Wilkie Collins, the Moonstone
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Century British Detective Fiction
UNLV Theses, Dissertations, Professional Papers, and Capstones 8-1-2014 Detecting Arguments: The Rhetoric of Evidence in Nineteenth-- Century British Detective Fiction Katherine Anders University of Nevada, Las Vegas Follow this and additional works at: https://digitalscholarship.unlv.edu/thesesdissertations Part of the Literature in English, British Isles Commons Repository Citation Anders, Katherine, "Detecting Arguments: The Rhetoric of Evidence in Nineteenth--Century British Detective Fiction" (2014). UNLV Theses, Dissertations, Professional Papers, and Capstones. 2163. http://dx.doi.org/10.34917/6456393 This Dissertation is protected by copyright and/or related rights. It has been brought to you by Digital Scholarship@UNLV with permission from the rights-holder(s). You are free to use this Dissertation in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Dissertation has been accepted for inclusion in UNLV Theses, Dissertations, Professional Papers, and Capstones by an authorized administrator of Digital Scholarship@UNLV. For more information, please contact [email protected]. DETECTING ARGUMENTS: THE RHETORIC OF EVIDENCE IN NINETEENTH-CENTURY BRITISH DETECTIVE FICTION by Katherine Christie Anders Bachelor of Arts in Liberal Arts St. John’s College, Santa Fe 2003 Master of Library -
A Masculinizing Investigation: the Detective and the Problem of Female Reticence in the Sensational Detective Fiction of Mary Elizabeth Braddon and Wilkie Collins
A MASCULINIZING INVESTIGATION: THE DETECTIVE AND THE PROBLEM OF FEMALE RETICENCE IN THE SENSATIONAL DETECTIVE FICTION OF MARY ELIZABETH BRADDON AND WILKIE COLLINS By BRITTANY L. PARKHURST A THESIS PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS UNIVERSITY OF FLORIDA 2007 1 © 2007 Brittany Parkhurst 2 ACKNOWLEDGMENTS There are many people who have contributed to the success of this project and who deserve acknowledgement. My sincere gratitude is given to Dr. Chris Snodgrass and my director, Dr. Pamela Gilbert, whose enthusiasm, intelligence, patience, and guidance have made this thesis possible. Their meaningful questions, shrewd suggestions, and overall expertise significantly impacted the way I conceived of this project. Further thanks is given to the friends who supported my work by way of advice, a willing ear, or a cup of coffee. I lastly thank my fiancé, Kyle Roberts, for his candid opinions and love. His willingness to set aside his own work to help me develop my ideas prevented (almost all) mental breakdowns. Sometimes you need the confidence of others to take over when yours starts to drop off—all of these people provided that confidence to me. 3 TABLE OF CONTENTS page ACKNOWLEDGMENTS ...............................................................................................................3 ABSTRACT.....................................................................................................................................5 CHAPTER -
Covert Female Power Mediating Identity in Wilkie Collins' The
Covert Female Power Mediating Identity in Wilkie Collins’ The Moonstone Sydney Wildman Wilkie Collins’ text The Moonstone is a quintessential detective story which involves the theft of a precious diamond within a dynamic and complex family. The tale is recounted through shifting the narration between numerous characters. On the surface, the story is simple: the infamous Moonstone diamond has been stolen from Rachel Verinder, the heroine of the story. Her love interest, Franklin Blake serves as the hero, acting as the catalyst for the mystery’s narration as he asks the characters to recount “the story of the Moonstone… as far as our personal experience extends, and no farther”.1 He is responsible for piecing the narrative together, while also providing a substantial portion of the novel from his perspective. Indeed, Blake seems determined to solve the mystery. However, the detection work within the novel becomes more complex than a singular search for the diamond. Anne-Marie Beller argues that while “detection is a necessary quest to find the truth, meaning, and stability”2, the detection is not “merely concerned with finding out the truth about others, but more crucially about oneself”.3 Therefore, with Blake at the forefront of the detection, the process develops into a trajectory of self-discovery. Considering Blake’s contradictory sense of self, the mystery instead becomes a narrative about Blake’s identity shift from hero to thief. However, he is unable to uncover his identity alone. Instead, it is the covert forms of power that lower- and upper-class women hold – Rosanna Spearman and Rachel Verinder, respectively – that mediate Blake’s identity shift. -
Situational Ethics in Wilkie Collins' "Woman in White" and "Moonstone"
W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 1990 Situational Ethics in Wilkie Collins' "Woman in White" and "Moonstone" Flora Christina Buckalew College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the English Language and Literature Commons Recommended Citation Buckalew, Flora Christina, "Situational Ethics in Wilkie Collins' "Woman in White" and "Moonstone"" (1990). Dissertations, Theses, and Masters Projects. Paper 1539625596. https://dx.doi.org/doi:10.21220/s2-bjv4-6j20 This Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. SITUATIONAL ETHICS IN WILKIE COLLINS' WOMAN IN WHITE AND MOONSTONE A Thesis Presented to The Faculty of the Department of English The College of William and Mary in Virginia In Partial Fulfillment Of the Requirements for the Degree of Master of Arts by Flora C. Buckalew 1990 APPROVAL SHEET This thesis is submitted in partial fulfillment of The requirements for the degree of Master of Arts Cl — '_________________ Flora C. Buckalew Approved, December 1990 Deborah D. Morse W . O&y&SuL. John W. Conlee Z. Terry/L7 Meyers/ ii DEDICATION The author would like to thank her parents, Dr. Robert Jo Buckalew and Mrs. Flora K. Buckalew, and her sister, Miss Faye R. Buckalew, for their love and support. iii TABLE OF CONTENTS Page ACKNOWLEDGMENTS ............... v ABSTRACT ........................ -
The Moonstone
The Moonstone Wilkie Collins Retold by David Wharry Series Editors: Andy Hopkins and Jocelyn potter Contents Page Introduction 4 Taken From an Old Family Letter 5 Part 1 The Loss of the Diamond 7 Chapter 1 A Record of the Facts 7 Chapter 2 Three Indian Men 8 Chapter 3 The Will 9 Chapter 4 A Shadow 13 Chapter 5 Rivals 14 Chapter 6 The Moonstone 17 Chapter 7 The Indians Return 18 Chapter 8 The Theft 21 Chapter 9 Sergeant Cuff Arrives 26 Chapter 10 The Search Begins 29 Chapter 11 Rosanna 30 Chapter 12 Rachel's Decision 34 Chapter 13 A Letter 36 Chapter 14 The Shivering Sands 39 Chapter 15 To London 44 Part 2 The Discovery of the Truth 46 First Narrative 46 Chapter 1 A Strange Mistake 46 Chapter 2 Rumours and Reputations 49 Chapter 3 Placing the Books 54 Chapter 4 A Silent Listener 56 Chapter 5 Brighton 59 Second Narrative 65 Chapter 1 Money-Lending 65 Chapter 2 Next June 67 2 Third Narrative 69 Chapter 1 Franklin's Return 69 Chapter 2 Instructions 71 Chapter 3 Rosanna's Letter 73 Chapter 4 Return to London 76 Chapter 5 Witness 78 Chapter 6 Investigating 82 Chapter 7 Lost Memory 85 Chapter 8 Opium 87 Fourth Narrative 90 Fifth Narrative 94 Sixth Narrative 100 3 Introduction 'Look, Gabriel!' cried Miss Rachel, flashing the jewel in the sunlight. It was as large as a bird's egg, the colour of the harvest moon, a deep yellow that sucked your eyes into it so you saw nothing else. -
The Moonstone
THE MOONSTONE by R.N. SANDBERG Adapted from the novel by WILKIE COLLINS ~f Dramatic Publishing Woodstoc~ Illinois • England • Australia • New Zealand © The Dramatic Publishing Company, Woodstock, Illinois *** NOTICE *** The amateur and stock acting rights to this work are controlled exclusively by THE DRAMATIC PUBLISHING COMPANY without whose pennission in writing no performance of it may be given. Royalty fees are given in our current catalog and are subject to change without notice. Royalty must be paid every time a play is performed whether or not it is presented for profit and whether or not admission is charged. A play is performed any time it is acted before an audience. All inquiries concerning amateur and stock rights should be addressed to: DRAMATIC PUBLISHING P. O. Box 129, Woodstock, illinois 60098 COPYRIGHT LAW GIVES THE AUTHOR OR THE AUTHOR"S AGENT THE EXCLUSWE RIGHTTO MAKE COPIES. This law provides authors with a fair retmn for their creative efforts. Authors earn their living from the royalties they receive from book sales and from the perfonnance of their work. Conscientious observance of copyright law is not ooly ethical, it encourages authors to continue their creative work. This work is fully protected by copyright No alterations, dele tions or substitutions may be made in the work without the prior written consent of the publisher. No part of this work may be reproduced or transmitted in any fonn or by any means, electronic or mechanical, including photocopy, recording, video tape, film., or any infonnation storage and retrieval ~ without permission in writing from the publisher. It may not be perfonned either by professionals or amateurs without payment of royalty. -
Azu Etd Mr 2012 0090 Sip1 M.Pdf
Truth and Justice in The Moonstone and Bleak House Item Type text; Electronic Thesis Authors Keffeler, Kristina Lee Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 28/09/2021 15:41:49 Item License http://rightsstatements.org/vocab/InC/1.0/ Link to Item http://hdl.handle.net/10150/244411 Abstract Truth and justice seem to have a natural connection, especially in novels where detectives investigate the mysteries behind a crime. The plot of a detective story is based on the assumption that once the facts are discovered, the truth will come out and justice will be served. This thesis explores the interaction between truth and justice in Wilkie Collins’s The Moonstone and Charles Dickens’s Bleak House. While investigations may reveal the truth, this does not always lead to justice. Authors can uphold or deviate from traditional norms to reinforce or undermine the expectation that justice will be served. Keffeler 1 Truth and Justice in The Moonstone and Bleak House Introduction Victorians placed a high value on honesty. The cultural norm of the period was that people were expected to tell the truth (Kucich 6). There are many references by people such as Ralph Waldo Emerson and W. E. H. Lecky about how Victorians took pride in being candid and sincere. This emphasis on honesty led to moral values that placed great importance on the truth (Kucich 8). -
•Œâ•¦A Bolshevik, a Negro and a Gun╊
“…A Bolshevik, a Negro and a Gun” by Nadine Allan-Vaught A thesis submitted in fulfillment of the requirements for the degree of Master of Liberal Arts in Liberal Studies Department of English Literature College of Arts and Sciences University of South Florida St. Petersburg Major Professor: Julie Buckner Armstrong, Ph.D. Amy Robinson, Ph.D. Louie Simon, Ph.D. Date of Approval: 19 March, 2014 Keywords: Red Summer, Karl Marx, Britain, America, Black Oppression Copyright © 2014, Nadine Allan-Vaught Table of Contents List of Tables…………………………………………………………………………….. ii Abstract………………………….………………………………………………………. iii Introduction: The “Other”………………………………………………………………... 1 Chapter One: The Historical Events of 1919…………………………………………… 14 Chapter Two: Charlotte Brontë’s Jane Eyre and the Dark “Other”……………………. 29 Chapter Three: Wilkie Collins’s The Moonstone and the Colonial “Other”…………… 41 Chapter Four: Ida B. Wells’s A Red Record and the White “Other”……………..…….. 57 Chapter Five: Claude McKay’s “If We Must Die” and a New “Other”………………... 72 Conclusion……………………………………………………………………………… 87 Works Cited……………………………………………………………………………...95 i List of Tables Table 1- Racial Riots in the United States in the month of July 1919………………….. 17 Table 2- Racial Riots in the Great Britain in the month of June 1919………………….. 19 ii Abstract This thesis reveals how a system of changing social positions structured in various private and public spaces provides a social arena for authors, Charlotte Brontë in Jane Eyre, Wilkie Collins in The Moonstone, Ida B. Wells in A Red Record and Claude McKay in his poem “If We Must Die,” to frame the racial struggles of their particular culture and time. These cross-cultural resources establish a wider, contextual stage from which to understand the complex atmosphere of race and violence out of which the transatlantic racial riots of 1919 emerged. -
Twilight States: Sleepwalking, Liminal Consciousness, and Sensational Selfhood in Victorian Literature and Culture
TWILIGHT STATES: SLEEPWALKING, LIMINAL CONSCIOUSNESS, AND SENSATIONAL SELFHOOD IN VICTORIAN LITERATURE AND CULTURE by Rebecca Wigginton B. A. in English, University of Kentucky, 2005 Submitted to the Graduate Faculty of the Kenneth P. Dietrich School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2014 UNIVERSITY OF PITTSBURGH DIETRICH SCHOOL OF ARTS AND SCIENCES This dissertation was presented by Rebecca Wigginton It was defended on September 29, 2014 and approved by Philip E. Smith, PhD, Associate Professor, English Jonathan Arac, PhD, Andrew W. Mellon Professor, English Marah Gubar, PhD, Associate Professor, English John Twyning, PhD, Associate Professor, English Christopher Drew Armstrong, PhD, History of Art & Architecture Dissertation Advisor: Philip E. Smith, PhD, Associate Professor, English ii Copyright © by Rebecca Wigginton 2014 iii TWILIGHT STATES: SLEEPWALKING, LIMINAL CONSCIOUSNESS, AND SENSATIONAL SELFHOOD IN VICTORIAN LITERATURE AND CULTURE Rebecca Wigginton, PhD University of Pittsburgh, 2014 Twilight States: Sleepwalking, Liminal Consciousness, and Sensational Selfhood in Victorian Literature and Culture argues that sleepwalking was everywhere in nineteenth-century culture, both as a topic for scientific, legal, and public debate, but also as a potent symbol in the Victorian imagination that informed literature and art. Furthermore, the nineteenth-century interest in the somnambulist was provoked by what the figure represented and revealed to the Victorians: namely, themselves. The sleepwalker represented the hidden potential within the self for either greatness or deviance, or, more mundanely, simply a fuller existence than consciousness has an awareness of. Sleepwalking writ large the multi-layered self at a time when the self—by psychiatry and society at large—was being accepted as increasingly multivalent. -
Imperial Neuropsychology and an Indian Diamond: the Quantum Ground of Dreaming in the Moonstone Arup K
Imperial neuropsychology and an Indian diamond I J o D R Imperial neuropsychology and an Indian diamond: The quantum ground of dreaming in The Moonstone Arup K. Chatterjee Jindal Global Law School, O.P. Jindal Global University, Sonipat, India. Summary. In Wilkie Collins’ novel The Moonstone (1868), Franklin Blake’s censored dream—and his somnambulant theft of the eponymous diamond—was a pioneering thought experiment in Victorian literature, which is also believed to have invented the English detective novel. The question, whether Blake’s supposed dream and somnambulism were constituted by his conscious waking experience or emerged from an unconscious source, remains unanswered as the contents of the dream are not known. Taking The Moonstone beyond the ambit of postcolonial criticism and Anglo-Indian imperial history, I present evidence for the novel’s theme of dreaming being encrypted with principles of Vedanta and ancient Indian dream theories from the Mandukya Upanishad. The novel compels us into a reassessment of the dream continuity hypothesis that its critics have hitherto presumed in one way or another. Taking a few concepts of quantum physics as insightful metaphors—though not as generalizable theories—I argue that, The Moonstone is a remarkable statement on Victorian science, which paves the way for what I define in ‘the quantum ground of dreaming’—a mental state superimposed in experiences of more than one geography and entangled with the desires and anxieties of more than one brain, at once. Keywords: Wilkie Collins; The Moonstone; Sigmund Freud; Carl Jung; psychoanalysis; neuroscience; Vedanta; Man- dukya Upanishad; Turiya; dream quanta 1. Introduction uel Taylor Coleridge’s poem ‘Kubla Khan; or a Vision in a Dream’ (1816) made dreaming appear as a surreal Oriental Victorian England’s interest in dreaming can be judged from experience. -
Detective Fiction Is Always Engaged in a Veiled Form of Colonial Discourse
Volume 2: 2009-2010 ISSN: 2041-6776 9 { Roth suggests that ”detective fiction is always engaged in a veiled form of colonial discourse.‘ Taking this statement as your starting point, analyse the part played by colonialism and colonial relationships, and/or relationships between foreign and domestic more generally, in the texts you have studied. Abbas Lightwalla Marty Roth‘s suggestion that detective fiction is ”always‘ engaged in a veiled form of colonial discourse is a broad generalisation, followed by little substantiation. 1 Even disregarding non-canonical detective fiction novels which may have no inference of colonial discourse, classic detective fiction which disregards colonial discourse exists; G. K. Chesterton‘s Father Brown Mysteries , whilst often playing upon dynamics between French and English relations, rarely delves into an engagement of colonial discourse. Roth nevertheless highlights an important element of classic detective fiction in emphasising the prevalence of colonial discourse in the genre. This essay will subsequently explore this feature through an examination of the way colonial discourse catalyses more fundamental features of detective fiction, explaining its prominence within the genre. In order to understand this dynamic between colonial discourse and detective fiction, Wilkie Collins‘ The Moonstone , Conan Doyle‘s ”The Sign of Four‘ and Sax Rohmer‘s The Insidious Dr. Fu- Manchu will be explored. They will then be discussed in regard to the way this fiction creates a motif of invasion and how this facilitates the genre‘s composition of order, disorder and the restoration of order. The final aspect of the essay will take this discussion regarding colonial discourse and the more general concept of foreign invasion a step further. -
Information to Users
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, w hile others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing fiom left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. UMI University Microfilms International A Bell & Howell Information Company 300 Nortti Z eeb Road. Ann Arbor, Ml 48106-1346 USA 313/761-4700 800/521-0600 Order Number 9201755 Interactive fiction, virtual realities, and the reading-writing relationship Sloane, Sarah Jane, Ph.D. The Ohio State University, 1991 UMI SOON.