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AACTA Announces Short Film Nominees for the 4Th AACTA Awards
MEDIA RELEASE Strictly embargoed until Wednesday 3rd September, 2014. AUSTRALIAN ACADEMY ANNOUNCES FIRST NOMINEES FOR 4TH AACTA AWARDS The countdown to Australia’s top screen Awards has officially started, with the first nominees for the 4th Australian Academy of Cinema and Television Arts (AACTA) Awards announced today. Nominees were announced in the Best Short Animation and Best Short Fiction Film categories for the 4th AACTA Awards, which will also see Australia’s best film, television and documentaries awarded in Sydney in January 2015. Feature Films in Competition and nominees for the AACTA Award for Best Feature Length Documentary for the 4th AACTA Awards will be announced in the coming weeks, and all Feature Film, Television and the remaining Documentary nominees will be announced later in 2014. NOMINEES FOR THE AACTA AWARD FOR BEST SHORT ANIMATION • GOD SQUAD. Nicholas Kempt, Troy Zafer • Grace Under Water. Anthony Lawrence • Love In The Time Of March Madness. Robertino Zambrano, Melissa Johnston • The Video Dating Tape of Desmondo Ray, Aged 33 & 3/4. Steve Baker This year’s Best Short Animation nominees arrive at the AACTA Awards with a host of Festival screenings behind them, both national and international. The Video Dating Tape of Desmondo Ray, Aged 33 & 3/4, which screened at SXSW 2014 and St Kilda Film Festival 2014, is by writer-director Steve Baker, a previous Tropfest and AFI Award winner. This darkly funny short film portrays Raymond, a loner with a penchant for peeing in the rain, as a likeable, if not likely, dating prospect. Also funny and touching is Love In The Time Of March Madness - a ‘tall short’ about a 6’4” woman whose success on the basketball court is at odds with her luck in love. -
10.9 De Jesus Precarious Girlhood Dissertation Draft
! ! "#$%&#'()*!+'#,-((./!"#(0,$1&2'3'45!6$%(47'5)#$.!8#(9$*!(7!:$1'4'4$!;$<$,(91$42! '4!"(*2=>??@!6$%$**'(4&#A!B'4$1&! ! ! ;$*'#C$!.$!D$*)*! ! ! ! ! E!8-$*'*! F4!2-$!! G$,!H(99$4-$'1!I%-((,!(7!B'4$1&! ! ! ! ! "#$*$42$.!'4!"'&,!:),7',,1$42!(7!2-$!6$J)'#$1$42*! :(#!2-$!;$5#$$!(7! ;(%2(#!(7!"-',(*(9-A!K:',1!&4.!G(<'45!F1&5$!I2).'$*L! &2!B(4%(#.'&!M4'<$#*'2A! G(42#$&,N!O)$0$%N!B&4&.&! ! ! ! ! ! P%2(0$#!>?Q@! ! R!;$*'#C$!.$!D$*)*N!>?Q@ ! ! CONCORDIA UNIVERSITY SCHOOL OF GRADUATE STUDIES This is to certify that the thesis prepared By: Desirée de Jesus Entitled: Precarious Girlhood: Problematizing Reconfigured Tropes of Feminine Development in Post-2009 Recessionary Cinema and submitted in partial fulfillment of the requirements for the degree of Film and Moving Image Studies complies with the regulations of the University and meets the accepted standards with respect to originality and quality. Signed by the final examining committee: Chair Dr. Lorrie Blair External Examiner Dr. Carrie Rentschler External to Program Dr. Gada Mahrouse Examiner Dr. Rosanna Maule Examiner Dr. Catherine Russell Thesis Supervisor Dr. Masha Salazkina Approved by Dr. Masha Salazkina Chair of Department or Graduate Program Director December 4, 2019 Dr. Rebecca Duclos Dean Faculty of Fine Arts ! ! "#$%&"'%! ()*+,)-./0!1-)23..45!().62*7,8-9-:;!&*+.:<-;/)*4!%).=*0!.<!>*7-:-:*!?*@*2.=7*:8!-:! (.08ABCCD!&*+*00-.:,)E!'-:*7,! ! ?*0-)F*!4*!G*0/0! '.:+.)4-,!H:-@*)0-8EI!BCJD! ! !"##"$%&'()*+(,--.(/#"01#(2+3+44%"&5()*+6+($14(1(4%'&%7%31&)(3*1&'+(%&()*+(3%&+81)%3(9+:%3)%"&( -
Dir. Damien Power; Prod
katie@katieflaxman.com www.katieflaxman.com FEATURE FILM Killing Ground (currently in post-production) Dir. Damien Power; Prod. Joe Weatherstone, 2016 What if it Works? (Assembly Editor) Dir. Romi Trower; Prod. Tristram Miall, 2015 The Last Reel Dir. Kulikar Sotho, Hanuman Films Cambodia, 2013 2014 Tokyo International Film Festival - Winner: “Asian Spirit Award” 2014 Singapore International Film Festival 2014 Cambodian International Film Festival 2015 AEAN International Film Festival - Nominee: Best Editing Strangers, Lovers, Killers Dir. Oliver Torr, Matt Zeremes & Ross Wilson, Puck Films, 2009 DOCUMENTARY Head First - Series 2 Dir/Presenter. Sabour Bradley, Prod. Mushroom Pictures on ABC1, 2014 Brain Dir. Polly Staniford, Prod. Matchbox Pictures. Part of the Anatomy series on ABC1, 2013 Project Shiphunt @Radical Media, NYC, 2011 Minutes of a Parting Dir. Ben Briand, Prod. Cherub Pictures. Documentary about The Sydney Theatre Company’s production in Geneva, 2009 The Making of “The Square” Dir. David Michôd. Documentary about “The Square”, 2008 Transgression Dir. Dean Francis, AFTRS, 2004 TELEVISION - DRAMA/COMEDY Please Like Me - Series 4 (Assembly Editor) Josh & John Productions for ABC1 and Pivot, 2016 Hammer Bay Drama series pilot for MTV, Dir. Ben Briand, Cherub Pictures, 2007 2008 St Kilda Film Festival TELEVISION - FACTUAL The Weekly - Series 2 Thinkative TV for the ABC, 2016 Wacky World Beaters Active TV for ABC3, 2013 Australia’s Next Top Model Shine for Fox 8, 2013 Formal Wars Matchbox Pictures for Channel 7, 2013 The Amazing -
THE BABADOOK Presskit D
EIN FILM VON JENNIFER KENT 93 Minuten // Australien/Kanada 2014 mit Essie Davis, Noah Wiseman, Daniel Henshall - Presseheft - Pressebilder: www.praesens.com www.facebook.com/DerBabadook 2 MISTER BABADOOK If it’s in a word or it’s in a look / You can’t get rid of The Babadook A rumbling sound, then 3 sharp knocks / ba BA-ba DOOK! DOOK! DOOK! / That’s when you’ll know that he’s around. / You’ll see him if you look. This is what he wears on top / He’s funny, don’t you think? / See him in your room at night / And you won’t sleep a wink. / I’ll soon take off my funny disguise / (take heed of what you’ve read...). / And once you see what’s underneath... / You’re going to wish you were... / DEAD. INHALT Kurzinhalt ������������������������������������������������������������������������������������������������������������������������������ 4 Pressenotiz ���������������������������������������������������������������������������������������������������������������������������� 4 Langinhalt . 5 Cast & Crew . 7 Jennifer Kent (Regie, Drehbuch) / Interview ���������������������������������������������������������������������������� 7 Essie Davis (Amelia) / Interview . 12 Noah Wiseman (Samuel) ������������������������������������������������������������������������������������������������������� 16 Daniel Henshall (Robbie) ������������������������������������������������������������������������������������������������������� 16 Hayley McElhinney (Claire) ��������������������������������������������������������������������������������������������������� -
10 –19 January
29TH INTERNATIONAL SHORT FILM FESTIVAL ELECTRIFYING SHORT FILMS 10 –19 JANUARY BONDI PAVILION, BONDI BEACH As Australia’s leading Academy® accredited Affairs And Trade, and Australia now ASEAN short film festival, the shorts in competition at 2019, European Union Delegation to Australia, Flickerfest are fiercely vying for a number of and Screen NSW. prestigious prizes including the Flickerfest Award I would also like to extend an enormous thanks for Best International Short Film, the Yoram to our major government partner Screen Gross Award for Best International Animation, Australia who supports both our festival, and the the Flickerfest Award for Best Australian Short national tour, and who has been a continuous Film, and for Best Documentary. Plus a host of source of encouragement as we strive to deliver other hotly contested prizes, which recognise the our vision of providing a platform that nurtures various craft areas inherent in making a great and supports Australian Filmmakers, and in turn short film. provides Australian audiences with access to 2020 will bring over 23 different short film inspirational storytelling from their own backyard programmes across the 10-day festival and beyond. season. We are proud to announce that BRONWYN KIDD To all our partners who are acknowledged in due to the outstanding home grown talent FESTIVAL DIRECTOR this programme, I am extremely grateful for the and creativity received this year, we will essential and ongoing support they provide. We Welcome to the 29th Flickerfest International be screening 7 Australian competitive thank them enormously for their belief in us, Short Film Festival. As we move forward into programmes in addition to the 5 international which assists us in maintaining Flickerfest as one another film filled and jam packed festival, I am and 2 documentary programmes, which of the best short film competitions in the world. -
The Nightingale
SCREEN AUSTRALIA SCREEN TASMANIA AND SOUTH AUSTRALIAN FILM CORPORATION present in association with ADELAIDE FILM FESTIVAL BRON CREATIVE And FILMNATION ENTERTAINMENT a CAUSEWAY FILMS and MADE UP STORIES production THE NIGHTINGALE PRODUCTION NOTES Running Time: 136 mins AUSTRALIAN PUBLICITY REQUESTS: Amy Burgess / National Publicity Manager, Transmission Films 02 8333 9000, [email protected] Images: High res images and poster available to download via the DOWNLOAD MEDIA tab at: https://www.transmissionfilms.com.au/films/the-nightingale Starring Aisling Franciosi, Sam Claflin and Baykali Ganambarr Writer and Director: Jennifer Kent Producers: Kristina Ceyton p.g.a., Bruna Papandrea p.g.a., Steve Hutensky p.g.a. and Jennifer Kent p.g.a. Executive Producers: Brenda Gilbert, Jason Cloth, Andrew Pollack, Aaron L. Gilbert, Ben Browning and Alison Cohen Associate Producer: Jim Everett Director of Photography: Radek Ladczuk Editor: Simon Njoo Production Designer: Alex Holmes Costume Designer: Margot Wilson APDG Hair and Makeup Designer: Nikki Gooley Sound Designer: Robert Mackenzie Composer: Jed Kurzel Visual Effects Supervisor: Marty Pepper Casting Director: Nikki Barrett CSA Distributed in Australia and New Zealand by Transmission Films International Sales: FilmNation Entertainment, US Sales: Endeavor Content The Nightingale Production Notes 2 INDEX SYNOPSES 3 DIRECTOR’S STATEMENT 4 CAST AND CHARACTER LIST 4 GENESIS OF THE FILM 5 CASTING AND CHARACTERS Clare – Portrayed by Aisling Franciosi 8 Hawkins – Portrayed by Sam Claflin 10 Billy -
Screen Australia Annual Report 2011/12 Published by Screen Australia October 2012 ISSN 1837-2740 © Screen Australia 2012
Screen Australia Annual Report 2011/12 Published by Screen Australia October 2012 ISSN 1837-2740 © Screen Australia 2012 The text in this Annual Report is released subject to a Creative Commons BY licence (Licence). This means, in summary, that you may reproduce, transmit and distribute the text, provided that you do not do so for commercial purposes, and provided that you attribute the text as extracted from Screen Australia’s Annual Report 2011/12. You must not alter, transform or build upon the text in this Annual Report. Your rights under the Licence are in addition to any fair dealing rights which you have under the Copyright Act 1968 (Cwlth). For further terms of the Licence, please see http://creativecommons.org/licenses/ by-nc-nd/3.0/au/. You are not licensed to reproduce, transmit or distribute any still photographs contained in this Annual Report without the prior written permission of Screen Australia. This Annual Report is available to download as a PDF from www.screenaustralia.gov.au Front cover image from The Sapphires. Screen Australia Annual Report 2011/12 Correction Department of Regional Australia, Local Government, Arts and Sport Screen Australia Annual Report 2011/12 Producer Offset and Co-productions – page 74: Incorrect total (173) for Producer Offset Provisional Certificates issued in 2011/12. It should read: 145 Provisional Certificates. Producer Offset and Co-productions – page 76: Under heading Certificates issued in 2011/12, the figures for Producer Offset Provisional Certificates (Features – 78; Non-feature documentaries – 54; TV and other – 41; Total – 173) are incorrect. The table should read: Certificates issued in 2011/12 Final Provisional Number Offset value ($m) Features 47 24 127.29 Non-feature documentaries 55 98 18.21 TV and other 43 39 58.45 Total 145 161 203.96 Note: Figures may not total exactly due to rounding. -
By Network Page 1 of 2
2ND AACTA AWARDS WINNERS BY TELEVISION NETWORK ABC1 (9 Awards) Redfern Now – 2 Awards • AACTA Award for Best Screenplay in Television - Episode 6 'Pretty Boy Blue' • AACTA Award for Best Lead Actress in a Television Drama - Leah Purcell - Episode 1 'Family' A Moody Christmas – 1 Award • AACTA Award for Best Performance in a Television Comedy - Patrick Brammall Agony Aunts – 1 Award • AACTA Award for Best Light Entertainment Television Series Dr Sarmast's Music School – 1 Award • AACTA Award for Best Sound in a Documentary Jack Irish: Bad Debts – 1 Award • AACTA Award for Best Direction in Television Lowdown - Season 2 – 1 Award • AACTA Award for Best Television Comedy Series Rake - Season 2 – 1 Award • AACTA Award for Best Lead Actor in a Television Drama - Richard Roxburgh Then The Wind Changed – 1 Award • AACTA Award for Best Documentary Under One Hour ABC3 (1 Award) The Adventures of Figaro Pho – 1 Award • AACTA Award for Best Children's Television Series FOXTEL - MOVIE NETWORK (2 Awards) Fighting Fear – 2 Awards • AACTA Award for Best Direction in a Documentary • AACTA Award for Best Cinematography in a Documentary 2nd AACTA Awards_Winners By Network Page 1 of 2 NINE NETWORK (3 Awards) Howzat! Kerry Packer's War – 2 Awards • AACTA Award for Best Telefeature or Mini Series • AACTA Award for Best Guest or Supporting Actress in a Television Drama - Mandy McElhinney - Part 2 Underbelly Badness – 1 Award • Award for Best Guest or Supporting Actor in a Television Drama - Aaron Jeffery - Episode 3 'The Loaded Dog’ NETWORK TEN (1 Award) Puberty Blues – 1 Award • AACTA Award for Best Television Drama Series SBS (2 Awards) Go Back To Where You Came From • AACTA Award for Best Documentary Series – 1 Award Once Upon A Time In Cabramatta – 1 Award • AACTA Award for Best Editing in a Documentary - Episode 1 SEVEN NETWORK (1 Award) The Amazing Race Australia – 1 Award • AACTA Award for Best Reality Television Series --End-- Details subject to change at the discretion of AFI | AACTA 2nd AACTA Awards_Winners By Network Page 2 of 2 . -
Short Film Marketing Guide
SHORT FILM FESTIVAL MARKETING GUIDE 2021 Kia ora, welcome to Te Tumu Whakaata Taonga New Zealand Film Commission (NZFC) Short Film Festival Marketing Guide, designed to help with your most frequently asked festival related questions and to support you in planning a targeted release strategy for your short film. Wishing you the best of luck on your festival journey. Film Still: Ani (2019) – Written and directed by Josephine Stewart-Te Whiu (Ngāpuhi, Te Rarawa), produced by Sarah Cook Official Selection: Berlin International Film Festival ‘In Competition Generation Kplus’, Toronto International Film Festival, imagineNATIVE Film + Media Arts Festival, New Zealand International Film Festival, Rotorua Indigenous Film Festival, Vladivostok Pacific Meridian International Film Festival, Hamptons International Film Festival, Show Me Shorts Film Festival - Winner Best New Zealand Film Award, Best Cinematographer Award DISCLAIMER: This document is written as a guide only, intended for use by short film directors, writers and producers when referring to ‘you’, ‘your’ and ‘filmmakers’. Festival dates included in this guide are correct at publishing and subject to change. 1 © New Zealand Film Commission 2021 INDEX The First Steps – Preparing for Festival Success……………………………………………………………… 3 In Pre-Production………………………………………………………………………………………………. 3 In Production…………………………………………………………………………………………………….. 3 In Post-Production…………………………………………………………………………………………….. 4 At the Finish Line……………………………………………………………………………………………….. 4 Press Kit…………………………………………………………………………………………………. -
Seven Unveils Content Plans for 2019
SEVEN UNVEILS CONTENT PLANS FOR 2019 Slate includes new Bevan Lee drama and two supersized reality hits Geraldine Hakewill, Joel Jackson and Catherine McClements headline Miss Fisher spin-off MKR’s 10th anniversary season to launch the year “Top Gear meets food” in new Gordon Ramsay series New overseas dramas feature screen heavyweights Martin Clunes, Sheridan Smith, Kelsey Grammer and more (Sydney, Friday October 26): The Seven Network today unveiled its content plans for 2019. Four new local dramas, including the next offering from creator Bevan Lee; two supersized reality hits; a female spinoff to one of the year’s most heart-warming hits and the landmark 10th season of one of Australia’s biggest shows are just some of the programs set to take Seven into its 13th consecutive year of leadership. Commenting, Seven’s Director of Network Programming Angus Ross said: “After a close win last year, we promised to up our game in 2018, and the team has delivered in spades. We’ve broken records and dominated the ratings throughout the year. In fact, in every month we have never dropped below a 39% share, while our competitors have never been above 39%. Our worst is still better than their best. “What’s particularly pleasing is that this success is down to the strength and depth of our programming across the board. From 6am to midnight, we have the strongest spine of ratings winners, bar none. And with the AFL and Cricket locked up until 2022, Seven can guarantee those mass audiences, and certainty for our advertisers, for years to come.” NEW TO SEVEN IN 2019 BETWEEN TWO WORLDS From Australia’s most prolific creator/writer Bevan Lee (Packed to the Rafters, A Place To Call Home, All Saints, Winners & Losers, Always Greener) comes an intense, high concept contemporary drama series about two disparate and disconnected worlds, thrown together by death and a sacrifice in one and the chance for new life in the other. -
Annual Report 2012/2013
ANNUAL REPORT 2012/2013 SCREENWEST ANNUAL REPORT | 2012/2013 SCREENWEST ANNUAL REPORT | 2012/2013 Table of Contents Statement of Compliance .......................................................... 2 Notes to the Financial Statements ........................................... 44 Overview of the Agency ............................................................. 4 Additional Key Performance Indicator Information ................... 84 Executive Summary ................................................................... 4 Key Efficiency and Effectiveness Indicators.................................85 Operational Structure ................................................................11 Appendix 1.0 Assessment Meetings and Members 2012/2013.........................................................................................100 Agency Performance ............................................................... 21 Significant Issues Impacting the Agency ................................. 31 Appendix 2.0 Productions with ScreenWest funding 2012/2013.........................................................................................107 Disclosures and Legal Compliance.......................................... 32 Independent Auditor’s Report .................................................. 33 Appendix 3.0 Funding Commitments 2012/2013.......................122 Statement of Comprehensive Income ...................................... 37 Statement of Financial Position................................................ 39 Statement of -
Download the Creative Industries Strategy
Creative Industries Strategy An industry-led Strategy produced by the Department for Innovation and Skills, in collaboration with Department for Trade and Investment and various industry representatives. 2020 GROWTH STATE Spider-Man: Far From Home - Visual effects by Rising Sun Pictures. © & TM 2019 MARVEL. © 2019 CTMG. All Rights Reserved. Credit: Rising Sun Pictures. The Department for Innovation and Skills acknowledges Aboriginal people as the state’s first peoples and Nations of South Australia. We recognise and respect their cultural connections as the traditional owners and occupants of the land and waters of South Australia, and that they have and continue to maintain a unique and irreplaceable contribution to the state. Ngarrindjeri designer Jordan Lovegrove at Ochre Dawn. Credit: Ochre Dawn Creative Industries. CREATIVE INDUSTRIES Strategy Table of Contents Message from the Minister 4 Message from the Creative Industries Ministerial Advisory Group 5 Section 1: Background 6 Executive summary 6 Growth State 6 The Creative Industries Strategy 7 What are the creative industries? 9 Advertising and Communication Design 11 Broadcasting: TV, Radio and Podcasts 11 Design 12 Design – Urban, Architecture, Interior and Landscape 12 Design – Industrial and Product 13 Fashion 14 Festivals (Creative and Cultural) 15 Music 18 Performing Arts 21 Visual Arts and Craft 21 Screen 22 Screen – TV and Film Production 23 Screen – Post Production, Digital and Visual Effects (PDV) 24 Screen - Game Development 25 Writing and Publishing 26 Technology and