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A KNIGHT’S PROGRESS A KNIGHT’S PROGRESS According to the rubric in the service book for the 1953 Coronation, the Queen, as soon as 1 I was glad Hubert Parry (1848-1918) [4.57] Born in the seaside town of Bournemouth, Sir she entered at the west door of the Church, 2 The Twelve William Walton (1902-1983) [11.49] Charles Hubert Hastings Parry went on to study was to be received with this anthem and, while Soloists: Oscar Simms treble at Eton and then at Oxford University where it was being sung, she was to pass through Benedict Davies treble Tom Williams alto he subsequently became Professor of Music. the body of the Church, into and through the Thomas Guthrie tenor From 1895 until his death he was also Director Choir, and up to her Chair of Estate beside Christopher Dixon bass of the Royal College of Music in London. He the Altar. On that occasion the Queen’s Our present charter * Nico Muhly (b.1981) wrote music of all kinds, including an opera, Scholars of Westminster School led the choir 3 I. First [4.02] symphonies, chamber and instrumental music, in singing the central section of this anthem – 4 II. Thy Kingdome Come, O God [4.21] oratorios and church music. However, he is ‘Vivat Regina Elizabetha!’ – a section that 5 III. The Beatitudes [4.22] perhaps best known nowadays for his famous nowadays is ususally omitted in concert 6 IV. Nullus Liber Homo Capiatur [4.45] setting of William Blake’s poem, Jerusalem. performances, as it is on this recording. -
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OUT OF DARKNESS q Litany to the Holy Spirit Peter Hurford (b. 1930) [2.36] Choristers Music from Lent to Trinity Bertie Baigent organ w If ye love me Thomas Tallis (1505-1585) [2.00] Chapel Choir 1 Cunctis diebus William Byrd (1540-1623) [6.31] College Choir e Listen sweet dove Grayston Ives (b. 1948) [2.40] Chapel Choir 2 Remember not, Lord, our offences. Z 50 Henry Purcell (1659-1695) [2.57] Bertie Baigent organ Combined Choirs r Breathe on me, breath of God Ned Rorem (b. 1923) [2.17] 3 The Lamentation Edward Bairstow (1874-1946) [9.03] College Choir College Choir Benjamin Morris organ t The Spirit of the Lord is upon me Edward Elgar (1857-1934) [7.21] from The Apostles, Op. 49 4 Tantum ergo Fernand Laloux (1901-1970) [2.01] Combined Choirs College Choir Benjamin Morris organ 5 O vos omnes Pablo Casals (1876-1973) [3.36] y Libera nos John Sheppard (c. 1515-1559) [3.21] College Choir College Choir 6 Ye Choirs of New Jerusalem Charles Villiers Stanford (1852-1924) [4.44] u I Saw the Lord John Stainer (1840-1901) [7.19] Combined Choirs Combined Choirs Bertie Baigent organ Benjamin Morris organ Harry Shapiro & Jamie Wilkinson trebles 7 Surrexit pastor bonus Jean L’Heritier (1480-1551) [3.31] Louisa Dawes soprano, Sophie Nairac contralto College Choir Jaliya Senanayake tenor, Peter Lidbetter bass 8 Festival Te Deum, Op. 32 Benjamin Britten (1913-1976) [6.11] Total timings: [75.45] College Choir Julia Sinclair soprano Benjamin Morris organ 9 Incantation pour un jour Saint Jean Langlais (1907-1991) [5.20] Benjamin Morris organ THE CHOIR OF JESUS COLLEGE CAMBRIDGE 0 Sedebit dominus rex James MacMillan (b. -
The Evening Hour
THE EVENING HOUR 0 Behold thou hast made my days Orlando Gibbons (1583-1625) [5.30] th th British Choral Music from the 16 and 20 Centuries Chapel Choir Jaliya Senanayake tenor solo, Benjamin Morris chamber organ q Evening Watch Gustav Holst (1874-1934) [4.39] 1 God be in my head Philip Radcliffe (1905-1986) [1.29] College Choir College Choir Jake Dyble tenor solo, Elizabeth Edwards alto solo 2 Save us, O Lord Edward Bairstow (1874-1946) [4.56] w The Lord’s Prayer John Tavener (1944-2013) [3.08] Chapel Choir Chapel Choir Benjamin Morris organ e Bring us O Lord God William Harris (1883-1973) [4.09] 3 In manus tuas John Sheppard (c. 1515-1558) [4.02] College Choir College Choir r In Pace John Blitheman (c. 1525-1591) [4.14] 4 Song at Evening Richard Rodney Bennett (1936-2012) [3.25] Chapel Choir Choristers t Bertie Baigent organ Evening Prayers Philip Moore (b. 1943) [6.03] College Choir 5 Miserere mihi Domine William Byrd (1540-1623) [2.49] Max Cockerill baritone solo, Sapphire Armitage soprano solo College Choir y Miserere nostri Thomas Tallis (c. 1505-1585) [3.22] 6 Creator of the stars of night Gabriel Jackson (b. 1962) [3.52] College Choir College Choir u Hannah Woodhouse soprano solo, Benjamin Morris organ Blessèd city, heav’nly Salem Edward Bairstow (1874-1946) [9.10] Combined Choirs 7 The Lord is my Shepherd Lennox Berkeley (1903-1989) [4.43] Theo Amies, Kieran Hazell-Luttman, James Patterson, Gus Richards, Combined Choirs Jamie Wilkinson, Eleanor Hussey, Julia Sinclair solo group, Benjamin Morris organ Bertie Baigent organ Total timings: [77.58] 8 Christe qui lux es et dies IV Robert Whyte (c. -
Hear My Prayer, O Lord
Night and Day including works by Brahms, Mahler, Schumann, Lauridsen and Whitacre Conductor: William Petter Accompanist: Paul Ayres St John the Divine Saturday 5th July 2014 at 7.30pm Registered Charity No 1112448 Programme Blessed City, Heavenly Salem Bairstow Abendlied Rheinberger O Thou the Central Orb Wood Sleep Whitacre “Musical Interlude” Hail Gladdening Light Wood Evening Hymn H. Balfour Gardiner Interval Sure on this Shining Night Lauridsen Mondnacht Schumann arr. Petter Urlicht Mahler arr.Gottwald 4 Songs Op 92 Brahms “Musical Interlude” All Alone Berlin arr. Petter The Very Thought of You Noble arr. Ayres Blessed City, Heavenly Salem Edward Bairstow (1874-1946) Sir Edward Cuthbert Bairstow was an English organist and composer in the Anglican Church music tradition. Born in Huddersfield, he studied the organ and went on to receive his Music Doctorate at Durham University in 1901. Bairstow held posts in London, Wigan and Leeds before being appointed organist at York Minster in 1913 where he served until his death. A composer of both instrumental and choral pieces, miniature and large-scale, Bairstow’s output includes twelve published organ works and chamber music. He is however best known for his sacred choral works. Bairstow was an admirer of Brahms and also of the polyphony of earlier English composers and these influences may be heard in the five, musically contrasting verses of Blessed City, Heavenly Salem. The melodic material of this anthem is based on plainsong, but is sung to an elaborate organ accompaniment. There is a remarkable instrumental interlude between the fourth and fifth verses in which the organ extends the triumphant feel of the fourth verse, and then gradually subsides into the mood of peace in the final phrases. -
Angels of Light December 8 & 9, 2012
Angels of Light December 8 & 9, 2012 Serenity Ola Gjeilo (b. 1978) Remember, O Thou Man Abbie Betinis (b. 1980) Beth Shirley, soloist with Carlene Seppala, Ken Short, Ben Schroeder, Emilie Bishop, Grace Van Cleef, PJ Livesey A Sound of Angels Christopher Tye (c. 1505 – c. 1572) The Night Went Wild with Angels Thomas Pavlechko (b. 1962) Shalom Aleichem Israel Goldfarb (1879-1956), arr. Elliot Z. Levine (b. 1948) David Green, Alice Allen, Murray Spiegel, Emanuel Meli Denn Er hat seinen Engeln Felix Mendelssohn (1809-1847) Magnificat Claudio Monteverdi (1567-1643) Elise Figa and Laura Winslow, sopranos; Greg Paradis, Matthew Shurts, Ken Short, tenors Ave Regina Coelorum William Byrd (1539-1623) Let All Mortal Flesh Keep Silence Edward C. Bairstow (1874-1946) Robert Emmerich, Ted Roper, soloists See Amid the Winter Snow Jocelyn Hagen (b. 1980) Linda Clark, solo CHAMBER SINGERS Angelus ad Virginem Andrew Carter (b.1939) Var inte rädd för mörkret Fredrik Sixten (b. 1962) Ropa ut den glädje Sixten Lux Aurumque Eric Whitacre (b. 1970) Rachel Clark, soprano Ave Maria (NJ Premiere) Thomas Keesecker (b. 1956) Arma Lucis Jackson Berkey (b. 1942) Marilyn Kitchell, soprano Alumni song: Ding Dong Merrily on High Audience: Maoz Tzur (Rock of Ages) & O Praise Ye the Lord (1982 hymnal) Betelehemu Nigerian Carol, Via Olatunji (1927-2003) arr. Whalum/Brooks Mark & Mia Hewitt, Devin McGuire, Eric Roper, drums Featured Instrumentalists: Joseph Arndt, organ Terrence Thornhill, cello 2 AnAnAngelsAn gels of Light ––– Program Notes One of the best things about being in the field of choral music for over 25 years is the amazing repertoire from which to draw. -
LCOM175 Fall
LITURGICAL CHORAL AND ORGAN MUSIC Fall 2017 GRACE CATHEDRAL LITURGICAL CHORAL AND ORGAN MUSIC GRACE CATHEDRAL SAN FRANCISCO FALL 2017 31 AUGUST 5:15PM CHORAL EVENSONG • CATHEDRAL CHOIR OF MEN AND BOYS Canticles: Magnificat & Nunc dimittis “Collegium Regale” – Herbert Howells The Responses: Kenneth Leighton Psalm 34 – C. Hylton Stewart Great is the Lord – Edward Elgar Hymns: 24, 662 3 SEPTEMBER 11AM THE HOLY EUCHARIST • MEN OF THE CATHEDRAL CHOIR PROPER 17 Service: Communion Service in E-flat – Edward Bairstow Introit: Miserere mihi, mode viii Pslam 26 – Jeffrey Goodsite Corpus Christi carol – Benjamin Britten Ubi caritas – Maurice Duruflé Hymns: 435, 513, 450 4PM GIFT TO THE CITY ORGAN RECITAL • CHRIS LYNCH 7 SEPTEMBER 5:15PM CHORAL EVENSONG • CATHEDRAL CHOIR OF MEN AND BOYS Canticles: Magnificat & Nunc dimittis in a minor – T. Tertius Noble The Responses: Bernard Rose Psalm 15 – Vernon Hoyle Grieve not the holy spirit of God – T. Tertius Noble 10 SEPTEMBER 11AM THE HOLY EUCHARIST • CATHEDRAL CHOIR OF MEN AND BOYS PROPER 18 Service: Mass for five voices – William Byrd Introit: Psalm 15 – Vernon Hoyle Psalm 119 – George Elvey Teach me, O Lord – William Byrd Sing joyfully – William Byrd Hymns: 518, 593, 376 14 SEPTEMBER 5:15PM FESTIVAL EVENSONG • CATHEDRAL CHOIR OF MEN AND BOYS HOLY CROSS Canticles: Magnificat & Nunc dimittis in F – George Dyson The Responses: Herbert Howells Psalm 146 – George Elvey Greater love hath no man – John Ireland Hymns: 442, 473 Recessional: Psalm 150 – George Talbot 17 SEPTEMBER 11AM THE HOLY EUCHARIST • CATHEDRAL CHOIR OF MEN AND BOYS PROPER 19 Service: Communion Service “Collegium Regale” – Herbert Howells Introit: Psalm 146 – George Elvey Psalm 103 – H. -
Chapel Royal Hampton Court
CHAPEL ROYAL HAMPTON COURT SERVICES FOR JANUARY and FEBRUARY 2019 0 1 WELCOME WELCOME to Her Majesty’s Chapel Royal, Hampton Court Palace for this service, and to a continuous tradition of worship that has been practised on this site for at least 800 years. This is one of the Queen’s Chapels, and as such, not a parish church. The original chapel was founded by the Knights Hospitaller long before Cardinal Wolsey began rebuilding it in 1528. The fine vaulted ceiling, dating from 1535, was the major addition by Henry VIII. Most of the chapel furnishings date from the late 17th and early 18th century and were designed by Sir Christopher Wren. The organ (although much altered and re-built) essentially dates back to 1711 and retains not only its fine case but much original pipework. The Chapel Royal was not originally a building but a body of priests and singers that traditionally accompanied the monarch wherever he or she went. Only later did the buildings this body used become known by that name. Today, as well as Hampton Court, there are Chapels Royal at The Tower of London, The Queen’s Chapel of the Savoy, and St James’s Palace, which is the headquarters of the Chapel Royal. Services in all of Her Majesty’s Chapels are based on those from the 1662 Book of Common Prayer, and you will have been handed an Order of Service with this booklet. The Chapel Royal has an unrivalled continued tradition of choral music. Many of the greatest English composers have worked and composed pieces in and for this place, Tallis, Byrd, Gibbons, and Purcell among them. -
PMMS Tomas Luis De Victoria Discography May 2020
Tomás Luis de Victoria Discography Compiled by Jerome F. Weber The Victoria Masses and Officium Hebdomadae Sanctae have existed as working lists for many years. The discography has been refreshed from the original records and newly reformatted to match the Du Fay and Josquin des Prez discographies previously posted on this website. There are 20 authentic Masses and the dubious Missa Dominica; all of them have been available on records since 1999. Victoria set the Magnificat 18 times, but only 11 settings are known to be represented among the 35 recordings. There are 16 settings in all the modes, both odd and even verses; another setting in the first mode is through-composed for eight voices, and a setting in the sixth mode is through- composed for 12 voices. Four recordings not heard have not been identified as odd-verse or even- verse polyphony. The motets and other works are identified according to the Pedrell edition; only four motets and an antiphon have not been recorded, as noted. Discographies of the Magnificats and the Masses were published on this site in January 2019. The other works have been newly compiled. Classical-discography.org, Michael Gray’s website, has provided additional details. Additional entries were found in the discography published by Eugene Casjen Cramer in 1998. The recordings of each work are arranged chronologically, citing conductor, ensemble, date of recording if known, and timing if available; then the format of the recording (ac, 78, 45, 33, LP, LP quad, MC, CD, SACD, DVD), the label, the issue number(s), titles of collections, and track or band numbers. -
Second Sunday of Lent – 8Th March 2020
1 Music Notes: Second Sunday of Lent – 8th March 2020 The mass setting at the Solemn Eucharist this week is the Missa Brevis by William Walton (1920–1983). This piece was the result of a commission from the Friends of Coventry Cathedral in 1965, and was first performed there in 1966. The commission came just three years after the Cathedral had first opened in May 1962, having been built alongside the ruins of the bombed-out 14th century church that was destroyed in the Second World War. At the end of May 1962, the War Requiem by Benjamin Britten (1913–1976) was premiered there. Its fruition was the result of another commission by the cathedral for a work to mark the consecration of the new building designed by the architect Basil Spence. Michael Tippett (1905–1998) had also been commissioned to provide a work for the arts festival associated with the consecration, and he provided the opera King Priam. So, there was commissioning fever in the air, and William Walton was certainly a key British composer who could rank alongside Britten and Tippett. In fact, he was really rather jealous of Britten’s success and resented his seemingly easy access to the upper echelons of the British establishment. He believed that this was the result of a gay cabal from which resolutely heterosexual composers such as he were unreasonably excluded, all the more unfair, he thought, as the members of his tribe were surely the ‘normal’ ones. (This is a reasonably accurate paraphrase of several comments he made.) Coventry Cathedral was, as a result of the War Requiem, inextricably connected with Britten, so one can just imagine what he felt when he was approached just three years later to provide a work of his own. -
After One of the Wettest Droughts for Years, a Fine Day Dawned As About
“Music for a Long While” Reminiscences of Dr Francis Jackson CBE [born October 2nd 1917] On October 14th, members and guests gathered in the pleasantly refurbished Princes Street URC, to enjoy an illustrated lecture celebrating the legend that is Dr Francis Jackson CBE. Ronald Watson, himself a published composer, is a long-standing friend of Dr Jackson so was able to give us a delightful miscellany of biographical and anecdotal snippets, demonstrating Dr Jackson’s character, personality and musical achievements. Sir Edward Bairstow (1874-1946) admitted the young Francis to the choir of York Minster in 1929 at the age of 12 - quite old by today’s practice. He became organist at Malton Parish Church at the age of 16. The first recording we heard was Dr Jackson speaking affectionately of Bairstow whom he clearly idolised as his mentor and teacher. We then listened to the Prelude in B minor BWV 544 played by Bairstow in 1927, a fascinating insight into how Bach was played in England in the 1920s – a surprisingly fast tempo, the music beginning quietly and building to a grand climax. (1) Whenever possible, Dr Jackson composed whilst serving in the forces during the war – most notably the expansive Impromptu Op.5, completed in 1944 in Bari, Italy. Whilst stationed at Catterick and before being demobbed, he became assistant organist at York Minster as Bairstow was becoming very ill. In practice, he ran the whole caboodle until Bairstow’s death on May 1st 1946, when he became Organist and Master of the Choristers. Consequently Dr Jackson’s first major service was Bairstow’s funeral! Ron continued to weave the fascinating story of Dr Jackson’s long and distinguished career around some significant recordings. -
Spread the Word • Promote the Show • Support Public Radio
Program No. 1649 12/5/2016 Cherry Rhodes (2003 Dobson/Cathedral of 8656 Holiday Pipes! . from the stage of the Our Lady of the Angels, Los Angeles, CA) LOUIS-CLAUDE DAQUIN: Noel en récit Sharp Concert Hall at Oklahoma University, Pipedreams Archive (r. 10/7/16) en taille (No. 11) –Vincent Boucher (1960 students and faculty of the American Organ GERALD NEAR: Carillon on a Ukrainian Beckerath/St. Joseph Oratory, Montreal, Institute share in some seasonal revelry. Bell Carol. PAUL EDWARDS: No small Quebec, Canada) Atma Classique 2703 The program includes selections by J.S. wonder. JOHN JOUBERT: All and some GERRE HANCOCK: Personet hodie BACH, FRANZ LISZT, EDWIN H. LE- –Cathedral Choir/Jeremy Tarant, director; (improvisation) –Gerre Hancock (1995 MARE and JONATHAN SCOTT, tradi- Richard Newman (1992 Pilzecker/St. Paul Taylor & boody/St. Thomas Church, New tional and popular songs of the season (such Cathedral, Detroit, MI) CCSP 2014 York, NY) Gothic 49109 as Sweet little Jesus boy, I’ll be home for CARL RÜTTI: O little town of Bethlehem MARK OPSTAD (arr.): Three Old Noëls (Anan Christmas, Adeste fidelis, and Have yourself –Escorial Choir/Christopher Duarte, auzi las aubados; Noël nouvelet; Quello a merry lttle Christmas) presented in impro- director; Car Rütti (1950 Norman & Beard/ est cette odeur agréable?) –La Maitrise de visations, jazz versions, and with embellished Norwich Cathedral, England) Guild 7238 Toulouse/Mark Opstad, director; William accompaniments. Performers include organ- WILLIAM MATHIAS: A babe is born – Whitehead (2005 Daldasso/Temple du ists John Schwandt, Damin Spritzer, and Cantemus Chamber Choir/Huw Williams, Salin, Toulouse, France) Regent 470 Adam Pajan, pianist Stephen Beus, saxo- director; Robert Court (1885 Hill/ SAMUEL BARBER: Silent Night. -
Journal of the YDOA April Edition
The PipeLine Journal of the YDOA April Edition Patron: Dr Francis Jackson CBE (Organist Emeritus, York Minster) President: Nigel Holdsworth, 01904 640520 Secretary: Renate Sangwine, 01904 781387 Treasurer: Cynthia Wood, 01904 795204 Membership Secretary: Helen Roberts, 01904 708625 The PipeLine Editor, Webmaster and YDOA Archivist: Maximillian Elliott www.ydoa.co.uk The York & District Organists’ Association is affiliated to the Incorporated Association of Organists (IAO) and serves all who are interested in the organ and its music. Contents 1. Introduction ................................................................................ 3 2. The Ebor Organ Album……………………………………………… ............... 4 3. Previous Event ............................................................................ 5 4. Next Event ................................................................................... 6 5. Upcoming Recitals & Concerts…………………………………………………. 7 6. Gallery ......................................................................................... 9 7. Article I ...................................................................................... 12 8. Article II ..................................................................................... 18 9. Organ of the Month .................................................................. 20 10. The Trivia Section ...................................................................... 22 The Caption Competition .......................................................... 22 11. The People Section