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The American Voice Anthology of Poetry
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Kentucky University of Kentucky UKnowledge Creative Writing Arts and Humanities 1998 The American Voice Anthology of Poetry Frederick Smock Bellarmine College Click here to let us know how access to this document benefits ou.y Thanks to the University of Kentucky Libraries and the University Press of Kentucky, this book is freely available to current faculty, students, and staff at the University of Kentucky. Find other University of Kentucky Books at uknowledge.uky.edu/upk. For more information, please contact UKnowledge at [email protected]. Recommended Citation Smock, Frederick, "The American Voice Anthology of Poetry" (1998). Creative Writing. 3. https://uknowledge.uky.edu/upk_creative_writing/3 vice ANTHOLOGY OF POETRY EDITED BY FREDERICK SMOCK THE UNIVEESITT PRESS OF KENTUCKY Publication of this volume was made possible in part by grants from the Kentucky Foundation for Women, Inc., and the National Endowment for the Humanities. Copyright © 1998 by The University Press of Kentucky Scholarly publisher for the Commonwealth, serving Bellarmine College, Berea College, Centre College of Kentucky, Eastern Kentucky University, The Filson Club Historical Society, Georgetown College, Kentucky Historical Society, Kentucky State University, Morehead State University, Murray State University, Northern Kentucky University, Transylvania University, University of Kentucky, University of Louisville, and Western Kentucky University. All rights reserved Editorial and Sales Offices: The University Press of Kentucky 663 South Limestone Street, Lexington, Kentucky 40508-4008 02 01 00 99 98 5 4 3 2 1 Library of Congress Cataloging-in-Publication Data The American Voice anthology of poetry / edited by Frederick Smock. -
The Last Good Kiss Online
iqo7p [Read and download] The Last Good Kiss Online [iqo7p.ebook] The Last Good Kiss Pdf Free James Crumley *Download PDF | ePub | DOC | audiobook | ebooks Download Now Free Download Here Download eBook #109880 in eBooks 2016-04-20 2016-04-20File Name: B01CWZH7JC | File size: 36.Mb James Crumley : The Last Good Kiss before purchasing it in order to gage whether or not it would be worth my time, and all praised The Last Good Kiss: 9 of 9 people found the following review helpful. ... have ever read any of the following titles enjoyed them, buy this book immediatelyBy joshua rhoadesIf you have ever read any of the following titles enjoyed them, buy this book immediately. These will seem like strange bedfellows, but they all have traces in Crumley's work; whether he's read any of them or not.Fear Loathing in Las Vegas. Naked Lunch. Cryptonomicon /or Snow Crash. The Road (Kerouac, philistine - actually, strike that, McCarthy works here too - see "Blood Meridian", though). Up Jumped the Devil. Any book written by James Ellroy.If you enjoy gritty, perverse, darkly humorous, archetypal, depressingly-ruinous-but- somehow-cheerful writing in your fiction, this book will take all of an afternoon to finish. Upon completion, I immediately logged in and purchased every novel of Crumley's mentioning the anti-hero "Sughrue" in their descriptions.I'm sincerely hoping the other characters; particularly old-man "Trahearne" make additional appearances. I have always loved self-depreciation in a novel - a wink and nod to reader letting us know we are in on the joke. -
The Demographics and Production of Black Poetry
Syllabus Week 1: The Demographics and Production of Black Poetry Resident Faculty: Howard Rambsy Visiting Faculty: James Smethurst, Kathy Lou Schultz, Tyehimba Jess, Brenda Marie Osbey Led by Rambsy, the Week 1 readings, activities and lectures will address significant recurring topics in the discourse on African American poetry—black aesthetics, history, cultural pride, critiques of anti-black racism, music and performance—and concentrate on major trends, popular poets and canonical poems and genres. We will identify and discuss several major poets, including Amiri Baraka, Jayne Cortez, Nikki Giovanni, Carolyn Rodgers, and Dudley Randall whose works began circulating widely during the late 1960s and early 1970s. We will consider how the BAM intersects with and distinguishes itself from other related poetry movements like the Beat Generation. We look at the configuration of contemporary black poetry, as poets become identified by subject matter, region, movement and/or collective like Cave Canem Poets, the Affrilachian Poets, and the National Poetry Slam Movement that began in 1990. Rambsy, Kathy Lou Schultz, Smethurst and Graham will give lectures that provide NEH Summer Scholars with an overarching sense of poets in the field as well as major events and circumstances that have shaped African American poetry. As specialists who have written about poetry and literary history, Rambsy, Schultz, and Smethurst will collectively provide foundational concepts and material for understanding and teaching black poetry. The week will also include discussions and readings by poets Tyehimba Jess and Brenda Marie Osbey, which will give NEH Summer Scholars chances to consider persona poetry and the presence of history in contemporary poems. -
REHEARSAL and CONCERT
Boston Symphony Orchestra* SYMPHONY HALL, BOSTON, HUNTINGTON AND MASSACHUSETTS AVENUES. (Telephone, 1492 Back Bay.) TWENTY-FOURTH SEASON, I 904-1905. WILHELM GERICKE, CONDUCTOR {programme OF THE FIFTH REHEARSAL and CONCERT VITH HISTORICAL AND DESCRIPTIVE NOTES BY PHILIP HALE. FRIDAY AFTERNOON, NOVEMBER J8, AT 2.30 O'CLOCK. SATURDAY EVENING, NOVEMBER J9, AT 8.00 O'CLOCK. Published by C'A. ELLIS, Manager. 265 CONCERNING THE "QUARTER (%) GRAND" Its Tone Quality is superior to that of an Upright. It occupies practically no more space than an Upright. It costs no more than the large Upright. It weighs less than the larger Uprights. It is a more artistic piece of furniture than an Upright. It has all the desirable qualities of the larger Grand Pianos. It can be moved through stairways and spaces smaller than will admit even the small Uprights. RETAIL WARE ROOMS 791 TREMONT STREET BOSTON Established 1823 : TWENTY-FOURTH SEASON, J904-J905. Fifth Rehearsal and Concert* FRIDAY AFTERNOON, NOVEMBER J8, at 2.30 o'clock- SATURDAY EVENING, NOVEMBER t% at 8.00 o'clock. PROGRAMME. Brahms ..... Symphony No. 3, in F major, Op. go I. Allegro con brio. II. Andante. III. Poco allegretto. IV. Allegro. " " " Mozart . Recitative, How Susanna delays ! and Aria, Flown " forever," from " The Marriage of Figaro Wolf . Symphonic Poem, " Penthesilea," after the like-named' tragedy of Heinrich von Kleist (First time.) " Wagner ..... Finale of " The Dusk of the Gods SOLOIST Mme. JOHANNA GADSKI. There will be an intermission of ten minutes after the Mozart selection. SPECIAL ANNOUNCEMENT. By general desire the concert announced for Saturday evening, Decem- ber 24, '* Christmas Eve," will be given on Thursday evening, December 2a. -
General Index
Cambridge University Press 0521780098 - The Cambridge Companion to Twentieth-Century Opera Edited by Mervyn Cooke Index More information General index Abbate, Carolyn 282 Bach, Johann Sebastian 105 Adam, Fra Salimbene de 36 Bachelet, Alfred 137 Adami, Giuseppe 36 Baden-Baden 133 Adamo, Mark 204 Bahr, Herrmann 150 Adams, John 55, 204, 246, 260–4, 289–90, Baird, Tadeusz 176 318, 330 Bala´zs, Be´la 67–8, 271 Ade`s, Thomas 228 ballad opera 107 Adlington, Robert 218, 219 Baragwanath, Nicholas 102 Adorno, Theodor 20, 80, 86, 90, 95, 105, 114, Barbaja, Domenico 308 122, 163, 231, 248, 269, 281 Barber, Samuel 57, 206, 331 Aeschylus 22, 52, 163 Barlach, Ernst 159 Albeniz, Isaac 127 Barry, Gerald 285 Aldeburgh Festival 213, 218 Barto´k, Be´la 67–72, 74, 168 Alfano, Franco 34, 139 The Wooden Prince 68 alienation technique: see Verfremdungse¤ekt Baudelaire, Charles 62, 64 Anderson, Laurie 207 Baylis, Lilian 326 Anderson, Marian 310 Bayreuth 14, 18, 21, 49, 61–2, 63, 125, 140, 212, Andriessen, Louis 233, 234–5 312, 316, 335, 337, 338 Matthew Passion 234 Bazin, Andre´ 271 Orpheus 234 Beaumarchais, Pierre-Augustin Angerer, Paul 285 Caron de 134 Annesley, Charles 322 Nozze di Figaro, Le 134 Ansermet, Ernest 80 Beck, Julian 244 Antheil, George 202–3 Beckett, Samuel 144 ‘anti-opera’ 182–6, 195, 241, 255, 257 Krapp’s Last Tape 144 Antoine, Andre´ 81 Play 245 Apollinaire, Guillaume 113, 141 Beeson, Jack 204, 206 Appia, Adolphe 22, 62, 336 Beethoven, Ludwig van 87, 96 Aquila, Serafino dall’ 41 Eroica Symphony 178 Aragon, Louis 250 Beineix, Jean-Jacques 282 Argento, Dominick 204, 207 Bekker, Paul 109 Aristotle 226 Bel Geddes, Norman 202 Arnold, Malcolm 285 Belcari, Feo 42 Artaud, Antonin 246, 251, 255 Bellini, Vincenzo 27–8, 107 Ashby, Arved 96 Benco, Silvio 33–4 Astaire, Adele 296, 299 Benda, Georg 90 Astaire, Fred 296 Benelli, Sem 35, 36 Astruc, Gabriel 125 Benjamin, Arthur 285 Auden, W. -
Furiousflower2014 Program.Pdf
Dedication “We are each other’s harvest; we are each other’s business; we are each other’s magnitude and bond.” • GWENDOLYN BROOKS Dedicated to the memory of these poets whose spirit lives on: Ai Margaret Walker Alexander Maya Angelou Alvin Aubert Amiri Baraka Gwendolyn Brooks Lucille Clifton Wanda Coleman Jayne Cortez June Jordan Raymond Patterson Lorenzo Thomas Sherley Anne Williams And to Rita Dove, who has sharpened love in the service of myth. “Fact is, the invention of women under siege has been to sharpen love in the service of myth. If you can’t be free, be a mystery.” • RITA DOVE Program design by RobertMottDesigns.com GALLERY OPENING AND RECEPTION • DUKE HALL Events & Exhibits Special Time collapses as Nigerian artist Wole Lagunju merges images from the Victorian era with Yoruba Gelede to create intriguing paintings, and pop culture becomes bedfellows with archetypal imagery in his kaleidoscopic works. Such genre bending speaks to the notions of identity, gender, power, and difference. It also generates conversations about multicultur- alism, globalization, and transcultural ethos. Meet the artist and view the work during the Furious Flower reception at the Duke Hall Gallery on Wednesday, September 24 at 6 p.m. The exhibit is ongoing throughout the conference, 10 a.m. to 5 p.m. FUSION: POETRY VOICED IN CHORAL SONG FORBES CENTER FOR THE PERFORMING ARTS Our opening night concert features solos by soprano Aurelia Williams and performances by the choirs of Morgan State University (Eric Conway, director) and James Madison University (Jo-Anne van der Vat-Chromy, director). In it, composer and pianist Randy Klein presents his original music based on the poetry of Margaret Walker, Michael Harper, and Yusef Komunyakaa. -
American Book Awards 2004
BEFORE COLUMBUS FOUNDATION PRESENTS THE AMERICAN BOOK AWARDS 2004 America was intended to be a place where freedom from discrimination was the means by which equality was achieved. Today, American culture THE is the most diverse ever on the face of this earth. Recognizing literary excel- lence demands a panoramic perspective. A narrow view strictly to the mainstream ignores all the tributaries that feed it. American literature is AMERICAN not one tradition but all traditions. From those who have been here for thousands of years to the most recent immigrants, we are all contributing to American culture. We are all being translated into a new language. BOOK Everyone should know by now that Columbus did not “discover” America. Rather, we are all still discovering America—and we must continue to do AWARDS so. The Before Columbus Foundation was founded in 1976 as a nonprofit educational and service organization dedicated to the promotion and dissemination of contemporary American multicultural literature. The goals of BCF are to provide recognition and a wider audience for the wealth of cultural and ethnic diversity that constitutes American writing. BCF has always employed the term “multicultural” not as a description of an aspect of American literature, but as a definition of all American litera- ture. BCF believes that the ingredients of America’s so-called “melting pot” are not only distinct, but integral to the unique constitution of American Culture—the whole comprises the parts. In 1978, the Board of Directors of BCF (authors, editors, and publishers representing the multicultural diversity of American Literature) decided that one of its programs should be a book award that would, for the first time, respect and honor excellence in American literature without restric- tion or bias with regard to race, sex, creed, cultural origin, size of press or ad budget, or even genre. -
Goldmark's Wild Amazons Drama and Exoticism in the Penthesilea Overture
Goldmark’s Wild Amazons Drama and Exoticism in the Penthesilea Overture Jane ROPER Royal College of Music, Prince Consort Road, London E-mail: [email protected] (Received: June 2016; accepted: March 2017) Abstract: Goldmark was the first of several composers to write a work based on Heinrich von Kleist’s controversial play, Penthesilea. Early critical opinion about the overture was divided. Hanslick found it distasteful, whereas others were thrilled by Goldmark’s powerful treatment of the subject. Composed in 1879, during the 1880s Penthesilea became established in orchestral repertoire throughout Europe and Amer- ica. The overture represents the conflict of violence and sexual attraction between the Queen of the Amazons and Achilles. Exoticism in the play is achieved by contrasting brutal violence, irrational behaviour and extreme sensual passion. This is recreated musically by drawing on topics established in opera. Of particular note is the use of dissonance and unexpected modulations, together with extreme rhythmic and dy- namic contrast. A key feature of the music is the interplay between military rhythms representing violence and conflict, and a legato, rocking theme which suggests desire and sensuality. Keywords: Goldmark, Exoticism, Penthesilea Overture The Penthesilea Overture, op. 31, is arguably Carl Goldmark’s most controversial work. Its content is provocative. Consider first of all the subject matter: Goldmark transports us to the battlefield of Troy in the twelfth century BC. Penthesilea, Queen of the Amazons, a terrifying, ferocious warrior tribe of women, gallops onto the scene with her retinue. The Amazons are bloodthirsty and hungry for sex, anticipating the men they will capture to enact their fertility ritual. -
Interview with Dennis Lehane
Interview with Dennis Lehane ANDREW COTTO Dennis Lehane. Photo by Diana Lucas Leavengood. Diana Lucas by Photo Dennis Lehane. ennis Lehane is the author of nine novels—includ- AC: What were the first books you remember reading? D ing the New York Times bestsellers Gone, Baby, DL: The first book I ever read was about Smokey Gone; Mystic River; Shutter Island; and The Given the Bear. I got it out of the library when I was six. Day—as well as Coronado, a collection of short stories, On one page it said “For ages eight and up,” and I and a play. He is currently at work on a new book set thought I was pretty slick because, hey, I was only during prohibition in Boston, Tampa, and Havana. This six. From that point on, I begged my mother to take interview—a thesis project for Andrew Cotto, who has me to the library at least once a week. an MFA in creative writing from The New School—was conducted online in April 2008 and April 2011. AC: Did you go to Eckerd College in Florida to study writing? Andrew Cotto: What was your neighborhood like DL: I did. I’d dropped out of two other colleges, growing up? Emerson and UMass, where I’d clung to two differ- Dennis Lehane: It was a bit of a war zone. We ent safety majors. I realized there was no way to be- were situated between Roxbury and Mattapan (both come a writer by playing it safe, so I scored a partial primarily poor and black) and South Boston (poor scholarship from Eckerd and took the leap, which and militantly white) at the exact moment the pow- was, for a kid of my background, a pretty scary leap. -
Hansel and Gretel Lighting Designer Biography
Hansel and Gretel Lighting Designer Biography Making her San Francisco Opera debut with Hansel and Gretel, Lucy Carter trained in dance and drama at the Roehampton Institute, University of Surrey, and in lighting design at Central School of Speech and Drama. An international lighting designer for more than twenty years, Carter has worked with ballet companies throughout the world including American Ballet Theatre, Alvin Ailey American Dance Theater, San Francisco Ballet, New York City Ballet, Australian Ballet, Paris Opera Ballet, the Bolshoi Ballet, National Ballet of Canada, Royal Danish Ballet, Scottish Ballet, Stuttgart Ballet, Boston Ballet and the Joffrey Ballet. Recent productions with her long-term collaborator Wayne McGregor include Autobiography, Multiverse, Woolf Works, Tetractys and Raven Girl. Carter’s opera lighting credits include Fiddler on the Roof with Grange Park Opera, La Finta Giardiniera with Glyndebourne Festival and Milan's Teatro alla Scala, Peter Grimes on the Beach with Aldeburgh Festival, Elektra with the Göteborg Opera, Penthesilea with La Monnaie, Brussels and Lohengrin with Welsh National Opera and the Polish National Opera. Her theater work includes Everybody’s Talking About Jamie; Home, I’m Darling; Husbands and Sons; Medea; Emil and the Detectives and Oil. She received the Knight of Illumination Award for Dance for Chroma (2008) and for Woolf Works (2015). Future opera plans include Katya Kabanova with Royal Opera, Covent Garden and Werther in Bergen. . -
The Present Elsewhere: Theorizing an Aesthetics of Displacement in Contemporary African American and Postcolonial Literatures
THE PRESENT ELSEWHERE: THEORIZING AN AESTHETICS OF DISPLACEMENT IN CONTEMPORARY AFRICAN AMERICAN AND POSTCOLONIAL LITERATURES Mary Alice Kirkpatrick A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of English and Comparative Literature. Chapel Hill 2010 Approved by: Minrose Gwin William L. Andrews Pamela Cooper Rebecka Rutledge Fisher Trudier Harris © 2010 Mary Alice Kirkpatrick ALL RIGHTS RESERVED ii ABSTRACT Mary Alice Kirkpatrick: The Present Elsewhere: Theorizing an Aesthetics of Displacement in Contemporary African American and Postcolonial Literatures (Under the direction of Minrose Gwin) “The Present Elsewhere” investigates the aesthetic traits and political implications of displacement in contemporary African American, Caribbean, and Canadian works. Arguing that displacement resonates textually, I interrogate the degree to which artists purposely leave their works in states of flux. Framed through the lens of nomadic, transitional figures (including diasporic cultural orphans, child clairvoyants, and reincarnated ghosts), this project develops the notion of an aesthetics of displacement – that is to say, an aesthetics informed by political urgency. Writers such as Michael Ondaatje, Toni Cade Bambara, and Octavia Butler rearrange customary geographic and chronological placements, unsettle narrative lines, and challenge shared histories of oppression. Propelled into active engagement, readers are encouraged to adopt new roles as migrants and witnesses. The political significance of works that displace radiates externally, as readers are directed toward sites of change well beyond the confines of individual texts. By bringing together seemingly divergent traditions, “The Present Elsewhere” examines the specific historical conditions, cultural backgrounds, and geographic contexts that produce sites of displacement within the Caribbean island, U. -
Contributors, About Cutbank, Advertisements, Subscriptions, Back Cover
CutBank Volume 1 Issue 50 CutBank 50 Article 37 Fall 1998 Contributors, About CutBank, Advertisements, Subscriptions, Back Cover Follow this and additional works at: https://scholarworks.umt.edu/cutbank Part of the Creative Writing Commons Let us know how access to this document benefits ou.y Recommended Citation (1998) "Contributors, About CutBank, Advertisements, Subscriptions, Back Cover," CutBank: Vol. 1 : Iss. 50 , Article 37. Available at: https://scholarworks.umt.edu/cutbank/vol1/iss50/37 This Back Matter is brought to you for free and open access by ScholarWorks at University of Montana. It has been accepted for inclusion in CutBank by an authorized editor of ScholarWorks at University of Montana. For more information, please contact [email protected]. C ontributors Elizabeth Brinsfieldhas worked as a spotlight operator in the circus, as a home health care assistant in Appalachia, and as a teacher at Navajo Prepatory School in Farmington, New Mexico. Kevin Canty’snew novel,Nine Below Zero, will be appearing this winter from Nan A. Talese/Doubleday. He lives in Missoula, Montana with his wife, the photographer Lucy Capeheart, and their two children, Turner and Nora. I Ienry Cari.ile teaches poetry writing and contemporary Ameri can literature at Portland State University. He has recendy pub lished poems inGrays SportingjournalandWillow Springs. His col lectionKain was published by Carnegie Mellon University Press in 1994. Sheilah Colemanreceived her MFA in ficdon from the Univer sity of Michigan. She lives in Brooklyn, New York and is finish ing her first novel. Tess G allagher’s latest collecdon of stories,A t the Owl Woman Saloon (Scribner, 1997) appeared onNew the York l imes Book Re- view list of Notable Books for 1997.