Mendocino County Residential Construction Manual
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
Tips for Measuring Your Kitchen
G G F H F HWindow External doors BoilerExternal doors Boiler Window Electrical A Electrical socket A Tips for measuringsocket Internal E Internal door E door B your kitchen B Electrical Electrical DIAGRAM 1 DIAGRAMsocket 1 C socket C It’s easy to get swept up in the excitement D Measure lengths D Measure lengths marked A-H of creating your new kitchen. But you’ll need marked A-H to get your measurements right, as they’ll form the basis for your design. So here’s a handy guide so you don’t miss any of those important measurements. G Sloping Sloping F H ceiling External doors ceiling Boiler Window Don’t forget switches, Electrical A sockets socket and most Internal Unit / Unit / E door radiators can be moved if worktop worktop needed. B Electrical DIAGRAM 1 socket C D Measure lengths marked A-H Your floor plan Your wall plan Sketch your room layout Measure your room and openings • Turn over to draw your layout, all you need • The width and height of every window and door. is the general shape. • The distance from the floor to the window and from the top of the window to the ceiling. • Mark the location of windows, doors and archways, Sloping and which way they open, note if they’re internal • Your ceilingceiling height from a few areas for accuracy. or external doors. • If you have a sloping ceiling from a staircase, Measure your room and openings measure the height here too. • The length and width of your room. Measure yourUnit obstacles / worktop TIP: Walls aren’t always straight, so measure from the • The width, depth and height of your meters, boiler, top, middle and bottom if you can. -
Accessory Dwelling Unit - 2 Bedroom General Notes Project Data
ACCESSORY DWELLING UNIT - 2 BEDROOM GENERAL NOTES PROJECT DATA: 1. The Contractor shall provide adequate stays and bracing of all framing until all elements of design have been DEPARTMENT PROJECT: incorporated in the project. 2. Contractor shall field verify all dimensions prior to commencing with new work. OWNER:_______________________________________________ 3. Work under this permit does not require Special Inspection or structural observation. PLANNING AND BUILDING ADDRESS:______________________________________________ 4. If applicable fire walls should be provided and shall comply with section R302. 5. Location of HVAC subject to field inspection. APN NUMBER:____________________________ 6. HERS Verification required for the HVAC Cooling, HVAC Distribution, & HVAC Fan Systems per T24 Energy Calculation Documentation. Provide completed CalCerts Project Summary Report (PSR) as evidence of Third Party Verification (HERS) STORIES: 1 to Building Inspector prior to final inspection. FIRE SPRINKLERS: YES/NO SITE PLAN NOTES AND REQUIREMENTS - Applicant shall provide a site plan for property showing the location of the proposed ADU. SQUARE FOOTAGE: 746 SQ. FT. - Location of the ADU shall comply with all setback and Fire Separation Distance requirements of OMC Titles 15 and 17 - Site plan shall be drawn to scale. Site Slope shall not exceed 1 . PLANS DEVELOPED IN TYPE OF CONSTRUCTION: V-B 0% COLLABORATION WITH: - Plans are based on 5' minimum Fire Separation Distance. OCCUPANCY GROUP: R-3 ZONING :_____________________ CLIMATE ZONE: 3 BUILDING -
August 2018.Indd
30 YEARS: 1988-2018 COVER STORY Page 3 KEDRON LODGE JOURNAL Windsor & Districts’ Historical Society Inc. servicing the old Windsor Town Council areas of Albion, Alderley, Bowen Bridge, Eagle Junction*, Eildon, Grange, Kalinga, Kedron*, Lutwyche, Maida Hill, Newmarket*, Wilston, VOLUME 30 No. 3 - AUGUST 2018 AUGUST - 3 No. 30 VOLUME Wooloowin and now extended to cover Herston. *part of this suburb. NEXT MEETING 19 AUGUST, 3 p.m. Guest Speaker Sallyanne In the NOVEMBER Journal * William Williams The car featured on p.17 of the Febru- Atkinson, AO ary JOURNAL, Vol. 30 No. 1, is still * Newmarket in the district. It has been owned by Progress Hall Richard Allom since 1962. * The Peace Loan * Rowallan Additions and Correction * Kedron Park Mary Ann Massey, born 1844, was omitted from John Massey’s children’s Service Station list on page 10 November 2016 issue. * St Andrew’s We are Thanks to Helen Kilber a descendant for Church pointing it out.. * Hornibrook very pleased to announce May 2018 issue page 9 column 3, refer- * Hearne’s ences to Charles Scott should be Charles that our August Guest Stott. * WW1 Casualities Success!! One member at least looks at * Photo Story Speaker will be former our cover and pointed out that Grange * Boot and Shoe and Wilston were omitted - not any- Repairers Lord Mayor of Brisbane more. and business woman - * In preparation of our Newsletters/Jour- nals, our Editor has corrected 41,112 Sallyanne Atkinson. lines of newspaper text in Trove so far. SOUVENIR Make sure you mark ADVANCE NOTICE OF THE in your diary to come and REMEMBRANCE GREAT WAR meet this outstanding DAY 1914 - Queenslander. -
Apocalypse As Religious and Secular Discourse in Battlestar Galactica
Volume 6 2014-15 APOCALYPSE & GHOSTS Apocalypse as Religious and Secular Discourse in Battlestar Galactica and its Prequel Caprica Diane Langlumé University of Paris VIII Saint-Denis Abstract he concept of the end of the world is inherent in religious discourse. Illustratively, in T Medieval Christianity, a divine power was held responsible for cataclysmic events. In the post-Hiroshima era, the concept of apocalypse has taken on secular meaning. Not surprisingly, given recent history, the apocalypse has become a prominent component of popular television epics; broadcast narratives, such as Battlestar Galactica and Caprica, entwine both Biblical and secular versions of the apocalypse, thereby creating a novel apocalyptic discourse which, instead of establishing the apocalypse as an end, uses it as a foundation, as a thought-provoking means of conveying a political message of tolerance and acceptance of otherness, of encouraging self-reflectiveness; and as a way of denouncing the empty rhetoric of religious extremism. Keywords: Television series, Battlestar Galactica, Caprica, religion, Book of Mormon, Bible, Book of Revelation, John of Patmos, Genesis, Adam, Garden of Eden, Heaven, God, fall of man, the beast, false prophet, angel, Second Coming, resuscitation, apocalypse, end of the world, nuclear apocalypse, Hiroshima, post-apocalyptic, genocide, intertextuality, parody, pastiche, religious satire, 9/11, America, religious terrorism, suicide bombing, cyborg, robot, humanity, monotheism, polytheism. he television series Battlestar Galactica1 establishes its chronology between a nuclear T apocalypse that has just taken place and the threat of a potential future apocalypse,2 both at the hands of human-looking cyborgs called Cylons. Caprica, its prequel series, set fifty- eight years before the nuclear detonation, unfolds the events leading up to the apocalypse in Battlestar Galactica. -
Word Search 'Crisis on Infinite Earths'
Visit Our Showroom To Find The Perfect Lift Bed For You! December 6 - 12, 2019 2 x 2" ad 300 N Beaton St | Corsicana | 903-874-82852 x 2" ad M-F 9am-5:30pm | Sat 9am-4pm milesfurniturecompany.com FREE DELIVERY IN LOCAL AREA WA-00114341 V A H W Q A R C F E B M R A L Your Key 2 x 3" ad O R F E I G L F I M O E W L E N A B K N F Y R L E T A T N O To Buying S G Y E V I J I M A Y N E T X and Selling! 2 x 3.5" ad U I H T A N G E L E S G O B E P S Y T O L O N Y W A L F Z A T O B R P E S D A H L E S E R E N S G L Y U S H A N E T B O M X R T E R F H V I K T A F N Z A M O E N N I G L F M Y R I E J Y B L A V P H E L I E T S G F M O Y E V S E Y J C B Z T A R U N R O R E D V I A E A H U V O I L A T T R L O H Z R A A R F Y I M L E A B X I P O M “The L Word: Generation Q” on Showtime Bargain Box (Words in parentheses not in puzzle) Bette (Porter) (Jennifer) Beals Revival Place your classified ‘Crisis on Infinite Earths’ Classified Merchandise Specials Solution on page 13 Shane (McCutcheon) (Katherine) Moennig (Ten Years) Later ad in the Waxahachie Daily Light, Midlothian Mirror and Ellis Merchandise High-End 2 x 3" ad Alice (Pieszecki) (Leisha) Hailey (Los) Angeles 1 x 4" ad (Sarah) Finley (Jacqueline) Toboni Mayoral (Campaign) County Trading Post! brings back past versions of superheroes Deal Merchandise Word Search Micah (Lee) (Leo) Sheng Friendships Call (972) 937-3310 Run a single item Run a single item Brandon Routh stars in The CW’s crossover saga priced at $50-$300 priced at $301-$600 “Crisis on Infinite Earths,” which starts Sunday on “Supergirl.” for only $7.50 per week for only $15 per week 6 lines runs in The Waxahachie Daily2 x Light, 3.5" ad Midlothian Mirror and Ellis County Trading Post and online at waxahachietx.com All specials are pre-paid. -
56 Edmondstone Rd, Bowen Hills QLD 4006 INTRODUCTION 08
56 Edmondstone Rd, Bowen Hills QLD 4006 INTRODUCTION 08 INFRASTRUCTURE 10 THE LOCAL AREA 12 FLOOR PLANS 14 STACKING PLANS 15 HEALTH & WELLBEING 18 PROPERTY DETAILS 20 PARTNERSHIP 22 2 3 LOVE. YOUR. WORK. 4 5 A UNIQUE CAMPUS STYLE OFFICE 6 77 ON-SITE GREEN SPACES AND STAFF AMENITY ARTIST IMPRESSION 9,302m² 12,427m² 4 STAR Total Site Area Net Lettable Area NABERS Energy Rating 141 42 4.5 STAR Onsite Car Parks Motorcycle Bays NABERS Water Rating 8 9 GASWOS AMES MECEDES BSBANE NG STEET BOEN HLLS COSS HESTON ROYAL PECNCT STEET BEN ATOHAS CBD PECNCT TAN STATON VE AL ATER BSBANE SEAMLESS PECNCT & MCA BASSEE HOSPTAL ACCESSIBILITY Perfectly positioned in the emerging and vibrant location that benefits from great access to road, rail and local amenity. Gasworks Mercedes Benz Precinct Autohaus (QLD HQ) 800m 300m RNA Showgrounds Bowen Hills Master-planned Precinct Train Station 900m 350m Cross River Rail Inner City Bypass D Exhibition Station A S 400m O PAS 1km R BY K ITY EE C R NER C IN T S FA K A E R B Brisbane Airport 8km 10 11 NEW CARTWR D M I A ARKE GHT ST T R O ROAD EET R E T A G D T N E Albion Park YOR E A K STRE S E R PARK Paceway T T S BREAKFAST CREEK HOTEL TREET S E Flynn C A I A R Oval R E E R O TREET IV C YULESTAR S R E T H D T A IT C M I SFORD S N RR IN KING V N E E T ER E C T E IT Y B R E YP N N AS G ICH R S A OL AS STR T Downey W EET S D S N Park A O O 10 S R 3 P E CU M LLEN S H TR O EET C H Y T W T U 8 N L ORTHE Y STRE ET Newstead 9 1 4 D House 2 A T O E R A E R K I R T E S 5 E P R O S S C R Rasey O T T R S Perry Park Park L A I F -
Robschambergerartbook1.Pdf
the Champions Collection the first year by Rob Schamberger foreward by Adam Pearce Artwork and text is copyright Rob Schamberger. Foreward text is copyright Adam Pearce. Foreward photograph is copyrgiht Brian Kelley. All other likenesses and trademarks are copyright to their respective and rightful owners and Rob Schamberger makes no claim to them. Brother. Not many people know this, but I’ve always considered myself an artist of sorts. Ever since I was a young kid, I invariably find myself passing the time by doodling, drawing, and, on occasion, even painting. In the space between my paper and pencil, and in those moments when inspiration would strike, my imagination would run amok and these bigger-than-life personas - football players and comic book characters and, of course, professional wrestlers - would come to life. I wasn’t aware of this until much later, but for all those years my mother would quietly steal away my drawings, saving them for all prosperity, and perhaps giving her a way to relive all of those memories of me as a child. That’s exactly what happened to me when she showed me those old sketches of Iron Man and Walter Payton and Fred Flintstone and Hulk Hogan. I found myself instantly transported back to a time where things were simpler and characters were real and the art was pure. I get a lot of really similar feelings when I look at the incredible art that Rob Schamberger has shared with 2 foreward us all. Rob’s passion for art and for professional wrestling struck me immediately as someone that has equally grown to love and appreciate both, and by Adam Pearce truth be told I am extremely jealous of his talents. -
Maddox Residence Material and Sloped to Drain at 1% Minimum
GENERAL NOTES ABBREVIATIONS OWNER DRAWING INDEX COORDINATION CHRISTOPHER AND SARAH MADDOX A0.0 COVER SHEET / GENERAL INFO A.F.F. ABOVE FINISHED FLOOR J.H. JOIST HANGER 49 RIDGE AVE A0.1 T.F.A. CALCULATIONS SPECIAL NOTE AB JUNCTION BOX 1. IF THESE DRAWINGS ARE NOT 24" x 36" THEY HAVE BEEN REDUCED OR ENLARGED. ANCHOR BOLT J.B. MILL VALLEY, CA 94941 A0.2 EXISTING SITE PHOTOS (DO NOT SCALE DRAWINGS) ABV. ABOVE JST. JOIST THERE IS NO CHANGE IN SCOPE OF WORK FOR THE RESIDENCE PREVIOUSLY APPROVED AC AIR CONDITIONING JNT. JOINT (415) 706-9554 A0.3 EXTERIOR RENDERING BY DESIGN REVIEW. ALL ITEMS MODIFIED OR ADDED ON THIS COVERSHEET IS INDICATED IN 2. THE STANDARD A.I.A. GENERAL CONDITIONS ARE HEREBY MADE A PART OF THESE ADJ. ADJUSTABLE K.D. KILD DRIED A0.4 EXTERIOR RENDERING RED. DRAWINGS. ALUM. ALUMINUM L.H. LEFT HAND ARCHITECT A0.5 PROPOSED MATERIALS APPL. APPLIANCE LAV. LAVATORY TOPO EXISTING TOPOGRAPHIC SURVEY 3. ALL DIMENSIONS ARE TO FACE OF WALL UNLESS OTHERWISE NOTED. ASPH. ASPHALT LT. LIGHT CHARLIE BARNETT ASSOCIATES B.O. BOTTOM OF MAX. MAXIMUM 626 HAMPSHIRE STREET ROS RECORD OF SURVEY SCOPE OF WORK B.U.R. BUILT-UP ROOFING MED. MEDIUM 4. DO NOT SCALE DRAWINGS FOR DIMENSIONS. WRITTEN DIMENSIONS SHALL TAKE SAN FRANCISCO, CA 94110 E1.0 EXISTING SITE PLAN BD MANUFACTURER PRECEDENCE OVER SCALED DIMENSIONS BOARD MFR. (415) 824-0478 A1.0 PROPOSED SITE PLAN NEW 3,004SF, TWO-STORY, SINGLE FAMILY RESIDENCE - THE PROPOSED BLDG. BUILDING MISC. MISCELLANEOUS C1 PRELIMINARY GRADING & DRAINAGE PLAN RESIDENCE INCLUDES; (4) BEDROOMS, (3) BATHROOMS, LAUNDRY/MUD ROOM 5. -
Queer Performance in the Post-Millennial Scramble
QUEER PERFORMANCE IN THE POST-MILLENNIAL SCRAMBLE MOYNAN KING A DISSERTATION SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY GRADUATE PROGRAM IN THEATRE AND PERFORMANCE STUDIES YORK UNIVERSITY TORONTO, ONTARIO November 2019 © Moynan King, 2019 ii Abstract The subject of this dissertation is contemporary queer feminist performance in Canada. My practice-informed research takes a unique approach to studying performance through what I call the “queer performance scramble”—a term that draws on the multiple meanings of “scramble” to understand the aesthetics of queer performance and its challenges to stable conceptions of both identity and temporality. I investigate works that are happening now and that scramble the sticky elements of their own cultural constructions and queer temporalities. The temporal turn in queer theory supports my engagement with the effects of temporality, performativity, and history on queer performance, and, conversely, the effects of queer performance on time. I am equally interested in the formal and material dimensions of the work I study. I look to the content, style, material conditions, and social scenes of queer feminist performance from the perspective of both an academic and an artist to make accessible work that is often marginalized within Canadian cultural production ecology. Chapter 1 investigates queer feminist hauntings with an analysis of Allyson Mitchell and Deirdre Logue’s Killjoy’s Kastle: A Lesbian Feminist Haunted House. Chapter 2 argues that cabaret is the primary site for queer feminist performance in Canada, and when framed as a methodological problem/solution matrix, both the celebratory and limiting potential of the form can be explored. -
WHERE DO ALPHAS COME FROM?: a MEASURE of the VALUE of ACTIVE INVESTMENT MANAGEMENT∗ Andrew W
JOURNAL OF INVESTMENT MANAGEMENT, Vol. 6, No. 2, (2008), pp. 1–29 © JOIM 2008 JOIM www.joim.com WHERE DO ALPHAS COME FROM?: A MEASURE OF THE VALUE OF ACTIVE INVESTMENT MANAGEMENT∗ Andrew W. Lo† The value of active investment management is traditionally measured by alpha, beta, volatility, tracking error, and the Sharpe and information ratios. These are essentially static characteristics of the marginal distributions of returns at a single point in time, and do not incorporate dynamic aspects of a manager’s investment process. In this paper, I propose a measure of the value of active investment management that captures both static and dynamic contributions of a portfolio manager’s decisions. The measure is based on a decomposition of a portfolio’s expected return into two distinct components: a static weighted-average of the individual securities’ expected returns, and the sum of covariances between returns and portfolio weights. The former component measures the portion of the manager’s expected return due to static investments in the underlying securities, while the latter component captures the forecast power implicit in the manager’s dynamic investment choices. This measure can be computed for long-only investments, long/short portfolios, and asset allocation rules, and is particularly relevant for hedge-fund strategies where both components are significant contributors to their expected returns, but only one should garner the high fees that hedge funds typically charge. Several analytical and empirical examples are provided to illustrate the practical relevance of this decomposition. 1 Introduction ∗I thank Nicholas Chan, John Cox, Arnout Eikeboom, Lisa Goldberg, Mark Grinblatt, Stephanie Hogue, Rajnish Kamat, Philippe Luedi, Sara Salem, Nils Tuchschmid, an anonymous With the growing popularity of hedge funds and referee, and participants at the Le Club B 2006 Conference other absolute-return investment strategies, there and the JOIM 2007 Spring Conference for their helpful com- is a widening gap between the performance met- ments and discussion. -
Battlestar Galactica
Diaspora narrative in Battlestar Galactica Grace L. Dillon Science Fiction Film and Television, Volume 5, Issue 1, Spring 2012, pp. 1-21 (Article) Published by Liverpool University Press DOI: 10.1353/sff.2012.0001 For additional information about this article http://muse.jhu.edu/journals/sff/summary/v005/5.1.dillon.html Access provided by Portland State University (11 Jul 2013 09:31 GMT) dummy header Diaspora narrative in Battlestar Galactica Grace L. Dillon Seek the welfare of the city where I have sent you into exile, and pray to the Lord on its behalf, for in its welfare you will find your welfare. – Jeremiah 29:7 This article reads the original Battlestar Galactica series and its 1980 sequel as a diasporic narrative. It compares exodus and diaspora, contextualises the Colonial journey within emerging diaspora theory and views the Galactica allegory as an indicator of American imperialism. Reliance on the theme of exodus is a common characteristic that receives little attention in the scholarship on the original Battlestar Galactica (US 1978–9), its spinoff Galactica 1980 (US 1980) and the ‘reimagined’ Battlestar Galactica (US 2004–9). The proliferation of biblical allusions, along with the presence of original series creator Glen A. Larson’s theology, offers exodus as a ready-made description of characters’ movements throughout the narrative. However, ‘exo- dus’ has become the shorthand term of choice for artists and critics. Certainly the association heightens dramatic tension. Invoking it often and casually, how- ever, has diminished its contribution to the Battlestar Galactica storyline while overshadowing the significance of diaspora as a unifying element of original and remade series. -
Historic Buildings Booklet
DOWNTOWN HISTORIC DISTRICT Leavenworth's 45-block downtown was planned in 1854 and in its first two decades commerce boomed. Most of the City's early stores were built in "blocks" with multiple storefronts and common upper areas. Many of these magnificent structures are gone and some that remain are the lower floors left after fire, tornado and neglect took their toll on their upper levels. Infill is evident nearly everywhere and pavement replaced buildings as the demand for off street parking grew, especially after World War II. Examples of block-style development are still evident today are the O'Donnell Block at 100 S. 5th Street, the Masonic Temple at 421 Delaware, the Yum block at 311-321 S. 5th Street and the intact block of commercial stores in the 600 block of Cherokee Street. There are 65 contributing properties in the district, mostly constructed of red brick with cast iron and terra cotta trim features. Their architecture is described as "high style" with Colonial and Classical revival variations reflective of their era. Two were previously placed on the National Register of Historic Places (429 and 500 Delaware Street). Knights of Columbus Block, 331 Delaware Street c. 1882; c. 1945 This three-story building has a corner entrance that is canted at both stories. The façade of this late 19th Century building was significantly altered in the 20th Century. Divisions are created through the use of brick stringcourses and by alternating different colors of brick and large, cast stone tiles. Commercial storefronts occupy the first story and are divided into three bays on the Delaware Street façade.