a full time student registered in the Visual and Creative Art Diploma and/or any of the Arts certificate programs offered by the Haliburton School of Art + Design . (Variable amount) Term: Fall “Adopt a Cabin” Renovation Fund

Each summer, artists from across Canada travel to Haliburton to be a If you would like more information part of Haliburton School of Art + Design . Outstanding visual artists, about how you can help, please contact: performers and designers share their talents when they teach one or Lyn Giles, Senior Advancement Officer more weeks in our summer art program . 1-866-FLEMING (353-6464) ext . 1739 During their time in Haliburton, our faculty stay in rustic cabins built by the college in the 1970s . Located in a natural setting, the cabins are truly lyn .giles@flemingcollege .ca an inspiration to the artists who have the opportunity to stay in them . The availability of the cabins makes teaching at the Haliburton School of Art + Design a possibility for artists who do not live in the area or have access to local accommodation . However, the cabins that welcome more than 150 artists each year are in need of renovations so they are safer, more functional and more energy efficient to ensure we provide the best space possible for Canada’s creative talent . Being able to offer this renewed type of accommodation to our seasonal faculty allows us to continue to attract the best of the best in Canadian artistry, which provides a better experience for all our students . You can help to ensure the Haliburton School of Art + Design continues to offer courses by the most talented artists in Canada by supporting our ‘Adopt a Cabin’ renovation fund . 95

Make your gift today by clicking on the “Donate Now” link at: www.flemingcollege.ca/advancement/giving-to-fleming and selecting “Adopt a Cabin” from the menu. A charitable tax receipt will be issued for all gifts to this fund

The Agnes Jamieson Gallery has been operating as a public art gallery since

1981. Open year round, the gallery offers 2016 community programming of visual art th

exhibitions from local and regional 29 Annual COUNTY artists and its permanent collection; HALIBURTON consisting of work by André Lapine, ARCA (1866-1952). Part of the Minden Hills Cultural Centre, “What a treasure, studio the gallery coordinates its programming hidden away in a with the Minden Hills Museum and small village. Local Nature’s Place. people take notice! tour Very impressive.” Visit the centre and enjoy a day —Deb Filles Join us for 2 weekends of fine art & craft, discovering Minden heritage, set amongst the beautiful fall colours Haliburton’s ecological environment 176 Bobcaygeon Road of the Haliburton Highlands. Minden 705-286-3763 st nd and Canadian art. October 1 & 2 10am - 5pm www.mindenhills.ca/ Thanksgiving weekend cultural-centre Oct. 8th & 9th 10am - 5pm 705.457.9110 www.haliburtonstudiotour.on.ca 96

Haliburton Forest & Wild Life Reserve Fill Your Summer with proudly presents LIVE THEATRE

July 4-8, 10 (2:30 matinee) Performances July 11-14 July 4th 10th Anniversary to Aug. 9th August 17-21, 2016 Tickets or July 18-22, 27-29 August 1-5, 10-12 more information Exciting 705.457.9933 Performances! Toll Free New 855.457.9933

Experience Unique o� The Judgment of Paris Summer Performances w��t’s� at our Waterfront Amphitheatre July 24 (2:30 matinee) August 7 (2:30 matinee) t �stage � s July 25-26 August 8, 9 & Historic Logging Museum s��m�� Tickets & Order tickets online information 705.754.2198 www.theforestfestival.com HighlandsSummerFestival.on.ca The Art of Design . is for Haliburton School of Art + Design

We’ve changed our name, but not our commitment to providing the best possible art education experience for our students. Our new name now reflects the breadth of our expanded programming: art and design studies offered in full-time, part-time, and accelerated formats; available at multiple campus locations and partner institutions.

The letter H features prominently in our new identity: is inspired by the iconic Haliburton campus red doors that symbolize the opening of creative possibilities for all students. is for Haliburton and the wonderful community of artists, designers and makers who live here. Design Studies With A Difference: education that integrates art, material practices, production techniques, and experiential learning – all explored through the lens of design discipline principles, elements and processes . We developed our suite of programs to inspire creative thinkers, builders and problem is an acknowledgment of our longstanding history in shaping art solvers, and to provide them with solid technical skills training . Work with professional education since 1968. designers; apply your skills in state-of-the-art studios . Be the one who shapes the future of design . Prepare for all creative possibilities at Haliburton School of Art + Design .

CERTIFICATE PROGRAMS DIPLOMA PROGRAMS Cover Art Digital Image Design Integrated Design John Anderson, Morning Joy Study, 2011 Moving Image Design Graphic Design – offered at our Peterborough Campus John Anderson is a veteran studio and plein air painter. His first major influence was the work of Sustainable Building Design and Construction Andrew Wyeth; later it was the Group of Seven and Tom Thomson. John teaches in our summer program: Landscape Painting – Inside & Out Oil Painting – Introduction to Plein Air Oil Painting – Plein Air Intermediate/Advanced hsad.ca DESIGN YOUR FUTURE. Integrated Design Diploma

Become the designer you’ve always wanted In three semesters, you’ll explore and to be . Our Integrated Design program will give experiment, collaborate, communicate and you the fundamental design skills and critical ultimately discover your design talent . You will thinking needed to become a successful be well-prepared to apply your knowledge and designer in the 21st century . This one-of-a- skills developed during the program to whatever kind, accelerated diploma program incorporates design specialty you choose to pursue . a hands-on approach to material culture, sustainability and fine craftsmanship . Start Date: September 2016

WE HAVE A 3D PRINTER hsad.ca AND A LASER CUTTER

Program Coordinator: Barr Gilmore RCA, MDes barr .gilmore@flemingcollege ca. 1-866-353-6464 ext . 6706 hsad.ca Design. + During this 15-week immersive experience, you will spend 40 hours a week in the studio mentored by in the studio mentored During this 15-week immersive experience, you will spend 40 hours a week bodies of work. considered one or more artists, creating professional exhibitions and gallery visits, you will be supported guest lectures, critiques, individual and group Through for grants, and processes in the development of your work, your portfolio, documents and submission exhibition preparation. body of work during an artist talk, along with a set of artist documents and a your current present You’ll final portfolio. Take Your Studio Practice to Your Take This Summer. the Next Level — May to August, 2016 Advancement Graduate Certificate Studio Process School of immersive studio experience this summer at the Haliburton a new, offering are We Art specifically for emerging artists, visual arts graduates and is designed This unique, intensive studio program and further develop their work with the guidance of a re-examine established practitioners who want to faculty in a supportive, inspiring environment. team of professional Highlights: some of the Program are Here • • • details, contact Sandra Dupret: For program [email protected] Course Calendar 2016

Haliburton School of Art + Design 2016 Course Calendar

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hsad.ca K0M 1S0 Box 839, Haliburton, Ontario 297 College Drive [email protected] Toll Free 1.866.353.6464 ext. 3 Free Toll 705.457.1680