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HEATHER AYERS AEA/SAG/AFTRA Height: 5' 5" Weight: 123 Eyes: Brown Hair: Blond Soprano: Low C-High B Belt/Mix: F Broadway A Little Night Music (Trevor Nunn) Desirée standby Walter Kerr Theatre Young Frankenstein Original Cast (Susan Stroman) Elizabeth u/s (performed) Hilton Theatre Off-Broadway Five Course Love (Emma Griffin) Sofia, Kitty, Barbie… Minetta Lane Sarah, Plain & Tall (Joe Calarco) Maggie, Estelle Lucille Lortel Forbidden Broadway (Gerald Alessandrini) B. Peters, Julie Andrews… Stardust Girl Crazy (Jerry Zaks) Tess Parker City Center Encores! A Tree Grows in Brooklyn (Gary Griffin) Gussie's Mom City Center Encores! Bye Bye Birdie (Jerry Zaks) Mrs. Merkle City Center Encores! Pardon My English (Gary Griffin) Mrs. Preston City Center Encores! Face the Music (John Rando) Society Lady City Center Encores! Regional Theater The Women (Darko Tresnjak) Sylvia Fowler The Old Globe Cyrano de Bergerac (Julianne Boyd) Roxanne Barrington Stage Company If We Are Women (John Dillon) Polly Kansas City Repertory Steel Magnolias (Dennis Hennessy) Shelby The New Theatre The Last Night of Ballyhoo (Doug Zchiegner) Sunny Mill Mountain Theatre Sylvia (Cynthia Levin) Sylvia Unicorn Theatre Regional Musical Theater Sammy (Keith Glover) May Britt The Old Globe The Last Five Years (Dennis Courtney) Cathy Cincinnati Playhouse ACE (Stafford Arima) Ruth Old Globe, Cinci. Play., St. Louis Rep Songs for a New World (Jack Cummings) Woman George Street Playhouse The Game (Julianne Boyd) Madame de Tourvel Barrington Stage Company Guys and Dolls (Richard Hamburger) Sarah Brown Dallas Theatre Center Five-Course Love (Emma Griffin) Gretchen, Rosalinda... Geva Theatre Children of Eden (Bob Hupp) Eve, Mama Noah Arkansas Repertory The Spitfire Grill (Bill Castellino) Shelby Florida Stage Cabaret (Julie Boyd) Fraulein Kost Hasty Pudding Theatre Film and TV Z Rock Guest Star IFC Lights Out Co-Star FX The House in Capricorn Lead Ripfest 8 Homecoming Supporting Myriad Arts Production The War on the War on Drugs Supporting Spectacle Films, Inc. Workshops Nice Work … (Kathleen Marshall) Chorus Girl Harmony (David Warren) Marlene Dietrich Triangle (Robert Longbottom) Cynthia An American in Paris (Gregory Boyd) Hermia Jane Eyre (John Caird) Bertha, Jane's Mom, Ms. T The Vampire Lestat (Robert Jess Roth) Beautiful Woman Training Circle in the Square BFA Stephens College Sword Fighting/Stage Combat Rick Sordelet Film Tony Barr Alexander Technique Sarah Barker Period Movement Dr. Jennifer Martin Special Skills British, German, Cockney, Swedish, Irish and Southern Dialects, tap, volleyball, softball, swimming, scuba diving, driver’s license .

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Winter Edition VOLUME 6 ISSUE 3
Mise en Scéne Winter Edition VOLUME 6 ISSUE 3 CSUEB Spellers take the stage in Inside this Issue "The 25th Annual Putnam County Spelling Bee" Director, Marc Jacobs, shares his thoughts on this musical comedy Upcoming Shows 2 My first encounter with "The 25th Annual Putnam County Spelling Bee" was with the Post Street Theatre in San Francisco, 10 years ago. This was the first Our Students 3 production after the original Broadway cast, and I had several friends in the show, which was cast locally. One of the cast members was James Monroe Checking In 4 Iglehart (CSUEB Graduate) who had been in previous musicals I had directed in San Jose. James has since gone on to win the Tony Award as the Genie in Disney’s Broadway production of "Aladdin." James was playing 'Comfort Guest Artists 5 Counselor' Mitch Mahoney in "Spelling Bee," and his performance was so perfect that the producers decided to model every subsequent 'Mitch' on James’ performance. Another friend in the show was Aaron Albano, who had Featured Faculty 7 started out as one of the teenagers in my production of The Music Man that I directed in San Jose, and has since gone on to appear on Broadway in The Wiz, Newsies, and currently in Allegiance. The San Francisco company of Information 9 "Spelling Bee" was so successful, that the producers ultimately used those actors to replace the Broadway company once the original actors were ready to leave the show. One of those original actors, Sarah Salzburg ‒ the original “Schwarzy” in ‘Spelling Bee - was the daughter of a good friend of mine.
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T H E P Ro G
Wednesday, March 8, 2017, at 8:30 pm m a r g The Songs of Elizabeth Swados o featuring Utkarsh Ambudkar, Michael Friedman, r Josie de Guzman, Karen Kandel, Taylor Mac, P Grace McLean, AnnMarie Milazzo, Rachel Stern, and Shaina Taub e h T Kris Kukul, Musical Director and Piano Matthew Dean Marsh, Associate Musical Director and Keyboards This evening’s program is approximately 75 minutes long and will be performed without intermission. Please make certain all your electronic devices are switched off. Major support for Lincoln Center’s American Songbook is provided by Amy & Joseph Perella. Endowment support provided by Bank of America This performance is made possible in part by the Josie Robertson Fund for Lincoln Center. Steinway Piano The Appel Room Jazz at Lincoln Center’s Frederick P. Rose Hall American Songbook Additional support for Lincoln Center’s American Songbook is provided by Meg and Bennett Goodman, Rita J. and Stanley H. Kaplan Family Foundation, Inc., The DuBose and Dorothy Heyward Memorial Fund, Jill & Irwin B. Cohen, The Shubert Foundation, Great Performers Circle, Chairman’s Council, and Friends of Lincoln Center. Public support is provided by the New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature. American Airlines is the Official Airline of Lincoln Center Nespresso is the Official Coffee of Lincoln Center NewYork-Presbyterian is the Official Hospital of Lincoln Center Artist catering provided by Zabar’s and Zabars.com UPCOMING AMERICAN SONGBOOK EVENTS IN THE APPEL ROOM: Thursday, March 9, at 8:30 pm Tanya Tagaq Friday, March 10, at 8:30 pm José González Saturday, March 11, at 8:30 pm An Evening with Kristen & Bobby Lopez IN THE STANLEY H.
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“Kiss Today Goodbye, and Point Me Toward Tomorrow”
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Missouri: MOspace “KISS TODAY GOODBYE, AND POINT ME TOWARD TOMORROW”: REVIVING THE TIME-BOUND MUSICAL, 1968-1975 A Dissertation Presented to The Faculty of the Graduate School At the University of Missouri In Partial Fulfillment Of the Requirements for the Degree Doctor of Philosophy By BRYAN M. VANDEVENDER Dr. Cheryl Black, Dissertation Supervisor July 2014 © Copyright by Bryan M. Vandevender 2014 All Rights Reserved The undersigned, appointed by the dean of the Graduate School, have examined the dissertation entitled “KISS TODAY GOODBYE, AND POINT ME TOWARD TOMORROW”: REVIVING THE TIME-BOUND MUSICAL, 1968-1975 Presented by Bryan M. Vandevender A candidate for the degree of Doctor of Philosophy And hereby certify that, in their opinion, it is worthy of acceptance. Dr. Cheryl Black Dr. David Crespy Dr. Suzanne Burgoyne Dr. Judith Sebesta ACKNOWLEDGEMENTS I incurred several debts while working to complete my doctoral program and this dissertation. I would like to extend my heartfelt gratitude to several individuals who helped me along the way. In addition to serving as my dissertation advisor, Dr. Cheryl Black has been a selfless mentor to me for five years. I am deeply grateful to have been her student and collaborator. Dr. Judith Sebesta nurtured my interest in musical theatre scholarship in the early days of my doctoral program and continued to encourage my work from far away Texas. Her graduate course in American Musical Theatre History sparked the idea for this project, and our many conversations over the past six years helped it to take shape.
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Tackling Challenging Issues in Shakespeare for Young Audiences
Shrews, Moneylenders, Soldiers, and Moors: Tackling Challenging Issues in Shakespeare for Young Audiences DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Elizabeth Harelik, M.A. Graduate Program in Theatre The Ohio State University 2016 Dissertation Committee: Professor Lesley Ferris, Adviser Professor Jennifer Schlueter Professor Shilarna Stokes Professor Robin Post Copyright by Elizabeth Harelik 2016 Abstract Shakespeare’s plays are often a staple of the secondary school curriculum, and, more and more, theatre artists and educators are introducing young people to his works through performance. While these performances offer an engaging way for students to access these complex texts, they also often bring up topics and themes that might be challenging to discuss with young people. To give just a few examples, The Taming of the Shrew contains blatant sexism and gender violence; The Merchant of Venice features a multitude of anti-Semitic slurs; Othello shows characters displaying overtly racist attitudes towards its title character; and Henry V has several scenes of wartime violence. These themes are important, timely, and crucial to discuss with young people, but how can directors, actors, and teachers use Shakespeare’s work as a springboard to begin these conversations? In this research project, I explore twenty-first century productions of the four plays mentioned above. All of the productions studied were done in the United States by professional or university companies, either for young audiences or with young people as performers. I look at the various ways that practitioners have adapted these plays, from abridgments that retain basic plot points but reduce running time, to versions incorporating significant audience participation, to reimaginings created by or with student performers.
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CENTER REPERTORY COMPANY by Mark St. Germain
OUR SPONSORS ABOUT CENTER REPERTORY COMPANY Chevron (Season Sponsor) has been the Center REP is the resident, professional JOIN CENTER REP IN leading corporate sponsor of Center REP theatre company of the Lesher Center for the CENTER REPERTORY COMPANY and the Lesher Center for the Arts for the Arts. Our season consists of six productions DECEMBER FOR Michael Butler, Artistic Director Scott Denison, Managing Director past twelve years. In fact, Chevron has been a year – a variety of musicals, dramas and a partner of the LCA since the beginning, comedies, both classic and contemporary, A CHRISTMAS CAROL providing funding for capital improvements, that continually strive to reach new levels of event sponsorships and more. Chevron artistic excellence and professional standards.. generously supports every Center REP show “THE Christmas Carol to see in the Bay Area.” throughout the season, and is the primary Our mission is to celebrate the power of the -Contra Costa Times sponsor for events including the Chevron human imagination by producing emotionally Family Theatre Festival in July. Chevron engaging, intellectually involving, and visually Dancing has proven itself not just as a generous astonishing live theatre, and through Outreach supporter, but also a valued friend of the arts. and Education programs, to enrich and advance the cultural life of the communities Diablo Regional Arts Association (DRAA) we serve. (Season Partner) is both the primary essons fundraising organization of the Lesher What does it mean to be a producing L Center for the Arts (LCA) and the City of theatre? We hire the finest professional Walnut Creek’s appointed curator for the directors, actors and designers to create our LCA’s audience outreach.
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Announcing a VIEW from the BRIDGE
FOR IMMEDIATE RELEASE, PLEASE “One of the most powerful productions of a Miller play I have ever seen. By the end you feel both emotionally drained and unexpectedly elated — the classic hallmark of a great production.” - The Daily Telegraph “To say visionary director Ivo van Hove’s production is the best show in the West End is like saying Stonehenge is the current best rock arrangement in Wiltshire; it almost feels silly to compare this pure, primal, colossal thing with anything else on the West End. A guileless granite pillar of muscle and instinct, Mark Strong’s stupendous Eddie is a force of nature.” - Time Out “Intense and adventurous. One of the great theatrical productions of the decade.” -The London Times DIRECT FROM TWO SOLD-OUT ENGAGEMENTS IN LONDON YOUNG VIC’S OLIVIER AWARD-WINNING PRODUCTION OF ARTHUR MILLER’S “A VIEW FROM THE BRIDGE” Directed by IVO VAN HOVE STARRING MARK STRONG, NICOLA WALKER, PHOEBE FOX, EMUN ELLIOTT, MICHAEL GOULD IS COMING TO BROADWAY THIS FALL PREVIEWS BEGIN WEDNESDAY EVENING, OCTOBER 21 OPENING NIGHT IS THURSDAY, NOVEMBER 12 AT THE LYCEUM THEATRE Direct from two completely sold-out engagements in London, producers Scott Rudin and Lincoln Center Theater will bring the Young Vic’s critically-acclaimed production of Arthur Miller’s A VIEW FROM THE BRIDGE to Broadway this fall. The production, which swept the 2015 Olivier Awards — winning for Best Revival, Best Director, and Best Actor (Mark Strong) —will begin previews Wednesday evening, October 21 and open on Thursday, November 12 at the Lyceum Theatre, 149 West 45 Street.
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WWD-Mainrelease 9-07
For 200 million years the Dinosaurs ruled the earth Now, they’re back to roam the arenas of America in an extraordinary new theatrical production WALKING WITH DINOSAURS The Live Experience Based on the award-winning BBC Television Series WALKING WITH DINOSAURS – The Live Experience comes to North America on a two-year tour September 30, 2007 --- Dinosaurs return to the earth in a live theatrical arena show, WALKING WITH DINOSAURS – The Live Experience , based on the award-winning BBC Television Series. After playing for ten sold-out weeks in five cities in Australia, WALKING WITH DINOSAURS – The Live Experience is now on tour in North America for two years. 350,000 Americans have already seen the production since it opened in July 2007. WALKING WITH DINOSAURS – The Live Experience is brought to North America by Immersion Edutainment , headed by Bruce Mactaggart. Mactaggart said, “The BBC Series was a brilliant blend of special effects, escapism, excitement and information. Our show has that -- and it’s live. In this show, fifteen roaring, snarling “live” dinosaurs mesmerize the audience – and are as awe-inspiring as when they first walked on earth.” Mactaggart continued, “This is a show that could only fit in arenas – as the creatures are so absolutely immense in size. Audiences seated in the lower seats are all but overwhelmed by the dinosaurs, while those seated in higher seats can view the entire spectacle and panorama of the production. It is the closest you’ll ever get to experiencing what it was like when they walked and ruled the earth.” For more information, please visit www.dinosaurlive.com .
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Temple Theatre Staff Temple Theatre Staff
Temple Theatre Staff Temple Theatre Staff Peggy Taphorn, Producing Artistic Director of that time was spent working for the Peggy Taphorn is in her seventh sea- Army Recruiting Command in a myriad son as the Producing Artistic Director of of capacities, including managing two of the Temple Theatre! An award winning the largest recruiting stations in the coun- actress, director, and choreographer, try. Upon his retirement in 2009, he went Peggy spent 22 years based in New York to work selling in real estate in Tupelo, City and has six Broadway shows to her MS. He holds holds a Bachelor’s Degree credit. Over the years, she’s worked with in Marketing and is currently pursuing a theatre luminaries like George Abbott, Master’s Degree in Organizational Lead- who cast her to star on Broadway in the ership. revival of Broadway! Serendipity led Chris to the Temple. In the Other Broadway shows followed, includ- summer of 2012, he moved to Sanford to ing the Tony Award winners Me And My marry the love of his life. With no theatre Girl, directed by Mike Ockrent, Showboat, background and never having set foot directed by Hal Prince and choreo- in the Temple, he responded to a job graphed by Susan Stroman, Smokey listing. Upon entering the house, he was Joe’s Café, directed by Jerry Zaks, and completely gobsmacked. As he surveyed Urinetown, directed by John Rando. the place, his exact words were, “You have to hire me.” And that’s just what Peggy was the dance captain of the first they did.
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Michael Brian Dunn
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SARAH HARTMANN DIRECTOR [email protected] |SDC| Manager: Donna Destefano, Sirensong Entertainment
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Broadside ISSN: 0068-2748, Published Quarter Archive, 149 West 45& St., NWK%FY 00F Editor: Ellen Truax, University of Nohh I! Ex%
. - .- NEWSLETTER OF THE THEATRE LIBRARY ASSOCIATION 2 -- - Vol. 29, No. 4-Vol. 30, No. 1 TLA's 65'h Anniversary Year SprindSummer 2002 .... TLA Celebrates 34thAnnual Book Awards - It was old home week as TLA presented its MrnAnnual Mr. Gurney recalled meeting Ron ~enkinsafter hiring Book Awards on Friday May 31,2002 at the newly him as a teaching assistant for a course on comedy at refurbish& Bruno Walter Auditorium at The New York M.I.T., and how impressed he was with Mr. Jenkins's Public Library for the Performing Arts. ability to incorporate the flashy, subversive nature of comedy with a disarmingly ingratiating quality, both of The George Freedley Memorial Award, named for the which are reflected in the book. Thanking A.R. Gurney first curator of The Billy Rose Theatre Collection, is and Dario Fo for all he learned from them, Ron Jenkins - awarded to the outstanding book in the area of theatre said his book attempts to put together art, text, and . or live performance. The TLA Award honors the analysis of Dario Fo's work. outstanding book in the area of film or broadcasting. Cabaret star and writer Mary Cleere Haran gave the TLA President Kevin Winkler thanked the Lincoln TLA Award to her longtime friend Gary Giddins for his Center Institute for offering the awards an elegant home book Bing Cmsby: A Pocketfulof Dreams-The Eady in the Kaplan Penthouse for the last three years, while Years 1903-1940 (Little, Brown & Co.). Ms. Haran . noting that there's no place like home. Serving as described first encountering Gary Giddins' work while Program Coordinator and Master of Ceremonies, Kevin researching a public television documentary.
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Website Acting Resume
KATIE MACNICHOL AEA SAG AFTRA SMS TALENT, LOS ANGELES: 310-289-0909 BROADWAY & OFF BROADWAY THE GREEN BIRD Barbarina Cort Theatre/Julie Taymor KING JOHN Blanche TFANA/Karin Coonrod CIDER HOUSE RULES Candy Kendall Atlantic Theater/Tom Hulce & Jane Jones THE FOOD CHAIN Amanda West Side Arts Theatre/Robert Falls TWO SHAKESPEAREAN ACTORS Ensemble Cort Theatre/Jack O’Brien LONDON A CHASTE MAID IN CHEAPSIDE Moll Shakespeare’s Globe/Malcom McKay REGIONAL (Partial List) AT THIS EVENING’S PERFORMANCE Hippolyta North Coast Repertory/A. Barnicle GOOD PEOPLE Margie La Mirada Theatre/Jeff Maynard FALLEN ANGELS Jane Pasadena Playhouse & Laguna/Art Manke THE THREE MUSKETEERS Milady Denver Center & SSC/Art Manke HENRY IV PART ONE Lady Percy Shakespeare Santa Cruz/ Scott Wentworth TWELFTH NIGHT Olivia Old Globe Theatre/Paul Mullins CYRANO DE BERGERAC Lise/Mother Marguerite Old Globe Theatre/Darko Tresnjak MERRY WIVES OF WINDSOR Mistress Ford Old Globe Theatre/Paul Mullins THE WINTER’S TALE Hermione Old Globe Theatre/Darko Tresnjak COMEDY OF ERRORS Luciana Old Globe Theatre/Darko Tresnjak ANTONY AND CLEOPATRA Octavia Old Globe Theatre/Darko Tresnjak AS YOU LIKE IT Rosalind Old Globe Theatre/Karen Carpenter ALL MY SONS Sue Bayliss Westport Country Playhouse/Doug Wright THE RAINMAKER Lizzie Baltimore Center Stage/Tim Vasen THE REAL THING Annie Dallas Theater Center/Stan Wojewodski VOICE OF THE TURTLE Sally Westport Country Playhouse/Connie Grappo THE MOLIERE COMEDIES Celie/Lenore Mark Taper Forum/Brian Bedford A MIDSUMMER NIGHT’S DREAM Helena Shakespeare
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