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Keyword Analysis of Bruno Mars' Song Lyrics
Materialism Construction: Keyword Analysis of Bruno Mars’ Song Lyrics Arisara Thongnopphakhun Wannapa Trakulkasemsuk Thanis Bunsom King Mongkut’s University of Technology Thonburi, Bangkok, Thailand Corresponding author’s email: [email protected] Received 21 January 2019; revised 26 June 2019; accepted 31 July 2019; online 30 August 2019 Abstract Music has long been an effective way to communicate to the masses, and lyrics play an essential role in delivering this communication. Lyrics may contain an ideology and influence listeners. This study aims to conduct a keyword analysis to investigate the materialistic ideology connoted in Bruno Mars’ song lyrics. The corpus of Bruno Mars’ lyrics was compiled from lyrics of 30 Bruno Mars songs in three albums released between 2010 and 2016. The corpus was then compared against the British National Corpus (BNC) to obtain a keyword list. The top 100 keywords were selected based on their statistical values for further analysis. They were classified according to their part of speech, and concordance lines of each keyword were obtained so as to discuss the representation of Bruno Mars’ songs. Materialistic concepts found in the corpus include an emphasis on, or preference for, 49 Vol. 14 No. 2 (2019) luxury objects, brand-name items, a lavish lifestyle, parties, economic power, physical appearance, and objectifying women. Keywords: Aboutness, Bruno Mars lyrics, Keyword analysis, Materialism Introduction In this age of great technological advancement, popular culture (or pop culture) is widespread. As citizens of the globalised world, it is difficult for us to escape from the influence of mass media and popular culture (Monk, Winslade & Sinclair, 2008). -
Sugar Hill Label Album Discography
Sugar Hill Label Album Discography SH 245 - Rapper’s Delight – Sugar Hill Gang [1979] Here I Am/Rapper’s Reprise (Jam-Jam)/Bad News//Sugar Hill Groove/Passion Play/Rapper’s Delight SH 246 – The Great Rap Hits – Various Artists [1980] 12” Vinyl. Spoon’nin’ Rap – Spoonie gee/To the Beat (Ya’ll) – Lady B/Rapping and Rocking the House – Funky Four Plus One//Funk You Up – The Sequence/Super Wolf Can Do It – Super-Wolf/Rapper’s Delight – Sugarhill Gang SH 247 – Kisses – Jack McDuff [1980] Kisses/Say Sumpin’ Nice/Primavera/Night Fantasies//Pocket Change/Nasty/Tunisian Affair SH 248 Positive Force – Positive Force [1980] Especially for You/People Get on Up/You’re Welcome//Today It Snowed/We Got the Funk/Tell Me What You See SH 249 – The 8th Wonder – Sugar Hill Gang [1981] Funk Box/On the Money/8th Wonder//Apache/Showdown/Giggale/Hot Hot Summer Day SH 250 – Sugar Hill Presents the Sequence – Sequence [1980] Simon Says/The Times We’re Alone/We Don’t Rap the Rap//Funk a Doodle Rock Jam/And You Know That/Funky Sound/Come on Let’s Boogie 251 252 253 254 SH 255 – First Class – First Class [1980] Give Me, Lend Me/Let’s Make Love/Coming Back to You/No Room For Another//I Wasn’t There/Lucky Me/Going Out of My Head/Hypnotize 256 SH 257 – Hard and Heavy – Wood, Brass and Steel [1980] Re-Entry/Open Up Your Heart/Long Live Music/Love Incognito/Be Yourself//Are You Busy/Superstar/Welcome/Space Walk/Fly with the Music 258 SH 259 – Brother 2 Brother – Brother to Brother [1980] Backlash/I’ve Been Loving You/I Must’ve realized/Latin Me//Let Me Be for Real/Love -
Legal Writing, the Remix: Plagiarism and Hip Hop Ethics
Mercer Law Review Volume 63 Number 2 Articles Edition Article 4 3-2012 Legal Writing, the Remix: Plagiarism and Hip Hop Ethics Kim D. Chanbonpin Follow this and additional works at: https://digitalcommons.law.mercer.edu/jour_mlr Part of the Cultural Heritage Law Commons, and the Legal Writing and Research Commons Recommended Citation Chanbonpin, Kim D. (2012) "Legal Writing, the Remix: Plagiarism and Hip Hop Ethics," Mercer Law Review: Vol. 63 : No. 2 , Article 4. Available at: https://digitalcommons.law.mercer.edu/jour_mlr/vol63/iss2/4 This Article is brought to you for free and open access by the Journals at Mercer Law School Digital Commons. It has been accepted for inclusion in Mercer Law Review by an authorized editor of Mercer Law School Digital Commons. For more information, please contact [email protected]. Legal Writing, the Remix: Plagiarism and Hip Hop Ethics by Kim D. Chanbonpin I. PRELUDE I begin this Article with a necessary caveat. Although I place hip hop music and culture at the center of my discussion about plagiarism and legal writing pedagogy, and my aim here is to uncover ways in which hip hop can be used as a teaching tool, I cannot claim to be a hip hop head.' A hip hop "head" is a devotee of the music, an acolyte of its discourse, and, oftentimes, an evangelist spreading the messages contained therein.2 One head, the MC' (or emcee) KRS-One,4 uses religious * Assistant Professor of Law, The John Marshall Law School (Chicago). University of California, Berkeley (B.A., 1999); University of Hawaii (J.D., 2003); Georgetown University Law Center (LL.M., 2006). -
TUNECODE WORK TITLE Value Range 289693DR
TUNECODE WORK_TITLE Value Range 289693DR It S Everyday Bro ££££ 329418BM Boys Are So Ugh ££££ 060461CU Sex On Fire ££££ 258202LN Liar Liar ££££ 2680048Z Willy Can You Hear Me? ££££ 128318GR The Way ££££ 217278AV Better When I'm Dancing ££££ 223575FM I Ll Show You ££££ 188659KN Do It Again ££££ 136476HS Courtesy Call ££££ 224684HN Purpose ££££ 017788KU Police Escape ££££ 065640KQ Android Porn (Si Begg Remix) ££££ 189362ET Nyanyanyanyanyanyanya! ££££ 191745LU Be Right There ££££ 236174HW All Night ££££ 271523CQ Harlem Spartans - (Blanco Zico Bis Tg Millian Mizormac) ££££ 237567AM Baby Ko Bass Pasand Hai ££££ 099044DP Friday ££££ 5416917H The Big Chop ££££ 263572FQ Nasty ££££ 065810AV Dispatches ££££ 258985BW Angels ££££ 031243LQ Cha-Cha Slide ££££ 250248GN Friend Zone ££££ 235513CW Money Longer ££££ 231933KN Gold Slugs ££££ 221237KT Feel Invincible ££££ 237537FQ Friends With Benefits (Fwb) ££££ 228372EW Election 2016 ££££ 177322AR Dancing In The Sky ££££ 006520KS I Wish I Knew How It Would Feel To Be Free ££££ 153086KV Centuries ££££ 241982EN I Love The 90s ££££ 187217FT Pony (Jump On It) ££££ 134531BS My Nigga ££££ 015785EM Regulate ££££ 186800KT Nasty Freestyle ££££ 251426BW M.I.L.F. $ ££££ 238296BU Blessings Pt. 1 ££££ 238847KQ Lovers Medley ££££ 003981ER Anthem ££££ 037965FQ She Hates Me ££££ 216680GW Without You ££££ 079929CR Let's Do It Again ££££ 052042GM Before He Cheats ££££ 132883KT Baraka Allahu Lakuma ££££ 231618AW Believe In Your Barber ££££ 261745CM Ooouuu ££££ 220830ET Funny ££££ 268463EQ 16 ££££ 043343KV Couldn't Be The Girl -
Roots and Branches Handout SESSIONS Revnov20
THE LIVING, BREATHING ART OF MUSIC HISTORY: THE ROOTS AND BRANCHES COURTESY OF WWW.THESESSIONS.ORG COUNTRY: THE ROOTS: The Carter Family/Roy Acuff/Kitty Wells/Hank Williams/Bob Wills & His Texas Playboys BRANCHES: Men: Johnny Cash/George Jones/Waylon Jennings/Conway Twitty/Charlie Pride/The Everly Brothers (see also Rock n’ Roll) WOMEN: Patsy Cline/Loretta Lynn/June Carter/Tammy Wynette/ Dolly Parton INFLUENCED: Jack White, Zac Brown TRIBUTARY: BLUEGRASS : Bill Monroe/Ralph & Carter Stanley/Ricky Scaggs/Allison Krauss TRIBUTARY: COUNTRY ROCK: The Byrds (“Sweetheart Of The Rodeo”)/Poco/early Eagles/Graham Parsons/Emmylou Harris THE BLUES: THE ROOTS (Men): (Delta) Robert Johnson /Son House /Charlie Patton/Mississippi John Hurt/WC Handy/Lonnie Johnson (Chicago) Muddy Waters/Howlin’ Wolf/Little Walter /Buddy Guy/Otis Rush/Elmore James/Jimmy Reed - (Detroit) John Lee Hooker - (Mississippi) BB King/Albert King - (Texas) Freddie King BRANCHES: Stevie Ray Vaughn/Jimi Hendrix/Led Zepplin/ The Fabulous Thunderbirds/Cream/Eric Clapton/early Fleetwood Mac/Allman Brothers/Santana/Paul Butterfield Blues Band MODERN: Robert Cray/Joe Bonamassa/ Warren Haynes/Keb Mo TRIBUTARY- TRANCE BLUES-Oxford MS -Black Possum Records—RL Burnside, Junior Kimbrough (The Black Keys are their disciples) THE BLUES: THE ROOTS (Women): Ma Rainey/Bessie Smith/Sister Rosetta Tharpe (see also “Rock and Roll”) Memphis Minnie (influenced Led Zepplin) BRANCHES (including Jazz) : Billie Holiday/ Dinah Washington/Peggy Lee/Lena Horne/Janis Joplin/Paul Butterfield Blues Band/Michael -
Sugarhill Gang Livin' in the Fast Lane Mp3, Flac, Wma
Sugarhill Gang Livin' In The Fast Lane mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Hip hop Album: Livin' In The Fast Lane Country: Australia & New Zealand Released: 1984 MP3 version RAR size: 1986 mb FLAC version RAR size: 1409 mb WMA version RAR size: 1468 mb Rating: 4.4 Votes: 697 Other Formats: MPC VOX XM DMF AHX AAC AU Tracklist Hide Credits Girls A1 5:38 Written-By – A. Goodman*, G. O'Brien*, H. Ray*, M. Wright* Fast Lane A2 5:06 Written-By – Joseph E. Wright, William P. Wingfield* I Like What You're Doing A3 5:25 Written-By – G. Henry* Kick It Live A4 6:19 Written-By – M. Hepburn*, Pleasure Troy B1 6:30 Written-By – Guy O'Brien, H. Jackson*, M. Wright* Real Funky B2 6:00 Written-By – C. Cook*, J. Robinson Jr.* Space Race B3 8:00 Written-By – B. Alexander*, D. Wimbish*, E. Fletcher* Companies, etc. Phonographic Copyright (p) – Sugar Hill Records Ltd. Manufactured By – RCA Limited, Australia Credits Design – Hemu Aggarwal Liner Notes – Master Gee Notes ℗©1984 Sugarhill Records, Ltd. Barcode and Other Identifiers Matrix / Runout (Label A, Etched A): SH 9206 A Matrix / Runout (Label B, Etched B): SH 9206 A Other versions Category Artist Title (Format) Label Category Country Year Livin' In The Fast Lane Sugar Hill SH 9206 Sugarhill Gang SH 9206 US 1984 (LP, Album) Records Livin' In The Fast Lane Sugar Hill 540095 Sugarhill Gang 540095 France 1984 (LP, Album) Records, Vogue Livin' In The Fast Lane Sugar Hill SH 9206 Sugarhill Gang SH 9206 Sweden 1984 (LP, Album, TP) Records Livin' In The Fast Lane Sugar Hill SHC-9206 Sugarhill Gang SHC-9206 US 1984 (Cass, Album) Records Livin' In The Fast Lane Sugar Hill SH 9206 Sugarhill Gang SH 9206 US 1984 (LP, Album) Records Related Music albums to Livin' In The Fast Lane by Sugarhill Gang 1. -
Rap Vocality and the Construction of Identity
RAP VOCALITY AND THE CONSTRUCTION OF IDENTITY by Alyssa S. Woods A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Music: Theory) in The University of Michigan 2009 Doctoral Committee: Associate Professor Nadine M. Hubbs, Chair Professor Marion A. Guck Professor Andrew W. Mead Assistant Professor Lori Brooks Assistant Professor Charles H. Garrett © Alyssa S. Woods __________________________________________ 2009 Acknowledgements This project would not have been possible without the support and encouragement of many people. I would like to thank my advisor, Nadine Hubbs, for guiding me through this process. Her support and mentorship has been invaluable. I would also like to thank my committee members; Charles Garrett, Lori Brooks, and particularly Marion Guck and Andrew Mead for supporting me throughout my entire doctoral degree. I would like to thank my colleagues at the University of Michigan for their friendship and encouragement, particularly Rene Daley, Daniel Stevens, Phil Duker, and Steve Reale. I would like to thank Lori Burns, Murray Dineen, Roxanne Prevost, and John Armstrong for their continued support throughout the years. I owe my sincerest gratitude to my friends who assisted with editorial comments: Karen Huang and Rajiv Bhola. I would also like to thank Lisa Miller for her assistance with musical examples. Thank you to my friends and family in Ottawa who have been a stronghold for me, both during my time in Michigan, as well as upon my return to Ottawa. And finally, I would like to thank my husband Rob for his patience, advice, and encouragement. I would not have completed this without you. -
DIVERSE CITY Magazine June 2017 CITY ARTIST - SHARON Sharon Has a Passion for Singing and Modeling
DIVERSE CITY Magazine June 2017 CITY ARTIST - SHARON Sharon has a passion for singing and modeling TRAVEL Summer is just around the corner by Natasha CARNIVAL TIME Across the globe and in the sun OUR STORIES, OUR JOURNEY My Solemn Pledge (poem) by Solomon Singh Punwasi, an old Madrasi Legend by Solomon Singh RAMADAN, A MONTH OF FASTING Some clarifications on fasting and Islam by F. Ally S LITERATURE - BOOK SALE Arooka - Travel and Technology books Fisal Ally - The Trilogy of Savitri’s Garden Rev Basil Solounias - The Girl of Ghassan MUSIC SIMILARITIES AND LAWSUITS Copyright laws & the poor man’s copyright A glance at lawsuits against musicians Bruno Mars, Ed Sheeran, and Pharrell Williams & Robin Thicke Two of Fisal Ally’s independent song similarities A glance at some of Fisal Ally’s musical compositions June 2017 DIVERSE CITY World Magazine FOLLOW YOUR PASSION Index: 3 - City Artist, Sharon Contact: 6 - Summer is just around the corner Ally Media 8 - Carnival Time Email: [email protected] 9 - Our Stories, Our Journey Website: www.allypublishing.ca My Solemn Pledge (poem) Edition 1.0 published on June 4, 2017 Punwasi, an old Madrasi Legend (story) 11 - Ramadan, a month of fasting 12 - Literature - Book Sales YOU PUT A SMILE 19 - Music Similarities ON MY FACE -Recent famous musician lawsuits - Observing similarities to Fisal Ally’s NEW CLEAR VISION Independent songs 24 - A glance at some of Fisal Ally’s musical compositions SHARING OUR 31 - Business Directory STORIES 2 June 2017 CITY ARTIST - SHARON By Don Silva Sharon has a passion for singing Working a full time job, and carrying out the duties of a mother and wife, Sharon Ali- Haniff makes time for her dreams and passions in life. -
32 - Bmm2020 the Get- Down Part
32 - BMM2020 THE GET- DOWN PART By Miles Marshall Lewis to hear the story and 2Pac. But their points of view underlined that “ YOU LOV E again and again,” hip-hop culture now stretches long enough (nearly said the legend- five decades) for different generations to have their ary MC Shan, “of how it all got started way back own “OK boomer” views about who’s hot and who’s when.” Back when the hip-hop holy trinity of DJs not in rap history. The almost 50-year passage of Kool Herc, Afrika Bambaataa and Grandmaster time since its beginnings at public-park jams in the Flash appeared together on the cover of The Source South Bronx also means that the genre spans from magazine in late 1993, only the hardcore adherents the mature dad rap of 4:44-era Jay-Z to the so-called of rap music knew its history in intimately famil- SoundCloud rhymes of the late Juice WRLD. iar terms. Things like the 1520 Sedgwick Avenue Still, even an outsider like Australian director Pictured above: address of Kool Herc or crews like the Universal Baz Luhrmann felt comfortable enough creat- DJs Afrika Bambaataa, Zulu Nation—of which DJ Jazzy Jay was an early ing the fictive world of The Get Down, a scripted Grandmaster Flash member—were largely unfamiliar outside of the Netflix series set in the mise-en-scène of hip-hop’s and Kool Herc. Bronx. As hip-hop developed throughout the years formative years in the ’70s. From the American into the pop music of the world, spawning docu- Book Award-winning Can’t Stop Won’t Stop to the mentaries and historical biographies, rap’s origin Peabody-winning docuseries Hip-Hop Evolution, story has become as well-known to music lovers as many have laid bare the origins of rap music for the Beatles’ roots in Liverpool. -
The G-Spot 6.1 the G-Spot Volume 6, Number 1 January 2004
The G-Spot 6.1 The G-Spot Volume 6, Number 1 January 2004 ASU Students Celebrate Roe v. Wade Anniversary Maryanne Benedict January 22, 2004 marked the 31st anniversary of Roe v. Wade, the Supreme Court decision that recognized a womyn’s right to control her reproductive choices. Demonstrations both for and against womyn’s reproductive freedom took place on campus to commemorate this historic event. Cami Kalman, a representative of Voices for Choice (VOX), a student group sponsored by Planned Parenthood, stated that VOX organized the pro-choice rally to both celebrate Roe v. Wade, as Local Activist to Stand Trial well as to provide a counter to the misinformation that has been disseminated by other groups such as Students for Life and Serena Turley Voices for the Moral Choice. One such claim is that pro-choice Laro Nicol is a family man. Speaking with this father supporters and feminists only push for abortion and do not of three, you get an overwhelming sense that he provide adequate information about other reproductive options. genuinely loves his wife and children. And yet According to Candace X, president of VOX, “we’re really here to because the government has painted Laro as a gun- push for education about all kinds of contraception and let people toting madman, Laro has been robbed of his ability to know that they do have choices. ” provide for his family and may loose his ability to spend time with them altogether if he is convicted of Many students came out today as “Pro-Choice and Proud.” erroneous weapons charges when he goes to trial nein Megan Brice-Heames came to counter the people who are trying May. -
HERE`S a LITTLE STORY THAT MUST BE TOLD Microphone Grandmistresses, Lady Def Jams, Battle Queens, Mixmistresses, Fly Emcees, Spinderellas from the Late 70S to 1990
JEE-NICE PRESENTS: HERE`S A LITTLE STORY THAT MUST BE TOLD Microphone Grandmistresses, Lady Def Jams, Battle Queens, Mixmistresses, Fly Emcees, Spinderellas from the late 70s to 1990. Enjoy & spread the word! This Booklet is dedicated to all the ladies who rock da mike and spin the turntables. This copied fan-mag tries to discover the story of female hiphop activity from the beginning of hiphop culture in the late 70s to 1990. There is a cut in 1990. It was difficult to draw that line, to decide which artists to include and which not. Yo Yo, Queen Mother Rage, Sister Souljah, BWP, Conscious Daughters are not in it because they are more 90s then 80s. Nikki D, Tairrie B. and L.A. Star are on the edge, but I included them, because they are more 80s. What I did was to collect all the lyrics and pictures, which I could find and republish facts which are important for making history. I didn’t want to write anything new, I wanted to collect, to see what you can find out (in Germany), if you want to. In the end it’s not much and nothing that was published in the german language. You will find the source material in an appendix, so that you can check out where it comes from and read more, if you want to. Pictures without numbers are from my own record collection. This compilation can’t be complete and some facts will be wrong, but I have tried to make it as accurate as I can. -
Batallones Femeninos and Mare Advertencia Lirika Linda D
¡VIVAS NOS QUEREMOS! Feminist Activism in Hip-Hop Culture in México: Batallones Femeninos and Mare Advertencia Lirika Linda Daniela Villegas Mercado Department of Gender and Cultural Studies Faculty of Arts and Social Sciences University of Sydney A thesis submitted in fulfilment of the requirements for the degree of Doctoral of Philosophy at the University of Sydney 2019 1 DECLARATION I hereby declare that this submission is my own work and that, to the best of my knowledge and belief, it contains no material previously published or written by another person nor material which to a substantial extent has been accepted for the award of any other degree or diploma of the university or other institute of higher learning, except where due acknowledgement has been made in the text. Linda Daniela Villegas Mercado March 2019 2 ABSTRACT In a Mexican political context permeated by drug-related violence, organised crime, and violence against women and feminised bodies, young women with different class and ethnic backgrounds are using hip-hop culture to denounce the government and create consciousness in relation to feminicide in the country. This thesis focuses on the work of the female rap collective Batallones Femeninos (Women’s Battalions) which originated in the frontier of Ciudad Juárez, Chihuahua, and of Mare Advertencia Lirika, from the southern state of Oaxaca. Immersed in heavily male-dominated hip-hop culture, the female rappers in my research emerge as openly feminist artists and position their feminisms with reference to very particular geographical contexts, and class and ethnic backgrounds. In the case of Batallones, their feminism is informed by specific experiences in el barrio (the hood), of Juárez and Mexico City, the influence of autonomous Zapatismo, and their travels through the country.