Will Smith Movies in Order
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Windows Live Movie Maker: Create, Edit, and View Movies
Windows Live Movie Maker: Create, Edit, and View Movies By Andy Rathbone from Windows 7 For Dummies To create, edit, and view digital movies in Windows 7, you must download Windows Live Movie Maker. Windows Live Movie Maker — a stripped-down version of the movie-editing program that came with XP and Vista — works best for creating short videos. Download Movie Maker from Microsoft's Live Essentials Web page. You also need Windows Live Photo Gallery to import the movies from your camcorder. To make a movie, you follow three basic steps: 1. Import. For some reason, Windows Live Movie Maker can't import your video from your video camera. You must import it through Windows Live Photo Gallery, instead. 2. Edit. This step combines your video clips, music, and pictures into a structured movie. Edit each clip down to its best moments and add transitions between the clips — the way one clip fades into the next. Toss in a soundtrack, as well. 3. Publish. When you finish editing, Movie Maker combines your batch of clips or photos into a complete movie, ready to be played back on your computer or saved to a DVD. Creating movies requires a lot of free hard drive space. A 15-minute movie can consume 2.5GB. If Movie Maker complains about space, you have two choices: Create smaller videos or upgrade your computer with a second hard drive. Step 1: Import video, pictures, and music If you've already imported footage from a digital camcorder, jump ahead to Step 4 in the steps in this section and begin there. -
White Privilege Topic of Discussion
FAN FAVORITE Faculty votes for requirement hike "Not everyone graduates with 128 credits, so there will be a small subset who need to pick The change would raise up one more class to graduate," said Yeterian. "There will be an even smaller subset who the graduation minimum need to pick up two classes." f rom120 to 128 credits The • majority of comparable institutions already require 128 credits to graduate, or the equivalent number of courses. Middlebury and By MATT APUZZO Bates, for instance, require 32 courses to gradu- EDITOR IN CHIEF ate. The credit requirement is more flexible than The faculty voted by a significant majority course requirements at other schools, as each at its November meeting to raise the gradua- semester with three courses must be offset by a tion requirement to 128 credits. The proposal semester with five courses. At Colby, because would raise the minimum from the current 120 classes are weighted differently, students can required for current students. elect five-credit courses while only taking three "This is something we needed to do to get classes a semester. At schools that require a us in line with our peer institutions," said Dean minimum number of courses, this is not possi- of the Faculty Edward Yeterian. ble. The change would take place for the class of One of the issues brought up last year was 2005, but requires approval from the Trustees how the change would effect Jan Plan intern- before it is implemented. ships. For each of the last two years, approxi- The proposal originated during ihe 1997-98 mately 360 students elected to do non-credit scholastic year but was not voted upon until course work during January. -
Dolemite Is My Name
DOLEMITE IS MY NAME Written by Scott Alexander and Larry Karaszewski FINAL IN THE BLACK We hear Marvin Gaye's "What's Goin' On" playing softly. VOICE I ain't lying. People love me. INT. DOLPHIN'S - DAY CU of a beat-up record from the 1950s. On the paper cover is a VERY YOUNG Rudy, in a tuxedo. It says "Rudy Moore - BUGGY RIDE" RUDY You play this, folks gonna start hoppin' and squirmin', just like back in the day. A hand lifts the record up to the face of RUDY RAY MOORE, late '40s, black, sweet, determined. RUDY When I sang this on stage, I swear to God, people fainted! Ambulance man was picking them off the floor! When I had a gig, the promoter would warn the hospital: "Rudy's on tonight -- you're gonna be carrying bodies out of the motherfucking club!" We see that we are in a RADIO BOOTH. A sign blinks "On The Air." The DJ, ROJ, frowns at the record. ROJ "Buggy Ride"? RUDY Wasn't no small-time shit. ROJ GodDAMN, Rudy! That record's 1000 years old! I've got Marvin Gaye singin' "Let's Get It On"! I can't be playin' no "Buggy Ride." (beat) Look, I have 60 seconds. I have to cue the next tune. Hm! Rudy bites his lip and walks away. Roj tries to go back to his job. He reaches for a Sly Stone single -- when Rudy suddenly bounds back up. RUDY How about "Step It Up and Go"? That's a real catchy rhythm-and-blues number. -
Tolono Library CD List
Tolono Library CD List CD# Title of CD Artist Category 1 MUCH AFRAID JARS OF CLAY CG CHRISTIAN/GOSPEL 2 FRESH HORSES GARTH BROOOKS CO COUNTRY 3 MI REFLEJO CHRISTINA AGUILERA PO POP 4 CONGRATULATIONS I'M SORRY GIN BLOSSOMS RO ROCK 5 PRIMARY COLORS SOUNDTRACK SO SOUNDTRACK 6 CHILDREN'S FAVORITES 3 DISNEY RECORDS CH CHILDREN 7 AUTOMATIC FOR THE PEOPLE R.E.M. AL ALTERNATIVE 8 LIVE AT THE ACROPOLIS YANNI IN INSTRUMENTAL 9 ROOTS AND WINGS JAMES BONAMY CO 10 NOTORIOUS CONFEDERATE RAILROAD CO 11 IV DIAMOND RIO CO 12 ALONE IN HIS PRESENCE CECE WINANS CG 13 BROWN SUGAR D'ANGELO RA RAP 14 WILD ANGELS MARTINA MCBRIDE CO 15 CMT PRESENTS MOST WANTED VOLUME 1 VARIOUS CO 16 LOUIS ARMSTRONG LOUIS ARMSTRONG JB JAZZ/BIG BAND 17 LOUIS ARMSTRONG & HIS HOT 5 & HOT 7 LOUIS ARMSTRONG JB 18 MARTINA MARTINA MCBRIDE CO 19 FREE AT LAST DC TALK CG 20 PLACIDO DOMINGO PLACIDO DOMINGO CL CLASSICAL 21 1979 SMASHING PUMPKINS RO ROCK 22 STEADY ON POINT OF GRACE CG 23 NEON BALLROOM SILVERCHAIR RO 24 LOVE LESSONS TRACY BYRD CO 26 YOU GOTTA LOVE THAT NEAL MCCOY CO 27 SHELTER GARY CHAPMAN CG 28 HAVE YOU FORGOTTEN WORLEY, DARRYL CO 29 A THOUSAND MEMORIES RHETT AKINS CO 30 HUNTER JENNIFER WARNES PO 31 UPFRONT DAVID SANBORN IN 32 TWO ROOMS ELTON JOHN & BERNIE TAUPIN RO 33 SEAL SEAL PO 34 FULL MOON FEVER TOM PETTY RO 35 JARS OF CLAY JARS OF CLAY CG 36 FAIRWEATHER JOHNSON HOOTIE AND THE BLOWFISH RO 37 A DAY IN THE LIFE ERIC BENET PO 38 IN THE MOOD FOR X-MAS MULTIPLE MUSICIANS HO HOLIDAY 39 GRUMPIER OLD MEN SOUNDTRACK SO 40 TO THE FAITHFUL DEPARTED CRANBERRIES PO 41 OLIVER AND COMPANY SOUNDTRACK SO 42 DOWN ON THE UPSIDE SOUND GARDEN RO 43 SONGS FOR THE ARISTOCATS DISNEY RECORDS CH 44 WHATCHA LOOKIN 4 KIRK FRANKLIN & THE FAMILY CG 45 PURE ATTRACTION KATHY TROCCOLI CG 46 Tolono Library CD List 47 BOBBY BOBBY BROWN RO 48 UNFORGETTABLE NATALIE COLE PO 49 HOMEBASE D.J. -
Imperialism and Exploration in the American Road Movie Andy Wright Pitzer College
Claremont Colleges Scholarship @ Claremont Pitzer Senior Theses Pitzer Student Scholarship 2016 Off The Road: Imperialism And Exploration in the American Road Movie Andy Wright Pitzer College Recommended Citation Wright, Andy, "Off The Road: Imperialism And Exploration in the American Road Movie" (2016). Pitzer Senior Theses. Paper 75. http://scholarship.claremont.edu/pitzer_theses/75 This Open Access Senior Thesis is brought to you for free and open access by the Pitzer Student Scholarship at Scholarship @ Claremont. It has been accepted for inclusion in Pitzer Senior Theses by an authorized administrator of Scholarship @ Claremont. For more information, please contact [email protected]. Wright 1 OFF THE ROAD Imperialism And Exploration In The American Road Movie “Road movies are too cool to address serious socio-political issues. Instead, they express the fury and suffering at the extremities of a civilized life, and give their restless protagonists the false hope of a one-way ticket to nowhere.” –Michael Atkinson, quoted in “The Road Movie Book” (1). “‘Imperialism’ means the practice, the theory, and the attitudes of a dominating metropolitan center ruling a distant territory; ‘colonialism’, which is almost always a consequence of imperialism, is the implanting of settlements on distant territory” –Edward Said, Culture and Imperialism (9) “I am still a little bit scared of flying, but I am definitely far more scared of all the disgusting trash in between places” -Cy Amundson, This Is Not Happening “This is gonna be exactly like Eurotrip, except it’s not gonna suck” -Kumar Patel, Harold and Kumar Escape From Guantanamo Bay Wright 2 Off The Road Abstract: This essay explores the imperialist nature of the American road movie as it is defined by the film’s era of release, specifically through the lens of how road movies abuse the lands that are travelled through. -
Windows Live Movie Maker
Windows Live Movie Maker What is Windows Live Movie Maker? Windows Live Movie Maker is available on all computers that have Windows 7. Teachers and students use Windows Live Movie Maker to turn videos and photos into great‐looking movies. Here are some of the things you can do in Movie Maker: • Add videos and photos. Start your project by adding photos and videos to Movie Maker. Add videos and photos right in Movie Maker or through Windows Live Photo Gallery. • Personalize your movie. Add transitions, pan and zoom effects, visual effects, titles, credits, captions, and other special touches to make your movie your own. • Add music. Add music to your movies to use as a soundtrack. • Make a movie quickly using AutoMovie themes. After you add videos and photos, pick an AutoMovie theme to make a movie in just a few clicks. AutoMovie themes automatically add a title, credits, transitions, and effects for you. • Preview at any time. View your whole project at any time when editing to see what your final movie will look like. Or just preview a single item in your project, such as a video, photo, or text item. Before you assemble your presentation in Windows Live Movie Maker, you should develop an outline of what you want to present and then you should have the following saved in files you can browse to: ¾ Graphics‐ photos, pictures or clip art (e.g., jpg or gif files) ¾ Sound Files (e.g., wav or mp3 files) ¾ Video files (e.g., avi or mpg files) Starting: Open Windows Live Movie Maker program. -
Rap in the Context of African-American Cultural Memory Levern G
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2006 Empowerment and Enslavement: Rap in the Context of African-American Cultural Memory Levern G. Rollins-Haynes Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF ARTS AND SCIENCES EMPOWERMENT AND ENSLAVEMENT: RAP IN THE CONTEXT OF AFRICAN-AMERICAN CULTURAL MEMORY By LEVERN G. ROLLINS-HAYNES A Dissertation submitted to the Interdisciplinary Program in the Humanities (IPH) in partial fulfillment of the requirements for the degree of Doctor of Philosophy Degree Awarded: Summer Semester, 2006 The members of the Committee approve the Dissertation of Levern G. Rollins- Haynes defended on June 16, 2006 _____________________________________ Charles Brewer Professor Directing Dissertation _____________________________________ Xiuwen Liu Outside Committee Member _____________________________________ Maricarmen Martinez Committee Member _____________________________________ Frank Gunderson Committee Member Approved: __________________________________________ David Johnson, Chair, Humanities Department __________________________________________ Joseph Travis, Dean, College of Arts and Sciences The Office of Graduate Studies has verified and approved the above named committee members. ii This dissertation is dedicated to my husband, Keith; my mother, Richardine; and my belated sister, Deloris. iii ACKNOWLEDGEMENTS Very special thanks and love to -
Songs by Title
16,341 (11-2020) (Title-Artist) Songs by Title 16,341 (11-2020) (Title-Artist) Title Artist Title Artist (I Wanna Be) Your Adams, Bryan (Medley) Little Ole Cuddy, Shawn Underwear Wine Drinker Me & (Medley) 70's Estefan, Gloria Welcome Home & 'Moment' (Part 3) Walk Right Back (Medley) Abba 2017 De Toppers, The (Medley) Maggie May Stewart, Rod (Medley) Are You Jackson, Alan & Hot Legs & Da Ya Washed In The Blood Think I'm Sexy & I'll Fly Away (Medley) Pure Love De Toppers, The (Medley) Beatles Darin, Bobby (Medley) Queen (Part De Toppers, The (Live Remix) 2) (Medley) Bohemian Queen (Medley) Rhythm Is Estefan, Gloria & Rhapsody & Killer Gonna Get You & 1- Miami Sound Queen & The March 2-3 Machine Of The Black Queen (Medley) Rick Astley De Toppers, The (Live) (Medley) Secrets Mud (Medley) Burning Survivor That You Keep & Cat Heart & Eye Of The Crept In & Tiger Feet Tiger (Down 3 (Medley) Stand By Wynette, Tammy Semitones) Your Man & D-I-V-O- (Medley) Charley English, Michael R-C-E Pride (Medley) Stars Stars On 45 (Medley) Elton John De Toppers, The Sisters (Andrews (Medley) Full Monty (Duets) Williams, Sisters) Robbie & Tom Jones (Medley) Tainted Pussycat Dolls (Medley) Generation Dalida Love + Where Did 78 (French) Our Love Go (Medley) George De Toppers, The (Medley) Teddy Bear Richard, Cliff Michael, Wham (Live) & Too Much (Medley) Give Me Benson, George (Medley) Trini Lopez De Toppers, The The Night & Never (Live) Give Up On A Good (Medley) We Love De Toppers, The Thing The 90 S (Medley) Gold & Only Spandau Ballet (Medley) Y.M.C.A. -
See Script Preview
Written & Arranged by Chip Deffaa Music & Lyrics by Irving Berlin (and others) PRODUCTION SCRIPT www.stagerights.com SAY IT WITH MUSIC: THE IRVING BERLIN SAGA Copyright © 2018 by Chip Deffaa All Rights Reserved All performances and public readings of SAY IT WITH MUSIC: THE IRVING BERLIN SAGA are subject to royalties. It is fully protected under the copyright laws of the United States of America, of all countries covered by the International Copyright Union, of all countries covered by the Pan-American Copyright Convention and the Universal Copyright Convention, and all countries with which the United States has reciprocal copyright relations. All rights are strictly reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted in any form, by any means, including mechanical, electronic, photocopying, recording, or otherwise, without the prior written permission of the author. Publication of this play does not necessarily imply that it is available for performance by amateurs or professionals. It is strongly recommended all interested parties apply to Steele Spring Stage Rights for performance rights before starting rehearsals or advertising. No changes shall be made in the play for the purpose of your production without prior written consent. All billing stipulations in your license agreement must be strictly adhered to. No person, firm or entity may receive credit larger or more prominent than that accorded the Author. For all stage performance inquiries, please contact: Steele Spring Stage Rights 3845 Cazador Street Los Angeles, CA 90065 (323) 739-0413 www.stagerights.com PRODUCTION HISTORY The first reading of this musical play, under the direction of playwright Chip Deffaa, took place on February 19, 2018 at New York’s 13th Street Repertory Theater (Edith O’Hara, founder/original artistic director; Joe Battista, managing director), starring Michael Townsend Wright, Suzanne Dressler, and Jed Q. -
VOLUME 64, ISSUE 6 AUGUST 20, 2014 Academic Progress Standards to Change by Elaine Bell ’16 SAP Policy with Other Members of APRC
THE RECORD VOLUME 64, ISSUE 6 AUGUST 20, 2014 Academic Progress Standards to Change by Elaine Bell ’16 SAP policy with other members of APRC. The language used to It’s the middle of summer distinguish different academic quarter. The sun is shining, the standings has been changed to cicadas are chirping, and students reflect the terminology used in are once again receiving their federal guidelines, according to midterm grades. While many Napoli. To be eligible for federal receive letters notifying them of aid for students “our satisfactory their placement on the dean’s list, academic progress policy must others receive academic alerts and meet federal guidelines,” he said. warning letters sent from the First “We have to use the terms that Watch Academic Intervention are used in the federal guidelines, Committee (FWAIC), a body that which [are] ‘academic warning’ monitors satisfactory academic and ‘academic alert.’” progress. The standards related to “It’s like an intervention alerts or warnings have also been team, but it’s really just to make changed, which can be decided at sure students are healthy,” said the school registrar’s discretion. Elecia Harvey, the student Previously academic alert was success advisor. “If your grades are sent out for a 2.0-2.39 GPA dropping, if you’re not going to and a warning was for a 2.4-2.7. class…there might be something “We’re now tagging anything else wrong. So we reach out to below 3.0 because 90 percent of students to help them figure out our students are above a 3.0,” said what to do next.” Napoli. -
Songs by Title
Songs by Title Title Artist Versions Title Artist Versions #1 Crush Garbage SC 1999 Prince PI SC #Selfie Chainsmokers SS 2 Become 1 Spice Girls DK MM SC (Can't Stop) Giving You Up Kylie Minogue SF 2 Hearts Kylie Minogue MR (Don't Take Her) She's All I Tracy Byrd MM 2 Minutes To Midnight Iron Maiden SF Got 2 Stars Camp Rock DI (I Don't Know Why) But I Clarence Frogman Henry MM 2 Step DJ Unk PH Do 2000 Miles Pretenders, The ZO (I'll Never Be) Maria Sandra SF 21 Guns Green Day QH SF Magdalena 21 Questions (Feat. Nate 50 Cent SC (Take Me Home) Country Toots & The Maytals SC Dogg) Roads 21st Century Breakdown Green Day MR SF (This Ain't) No Thinkin' Trace Adkins MM Thing 21st Century Christmas Cliff Richard MR + 1 Martin Solveig SF 21st Century Girl Willow Smith SF '03 Bonnie & Clyde (Feat. Jay-Z SC 22 Lily Allen SF Beyonce) Taylor Swift MR SF ZP 1, 2 Step Ciara BH SC SF SI 23 (Feat. Miley Cyrus, Wiz Mike Will Made-It PH SP Khalifa And Juicy J) 10 Days Late Third Eye Blind SC 24 Hours At A Time Marshall Tucker Band SG 10 Million People Example SF 24 Hours From Tulsa Gene Pitney MM 10 Minutes Until The Utilities UT 24-7 Kevon Edmonds SC Karaoke Starts (5 Min 24K Magic Bruno Mars MR SF Track) 24's Richgirl & Bun B PH 10 Seconds Jazmine Sullivan PH 25 Miles Edwin Starr SC 10,000 Promises Backstreet Boys BS 25 Minutes To Go Johnny Cash SF 100 Percent Cowboy Jason Meadows PH 25 Or 6 To 4 Chicago BS PI SC 100 Years Five For Fighting SC 26 Cents Wilkinsons, The MM SC SF 100% Chance Of Rain Gary Morris SC 26 Miles Four Preps, The SA 100% Pure Love Crystal Waters PI SC 29 Nights Danni Leigh SC 10000 Nights Alphabeat MR SF 29 Palms Robert Plant SC SF 10th Avenue Freeze Out Bruce Springsteen SG 3 Britney Spears CB MR PH 1-2-3 Gloria Estefan BS SC QH SF Len Barry DK 3 AM Matchbox 20 MM SC 1-2-3 Redlight 1910 Fruitgum Co. -
Automat Pictures “I Am Divine” March 15, 2013 Transcribed By: Word of Mouth (Rl)
AUTOMAT PICTURES “I AM DIVINE” MARCH 15, 2013 TRANSCRIBED BY: WORD OF MOUTH (RL) [FILM CLIP] [01:00:06] VOICEOVER : It was a Hollywood gala in Charm City tonight as Baltimore’s politicians, movie stars and counter culture turned out en masse for world premiere of John Waters’ latest film Hairspray. [01:00:29] MINK STOLE : It was a very exciting night. There was a real charge in the air. People were liking the movie. [01:00:36] MALE : We were so excited about it and thrilled that we had accomplished it. DENNIS DERMODY : We thought this is it. This is the one that Divine has been working towards. MINK STOLE : He was there, he looked wonderful and he was so proud. [FILM CLIP] I Am Divine - 2 NEWS REPORTER : In one sentence, can you sum up this movie experience? DIVINE : This is Divine, yeah. It’s great. It’s the greatest night for me in a long time. I love every minute of it. [01:01:04] DENNIS DERMODY : Everybody was really high on it, and they thought this could open doors for John to make movies, for Divine. JOHN WATERS : After those years of struggling, all those years of working, all the years of horrible reviews and really mean stuff, to finally be accepted, he certainly would’ve wanted to continue what was just starting. MALE : He was such a gregarious big, healthy, pink piece of flesh, you just figured he’d go on forever. [01:01:34] SHOW OPENING TITLES I Am Divine - 3 [FILM CLIP] DIVINE : People like to laugh at sex.