Recognising Service in Wellington's Army
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Romantic Retreats
DISCOVER LONDON DISCOVER LONDON: BEHIND THE SCENES – THE INSIDER’S GUIDE The perfect way to travel the UK Win a five-star Romantic holiday to the UK retreats Secret gardens and passionate princes Constable Country Visit the places the master artist painted A castle courtship How Queen Elizabeth I lost her heart Steeple chase Race through 1,000 years with Britain’s cathedrals APRIL/MAY 2016 £4.50 1066: the year that changed history When William the Conqueror seized the crown discoverbritainmag.com OFC_DB_UKApr/May16Barcodes.indd 1 25/02/2016 16:23 Quote ͺDĂƌĐŚͬƉƌŝůϭϲͺh< Inspiring Breaks to National Trust Houses & Gardens with Just Go! Holidays Request a FREE 2016 brochure For our full selection of 2016 National Trust breaks please call 08432 244 246 Quote: ‘Discover Britain’ for discount a d e e R r s n i • a t t S i i r p B e c £25 off r i a e l per booking v D o c i s s i c o D A Wonderful Opportunity to Explore u nt f o r ŚŽŽƐĞĨƌŽŵĂŶĞdžĐůƵƐŝǀĞĐŽůůĞĐƟŽŶŽĨϮϭƚŽƵƌƐŽīĞƌŝŶŐ tĞŚĂǀĞĂĚĚĞĚŇĞdžŝďůĞƚƌĂǀĞůŽƉƟŽŶƐ on our tours ƚŚĞŽƉƉŽƌƚƵŶŝƚLJƚŽĚŝƐĐŽǀĞƌŵĂŶLJĞĐůĞĐƟĐƉůĂĐĞƐĂŶĚ ĂůůŽǁŝŶŐLJŽƵƚŽĐŚŽŽƐĞLJŽƵƌƉƌĞĨĞƌƌĞĚŵĞĂŶƐŽĨ ƐƉĂĐĞƐůŽŽŬĞĚĂŌĞƌďLJƚŚĞEĂƟŽŶĂůdƌƵƐƚ ƚƌĂŶƐƉŽƌƚͲǁŚĞƚŚĞƌŝƚ͛ƐĚƌŝǀŝŶŐLJŽƵƌƐĞůĨƚŽƚŚĞŚŽƚĞů͕ ũŽŝŶŝŶŐƚŚĞĐŽĂĐŚĂƚĂĐŽŶǀĞŶŝĞŶƚƉŝĐŬƵƉƉŽŝŶƚŽƌĞǀĞŶ A ĨƌŝĞŶĚůLJdŽƵƌDĂŶĂŐĞƌǁŝůůŵĞĞƚLJŽƵĂƚƚŚĞŚŽƚĞůĂŶĚ ƚĂŬŝŶŐĂŇŝŐŚƚƚŽLJŽƵƌĚĞƐƟŶĂƟŽŶ ĨĂĐŝůŝƚĂƚĞƚŚĞƐŵŽŽƚŚŽƌŐĂŶŝƐĂƟŽŶŽĨĂůůŽƉĞƌĂƟŽŶĂů ĂƐƉĞĐƚƐŽĨƚŚĞďƌĞĂŬ &ŽƌĞǀĞƌLJƉĞƌƐŽŶǁŚŽũŽŝŶƐƵƐŽŶŽŶĞŽĨŽƵƌŝŶƐƉŝƌŝŶŐ ďƌĞĂŬƐ͕ǁĞĂƌĞƉƌŽƵĚƚŽŐŝǀĞƚŚĞEĂƟŽŶĂůdƌƵƐƚάϮϱ ůƐŽĂĐŚĂŶĐĞƚŽĞdžƉůŽƌĞƐŽŵĞŽĨƚŚĞƌĞŵĂƌŬĂďůĞŐĞŵƐ ǁŚŝĐŚŚĞůƉƐƚŚĞŵƚŽĨƵŶĚǀŝƚĂůƌĞƐƚŽƌĂƟŽŶƉƌŽũĞĐƚƐƚŚĂƚ -
1891 Census of Thanet Places As Enumerated, with Index
1891 Census of Thanet Places as Enumerated, with Index Scope The full Registration District, piece RG12/725 to piece RG12/733 inclusive. Arrangement A summary of the places-related information recorded in the enumerators’ returns of households, in ‘as enumerated’ order, including all Thanet’s public houses and farm houses (although some of these are not explicitly identified in the original). Each entry includes : • piece and folio numbers : used with the PRO class (RG12) to locate the original • Dwelling : name of one or more dwellings ~ 'Rows' and 'Terraces' are usually under this heading, although some may have been considered 'streets' and their names used as street names • Street : names of a street, road, etc, and some hamlets ~ 'Places' are usually under this heading, although some may have been sub-divisions of a street • parish : the ecclesiastical parish, abbreviated as noted below • locality : the key guide to location, used to differentiate common street names in the Index There is a combined Index for Dwellings and Streets starting on page 56, each entry giving a piece and folio number(s). Abbreviations & Notations [ ] square brackets enclose annotation { } where a place-name spelling may be incorrect, the accepted version is given and the original enclosed in curly brackets ~ usually both are indexed *** unoccupied/being built, usually only noted if the name of a dwelling or street would otherwise be omitted aS All Saints, Birchington cC Christ Church, Ramsgate hT Holy Trinity, Broadstairs hTm Holy Trinity, Margate hTr Holy -
The National Gallery Review of the Year 2008-9
the national gallery review of the year 2008 – 2 0 0 9 national gallery staff publications april 2008–march 2009 Rachel Billinge, Research Associate, Angels by Quinten Massys’, National Raphael Research Resource: http://cima. Conservation Gallery Technical Bulletin, 29, The ng-london.org.uk/documentation) ‘The use of Gilded Tin in Giotto’s National Gallery Company, London 2008, Pentecost’, National Gallery Technical pp. 60–75 Caroline Marcus, Access Officer Bulletin, 29, National Gallery Company, ‘Cultural Immersion or Cultural Offer? An London 2008, pp. 76–80 (with D. Gordon) Susan Foister, Director of Collections investigation into the National Gallery’s Entries in Renaissance Faces: Van Eyck to and Regional Partners’ Cultural Xavier Bray, Assistant Curator, 17th- and Titian, exhibition catalogue, The National Placement Scheme as an educational 18th-Century Paintings Gallery, London 2008 resource for student teachers’, MA ‘El parangón español: El arte de pintar la Entries in El retrato del Renacimiento, dissertation, Institute of Education, escultura en el siglo de oro’, Los pintores exhibition catalogue, Museo del Prado, University of London, 2008 (published on de lo real, Museo del Prado, Madrid 2008, Madrid 2008 the DCSF website Learning Outside the pp. 181–95 Classroom: http://www.lotc.org.uk) Exhibition review: ‘The Colour of Life’, The Dillian Gordon, Curator of Italian Painting Burlington Magazine, CL, September before 1460 Antonio Mazzotta, Pidem Curatorial 2008, pp. 645–6 ‘Duccio’s adjustment to “The Temptation Assistant ‘La famille de l’Infant Don Luis: Goya of Christ on the mountain” from his Entries in Andrea Mantegna. 1431–1506, Portraitiste’, Dossier de l’Art, 151, 2008, “Maestà”’, The Burlington Magazine, exhibition catalogue, ed. -
Annual Review 2011 – 2012
AnnuA l Review 2011 – 2012 Dulwich Picture Gallery was established more than 200 years ago because its founders believed as many people as possible should see great paintings. Today we believe the same, because we know that art can change lives. I w hat makes us world-class is our exceptional collection of Old Master paintings. I england – which allows visitors to experience those paintings in an intimate, welcoming setting. I w hat makes us relevant is the way we unite our past with our present, using innovative exhibitions, authoritative scholarship and pioneering education programmes to change lives for the better. Cover image: installation view of David Hockney, Mr and Mrs Clark and Percy, 1970-71, acrylic on canvas, 213 x 304. Tate, Presented by the Friends of the Tate Gallery 1971 © David Hockeny / Tate. Dulwich Picture Gallery is built on history. Picture Our From our founders’ wish to have an art Future: The Campaign for Dulwich Picture recognises a number of things of which gallery ‘for the inspection of the public’, Gallery has begun. Alongside my co-chair artists and scholars, aristocrats and school of the Campaign Cabinet, Bernard Hunter, particularly to celebrate our long-time children have come by horse, train, car we look forward to working with all of the Trustee and supporter Theresa Sackler, and bicycle to view our collection – Van Gallery’s supporters to reach this goal. who was recently awarded a DBE Gogh walked from Central London to view in the Queen’s Birthday Honours List, the Gallery in 1873. The paintings and The position we start from is a strong adding even more lustre to the Prince of building are a monument to the tastes of one: against the background of a troubled Wales’ Medal for Philanthropy which was two centuries ago, yet it is a testament world-economy, the Gallery exceeded its awarded to her in 2011. -
Jewel Tower – Final Interpretation Plan
Jewel Tower FINAL Interpretation Plan Curatorial Department 2012/13 Contents 1. Introduction 1.1 Site summary and context of the plan 1.2 Project team 2. History of the site 2.1 Summary 2.2 History of the building and important associations 2.3 Description and features 2.4 Points of significance 3. Conservation management 3.1 Designations 3.2 Condition survey 3.3 Conservation issues 3.4 Parameters for new interpretation 4. Collections 4.1 Summary of collections 4.2 Collections conservation 5. Audiences 5.1 Visitor numbers 5.2 Analysis 5.3 Education visits 5.4 Neighbouring attractions 5.5 Target audiences 6. Existing interpretation and visitor experience 6.1 Audit of current interpretation 6.2 Guidebook 6.3 Events 6.4 Website 7. Interpretation proposals 7.1 Themes 7.2 Interpretation approach 7.3 The scheme 7.4 Maintenance 8. Appendices i) Future work ii) Copy of visitor questionnaire and results iii) Collections in store iv) Activity sheet v) Education visits at the Houses of Parliament vi) Site plan 2 1. INTRODUCTION 1.1 Site summary and context of the plan The Jewel Tower is a three storey building lying opposite the Houses of Parliament in the heart of London. It was built around 1365 to house Edward III’s personal treasure as part of the palace at Westminster, and is one of the few buildings from this complex to survive today. In the 17th century, the Jewel Tower became the record office for the Houses of Lords and from 1869, it was the home of the Weights and Measures office, which set standards used across the British Empire. -
With the London Pass Entry Fee Entry Fee TOP ATTRACTIONS Tower of London + Fast Track Entrance £22.00 £10.00 Westminster Abbey £20.00 £9.00
London Pass Prices correct at 01.04.15 Attraction Entrance Prices FREE ENTRY to the following attractions Normal Adult Normal Child with the London Pass Entry fee Entry fee TOP ATTRACTIONS Tower of London + Fast track entrance £22.00 £10.00 Westminster Abbey £20.00 £9.00 NEW 1 Day Hop on Hop off Bus tour (From 1st October 2015) £22.00 £10.00 Windsor Castle + Fast track entrance £19.20 £11.30 Kensington Palace and The Orangery + Fast track entrance £15.90 FREE Hampton Court Palace + Fast track entrance £17.50 £8.75 17.10 ZSL London Zoo + Fast track entrance £24.30 Under 3 FREE Shakespeare's Globe Theatre Tour & Exhibition £13.50 £8.00 Churchill War Rooms £16.35 £8.15 London Bridge Experience and London Tombs + Fast track entrance £24.00 £18.00 Thames River Cruise £18.00 £9.00 HISTORIC BUILDINGS Tower Bridge Exhibition £9.00 £3.90 Royal Mews £9.00 £5.40 Royal Albert Hall - guided tour £12.25 £5.25 Royal Observatory £7.70 £3.60 Monument £4.00 £2.00 Banqueting House £6.00 FREE Jewel Tower £4.20 £2.50 Wellington Arch £4.30 £2.60 Apsley House £8.30 £5.00 Benjamin Franklin House £7.00 FREE Eltham Palace £13.00 £7.80 The Wernher Collection at Ranger's house £7.20 £4.30 MUSEUMS Imperial War Museum £5.00 £5.00 The London Transport Museum £16.00 FREE Household Cavalry Museum £7.00 £5.00 Charles Dickens Museum £8.00 £4.00 London Motor Museum £30.00 £20.00 Guards Museum £6.00 FREE Cartoon Museum £7.00 FREE Foundling Museum £7.50 FREE Science Museum - IMAX Theatre £11.00 £9.00 Handel House Museum £6.50 £2.00 London Canal Museum £4.00 £2.00 Royal Air -
1901 Census of Thanet Places As Enumerated, with Index
1901 Census of Thanet Places as Enumerated, with Index Scope The full Registration District, piece RG13/819 to piece RG13/829 inclusive. Arrangement A summary of the places-related information recorded in the enumerators’ returns of households, in ‘as enumerated’ order. Each entry includes : • piece and folio numbers : used with the PRO class (RG12) to locate the original • Dwelling : name of one or more dwellings ~ 'Rows' and 'Terraces' are usually under this heading, although some may have been considered 'streets' and their names used as street names • Street : names of a street, road, etc, and some hamlets ~ 'Places' are usually under this heading, although some may have been sub-divisions of a street • parish : the ecclesiastical parish, abbreviated as noted below • civil parish : the civil parish (except where the ecclesiastical parish is ‘hT’ - see below - in which case it is given as ‘Broadstairs’ rather than ‘St Peters’) There is a combined Index for Dwellings and Streets starting on page 75, each entry giving a piece and folio number(s). Abbreviations & Notations [ ] square brackets enclose annotation { } where a place-name spelling may be incorrect, the accepted version is given and the original enclosed in curly brackets ~ usually both are indexed *** one or more properties noted as unoccupied/being built, usually only listed here if the name of a dwelling or street would otherwise be omitted aS All Saints, Birchington aSm All Saints, Westbrook, Margate cC Christ Church, Ramsgate hT Holy Trinity, Broadstairs ~ called ‘Broadstairs’ -
Victoria and Albert Museum Dcms/V&A Funding Agreement 2003/04
VICTORIA AND ALBERT MUSEUM DCMS/V&A FUNDING AGREEMENT 2003/04 – 2005/06 End of Year Report April 2003 – March 2004 Summary of core quantitative targets 2003/04 Target 2003/04 Outturn 1. Total number of visits 2,200,000 2,689,500 2. Number of visits by children 300,000 309,400 3. Number of venues in England to which objects from 250* 255 the collection are loaned 4. Number of UKC2DE visitors to achieve an increase of 168,000 248,800 8% on the 2002-03 baseline by 2005-06 5. Number of website visits 2,500,000 4,120,000 6. Number of children in organised educational 205,000 456,700 programmes, both on-site and off-site * amended from original target of 270, June 2004. Introduction 2003/04 was another strong year for the V&A. All quantitative targets were met: some were substantially exceeded. The reports on the qualitative targets demonstrate just a sample of the many projects and activities through which the V&A helps the DCMS to deliver on its strategic priorities. Of course, the Funding Agreement does not cover everything that an organisation as diverse and complex as the V&A does. For the bigger picture, please see the V&A Annual Review of 2003/04 or the V&A Plan 2004/05 (which reports on the V&A Plan 2003/04), both of which are available from the V&A Directorate. This introduction gives a brief overview of the year as context for the performance measures, and there is also some discussion under each measure in the report that follows. -
A NEW METHOD to ASSESS DUST DEPOSITION in INDOOR HERITAGE Shows Which Environmental Configurations Will Result in Similar Levels of ENVIRONMENTS Deposition
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by UCL Discovery ICOM-CC 18th Triennial Conference Diagrams of equal area coverage: 2017 Copenhagen A new method to assess dust PREVENTIVE CONSERVATION deposition in indoor heritage environments JOSEP GRAU-BOVÉ* INTRODUCTION University College London London, United Kingdom [email protected] The deposition of particulate matter (PM), from fine combustion-related LUCA MAZZEI particles to coarse dust, is a significant concern for indoor heritage University College London London, United Kingdom environments. PM deposition causes loss of aesthetic and sometimes [email protected] material value of historical surfaces (Lloyd et al. 2007, Bartl et al. 2015, DAVID THICKETT English Heritage Grau-Bové et al. 2016a). Experimental protocols for monitoring particulate Swindon, United Kingdom [email protected] matter deposition have been developed (Adams 1997), and a usual approach CONSTANTINA VLACHOU-MOGIRE is to monitor the amount of deposited particles on surfaces (Lloyd et al. Historic Royal Palaces London, United Kingdom 2007). However, even when deposition rates are monitored, it is often [email protected] difficult to derive preventive conservation measures from the gathered data. MATIJA STRLIČ University College London Guidelines for indoor heritage environments still need to be developed, as London, United Kingdom it is unclear what the consequences are of a given concentration or level [email protected] *Author for correspondence of area coverage (Grau-Bové and Strlič 2013). The link between observed deposition and other environmental variables KEYWORDS: deposition, dust, fine particles, can be explored with mathematical models of aerosol deposition. -
Allegory of Love C
National Gallery of Art NATIONAL GALLERY OF ART ONLINE EDITIONS Italian Paintings of the Sixteenth Century Workshop of Titian Italian 15th/16th Century Titian Venetian, 1488/1490 - 1576 Allegory of Love c. 1520/1540 oil on canvas overall: 91.4 x 81.9 cm (36 x 32 1/4 in.) Samuel H. Kress Collection 1939.1.259 ENTRY Ever since 1815, when it was discovered by Count Leopoldo Cicognara in the attic of a palace in Ferrara, the picture has attracted controversy with regard both to its attribution and to its subject. [1] Cicognara, a renowned antiquarian and connoisseur, had been commissioned by the Duchess of Sagan to find works by Titian for her, and he was convinced that his discovery was autograph. His friend Stefano Ticozzi agreed, and went on to identify the figures as Alfonso d’Este, Duke of Ferrara, and his mistress (later wife), Laura Dianti, partly on the basis of the Ferrarese provenance, partly on a supposed resemblance of the male figure to known portraits of Alfonso, and partly on the report by Giorgio Vasari that Titian had painted a portrait of Laura. [2] With these credentials, Cicognara sold the picture (together with Titian’s Self-Portrait now in Berlin) to Lord Stewart, British ambassador to the imperial court in Vienna and lover of the Duchess of Sagan. But Stewart was advised by the Milanese dealer Gerli that both pictures were copies, and he accordingly had them sent to Rome to be appraised by the Accademia di San Luca. The academicians pronounced the Self-Portrait to be authentic, but because of the presence of retouching (“alcuni ritocchi”) on the other picture, they Allegory of Love 1 © National Gallery of Art, Washington National Gallery of Art NATIONAL GALLERY OF ART ONLINE EDITIONS Italian Paintings of the Sixteenth Century were unable to decide between Giorgione and Paris Bordone. -
Kaplan Auctions 115 Dunottar Street, Sydenham, 2192, Johannesburg Po Box 28913, Sandringham, 2131, R.S.A
KAPLAN AUCTIONS 115 DUNOTTAR STREET, SYDENHAM, 2192, JOHANNESBURG PO BOX 28913, SANDRINGHAM, 2131, R.S.A. TEL: +27 11 640 6325 / 485 2195 FAX: +27 11 640 3427 E-MAIL ADDRESS: [email protected] and [email protected] Please insist on a reply. WEBSITE ADDRESS: www.aleckaplan.co.za AUCTION B87 SALE OF MEDALS, BADGES & MILITARIA th 11 APRIL 2018 TO BE HELD 06:00 PM AT OUR PREMISES – 115 DUNOTTAR STREET, SYDENHAM, 2192 JOHANNESBURG THE LOTS WILL BE ON VIEW AT OUR PREMISES –ONLY BY APPOINTMENT. BIDDING PROCEDURE NO BIDS WILL BE ACCEPTED AFTER 12 NOON ON DAY OF AUCTION NO BIDS WILL BE PLACED WITHOUT COPY OF IDENTITY DOCUMENT 1. The Auctioneer’s decision is final. 2. Please ensure that you quote the correct lot number and recipient’s name when bidding by post. Mistakes will not be corrected after the sale. 3. This is a live auction and bids may be submitted in writing by fax, letter or e-mail, for those who cannot attend in person. 4. All items will be sold to the highest bidder. 5. Reserves have been fixed by the seller but should a reserve, in the opinion of a possible buyer be too high, I will be pleased to submit a reasonable offer to the seller, should the lot otherwise be unsold. 6. Lots have been carefully graded. Should anyone not be satisfied with the grading, such an item may be returned to us within 7 days of receipt thereof. Your payment will be refunded immediately after the goods have been received. -
Virtual Museum Private William Burridge
Private William Burridge 2nd battalion, 73rd regiment of foot under Captain H.B. Lynch Many Regiments have their own prayer, called a Collect. The Collect of The Black Watch is said during services involving the Black Watch Regimental family. The Regimental Collect O God, whose strength setteth fast the mountains, Lord of the hills to whom we lift our eyes: grant us grace that we, of The Black Watch, once chosen to watch the mountains of an earthly kingdom, may stand fast in the faith and be strong, until we come to the heavenly Kingdom of Him, who has bidden us watch and pray. Thy Son, our Saviour and Lord. Amen http://www.theblackwatch.co.uk/index/customs_traditions MacLeod tartan, also known as the MacLeod of Harris tartan, is a variation on the Black Watch tartan. The tartan was adopted by Maj- Gen. John (Mackenzie), Lord Macleod on the raising of the 73rd in 1777. https://en.wikipedia.org/wiki/73rd _(Perthshire)_Regiment_of_Foot Waterloo medal • The Waterloo medal was the first ever “campaign medal” issued by the British Army, given to every soldier regardless of their rank or role. It was awarded to all soldiers present at the Battle of Waterloo and the actions during the two previous days. • Before Waterloo, medals were reserved either for high-ranking officers, or to reward particular acts of bravery. British successes during the Peninsular War in Spain and Portugal were marked by giving British Generals large crosses made from solid gold. The idea of giving common soldiers a medal simply to mark their service was unknown, even bizarre.