DOCSLIB.ORG

The Los Pollos Hermanos Family

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
The Los Pollos Hermanos Family Welcome to the Los Pollos Hermanos Family 05.16.2017 In the heyday of Breaking Bad, when the rivalry between Walter White and meticulous, malicious kingpin Gus Fring was at a fever pitch, there was always one burning question simmering just underneath all the rest: What was it like to work at Los Pollos Hermanos, Fring's cheery chain of chicken restaurants? Now, with the return of Giancarlo Esposito's Fring in Season 3 of AMC's prequel show Better Call Saul, we have our answer, thanks to a concurrent digital campaign that has been dropping weekly Los Pollos Hermanos employee training videos on the network's social channels. The origin of the spots, which will total 10 in all by the end of the current season, can be traced back to January, when AMC teased Esposito's return with an uncannily authentic fake commercial for Los Pollos Hermanos called "Taste the Family." Both the commercial and the training videos were produced and directed by Bacon & Sons Film Co., who approached their parody elements by simply doing "something that felt honest to that paradigm," said the company's creative director and co-executive producer Dan Appel. "I really try to think, 'OK, if I was going to make a training video, if I was Gus and I lived in Albuquerque in 2003-how would I do this…?' I almost think that if we had thought too hard about it, we probably would have screwed it up." Where "Taste the Family" is so subtle it could almost be an actual commercial for a real-life restaurant, the training videos have their tongue squarely in cheek. Appel set Esposito's live-action scenes against a green screen, then placed production stills of the actual Los Pollos Hermanos set behind him, "many of them with absolutely the wrong kind of perspective," he explained. "It was important to me not to comp a good green screen because [actual training videos] probably wouldn't comp a good green screen. I knew I wanted to have these stills, comp [Fring] against the still, and then cut to a close-up of him, but not change the background. I just knew that was going to be fun. Stupid in a good way." Aside from being humorous, the intentionally amateurish elements also have a mildly chilling effect, somehow magnifying Esposito's sudden tonal switches from warmhearted manager to stone-cold assassin as he warns his employees against taking photos at work, or expounds on the company's zero-tolerance drug policy. Simply having Esposito talk to the screen in front of awkwardly superimposed backdrops would be more than enough to fill a whole series of spots, but the campaign kicks into high gear with its animation. Bacon & Sons created the purposely bland segments in collaboration with New York motion graphics artist Jay Marks, who had worked with AMC in the past on animation for the Better Call Saul Insider Podcast. Marks, Appel said, "has been a dream," in part because of his uncanny ability to channel a style that looks like an employee safety manual come to life, and in part because his ample creativity has been instrumental in packing the spots with all-important "opportunities for Easter eggs and winks." The Better Call Saul fan base, as originally cultivated by Breaking Bad, is particularly attuned to the nuances of the show's world, with some viewers' knack-bordering on the obsessive-for picking up on subtle details. Both shows have had fun playing to this quality of their viewership. Last season, for instance, mimicking a trick that was also pulled during Breaking Bad's second season, the Better Call Saul writers turned the first letter of each episode title into an anagram that spelled out a teaser for Season 3: "FRING'S BACK." And shockingly, there were plenty of viewers "that somehow figured that out," said Rob Knox, co-executive producer at Bacon & Sons. "That's the kind of fans they have." At that level of passion and attentiveness, Easter eggs are not only appreciated but expected, and the Los Pollos Hermanos training videos gleefully oblige, packing frame after frame with hidden references from the Better Call Saul/Breaking Bad universe. Cameos by past characters are abundant, ranging from obvious choices such as Jesse Pinkman (who can be spotted standing in line to place an order) to obscurities only die-hards would remember, such as Breaking Bad Season 1 douchebag Ken Wins, a bluetooth-wearing loudmouth who features prominently in the training video focused on customer service. One of Appel's favorite hidden moments is a multi-layered nugget of visual trickery: As Fring lectures in voiceover on keeping photography out of the workplace, the animation illustrates his point by depicting an employee taking her family into the restaurant's back room for some fun-filled selfies. There, the camera proceeds to zoom in on the phone's screen to show us the picture being taken, only to reveal a meth lab seen bubbling away behind an unmarked door. At this point, animated Gus steps back into view, conveniently blocking our view. Such moments have great fun with the source material, though Appel said that with a fan base as ardent as Better Call Saul's, they can also be a double-edged sword. "It's fascinating when you find somebody who's like, 'Gus would never do that,'" he said. "'He would never show his hand with the meth lab in the back room.' The thing we keep coming back to is, this is not canon. This is a hundred miles from canon. The only way to have fun with these was to have as much winking as possible." Fortunately, the show's creators, Vince Gilligan and Peter Gould, and their writers are in on the joke too. "Their engagement with stuff that we're doing is off the charts, and while they're making sure that everything respects the show in the right way, they have a sense of humor about what they're doing," Knox said. "It's really a treat to be partners with a group of people like that.".
Load more

Recommended publications
  • Breaking Bad and Cinematic Television
    temp Breaking Bad and Cinematic Television ANGELO RESTIVO Breaking Bad and Cinematic Television A production of the Console- ing Passions book series Edited by Lynn Spigel Breaking Bad and Cinematic Television ANGELO RESTIVO DUKE UNIVERSITY PRESS Durham and London 2019 © 2019 Duke University Press All rights reserved Printed in the United States of America on acid- free paper ∞ Typeset in Warnock and News Gothic by Tseng Information Systems, Inc. Library of Congress Cataloging-in-Publication Data Names: Restivo, Angelo, [date] author. Title: Breaking bad and cinematic television / Angelo Restivo. Description: Durham : Duke University Press, 2019. | Series: Spin offs : a production of the Console-ing Passions book series | Includes bibliographical references and index. Identifiers: LCCN 2018033898 (print) LCCN 2018043471 (ebook) ISBN 9781478003441 (ebook) ISBN 9781478001935 (hardcover : alk. paper) ISBN 9781478003083 (pbk. : alk. paper) Subjects: LCSH: Breaking bad (Television program : 2008–2013) | Television series— Social aspects—United States. | Television series—United States—History and criticism. | Popular culture—United States—History—21st century. Classification: LCC PN1992.77.B74 (ebook) | LCC PN1992.77.B74 R47 2019 (print) | DDC 791.45/72—dc23 LC record available at https: // lccn.loc.gov/2018033898 Cover art: Breaking Bad, episode 103 (2008). Duke University Press gratefully acknowledges the support of Georgia State University’s College of the Arts, School of Film, Media, and Theatre, and Creative Media Industries Institute, which provided funds toward the publication of this book. Not to mention that most terrible drug—ourselves— which we take in solitude. —WALTER BENJAMIN Contents note to the reader ix acknowledgments xi Introduction 1 1 The Cinematic 25 2 The House 54 3 The Puzzle 81 4 Just Gaming 116 5 Immanence: A Life 137 notes 159 bibliography 171 index 179 Note to the Reader While this is an academic study, I have tried to write the book in such a way that it will be accessible to the generally educated reader.
    [Show full text]
  • Small-Screen Courtrooms a Hit with Lawyers - Buffalo - Buffalo Business First
    9/18/2018 Small-screen courtrooms a hit with lawyers - Buffalo - Buffalo Business First MENU Account FOR THE EXCLUSIVE USE OF [email protected] From the Buffalo Business First: https://www.bizjournals.com/buffalo/news/2018/09/17/small-screen-courtrooms-a-hit-with-lawyers.html Small-screen courtrooms a hit with lawyers Sep 17, 2018, 6:00am EDT For many, TV shows are an escape from reality. For attorneys, that’s no different – even when they’re watching lawyers on TV. “Better Call Saul” is the latest in a long line of TV shows about the legal profession. A prequel to AMC’s “Breaking Bad,” the show stars Bob Odenkirk as a crooked-at-times attorney named Jimmy McGill. “He’s a likable guy and you like his character,” said Patrick Fitzsimmons, senior associate at Hodgson Russ LLP in Buffalo. “It’s a great show. I think it’s the one BEN LEUNER/AMC show compared to the others where it’s not about a big firm.” “Better Call Saul” puts a new spin on legal drama as the slippery Jimmy McGill (played by Bob Odenkirk) Also a fan is Michael Benz, an associate at HoganWillig who recently returned to builds his practice. his native Buffalo after working in the Philadelphia public defender’s office and in his own practice as a criminal defense attorney. “(Odenkirk’s character is) the classic defense attorney who will do anything to make a buck or help his client,” Benz said, adding that he often binge-watches shows with his wife, Carla, an attorney in the federal public defender’s office in Buffalo.
    [Show full text]
  • MEDIA RESOURCE NEWS Suffolk County Community College Libraries August 2014
    MEDIA RESOURCE NEWS Suffolk County Community College Libraries August 2014 Ammerman Grant Eastern Rosalie Muccio Lynn McCloat Paul Turano 451-4189 851-6742 548-2542 [email protected] [email protected] [email protected] 8 Women/8 Femmes. A wealthy industrialist is found murdered in his home while his family gathers for the holiday season. The house is isolated and the phone lines have been found to be cut. Eight women are his potential murderers. Each is a suspect and each has a motive. Only one is guilty. In French with subtitles in English or Spanish and English captions for the hearing impaired. DVD 1051 (111 min.) Eastern A La Mar. "Jorge has only a few weeks before his five-year-old son Natan leaves to live with his mother in Rome. Intent on teaching Natan about their Mayan heritage, Jorge takes him to the pristine Chinchorro reef, and eases him into the rhythms of a fisherman's life. As the bond between father and son grows stronger, Natan learns to live in harmony with life above and below the surface of the sea."--Container. In Spanish, with optional English subtitles; closed-captioned in English. DVD 1059 (73 min.) Eastern Adored, The. "Maia is a struggling model. After suffering a major loss, her relationship with her husband is thrown into turmoil. She holds high hopes that a session with the prolific celebrity photographer, Francesca Allman, will rejuvenate her career and bring her out of her depression. However, Francesca suffers from severe OCD and has isolated herself in remote North West Wales in a house with an intriguing past.
    [Show full text]
  • Premeditated Merger October 6, 2020
    Premeditated Merger October 6, 2020 Chris Hanslik Larry Wilson PAGE 1 AGENDA: Thinking Through An Acquisition • Binding Provisions in Preliminary Documents • Definitions that Make a Difference • Representations and Warranties • Indemnity Issues • ….And….Pesky Miscellaneous Terms PAGE The Players BUYER: Madrigal Elektromotoren GmbH – An international conglomerate with interests in industrial equipment, manufacturing, global logistics, construction, and hospitality. A small but very profitable and rapidly growing division owns interests in fast casual restaurants. SELLER: Los Pollos Hermanos LLC – A successful and vertically integrated fast casual restaurant chain located in the Southwest United States owned by Mr. Gustovo Fring. Los Pollos Hermanos provides a superior product based upon proprietary recipes and has a loyal customer base. Growth is constrained by availability of raw materials and an inefficient distribution network. PAGE 3 The Deal Madrigal will acquire all of the membership interests of Los Pollos Hermanos from Mr. Fring (or alternatively, will acquire all of the assets and assume certain liabilities of Los Pollos Hermanos) for a cash-free, debt-free purchase price of $350 million. The parties have agreed that the purchase price will be adjusted up or down based upon the Net Working Capital of Los Pollos Hermanos as of the closing date and that Mr. Fring, will make customary representations and warranties relating to the business and assets of Los Pollos Hermanos. Madrigal and Mr. Fring will sign a long term, evergreen, employment contract under which Mr. Fring will continue to operate Los Pollos Hermanos, subject to termination for cause by the Madrigal board of directors. An escrow of 10% of the purchase price will be established to secure the post-closing indemnity obligations of Mr.
    [Show full text]
  • Press Release COLMAN DOMINGO from AMC's “FEAR
    15-18 October 2018, Palais des Festivals, Cannes, France Press Release COLMAN DOMINGO FROM AMC’S “FEAR THE WALKING DEAD” TO JOIN AMC NETWORKS PRESIDENT AND CEO JOSH SAPAN FOR MEDIA MASTERMIND KEYNOTE AT MIPCOM ON 16TH OCTOBER NEW SESSION TIMING OF 11:00-11:30AM IN THE GRAND AUDITORIUM AT THE PALAIS DES FESTIVALS Paris, 18 September 2018 – Reed MIDEM announces that Colman Domingo of AMC’s global hit drama “Fear the Walking Dead” will join Josh Sapan, President and CEO of AMC Networks, for a Media Mastermind Keynote at MIPCOM 2018 on 16th October. The new session timing will be 11:00-11:30am in the Grand Auditorium at the Palais des Festivals. Domingo has appeared as “Victor Strand” in all four seasons of AMC’s critically acclaimed drama “Fear the Walking Dead,” which is a companion series to “The Walking Dead.” In the most recent season of the AMC Studios production, Domingo directed an episode titled “Weak.” The critically-acclaimed series was recently renewed for a fifth season. Josh Sapan has been the driving force behind establishing AMC Networks as a global creative powerhouse consisting of several leading entertainment brands including US cable networks AMC, BBC AMERICA, IFC, SundanceTV and WE tv; content producer and worldwide distributor AMC Studios; streaming platforms AMC Premiere, Shudder, and Sundance Now; independent film label IFC Films; and AMC Networks International, the company’s division consisting of global and popular, locally recognized channels in various programming genres. Under Sapan’s leadership, AMC Networks
    [Show full text]
  • State University of New York at New Paltz Breaking Bad and the Intersection of Critical Theory at Race, Disability, and Gender
    Breaking Bad and the intersection of critical theory at race, disability, and gender Item Type Honor's Project Authors McDonough, Matthew Rights Attribution-NonCommercial-NoDerivatives 4.0 International Download date 01/10/2021 02:24:17 Item License http://creativecommons.org/licenses/by-nc-nd/4.0/ Link to Item http://hdl.handle.net/20.500.12648/1578 State University of New York at New Paltz Breaking Bad and the Intersection of Critical Theory at Race, Disability, and Gender Matthew McDonough Independent Study Honors 495-06 Professor Sarah Wyman 8 December 2020 Thesis Abstract: The television series Breaking Bad (created by Vince Gilligan) is considered by audience and critics alike as one of the greatest television series ever made. It tells the story of the rise and fall of Walter White (Bryan Cranston), a mild-mannered chemistry teacher turned meth kingpin. He turns to a life of crime after having been diagnosed with terminal cancer, and he sees meth manufacturing as the most lucrative way to provide for his family. It has been nearly a decade since the series finale, yet it endures through sequel films, spin-offs, and online streaming. My thesis investigates the series’ staying power, and I would argue that lies in its thematic content. Breaking Bad is not just a straightforward story of one man’s descent into a life of crime, but it is also a mediation on dominant, repressive power structures. The series offers a look at these structures through the lens of race, gender, and disability through the actions of characters and their interactions with one another.
    [Show full text]
  • Montage Sequences, Diegetic Music and Narcotics in Vince Gilligan‟S Breaking Bad
    International Journal of Innovative Technology and Exploring Engineering (IJITEE) ISSN: 2278-3075, Volume-9 Issue-2, December 2019 Montage Sequences, Diegetic Music and Narcotics in Vince Gilligan‟s Breaking Bad A.Aiswarya Ramakrishna Pillai, P.V. Ramanathan In the present generation Netflix, Hotstar, Amazon Abstract: Vince Gilligan’s “Breaking Bad” is a neo-Western Prime and Hulu subscriptions very easily duplicate the television crime drama series that was broadcasted on AMC cinematic experience and are of a huge financial advantage. (American pay television channel). Crime Films can be The advancement in camera works, aesthetics, music, subtitle comprehended as a cinematic genre that was inaugurated by and several other graphical representations offered serials crime fiction in literature. The crime film is a complex and like Breaking Bad a precedence, due to the use of panoramic variegated object of study. Unlike the other existing genres, “crime film” is not defined as a cinematographic genre. This camera angles, thrilling shots from various angles and surreal genre is characterized by stories where there is an impending settings, not employed previously. Rebecca Williams crime, in some cases the crime would have already taken place and eloquently details how the creation of technical devices such is followed by the consequences. The advancement in technology as that of DVD and Blue-ray allocates a huge freedom that especially the invention of VCR,DVD and many such affordable allows the viewer to enjoy the entire series in a single sitting machines have made viewing television easy and affordable, or view it multiple times taking intervals and observing how which in turn paved the way for the success of critically acclaimed “ontological security can be felt differently when watching a serials such as “Breaking Bad” to embrace the success it deserved.
    [Show full text]
  • Trade Secret Protection Gone Rogue the Walter White Case Study by Anthony M
    LOS ANGELES & SAN FRANCISCO www.dailyjournal.com WEDNESDAY, OCTOBER 7, 2020 Trade Secret Protection Gone Rogue The Walter White Case Study By Anthony M. Fares, Randall E. Kay and Cheryl L. O’Connor alter White perfected a recipe for cooking crystal meth that revolutionized the drug trade, and W his fictional efforts to protect his secret recipe gained worldwide attention. White’s enterprise illustrates a number of lessons for companies seeking to protect trade secrets. Under the Defend Trade Secrets grew, he needed help to produce the recipe, he held it close within Pinkman out of business for life. Act, information must meet three enough product to meet demand, his partnership with White. While Fortunately, most companies requirements to earn trade secret so he had to disclose his secret Pinkman taught the recipe to rival have more peaceful solutions to protection: (1) it derives value recipe to three others to assist cartel members, Gus Fring subse- prevent intra-company conflicts from not being generally known; with manufacturing. Businesses quently murdered them, eliminat- about trade secret ownership. (2) others can obtain economic of all types face this same dilem- ing threat of improper disclosure. For example, many businesses value from its disclosure or use; ma of maintaining secrecy while Similarly, White’s disclosure to use invention disclosure agree- and (3) the owner took reason- needing to disclose trade secrets his understudy Gale Boetticher ments, or IDAs, which assign all able measures to keep it secret. to employees or business partners. did not destroy the recipe’s secre- intellectual property created by 18 U.S.C.
    [Show full text]
  • Breaking Bad
    PLEASE NOTE - Due to a computer glitch, there are no "Continueds" at the page breaks on scenes that go from one page to another. BREAKING BAD "No Mas" Episode #301 Written by Vince Gilligan Directed by Bryan Cranston Production Draft WHITE - 8/3/09 SONY PICTURES TELEVISION INC. All Rights Reserved © 2009 No portion of this script may be performed, or reproduced by any means, or quoted, or published in any medium without prior written consent of SONY PICTURES TELEVISION INC. * 10202 West Washington Boulevard * Culver City, CA 90232* BREAKING BAD "No Mas" 8/3/09 Cast List WALT SKYLER JESSE WALTER, JR. HANK MARIE THE COUSINS GUS DONALD MARGOLIS CARMEN PAMELA ORBIC BARRY GROUP LEADER SAD-FACED GIRL WIDE-EYED BOY FRIENDLY GUY FIRST ANCHOR SECOND ANCHOR THIRD ANCHOR FIRST REPORTER SECOND REPORTER MIDDLE-AGED WITNESS HOLLY OLD MEXICAN MAN (Non-Speaking) BREAKING BAD "No Mas" 8/3/09 Set List Interiors: WHITE HOUSE LIVING ROOM DINING ROOM HIGH SCHOOL CHEMISTRY CLASSROOM GYMNASIUM THE BEACHCOMBER WALT'S STUDIO LOS POLLOS HERMANOS LAW OFFICE ANTEROOM LUXURY REHAB THE ONION SANTA MUERTE SHRINE WALT'S AZTEK TRUCK BED Exteriors: WHITE HOUSE BACK YARD DRIVEWAY LUXURY REHAB THE BEACHCOMBER APARTMENTS LOS POLLOS HERMANOS OFFICE BUILDING MEXICAN DESERT MEXICAN VILLAGE EDGE OF TOWN MEXICAN SHACK GREAT OUTDOORS BORDER DESERT TEASER 1 BLUE SKY 1 Fills frame. A deep, polarizer blue with fluffy white clouds (hopefully), it’s the kind of sky planes sometimes fall from. We TILT DOWN from it to find... EXT. MEXICAN DESERT - DAY This isn’t a border town, but farther south.
    [Show full text]
  • TV, ECONOMICS & SOCIETY II STORIES for OUR TIME. Final Program. Monday 4 June 13.00 Optional Informal Lunch 14.45 Optional T
    TV, ECONOMICS & SOCIETY II STORIES FOR OUR TIME. Final Program. Monday 4 June 13.00 Optional informal lunch 14.45 Optional tour of the WZB building 15.30 Coffee and Registration 16.00 Welcome and Introduction – Sir Peter Jonas and Steffen Huck 16.15 “Scientific Evidence on TV” – Joachim Winter 17.00 “Histories of Serial Story Telling: Europe and the US” – Gerhard Maier 17.45 “Behold, America” – Sarah Churchwell 19.00 Dinner Tuesday 5 June 10.30 “Two Views on Democracy: The West Wing and House of Cards” – Mattias Kumm 11.15 “The Third Golden Age: A Tale of Two Halves?” – Steffen Huck 12.00 “TV Soaps and Gender Violence: An Experiment in Uganda” – Jasper Cooper 12.45 Lunch Break 14.00 “Literature in the Times of Internet Platform Societies” -- Ernst-Wilhelm Händler 14.45 Coffee Break 15.15 “Making Stories” – Panel with Jenn Carroll, Frank Jastfelder, and Philip Voges 16.15 “European Perspectives” – Panel with Sascha Arango, Dennis Gansel, Nikolaj Scherfig and Anna Winger 17.30 Short Break 17.45 “Morality Plays” – Panel with Tom Fontana, Sir Peter Jonas, Gordon Smith and Bradford Winters 19.30 Dinner Participants Sascha Arango, the recipient of two Adolf-Grimme Prizes, is a script writer known and novelist. Jenn Carroll is Associate Producer of Better Call Saul. Jasper Cooper is a graduate student of political science at Columbia University in New York. Sarah Churchwell is Professor or American Literature and Public Understanding of the Humanities at the School of Advanced Study in London. Rachel Eggebeen is working for International Originals at Netflix. Tom Fontana, the recipient of three Emmy and four Peabody Awards, is a writer, showrunner, and producer.
    [Show full text]
  • A Monomyth Analysis of Breaking Bad
    Breaking Myths: A monomyth analysis of Breaking Bad. Treball de Fi de Grau Grau d’Estudis d’Anglès i Espanyol Supervised by Jéssica Faciabén Lago Iván Cirilo Ramos 2019-2020 TABLE OF CONTENTS 1. Introduction: a working definition of monomyth .................................................................... 1 2. Methodology ............................................................................................................................ 2 3. The monomyth in Literary Criticism: The Good, the Bad, the Ugly. ......................................... 4 4. Hypothesis and challenges .......................................................................................................... 7 5. Monomyth Archetypes in Breaking Bad .................................................................................... 8 5.1 Heroes ................................................................................................................................ 8 5.2 Shapeshifters .................................................................................................................... 10 5.3Trickster ............................................................................................................................ 12 5.4 Threshold Guardian ......................................................................................................... 13 5.5 Mentors ............................................................................................................................ 14 5.6 Shadows ..........................................................................................................................
    [Show full text]
  • This Year's Emmy Awards Noms Here
    FOR IMMEDIATE RELEASE 2017 EMMY® AWARDS NOMINATIONS FOR PROGRAMS AIRING JUNE 1, 2016 – MAY 31, 2017 Los Angeles, CA, July 13, 2017– Nominations for the 69th Emmy® Awards were announced today by the Television Academy in a ceremony hosted by Television Academy Chairman and CEO Hayma Washington along with Anna Chlumsky from the HBO series Veep and Shemar Moore from CBS’ S.W.A.T. "It’s been a record-breaking year for television, continuing its explosive growth,” said Washington. “The Emmy Awards competition experienced a 15 percent increase in submissions for this year’s initial nomination round of online voting. The creativity and excellence in presenting great storytelling and characters across a multitude of ever-expanding entertainment platforms is staggering. “This sweeping array of television shows ranges from familiar favorites like black- ish and House of Cards to nominations newcomers like Westworld, This Is Us and Atlanta. The power of television and its talented performers – in front of and behind the camera – enthrall a worldwide audience. We are thrilled to once again honor the very best that television has to offer.” This year’s seven Drama Series nomInees include five first-timers dIstrIbuted across broadcast,Deadline cable and dIgItal Platforms: Better Call Saul, The Crown, The Handmaid’s Tale, House of Cards, Stranger Things, This Is Us and Westworld. NomInations were also sPread over dIstrIbution Platforms In the OutstandIng Comedy Series category, with newcomer Atlanta joined by the acclaimed black-ish, Master of None, Modern Family, Silicon Valley, Unbreakable Kimmy Schmidt and Veep. Saturday Night Live and Westworld led the tally for the most nomInations (22) In all categories, followed by Stranger Things and FEUD: Bette and Joan (18) and Veep (17).
    [Show full text]