I Ll Ino I University of Illinois at Urbana-Champaign
H I LL INO I UNIVERSITY OF ILLINOIS AT URBANA-CHAMPAIGN PRODUCTION NOTE University of Illinois at Urbana-Champaign Library Large-scale Digitization Project, 2007. 4.- ATA I II lolume 4, Number 1 (whole issue 16) kI_- October 7, 1963 HOBART SMITH AT U. OF I. Hobart Smith, a traditional fiddler, tions of us Smiths kindly took to music. )anjo-picker, guitarist, and singer Always picking on some instrument or from Saltville, Virgina, will appear in singing some ditty, that was the Smith Altgeld Hall, October 11, 8 PM, in the way. If we managed to marry somebody 3lub's first membership concert of the who didn't care for it, why pretty soon new school year. they'd dive up and get a divorce and leave, and then we'd marry somebody else Smith's repertoire, some of which is who did love music. That way it just available on the Atlantic "Southern kept a-runnin' through our family." Folk Heritage Series" recorded by Alan Lomax, includes dazzling fiddle hoe- "In the first generations of my family owns and breakdowns, guitar blues, the men were all fiddlers and the girls gospel songs, old ballads and rippling, all good singers. Drop on down and you rhythmic banjo pieces that sound equal- begin to get a banjo player or two in the Ly good as lyric songs or as dance crowd. Then they was mostly banjo pick- iccompaniment. ers, like my daddy, King Smith who learnt me to play. I took to it so natural Among his famous pieces are "John that when I come to the house, Mama would Brown", a lively dance tune for fiddle tell old King to put by his banjo and Ln modal tuning, "Bangin' Breakdown", let somebody handle it who could." a strangely beautiful rhythm exercise ln Afro-American banjo music, and "See Many Club members will remember Fhat My Grave Is Kept Clean", .a moving Hobart's appearance earlier this year at and powerful song that flows directly the University of Chicago Folk Festival.
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