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January / February
CELTIC MUSIC • KENNY HALL • WORLD MUSIC • KIDS MUSIC • MEXICAN PAPER MAKING • CD REVIEWS FREE Volume 3 Number 1 January-February 2003 THE BI-MONTHLY NEWSPAPER ABOUT THE HAPPENINGS IN & AROUND THE GREATER LOS ANGELES FOLK COMMUNITY A Little“Don’t you know that Folk Music Ukulele is illegal in Los Angeles?” — WARREN C ASEYof theWicket Tinkers is A Lot of Fun – a Beginner’s Tale BY MARY PAT COONEY t all started three workshop at UKE-topia hosted by Jim Beloff at years ago when I McCabe’s Guitar Shop in Santa Monica. I was met Joel Eckhaus over my head in about 15 minutes, but I did at the Augusta learn stuff during the rest of the hour – I Heritage Festival just couldn’t execute any of it! But in Elkins, West my fear of chords in any key but I Virginia. The C was conquered. Augusta Heritage The concert that Festival is has been in existence evening was a for over 25 years, and produces delight with an annual 5-week festival of traditional music almost every uke and dance. Each week of the Festival specialist in the explores different styles, including Cajun, SoCal area on the bill. Irish, Old-Time, Blues, Bluegrass. The pro- The theme was old gram also features folk arts and crafts, espe- time gospel, in line with cially those of West Virginia. Fourteen years the subject of Jim’s latest ago Swing Week was instigated by Western book, and the performers that evening had Swing performers Liz Masterson and Sean quite a romp – some playing respectful Blackburn of Denver, CO as a program of gospel, and others playing whatever they music. -
John Mceuen Brings with Him 45+ Years of Worldwide Performing with His Banjo, fiddle, Guitar, and Mandolin
John McEuen brings with him 45+ years of worldwide performing with his banjo, fiddle, guitar, and mandolin. Often referred to as 'the String Wizard', he weaves stories of his travels and family life (he has raised 7 kids), taking us through where his musical path has taken him. A founding member of the Nitty Gritty Dirt Band in 1966, John instigated the 1972 classic Will the Circle Be Unbroken album, (inducted in to the Library of Congress as 'one of America's most important recordings). He has earned Emmy nominations, Grammy Awards, CMA acclaim, The Western Heritage Award, and many other accolades can be found on his website: www.johnmceuen.com. Proud to be an integral part of the first American band to go to Russia (in 1977!), John's love of performing is evident when during his shows he takes us 'behind the curtain' of the music world that so many of us know of only as listeners, and shows us how we have all been a part of it, more than we may know. McEuen's XM radio show, Acoustic Traveller, is in its 6th year, and you can find his new Americana Music Show on Syndicatednews.net (of which he is CEO) As winner of the 2010 Best of the West Performer award from the Folk Alliance organization, John's show is sure to be one enjoyed by all. He also won Best Bluegrass Album Grammy that year for his production of The Crow - Steve Martin). John in June of 2013 was honored with the Charlie Poole Lifetime Achievement Award in North Carolina. -
January 1983
VOL. 7 NO. 1 Cover Photo by William Coupon FEATURES PETER ERSKINE Over the past dozen years, Peter Erskine has continued to live up to the promise he showed back when he was the youngest person ever accepted at a Stan Kenton summer band camp. Here, Peter discusses how each phase in his career—including his recent departure from Weather Re- port to join Steps, and his first solo album—have brought him closer to being the kind of musician he wants to be. by Rick Mattingly 8 CHESTER THOMPSON Playing with Frank Zappa requires a special kind of drummer; playing with Weather Report takes a different type; playing for Genesis has yet another set of require- Photo by Joost Leijen ments. That Chester Thompson has been able to handle Photo by Paul Natkin/Photo Reserve all three situations says a lot about his versatility and abil- ity, which he comments on in this MD exclusive. by Stanley Hall 14 MD FORUM: Audio Engineers—on Miking & Recording Drums: Part II by Mark Z. Stevens 18 JIM GORDON One of the true legends of rock drumming, Jim Gor- don began his studio career playing extra percussion parts beside such master drummers as Hal Blaine and Earl Palmer, and he began his touring career with the Everly Brothers. Gordon talks about how he went on to play and record with some of the biggest names in rock, while giving insights into the professional and personal aspects of his life. by Scott Fish 22 INSIDE THE WORLD OF DRUM CORPS by Jay A. -
Nitty Gritty Dirt Band
NITTY GRITTY DIRT BAND With a refreshed lineup and newfound energy, The Nitty Gritty Dirt Band remains one of the most accomplished bands in American roots music. Following an extended 50th anniversary tour, the ensemble grew to a six-piece in 2018 for the first time since their early jug band days. The group now includes Jeff Hanna (acoustic guitar, electric guitar), Jimmie Fadden (drums, harmonica), Bob Carpenter (keyboards), Jim Photoglo (bass, acoustic guitar), Ross Holmes (fiddle, mandolin), and Jaime Hanna (electric and acoustic guitar). All six members also sing, and when their voices merge, the harmonies add a powerful new component for the legendary band. And with the father-son pairing of Jeff and Jaime Hanna, the band carries on a country music tradition of blood harmony. Jeff Hanna says, “It’s like when you throw a couple of puppies into a pen with a bunch of old dogs. All of a sudden, the old dogs start playing, you know? That’s kind of what’s happened with us. The basic vibe is so up and positive, and the music– we’re hearing surprises from Jaime and Ross all night. And they’re encouraging us in the same way to take more chances. It’s opened a lot of doors for us, musically, and the morale is really great. That’s important for a band that’s been out there for over 53 years.” The Nitty Gritty Dirt Band played their first gig in 1966 in Southern California as a jug band and by 1969 had become a cornerstone of the burgeoning country-rock community. -
FW May-June 03.Qxd
INTERVIEW MARK O’CONNOR • FESTIVALS • CAMPS • FREE CONCERTS • MANY FACES OF FOLK FREE Volume 3 Number 3 May-June 2003 THE BI-MONTHLY NEWSPAPER ABOUT THE HAPPENINGS IN & AROUND THE GREATER LOS ANGELES FOLK COMMUNITY Many“Don’t you know that Faces Folk Music is illegal in Los Angeles?” of— WARREN FolkC ASEYof the Wicked Tinkers BY JERRY BRESEE tart with Leadbelly. Draw checking out and is a good yard- a line over to Woody stick of their musical evolution. Guthrie. Drop straight The two bands coexisted for a down to Bob Dylan, and while with the Moonshiners play- again to Neil Young. ing 100% bluegrass and the Nitty Draw your line sideways Gritty Dirt Band being eclectic. to Tracy Chapman. Draw The McCabe’s Guitar Shop gang S a line from her back up to liked playing jug band music; Les both Leadbelly and Bob points to Jim Kweskin and the Jug Dylan. Link in B.B. King. Hook Band as an influence. With both Woody Guthrie up to Bob Wills and Bob Dylan and the Beatles hap- hook them both up to Dave Carter. pening at that time, the NGDB was Then write down Bill Monroe and pulled in many directions, and the Vassar Clements. Hook them Moonshiners soon merged into the together, and then hook them both to band. Their stage shows, which Dave Carter and Bob Wills. Add were being heard at The links to Nickel Creek, Allison Kraus, Troubadour, The Ice House, The and link them both to Bela Fleck. Mecca and The Ash Grove, were Keep adding names: Joni Mitchell, made up of a broad range of mate- Ladysmith Black Mombazo, Lila rial, drawing from all their many Downs, Los Lobos. -
Interview with JOHN MCEUEN Was Conducted by the Library of Congress on June 7, 2017
This interview with JOHN MCEUEN was conducted by the Library of Congress on June 7, 2017 John McEuen Library of Congress: Thank you for the advance pages from your autobiography that you sent, specifically those pages related to the making of “Will the Circle Be Unbroken.” I was struck by many things. One of them, there seemed to be a divide at the time, between how you as a group were perceived—as long-haired hippies—and the Nashville establishment. Did you feel that? John McEuen: Well,…you know, Earl Scruggs, in 1969, appeared at a DC peace rally. Skeeter Davis had spoken out against the Vietnam War; it upset some people in country music. Various other country musicians were not all pro-Vietnam. Musicians were Republican and Democrat. But there was a chasm in the country that affected everyone. It was a time of mass confusion. Sort of like now! [Laughs.] But, it was noted by all that when we came together to record, politics did not enter the studio. Everyone was there for the music and the event of three generations making it. It was magic. I’m reminded of something that Mark Twain once said: “Politicians and diapers--you have the change them often and always for the same reason.” It still applies…. But “politics” are something different than “people.” And when you play an instrument, you don’t think, “This is only for a certain group of people.” The music on “Circle” was a reflection of hearkening back to different times and paying homage to what had come before. -
Born Standing Up: a Comic\'S Life
Also by Steve Martin NOVELS The Pleasure of My Company Shopgirl PLAYS Picasso at the Lapin Agile WASP NONFICTION Pure Drivel Cruel Shoes SCREENPLAYS Shopgirl Bowfinger L.A. Story Roxanne The Jerk (coauthor) Scribner A Division of Simon & Schuster, Inc. 1230 Avenue of the Americas New York, NY 10020 Copyright © 2007 by 40 Share Productions, Inc. All rights reserved, including the right to reproduce this book or portions thereof in any form whatsoever. For information address Scribner Subsidiary Rights Department, 1230 Avenue of the Americas, New York, NY 10020. Scribner and design are trademarks of Macmillan Library Reference USA, Inc., used under license by Simon & Schuster, the publisher of this work. Library of Congress Cataloging-in-Publication Data Martin, Steve, 1945– Born standing up: a comic’s life/by Steve Martin. p.cm. 1. Martin, Steve, 1945–2. Entertainers—United States—Biography. I. Title. PN2287.M522A3 2007 792.7'028092—dc22 [B] 2007027143 ISBN-13: 978-1-4165-6974-9 ISBN-10: 1-4165-6974-X Photograph credits appear on last page. Visit us on the World Wide Web: http://www.SimonSays.com To my father, mother, and sister, Melinda Contents Beforehand Coffee and Confusion Comedy Through the Airwaves Disneyland The Bird Cage Theatre Television The Road Breakthrough Standing Down Acknowledgments Born Standing Up Beforehand I DID STAND-UP COMEDY for eighteen years. Ten of those years were spent learning, four years were spent refining, and four were spent in wild success. My most persistent memory of stand-up is of my mouth being in the present and my mind being in the future: the mouth speaking the line, the body delivering the gesture, while the mind looks back, observing, analyzing, judging, worrying, and then deciding when and what to say next. -
Songs of William Blake,” Which Was Produced by John Mceuen, of the Nitty Gritty Dirt Band
“A delightful surprise...terrific album” ROBERT SIEGEL, ALL THINGS CONSIDERED “In a brilliant collision of cultures, the powerful blues and soul singer Martha Redbone has recorded an album called “The Garden of Love: Songs of William Blake,” which was produced by John McEuen, of the Nitty Gritty Dirt Band. In it, the mystical, humanistic words of the eighteenth-century English poet are fused with the melodies, drones, and rhythms of the Appalachian string-band music that Redbone absorbed as a child from her grandparents, in Black Mountain, Kentucky.” THE NEW YORKER “Poised to be Americana's next superstar.” THE VILLAGE VOICE “Martha Redbone is a charismatic indie-soul diva whose sound is a just-right mix of retro and modern.” TIMEOUT NEW YORK “This woman is a true original; the kind of artist who sets trends, as opposed to following them.” BILLBOARD MAGAZINE “A truly hypnotic and eloquent roots Americana exploration.” ALLMUSIC GUIDE “A perfect slice of Americana.” NO DEPRESSION “An organic, gorgeous feast for ears and mind.” DUSTY WRIGHT, HUFFINGTON POST Martha Redbone Roots Project transforms the words of William Blake into modern American music | Concert Preview | Chicago Reader MUSIC | CONCERT PREVIEW June 29, 2018 Martha Redbone Roots Project transforms the words of William Blake into modern American music By Jamie Ludwig @unlistenmusic f you were looking for compelling source material for an album of 21st-century Americana, you might not start with poems written in England at the tail end of the 18th century. But the 2012 debut album by Martha Redbone Roots Project, , sets the words of the English writer, artist, and visionary to arrangements that blend elements of Appalachian folk, gospel, soul, blues, and Native American music. -
SAVE the DATE AMERICAN BANJO MUSEUM HALL of FAME CELEBRATION September 7-9, 2017 from the Director
American Banjo Museum Quarterly Spring 2017 2017 Hall of Fame Inductees Announced Inside . 2017 Hall of Fame Inductees Announced John McEuen Paul Erickson Joel Walker Roy Clark Tony Trischka From The Director Five-String Four-String Sweeney Promotion Instruction & Performance Performance Historical Education Donors Save The American Banjo Museum in the Hall of Fame should evolve as well. the Day Oklahoma City is pleased to announce As such, in 2013, the ABM Board of the 2017 inductees into the American Directors voted to establish an annual ABM Membership Banjo Museum Hall of Fame. performance category to honor all styles of five-string banjo playing as well as Mardi Gras Blows The National Four-String Banjo Hall of opening the other previously four-string into the ABM Fame was established in 1998 to honor banjo exclusive non-performance cate- jazz age four-string banjo pioneers as gories to all types of banjos. With this Open Jam Sessions well as the contemporary artists, educa- move the American Banjo Museum Hall at the ABM tors, manufacturers and promoters who of Fame was established. Suggestions carried on the traditions of their prede- for nomination in the categories of America's Super cessors. The American Banjo Museum Four-String Performance, Five-String Picker Roy Clark was, in its infancy, an extension of that Performance, Historical, Education & Hall of Fame. In the years preceding Instruction, Design & Manufacture and New Faces at 2014, the Hall of Fame honored 71 in- Promotion may be made by any mem- the ABM dividuals and entities in the four-string ber of the ABM association. -
Mountain Stage Guest Artist List
MOUNTAIN STAGE GUEST ARTIST LIST 1981 March Bob Thompson Jazz Trio, Putnam County Pickers 1983 December Larry Parson’s Chorale, Bob Thompson Jazz Trio, John Pierson 1984 January Currence Brothers, Ethel Caffie-Austin Singers, Terry Wimmer February Rhino Moon, Moloney, O’Connell & Keane, Alan Klein, Robert Shafer March Trapezoid, Charleston String Quartet, Bonnie Collins, April Stark Raven, Joe Dobbs/Friends, Alan Freeman, Joe McHugh May Hot Rize, Red Knuckles & Trailblazers, Karen McKay, Alan/Jeremy Klein June Norman Blake/Rising Fawn Ensemble, Appalachian String Quartet, Elmer Bird, Jeff and Angela Scott July Still Portrait, Everett Lilly/Appalachian Mountain, Sweet Adelines August Bill Danoff, Ann Baker/Bob Thompson Trio, Bob Shank, Alice Rice September Clan Erdverkle, Ron Sowell, Tracy Markusic, Shirley Fisher October Critton Hollow String Band, Tom Church, Marc & Cheryl Harshman November Turley Richards, Night Sky, Mountain Stage Regulars December (1 hr. Christmas special) West Virginia Brass, Bob Thompson, Devon McNamara 1985 January Turley Richards, West Virginia Brass, Bonnie Collins February Whetstone Run, Lucky Jazz Band, Alice Rice March Alex de Grassi, Nat Reese, Maggie Anderson April Guy Clark, Trapezoid, Marc Harshman May Bob Thompson, Ann Baker, Paul Skyland, Devon McNamara June 1 (Spoleto-Chas, SC) Hot Rize, Red Knuckles, John Roberts/Tony Barrand, Moving Star Singers June John McEuen, Mountain Thyme, John Rosenbohm, Bonnie Collins July Bill Danoff, Steadfast, Faith Holsaert August Buster Coles, Bing Brothers, Bob Baber -
Performing Live 2 0
PERFORMING LIVE TICKETS ON SALE SEASON BROCHURE MAY 22 2017-2018 LUDOVICO EINAUDI ESSENTIAL EINAUDI HOST OF PUBLIC GLOBALFEST LOVE ON THE FLOOR GEORGE BENSON RADIO’S RADIOLAB ON THE ROAD CREATED BY CHERYL BURKE & KENNY G JAD ABUMRAD THE NEW GOLDEN AGE OF LATIN MUSIC THE POWER OF THAT MUSIC STILL, TO THIS DAY, BYPASSES THE BRAIN AND GOES STRAIGHT TO THE HEART. DENNIS DEYOUNG YOU DON'T HAVE THE MUSIC OF STYX TO THINK ABOUT IT; IT'S SOMETHING AUG 11, 2017 • 8:00PM IKEDA THEATER | $35-$55 THAT YOU FEEL. Dennis DeYoung is a founding member of Styx, not only is he the lead singer, but he is the writer of seven of the band’s eight Top Ten Hits. His live concert showcases Styx greatest hits JOHN STAMOS including “Lady,” “Babe,” “Come Sail Away,” “Mr. Roboto,” “Rockin the Paradise” and more. ON THE BEACH BOYS Dennis is a legendary singer, songwriter, keyboardist, composer and record producer. His career spans over 40 years and his voice is one of the most recognizable in the music world today. Presented in partnership with Live Nation. THE BEACH BOYS SEPT 17, 2017 • 7:00PM IKEDA THEATER | $45-$99.50 The Beach Boys are one of America’s greatest rock bands. Songs like “Good Vibrations,” “Fun Fun Fun,” “Help Me Rhonda,” and “Surfin USA” became anthems for a generation and continue to engage new fans today. The Beach Boys are led by Mike Love and Bruce Johnston, who along with Jeffrey Foskett, Brian Eichenburger, Tim Bonhomme, John Cowsill and Scott Totten continue the legacy of this iconic American band. -
“The Stories Behind the Songs”
“The Stories Behind The Songs” John Henderson The Stories Behind The Songs A compilation of “inside stories” behind classic country hits and the artists associated with them John Debbie & John By John Henderson (Arrangement by Debbie Henderson) A fascinating and entertaining look at the life and recording efforts of some of country music’s most talented singers and songwriters 1 Author’s Note My background in country music started before I even reached grade school. I was four years old when my uncle, Jack Henderson, the program director of 50,000 watt KCUL-AM in Fort Worth/Dallas, came to visit my family in 1959. He brought me around one hundred and fifty 45 RPM records from his station (duplicate copies that they no longer needed) and a small record player that played only 45s (not albums). I played those records day and night, completely wore them out. From that point, I wanted to be a disc jockey. But instead of going for the usual “comedic” approach most DJs took, I tried to be more informative by dropping in tidbits of a song’s background, something that always fascinated me. Originally with my “Classic Country Music Stories” site on Facebook (which is still going strong), and now with this book, I can tell the whole story, something that time restraints on radio wouldn’t allow. I began deejaying as a career at the age of sixteen in 1971, most notably at Nashville’s WENO-AM and WKDA- AM, Lakeland, Florida’s WPCV-FM (past winner of the “Radio Station of the Year” award from the Country Music Association), and Springfield, Missouri’s KTTS AM & FM and KWTO-AM, but with syndication and automation which overwhelmed radio some twenty-five years ago, my final DJ position ended in 1992.