Taxman, Paperback Writer

Total Page:16

File Type:pdf, Size:1020Kb

Taxman, Paperback Writer Come Together Bruce Spizer: Taxman, Paperback Writer By E. Phelps Gay 322 February / March 2011 hen The Beatles arrived Gershwin, Harold Arlen, Cole Porter and at John F. Kennedy Inter- Johnny Mercer, to name a few. When all national Airport in New the stories of their Liverpool childhoods, York City on Feb. 7, 1964, their happy or unhappy marriages, and Wthey were asked: “What do you think of their internal jealousies and dramas have Beethoven?” slipped from view, the music will be there, “Great,” Ringo responded. “Especially and it will live on. Their gift for melding his poems.” lyrics and melody, and their singular tal- And they were off. At the time, if you ents as singers and players, will bring joy were 11 years old (as I was) or 8 (as Bruce and pleasure to music lovers everywhere Spizer was), your world had already been and forever. rocked. Before the end of the year, no What does all this have to do with the fewer than six Beatles’ songs would climb Louisiana Bar Journal? Only that we to #1 on the Billboard charts: I Want to have among our ranks one lawyer who, Hold Your Hand, She Loves You, Can’t when not practicing in the field of tax Buy Me Love, Love Me Do, A Hard Day’s and estate planning, writes books about Night and I Feel Fine. With due respect to The Beatles and knows more about them Elvis, whom The Beatles adored, he had than possibly anyone on the planet. So been completely eclipsed by the four lads minutely knowledgeable is this Beatles David (Bruce) Spizer from Liverpool. They were everywhere scholar-historian that he was asked to and, not only were they hugely popular, compose all of the questions contained Records on Vee-Jay (1998); The Beatles’ their music was good. in The Beatles’ Trivial Pursuit game. I Story on Capitol Records — Part One: How good? I’m not sure anyone really thought I knew a little bit about the Fab The Singles (2000); The Beatles’ Story knew at the time. It is one thing to take Four until my daughter started asking me on Capitol Records — Part Two: The the pop world by storm with a few big questions from this game, particularly Albums (2000); The Beatles on Apple hits; many have done it and promptly in the category, The Beatles in America. Records (2003); The Beatles Are Com- faded into oblivion. It is quite another Questions like: ing! (2003); The Beatles’ Solo on Apple to keep that storm brewing and roiling, Records (2005); and The Beatles Swan year after year, album after album, with What type of vehicle did The Beatles Song: “She Loves You” & Other Records increasingly innovative music and lyrics, take to their Philadelphia concert on their (2007). The New York Times has described to the astonishment of listeners around the final U.S. tour to avoid detection?1 his books as containing “a wealth of detail globe. After the first wave of hits, which about the Beatles American recordings caused American teenage girls virtually Who in the world knows this stuff? The and their first visit to the United States, to scream their lungs out, The Beatles in answer is David “Bruce” Spizer. touching on everything from contracts their Abbey Road studio proceeded to In his lawyer life, Bruce Spizer prac- and lawsuits to promotional materials, produce If I Fell and Norwegian Wood, tices tax law and estate planning and ad- all richly illustrated.” Yesterday and In My Life, Eleanor Rigby ministration from his office in downtown In addition, Bruce has served as con- and Taxman, You’ve Got to Hide Your Love New Orleans. By all accounts, he has sultant to EMI for its CD releases of The Away and Here Comes the Sun, A Day in enjoyed considerable professional suc- Beatles’ catalog. A frequent speaker at the Life and Dear Prudence, Blackbird and cess, not only satisfying clients but also Beatles conventions, he has given presen- Julia, Strawberry Fields and Hey Jude, serving as president of the New Orleans tations on Beatles history, accompanied by to (let’s face it) not even begin to scratch Estate Planning Council and offering music and video, at the Lincoln Center, the the surface of their musical mother lode. frequent lectures on retirement plans and New Orleans Jazz and Heritage Festival, Who could have predicted it? other topics. Board-certified in tax law and the Rock and Roll Hall of Fame. He Time, they say (and they are right), and in estate planning and administration, is currently working on a new book about brings perspective. With the passage of Bruce is also a non-practicing certified Beatles’ records produced on their British time, it is clear that the Lennon-McCa- public accountant. label, Parlophone. rtney songbook withstands comparison But his role as Beatles aficionado is Recently, I spoke with Bruce about with those of the great American song- what caught my attention. To date, Bruce his obsession. writers of the 1930s and 1940s — George has written seven books: The Beatles Continued next page Louisiana Bar Journal Vol. 58, No. 5 323 Journal: Tell us a little bit about your Journal: When did the Fab Four first Spizer: Feb. 9, 1964. That Sunday background. come to your attention? evening was the largest television audi- Spizer: I’m from New Orleans. I went Spizer: I was 8 years old, riding on the ence ever. Seventy-three million people to Newman School for 13 years. After that, Newman school bus. Our driver, Hawkins, watched — a record not beaten until, if you I went down the street a couple of blocks to used to play the Top 40 station, WTIX. adjust for population, the final episode of Tulane University, where I got a joint BA I heard this song, I Want to Hold Your M*A*S*H in 1983. And that record was (in economics) and MBA (concentrating Hand. It grabbed me and, at the end, the not beaten until the Saints beat the Colts in finance). I graduated from Tulane Law disc jockey mentioned it was by a British in Super Bowl XLIV, a game watched School in 1980. I practiced law at Stone group called The Beatles. I kept hearing by the largest television audience ever Pigman for about three years, spent a year their music and persuaded my mother in America.2 working with a solo tax practitioner, and to take me to Studio A, a record store in then went out on my own. Lakeview, to buy my very first album, Journal: So The Beatles made three Meet the Beatles. I still have that. appearances? Journal: Did you find firm practice Spizer: Yes. The following week, they not particularly to your liking? Journal: Was this pre- or post-Ed played from the Deauville Hotel in Mi- Spizer: I think it was in my blood Sullivan show? ami Beach. We’ll get to that in a minute. to be on my own. My grandfather, J.D. Spizer: Right before Ed Sullivan. A And the next week Ed Sullivan played Dresner, and his nephew, Meyer Dresner, lot of people think they didn’t hear about a couple of songs which had been taped were solo practitioners. Over the years, The Beatles until Ed Sullivan, which is while they were in New York. Sullivan I’ve seen their names when reviewing not true. The Beatles were dominating tried to create the illusion the show was titles and successions. It’s worked out well radio for weeks leading up to the Ed live, but Beatles’ fans knew the group had because, if I was with a major downtown Sullivan show. already left America. firm, I don’t think they would approve of me spending so much time working on Journal: When were they on Ed Journal: What do you think of the Beatles’ projects. Sullivan? theory that The Beatles helped America 324 February / March 2011 recover from the Kennedy assassina- asked, “Walter, what can you tell me there moved out and I spent Super Bowl tion? about those bugs or whatever they call weekend in room 1219. Spizer: It bothers me when I read themselves?” books that say The Beatles were popular I told Mr. Cronkite, “I don’t doubt that Journal: Great story, plus the Saints in the U.S. because young people were conversation took place, but Ed Sullivan won the Super Bowl. despondent over the death of President booked The Beatles on Nov. 12, at a time Spizer: Yes, and I got to see the space Kennedy. I was 8 years old and, as much when they were unknown in America. He shuttle lift off the next morning at 4 a.m. as it affected me, I wasn’t going to be was taking a chance. A month later, he from the balcony of my room at the depressed for several months. Did The was watching you end the CBS Evening Deauville. It was an orange dot heading Beatles lift our spirits? Of course, but it News with a story on The Beatles. He up and away over the Atlantic. To cap it wasn’t cause-and-effect. If that were true, was excited and wanted to know what off, two guys from BBC Radio came to how do you explain The Beatles’ popular- you could tell him about the group he see the hotel manager about The Beatles’ ity in Germany, Japan, Sweden and other had already booked.” stay at the hotel in 1964. The manager countries? Interestingly, CBS ran a five- called me and said come down to the minute story about The Beatles on the Journal: Did Ed Sullivan really call lobby to talk to these guys; you know more morning Kennedy was assassinated.
Recommended publications
  • Rubber Soul – Hawaii's All Beatles Tribute Band
    RUBBER SOUL – HAWAII’S ALL BEATLES TRIBUTE BAND FOR BOOKINGS CALL (808) 741-7529 or contact [email protected] BAND BIO: The current lineup includes: • James Roberts as Paul McCartney • Steve McClellan as John Lennon • Phil Daher as George Harrison • Larry Lieberman as Ringo Starr The band performs in costume (black suits) with authentic vintage instruments. Rubber Soul has been performing as Hawaii’s All-Beatles band for nearly 15 years, many of those years spent doing regular weekend gigs at the Hyatt Regency Waikiki, and was honored with a “Best of 2008” award from the editors of the Honolulu Weekly. All of the members have been playing in these roles for several years. SONG LIST: Rubber Soul performs music from all phases of the Beatles career, from the early days at Liverpool’s legendary Cavern Club through the psychedelic period and beyond. The band is known for playing almost any Beatles request audience members can think of. Here’s a list of some of the most crowd-pleasing favorites the band performs live: • I Want To Hold Your Hand • I Saw Her Standing There • If I Needed Someone • I’ll Follow the Sun • Here Comes the Sun • Can’t Buy Me Love • I Feel Fine • Help! • Paperback Writer • Norwegian Wood • While My Guitar Gently Weeps • A Little Help From My Friends • Should’ve Know Better • Blackbird • Glass Onion • “Abbey Road Medley” - from Mean Mr. Mustard all the way through to The End • Silly Love Songs • I’m Only Sleeping • The Night Before • Lucy in the Sky with Diamonds • Let it Be • For No One • Twist and Shout • Two of Us • Drive My Car • Lovely Rita (Meter Maid) • We Can Work It Out • Please Please Me • Nowhere Man • And I Love Her • If I Fell • Revolution • She Loves You • No Reply • Yellow Submarine • You’ve Got To Hide Your Love Away • ‘Til There Was You • Ballad of John & Yoko • I’m a Loser • Roll Over Beethoven • Day Tripper • Taxman • You Really Got a Hold On Me • Get Back • 1 After 909 • Every Little Thing • All Together Now • Sgt.
    [Show full text]
  • BWTB Nov. 13Th Dukes 2016
    1 Playlist Nov. 13th 2016 LIVE! From DUKES in Malibu 9AM / OPEN Three hours non stop uninterrupted Music from JPG&R…as we broadcast LIVE from DUKES in Malibu…. John Lennon – Steel and Glass - Walls And Bridges ‘74 Much like “How Do You Sleep” three years earlier, this is another blistering Lennon track that sets its sights on Allen Klein (who had contributed lyrics to “How Do You Sleep” those few years before). The Beatles - Revolution 1 - The Beatles 2 The first song recorded during the sessions for the “White Album.” At the time of its recording, this slower version was the only version of John Lennon’s “Revolution,” and it carried that titled without a “1” or a “9” in the title. Recording began on May 30, 1968, and 18 takes were recorded. On the final take, the first with a lead vocal, the song continued past the 4 1/2 minute mark and went onto an extended jam. It would end at 10:17 with John shouting to the others and to the control room “OK, I’ve had enough!” The final six minutes were pure chaos with discordant instrumental jamming, plenty of feedback, percussive clicks (which are heard in the song’s introduction as well), and John repeatedly screaming “alright” and moaning along with his girlfriend, Yoko Ono. Ono also spoke random streams of consciousness on the track such as “if you become naked.” This bizarre six-minute section was clipped off the version of what would become “Revolution 1” to form the basis of “Revolution 9.” Yoko’s “naked” line appears in the released version of “Revolution 9” at 7:53.
    [Show full text]
  • Identifying Beatles New Zealand 45'S
    Identifying New Zealand Beatles 45's Page Updated 23 De 16 Red and Silver Parlophone Label The Beatles first began hitting it big in New Zealand in the middle of 1963. During the early 1960's, New Zealand Parlophone was issuing singles on a red label with "Parlophone" at the top. The writing on this issue is in silver print. The singles originally issued on this label style were as follows: Songs Catalog Number "Please Please Me"/"Ask Me Why" NZP 3142 "From Me to You"/"Thank You Girl" NZP 3143 "She Loves You"/"I'll Get You" NZP 3148 "I Want to Hold Your Hand"/"This Boy" NZP 3152 "I Saw Her Standing There"/"Love Me Do" NZP 3154 "Can't Buy Me Love"/"You Can't Do That" NZP 3157 "Roll Over Beethoven"/"All My Loving" NZP 3158 "Twist and Shout"/"Boys" NZP 3160 "Money"/"Do You Want to Know a Secret" NZP 3163 "Long Tall Sally"/"I Call Your Name" NZP 3166 "Hard Day's Night"/"Things We Said Today" NZP 3167 "I Should Have Known Better"/"And I Love Her" NZP 3172 "Matchbox"/"I'll Cry Instead" NZP 3173 Red, Silver, and Black Parlophone Label At the end of 1964, the Parlophone label went through a transition period. Black lettering was used for the singles' information on the existing red-and-silver backdrops. Notice that "Parlophone" still appears in silver at the top of the label. The following singles were released originally on this label style. Songs Catalog Number "I Feel Fine"/"She's a Woman" NZP 3175 Red and Black Parlophone Label Once again in 1965, New Zealand Parlophone changed label styles.
    [Show full text]
  • Wavelength (December 1981)
    University of New Orleans ScholarWorks@UNO Wavelength Midlo Center for New Orleans Studies 12-1981 Wavelength (December 1981) Connie Atkinson University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/wavelength Recommended Citation Wavelength (December 1981) 14 https://scholarworks.uno.edu/wavelength/14 This Book is brought to you for free and open access by the Midlo Center for New Orleans Studies at ScholarWorks@UNO. It has been accepted for inclusion in Wavelength by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. ML I .~jq Lc. Coli. Easy Christmas Shopping Send a year's worth of New Orleans music. to your friends. Send $10 for each subscription to Wavelength, P.O. Box 15667, New Orleans, LA 10115 ·--------------------------------------------------r-----------------------------------------------------· Name ___ Name Address Address City, State, Zip ___ City, State, Zip ----­ Gift From Gift From ISSUE NO. 14 • DECEMBER 1981 SONYA JBL "I'm not sure, but I'm almost positive, that all music came from New Orleans. " meets West to bring you the Ernie K-Doe, 1979 East best in high-fideUty reproduction. Features What's Old? What's New ..... 12 Vinyl Junkie . ............... 13 Inflation In Music Business ..... 14 Reggae .............. .. ...... 15 New New Orleans Releases ..... 17 Jed Palmer .................. 2 3 A Night At Jed's ............. 25 Mr. Google Eyes . ............. 26 Toots . ..................... 35 AFO ....................... 37 Wavelength Band Guide . ...... 39 Columns Letters ............. ....... .. 7 Top20 ....................... 9 December ................ ... 11 Books ...................... 47 Rare Record ........... ...... 48 Jazz ....... .... ............. 49 Reviews ..................... 51 Classifieds ................... 61 Last Page ................... 62 Cover illustration by Skip Bolen. Publlsller, Patrick Berry. Editor, Connie Atkinson.
    [Show full text]
  • KLOS Aug.5Th
    1 PLAYLIST AUG. 5TH 2012 Special Guests WINGS Denny Seiwell – Denny Laine – Laurence Juber 1 2 9AM The Beatles - Rain - Non-LP B-side (Lennon-McCartney) Lead vocal: John Recorded on April 14 and 16, 1966. The track is notable for the backwards vocal from John Lennon at the end of the song. The section is John singing part of the first verse but the tape is superimposed backwards in the mix. The song contains slowed down instruments, guitar distortion, and vocals recorded and played back at variable speed. Aside from Paul McCartney’s dominant bass part, the song features a striking drum performance from Ringo, who has called “Rain” his favorite Beatles song. The B-side of “Paperback Writer.” Issued in America on May 23, 1966 and the UK on June 10, 1966, several months in advance of the “Revolver” album. On U.S. album: Hey Jude - Capitol LP (1970) 2 3 The Beatles - Paperback Writer - A Collection Of Beatles Oldies (Lennon-McCartney) Lead vocal: Paul The Beatles’ twelfth single release for EMI’s Parlophone label. Recorded on April 13 and 14, 1966. The track is notable for Paul McCartney’s furious bass line. The bass is so prominent in the mix that sound engineers at EMI worried it could cause the stylus of a record player tone arm (the needle thing on record players) to jump when fans played the 45 RPM single at home. Thankfully, no such calamity occurred. For this heavy bass sound Paul’s chose to replace his usual Hofner bass with a Rickenbacker 4001S bass.
    [Show full text]
  • Free Downloads Beatles for Sale on Parlophone Records
    Free Downloads Beatles For Sale On Parlophone Records Beatles For Sale on Parlophone Records covers all of the singles, albums and extended play discs issued by the Beatles in the U.K. from 1962 through 1970. Each record is given a separate chapter, which tells the stories behind how the songs appearing on the disc were written and recorded. The chapters also detail how the records were marketed and contain sales and chart information. The book has chapters on the history of EMI and Parlophone Records, how records are mastered and manufactured, how EMI contracted with other record companies to press Beatles singles and albums to help meet demand, British radio and record charts in the sixties and other record-related topics. The book has over 700 illustrations, all in either color or original black and white. Hardcover: 444 pages Publisher: 498 Productions, LLC; 1 edition (October 5, 2011) Language: English ISBN-10: 0983295700 ISBN-13: 978-0983295709 Product Dimensions: 9.2 x 1.4 x 12.1 inches Shipping Weight: 5.8 pounds (View shipping rates and policies) Average Customer Review: 4.4 out of 5 stars  See all reviews (18 customer reviews) Best Sellers Rank: #586,242 in Books (See Top 100 in Books) #29 in Books > Crafts, Hobbies & Home > Antiques & Collectibles > Records #112 in Books > Humor & Entertainment > Pop Culture > Beatles #1924 in Books > Arts & Photography > Music > History & Criticism Leave it to Bruce Spizer and Frank Daniels to find another huge record collecting need and fill it beautifully. Their latest offering is nothing short of a world class publication offering comprehensive and stunning visual insight to an area of collecting that is really considered the "mother of all Beatles records".
    [Show full text]
  • Jobz Are Us: the Ethical Dilemmata of the Humble Scrivener
    Jobz Are Us: The Ethical Dilemmata of the Humble Scrivener Toiling away here in the bloggy vineyard, Your Narrator finds himself in near-constant search of gainful, remunerative scribbling. Oh sure, regaling the tens of loyal i2b followers with insight, pith<fn>Yeth. Pith.</fn>, andtres bon mots in return for your undying adulation is all the reward an inky wretch could hope for. But the family has this annoying tendency to, you know, eat, so I expose my tender talents to the cruel world in hopes that someone will toss a few shekls my way.<fn>That Donate button over to the right has not brought the expected riches, needless to say.</fn> <fn>The mere mention of which – the Donate button, that is – is of course, a classic example of shameless whoring, one which allows the reader a choice between casting judgement on Your Narrator or of empathizing with his plight.</fn> <fn>And, also too, this mentioning – re: the judgement v. empathy conflict – potentially instantiates a frisson of guilt in the freeloading reader, which pointing out represents a further, and perhaps more pathetic, instance of Narratory whoring.</fn> So I troll, I dig. I hustle. And occasionally, I am rewarded beyond my wildest dreams when I find an inducement like this: Do you love essential oils? Do you love to write about them and take pictures? [….] Essential Oil company is looking for someone who is passionate and knowledgeable about essential oils. We currently have a blog and we are looking to add guest editors/bloggers to our mix.
    [Show full text]
  • Yesterday (Beatles Song)
    Yesterday (Beatles song) "Yesterday" is a song by English rock band the Bea- whether they had ever heard it before. Eventually it be- tles written by Paul McCartney (credited to Lennon– came like handing something in to the police. I thought McCartney) first released on the album Help! in the if no one claimed it after a few weeks then I could have United Kingdom in August 1965. it.”[5] “Yesterday”, with the B-side "Act Naturally", was re- Upon being convinced that he had not robbed anyone leased as a single in the United States in September 1965. of their melody, McCartney began writing lyrics to suit While it topped the American chart in October the song it. As Lennon and McCartney were known to do at the also hit the British top 10 in a cover version by Matt time, a substitute working lyric, titled “Scrambled Eggs” Monro. The song also appeared on the UK EP “Yester- (the working opening verse was “Scrambled eggs/Oh my day” in March 1966 and the Beatles’ US album Yesterday baby how I love your legs/Not as much as I love scram- and Today released in June 1966. bled eggs”), was used for the song until something more McCartney’s vocal and acoustic guitar, together with a suitable was written. In his biography, Paul McCartney: string quartet, essentially made for the first solo perfor- Many Years from Now, McCartney recalled: “So first of mance of the band. It remains popular today with more all I checked this melody out, and people said to me, 'No, than 2,200 cover versions[2] and is one of the most cov- it’s lovely, and I'm sure it’s all yours.' It took me a little ered songs in the history of recorded music.[note 1] “Yes- while to allow myself to claim it, but then like a prospec- terday” was voted the best song of the 20th century in a tor I finally staked my claim; stuck a little sign on it and said, 'Okay, it’s mine!' It had no words.
    [Show full text]
  • Chocolate and Cigarettes Angus and Julia Stone Free Mp3 Downloadl
    Chocolate And Cigarettes Angus And Julia Stone Free Mp3 Downloadl Chocolate And Cigarettes Angus And Julia Stone Free Mp3 Downloadl 1 / 2 Angus & Julia Stone - For You download free mp3 flac. ... Organ – Julia StoneVocals – Erin Marshall. 4:22 ... 3-08, Chocolates And Cigarettes, 3:56. 3-09, Old .... Free Angus and Julia Stone mp3 - Angus and Julia Stone mp3 ... Format:.mp3,.wav Chocolates and Cigarettes download Tracks: File Size # 1.. ... on Amazon Music. Stream ad-free or purchase CD's and MP3s now on Amazon. ... Open Web Player MP3 cart Settings. There's a ... Heart Full of Wine / Chocolate & Cigarettes ... See all 20 albums by Angus & Julia Stone ... Sample this song.. angus julia stone take you away free mp3 download, angus and julia stone free ... a book like this, julia stone maybe mp3, mp3 download free music for iphone. ... stone chocolates and cigarettes album julia mp3 songs free for you angus and.. Print and Download Chocolates And Cigarettes sheet music. Music notes for sheet music by Angus & Julia Stone Julia Stone: Hal Leonard .... Free mp3 download hiboo dlive angus julia stone im not yours, angus and julia stone ... Allume-moi une cigarette et mets-la dans ma bouche. ... M.I. Abaga, of Chocolate City fame, releases 'The Illegal Music Two Mixtape' .... The top ranked albums by Angus & Julia Stone are Down The Way, A Book Like This ... The top rated tracks by Angus & Julia Stone are Grizzly Bear, Snow, Big Jet ... Amazon MP3; eBay; iTunes ... Chocolates & Cigarettes ... We work very hard to ensure our site is as fast (and free!) as possible, and we respect your privacy.
    [Show full text]
  • BWTB Revolver @ 50 2016
    1 PLAYLIST AUG. 7th 2016 Part 1 of our Revolver @ 50 Special~ We will dedicate to early versions of songs…plus the single that preceded the release of REVOLVER…Lets start with the first song recorded for the album it was called Mark 1 in April of 1966…good morning hipsters 2 9AM The Beatles - Tomorrow Never Knows – Revolver TK1 (Lennon-McCartney) Lead vocal: John The first song recorded for what would become the “Revolver” album. John’s composition was unlike anything The Beatles or anyone else had ever recorded. Lennon’s vocal is buried under a wall of sound -- an assemblage of repeating tape loops and sound effects – placed on top of a dense one chord song with basic melody driven by Ringo's thunderous drum pattern. The lyrics were largely taken from “The Psychedelic Experience,” a 1964 book written by Harvard psychologists Timothy Leary and Richard Alpert, which contained an adaptation of the ancient “Tibetan Book of the Dead.” Each Beatle worked at home on creating strange sounds to add to the mix. Then they were added at different speeds sometime backwards. Paul got “arranging” credit. He had discovered that by removing the erase head on his Grundig reel-to-reel tape machine, he could saturate a recording with sound. A bit of….The Beatles - For No One - Revolver (Lennon-McCartney) Lead vocal: Paul 3 The Beatles - Here, There And Everywhere / TK’s 7 & 13 - Revolver (Lennon-McCartney) Lead vocal: Paul Written by Paul while sitting by the pool of John’s estate, this classic ballad was inspired by The Beach Boys’ “God Only Knows.” Completed in 14 takes spread over three sessions on June 14, 16 and 17, 1966.
    [Show full text]
  • Slate.Com Table of Contents Faith-Based a Skeptic's Guide to Passover
    Slate.com Table of Contents faith-based A Skeptic's Guide to Passover fighting words ad report card Telling the Truth About the Armenian Genocide Credit Crunch foreigners Advanced Search Why Israel Will Bomb Iran books foreigners Why Write While Israel Burns? Too Busy To Save Darfur change-o-meter foreigners Supplemental Diet No Nukes? No Thanks. change-o-meter gabfest Unclenched Fists The Velvet Snuggie Gabfest change-o-meter grieving Dogfights Ahead The Long Goodbye change-o-meter human guinea pig Big Crowds, Few Promises Where There's E-Smoke … chatterbox human nature A Beat-Sweetener Sampler Sweet Surrender corrections human nature Corrections Deeper Digital Penetration culture gabfest jurisprudence The Culture Gabfest, Empty Calories Edition Czar Obama dear prudence jurisprudence It's a Jungle Down There Noah Webster Gives His Blessing drink jurisprudence Not Such a G'Day Spain's Most Wanted: Gonzales in the Dock dvd extras moneybox Wauaugh! And It Can't Count on a Bailout explainer movies Getting High by Going Down Observe and Report explainer music box Heated Controversy When Rock Stars Read Edmund Spenser explainer music box Why Is Gmail Still in Beta? Kings of Rock explainer my goodness It's 11:48 a.m. Do You Know Where Your Missile Is? Push a Button, Change the World faith-based other magazines Passionate Plays In Facebook We Trust faith-based poem Why Was Jesus Crucified? "Bombs Rock Cairo" Copyright 2007 Washingtonpost.Newsweek Interactive Co. LLC 1/125 politics today's papers U.S. Department of Blogging Daring To Dream It's
    [Show full text]
  • Margaret Atwood Margaret Atwood
    Naomi Klein on Lies, Damned Lies and George W. Bush Judy Rebick on Sheila Copps and WOMEN’S NEWS & FEMINIST VIEWS • Spring 2004 • Vol. 17 No.4 • Canada $5.95/US $5.95 Belinda Stronach MARGARETMARGARET ATWOODATWOOD IS THIS THE PATH WE WANT TO BE ON? FEMINISTFEMINIST INKINK POLITICS AND PUBLISHING IN A BIG BOX WORLD BELLYBELLY DANCINGDANCING A NEW BODY POLITIC KEEPINGKEEPING THETHE FAITHFAITH FEMALE CLERGY Made in Canada Publications Mail Agreement #40008866 table of contents SPRING 2004 / VOLUME 17 NO. 4 BELLY 24 WISDOM Belly dancing is believed to have been created by women in India and the Middle East to ease the pain and facilitate the process of giving birth. Today, most women learning the dance in North America are of European descent. Will its history and culture be safely preserved? by Sheila Nopper KEEPING 28 THE FAITH Female clergy are questioning the veracity of scrip- Blacklisted by Neko Case. See page 30. tures and interpreting them in a modern, more WOMEN’S NEWS feminist way. by Danielle Harder Court Favours Rape Relief by Robin ARTS & LIT 6-13 Perelle; Reform Rabbi Challenges Orthodoxy by Anat Cohen; Tune in for Broader MASSIVE QUANTITIES Democracy by Penney Kome; Revving up the 32 OF GOOD VIBES… Revolution by Sarah Lukaweski; No Green Light for Music reviewer Anna Lazowski writes, “The liner notes Red Light District by Michelle French penned by this Montreal resident contain a mini man- ifesto on the importance of water, signed off with a wish for “massive quantities of good vibes”—the name FEMINIST VIEWS of her record label.” If you haven’t heard Annabelle Chvostek, dip in to this review.
    [Show full text]