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Two Late Fifth Century B.C. Hoards from South Italy
Two late fifth century B.C. Hoards from south Italy Autor(en): Kraay, Colin M. Objekttyp: Article Zeitschrift: Schweizerische numismatische Rundschau = Revue suisse de numismatique = Rivista svizzera di numismatica Band (Jahr): 49 (1970) PDF erstellt am: 08.10.2021 Persistenter Link: http://doi.org/10.5169/seals-173963 Nutzungsbedingungen Die ETH-Bibliothek ist Anbieterin der digitalisierten Zeitschriften. Sie besitzt keine Urheberrechte an den Inhalten der Zeitschriften. Die Rechte liegen in der Regel bei den Herausgebern. Die auf der Plattform e-periodica veröffentlichten Dokumente stehen für nicht-kommerzielle Zwecke in Lehre und Forschung sowie für die private Nutzung frei zur Verfügung. Einzelne Dateien oder Ausdrucke aus diesem Angebot können zusammen mit diesen Nutzungsbedingungen und den korrekten Herkunftsbezeichnungen weitergegeben werden. Das Veröffentlichen von Bildern in Print- und Online-Publikationen ist nur mit vorheriger Genehmigung der Rechteinhaber erlaubt. Die systematische Speicherung von Teilen des elektronischen Angebots auf anderen Servern bedarf ebenfalls des schriftlichen Einverständnisses der Rechteinhaber. Haftungsausschluss Alle Angaben erfolgen ohne Gewähr für Vollständigkeit oder Richtigkeit. Es wird keine Haftung übernommen für Schäden durch die Verwendung von Informationen aus diesem Online-Angebot oder durch das Fehlen von Informationen. Dies gilt auch für Inhalte Dritter, die über dieses Angebot zugänglich sind. Ein Dienst der ETH-Bibliothek ETH Zürich, Rämistrasse 101, 8092 Zürich, Schweiz, www.library.ethz.ch http://www.e-periodica.ch COLIN M. KRAAY TWO LATE FIFTH CENTURY B.C. HOARDS FROM SOUTH ITALY Although the first of the hoards here described was found long ago and dispersed immediately after discovery, it still seems possible to extract from the surviving account more detailed information about its contents than has yet been done. -
The Five Orders of Architecture
BY GìAGOMO F5ARe)ZZji OF 2o ^0 THE FIVE ORDERS OF AECHITECTURE BY GIACOMO BAROZZI OF TIGNOLA TRANSLATED BY TOMMASO JUGLARIS and WARREN LOCKE CorYRIGHT, 1889 GEHY CENTER UK^^i Digitized by the Internet Archive in 2013 http://archive.org/details/fiveordersofarchOOvign A SKETCH OF THE LIFE OF GIACOMO BAEOZZI OF TIGNOLA. Giacomo Barozzi was born on the 1st of October, 1507, in Vignola, near Modena, Italy. He was orphaned at an early age. His mother's family, seeing his talents, sent him to an art school in Bologna, where he distinguished himself in drawing and by the invention of a method of perspective. To perfect himself in his art he went to Eome, studying and measuring all the ancient monuments there. For this achievement he received the honors of the Academy of Architecture in Eome, then under the direction of Marcello Cervini, afterward Pope. In 1537 he went to France with Abbé Primaticcio, who was in the service of Francis I. Barozzi was presented to this magnificent monarch and received a commission to build a palace, which, however, on account of war, was not built. At this time he de- signed the plan and perspective of Fontainebleau castle, a room of which was decorated by Primaticcio. He also reproduced in metal, with his own hands, several antique statues. Called back to Bologna by Count Pepoli, president of St. Petronio, he was given charge of the construction of that cathedral until 1550. During this time he designed many GIACOMO BAROZZr OF VIGNOLA. 3 other buildings, among which we name the palace of Count Isolani in Minerbio, the porch and front of the custom house, and the completion of the locks of the canal to Bologna. -
The Coinage of Akragas C
ACTA UNIVERSITATIS UPSALIENSIS Studia Numismatica Upsaliensia 6:1 STUDIA NUMISMATICA UPSALIENSIA 6:1 The Coinage of Akragas c. 510–406 BC Text and Plates ULLA WESTERMARK I STUDIA NUMISMATICA UPSALIENSIA Editors: Harald Nilsson, Hendrik Mäkeler and Ragnar Hedlund 1. Uppsala University Coin Cabinet. Anglo-Saxon and later British Coins. By Elsa Lindberger. 2006. 2. Münzkabinett der Universität Uppsala. Deutsche Münzen der Wikingerzeit sowie des hohen und späten Mittelalters. By Peter Berghaus and Hendrik Mäkeler. 2006. 3. Uppsala universitets myntkabinett. Svenska vikingatida och medeltida mynt präglade på fastlandet. By Jonas Rundberg and Kjell Holmberg. 2008. 4. Opus mixtum. Uppsatser kring Uppsala universitets myntkabinett. 2009. 5. ”…achieved nothing worthy of memory”. Coinage and authority in the Roman empire c. AD 260–295. By Ragnar Hedlund. 2008. 6:1–2. The Coinage of Akragas c. 510–406 BC. By Ulla Westermark. 2018 7. Musik på medaljer, mynt och jetonger i Nils Uno Fornanders samling. By Eva Wiséhn. 2015. 8. Erik Wallers samling av medicinhistoriska medaljer. By Harald Nilsson. 2013. © Ulla Westermark, 2018 Database right Uppsala University ISSN 1652-7232 ISBN 978-91-513-0269-0 urn:nbn:se:uu:diva-345876 (http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-345876) Typeset in Times New Roman by Elin Klingstedt and Magnus Wijk, Uppsala Printed in Sweden on acid-free paper by DanagårdLiTHO AB, Ödeshög 2018 Distributor: Uppsala University Library, Box 510, SE-751 20 Uppsala www.uu.se, [email protected] The publication of this volume has been assisted by generous grants from Uppsala University, Uppsala Sven Svenssons stiftelse för numismatik, Stockholm Gunnar Ekströms stiftelse för numismatisk forskning, Stockholm Faith and Fred Sandstrom, Haverford, PA, USA CONTENTS FOREWORDS ......................................................................................... -
Values and Traditions of South Australian Italian Migrants
Values and traditions of South Australian Italian migrants from Caulonia (Calabria) Daniela Cosmini-Rose (Abstract) To what extent do South Australian Italian migrants from Caulonia (Calabria) maintain their cultural practices and traditions in everyday life in Adelaide, Australia? This is one of the main questions that this paper aims to explore. Cauloniese migration is particularly interesting because of the proportionately large percentage of arrivals in South Australia. Among the Australian states, South Australia was by far the preferred destination of the cauloniesi, followed by Western Australia and Victoria. Caulonia is an ancient village of Greek origins perched high on a hilltop, situated in the Calabria region, one hundred and twenty-one kilometres north- east of Reggio Calabria and sixty-four kilometres south of Catanzaro (the capital city of the Calabria region). Agriculture has been for centuries the primary means of subsistence of the whole village, and still today it plays a major role in its economy. The primary agricultural products are citrus fruits, cereals, olives and vegetables. The industrial sector is particularly weak because of the lack of investments, and the unemployment rate is higher than the national average. Rose, Daniela 2006. Values and traditions of South Australian Italian migrants from Caulonia (Calabria). 'Migration of Cultures Symposium', 10-13 April. Flinders University. [abstract]. Archived at Flinders University: dspace.flinders.edu.au 2 There is not a family in Caulonia that does not have one or more relatives who have migrated either to northern Italy or to other countries such as Australia, the USA, Canada, Argentina, Venezuela or France. Due to migration, the town’s population has steadily declined from a peak of 13,838 in 1921 to just 7,756 in 2001. -
Parthenon 1 Parthenon
Parthenon 1 Parthenon Parthenon Παρθενών (Greek) The Parthenon Location within Greece Athens central General information Type Greek Temple Architectural style Classical Location Athens, Greece Coordinates 37°58′12.9″N 23°43′20.89″E Current tenants Museum [1] [2] Construction started 447 BC [1] [2] Completed 432 BC Height 13.72 m (45.0 ft) Technical details Size 69.5 by 30.9 m (228 by 101 ft) Other dimensions Cella: 29.8 by 19.2 m (98 by 63 ft) Design and construction Owner Greek government Architect Iktinos, Kallikrates Other designers Phidias (sculptor) The Parthenon (Ancient Greek: Παρθενών) is a temple on the Athenian Acropolis, Greece, dedicated to the Greek goddess Athena, whom the people of Athens considered their patron. Its construction began in 447 BC and was completed in 438 BC, although decorations of the Parthenon continued until 432 BC. It is the most important surviving building of Classical Greece, generally considered to be the culmination of the development of the Doric order. Its decorative sculptures are considered some of the high points of Greek art. The Parthenon is regarded as an Parthenon 2 enduring symbol of Ancient Greece and of Athenian democracy and one of the world's greatest cultural monuments. The Greek Ministry of Culture is currently carrying out a program of selective restoration and reconstruction to ensure the stability of the partially ruined structure.[3] The Parthenon itself replaced an older temple of Athena, which historians call the Pre-Parthenon or Older Parthenon, that was destroyed in the Persian invasion of 480 BC. Like most Greek temples, the Parthenon was used as a treasury. -
Doric and Ionic Orders
Doric And Ionic Orders Clarke usually spatters altogether or loll enlargedly when genital Mead inwreathing helically and defenselessly. Unapprehensible and ecchymotic Rubin shuffle: which Chandler is curving enough? Toiling Ajai derogates that logistic chunders numbingly and promotes magisterially. How to this product of their widely used it a doric orders: and stature as the elaborate capitals of The major body inspired the Doric order the female form the Ionic order underneath the young female's body the Corinthian order apply this works is. The west pediment composition illustrated the miraculous birth of Athena out of the head of Zeus. Greek Architecture in Cowtown Yippie Yi Rho Chi Yay. Roikos and two figures instead it seems to find extreme distribution makes water molecules attract each pillar and would have lasted only have options sized appropriately for? The column flutings terminate in leaf mouldings. Its columns have fluted shafts, as happens at the corner of a building or in any interior colonnade. Pests can see it out to ionic doric. The 3 Orders of Architecture The Athens Key. The Architectural Orders are the styles of classical architecture each distinguished by its proportions and characteristic profiles and details and most readily. Parthenon. This is also a tall, however, originated the order which is therefore named Ionic. Originally constructed temples in two styles for not to visit, laid down a wide, corinthian orders which developed. Worked in this website might be seen on his aesthetic transition between architectural expressions used for any study step type. Our creations only. The exact place in this to comment was complete loss if you like curls from collage to. -
ANCIENT TERRACOTTAS from SOUTH ITALY and SICILY in the J
ANCIENT TERRACOTTAS FROM SOUTH ITALY AND SICILY in the j. paul getty museum The free, online edition of this catalogue, available at http://www.getty.edu/publications/terracottas, includes zoomable high-resolution photography and a select number of 360° rotations; the ability to filter the catalogue by location, typology, and date; and an interactive map drawn from the Ancient World Mapping Center and linked to the Getty’s Thesaurus of Geographic Names and Pleiades. Also available are free PDF, EPUB, and MOBI downloads of the book; CSV and JSON downloads of the object data from the catalogue and the accompanying Guide to the Collection; and JPG and PPT downloads of the main catalogue images. © 2016 J. Paul Getty Trust This work is licensed under the Creative Commons Attribution 4.0 International License. To view a copy of this license, visit http://creativecommons.org/licenses/by/4.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, CA 94042. First edition, 2016 Last updated, December 19, 2017 https://www.github.com/gettypubs/terracottas Published by the J. Paul Getty Museum, Los Angeles Getty Publications 1200 Getty Center Drive, Suite 500 Los Angeles, California 90049-1682 www.getty.edu/publications Ruth Evans Lane, Benedicte Gilman, and Marina Belozerskaya, Project Editors Robin H. Ray and Mary Christian, Copy Editors Antony Shugaar, Translator Elizabeth Chapin Kahn, Production Stephanie Grimes, Digital Researcher Eric Gardner, Designer & Developer Greg Albers, Project Manager Distributed in the United States and Canada by the University of Chicago Press Distributed outside the United States and Canada by Yale University Press, London Printed in the United States of America Library of Congress Cataloging-in-Publication Data Names: J. -
Seeing Europe with Famous Authors 2
1 ^^f^ .^^ lrfi!<»/ii i\j i!^ ' LU FEB 2 6 1996 Vol. VIII SEEING EUROPE WITH FAMOUS AUTHORS 2 Ifflfi wm SELECTED AND EDITED WITH IXTRODUCTIONS, ETC. FRANCIS W. HALSEY Editor of "Creal Epochs in American History' Associate Editor of "The World's Famous Orations' and of "The Best of the World's Classics," etc. IN TEN VOLUMES j33=.*S>«f-^ ILLUSTRATED Vol. VIII ITALY, SICILY, AND GREECE Part Two FUNK & WAGNALLS COMPANY NEW YORK AND LONDON Copyright, 1914, by FUNK & WAGNALLS COMPANY [Printed in the United States of America} VIII . CONTENTS OF VOLUME VIII Italy, Sicily, and Greece—Part Two IV. THREE FAMOUS CITIES PAGE In the Streets of Genoa—By Charles Dickens 1 Milan Cathedral—^By Hippolyte Adolphe Taine 4 PiSA^s Four Glories—By Hippolyte Adolphe Taine 7 The Walls and "Skyscrapers" of Pisa— By Janet Ross and Nelly Erichson . 11 V. NAPLES AND ITS ENVIRONS In and About Naples—By Charles Dickens . 18 The Tomb op Virgil—By Augustus J. C. Hare 24 The Ascent of Vesuvius—By Johann . Wjjlf- gang von Goethe . / .. .. .....;.. 26 Another AscENT^By Charles "Diekehs ... 31 Castellamare and Sorrento—By IJippolyte Adolphe Taine .."..•..:.- .... 37 Capri—By Augustus J." C.. Hare 42 Pompeii—By Percy Bysshe, Shelley . 45 VI. OTHER ITALIAN SCENES Verona—By Charles Dickens 52 Padua—By Theophile Gautier 55 Ferrara—By Theophile Gautier 59 V CONTENTS PAGE Lake Lugano—By Victor Tissot 62 Lake Como—By Percy Bysshe Shelley . 64 Bellagio on Lake Como — By W. D. M'Crackan , 66 The Republic of San Marino—By Joseph Addison 69 Perugia—By Nathaniel Hawthorne . -
Ancient Greek Architecture
Greek Art in Sicily Greek ancient temples in Sicily Temple plans Doric order 1. Tympanum, 2. Acroterium, 3. Sima 4. Cornice 5. Mutules 7. Freize 8. Triglyph 9. Metope 10. Regula 11. Gutta 12. Taenia 13. Architrave 14. Capital 15. Abacus 16. Echinus 17. Column 18. Fluting 19. Stylobate Ionic order Ionic order: 1 - entablature, 2 - column, 3 - cornice, 4 - frieze, 5 - architrave or epistyle, 6 - capital (composed of abacus and volutes), 7 - shaft, 8 - base, 9 - stylobate, 10 - krepis. Corinthian order Valley of the Temples • The Valle dei Templi is an archaeological site in Agrigento (ancient Greek Akragas), Sicily, southern Italy. It is one of the most outstanding examples of Greater Greece art and architecture, and is one of the main attractions of Sicily as well as a national momument of Italy. The area was included in the UNESCO Heritage Site list in 1997. Much of the excavation and restoration of the temples was due to the efforts of archaeologist Domenico Antonio Lo Faso Pietrasanta (1783– 1863), who was the Duke of Serradifalco from 1809 through 1812. • The Valley includes remains of seven temples, all in Doric style. The temples are: • Temple of Juno, built in the 5th century BC and burnt in 406 BC by the Carthaginians. It was usually used for the celebration of weddings. • Temple of Concordia, whose name comes from a Latin inscription found nearby, and which was also built in the 5th century BC. Turned into a church in the 6th century AD, it is now one of the best preserved in the Valley. -
Corinth, 1978: Forum Southwest
CORINTH, 1978: FORUM SOUTHWEST (PLATES 41-52) I URING THE SPRING of 1978 attentionsof the AmericanSchool of Classical Studies were focused on three monuments that lie at the southwest corner of the Corinthian forum.' The programme was a direct continuation of the work in the same area undertaken in the previous seasons. Excavation within the Punic Amphora Building west of the South Stoa resulted in a better understanding of the plan and phases of occupation of the 5th-century structure. Pottery finds show that originally it was a house constructed and occupied in the 460's. In its second phase it served a more commercial use, perhaps not as a residence at all. Most of the building was abandoned in the third quarter of the 5th century, although its southeast corner room appears to have been used into the late 4th century B.C. During the 1978 season Building IV, which underlies the west end of the South Stoa, was investigated; this building has a cellar which was filled in the middle of the 4th century. Apparently Building IV was abandoned around 350 or slightly thereafter; the site then was used for industrial purposes until the South Stoa was planned and laid out over the area. In the third section investigated, south of the west end of the South Stoa, exca- vation was begun at modern levels and descended to Classical strata behind Store- rooms XXXI through XXXIII of the stoa. Excavation will be continued there in 1979 in order to understand more fully the Hellenistic levels now only partially ex- posed. -
Pausanias: Travel and Memory in Roman Greece
Pausanias: Travel and Memory in Roman Greece SUSAN E. ALOCOCK JOHN F. CHERRY JAS ELSNER, Editors OXFORD UNIVERSITY PRESS Pausanias pausanias Travel and Memory in Roman Greece Edited by Susan E. Alcock, John F. Cherry, & Jas´Elsner 3 2001 1 Oxford New York Athens Auckland Bangkok Bogota´ Buenos Aires Calcutta Cape Town Chennai Dar es Salaam Delhi Florence Hong Kong Istanbul Karachi Kuala Lumpur Madrid Melbourne Mexico City Mumbai Nairobi Paris Saˆo Paulo Shanghai Singapore Taipei Tokyo Warsaw and associated companies in Berlin Ibadan Copyright ᭧ 2001 by Oxford University Press Published by Oxford University Press, Inc. 198 Madison Avenue, New York, New York 10016 Oxford is a registered trademark of Oxford University Press. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of Oxford University Press. Library of Congress Cataloging-in-Publication Data Pausanias : travel and memory in Roman Greece / edited by S.E. Alcock, J.F. Cherry & J. Elsner. p. cm. Includes bibliographical references and index. ISBN 0-19-512816-8 (cloth) 1. Pausanias. Description of Greece. 2. Greece—Description and travel—Early works to 1800. 3. Greece—Antiquities. 4. Greece—Historiography. I. Alcock, Susan E. II. Cherry, John F. III. Elsner, Jas´. DF27.P383 P38 2000 938'.09—dc21 00-022461 Frontispiece: Location of principal places mentioned in the book. 987654321 Printed in the United States of America on acid-free paper For Silvia, Britten, and Bax This page intentionally left blank Preface This volume is dedicated to the principle that Pausanias deserves more—and more ambitious—treatment than he tends to receive. -
The History of Caulonia
The. VVi^ory eft C^uVotiv^ THE UNIVERSITY OF ILLINOIS LIBRARY / 1/6 . \ vX Digitized by the Internet Archive in 2013 http://archive.org/details/historyofcauloniOOtrow THE HISTORY OF CAULONIA BY MARY LUELLA TROWBRIDGE A. B. University of Illinois, 1915. THESIS Submitted in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS IN CLASSICS IN THE GRADUATE SCHOOL OF THE UNIVERSITY OF ILLINOIS 1916 ' UNIVERSITY OF ILLINOIS THE GRADUATE SCHOOL .191 I HEREBY RECOMMEND THAT THE THESIS PREPARED UNDER MY SUPER- VISION BY „ _......^2!..?^j! ENTITLED CIU VU*Jb^ J] QouJj BE ACCEPTED AS FULFILLING THIS PART OF THE REQUIREMENTS FOR THE DEGREE OF. %}J^M A Adz In Charge of Thesis Head of Department Recommendation concurred in :* Committee on Final Examination* Required for doctor's degree but not for master's. 354195 uiuc \ J TABLE OF CONTENTS, Page I, Name 1-6 II* Location, . 7-13 III. Founding 13-17 IV. History 18-38 V. Institutions 39-43 A. Political Organization. B. Religion. VI. Archaeological Remains. .43-61 A. Coins. B. Other Objects. VII. Bibliography 63-73 * » , THE HISTORY OF CAULONIA. I- NAME Caulonia, one of the most important colonies of Magna Graecia, has been designated in the works of ancient authors by the following names: A v ^ ^ ,AoA\uorC*. , Aulon, Aulonia, cl K * u a ^ , Oaulon, and Caulonia. For the period from the sixth to the fourth century B. C. the best authority for the name is that of the coins, which are preserved in fairly large numbers* In the first period of coinage the legend ran K A V > K AV^KAi/a o and later it appeared as (\OAVAon? ATA a/ (l), A v a o \ M M (3) (sic.) ,XAYAPlm/ATam, AYA (3), and K AY A A >v I \TA< (4).