Fine Antique Arms, Armour & Militaria
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SFSA Cast in Steel Competition Bowie Knife Final Report Team Texas
SFSA Cast in Steel Competition Bowie Knife Final Report Team Texas State 3 Joshua Avery Ethan De La Torre Gage Dillon Advised by: Luis Trueba Engineering Technology Texas State University June 12, 2020 1 | P a g e Table of Contents ABSTRACT 3 1. INTRODUCTION 3 1.1 Project Management 3 1.2 Literature Review 4 2. DESIGN 5 2.1 Design Selection 5 2.2 Alloy Selection 5 2.3 Production Selection 5 3. MANUFACTURABILITY 6 3.1 Design Analysis 6 3.2 Final Design 8 3.3 Production 10 4. QUALITY & PERFORMANCE 13 5. CONCLUSION 14 6. WORKS CITED 15 2 | P a g e ABSTRACT In the early 19th century, James Black created a different kind of knife for Jim Bowie. This knife was longer in length than the average knife and compared more to a mini sword. While the exact design and characteristics of the original Bowie knife was lost with James Black, the stories of the weapon captivated people. Our project was to capture the same aura surrounding the knife as James Black did many years ago but also commemorate the history associated with it. We created our Bowie knife model using Solidworks, cast it in IC440C Stainless Steel with the assistance of American Foundry Group, and polished it with our own tools. 1. INTRODUCTION 1.1 Project Management Figure 1: Project Schedule Figure 1 shows the original Gantt chart for the Bowie Knife project. It began December 15th when we created the original proposition for the competition. Every period in the chat represents 1 week since the original 12/15 start date. -
Ballistic Protective Properties of Material Representative of English Civil War Buff-Coats and Clothing
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by UWE Bristol Research Repository International Journal of Legal Medicine (2020) 134:1949–1956 https://doi.org/10.1007/s00414-020-02378-x ORIGINAL ARTICLE Ballistic protective properties of material representative of English civil war buff-coats and clothing Brian May1 & Richard Critchley1 & Debra Carr1,2 & Alan Peare1 & Keith Dowen3 Received: 19 March 2020 /Accepted: 15 July 2020 / Published online: 21 July 2020 # The Author(s) 2020 Abstract One type of clothing system used in the English Civil War, more common amongst cavalrymen than infantrymen, was the linen shirt, wool waistcoat and buff-coat. Ballistic testing was conducted to estimate the velocity at which 50% of 12-bore lead spherical projectiles (V50) would be expected to perforate this clothing system when mounted on gelatine (a tissue simulant used in wound ballistic studies). An estimated six-shot V50 for the clothing system was calculated as 102 m/s. The distance at which the projectile would have decelerated from the muzzle of the weapon to this velocity in free flight was triple the recognised effective range of weapons of the era suggesting that the clothing system would provide limited protection for the wearer. The estimated V50 was also compared with recorded bounce-and-roll data; this suggested that the clothing system could provide some protection to the wearer from ricochets. Finally, potential wounding behind the clothing system was investigated; the results compared favourably with seventeenth century medical writings. Keywords Leather . Linen . Wool . Behind armour blunt trauma . -
The European Bronze Age Sword……………………………………………….21
48-JLS-0069 The Virtual Armory Interactive Qualifying Project Proposal Submitted to the Faculty of the WORCESTER POLYTECHNIC INSTITUTE in partial fulfillment of the requirements for graduation by _____________________________ ____________________________ Patrick Feeney Jennifer Baulier _____________________________ Ian Fite February 18th 2013 Professor Jeffrey L. Forgeng. Major Advisor Keywords: Higgins Armory, Arms and Armor, QR Code 1 Abstract This project explored the potential of QR technology to provide interactive experiences at museums. The team developed content for selected objects at the Higgins Armory Museum. QR codes installed next to these artifacts allow visitors to access a variety of minigames and fact pages using their mobile devices. Facts for the object are selected randomly from a pool, making the experience different each time the code is scanned, and the pool adapts based on artifacts visited, personalizing the experience. 2 Contents Contents........................................................................................................................... 3 Figures..............................................................................................................................6 Introduction ……………………………………………......................................................... 9 Double Edged Swords In Europe………………………………………………………...21 The European Bronze Age Sword……………………………………………….21 Ancient edged weapons prior to the Bronze Age………………………..21 Uses of European Bronze Age swords, general trends, and common innovations -
Machete Fighting in Haiti, Cuba, and Colombia
MEMORIAS Revista digital de Historia y Arqueología desde el Caribe colombiano Peinillas y participación popular: Pelea de machetes en Haiti, Cuba y Colombia 1 Peinillas and Popular Participation: Machete fighting in Haiti, Cuba, and Colombia ∗ Dr. T. J. Desch-Obi Recibido: Agosto 27 de 2009 Aceptado: Noviembre 8 de 2009 RESUMEN: Este artículo explora la historia de esgrima con machetes entre los afro- descendientes en Haití, Cuba y Colombia. El machete, como un ícono sagrado de éxito individual y de guerra en África, se convierte para los esclavizados Africanos en una herramienta usada en la explotación de su trabajo. Ellos retuvieron la maestría en esta arma a través de la extensión del arte de pelea con palos. Esta maestría en las armas blancas ayudó a transformar el machete en un importante instrumento en las batallas nacionales de esas tres naciones. Aún en el comienzo del siglo veinte, el arte de esgrima con machetes fue una práctica social muy expandida entre los Afro-Caucanos, que les permitía demostrar su honor individual, como también hacer importantes contribuciones a las batallas nacionales, como la Colombo-Peruana. Aunque la historia publicada de las batallas nacionales realza la importancia de los líderes políticos y militares, los practicantes de estas formas de esgrima perpetuaron importantes contra- memorias que enfatizan el papel de soldados Afros quienes con su maestría con el machete pavimentaron el camino para la victoria nacional. PALABRAS CLAVES: Esgrima, afro-descendientes, machete. ABSTRACT: This article explores the history of fencing with machetes among people of African descent in Haiti, Cuba, and Colombia. The machete, a sacred icon of individual success and warfare in Africa, became for enslaved Africans a tool used in exploiting their labor. -
Outdoor& Collection
MAGNUM COLLECTION 2020 NEW OUTDOOR& COLLECTION SPRING | SUMMER 2020 early years. The CNC-milled handle picks up the shapes of the Magnum Collection 1995, while being clearly recognizable as a tactical knife, featuring Pohl‘s signature slit screws and deep finger choils. Dietmar Pohl skillfully combines old and new elements, sharing his individual shapes and lines with the collector. proudly displayed in showcases around the For the first time, we are using a solid world, offering a wide range of designs, spearpoint blade made from 5 mm thick quality materials and perfect craftsmanship. D2 in the Magnum Collection series, giving the knife the practical properties you can For the anniversary, we are very pleased that expect from a true utility knife. The knife we were able to partner once again with has a long ricasso, a pronounced fuller and Dietmar Pohl. It had been a long time since a ridged thumb rest. The combination of MAGNUM COLLECTION 2020 we had worked together. The passionate stonewash and satin finish makes the blade The Magnum Collection 2020 is special in designer and specialist for tactical knives scratch-resistant and improves its corrosion- many ways. We presented our first Magnum has designed more than 60 knives, among resistance as well. The solid full-tang build catalogue in 1990, followed three years later them the impressive Rambo Knife featured gives the Magnum Collection 2020 balance by the first model of the successful Magnum in the latest movie of the action franchise and stability, making it a reliable tool for any Collection series. This high-quality collector‘s with Sylvester Stallone. -
Illumination Underfoot the Design Origins of Mamluk Carpets by Peter Samsel
Illumination Underfoot The Design Origins of Mamluk Carpets by Peter Samsel Sophia: The Journal of Traditional Studies 10:2 (2004), pp.135-61. Mamluk carpets, woven in Cairo during the period of Mamluk rule, are widely considered to be the most exquisitely beautiful carpets ever created; they are also perhaps the most enigmatic and mysterious. Characterized by an intricate play of geometrical forms, woven from a limited but shimmering palette of colors, they are utterly unique in design and near perfect in execution.1 The question of the origin of their design and occasion of their manufacture has been a source of considerable, if inconclusive, speculation among carpet scholars;2 in what follows, we explore the outstanding issues surrounding these carpets, as well as possible sources of inspiration for their design aesthetic. Character and Materials The lustrous wool used in Mamluk carpets is of remarkably high quality, and is distinct from that of other known Egyptian textiles, whether earlier Coptic textiles or garments woven of wool from the Fayyum.3 The manner in which the wool is spun, however – “S” spun, rather than “Z” spun – is unique to Egypt and certain parts of North Africa.4,5 The carpets are knotted using the asymmetrical Persian knot, rather than the symmetrical Turkish knot or the Spanish single warp knot.6,7,8 The technical consistency and quality of weaving is exceptionally high, more so perhaps than any carpet group prior to mechanized carpet production. In particular, the knot counts in the warp and weft directions maintain a 1:1 proportion with a high degree of regularity, enabling the formation of polygonal shapes that are the most characteristic basis of Mamluk carpet design.9 The red dye used in Mamluk carpets is also unusual: lac, an insect dye most likely imported from India, is employed, rather than the madder dye used in most other carpet groups.10,11 Despite the high degree of technical sophistication, most Mamluks are woven from just three colors: crimson, medium blue and emerald green. -
The Fight Master, September 1986, Vol. 9 Issue 3
Marshall University Marshall Digital Scholar Fight Master Magazine The Society of American Fight Directors 9-1986 The Fight Master, September 1986, Vol. 9 Issue 3 The Society of American Fight Directors Follow this and additional works at: https://mds.marshall.edu/fight Part of the Acting Commons, Other Theatre and Performance Studies Commons, Performance Studies Commons, and the Theatre History Commons SEPTEMB ER 1986 American Fencers Supply Co 1180 Folsom Street San Francisco CA 94103 415/863-7911 DEPARTMENTDEPARTMENT OF OF THEATRE THEATRE ARTS ARTS COLLEGECOLLEGE OFOF ARTS ARTS AND AND LETTERS LETTERS UNIVERSITYUNIVERSITY OF OF NEVADA, NEVADA, LAS LAS VEGAS VEGAS JOURNAL OF THE SOCIETY OF AMERICAN FIGHT DIRECTORS September 1986 Volume IX number 3 6 A MODERN SWORDSMITI-1 SWORDSMITH OF TOLEDO by Richard J. Gradkowski 8 TO CUT OR TI-f THRUST? RUST? by Linda McCollum 12 STUDYING WITI-1 WITH THE MASTER AT THETI-IE MONASTERY by Craig Handel 15 MAYHEM IN MEMPHIS by Dr. Robin McFarquhar 18 The Three Musketeers Romeo and Juliet Extremities 19 Julius Caesar 3 Editor's Comments 3 President's Report 5 Vice President's Report 4 Treasurer's Report 23 Points of Interest 28 Society News 20 Letters SOCIETY OF AMERICAN FIGHT DIRECTORS THE FIGHT MASTER President Joseph Martinez Journal of the Society of American Fight Directors or,.", President Drew FrecherFracher Treas.urerTreasurer David Boushey Editor Linda Carlyle McCollum Secretary Linda McCollumMcCol/um Associate Editor Olga Lyles Contributing Editors David Boushey -;-"'J-eT'1-eSociety Society of American Fight Directors was founded in May; 1977. It is a non·non Joseph Martinez profIT organization whose aim ;sis to promote the art of fight choreography as Graphic Design AkikoAklko Onaka an integral part of the entertainment industry. -
The Rinceau Design, the Minor Arts and the St. Louis Psalter
The Rinceau Design, the Minor Arts and the St. Louis Psalter Suzanne C. Walsh A thesis submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Master of Arts in the Department of Art History. Chapel Hill 2011 Approved by: Dr. Jaroslav Folda Dr. Eduardo Douglas Dr. Dorothy Verkerk Abstract Suzanne C. Walsh: The Rinceau Design, the Minor Arts and the St. Louis Psalter (Under the direction of Dr. Jaroslav Folda) The Saint Louis Psalter (Bibliothèque National MS Lat. 10525) is an unusual and intriguing manuscript. Created between 1250 and 1270, it is a prayer book designed for the private devotions of King Louis IX of France and features 78 illustrations of Old Testament scenes set in an ornate architectural setting. Surrounding these elements is a heavy, multicolored border that uses a repeating pattern of a leaf encircled by vines, called a rinceau. When compared to the complete corpus of mid-13th century art, the Saint Louis Psalter's rinceau design has its origin outside the manuscript tradition, from architectural decoration and metalwork and not other manuscripts. This research aims to enhance our understanding of Gothic art and the interrelationship between various media of art and the creation of the complete artistic experience in the High Gothic period. ii For my parents. iii Table of Contents List of Illustrations....................................................................................................v Chapter I. Introduction.................................................................................................1 -
Rules and Options
Rules and Options The author has attempted to draw as much as possible from the guidelines provided in the 5th edition Players Handbooks and Dungeon Master's Guide. Statistics for weapons listed in the Dungeon Master's Guide were used to develop the damage scales used in this book. Interestingly, these scales correspond fairly well with the values listed in the d20 Modern books. Game masters should feel free to modify any of the statistics or optional rules in this book as necessary. It is important to remember that Dungeons and Dragons abstracts combat to a degree, and does so more than many other game systems, in the name of playability. For this reason, the subtle differences that exist between many firearms will often drop below what might be called a "horizon of granularity." In D&D, for example, two pistols that real world shooters could spend hours discussing, debating how a few extra ounces of weight or different barrel lengths might affect accuracy, or how different kinds of ammunition (soft-nosed, armor-piercing, etc.) might affect damage, may be, in game terms, almost identical. This is neither good nor bad; it is just the way Dungeons and Dragons handles such things. Who can use firearms? Firearms are assumed to be martial ranged weapons. Characters from worlds where firearms are common and who can use martial ranged weapons will be proficient in them. Anyone else will have to train to gain proficiency— the specifics are left to individual game masters. Optionally, the game master may also allow characters with individual weapon proficiencies to trade one proficiency for an equivalent one at the time of character creation (e.g., monks can trade shortswords for one specific martial melee weapon like a war scythe, rogues can trade hand crossbows for one kind of firearm like a Glock 17 pistol, etc.). -
Pachyderm 44
Probable extinction of the western black rhino Yemen’s attitudes towards rhino horn and jambiyas Lucy Vigne, Esmond Martin PO Box 15510 – 00503, Nairobi, Kenya; email: [email protected] Abstract In 1990 the Marxist government of the south that had banned civilians from possessing weapons, including the jambiya dagger, was ousted. South Yemen united with North Yemen to form one country. Were more people in the south going to emulate the northerners and buy jambiyas once again? Having not been in the southern region since 1993, we surveyed five main southern towns in early 2008 to see if influences from the north had encouraged the southerners to wear jambiyas in recent years. In many ways the southerners are emulating the northerners: they have shed Marxism in favour of capitalism and there has been an increase in traditional Islamic practices, but they still look down on jambiyas. However, the dagger is still a proud sign of being a northern tribesman, and Sanaa remains the centre of the jambiya industry - with rhino horn most favoured for handles; Taiz trails a distant second in importance. We learned more about the attitudes of Yemenis, especially from the younger more prosperous men in Sanaa who are likely to buy a rhino horn jambiya. And we increased public awareness on the plight of the rhino, distributing DVDs on Yemen’s rhino horn trade and supplying other educational materials to Yemenis in Sanaa and Taiz. Résumé En 1990 le gouvernement marxiste du sud qui avait interdit aux civils de posséder des armes, y compris le poignard jambiya, a été évincé. -
Tenaga Dalam Volume 2 - August 1999
Tenaga Dalam Volume 2 - August 1999 The Voice of the Indonesian Pencak Silat Governing Board - USA Branch Welcome to the August issue of Tenaga Dalam. A lot has occurred since May issue. Pendekar Sanders had a very successful seminar in Ireland with Guru Liam McDonald on May 15-16, a very large and successful seminar at Guru Besar Jeff Davidson’s school on June 5-6 and he just returned from a seminar in England. The seminar at Guru Besar Jeff Davidson’s was video taped and the 2 volume set can be purchased through Raja Naga. Tape 1 consists of blakok (crane) training and Tape 2 has about 15 minutes more of blakok training followed by a very intense training session in various animal possessions including the very rare Raja Naga possession. Guru Besar Davidson and his students should be commended on their excellent portrayal of the art. Tape 1 is available to the general public, but due to the intense nature of tape 2 you must be a student. It is with great sadness that I must report that Guru William F. Birge passed away. William was a long time personal student of Pendekar Sanders and he will be missed by all of the people that he came into contact with. 1 Tribute to Guru William F. Birge Your Memory Will Live On In Our Hearts. 2 DJAKARTA aeroplane is a lead-coloured line of sand beaten by EX ‘PEARL OF THE EAST’ waves seeping into a land as flat as Holland. The Dutch settlers who came here in 1618 and founded The following is a passage from the wonderful Batavia must have thought it strangely like their book Magic and Mystics of Java by Nina Epton, homeland. -
Leather Manufacture : a Treatise on the Practical Workings of the Leather Manufacture : Including Oil Shoe Grain, Imitation Goat
I Bloomfield g. TVloore I TVlemorial fund. rJSr-l-?-T^T=-Sr LEHTHER MllNUFICTURE, o (X Crcatise ON THE Prbctiml Workings of the Leather Msnufbcture INCLUDING OIL SHOE GRAIN, IMITATION GOAT AND CALF, BRIGHT OIL, ENGLISH AND AMERICAN BOOT GRAIN, HAND AND MACHINE SEWED WELT, GLOVE GRAIN, FLESH SPLITS, HARNESS LEATHER, THE SUL- ^ PHIDE OF SODIUM PROCESS, OAK AND HEMLOCK BARK EXTRACTS, CONSTRUCTION OF TANNERIES, . TOGETHER WITH NUMEROUS VALUABLE RECIPES AND MISCELLANEOUS MATTER SPECIALLY ADAPTED TO THE LEATHER MANUFACTURE. By JOHN WT. STEVBNS, Author of "Mistakes of Tanners,'' Etc. CONTAINING ILLUSTRATIONS OF MACHINERY AND MOST APPROVED AP- PLIANCES ADAPTED FOR THE CLASS OF WORK. PUBLISHED BY THE SHOE AND LEATHER REVIEW, 182 Monroe St., Chicago, III. 1890. Knteted, according to the Act of Congress, in the year 1889, by The Review Printing ant PUBUSBC^G Co., in the ofi&ce of the Librarian of Congress at Washington, D. C. UBRARY Dc&ication. To My Grandson, John Warren Stsvens. I dedicate to you, this volume of a work now submitted to the tanning fraternity, with a diffidence and hesitation proportioned to the multiplicity of details and the practical workings connected with the I,eather Manufacture. Your grandfather, great-grandfather and uncles devoted a good portion of their lives to the now second largest manufactur- ing industry in this country. I trust that you, in your future walks, will not feel compelled to emulate the calling of your humble predecessors ; but, in whatever position your inclinations lead, to give it your undivided attention, and fill the same with credit to your- self and honor to the name.