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Tuchman-Rosta, Celia
UC Riverside UC Riverside Electronic Theses and Dissertations Title Performance, Practice, and Possibility: How Large-Scale Processes Affect the Bodily Economy of Cambodia's Classical Dancers Permalink https://escholarship.org/uc/item/4qb8m3cx Author Tuchman-Rosta, Celia Publication Date 2018 License https://creativecommons.org/licenses/by-nc-nd/4.0/ 4.0 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA RIVERSIDE Performance, Practice, and Possibility: How Large Scale Processes Affect the Bodily Economy of Cambodia’s Classical Dancers A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Anthropology by Celia Johanna Tuchman-Rosta March 2018 Dissertation Committee: Dr. Sally Ness, Chairperson Dr. Yolanda Moses Dr. Christina Schwenkel Dr. Deborah Wong Copyright by Celia Johanna Tuchman-Rosta 2018 The Dissertation of Celia Johanna Tuchman-Rosta is approved: Committee Chairperson University of California, Riverside Acknowledgements This dissertation would not have been possible without the help of many inspiring individuals who have taken the time to guide my research and writing in small and large ways and across countries and oceans. To start, I thank Sophiline Cheam Shapiro and John Shapiro, co-founders of Khmer Arts, and Michael Sullivan the former director (and his predecessor Philippe Peycam) at the Center For Khmer Studies who provided the formal letters of affiliation required for me -
Princess Norodom Buppha Devi (1943–2019): a Life in Dance Suppya Hélène Nut, Boreth Ly
Princess Norodom Buppha Devi (1943–2019): A Life in Dance Suppya Hélène Nut, Boreth Ly Asian Theatre Journal, Volume 37, Number 2, Fall 2020, pp. 311-327 (Article) Published by University of Hawai'i Press DOI: https://doi.org/10.1353/atj.2020.0031 For additional information about this article https://muse.jhu.edu/article/766345 [ Access provided at 19 Oct 2020 14:53 GMT from University of California @ Santa Cruz ] in memoriam Princess Norodom Buppha Devi (1943–2019): A Life in Dance Suppya Hélène Nut and Boreth Ly This article pays tribute to the late Princess Norodom Buppha Devi (1943–2109) who played a major role in preserving Khmer court dance after the Khmer Rouge genocide in Cambodia (1975–1979). By looking at some of the innovative choreographies, costumes and musical choices (especially dance dramas) she created, we point out that Khmer court dance is neither purely ritualistic nor rigid; there is room for innovations. Furthermore, we argue that the Princess had participated in modernizing traditional Khmer court dance throughout her life. To this end, we look closely at her signature role in the so-called “Apsara Dance,” a role that catapulted her to fame and was captured as a celluloid apparition by the French filmmaker, Marcel Camus in his 1962 film, L’Oiseau de Paradis (The Bird of Paradise). We conclude by looking at the innovative elements she created for her last choreography, Metamorphoses. This work exemplifies how Khmer court dance can adapt to modern innovation,yet retain its traditional role as art and marker of cultural identity. -
Cambodian Court Dance After Genocide
Philip Geisler Cambodian Court Dance After Genocide Embodied Heritage and the Limits of Critique 6 / 2020 Forum Transregionale Studien e.V. Wallotstr. 14 14193 Berlin T: +49 (30) 89001-430 [email protected] www.forum-transregionale-studien.de © 2020 Forum Transregionale Studien under CC BY-SA 4.0 Philip Geisler, Cambodian Court Dance After Genocide: Embodied Heritage and the Limits of Critique Essays of the Forum Transregionale Studien, 6/2020 Design: Plural | Severin Wucher Editorial team: Moritz Buchner, Georges Khalil, Jenny Meurer Cover image: The Sophiline Arts Ensemble performing their piece Phka Sla Krom Angkar (2017) about forced marriages under the Khmer Rouge. The full text is published open access in Essays of the Forum Transregionale Studien at www.perspectivia.net, the publication platform of the Max Weber Stiftung. It is also available at www.forum-transregionale-studien.de/essays. DOI: https://doi.org/10.25360/01-2020-00008 ISSN (Print) 2364-8945 ISSN (Online) 2364-8953 Gefördert durch: The Berlin-based Forum Transregionale Studien is a research platform that promotes the internationalization of the humanities and social sciences. The Forum provides scope for collaboration among scholars with different regional and disciplinary perspectives and appoints Fellows from all over the world. In cooperation with universities and research institutions in and outside Berlin it carries out research programs and engages in initiatives that examine contemporary issues in a shared framework from different positions. The Forum is supported by the Governing Mayor of Berlin – Senate Chancellery Higher Education and Research. In the area of communication and open access publication the Forum cooperates with the Max Weber Stiftung – German Humanities Institutes Abroad. -
World Heritage Angkor and Beyond
ngkor, the temple and palace complex of the ancient Khmer capital in Cambo- 2 Adia is one of the world’s most famous monuments. Hundreds of thousands of tourists from all over the globe visit Angkor Park, one of the finest UNESCO World Heritage Sites, every year. Since its UNESCO listing in 1992, the Angkor region has experienced an overwhelming mushrooming of hotels and restaurants; the infrastructure has been hardly able to cope with the rapid growth of mass tou- rism and its needs. This applies to the access and use of monument sites as well. The authors of this book critically describe and analyse the heritage nominati- on processes in Cambodia, especially in the case of Angkor and the temple of Preah Vihear on the Cambodian/Thai border. They examine the implications the World Heritage UNESCO listings have had with regard to the management of Angkor Park and Angkor and Beyond its inhabitants on the one hand, and to the Cambodian/Thai relationships on the other. Furthermore, they address issues of development through tourism that UNESCO has recognised as a welcome side-effect of heritage listings. They raise the question whether development through tourism deepens already existing Circumstances and inequalities rather than contributing to the promotion of the poor. Implications of UNESCO Listings in Cambodia Brigitta Hauser-Schäublin (ed.) Göttingen Studies in Cultural Property, Volume 2 World Heritage Angkor and Beyond Brigitta Hauser-Schäublin (ed.) BrigittaHauser-Schäublin ISBN: 978-3-86395-032-3 ISSN: 2190-8672 Universitätsverlag Göttingen Universitätsverlag Göttingen Brigitta Hauser-Schäublin (ed.) WORLD HERITAGE ANGKOR AND BEYOND. -
SOKHA PON CAMBODIAN AMERICAN WELLNESS CENTER មជ䮈មណ䮌លសុខភាពអាមេរិកាំងខេមបូឌា Mikayla Chor
SOKHA PON CAMBODIAN AMERICAN WELLNESS CENTER មជ䮈មណ䮌លសុខភាពអាមមរិកាំងមខមបូឌា Mikayla Chor . BFA Capstone Process Book . Spring 2021 TABLE OF CONTENTS 㾶ា殶ាង 掶ា㾷ិកា PAGE 01 PAGE 02 PAGE 05 Acknowledgement Project Narrative Overview of Cambodian History PAGE 08 PAGE 10 PAGE 11 Site: Analysis, Community Outreach Process: Sketches, Research, + Plan Form, Bubble Diagramming, + Study Model PAGE 15 PAGE 17 PAGE 20 Concept Imagery + Floor Plan + Highlights Research Essays Material Palette GLOSSARY រីក殶ាយ Apsara Apsara Dance Cambodia(n) Apsaras were beautiful The Apsara dance is a English word for female nymphs that traditional dance of the Kampuchea and the descended from Kingdom of Cambodia, Khmer people, a heaven to entertain dating back to the 7th Southeast Asian nation Gods and Kings with century their dance Khmer Khmer Rouge Phnom Penh pronounced “Red Khmers” - Capital city of “kuh-mai” | noun a brutal Communist Cambodia relating to the country movement that ruled of Kampuchea Cambodia from 1975 (Cambodia), its people to 1979 under dictator, or their language Pol Pot IN MEMORY OF THE TWO MILLION LIVES WHO PERISHED UNDER THE KHMER ROUGE REGIME This project is dedicated to my grandfather, Sokha Pon, a professor, philosopher, and father of seven who sacrificed his life for my mother’s family to escape to freedom. SO KHA PON 01 “We have exploited vulnerability. We need to be united together,” - KHMER COMMUNITY OF SEATTLE KING CO. Like many survivors of the Killing Fields, the older generation have expressed their plea for reclaiming security among the displaced Cambodian community. Although mental health is stigmatized, the way to restore peace is through cultivating a physical space of belonging, planting a place to celebrate identity, and to grow an environment that fosters healing. -
Cambodian Court Dance After Genocide
Philip Geisler Cambodian Court Dance After Genocide Embodied Heritage and the Limits of Critique 6 / 2020 Forum Transregionale Studien e.V. Wallotstr. 14 14193 Berlin T: +49 (30) 89001-430 [email protected] www.forum-transregionale-studien.de © 2020 Forum Transregionale Studien under CC BY-SA 4.0 Philip Geisler, Cambodian Court Dance After Genocide: Embodied Heritage and the Limits of Critique Essays of the Forum Transregionale Studien, 6/2020 Design: Plural | Severin Wucher Editorial team: Moritz Buchner, Georges Khalil, Jenny Meurer Cover image: The Sophiline Arts Ensemble performing their piece Phka Sla Krom Angkar (2017) about forced marriages under the Khmer Rouge. The full text is published open access in Essays of the Forum Transregionale Studien at www.perspectivia.net, the publication platform of the Max Weber Stiftung. It is also available at www.forum-transregionale-studien.de/essays. DOI: https://doi.org/10.25360/01-2020-00008 ISSN (Print) 2364-8945 ISSN (Online) 2364-8953 Gefördert durch: The Berlin-based Forum Transregionale Studien is a research platform that promotes the internationalization of the humanities and social sciences. The Forum provides scope for collaboration among scholars with different regional and disciplinary perspectives and appoints Fellows from all over the world. In cooperation with universities and research institutions in and outside Berlin it carries out research programs and engages in initiatives that examine contemporary issues in a shared framework from different positions. The Forum is supported by the Governing Mayor of Berlin – Senate Chancellery Higher Education and Research. In the area of communication and open access publication the Forum cooperates with the Max Weber Stiftung – German Humanities Institutes Abroad. -
The Onstage and Offstage Performance of Khmer Identity
Brigham Young University BYU ScholarsArchive Theses and Dissertations 2009-06-02 Puppets, Pioneers, and Sport: The Onstage and Offstage Performance of Khmer Identity Marel Angela Stock Brigham Young University - Provo Follow this and additional works at: https://scholarsarchive.byu.edu/etd Part of the Film and Media Studies Commons, and the Theatre and Performance Studies Commons BYU ScholarsArchive Citation Stock, Marel Angela, "Puppets, Pioneers, and Sport: The Onstage and Offstage Performance of Khmer Identity" (2009). Theses and Dissertations. 1851. https://scholarsarchive.byu.edu/etd/1851 This Thesis is brought to you for free and open access by BYU ScholarsArchive. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. PUPPETS, PIONEERS, AND SPORT: THE ONSTAGE AND OFFSTAGE PERFORMANCE OF KHMER IDENTITY by Marel A. Stock A thesis submitted to the faculty of Brigham Young University in partial fulfillment of the requirements for the degree of Master of Arts Department of Theatre and Media Arts Brigham Young University August 2009 Copyright © 2009 Marel A. Stock All Rights Reserved BRIGHAM YOUNG UNIVERSITY GRADUATE COMMITTEE APPROVAL of a thesis submitted by Marel A. Stock This thesis has been read by each member of the following graduate committee and by majority vote has been found to be satisfactory. Date Wade Hollingshaus, Chair Date Megan Sanborn Jones Date Eric Samuelsen BRIGHAM YOUNG UNIVERSITY As chair of the candidate’s graduate committee, I have read the thesis of Marel A. Stock in its final form and have found that (1) its format, citations, and bibliographical style are consistent and acceptable and fulfill university and department style requirements; (2) its illustrative materials including figures, tables, and charts are in place; and (3) the final manuscript is satisfactory to the graduate committee and is ready for submission to the university library.