Dublin Gallery Weekend Listings
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Jack B. Yeats
JACK B. YEATS Biography 1871 August 29, Jack Butler Yeats born at 23 Fitzroy Road, London, son of John Butler Yeats, artist, and Susan Pollexfen of Sligo 1879 Went to Sligo to live with his grandparents, William and Elizabeth Pollexfen. He went to school there, and stayed with them until 1887 1887 Rejoined his family in London in order to attend art school. His grandmother was strongly in favour of him following a career as an artist. Attended classes at South Kensington School of Art, Chiswick School of Art, Westminster School of Art. Season ticket for the American Exhibition at Earls Court, starring Buffalo Bill 1888 First black and white illustrations accepted for publication in The Vegetarian in April 1891 Illustrating for Ariel and Paddock Life . First book illustrations 1892 Designing posters for David Allen & Sons in Manchester. Illustrated Irish Fairy Tales by his brother W.B.Yeats 1894 Staff Artist on Lika Joko. In August he married Mary Cottenham White, who had been a student with him in Chiswick, and was eight years older that Jack. They rented a house called 'The Chestnuts' on the River Thames, at Chertsey 1895 First exhibited at the Royal Hibernian Academy in Dublin, a watercolour called Strand Races, West of Ireland 1897 Moved to Strete, Devon to live at 'Snail's Castle' (Cashlauna Shelmiddy). Began to concentrate on watercolour painting. Painted his first oil. First one-man show of watercolours in November, at the Clifford Gallery, Haymarket 1898 Jack and Cottie visited Northern Italy, on what seems to have been a belated honeymoon, combined with a celebration of the success of his first solo exhibition the previous year. -
Kerlin Gallery
Kerlin Gallery Elizabeth Magill pink mineral, 2020 oil on canvas 12 x 15.9 in / 12.8 x 16.7 x 2 in framed AVAILABLE $12,500.00 In 2020 Elizabeth Magill spent five months of lockdown on the coast of Ireland, swapping her east London studio for one nestled in the rural landscape which has long featured in her work. The result is a series of paintings, collectively titled 'Her Nature' that explore our physical and psychological relationship to the land. Each painting has its own, very different mood, its own story or mystery such as 'pink mineral,' with its fantastical 'red sky at night,' its title a reference to Rose Quartz, one of many earthly treasures or 'smoulder,' the contained, potential energy of a sleeping volcano. Magill has said of these new works: 'These particular paintings came out of this unusual time. They were my response to nature but are also a kind of lament to the strange times we are living in... perhaps too they are my attempt to suggest a beauty; a beauty created by distance and maybe the passing of time and an acknowledgment to things we can’t fully fathom'. About the Artist: Elizabeth Magill b.1959, Canada. Lives and works in London and County Antrim, Northern Ireland Elizabeth Magill’s recent solo show ‘Headland’ toured to Limerick City Gallery of Art, Limerick, (2017); Ulster Museum, Belfast, (2018); Royal Hibernian Academy, Dublin (2018) and New Art Gallery, Walsall, UK, (2019). Other solo exhibitions include The Hugh Lane, Ireland, (2016); Towner Gallery & Museum, Eastbourne, UK, (2011); Ikon Gallery, Birmingham, travelling to Milton Keynes Gallery, Milton Keynes; BALTIC, Gateshead and Glynn Vivian Gallery, Swansea, (all 2005). -
Resource What Is Modern and Contemporary Art
WHAT IS– – Modern and Contemporary Art ––– – –––– – – – – – – – – – – – – – – – – – – – – – – – – – – ––– – – – – ? www.imma.ie T. 00 353 1 612 9900 F. 00 353 1 612 9999 E. [email protected] Royal Hospital, Military Rd, Kilmainham, Dublin 8 Ireland Education and Community Programmes, Irish Museum of Modern Art, IMMA THE WHAT IS– – IMMA Talks Series – – – – – – – – – – – – – – – – – – – – – ? There is a growing interest in Contemporary Art, yet the ideas and theo- retical frameworks which inform its practice can be complex and difficult to access. By focusing on a number of key headings, such as Conceptual Art, Installation Art and Performance Art, this series of talks is intended to provide a broad overview of some of the central themes and directions in Modern and Contemporary Art. This series represents a response to a number of challenges. Firstly, the 03 inherent problems and contradictions that arise when attempting to outline or summarise the wide-ranging, constantly changing and contested spheres of both art theory and practice, and secondly, the use of summary terms to describe a range of practices, many of which emerged in opposition to such totalising tendencies. CONTENTS Taking these challenges into account, this talks series offers a range of perspectives, drawing on expertise and experience from lecturers, artists, curators and critical writers and is neither definitive nor exhaustive. The inten- What is __? talks series page 03 tion is to provide background and contextual information about the art and Introduction: Modern and Contemporary Art page 04 artists featured in IMMA’s exhibitions and collection in particular, and about How soon was now? What is Modern and Contemporary Art? Contemporary Art in general, to promote information sharing, and to encourage -Francis Halsall & Declan Long page 08 critical thinking, debate and discussion about art and artists. -
Museum Quarter
NAVAN ROAD DRUMCONDRA NEPHIN ROAD DALYMOUNT PARK CLONLIFFE ROAD 14 PHOENIX PARK & JONES ROAD EAST WALL ROAD CROKE GAA DART NORTH CIRCULAR ROAD PARK MUSEUM MUSEUM QUARTER LEINSTER AVE DORSET STREET BELVEDERE RD U RUSSELL ST PP E R G A R D NORTH CIRCULAR ROAD IN E R S NORTH STRAND ROAD STONEY RD T NO VENUE PG MOUNTJOY PORTLAND ROW D MIDDLE GARDINERSQUARE ST A 2 20 O 1 3 Walls Gallery 16 R FREDERICK ST NORTH SUMMERHILL T 2 Áras an Uachtaráin 16 S GRANGE GORMAN LWR GORMAN GRANGE 8 E 3 Brown Bag Films 16 W NORTH GT GEORGES ST 4 Damn Fine Print 16 EAST WALL ROAD LUAS RUTLAND CALEDON CT 5 The Darkroom 17 JAMES JOYCE STREET PARNELL SQ. EAST DART CHURCHST MARY’S ROAD RD 6 Dr Steevens’ Hospital (HSE) 17 16 OXMANTOWN ROAD LOWER GARDINER ST MORNING STAR AVE SEAN MACDERMOTT ST DORSET STREET PARNELL STREET SEVILLE PLACE 7 The elbowroom 17 PARNELL SQ. WEST HALLIDAY RD 13 PARNELL HENRIETTA ST MARLBOROUGH ST MANOR STREET 19 GRANGE GORMAN LWR SQUARE 8 Grangegorman Development 17 T DOMINICK ST LWR S 1 Agency CONNOLLY H C PROVOST ROW STATION KILLAN RD 9 The Greek Orthodox Community of 18 R FOLEY ST EAST ROAD U K LUAS H IN Ireland 7 G C ’S MANOR PLACE I MORNING STAR AVE STAR MORNING N INFIRMARY ROAD BOLTON ST N 10 IMMA (Irish Museum of Modern Art) 18 S CATHEDRAL ST S 4 5 T 14 O’CONNELL ST UPPER SHERRIF ST 11 Irish Railway Record Society (IRRS) 18 CHESTERFIELD AVENUE CAVALRY ROW BRUNSWICK ST. -
Public Engagement
07 Public Engagement Engaging wider society is The highly successful Inside Trinity documentary series trended encapsulated in Trinity’s mission on Twitter each night it aired on RTÉ in September and October 2016. Filmed throughout the 2015/16 academic year, the series and Strategic Plan, and happens offered a fascinating glimpse of a great Irish institution at work. on a number of different levels The cameras captured the whole gamut of life: study, teaching including organising public and learning, research, sports and much more. lectures and events, making On-going annual synergies with national events include Trinity welcoming the public on campus for Culture research available online, media Night, Open House Dublin, and Front façade lighting up green coverage, social media activity, and to celebrate St Patrick’s Day, and red to welcome in the Chinese welcoming the public on campus. New Year in February. ‘PROBE: Research Uncovered’, a pop-up festival returned in September with a packed programme of talks, experiments, and interactive workshops showcasing the best of Irish research. In Front Square, over 3,000 visitors contributed to live research experiments and joined workshops dealing with a range of topics, from perception and intimacy to food security and global migration. PROBE, a collaboration between Trinity and Science Gallery Dublin, was part of European Researchers’ Night, taking place in cities across the continent. RIGHT – The Volunteers by Joe Caslin commissioned as part of the Trinity Creative Challenge Trinity College Dublin – The University of Dublin ≥ Sponsored by the Provost and unveiled in May 2015, the Trinity Creative Challenge award was established to catalyse the creative and cultural arts in Dublin city and to support the development of the creative and cultural industries. -
VAN JA 2021.Indd
Lismore Castle Arts ALICIA REYES MCNAMARA Curated by Berlin Opticians LIGHT AND LANGUAGE Nancy Holt with A.K. Burns, Matthew Day Jackson, Dennis McNulty, Charlotte Moth and Katie Paterson. Curated by Lisa Le Feuvre 28 MARCH - 10 JULY - 10 OCTOBER 2021 22 AUGUST 2021 LISMORE CASTLE ARTS, LISMORE CASTLE ARTS: ST CARTHAGE HALL LISMORE CASTLE, LISMORE, CHAPEL ST, LISMORE, CO WATERFORD, IRELAND CO WATERFORD, IRELAND WWW.LISMORECASTLEARTS.IE +353 (0)58 54061WWW.LISMORECASTLEARTS.IE Image: Alicia Reyes McNamara, She who comes undone, 2019, Oil on canvas, 110 x 150 cm. Courtesy McNamara, She who comes undone, 2019, Oil on canvas, of the artist Image: Alicia Reyes and Berlin Opticians Gallery. Nancy Holt, Concrete Poem (1968) Ink jet print on rag paper taken from original 126 format23 transparency x 23 in. (58.4 x 58.4 cm.). 1 of 5 plus AP © Holt/Smithson Foundation, Licensed by VAGA at Artists Rights Society (ARS), New York. VAN The Visual Artists’ Issue 4: BELFAST PHOTO FESTIVAL PHOTO BELFAST FILM SOCIETY EXPERIMENTAL COLLECTION THE NATIONAL COLLECTIVE ARRAY Inside This Issue July – August 2021 – August July News Sheet News A Visual Artists Ireland Publication Ireland A Visual Artists Contents Editorial On The Cover WELCOME to the July – August 2021 Issue of within the Irish visual arts community is The Visual Artists’ News Sheet. outlined in Susan Campbell’s report on the Array Collective, Pride, 2019; photograph by Laura O’Connor, courtesy To mark the much-anticipated reopening million-euro acquisition fund, through which Array and Tate Press Offi ce. of galleries, museums and art centres, we 422 artworks by 70 artists have been add- have compiled a Summer Gallery Guide to ed to the National Collection at IMMA and First Pages inform audiences about forthcoming exhi- Crawford Art Gallery. -
Born in Seoul, Korea, 1946 Lives and Work in Milano, Italy Education MFA
CHUNG EUN-MO Born in Seoul, Korea, 1946 Lives and work in Milano, Italy Education MFA Graduate School of Art and Architecture - Pratt Institute, New York Selected Solo Exhibitions 2020 Bonomo Gallery, Roma 2018 Villa Flor, S-Chanf, CH 2017 1+1+1 Bijoy Jain, George Sowden, Chung Eun Mo, ASSAB ONE, Milano 2016 Fuori Salone with Karimoku Furniture, Milano 2012 Paintings, 46/B, Milano 2011 20 Carpets-Chung Eun Mo/Nathalie Du Pasquier, Post Design, Milano 2010 Opere – Pittura, Murale, Tavoli e Piastre in Ceramica, Fabbrica delle Arti, Napoli 2007 Fenderesky Gallery, Belfast 2006 Space RED, Milano Galleria Miralli, Viterbo 2005 Palazzo di Primavera, Terni Model Arts and Niland Gallery, Sligo 2004 Galway Arts Centre, Galway Kerlin Gallery, Dublin 2003 Gallery IHN, Seoul Galleria Studio G7, Bologna 2002 Gallery IHN, Seoul Art Fair, Seoul Fenderesky Gallery, Belfast 2001 Gallery IHN, Seoul Kerlin Gallery, Dublin 2000 Primo Piano, Roma 1999 Kerlin Gallery, Dublin 1997 Kerlin Gallery, Dublin Galleria Studio G7, Bologna 1996 Primo Piano, Roma Fenderesky Gallery, Belfast 1994 Galleria Studio G7, Bologna Irish Museum of Modern Art, Dublin Wassermann Galerie, Munich Kerlin Gallery, Dublin 1992 Städtische Galerie im Lenbachhaus, Munich 1991 Fenderesky Gallery, Belfast 1990 Primo Piano, Roma Gangurinn / The Corridor, Reykjavik 1982 Pyramid Gallery, Rochester, New York 1981 Soho Center for Visual Arts, New York 1980 Pratt Institute, Brooklyn, New York Selected Group Exhibitions 2020 Monica De Cardenas, Zuoz AIRMAIL 2, Assab One, Milano Drawings, Fenderesky -
Constellations Creative Arts Practice at Trinity College Dublin
CONSTELLATIONS CREATIVE ARTS PRACTICE AT TRINITY COLLEGE DUBLIN EDITED BY NICHOLAS JOHNSON & PHILIP COLEMAN 1 CONTENTS The Pregnant Box 9 The Lir 6-7 Raising the Curtain on Performance Pedagogy 10 Trinity Journal of Literary Translation 8 The Stoic Man 12 COPD Behavioural Change, Self- Management, and Peer Perspectives 13 Postcards from the Near Future 11 A rainbow in the palm of my hand 20 Samuel Beckett Laboratory 16-17 Time Present and Time Past 18 Trinity Long Room Hub 14-15 Tall Ships: Obedienta Civium Urbis Felicitas 21 Synaptic Serenades 19 Produced by the Creative Arts Practice Research Theme Steering Committee Funded by the Trinity Long Room Hub Arts and Humanities Research Institute Design and Production by Vermillion © 2015 Mapping the Former Soviet Union 25 Samuel Beckett Theatre 22-23 A PhotoVoice Project 28-29 Dynamo Island: The History and Geography of a Utopia 24 Engineering Fictions 27 Nyet! Nyet! Soviet 26 Viking Ghost Hunt / The Stoic Man 12 Haunted Planet 33 BLAST at 100 32 Border Play: TARDIGRADE 34-35 Science Gallery 30-31 Green-graphs The Long Goodbye 36 and IRIS 37 Pen & Palette 40-41 Douglas Hyde Gallery 38-39 AntiMidas, or Book of Kells Bankers in Hades 43 for iPad 42 How Do Artists Learn? 45 Centre for Literary Index of Projects by Title / Translation 44 Researchers 48 Synaptic Serenades 19 Index of Organisations / Collaborators 49 - 52 Acknowledgments 54 Courses in Creative Arts Practice Fields at TCD 53 Oscar Wilde Centre 46-47 About the Research Theme CREATIVE ARTS PRACTICE Creative Arts Practices are integrated into a range of their practices are analysed as social processes in the research activities and themes across all disciplines social sciences; they might be purveyed as content in Trinity: Humanities, Engineering, Science, and for creative technologies, as economic markers for Medicine. -
Trinity College Dublin Reports To: Prof Wolfgang Schmitt Appointment Will Be Made on the Appropriate Point of the IUA Salary: Research Assistant Scale
N.B. PLEASE DO NOT ADJUST THE TEMPLATE OR FONT Post Specification Post Title: Postdoctoral Researchers Post Status: 1 year contract – Full Time Research AMBER/CRANN/School of Chemistry Group/Department/School: Location: Main Campus, Trinity College Dublin Reports to: Prof Wolfgang Schmitt Appointment will be made on the appropriate point of the IUA Salary: Research Assistant scale. €33,975 - €42,394 gross per annum Closing Date and Time: 12 Noon on XXXXX Post Summary Two postdoctoral researchers are required for an industry driven project exploring the reversible capture and release of carbon dioxide using new supramolecular coordination complexes and metal-organic frameworks (MOFs). The project investigates the synthesis, the structural and physicochemical characterization of compounds that regenerate during the release process to provide a ‘green’ and cost-effective carbon capture technology. The research activities aim to assess the techno-economic feasibility of reversible chemical/physical adsorption and desorption of CO2 using these new materials. The positions are supervised by Professor Wolfgang Schmitt (School of Chemistry) within the Advanced Materials and BioEngineering Research (AMBER) Centre and is closely associated with a recently established Trinity College Campus company. Vacancies arise for highly motivated researchers with strong experience in Physical and/or Inorganic Chemistry or Materials Science. Standard duties and Responsibilities of the Post The successful candidate will be required to perform industry-driven research on developing novel CO2 adsorption/release materials (chemisorption and physi-sorption). The candidate will be required develop instrumental approaches that effectively characterise the CO2 adsorption & release performances. The research activities will involve the evaluation and improvement of the kinetic and thermodynamic parameters that characterise the CO2 adsorption and release processes of coordination compounds and related supramolecular systems. -
SIOBHÁN HAPASKA Born 1963, Belfast, Northern Ireland. Lives and Works in London, United Kingdom
SIOBHÁN HAPASKA Born 1963, Belfast, Northern Ireland. Lives and works in London, United Kingdom. Education 1985-88 Middlesex Polytechnic, London, United Kingdom. 1990-92 Goldsmiths College, London, United Kingdom. Solo Exhibitions 2021 Douglas Hyde Gallery, Dublin, Ireland. 2020 LOK, Kunstmuseum St. Gallen, St. Gallen, Switzerland. 2019 Olive, Andréhn-Schiptjenko, Paris, France. Snake and Apple, John Hansard Gallery, Southampton, United Kingdom. 2017 Kerlin Gallery, Dublin, Ireland. 2016 Andréhn-Schiptjenko, Stockholm, Sweden. 2014 Sensory Spaces, Museum Boijmans Van Beuningen, Rotterdam, The Netherlands. 2013 Hidde van Seggelen Gallery, London, United Kingdom. Siobhán Hapaska, Magasin 3 Stockholm Konsthall, Stockholm, Sweden. 2012 Siobhán Hapaska and Stephen McKenna, Kerlin Gallery, Dublin, Ireland. Andréhn-Schiptjenko, Stockholm, Sweden. 2011 A great miracle needs to happen there, Kerlin Gallery, Dublin, Ireland. 2010 The Nose that Lost its Dog, Tanya Bonakdar Gallery, New York, USA. The Curve Gallery, the Barbican Art Centre, London, United Kingdom. Ormeau Baths Gallery, Belfast, United Kingdom. 2009 The Nose that Lost its Dog, Glasgow Sculpture Studios Fall Program, Glasgow, United Kingdom. 2007 Camden Arts Centre, London, United Kingdom. Tanya Bonakdar Gallery, New York, USA. 2004 Playa de Los Intranquilos, Pier Gallery, London, United Kingdom. 2003 cease firing on all fronts, Kerlin Gallery, Dublin, Ireland. 2002 Tanya Bonakdar Gallery, New York, USA. 2001 Irish Pavillion, 49th Venice Biennale, Venice, Italy. 1999 Sezon Museum of Art, Tokyo, Japan. Artist Statement for Bonakdar Jancou Gallery, Basel Art Fair, Basel, Switzerland. Tokyo International Forum, Yuraku-Cho Saison Art Program Gallery, Aoyama, Tokyo, Japan. 1997 Tanya Bonakdar Gallery, New York, USA. Ago, Entwistle Gallery, London, United Kingdom. Oriel, The Arts Council of Wales' Gallery, Cardiff, Wales, United Kingdom. -
Marcel Vidal Stuck on Dawn
Kerlin Gallery Marcel Vidal Stuck on dawn Banana VI 2021 oil on linen 160 x 120 x 2.5 cm / 63 x 47.2 x 1 in MV04221 Price: € 8,500 ex vat (if applicable) Banana VII 2021 oil on linen 160 x 120 x 2.5 cm / 63 x 47.2 x 1 in MV04321 Price: € 8,500 ex vat (if applicable) Banana VIII 2021 oil on linen 160 x 120 x 2.5 cm / 63 x 47.2 x 1 in MV04421 Price: € 8,500 ex vat (if applicable) Banana IX 2021 oil on linen 160 x 120 x 2.5 cm / 63 x 47.2 x 1 in MV04521 Price: € 8,500 ex vat (if applicable) Walker I 2021 oil on linen 200 x 150 x 2.5 cm / 78.7 x 59.1 x 1 in MV04621 Price: € 10,500 ex vat (if applicable) Walker II 2021 oil on linen 200 x 150 x 2.5 cm / 78.7 x 59.1 x 1 in MV04721 Price: € 10,500 ex vat (if applicable) Walker III 2021 oil on linen 200 x 150 x 2.5 cm / 78.7 x 59.1 x 1 in MV04821 Price: € 10,500 ex vat (if applicable) Green 2020 oil on linen 140 x 105 cm / 55.1 x 41.3 in MV03820 Price: € 7,500 ex vat (if applicable) Grey, Yellow 2020 oil on linen 140 x 105 cm / 55.1 x 41.3 in MV03720 Price: € 7,500 ex vat (if applicable) Blue, Grey 2020 oil on linen 140 x 105 cm / 55.1 x 41.3 in MV03920 Price: € 7,500 ex vat (if applicable) MARCEL VIDAL Stuck on dawn 17 July - August Celebrated for his diverse practice and immersive sculptural installations, Stuck on dawn 'brings together three series of work in Marcel Vidal's first exhibition dedicated exclusively to painting. -
WILLIE DOHERTY B
WILLIE DOHERTY b. 1959, Derry, Northern Ireland Lives and works in Derry EDUCATION 1978-81 BA Hons Degree in Sculpture, Ulster Polytechnic, York Street 1977-78 Foundation Course, Ulster Polytechnic, Jordanstown FORTHCOMING & CURRENT EXHIBITIONS 2020 ENDLESS, Kerlin Gallery, online viewing room, (27 May - 16 June 2020), (solo) SOLO EXHIBITIONS 2018 Remains, Regional Cultural Centre, Letterkenny, Ireland Inquieta, Galeria Moises Perez de Albeniz, Madrid, Spain 2017 Galerie Peter Kilchmann, Zurich, Switzerland Remains, Art Sonje Center, Seoul, South Korea No Return, Alexander and Bonin, New York, USA Loose Ends, Matt’s Gallery, London, UK 2016 Passage, Alexander and Bonin, New York Lydney Park Estate, Gloucestershire, presented by Matt’s Gallery + BLACKROCK Loose Ends, Regional Centre, Letterkenny; Kerlin Gallery, Dublin, Ireland Home, Villa Merkel, Germany 2015 Again and Again, Fundaçao Calouste Gulbenkian, CAM, Lisbon Panopticon, Utah Museum of Contemporary Art (UMOCA), Salt Lake City 2014 The Amnesiac and other recent video and photographic works, Alexander and Bonin, New York, USA UNSEEN, Museum De Pont, Tilburg The Amnesiac, Galería Moisés Pérez de Albéniz, Madrid REMAINS, Kerlin Gallery, Dublin 2013 UNSEEN, City Factory Gallery, Derry Secretion, Neue Galerie, Museumslandschaft Hessen Kassel Secretion, The Annex, IMMA, Dublin Without Trace, Galerie Peter Kilchmann, Zurich 2012 Secretion, Statens Museum for Kunst, National Gallery of Denmark, Copenhagen LAPSE, Kerlin Gallery, Dublin Photo/text/85/92, Matts Gallery, London One Place Twice,