DOCSLIB.ORG

DANCE FEVER at SEA! February 14-19, 2019 Ft

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
DANCE FEVER at SEA! February 14-19, 2019 Ft DANCE FEVER AT SEA! February 14-19, 2019 Ft. Lauderdale, FL H Key West, FL Cozumel, Mexico CELEBRITY INFINITY® FEATURING LIVE PERFORMANCES: KC and The Sunshine Band Kool & The Gang (SPECIAL APPEARANCE 2/17) The Spinners Gloria Gaynor Village People Tavares Norma Jean Wright, Rose Royce Alfa Anderson & Luci Martin (formerly of Chic) Evelyn “Champagne” King Thelma Houston The Trammps featuring Earl Young Yvonne Elliman, Musique, France Joli, Cruise Host Deney Terrio, The Australian Bee Gees Show - A Tribute to The Bee Gees, The Urban Guerilla Orchestra, Boogie Wonder Band, Keith & Leslie Ferguson, Comedian Kivi Rogers, Music Host Bob Pantano, Host of the Saturday Night Dance Party, and more! Music Presented by Artists and ports of call subject to change ULTIMATE DISCO CRUISE The disco sound merged funk, pop, and soul music. It was musical seduc- tion at its best and everyone was invited. Lifestyles, fashion, and attitudes were changing and disco was the soundtrack that brought it all together. The music had a beat and message that made us get out on the dance floor and kept us out there all night. We’re bringing that movement to the high seas on the Ultimate Disco Cruise as we celebrate the dance explosion that was disco music. Get onboard in 2019 and dance the night away as we hustle back to the late ’70s and relive everything that made the disco era such a special time in our lives. 5 Nights of Dance Fever at Sea! Enjoy over 40 LIVE performances by disco’s legends including KC and The Sunshine Band, Kool & The Gang, The Spinners, Gloria Gaynor, Village People, Tavares, Norma Jean Wright, Alfa Anderson & Luci Martin—(formerly of Chic), Rose Royce, Evelyn “Champagne” King, Thelma Houston, The Trammps featuring Earl Young, Yvonne Elliman, Musique, France Joli, Cruise Host Deney Terrio, and more! Experience the dance fever all day and all night long as we groove to the music for 5 unbelievable nights at sea. Can you dig it? Groove with the Disco Stars You Love On the Ultimate Disco Cruise, you’ll get to know these innovative and trend setting artists like never before. Experience over 20 celebrity interactive events including special Q&A sessions and panel discussions. Learn how to dance the hustle like Tony Manero at dance lessons, sing your favorite disco numbers at karaoke and boogie to the music with 2,000 other music fans just like you! Pool parties, costume nights and trivia contests are just a few more activities we’ve got in store. Get Down Tonight Experience the dance culture that redefined mainstream music. You’ll have Saturday night fever every night as the music and special themed parties and events keep you groovin’ at this nonstop party at sea. We’ll be sailing out of Fort Lauderdale, Florida on the beautiful Celebrity Infinity February 14-19, 2019 stopping in sun-soaked Key West and Cozumel, Mexico. Pack your sequins, platforms, go-go boots, and wide lapels as we bust a move aboard a luxury cruise ship for the Ultimate Disco experience. Artists and ports of call subject to change.
Load more

Recommended publications
  • Chic & Nile Rodgers – Ett Rockband För
    Lördagspremium: Chic & Nile Rodgers – ett rockband för discorörelsen Att kalla discomusiken för en fluga är att göra det alldeles för lätt för sig. Precis som med alla genrer som har så tydliga attribut och förtecken – hårdrock, punk, new romantic – är det lätt att göra narr av och underskatta discons inverkan på musikhistorien och populärkulturen i stort. Faktum är att alla vet hur discomusik låter och vad som kännetecknar den korta period den regerade på listorna. Och med tiden har dess simpla budskap om att dansa och ha roligt gång på gång omfamnats av det hårda, moderna samhället, lika mycket som dess musikaliska attribut gång på gång återanvänts i alla typer av dansmusik. Om man skrattar åt disco idag gör man det mer på grund av de hårresande utstyrslarna och de fåniga, om än stilbildande dansrörelserna än de de facto grymt svängiga låtarna och extremt detaljerade – och minst lika stilbildande produktionerna. Tiden har på många sätt gett discon rätt, åtminstone ur ett musikaliskt perspektiv. ”Tiden har på många sätt gett discon rätt” Precis som så många andra hårt arbetande svarta musiker i New York var Nile Rodgers, född 1952, uppvuxen med R&B, soul och jazz. Hans första betalda gig var dock någonting helt annat – som musiker i The Sesame Street Band, som gjorde musiken till barnprogrammet med samma namn. Efter att ha backat bland andra Screamin Jay Hawkins på legendariska Apollo Theatre träffade han 1970 basisten Bernard Edwards – som han för all framtid skulle komma att kalla ”min partner” – och tillsammans kompade de ett stort antal mer eller mindre kända artister innan de bildade sitt eget Big Apple Band, som hade några mindre lokala hits i början av 70-talet.
    [Show full text]
  • Steve Cropper | Primary Wave Music
    STEVE CROPPER facebook.com/stevecropper twitter.com/officialcropper Image not found or type unknown youtube.com/channel/UCQk6gXkhbUNnhgXHaARGskg playitsteve.com en.wikipedia.org/wiki/Steve_Cropper open.spotify.com/artist/1gLCO8HDtmhp1eWmGcPl8S If Yankee Stadium is “the house that Babe Ruth built,” Stax Records is “the house that Booker T, and the MG’s built.” Integral to that potent combination is MG rhythm guitarist extraordinaire Steve Cropper. As a guitarist, A & R man, engineer, producer, songwriting partner of Otis Redding, Eddie Floyd and a dozen others and founding member of both Booker T. and the MG’s and The Mar-Keys, Cropper was literally involved in virtually every record issued by Stax from the fall of 1961 through year end 1970.Such credits assure Cropper of an honored place in the soul music hall of fame. As co-writer of (Sittin’ On) The Dock Of The Bay, Knock On Wood and In The Midnight Hour, Cropper is in line for immortality. Born on October 21, 1941 on a farm near Dora, Missouri, Steve Cropper moved with his family to Memphis at the age of nine. In Missouri he had been exposed to a wealth of country music and little else. In his adopted home, his thirsty ears amply drank of the fountain of Gospel, R & B and nascent Rock and Roll that thundered over the airwaves of both black and white Memphis radio. Bit by the music bug, Cropper acquired his first mail order guitar at the age of 14. Personal guitar heroes included Tal Farlow, Chuck Berry, Jimmy Reed, Chet Atkins, Lowman Pauling of the Five Royales and Billy Butler of the Bill Doggett band.
    [Show full text]
  • Young Americans to Emotional Rescue: Selected Meetings
    YOUNG AMERICANS TO EMOTIONAL RESCUE: SELECTING MEETINGS BETWEEN DISCO AND ROCK, 1975-1980 Daniel Kavka A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF MUSIC August 2010 Committee: Jeremy Wallach, Advisor Katherine Meizel © 2010 Daniel Kavka All Rights Reserved iii ABSTRACT Jeremy Wallach, Advisor Disco-rock, composed of disco-influenced recordings by rock artists, was a sub-genre of both disco and rock in the 1970s. Seminal recordings included: David Bowie’s Young Americans; The Rolling Stones’ “Hot Stuff,” “Miss You,” “Dance Pt.1,” and “Emotional Rescue”; KISS’s “Strutter ’78,” and “I Was Made For Lovin’ You”; Rod Stewart’s “Do Ya Think I’m Sexy“; and Elton John’s Thom Bell Sessions and Victim of Love. Though disco-rock was a great commercial success during the disco era, it has received limited acknowledgement in post-disco scholarship. This thesis addresses the lack of existing scholarship pertaining to disco-rock. It examines both disco and disco-rock as products of cultural shifts during the 1970s. Disco was linked to the emergence of underground dance clubs in New York City, while disco-rock resulted from the increased mainstream visibility of disco culture during the mid seventies, as well as rock musicians’ exposure to disco music. My thesis argues for the study of a genre (disco-rock) that has been dismissed as inauthentic and commercial, a trend common to popular music discourse, and one that is linked to previous debates regarding the social value of pop music.
    [Show full text]
  • Kathy Sledge Press
    Web Sites Website: www.kathysledge.com Website: http: www.brightersideofday.com Social Media Outlets Facebook: www.facebook.com/pages/Kathy-Sledge/134363149719 Twitter: www.twitter.com/KathySledge Contact Info Theo London, Management Team Email: [email protected] Kathy Sledge is a Renaissance woman — a singer, songwriter, author, producer, manager, and Grammy-nominated music icon whose boundless creativity and passion has garnered praise from critics and a legion of fans from all over the world. Her artistic triumphs encompass chart-topping hits, platinum albums, and successful forays into several genres of popular music. Through her multi-faceted solo career and her legacy as an original vocalist in the group Sister Sledge, which included her lead vocals on worldwide anthems like "We Are Family" and "He's the Greatest Dancer," she's inspired millions of listeners across all generations. Kathy is currently traversing new terrain with her critically acclaimed show The Brighter Side of Day: A Tribute to Billie Holiday plus studio projects that span elements of R&B, rock, and EDM. Indeed, Kathy's reached a fascinating juncture in her journey. That journey began in Philadelphia. The youngest of five daughters born to Edwin and Florez Sledge, Kathy possessed a prodigious musical talent. Her grandmother was an opera singer who taught her harmonies while her father was one-half of Fred & Sledge, the tapping duo who broke racial barriers on Broadway. "I learned the art of music from my father and my grandmother. The business part of music was instilled through my mother," she says. Schooled on an eclectic array of artists like Nancy Wilson and Mongo Santamaría, Kathy and her sisters honed their act around Philadelphia and signed a recording contract with Atco Records.
    [Show full text]
  • 1 Hey Jude the Beatles 1968 2 Stairway to Heaven Led Zeppelin 1971 3 Stayin' Alive Bee Gees 1978 4 YMCA Village People 1979 5
    1 Hey Jude The Beatles 1968 2 Stairway To Heaven Led Zeppelin 1971 3 Stayin' Alive Bee Gees 1978 4 YMCA Village People 1979 5 (We're Gonna) Rock Around The Clock Bill Haley & His Comets 1955 6 Da Ya Think I'm Sexy? Rod Stewart 1979 7 Jailhouse Rock Elvis Presley 1957 8 (I Can't Get No) Satisfaction Rolling Stones 1965 9 Tragedy Bee Gees 1979 10 Le Freak Chic 1978 11 Macho Man Village People 1978 12 I Will Survive Gloria Gaynor 1979 13 Yesterday The Beatles 1965 14 Night Fever Bee Gees 1978 15 Fire Pointer Sisters 1979 16 I Want To Hold Your Hand The Beatles 1964 17 Shake Your Groove Thing Peaches & Herb 1979 18 Hound Dog Elvis Presley 1956 19 Heartbreak Hotel Elvis Presley 1956 20 The Twist Chubby Checker 1960 21 Johnny B. Goode Chuck Berry 1958 22 Too Much Heaven Bee Gees 1979 23 Last Dance Donna Summer 1978 24 American Pie Don McLean 1972 25 Heaven Knows Donna Summer & Brooklyn Dreams 1979 26 Mack The Knife Bobby Darin 1959 27 Peggy Sue Buddy Holly 1957 28 Grease Frankie Valli 1978 29 Love Me Tender Elvis Presley 1956 30 Soul Man Blues Brothers 1979 31 You Really Got Me The Kinks 1964 32 Hot Blooded Foreigner 1978 33 She Loves You The Beatles 1964 34 Layla Derek & The Dominos 1972 35 September Earth, Wind & Fire 1979 36 Don't Be Cruel Elvis Presley 1956 37 Blueberry Hill Fats Domino 1956 38 Jumpin' Jack Flash Rolling Stones 1968 39 Copacabana (At The Copa) Barry Manilow 1978 40 Shadow Dancing Andy Gibb 1978 41 Evergreen (Love Theme From "A Star Is Born") Barbra Streisand 1977 42 Miss You Rolling Stones 1978 43 Mandy Barry Manilow 1975
    [Show full text]
  • SF PRIDE Thelma Announcement Lineup
    Media Contacts: Julie Richter | [email protected] Peter Lawrence Kane | [email protected] SAN FRANCISCO PRIDE ANNOUNCES THELMA HOUSTON AS THE SUNDAY HEADLINER FOR OFFICIAL PRIDE 50 ONLINE CELEBRATION Black Lives Matter co-founder Alicia Garza, contestants from HBO’s Legendary, and Celebrity Grand Marshal W. Kamau Bell join online programming for the nation’s largest gathering of the LGBTQ+ community and allies Concurrent stream on SFPride.org will feature special community programming from the Don Julio Latin Stage, the Soul of Pride, and the Women’s Stage JUNE 27–28, 2020 SAN FRANCISCO (June 23, 2020) — Today, the Board of Directors of San Francisco Pride announced Grammy award-winninG sinGer and Motown leGend Thelma Houston as the Sunday headliner for the official Pride 50 online celebration. The weekend-lonG tribute to LGBTQ+ luminaries and queer solidarity continues to amplify Black voices throuGh a spotliGht on Black Lives Matter cofounder Alicia Garza; a celebration of the underGround ballroom community with contestants from HBO’s Legendary; and a special appearance by Celebrity Grand Marshal W. Kamau Bell. More than 13 hours of proGramminG will stream throuGh SFPride.orG as the nation’s larGest GatherinG of the LGBTQ+ community and allies Goes online for the first time in its history. “Thelma Houston and BiG Freedia are iconic performers whose lives and work are representative of the joy and hope found in performinG arts, alonGside their role in empowerinG others as we naviGate the struGGles of equality and justice. We couldn’t be more thrilled that they will headline Pride 50,” said San Francisco Pride Executive Director Fred Lopez.
    [Show full text]
  • Billboard 1978-05-27
    031ÿJÚcö7lliloi335U7d SPOTLIG B DALY 50 GRE.SG>=NT T HARTFJKJ CT UolOo 08120 NEWSPAPER i $1.95 A Billboard Publication The International Music -Record -Tape Newsweekly May 27, 1978 (U.S.) Japanese Production Tax Credit 13 N.Y. DEALERS HIT On Returns Fania In Court i In Strong Comeback 3y HARUHIKO FUKUHARA Stretched? TOKYO -March figures for By MILDRED HALL To Fight Piracy record and tape production in Japan WASHINGTON -The House NBC Opting underscore an accelerating pace of Ways and Means Committee has re- By AGUSTIN GURZA industry recovery after last year's ported out a bill to permit a record LOS ANGELES -In one of the die appointing results. manufacturer to exclude from tax- `AUDIO VIDISK' most militant actions taken by a Disks scored a 16% increase in able gross income the amount at- For TRAC 7 record label against the sale of pi- quantity and a 20% increase in value tributable to record returns made NOW EMERGES By DOUG HALL rated product at the retail level, over last year's March figures. And within 41/2 months after the close of By STEPHEN TRAIMAN Fania Records filed suit Wednesday NEW YORK -What has been tales exceeded those figures with a his taxable year. NEW YORK -Long anticipated, (17) in New York State Supreme held to be the radio industry's main 5S% quantity increase and a 39% Under present law, sellers of cer- is the the "audio videodisk" at point Court against 13 New York area re- hope against total dominance of rat- value increase, reports the Japan tain merchandise -recordings, pa- of test marketing.
    [Show full text]
  • Front of House Master Song List
    CURRENT ROTATION CONTEMPORARY DANCE Love on Top – Beyoncé 24K Magic – Bruno Mars Moves Like Jagger – Maroon 5 All About That Bass – Meghan Trainor Mr. Saxobeat – Alexandra Stan All of Me – John Legend No One – Alicia Keys American Boy – Estelle & Kanye West OMG – Usher Applause – Lady Gaga One Kiss – Calvin Harris, Dua Lipa Bang Bang – Jessie J, Ariana Grande, Nicki Minaj Only Girl (in the World) – Rihanna Blurred Lines – Robin Thicke On the Floor – Jennifer Lopez Boom Clap – Charlie XCX Party In The USA – Miley Cyrus Born This Way – Lady Gaga Party Rock Anthem – LMFAO Break Free – Ariana Grande Perm – Bruno Mars California Gurls – Katy Perry Poker Face – Lady Gaga Cake By The Ocean – DNCE Raise Your Glass – Pink Call Me Maybe – Carly Rae Jepsen Rather Be – Clean Bandit ft. Jess Glynn Can’t Feel My Face – The Weeknd Roar – Katy Perry Can’t Hold Us – Macklemore & Ryan Lewis Rock Your Body – Justin Timberlake Can’t Stop The Feeling – Justin Timberlake Rolling in the Deep – Adele Cheap Thrills – Sia Safe and Sound – Capital Cities Cheerleader – OMI Sexy Back – Justin Timberlake Closer – Chainsmokers ft. Halsey Shake It Off – Taylor Swift Club Can’t Handle Me – Flo Rida Shape of You – Ed Sheeran Confident – Demi Lovato Shut Up and Dance With Me – Walk the Moon Counting Stars – OneRepublic Single Ladies – Beyoncé Crazy – Gnarls Barkley Sugar – Maroon 5 Crazy In Love / Funk Medley – Beyoncé, others Suit & Tie – Justin Timberlake Despacito – Luis Fonsi ft. Justin Bieber Take Back the Night – Justin Timberlake DJ Got Us Falling in Love Again – Usher That’s What I Like – Bruno Mars Don’t Stop the Music – Rihanna There’s Nothing Holding Me Back – Shawn Mendez Domino – Jessie J This Is What You Came For – Calvin Harris ft.
    [Show full text]
  • The YOUNG Families of Early Giles Co TN 1101 Baxter Young and Lila Vou Holt, Was Born 14 July Reese Porter Young [Y19k4], Son of William 1908 in Giles Co TN
    The YOUNG Families of Early Giles Co TN 1101 Baxter Young and Lila Vou Holt, was born 14 July Reese Porter Young [Y19k4], son of William 1908 in Giles Co TN. She married Clyde Duke about Carroll Young and Sarah Jane Rhea, was born 11 1928, probably at Nashville, and in 1930 they lived August 1849 at Culleoka, Maury Co TN, and moved at Nashville next door to her parents. Clyde was a with his family to Washington, Webster Co MO sign painter. He was born 30 December 1907 in TN, when he was a boy. He married Nancy Ona Haymes son of James E Duke and Ida Ann Nichols, and died in Webster Co on 18 June 1871. Reese was a at Nashville in October 1973. Rebecca died at Fort blacksmith and a farmer. He died in Webster Co on Smith AR on 18 April 1992. They had two children- 2 January 1937 from pneumonia. Morgan Young a. Betty Lou Duke, b Jan 1929 was the informant for his death certificate. Nancy b. Jerry Duke was born 30 October 1852 at Green City, Hickory James E Duke and Ida Ann Nichols were married 27 Co MO, daughter of William Brumfield Haymes May 1892 i n P u t n a m Co TN. (58,Z, 169m, (1821-1883) and Sarah Jane Dugan (1834-1908), 15v,18wf) and died in Webster Co on 27 January 1937 from pneumonia. Sam Young was the informant for her Rebecca J Young [Y3a2g12], daughter of John death certificate. They were buried in Saint Luke A Young and Ida Mae Hayter, was born in 1927 in Methodist Church Cemetery at Marshfield, Webster TX.
    [Show full text]
  • Year of Publication: 2006 Citation: Lawrence, T
    University of East London Institutional Repository: http://roar.uel.ac.uk This paper is made available online in accordance with publisher policies. Please scroll down to view the document itself. Please refer to the repository record for this item and our policy information available from the repository home page for further information. To see the final version of this paper please visit the publisher’s website. Access to the published version may require a subscription. Author(s): Lawrence, Tim Article title: “I Want to See All My Friends At Once’’: Arthur Russell and the Queering of Gay Disco Year of publication: 2006 Citation: Lawrence, T. (2006) ‘“I Want to See All My Friends At Once’’: Arthur Russell and the Queering of Gay Disco’ Journal of Popular Music Studies, 18 (2) 144-166 Link to published version: http://dx.doi.org/10.1111/j.1533-1598.2006.00086.x DOI: 10.1111/j.1533-1598.2006.00086.x “I Want to See All My Friends At Once’’: Arthur Russell and the Queering of Gay Disco Tim Lawrence University of East London Disco, it is commonly understood, drummed its drums and twirled its twirls across an explicit gay-straight divide. In the beginning, the story goes, disco was gay: Gay dancers went to gay clubs, celebrated their newly liberated status by dancing with other men, and discovered a vicarious voice in the form of disco’s soul and gospel-oriented divas. Received wisdom has it that straights, having played no part in this embryonic moment, co-opted the culture after they cottoned onto its chic status and potential profitability.
    [Show full text]
  • GLORIA GAYNOR Is All About Adapting, Evolving and Celebrating Life’S Triumphs, Big and Gloria Gaynor Small
    INTERVIEW 39 EDGE er first Top 10 hit examined how hard it is to leave the man you love. Her signature Hsong a few years later celebrated the act of booting him to interview the curb. GLORIA GAYNOR is all about adapting, evolving and celebrating life’s triumphs, big and Gloria Gaynor small. From her teen years in Newark as an aspiring entertainer to her ascent to Disco Diva, she has not only survived, she has thrived. As EDGE Assignments Editor ZACK BURGESS discovered, Gaynor has learned a thing or two about herself and others along the way. Still going strong more than four decades after first taking the stage, she is not an easy woman to slow down—even when examining her remarkable achievements and indelible music legacy. EDGE: You have quite a résumé in Soul, Gospel and R&B. Yet most people associate you with Disco. Is that a good thing or a bad thing? GG: It’s kind of a double-edged sword. People who like disco music and associate me with it, I think that’s great. But when people who like other genres don’t associate me with those genres, well that’s not a good thing. EDGE: As disco faded in the 1980s, did that affect your career? GG: Yes, it did. I received fewer calls from the United States to perform. EDGE: During this time did you find Photo courtesy of Troy Word yourself drawing strength from the VISIT US ONTHE WEB www.edgemagonline.com 40 INTERVIEW EDGE: Does your fan base differ overseas compared to the U.S.? GG: Not a lot.
    [Show full text]
  • Hello, Stranger
    CAREERS NERDY NETWORKER Debut author explains CAREER DECISIONS Too complex for the NATUREJOBS For the latest career why scientists are naturals p.731 rational brain go.nature.com/yjdpyi listings and advice www.naturejobs.com his singing partner was Chris Parsons, then- president of the marine section of the Society for Conservation Biology in Washington DC. In a 20-second elevator speech that he had fortuitously practised beforehand, Shiffman — who studies shark ecology at the Univer- OIVIND HOVLAND/GETTY sity of Miami in Florida — told Parsons about a presentation that he had given about social media. Parsons was intrigued, and later invited Shiffman to be the first official live-tweeter at the December 2011 International Congress for Conservation Biology in Auckland, New Zealand. That was the first of many confer- ences that Shiffman has since live-tweeted and at which he has given talks, all of which have been fully funded by conferences and other organizations — successes thanks in part to that serendipitous karaoke duet. COURTEOUS COURAGE Shiffman’s experience is an example of how conferences can be a professional boon to early-career scientists, offering countless opportunities to meet mentors and collabora- tors as well as to impress potential employers. But there is also ample opportunity to trample those very chances. Bad behaviour, whether in or outside a session, can harm a junior researcher’s reputation and jeopardize his or her job prospects for years to come. Although neophyte conference attend- ees may plan out the talks that they want to hear, rarely do they seek advice about the many unspoken rules of proper conference etiquette.
    [Show full text]