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Arthur Kopit: Inveterate
KU ScholarWorks | The Inge Digital Collection http://kuscholarworks.ku.edu Arthur Kopit: Inveterate Analyst of Frail Human Minds by Jeff Loomis Presented at the William Inge Theater Festival. March 29, 2014 The Inge Digital collection in KU ScholarWorks contains scholarly conference papers presented at the annual William Inge Theatre Festival, held at Independence Community College, in Independence, KS. The Independence Community College library is the curator of the William Inge Collection, home of over 400 manuscripts by William Inge donated primarily by Inge and his family, as well as press clippings, memorabilia and books. Arthur Kopit: Inveterate Analyst of Frail Human Minds By Jeff Loomis Presented at the William Inge Theater Festival 2014 2 Arthur Kopit: Inveterate Analyst of Frail Human Minds ”Wings,” produced in 1979 to high acclaim, is a key work in Arthur Kopit’s dramatic canon. In preparing this poignant transcription of one character’s efforts to conquer the debilitation caused by a cerebral hemorrhage, Kopit researched much medical data, after first having confronted his own father’s stroke and resultant death (“Wings” 142-143). Indeed, some critics have surmised that Emily Stilson, the central character of “Wings,” also dies, after enduring her second stroke, at the culmination of her drama’s plot (Simon 78, Rosen 78). The conclusion of the play seems ambiguous to me, though, and the drama surely strives, through much of its action, to demonstrate the slow, but apparently sure, dimensions of a recuperation that Emily Stilson had known, at least for a time. Meanwhile, of course, she did suffer (and we thus see dramatized) abundant personal anguish. -
A Comedy Revolution Comes to Starlight Indoors This Winter
FOR IMMEDIATE RELEASE CONTACT: Rachel Bliss, Starlight Theatre [email protected] 816-997-1151-office 785-259-3039-cell A Comedy Revolution Comes to Starlight Indoors This Winter Playing November 5-17 only! “SMART, SILLY AND “SPAMILTON IS SO “THE NEXT BEST THING CONVULSIVELY FUNNY” INFECTIOUSLY FUN THAT IT TO SEEING HAMILTON!” - The New York Times COULD EASILY RUN AS LONG - New York Post AS ITS INSPIRATION!” – The Hollywood Reporter KANSAS CITY, Mo. – As the weather cools off, the stage house heats up with the 2019-20 Starlight Indoors series, sponsored by the Missouri Lottery. Now in its fifth season, this year’s lineup of hilarious Off-Broadway hits opens November 5-17 with the North American tour of Spamilton: An American Parody, making its Kansas City premiere. Tickets are on sale now. Created by Gerard Alessandrini, the comic mastermind behind the long-running hit Forbidden Broadway, which played the 2017-18 Starlight Indoors series, Spamilton: An American Parody is a side-splitting new musical parody based on a blockbuster hit of a similar name. After numerous extensions of its run in New York, this hilarious production made a splash in Chicago, Los Angeles and London. Now, Spamilton: An American Parody brings a singing, dancing and comedy revolution to Kansas City. “Spamilton pays a hilarious tribute to its inspiration and is smart, sharp and funny to its core— everything you’d want and more from a spoof of Broadway’s most popular musical,” Caroline Gibel, director of indoor programming at Starlight, said. “The best part is, you don’t have to have seen Hamilton to enjoy Spamilton. -
Phantom’ Otleibein College Will Present Its Turns the Gothic Novel Into a Psycho the Opera House
Page 2 ThliW oalt in W aatervllla A pril 15, 1996 Otterbein sets elaborate staging of ‘Phantom’ Otleibein College will present its turns the gothic novel into a psycho the opera house. matinee at 2 p.m. Quenon is a Trappist monk at the second musical of the year when logical love story, as the Phantom's What the aging diva docs to thwart Tickets arc $13 for Friday and Sat Abbey of Gethscmani in Kentucky. “Phantom" is staged April 25-28 and background and motivations are ex Christine’s ambitions sets up the cli urday shows and $11 for Thursday Quenon’s images are studies of na May 2-4. plored. max of this version, as the Phantom and Sunday shows. Reservations may ture and his immediate surroundings: The musical is co-sponsored by The story delves into the soul of kidnaps Christine and is pursued into be made by calling the box office at the hionastcry walls, windows and the Otterbein College Theatre and the the man-monster who lives in a self- the catacombs. 823-1109 between I and 4:30 p.m. doors; the forms, textures and pat Department of Music and Dance. created world deep in the catacombs “Phantom” lias it all — humor, beginning Tuesday. terns of light discovered in content The American version of “Phan beneath the Paris Opera House. Ex drama, action, beauty, romance, stag plative seeing. tom" promises to be the most elabo plorations of the inner man reveal a ing, incredible sets, wonderful cos A poet as well as a photographer, rate production Otterbein has ever perceptive soul as rigidly secreted tumes, electrifying special effects. -
Garwood Council Creates Parks and Recreation Committee Cranford
Happy Hanukkah 2019 Ad Populos, Non Aditus, Pervenimus Published Every Thursday Since September 3, 1890 (908) 232-4407 USPS 680020 Thursday, December 19, 2019 OUR 129th YEAR – ISSUE NO. 51-2019 Periodical – Postage Paid at Rahway, N.J. www.goleader.com [email protected] ONE DOLLAR Cranford School District to See Share of Birchwood PILOT By CHRISTINA M. HINKE would not see taxes from that resi- Under the PILOT agreement with Specially Written for The Westfield Leader dential development, had the town- Birchwood Developers, the township CRANFORD – The township com- ship committee not formed this shar- is to receive 11 percent of revenue in mittee passed an ordinance Tuesday ing agreement with the school dis- the first 15 years of the 30-year tax that formalizes an agreement with the trict. The township made an agree- abatement. Cranford school district to share a ment to provide the district 70 per- Superintendent of Schools Scott portion of the Annual Service Charge cent of the Annual Service Charge Rubin, Ed.D., said to the committee, from Birchwood Developers Urban received in the calendar year of the “On behalf of the board of Renewal Associates, LLC, commenc- Annual Service Charge start date; 70 education...we really appreciate the ing upon Birchwood’s substantial percent of the Annual Service Charge opportunity you afforded us to advo- completion of a residential develop- received in the first full calendar year cate on behalf of our students and ment along Birchwood Avenue. following the Annual Service Charge faculty.” The apartment complex is under start date; and 55 percent of the An- Two developments going up in the development currently. -
Digital Commons @ Otterbein Nine
Otterbein University Digital Commons @ Otterbein 2008-2009 Season Productions 2001-2010 5-21-2009 Nine Otterbein University Theatre and Dance Department Follow this and additional works at: https://digitalcommons.otterbein.edu/production_2008-2009 Part of the Acting Commons, Dance Commons, and the Theatre History Commons Recommended Citation Otterbein University Theatre and Dance Department, "Nine" (2009). 2008-2009 Season. 4. https://digitalcommons.otterbein.edu/production_2008-2009/4 This Book is brought to you for free and open access by the Productions 2001-2010 at Digital Commons @ Otterbein. It has been accepted for inclusion in 2008-2009 Season by an authorized administrator of Digital Commons @ Otterbein. For more information, please contact [email protected]. OTTERBEIN COLLEGE DEPARTMENT OF THEATRE AND DANCE AND DEPARTMENT OF MUSIC Present Nine Book by ARTHUR KOPIT Music & Lyrics by MAURY YESTON Adaptation from the Italian by Mario Fratti Broadway Production Directed by Tommy Tune Original Cast Album on Columbia Records & Tapes Directed by CHRISTINA KIRK Music Director DENNIS DAVENPORT Choreographer STELLA HIATT-KANE Set Design Costume Design ROB JOHNSON MARCIA HAIN Lighting Design DANA L. WHITE Stage Managed by KELSEY FARRIS May 21-24, 28-30, 2009 Fritsche Theatre at Cowan Hall Produced by special arrangement with SAMUEL FRENCH, INC. cast Guido............................................................................................. Cesar Villavicencio Young Guido..........................................................................................Conner -
The Phantom of the Opera Music: Andrew Lloyd Webber Lyrics
The Phantom of the Opera Music: Andrew Lloyd Webber Lyrics: Charles Hart + Richard Stilgoe Book: Andrew Lloyd Webber + Richard Stilgoe Premiere: Thursday, October 9, 1986 THE STAGE OF THE PARIS OPERA, 1905 (The contents of the opera house is being auctioned off. An AUCTIONEER, PORTERS, BIDDERS, and RAOUL, seventy now, but still bright of eye. The action commences with a blow from the AUCTlONEER's gavel) AUCTIONEER Sold. Your number, sir? Thank you. Lot 663, then, ladies and gentlemen: a poster for this house's production of "Hannibal" by Chalumeau. PORTER Showing here. AUCTIONEER Do I have ten francs? Five then. Five I am bid. Six, seven. Against you, sir, seven. Eight. Eight once. Selling twice. Sold, to Raoul, Vicomte de Chagny. Lot 664: a wooden pistol and three human skulls from the 1831 production of "Robert le Diable" by Meyerbeer. Ten francs for this. Ten, thank you. Ten francs still. Fifteen, thank you, sir Fifteen I am bid. Going at fifteen. Your number, sir? 665, ladies and gentlemen: a papier-mache musical box, in the shape of a barrel-organ. Attached, the figure of a monkey in Persian robes playing the cymbals. This item, discovered in the vaults of the theatre, still in working order. PORTER (holding it up) Showing here. (He sets it in motion) AUCTIONEER My I start at twenty francs? Fifteen, then? Fifteen I am bid. (the bidding continues. RAOUL. eventually buys the box for thirty francs) Sold, for thirty francs to the Vicomte de Chagny. Thank you, sir. (The box is handed across to RAOUL. -
Music Copying
Philip Mantione 505-204-6027(cell) [email protected] www.philipmantione.com Music Preparation and Copying Experience MUSIC PREPARATION SERVICE EMPLOYERS NYC (1997 - 2010) • Emily Grishman Music Preparation • Katharine Edmonds Music • Chelsea Music Los Angeles (1996-97) • Suzie Katayama at Sony Music • Eric Stonerook Music SKILL SET • Highly proficient Finale user (16 years of experience). • Experience using Sibelius • Experience copying for musical theatre, film, TV, recording sessions, industrials and concerts. • Experience creating Piano Conductor parts from full score. • Experience copying Piano Vocals and Full Scores. • Experience with Proofreading and Music Librarian work. EDUCATION 1996 - M.M. - Composition - CSULA 1988 - Muscians' Institute - GIT - Honors Graduate 1982 - B.S. - State University of New York at Buffalo (SUNYAB) AFM DUAL-MEMBERSHIP • Local 802 - NYC (1997 - present) • Local 47 - Los Angeles (1996-97, 2010 - present) CREDITS SELECTED MUSICAL THEATRE PRODUCTIONS: BROADWAY AND OFF-BROADWAY Allegro A Tree Grows in Brooklyn Bounce Death Takes a Holiday Dessa Rose Dirty Rotten Scoundrels Side Show Spamalot Witches of Eastwick Never Gonnna Dance A Little Night Music Annie Get Your Gun Wild Party Frog and Toad Marie Christine Everything's Ducky Fiddler on the Roof The Full Monty It Ain't Nothin' But The Blues Tony Awards Parade Seussical Follies Bat Boy Thoroughly Modern Millie The Rocky Horror Show Best Little Whorehouse in Texas Nine to Five Urinetown Swing Radio City Music Hall Christmas Little Fish Brooklyn Into -
The Survival of American Silent Feature Films: 1912–1929 by David Pierce September 2013
The Survival of American Silent Feature Films: 1912–1929 by David Pierce September 2013 COUNCIL ON LIBRARY AND INFORMATION RESOURCES AND THE LIBRARY OF CONGRESS The Survival of American Silent Feature Films: 1912–1929 by David Pierce September 2013 Mr. Pierce has also created a da tabase of location information on the archival film holdings identified in the course of his research. See www.loc.gov/film. Commissioned for and sponsored by the National Film Preservation Board Council on Library and Information Resources and The Library of Congress Washington, D.C. The National Film Preservation Board The National Film Preservation Board was established at the Library of Congress by the National Film Preservation Act of 1988, and most recently reauthorized by the U.S. Congress in 2008. Among the provisions of the law is a mandate to “undertake studies and investigations of film preservation activities as needed, including the efficacy of new technologies, and recommend solutions to- im prove these practices.” More information about the National Film Preservation Board can be found at http://www.loc.gov/film/. ISBN 978-1-932326-39-0 CLIR Publication No. 158 Copublished by: Council on Library and Information Resources The Library of Congress 1707 L Street NW, Suite 650 and 101 Independence Avenue, SE Washington, DC 20036 Washington, DC 20540 Web site at http://www.clir.org Web site at http://www.loc.gov Additional copies are available for $30 each. Orders may be placed through CLIR’s Web site. This publication is also available online at no charge at http://www.clir.org/pubs/reports/pub158. -
Cast Biographies Chris Mann
CAST BIOGRAPHIES CHRIS MANN (The Phantom) rose to fame as Christina Aguilera’s finalist on NBC’s The Voice. Since then, his debut album, Roads, hit #1 on Billboard's Heatseekers Chart and he starred in his own PBS television special: A Mann For All Seasons. Chris has performed with the National Symphony for President Obama, at Christmas in Rockefeller Center and headlined his own symphony tour across the country. From Wichita, KS, Mann holds a Vocal Performance degree from Vanderbilt University and is honored to join this cast in his dream role. Love to the fam, friends and Laura. TV: Ellen, Today, Conan, Jay Leno, Glee. ChrisMannMusic.com. Twitter: @iamchrismann Facebook.com/ChrisMannMusic KATIE TRAVIS (Christine Daaé) is honored to be a member of this company in a role she has always dreamed of playing. Previous theater credits: The Most Happy Fella (Rosabella), Titanic (Kate McGowan), The Mikado (Yum- Yum), Jekyll and Hyde (Emma Carew), Wonderful Town (Eileen Sherwood). She recently performed the role of Cosette in Les Misérables at the St. Louis MUNY alongside Norm Lewis and Hugh Panero. Katie is a recent winner of the Lys Symonette award for her performance at the 2014 Lotte Lenya Competition. Thanks to her family, friends, The Mine and Tara Rubin Casting. katietravis.com STORM LINEBERGER (Raoul, Vicomte de Chagny) is honored to be joining this new spectacular production of The Phantom of the Opera. His favorite credits include: Lyric Theatre of Oklahoma: Disney’s The Little Mermaid (Prince Eric), Les Misérables (Feuilly). New London Barn Playhouse: Les Misérables (Enjolras), Singin’ in the Rain (Roscoe Dexter), The Music Man (Jacey Squires, Quartet), The Student Prince (Karl Franz u/s). -
Allusions and Historical Models in Gaston Leroux's the Phantom of the Opera
Ouachita Baptist University Scholarly Commons @ Ouachita Honors Theses Carl Goodson Honors Program 2004 Allusions and Historical Models in Gaston Leroux's The Phantom of the Opera Joy A. Mills Ouachita Baptist University Follow this and additional works at: https://scholarlycommons.obu.edu/honors_theses Part of the French and Francophone Literature Commons, Other Theatre and Performance Studies Commons, and the Translation Studies Commons Recommended Citation Mills, Joy A., "Allusions and Historical Models in Gaston Leroux's The Phantom of the Opera" (2004). Honors Theses. 83. https://scholarlycommons.obu.edu/honors_theses/83 This Thesis is brought to you for free and open access by the Carl Goodson Honors Program at Scholarly Commons @ Ouachita. It has been accepted for inclusion in Honors Theses by an authorized administrator of Scholarly Commons @ Ouachita. For more information, please contact [email protected]. Gaston Leroux's 1911 novel, The Phantom of the Opera, has a considerable number of allusions, some of which are accessible to modern American audiences, like references to Romeo and Juilet. Many of the references, however, are very specific to the operatic world or to other somewhat obscure fields. Knowledge of these allusions would greatly enhance the experience of readers of the novel, and would also contribute to their ability to interpret it. Thus my thesis aims to be helpful to those who read The Phantom of the Opera by providing a set of notes, as it were, to explain the allusions, with an emphasis on the extended allusion of the Palais Garnier and the historical models for the heroine, Christine Daae. Notes on Translations At the time of this writing, three English translations are commercially available of The Phantom of the Opera. -
Broadway Bound with Garrett Stack Free of Charge at Public Radio Exchange, > Prx.Org > Broadway Bound *Playlist Is Listed by Show (Disc), Not in Order of Play
Originating on WMNR Fine Arts Radio [email protected] Playlist* Program is archived 24-48 hours after broadcast and can be heard Broadway Bound with Garrett Stack free of charge at Public Radio Exchange, > prx.org > Broadway Bound *Playlist is listed by show (disc), not in order of play. Show #: 261 Broadcast Date: Oct. 29, 2016 Time: 16:00 - 18:00 # Selections: 23 Broadway Power Ballads + Random Fun Time Writer(s) Title Artist Disc Label Year Position Comment File Number Intro Track Holiday Release Date Date Played Date Played Copy 4:02 Stephen Sondheim Everybody Ought to Have a Maid Stadlen, L.J. + Nathan Lane, Mark A Funny Thing Happened On The Way To The Angel 1996 4/18/1996 - 1/4/1998. 715 Perf. One 1996 Tony Award: Best Actor - Nathan Lane. CDS Funny 8 1996 1/30/10 10/29/16 7:13 Ahlert/Young; Carmichael/Loesser; Finale: I'm Gonna Sit Right Down...; Two Sleepy People; I've Got My Company: Ken Page, Amelia McQueen, Nell Ain'tForum Misbehavin' - 1996 Revival Original Broadway Broadway Cast Cast-Disc 2 RCA 5/9/1978 - 2/21/1982. 1604 perf. Three 1978 Tony Awards: Best Musical; Best CDS Aint 0:04 10/14/067/7/07 1/17/09 3/27/10 11/26/113/15/14 10/29/16 Fingers Crossed;I Can't give You Anything…; It's a Sin To Linn-Baker, Ernie Sabella 1978 2/12 McHugh/Koehler; D Fields; Mayhew; Tell…;Honeysuckle Rose. Carter, Charlene Woodard, Andre De Shields Featured Actress - Nell Carter; Best Direction. -
136 NINE Der Regisseur Guido Contini Ist Ganz Oben
Berlinale 2010 Rob Marshall Birthday Special NINE NINE NINE USA 2009 Darsteller Guido Contini Daniel Day-Lewis Länge 118 Min. Carla Penélope Cruz Format 35 mm, Luisa Marion Cotillard Cinemascope Claudia Jenssen Nicole Kidman Farbe Lilli Judi Dench Mamma Sophia Loren Stabliste Stephanie Kate Hudson Regie Rob Marshall Saraghina Stacy Ferguson Buch Michael Tolkin Dante Ricky Tognazzi Anthony Fausto Giuseppe Cederna Minghella, Pierpaolo Elio Germano nach dem Musical Benito Andrea Di Stefano von Arthur Kopit Jaconelli Roberto Nobile und Maury Yeston, Assistenten Romina Carancini basierend auf Alessandro Federico Fellinis Denipotti Film 8 ½ Kamera Dion Beebe Schnitt Claire Simpson Wyatt Smith Judi Dench, Daniel Day-Lewis Ton Jim Greenhorn Musik Maury Yeston Musik-Supervision Matt Sullivan NINE Chroreografie Rob Marshall Der Regisseur Guido Contini ist ganz oben angekommen: Er gilt in den 60er John DeLuca Jahren als bester Filmemacher der Welt, hat dem italienischen Kino zu inter- Production Design John Myhre nationalem Glanz verholfen und wird von den schönsten Frauen der Welt Art Directors Peter Findley begehrt. Doch gerade, als er mit der Arbeit an seinem mit Span nung erwar- Phil Harvey Simon Lomont teten neuen Film beginnen will, stürzt er plötzlich tief in eine krea tive Le - Kostüm Colleen Atwood bens krise. Gleichermaßen verwirrt, verführt und angeregt von den Frauen Maske Peter King in seinem Leben – seiner Ehefrau Luisa, seiner Geliebten Carla, der amerika- Produzenten Rob Marshall nischen Mode-Journalistin Stephanie, seiner Kostüm de sig nerin Lilli, einer John DeLuca blonden Muse namens Claudia Jenssen, einer Jugendgeliebten und seiner Marc Platt Harvey Weinstein verstorbenen Mutter –, ringt er um Inspiration und Rettung.