BAB IV PENUTUP A. Kesimpulan Berdasarkan Hasil Analisis
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Various the Trojan Skinhead Reggae Collection Mp3, Flac, Wma
Various The Trojan Skinhead Reggae Collection mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Reggae Album: The Trojan Skinhead Reggae Collection Country: Europe Released: 2009 Style: Reggae MP3 version RAR size: 1239 mb FLAC version RAR size: 1530 mb WMA version RAR size: 1737 mb Rating: 4.2 Votes: 227 Other Formats: MIDI APE FLAC MP4 AUD MMF MP1 Tracklist Hide Credits Skinhead Train 1-1 –The Charmers 2:40 Producer – Lloyd CharmersWritten-By – Charmers* Hee Cup 1-2 –Sir Harry 2:14 Producer – Edward 'Bunny' Lee*Written-By – Unknown Artist –King Cannon (Karl Overproof (aka Little Darlin') 1-3 2:41 Bryan)* Producer – Lynford AndersonWritten-By – Williams* Copy Cat 1-4 –Derrick Morgan 2:38 Producer – Leslie KongWritten-By – Morgan* The Law 1-5 –Andy Capp 2:17 Producer – Lynford AndersonWritten-By – Lee*, Anderson* Soul Call 1-6 –The Soul Rhythms 2:57 Producer – J. Sinclair*Written-By – Bryan* Music Street 1-7 –The Harmonians* 1:59 Producer – Edward 'Bunny' Lee*Written-By – Lee* V Rocket 1-8 –The Fabion Producer – Albert Gene Murphy*Written-By – Albert George 2:37 Murphy What Am I To Do 1-9 –Tony Scott 3:15 Producer – Tony Scott Written-By – Scott* Spread Your Bed 1-10 –The Versatiles 2:17 Written-By – Byles* John Public (Tom Hark) 1-11 –The Dynamites 2:13 Producer – Clancy EcclesWritten-By – Bopape* Casa Boo Boo 1-12 –Cool Sticky* Producer – 'Prince' Tony Robinson*Written-By – Unknown 2:33 Artist Smile (My Baby) 1-13 –The Tennors 2:57 Producer – Albert George MurphyWritten-By – Murphy* Zapatoo The Tiger 1-14 –Roland Alphonso 2:38 Producer -
Carnaby History
A / W 1 1 Contents Introduction C S W T S C A RN A BY IS KNO W N FOR UNIQUE INDEPENDENT BOUTIQUES , C ON C EPT STORES , GLOBA L FA SHION C F & D N Q BR A NDS , awa RD W INNING RESTAUR A NTS , ca FÉS A ND BA RS ; M A KING IT ONE OF L ONDON ' S MOST H POPUL A R A ND DISTIN C TIVE SHOPPING A ND LIFESTYLE DESTIN ATIONS . T K C S TEP UNDER THE IC ONIC C A RN A BY A R C H A ND F IND OUT MORE A BOUT THE L ATEST EXPERIEN C E THE C RE ATIVE A ND UNIQUE VIBE . C OLLE C TIONS , EVENTS , NE W STORES , T HE STREETS TH AT M A KE UP THIS STYLE VILL AGE RESTAUR A NTS A ND POP - UP SHOPS AT I F’ P IN C LUDE C A RN A BY S TREET , N E W BURGH S TREET , ca RN A BY . C O . UK . M A RSH A LL S TREET , G A NTON S TREET , K INGLY S TREET , M F OUBERT ’ S P L ac E , B E A K S TREET , B ROA D W IC K S TREET , M A RLBOROUGH C OURT , L O W NDES C OURT , G RE AT M A RLBOROUGH S TREET , L EXINGTON S TREET A ND THE VIBR A NT OPEN A IR C OURTYA RD , K INGLY C OURT . C A RN A BY IS LO caTED JUST MINUTES awaY FROM O XFORD C IR C US A ND P Icca DILLY C IR C US IN THE C ENTRE OF L ONDON ’ S W EST E ND . -
Put on Your Boots and Harrington!': the Ordinariness of 1970S UK Punk
Citation for the published version: Weiner, N 2018, '‘Put on your boots and Harrington!’: The ordinariness of 1970s UK punk dress' Punk & Post-Punk, vol 7, no. 2, pp. 181-202. DOI: 10.1386/punk.7.2.181_1 Document Version: Accepted Version Link to the final published version available at the publisher: https://doi.org/10.1386/punk.7.2.181_1 ©Intellect 2018. All rights reserved. General rights Copyright© and Moral Rights for the publications made accessible on this site are retained by the individual authors and/or other copyright owners. Please check the manuscript for details of any other licences that may have been applied and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. You may not engage in further distribution of the material for any profitmaking activities or any commercial gain. You may freely distribute both the url (http://uhra.herts.ac.uk/) and the content of this paper for research or private study, educational, or not-for-profit purposes without prior permission or charge. Take down policy If you believe that this document breaches copyright please contact us providing details, any such items will be temporarily removed from the repository pending investigation. Enquiries Please contact University of Hertfordshire Research & Scholarly Communications for any enquiries at [email protected] 1 ‘Put on Your Boots and Harrington!’: The ordinariness of 1970s UK punk dress Nathaniel Weiner, University of the Arts London Abstract In 2013, the Metropolitan Museum hosted an exhibition of punk-inspired fashion entitled Punk: Chaos to Couture. -
The Sounds of Hate: the White Power Music Scene in the United
The Sounds of Hate The White Power Music Scene in the United States in 2012 The recent tragic shooting spree at the Sikh temple in Oak Creek, Wisconsin, in which Wade Michael Page killed six people before killing himself after a shootout with police, has drawn attention to the shadowy world of white power music. Page, a committed white supremacist and member of the Hammerskins, a hardcore racist skinhead group, was heavily involved in the white power music scene in the United States. He played in a number of white power bands over the previous 12 years, most prominently the bands Definite Hate and End Apathy. Page was just one of hundreds of white supremacist musicians listened to by thousands of white supremacists in the United States and beyond. Today, white power music permeates the subculture of the white supremacist movement. Not all white supremacists enjoy white power music, but many of them do, especially neo-Nazis and racist skinheads. For listeners, white power music is not simply entertainment. It is music with a message, a medium used to express an ideology suffused with anger, hatred and violence. 1 WHITE POWER MUSIC IN THE UNITED STATES Today, white power music is well established in the United States, where it has existed for three decades. Hate music arose originally in Great Britain in the 1970s as the skinhead subculture that originated there diverged into two different streams: a traditional skinhead stream and a racist skinhead stream. As racist skinheads emerged, they created a white supremacist variation of the skinhead-related music genre called Oi! (sometimes also known by the Attendees at Plunder and Pillage 2011 deliberate euphemism “Rock against Communism” or RAC). -
Unmasking the Übermensch the Evolution of Nietzsche's Overman
Unmasking the Übermensch The Evolution of Nietzsche’s Overman from David Bowie to Westworld _______________________________________________________________________ Siobhan Lyons Abstract Amongst Friedrich Nietzsche’s philosophical concepts – ‘god is dead’, eternal return – his concept of the Übermensch remains the most controversial and also the most debated, with various conflicting opinions on the precise nature (and intentions) of this enigmatic creature. More than a metaphorical concept, Nietzsche envisioned the possibility of such a transcendent figure, who existed beyond the conventional laws of good and evil and who would usher in a new system of values more befitting Nietzsche’s idealistic philosophy. Nietzsche would continually revisit the Übermensch throughout his work and revise its character, which would see the Übermensch evolve from an idealistic figure to a more tyrannical creature. Consequently, Nietzsche’s ambiguous treatment of the Übermensch inspired many dubious beliefs, from the Aryan ideal in Nazism to the perverse philosophy behind the infamous murders committed by Lewis and Loeb. Interpretations of the Nietzschean Übermensch can also be found frequently throughout popular culture, from the music of David Bowie to David Fincher’s Fight Club and the television series Westworld. While Bowie treated the Übermensch as a supernatural figure who abandoned the terrestrial world, the Übermensch was used to endorse underground philosophies predicated on violence in Fight Club, problematically linking the ideal of ‘self-overcoming’ with the oppression of others. A look at Westworld, however, reveals a far more nuanced understanding of the Übermensch’s potential as a figure who, while capable of tyranny, is able to channel their aggression in ways that push society in a new direction, forcing us to reconsider what transcendence truly entails. -
STILE AL FEMMINILE SECONDO TEMPO Numero 20 Marzo 2012 E-Mail:[email protected], Facebook: Stile Wars L’INDICE
STYLE WARS …avere un look… STILE AL FEMMINILE SECONDO TEMPO Numero 20 Marzo 2012 e-mail:[email protected], http://www.dressersroma.com/stylewars.html, facebook: stile wars L’INDICE . non si punta! PREMESSA PAG.03 INTERVISTA PAG.04 DALLE GRADINATE PAG.07 SATURDAY’S BEST PAG.08 L’ARTICOLO PAG.13 CONFRONTATION STATION PAG.17 SE FOTOGRAFANDO PAG.19 LE CREW PAG.25 MOVIES PAG.27 LIBRI PAG.29 HISTORY BRAND PAG.30 MY RADIO PAG.31 SPAZIO FACCENDINI PAG.38 L’IDIOTA PAG.39 GREETINGS FROM PAG.40 SEGNALAZIONE PAG.41 80 VOGLIA PAG.43 Romaniste PREMESSA Eccoci nuovamente qui per questo numero parzialmente dedicato al gentil sesso, rispetto al numero dell’anno scorso è uscito un po più femminile, sopratutto grazie ai look ed alle recensioni musicali, penso ne sia uscito un buon numero, spero che sia cosi anche per voi, vedremo… Tanto per restare in tema l’ultima edizione del festival di San Remo è stata vinta da Emma con “Non è l’inferno” , tutto sommato la canzone non mi dispiace, le precedenti edizioni erano state vinte da Vecchioni, Scanu, Carta, Ponce/di Tonne, degli ultimi tre non ricordo neanche una strofa della loro canzone, vediamo se quella di Emma me la ricorderò negli anni futuri… Trovo scandaloso che per innalzare l’audience si s/vestano pseudo vallette in modo provocante, i vari direttori del festival dovrebbero pensare più alla qualità delle canzoni, magari scegliendo nelle varie realtà italiane meno commerciali che i soliti raccomandati, inoltre dopo il noto video porno di you porn non sarà certo una farfallina in più a suscitarmi qualcosa… Si apre la stagione primavera/estate ed arrivano le nuove collezioni, ho inserito alcuni dei capi che mi hanno colpito di più, piano piano poi li inserirò tutti. -
Queer Spellings: Magic and Melancholy in Fantasy-Fiction
QUEER SPELLINGS: MAGIC AND MELANCHOLY IN FANTASY-FICTION Jes Battis B.A., University College of the Fraser Valley, 2001 M.A., Simon Fraser University, 2003 THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY In the Department English O Jes Battis 2007 SIMON FRASER UNIVERSITY SUMMER 2007 All rights reserved. This work may not be reproduced in whole or in part, by photocopy or other means, without permission of the author. APPROVAL Name: Jes Battis Degree: Doctor of Philosophy Title of Research Project: Queer Spellings: Magic and Melancholy in Fantasy-Fiction Examining Committee: Chair: Dr. Margaret Linley Assistant Professor of English Dr. Peter Dickinson Senior Supervisor Assistant Professor of English Dr. Helen Hok-Sze Leung Supervisor Assistant Professor of Women's Studies Dr. Dana Symons Supervisor Assistant Professor of English Dr. Ann Travers Internal Examiner Assistant Professor of Sociology Dr. Veronica Hollinger External Examiner Professor of Cultural Studies, Trent University Date Approved: SIMON FRASER UNIVERSITY LIBRARY Declaration of Partial Copyright Licence The author, whose copyright is declared on the title page of this work, has granted to Simon Fraser University the right to lend this thesis, project or extended essay to users of the Simon Fraser University Library, and to make partial or single copies only for such users or in response to a request from the library of any other university, or other educational institution, on its own behalf or for one of its users. The author has further granted permission to Simon Fraser University to keep or make a digital copy for use in its circulating collection (currently available to the public at the "Institutional Repository" link of the SFU Library website <www.lib.sfu.ca> at: <http://ir.lib.sfu.ca/handle/1892/112>) and, without changing the content, to translate the thesis/project or extended essays, if technically possible, to any medium or format for the purpose of preservation of the digital work. -
Popular Culture in Bulgaria and Romania Since the 1960S
11 / 2013 POPULAR CULTURE IN BulGaria anD ROMania SINCE THE 1960s Guest Editor Carmen Scheide (St.Gallen) Street protests against shale gas extraction, January 14, 2012 in Plovdiv, Bulgaria (Photograph by Vihra Barova) Online Journal of the Center for Governance and Culture in Europe University of St. Gallen URL: www.gce unisg.ch, www.euxeinos.ch ISSN 2296-0708 Center for Governance and Last Update November 19, 2013 LANDis & GYR Culture in Europe STIFTung University of St.Gallen Contents Popular Culture in Romania and Bulgaria since the 1960s 3 Editorial Romanian Cinematography and Film Culture during 6 the Communist Regime by Nela Gheorghica, Italy Rock Subculture In a Small Town – Forms and Strategies of Identification 17 by Yana Yancheva, Institute of Ethnology and Folklore Studies and Ethnographic Museum, Sofia Subcultural Identities - Styles and Ideologies (Subcultural Ways of Life of 28 the Post-Transitional Generation in Bulgaria) by Vihra Barova, Institute of Ethnology and Folklore Studies, Bulgarian Academy of Sciences, Sofia Publishing Information/Contact 39 Euxeinos 11 (2013) 2 Popular Culture in Romania and Bulgaria since the 1960s long with pop art, rock & roll is seen as lifestyles, fashion, literature and even sport. Aone of the main origins of the pop culture, Thus, popular culture has a much stronger which emerged in the 1950s and comprised link with the everyday experiences of ordi- phenomena such as new styles of music and nary people than is the case with what might youth cultures1. Observers at that time initially be considered culture in an elitist sense. regarded the new trends as dangerous sub- The term popular culture can have many cultures, as a youth hazard, and as immoral, different meanings, but it does imply a certain Editorial while the proponents viewed themselves as temporal context: first and foremost, it refers a counterculture to existing norms and elit- to the musical and artistic output of Ameri- ist definitions of culture. -
Converted on LSD Trip”
First published in Great Britain on 11 th. February 2001 by Harrods of Abshott Publications 11 Hayling Close Fareham Hampshire PO14 3AE Photo 1 Shopping at Harrods E-mail [email protected] WEB site http://www.ConvertedonLSD.com First Edition ISBN 9781505279030 Copy all you like 2 2.0 About The Author David Clarke is currently a lecturer at Fareham College teaching Electronic Servicing and has taught there since 1989. Since leaving Borstal in 1968, he had a 3 year career of undetected crime until 16 Th January 1970, when he experienced a Christian conversion whilst suffering from the effects of LSD. He trained as a lecturer at Wolverhampton Polytechnic and commenced teaching at Luton College of Higher Education in 1978. He has taught hundreds of students during his 21 years as a lecturer. When moving to Fareham in 1990, David turned away from God in unbelief and went through divorce and remarriage. However he returned to God in faith and repentance and since 1994 he has spoken to many of his friends all about what Jesus has done for him. David believes it is now time to complete his students education. He now wishes to make known to all his former friends and students and their friends, that his bad experience on LSD is nothing compared to the experience of Hell. He wants to tell them all how they too might be saved through faith in Jesus Christ. Like Oscar Schindler and his list, all that were on that list were saved, so too this David has a list of over 250 former students and friends who he is seeking and will contact shortly. -
…Avere Un Look… AL NOSTRO FIANCO
STYLE WARS …avere un look… AL NOSTRO FIANCO Numero 25 Agosto 2012 e-mail:[email protected], http://www.dressersroma.com/stylewars.html, facebook: stile wars L’INDICE . non si punta! PREMESSA PAG.03 INTERVISTA PAG.04 DALLE GRADINATE PAG.07 SATURDAY’S BEST PAG.09 JACKIE’O PAG.15 L’ARTICOLO PAG.16 CONFRONTATION STATION PAG.17 SE FOTOGRAFANDO PAG.19 LE CREW PAG.24 MOVIES PAG.25 LIBRI PAG.26 HISTORY BRAND PAG.28 MY RADIO PAG.29 L’IDIOTA PAG.36 Il GENIO PAG.37 GREETINGS FROM PAG.38 MODS PAG.39 MODUAL PAG.42 ITALIA - INGHILTERRA PAG.43 80 VOGLIA PAG.45 Un buon motivo per non usare google translate … PREMESSA Prima di tutto gli errori: il Tigre non è retrocesso e Inghilterra – Scozia si giocherà il prossimo anno. Seconda cosa: mi scuso con tutti per il ritardo, causa trasloco, quindi una causa giusta. Non sono un appassionato delle olimpiadi, però mi sono visto con piacere la cerimonia di apertura, è stato uno spettacolo molto incentrato sull’ “Inghilterra regna”, partendo dalla rivoluzione industriale e “l’impero dove non tramonta mai il sole” ed arrivando alla cosa che mi interessa di più: la musica, la loro musica! Il regista di Trainspotting Danny Boyle ha diretto lo spettacolo in maniera egregia mixando benissimo questi vari ingredienti e aggiungendoci inoltre un pizzico di comicità con il siparietto della regina con 007 che si paracadutano nello stadio olimpico e Rowan Atkinson che suona la colonna sonora di “momenti di gloria”. Dal punto di vista musicale è stato quasi inserito tutto compresa una canzone dei Pistols che nel ’77 cantavano contro la regina e gli schemi imposti, chissà lei come l’avrà presa… Ovviamente i commentatori sky non hanno riconosciuto “my generation degli “Who, ne “A message to you Rudy” degli Specials, ne i prodigy, ne gli Arctic Monkey che hanno suonato dal vivo, hanno scambiato i Sex Pistols per i Kiss e non hanno riconosciuto “Forever blowing bubbles”, omaggio al West Ham (e di conseguenza all'East End londinese). -
For a Lark the Poetry of Songs
UNIVERSIDADE DE LISBOA FACULDADE DE LETRAS PROGRAMA EM TEORIA DA LITERATURA FOR A LARK THE POETRY OF SONGS Telmo Rodrigues DOUTORAMENTO EM ESTUDOS DE LITERATURA E DE CULTURA TEORIA DA LITERATURA 2014 Universidade de Lisboa Faculdade de Letras Programa em Teoria da Literatura FOR A LARK THE POETRY OF SONGS Telmo Rodrigues Dissertação orientada por: PROFESSOR DOUTOR ANTÓNIO M. FEIJÓ PROFESSOR DOUTOR MIGUEL TAMEN Doutoramento em Estudos de Literatura e de Cultura Teoria da Literatura 2014 Acknowledgments The work for this thesis was done under a fellowship granted by the Foundation for Science and Technology (FCT): the time granted to think is priceless, and I am indeed thankful for being allowed to benefit from it. During this period I have also benefited from the resources put at my disposal by my host institution, the Nova Institute of Philosophy (IFILNOVA). Professor António Feijó has been teaching me since my first year of undergraduate studies and Professor Miguel Tamen since I started graduate studies: I am still to this day amazed at the luck I have for being given the opportunity to work with both of them, and my gratitude for their efforts and enthusiasm in crafting this thesis is immeasurable. As a student of the Program in Literary Theory I must extend my thanks to Professor João Figueiredo, who is an integral part of the Program and with whom I have learnt many valuable things about art. When writing a thesis, a friend who enjoys editing is a blessing one must always be thankful for; in any case, I would gladly dismiss Helena’s editing skills for the friendship which has shaped this work beyond recognition and, necessarily, beyond any written acknowledgment. -
View/Download Entire Issue Here
ISSN 1904-6022 www.otherness.dk/journal Volume 8 · Number 1 · March 2021 Welcoming the interdisciplinary study of otherness and alterity, Otherness: Essays and Studies is an open-access, full-text, and peer-reviewed e-journal under the auspices of the Centre for Studies in Otherness. The journal publishes new scholarship primarily within the humanities and social sciences. ISSUE EDITOR Dr. Matthias Stephan Aarhus University, Denmark GENERAL EDITOR Dr. Matthias Stephan Aarhus University, Denmark ASSOCIATE EDITORS Dr. Maria Beville Coordinator, Centre for Studies in Otherness Susan Yi Sencindiver, PhD Aarhus University, Denmark © 2021 Otherness: Essays and Studies ISSN 1904-6022 Further information: www.otherness.dk/journal/ Otherness: Essays and Studies is an open-access, non-profit journal. All work associated with the journal by its editors, editorial assistants, editorial board, and referees is voluntary and without salary. The journal does not require any author fees nor payment for its publications. Volume 8 · Number 1 · March 2021 CONTENTS Introduction: Challenging Norms and Representing Diversity 1 Matthias Stephan 1 Where “Beasts’ Sprits Wail”: 13 Rosenberg, Sassoon, and the Emergence of Animal Philosophy J.A. Bernstein 2 The Collapse of Responsibility: 37 Staging Fragmented Communities in State-of-the-Nation Novels Alice Borrego 3 The Dance of Bones: 61 Tomioka Taeko’s Stage of Reprobates Veruska Cantelli 4 Queer Kinship: 77 “Exposed to the Other as a Skin is Exposed to What Wounds It” Belkis González 5 “All art is quite useless”: