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MARY BUCHOLTZ Department of Linguistics Bucholtz@Linguistics
Last updated: June 26, 2017 MARY BUCHOLTZ Department of Linguistics [email protected] 3432 South Hall http://www.linguistics.ucsb.edu/faculty/bucholtz/ University of California phone: (805) 893-7492 (main office) Santa Barbara, CA 93106-3100 fax: (805) 893-7488 CURRENT POSITION Professor, Department of Linguistics, University of California, Santa Barbara, 2008-present Affiliate Faculty, Comparative Literature Program; Department of Anthropology; Department of Education (Gevirtz Graduate School of Education); Department of Feminist Studies; Department of Spanish and Portuguese; Latin American and Iberian Studies Program Affiliate Faculty, Interdisciplinary Ph.D. Emphases in Applied Linguistics; Black Studies; Cognitive Science; Environment and Society; Global Studies; Feminist Studies; Information Technology and Society; Language, Interaction, and Social Organization; Translation Studies; Writing Studies Director, Center for California Languages and Cultures, Institute for Social, Behavioral, and Economic Research, University of California, Santa Barbara, 2011-present PREVIOUS POSITIONS Associate Professor, Department of Linguistics, University of California, Santa Barbara, 2004-08 Assistant Professor, Department of Linguistics, University of California, Santa Barbara, 2002-04 Assistant Professor of Linguistics and Discourse Studies, Department of English, Texas A&M University, 1997-2002 Visiting Assistant Professor, Department of Linguistics, Stanford University, Fall 2001 EDUCATIONAL BACKGROUND Ph.D. Department of Linguistics, -
The Music of Frank Zappa MUGC 4890-001 • MUGC 5890-001 Dr
The Music of Frank Zappa MUGC 4890-001 • MUGC 5890-001 Dr. Joseph Klein" III. Social and Cultural Context" Cultural Context — 1940s & 50s: Post-War Period " Cultural Context — 1940s & 50s: Family and Lifestyle" Cultural Context — 1940s & 50s: Cold War & “Red Menace”" Cultural Context — 1940s & 50s: Cold War & “Red Menace”" Cultural Context — 1950s: B Movies" Cultural Context — 1950s: B Movies" “Zombie Woof”! “Cheepnis”! “The Radio is Broken”! Overnite Sensation ! (1973)! ! Roxy & Elsewhere ! (1974)! The Man From Utopia ! (1983)! Cultural Context — 1960s: Civil Rights Movement" Cultural Context — 1960s: Great Society, Viet Nam War" Cultural Context — 1960s: Hippie Culture & Flower Power" Cultural Context — 1970s: Watergate, Recession" Cultural Context — 1970s: Disco Era" Cultural Context — 1990s: Collapse of the Soviet Union" Archetypes in the Project/Object" § Suzy Creamcheese" §! Hippies" §! Plastic People" §! Pachucos" §! Lonesome Cowboy Burt" §! Bobby Brown" §! Jewish American Princess" §! Catholic Girls" §! Valley Girl" §! Charlie (“kinda young, kinda wow…”)" §! Debbie" §! Thing-Fish (composite archetypes)" “Who Needs the Peace Corps?” (We’re Only In It for the Money, 1968)" I'll stay a week and get the crabs and! Take a bus back home! I'm really just a phony! But forgive me! 'Cause I'm stoned Every town must have a place! Where phony hippies meet! Psychedelic dungeons! Popping up on every street! GO TO SAN FRANCISCO . How I love ya, How I love ya! How I love ya, How I love ya Frisco!! How I love ya, How I love ya! What's there to live for?! How I love ya, How I love ya! Who needs the peace corps?! Oh, my hair is getting good in the back! Think I'll just DROP OUT! Every town must have a place! I'll go to Frisco! Where phony hippies meet! Buy a wig & sleep! Psychedelic dungeons! On Owsley's floor Popping up on every street ! Walked past the wig store! GO TO SAN FRANCISCO . -
CBC IDEAS Sales Catalog (AZ Listing by Episode Title. Prices Include
CBC IDEAS Sales Catalog (A-Z listing by episode title. Prices include taxes and shipping within Canada) Catalog is updated at the end of each month. For current month’s listings, please visit: http://www.cbc.ca/ideas/schedule/ Transcript = readable, printed transcript CD = titles are available on CD, with some exceptions due to copyright = book 104 Pall Mall (2011) CD $18 foremost public intellectuals, Jean The Academic-Industrial Ever since it was founded in 1836, Bethke Elshtain is the Laura Complex London's exclusive Reform Club Spelman Rockefeller Professor of (1982) Transcript $14.00, 2 has been a place where Social and Political Ethics, Divinity hours progressive people meet to School, The University of Chicago. Industries fund academic research discuss radical politics. There's In addition to her many award- and professors develop sideline also a considerable Canadian winning books, Professor Elshtain businesses. This blurring of the connection. IDEAS host Paul writes and lectures widely on dividing line between universities Kennedy takes a guided tour. themes of democracy, ethical and the real world has important dilemmas, religion and politics and implications. Jill Eisen, producer. 1893 and the Idea of Frontier international relations. The 2013 (1993) $14.00, 2 hours Milton K. Wong Lecture is Acadian Women One hundred years ago, the presented by the Laurier (1988) Transcript $14.00, 2 historian Frederick Jackson Turner Institution, UBC Continuing hours declared that the closing of the Studies and the Iona Pacific Inter- Acadians are among the least- frontier meant the end of an era for religious Centre in partnership with known of Canadians. -
Quentin Tarantino Retro
ISSUE 59 AFI SILVER THEATRE AND CULTURAL CENTER FEBRUARY 1– APRIL 18, 2013 ISSUE 60 Reel Estate: The American Home on Film Loretta Young Centennial Environmental Film Festival in the Nation's Capital New African Films Festival Korean Film Festival DC Mr. & Mrs. Hitchcock Screen Valentines: Great Movie Romances Howard Hawks, Part 1 QUENTIN TARANTINO RETRO The Roots of Django AFI.com/Silver Contents Howard Hawks, Part 1 Howard Hawks, Part 1 ..............................2 February 1—April 18 Screen Valentines: Great Movie Romances ...5 Howard Hawks was one of Hollywood’s most consistently entertaining directors, and one of Quentin Tarantino Retro .............................6 the most versatile, directing exemplary comedies, melodramas, war pictures, gangster films, The Roots of Django ...................................7 films noir, Westerns, sci-fi thrillers and musicals, with several being landmark films in their genre. Reel Estate: The American Home on Film .....8 Korean Film Festival DC ............................9 Hawks never won an Oscar—in fact, he was nominated only once, as Best Director for 1941’s SERGEANT YORK (both he and Orson Welles lost to John Ford that year)—but his Mr. and Mrs. Hitchcock ..........................10 critical stature grew over the 1960s and '70s, even as his career was winding down, and in 1975 the Academy awarded him an honorary Oscar, declaring Hawks “a giant of the Environmental Film Festival ....................11 American cinema whose pictures, taken as a whole, represent one of the most consistent, Loretta Young Centennial .......................12 vivid and varied bodies of work in world cinema.” Howard Hawks, Part 2 continues in April. Special Engagements ....................13, 14 Courtesy of Everett Collection Calendar ...............................................15 “I consider Howard Hawks to be the greatest American director. -
Locating South Asians in 21St Century American Popular Media
Loyola University Chicago Loyola eCommons Dissertations Theses and Dissertations 2013 Just Like Everyone Else? Locating South Asians in 21st Century American Popular Media Bhoomi K. Thakore Loyola University Chicago Follow this and additional works at: https://ecommons.luc.edu/luc_diss Part of the Sociology Commons Recommended Citation Thakore, Bhoomi K., "Just Like Everyone Else? Locating South Asians in 21st Century American Popular Media" (2013). Dissertations. 549. https://ecommons.luc.edu/luc_diss/549 This Dissertation is brought to you for free and open access by the Theses and Dissertations at Loyola eCommons. It has been accepted for inclusion in Dissertations by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. Copyright © 2013 Bhoomi K. Thakore LOYOLA UNIVERSITY CHICAGO JUST LIKE EVERYONE ELSE? LOCATING SOUTH ASIANS IN 21st CENTURY AMERICAN POPULAR MEDIA A DISSERTATION SUBMITTED TO THE FACULTY OF THE GRADUATE SCHOOL IN CANDIDACY FOR THE DEGREE OF DOCTOR OF PHILOSOPHY PROGRAM IN SOCIOLOGY BY BHOOMI K. THAKORE CHICAGO, IL MAY 2013 Copyright by Bhoomi K. Thakore, 2013 All rights reserved. ACKNOWLEDGEMENTS This dissertation would have not been possible without the guidance of my committee members. First, I would like to thank my chair, Dr. J. Talmadge Wright. During the 2+ years that we have worked together, I have learned a great deal from you about audience studies and the very unique world of media sociology. In the fall of 2012 leading up to my dissertation defense, I had the privilege of meeting with you on a weekly basis to talk about my research, my teaching, my job market status, and everything in between. -
From 'Sex Differences' to Gender Variation in Sociolinguistics
University of Pennsylvania Working Papers in Linguistics Volume 8 Issue 3 Selected Papers from NWAV 30 Article 4 2002 From 'sex differences' to gender variation in sociolinguistics. Mary Bucholtz Follow this and additional works at: https://repository.upenn.edu/pwpl Recommended Citation Bucholtz, Mary (2002) "From 'sex differences' to gender variation in sociolinguistics.," University of Pennsylvania Working Papers in Linguistics: Vol. 8 : Iss. 3 , Article 4. Available at: https://repository.upenn.edu/pwpl/vol8/iss3/4 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/pwpl/vol8/iss3/4 For more information, please contact [email protected]. From 'sex differences' to gender variation in sociolinguistics. This working paper is available in University of Pennsylvania Working Papers in Linguistics: https://repository.upenn.edu/pwpl/vol8/iss3/4 From 'Sex Differences' to Gender Variation in Sociolinguistics 4- MaryjjBucholtz I1n thIntroductioe past decaden, the sociolinguisti'} c study of gender variation has taken new directions, both theoretically and methodologically. This redirection has made the linguistic subfields of language and gender and variationist so ciolinguistics relevant to each other in new ways. Within sociolinguistics, issues of gender emerged primarily as the study of "sex differences," in which the focus of analysis wasjj the quantifiable difference between women's and men's use: of particular linguistic variables, especially phonological variables. While thesefquestions were vitally important, their motivation was often less an interest in women or men per se than in under standing the social processes that actuate and advance linguistic change. Consequently, the close relationship between language and gender and quantitative sociolinguistics in the early years of both subfields became looser over time, as scholars pursued separate sets of questions with separate theoretical and methodological tools. -
The Limits of Meaning: Social Indexicality, Variation, and the Cline of Interiority
The limits of meaning: Social indexicality, variation, and the cline of interiority Penelope Eckert Language, Volume 95, Number 4, December 2019, pp. 751-776 (Article) Published by Linguistic Society of America For additional information about this article https://muse.jhu.edu/article/743105 Access provided at 17 Dec 2019 23:13 GMT from Linguistic Society of America THE LIMITS OF MEANING: SOCIAL INDEXICALITY, VARIATION, AND THE CLINE OF INTERIORITY Penelope Eckert Stanford University The structural focus of linguistics has led to a static and modular treatment of meaning. View - ing language as practice allows us to transcend the boundaries of subdisciplines that deal with meaning and to integrate the social indexicality of variation into this larger system. This article presents the expression of social meaning as a continuum of decreasing reference and increasing performativity, with sociolinguistic variation at the performative extreme. The meaning potential of sociolinguistic variables in turn is based in their form and their social source, constituting a cline of ‘interiority’ from variables that index public social facts about the speaker to more inter - nal, personal affective states.* Keywords : variation, social meaning, semantics, pragmatics, iconicity, indexicality, semiotics ‘I have resisted the term sociolinguistics for many years, since it implies that there can be a successful linguistic theory or practice which is not social.’ (Labov 1972:13) 1. Introduction . Language is a social practice, a dialectic between structure and agency: structure constrains action, and action in turn reproduces structure. As Giddens (1984:2) puts it, ‘In and through their activities agents reproduce the conditions that make these activities possible’. -
'Female' Vulgarity: an Example of the Use of Linguistic Markers in an Episode of NBC's Parks and Recreation
Framing ‘female’ vulgarity: an example of the use of linguistic markers in an episode of NBC’s Parks and Recreation. Pierre Habasque Résumé Le terme « vulgaire » peut faire référence à ce qui est choquant, grossier ou fruste, et fait nécessairement appel à des critères subjectifs ; il est en cela idéologique. Cet article se propose d’étudier comment le vulgaire peut se manifester linguistiquement par l’utilisation de marqueurs syntaxiques, lexicaux, et de deux marqueurs prosodiques : la voix craquée (creaky voice) et le contour intonatif montant (High Rising Terminal). Le corpus est composé de scènes issues d’un épisode de la série télévisée Parks and Recreation (saison 6, épisode 4), diffusée aux États-Unis sur NBC. Les marqueurs linguistiques sont utilisés à des fins humoristiques afin de créer l’image d’un personnage féminin frivole et écervelé grâce à un processus d’accommodation feinte. Il est suggéré que ceci n’est possible que parce que plusieurs de ces marqueurs sont à la fois susceptibles d’être stigmatisés, et qu’ils peuvent être perçus comme typiquement féminins. Mots-clés vulgarité, High Rising Terminal, voix craquée, enregisterment, accommodation Abstract “Vulgarity” is a term that may refer to what is offensive, coarse or unrefined, and therefore necessarily appeals to subjective criteria; vulgarity is in this sense intrinsically ideological. This article explores how vulgarity may be expressed linguistically. Analysis centers on the use of syntactic and lexical markers, as well as two prosodic markers: creaky voice and the High Rising Terminal contour (HRT). The corpus is composed of scenes from an episode of NBC’s television series Parks and Recreation (season 6, episode 4). -
Black Women's Sexual Agency in ‘Neo’ Cultural Productions
Looking Forward to the Past: Black Women's Sexual Agency in ‘Neo’ Cultural Productions Sydney Fonteyn Lewis A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Washington 2012 Reading Committee: Katherine Cummings, Chair Chandan Reddy Habiba Ibrahim Program Authorized to Offer Degree: Department of English University of Washington Abstract Looking Forward to the Past: Black Women's Sexual Agency in ‘Neo’ Cultural Productions Sydney Fonteyn Lewis Chair of the Supervisory Committee: Associate Professor, Katherine Cummings Department of English This dissertation combines critical black feminisms, cultural studies, performance studies, and queer theory with readings of African-American cultural productions in order to consider how black women can and have reconfigured their non-heteronormative sexualities outside of the language given to us by white-dominated GLBT scholarship. The emphasis on “neo” cultural productions, that is projects that look toward the past to re-imagine a new future, speaks to Laura Alexandra Harris’s assertion that a queer black feminist methodology necessitates reclamation of one’s history and an affirmation of desire as a form of resistance to shame. This dissertation reads black female bodies as subversive. In embracing their bodies as pleasurable, these unruly women resist racist and heterosexist hegemonic discourses which silence or pathologize black female sexuality and negate black women’s agency. Chapter One looks toward Barbara Smith’s 1977 publication, “Toward a Black Feminist Criticism,” as an inaugural point for thinking about black female sexuality outside of normative and pathologizing paradigms. It argues for a reading of Sula as a queer black femme novel, and from there develops a (neo) theory of black femme-inism which is indebted to and departs from Smith. -
Bucholtz, Mary
Bucholtz, Mary (2015), “The Elements of Style,” in Dwi Noverini Djenar, Ahmar Mahboob, and Ken Cruickshank (eds.), Language and Identity across Modes of Communication, Berlin: De Gruyter Mouton, pp. 27-60.! Mary Bucholtz The elements of style1 1 Introduction Over the past twenty years, the study of identity within the broad interdisci- plinary field of sociocultural linguistics (Bucholtz and Hall 2008) has been ele- vated from a fringe topic to a central analytic concern. As a vital component of this shift, many scholarly perspectives on language, culture, and society have shown a renewed interest in the concept of style. Yet what exactly is meant by style remains an unresolved question within the field. Style has long been a key term in a number of disciplines and professions, although it is defined and used in divergent ways across these traditions, with little dialogue between different approaches. In literary criticism, for example, style is generally conceptualized as the unique authorial voice of a literary text or an entire body of work, an issue investigated most extensively in the field of stylistics (e.g., Bradford 1997). Meanwhile, in the world of journalism and publishing, style is a set of professionally imposed conventions regarding what is often termed the “mechanics” of writing: attribution, formatting, punctua- tion, and spelling (e.g., Associated Press 2011; Chicago Manual of Style 2010). Within traditional rhetoric and composition, these two general perspectives on style are brought together, as rules of sentence structure and word choice are prescribed in order to enable novice writers, somewhat paradoxically, to achieve their own textual voice (e.g., Williams and Colomb 2011).2 Given that the same term is used both for the most idiosyncratic aspects of individual personal expression and for regimented conformity to an institutional stand- ard, it is no wonder that even specialists have had difficulty agreeing on the scope of style. -
Styles and Stereotypes: the Linguistic Negotiation of Identity Among Laotian American Youth 1
Pragmatics 14:2/3.127-147 (2004) International Pragmatics Association STYLES AND STEREOTYPES: THE LINGUISTIC NEGOTIATION OF IDENTITY AMONG LAOTIAN AMERICAN YOUTH 1 Mary Bucholtz Abstract The article examines how two Laotian American teenage girls in a multiracial California high school take divergent pathways through two contrasting stereotypes of Southeast Asian Americans: The model- minority nerd and the dangerous gangster. The two girls, both first-generation immigrants, each draw on contrasting linguistic and youth-cultural practices to align themselves to some degree with one of these stereotypes while distancing themselves from the other. The absence of an ethnically marked variety of Asian American English does not prevent the construction of Asian American identities; instead, speakers make use of locally available linguistic resources in their everyday speech practices, including African American Vernacular English and youth slang, to produce linguistic and cultural styles that position them partly inside and partly outside of the school’s binary black/white racial ideology. The article argues that linguistic resources need not be distinctive either between or within ethnic groups in order to produce social identities. Keywords: Identity, Youth, Race, Gender, English, Asian Americans 1. Introduction Within the last decade or so, an outpouring of research on East, South, and Southeast Asian immigrants to the United States and their descendants has documented the diverse experiences of the extremely varied groups assigned to the category of “Asian American.” Until very recently, linguistic contributions to this scholarly undertaking primarily tended to be from the perspective either of applied linguistics or of the sociology of language, with the emphasis on acquisition of English by the immigrant generation on the one hand and maintenance and shift of the heritage language by second and later generations on the other. -
Download the Woman in the Zoot Suit: Gender, Nationalism, And
THE WOMAN IN THE ZOOT SUIT: GENDER, NATIONALISM, AND THE CULTURAL POLITICS OF MEMORY DOWNLOAD FREE BOOK Catherine Sue Ramirez | 256 pages | 01 Feb 2009 | Duke University Press | 9780822343035 | English | North Carolina, United States Policing Style Quite women also used or a 39years, Roiphe begins deeply The Woman in the Zoot Suit: Gender sexually promiscuous delinquents young pachuco slang, cal? Pachuco Black knight. Two events in wartime Los Angeles thrust young Mexican American zoot suiters into the media spotlight. In so doing, she provides a model of what it means to work in multiple disciplines to create a narrative that does justice to her subjects. Lorena Oropeza Lorena Oropeza. Buy This Nationalism. The Nationalism image came from the Pachuca's high public visibility and patronage of nightlife with pachucos. Content protection. The Woman in the Zoot Suit: Gender item has been added to your basket View basket Checkout. In an groundwork for the emergence of later, more met with violence. The origin of the term "pachuco" is uncertain, but one theory connects it to the city of El Paso, Texas, which was sometimes referred to as "Chuco Town" or "El Chuco. Some and the Cultural Politics of Memory pachuco and its pachuquismos to be Costa Rica's second language. Provocative and important, Ramirez adds a highly notable contribution to race, gender, and ethnic studies scholarship. Please try again or alternatively you can contact your chosen shop on or send us an email at. Another Nationalism involved a sweater or coat - often a variant on the male zoot-suit finger-tip jacket - over knee-length skirtsplus fishnet stockings or bobby socks and platform shoes.