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Art Criticism

ART

Author Index Chronological Index General Subject Index

Issues 1.1- 14.1

vol. 14, no. 1 61 Author Index

Adrian, Dennis, " in Chicago." Volume 1, Number 4 (1981)

Alford, C. Fred, " and Reparation or, After Auschwitz?" Volume 5, Number 3 (1989)

Alloway, Lawrence, "Women's Art and the Failure ofArt Criticism." Volume 1, Number 2 (1979)

Alloway, Lawrence, ''The Complex Present." Volume 1, Number 1 (1979)

Babich, Babette, "On Malls, , and the : and the Vicissitudes ofConsumer Culture." Volume 9, Number 1 (1991)

Baigell, Matthew, "American Art around 1960 and the Loss ofSelf"' Volume 13, Number 2 (1998)

Baigell, Matthew, "Reflections onlofRichard Estes." Volume 8, Number 2 (1993)

Baigell, Matthew, "A Ramble Around Early Earth Works." Volume 5, Number 3 (1989)

Baigell, Matthew, "American and National Identity: The Stieglitz Circle and Emerson." Volume 4, Number I (1987)

Baigell, Matthew, "Robert Moriss' Latest Works: Slouching Toward Armaged­ don." Volume 2, Number 1 (1985)

Baigell, Matthew, "Pearlstein's People." Volume 1, Number 1 (1979)

Baldessari, John; Camnitzer, Luis; Gablik, Suzi; Koons, Jeff; Pekarsky, Mel; Sandback, Amy Baker; and Storr, Robert, contributors, "The Idea of the Moral Imperative in ." Volume 7, Number 1 (1991)

Baranik, Rudolf, "Art: Devilish, Diabolic, Satanic, Demonic." Volume 8, Number 2 (1993)

62 Baranik. Rudolf, "Philistinism in Front ofArt and ." Volume 2, Number 3 (1986)

Baranik. Rudolf, "The State ofFonnalism." Volume I, Number 3 (1981)

Barnard, Phillip, translator, "The Phallus Stripped Bare by its Non-Bachelors, Even: A Conversation Between Alain Kirili and Phillippe Sollers." Volume 5, Number 1 {I988)

Barnett, Lisa, "Sally Mann" Volume 14, Number I (1999)

Bartel, Jeannine, ", Comforters and the Cultural Industry: Mike Kelley's Art as Deception or Enlightenment?" Volume 8, Number 1 (1993)

Bartell, Jeannine; Quizon, Cheree; and Williams, Ellen, contributors, "Three Re­ views ofHigh and Low! and Popular Culture at the ofMod­ ern Art." Volume 7, Number 1 (1991)

Berkowitz, Terry, "Report from Behind the Screens." Volume 2, Number 3 (1986)

Biro, Matthew, "Art Criticism and Deconstruction: Rosalind Krauss and ." Volume 6, Number 2 (1990)

Bisanz, Rudolph M., "Hermeneutics andArt: From Schleiermacher to Derrida: On the Trail ofthe 'True Meaning' ofthe Work" Volume 12, Number 1 (1997)

Bisanz, Rudolph, "Proto-Modernist and Art Criticism Amended: From Behaviorist 'Doctrinaire ' to Existentialist 'ProcessArt' and Wilhelm Liebl' Three Women in Church." Volume 8, Number 1 (1993)

Bisanz, Rudolf, M., "Art History: Art Criticism and the Ideological Birth ofMod­ ern Art." Volume 6, Number 1 (1989)

Bisanz, RudolfM., "The Culture ofEros: A Frugal Guide to Sybaritic Art." Volume 5, Number 2 (1989)

vol. 14, no. 1 63 Bisanz, RudolfM., "The and Erotic Art: The Pick ofthe Crop Reviewed." Volume 5, Number 1 (1988)

Bisanz, Rudolf M., ''More on a 'Discipline in Crisis' and Some Possible Rem­ edies; Geneml Methodology in Art History and a Special Application to the 19th Century." Volume 4, Number 1 (1987)

Bisanz, RudolfM., ''Nexus, Plexus, Fidibus-Still, the Nineteenth Century Doesn't Add Up For Us," Volume 4, Number I (1987)

Boettger, Suzaan, "Regression in the Service of..." Volume 2, Number 2 (1986)

Bois, Yves-Alain, "Critical Evaluation." Volume 3, Number 3 (1987)

Bonta, Juan Pablo, "Architectural Criticism, Values and Psychoanalysis." Volume 4, Number 3 (1988)

Borum, Jennifer Penrose, "Robert Pincus-Witten: The as Dandy." Volume 5, Number 2 (1989)

Bradford, Thomasine, "Room 16" Volume 12, Number 2 (1997)

Brandl, Mark Staff and Daniel Ammann, "Beyond 'Like' and 'As' in : Metonymy and Metaphor in Some Recent Art" Volume 8, Number 2 (1993)

Braun, Barbara, "Rufino Tamayo: Indigenous or Cosmopolitan Painter1' Volume 1, Number 4 (1981)

Brenson, Michael, ''Newspaper Art Criticism." Volume 4, Number 1 (1987)

Brockelman, Thomas, " and Theatricality." Volume 8, Number 1 (1993)

Bryson, Greg, "Suzi Gablik" Volume 14, Number 1 (1999)

Bryson, Greg, "An Interview with Suzi Gablik" Volume 14, Number 1 (1999)

64 Art Criticism Brzyski-Long, Anna. "Retracing the Modernist Origins: Conceptual Parallels in the Aesthetic Thought ofCharles Baudelaire and G.W.F. Hegel" Volume 12, Number 1 (1997)

Budick, Ariella, "Factory Seconds: Diane Arbus and the Imperfections in Mass Culture" Volume 12, Number 2 (1997)

Budzynski, Scott, "Malcom Morley" Volume 14, Number 1 (1999)

Busbea, Larry, "Please Seat Your-Self: A Wmnicottian Reading ofthe Furniture­ Objects ofScott Burton." Volume 11, Number 2 (1996)

Cameron, Dan, "Transparencies." Volume 3, Number! (1986)

Caranfa, Angelo, "The Inner Life in Claudel's Art Criticism" Volume 12, Number 1 (1997)

Carl, Katherine, "Uprootedness and Reception in the ofJosef Koudelka" Volume 13, Number 2 (1998)

Cash, Stephanie, "The Art Criticism and ofLucy Lippard." Volume 9, Number 1 (1991)

Christen, Barbara S., "Responses to the Scenographic in Postmodem Architec­ ture." Volume 3, Number 3 (1987)

Clifford, Katie, "Scopophilia. Exhibitionism and the Art of Sophie Calle." Volume 10, Number 1 (1994)

Cohalan, Mary Lou, "Reinventing the Avant-Garde: A Stylistic Analysis of Se­ lected Essays ofJacques Derrida" Volume 13, Number 2 (1998)

Cohen, David, "In Search of Kitaj" Volume 12, Number 2 (1997)

Colquhoun, Alan, "Postmodem Critical Positions." Volume 2, Number 1 (1985)

vol. 14, no. 1 65 Comini, Alessandm, "Titles Can Be Troublesome: Misintetpretations in Male Art Criticism." Volume I, Number 2 (1979)

Comisarenco, ''The Earliest Bullfight Images ofPablo Picasso." Volume 9, Number 1 (1991)

Cone, Michele, "Suspicious 'Unheimlich' and Ambivalence in the Strategy ofAnselm Kiefer." Volume 6, Number 2 (1990)

Craven, David, "The 'Critique-Poesie' ofThomas Hess." Volume 1, Number 1 (1979)

Crow. Thomas, ''The Critique ofEnlightenment in Eighteenth-Century Art." Volume 3, Number 3 (1987)

Crow, Thomas, ''The Critique ofEnlightenment in Eighteenth Century Art." Volume 3, Number 1 (1986)

Cutler, Jody, "Manet to Manet and Back Again: Modern Painting According to " Volume 12, Number 2 (1997)

Davis, Douglas, "On ." Volume 3, Number 2 (1987)

Dean, Kelly, ''Robert Irwin" Volume 14, Number 1 (1999)

Diamond, Josephine, "Baudelaire's Exposure ofthe Photographic ." Volume 2, Number 2 (1986)

Dietrich, Linnea S. and Wyly, Katherine, translators, "Paul Gauguin's Notebook for Aline." Volume 7., Number 1 (1991)

Dietrich, Linnea S., "Introduction to Paul Gauguin's Notebookfor Aline." Volume 7, Number 1 (1991)

Dietrich, Linnea S., "Gauguin: The Eve ofMy Choice." Volume 4, Number 2 (1988)

DiUenberger, John, " and Church Commissions: Rubin's The Church atAssy Revisited." Volume 1, Number 1 (1979)

66 Art Criticism Edelson, Mary Beth, "Mary Beth Edelson on Saving the World" Volume 2, Number 3 (1986)

Elkins, James, "An Ambilogy of Painted Meanings." Volume 8, Number 2 (1993)

Emmer, C.B., " Against Modernity" Volume 13, Number 1 (1998)

Eskilson, Stephen, ''The Many or the One?" Volume 10, Number 1 (1994)

Farrell, Audrey, ": Exploitation or Art?" Volume 10, Number 2 (1995)

Ferb, Lara, "Dialectic Negation and the Unrepresentable Object of Nihilism in the Painting of Sigmar Polke." Volume 11, Number 2 (1996)

Friedman, D.S., "Public Things in the Atopic City: Late Notes on 1ilted Arc and the Vietnam Veterans' Memorial." Volume 10, Number 1 (1994)

Gablik. Suzi, "Postmodernism and the Question ofMeaning." Volume 3, Number 3 (1987)

Ganis, WIlliam, "Critical Moments Introduction" Volume 14, Number 1 (1999)

Ganis, William, "Jules Olitski" Volume 14, Number 1 (1999)

Ganis, WIlliam, "An Interview with Jules Olitsld" Volume 14, Number 1 (1999)

Gedo, John B., "Looking Through the Third Eye." Volume 4, Number 3 (1988)

Gedo, Mary Mathews, "Public ArtIPrivate : Roger Brown's Transfor­ mation ofthe ofDaedalus and Icarns." Volume 11, Number 2 (1996)

Gedo, Mary Matthews, "An Autobiography in the Shape ofAlabama: The Art of Roger Brown." Volume 4, Number 3 (1988)

vol. 14, no. 1 67 Gedo, Mary Matthews, "The Meaning ofArtistic Form and the Promise of the Psychoanalytic Method." Volume 2, Number 3 (1986)

Gersh-Nesic, Beth S., "Countertransference and Critical Discourse: The Case of Andre Salmon and Guillaume AppoUinaire" Volume 7, Number 2 (1992)

Glaser, David, "Spectacle in Recent Art. " Volume 2, Number 2 (1986)

Golub, Leon, ''What Works?" Volume I, Number 2 (1979)

Golub. Adrienne M., ''Towards A Newer Critique-The Missing Link: The Influ­ ence of T.S. Eliot's Ultra-Conservative Criticism on 's Early and Themes" Volume 12, Number I (1997)

Grauer, Victor A., "Passage from Realism to : The Subversion ofPictorlal Semiosis" Volume 13, Number 2 (1998)

Grauer, Victor A., ''Mondrian and the Dialectic ofEssence." Volume 11, Number 1 (1996)

Graziani, Ron, "Robert Smithson: An Esthetic Foreman in the Mining Industry (part Two)" Volume 13, Number 1 (1998)

Graziani, Ron, "Robert Smithson: An Esthetic Prospector in the Mining Industry (part 1: the 1960s)." Volume 10, Number 1 (1994)

Graziani, Ron, "Adrian Stokes and the Psychoanalytic." Volume 2, Number 3 (1986)

Greenberg, Allan, "Architecture ofDemocracy." Volume 3, Number 2 (1987)

Greenberg, Emily B., "Cindy Shennan and the Female Grotesque." Volume 9, Number 2 (1994)

Grimm, Jay, "APsychoanalytic Approach to Charles Burchfield." Volume 10, Number 1 (1994)

68 Art Criticism Grisham, Therese, "Resisting the 'Obscure Art ofLight': Reticence in the Art of Christian Boltanski." Volume 8, Number 2 (1993)

Guilbaut, Serge, "ArtHistory After Revisionism: Poverty and Hopes." Volume 2, Number 1 (1985)

Hartoonian, Gevork, "Avant-Garde: Re-Thinking Architecture" Volume 7, Number 2 (1992)

Hartoonian, Gevork, "Dom-ino and Its Trajectory: Metamorphosis Deconstructed." Volume 5, Number 2 (1989)

Hartoonian, Gevork, "Postmodernism: The Discrete Charm ofthe 'Other'" Volume 3, Number 3 (1987)

High, Stephen S., "Young German Painting: Towards the Hyperreal." Volume 4, Number 2 (1988)

Hobbs, Robert C., "Possibilities." Volume I, Number 2 (1979)

Howard, Seymour, "IRIS.: The 's Intent and Proliferation ofMeanings." Volume 9, Number 2 (1994)

Hugunin, James R., "From 'catop-tricks' to 'CliffDwellings': the Art ofBarbara Kasten." Volume 8, Number 2 (1993)

Huhn, Tom, and Marsh, Georgia, "(A) History ofNew Abstract Painting: Toward a Theory ofDomestic ." Volume 11, Number 1 (1996)

Jaffee, Barbara, "In the Name ofPeirce: Art Criticism and the October Circle" Volume 11, Number 2 (1996)

Jaffee, Barbara, "Purists and Pluralism Reconsidered: A Look at Criticism ofthe 19808." Volume 9, Number 1 (1991)

Japel, Nathan, "Philip Guston" Volume 14, Number 1 (1999)

Jensen, Robert, "The Politics ofSilence: The Show Revisited." Volume 9, Number 1 (1991)

vol. 14, no. 1 69 Jolly, Robert. "The Faith Dimension in Gestural Abstraction." Volume 8, Number 2 (1993)

Jones, Peter, ''Bacon and Bataille." Volume 11, Number 1 (1996)

Jusidman, Ytshai, ''Un-Ending Yad-Vasbem: Some Notes Towards an Aesthetics ofMonuments and Memorials" Volume 12, Number 1 (1997)

Kangas, Matthew, "Artists on the Team: Three Seattle Projects." Volume 1, Number 3 (1981)

Karoll, Elizabeth, " and a Memory ofhis Childhood" Volume 12, Number 2 (1998)

Kiefer, Geraldine Wojno, "Alfred Stieglitz, Camera Work, and Cultural Radical­ 1sm. " Volume 7, Number 2 (1992)

King, Elaine A., "The Post-Modern, Avant-Garde Enigma: Who and What is Kill­ ingArt?" Volume 11, Number 2 (1996)

King, James Roy, "Aesthetic Awareness in the Work ofRebecca West." Volume 11, Number 1 (1996)

Kirshner, Judith Russi, "A ofWomen's Experience." Volume 6, Number 1 (1989)

Knafo, Danielle, "The Dead Mother in Kiithe Kollwitz" Volume 13, Number 2 (1998)

Knafo, Danielle, "In Her Own Image: Self- in theArt ofFrida Kahlo and Ana Mendieta." Volume 11, Number 2 (1996)

Knafo, Danielle, "The Cult ofthe Avant-Garde Artist by . " Volume 11, Number 1 (1996)

Kozloff, Max, ''The Anxieties ofIndulgence: Theophile Gautier as Critic ofArt." Volume 8, Number 1 (1993)

Kultermann, Udo, "'s' Art as Experience': A Revaluation ofAesthetic Pragmatism." Volume 6, Number 3 (1990)

70 Art Criticism Kultermann, Udo, "Pino Pascali and the Reconstruction ofNature." Volume 5, Number 3 (1989)

Kuspit, Donald, "Using Art To Laugh Oneself Sick: Two Examples OfPunning in Early Avant-Garde Art" Volume 13, Number 1 (1998)

Kuspit, Donald, "Author's Comments on The Cult ofthe Avant-Garde Artist. " Volume 11, Number! (1996)

Kuspit, Donald, "Art: Sublimated Expression Or Transitional Experience? The Examples OfVan Gogh and Mondrian." Volume 9, Number 2 (1994)

Kuspit, Donald, "The Expressive ." Volume 9. Number 2 (1994)

Kuspit. Donald. "The Great Divide." Volume 9, Number 2 (1994)

Kuspit, Donald B., "A Sceptical Note on the Idea ofThe Moral Imperative." Volume 7, Number 1 (1991)

Kuspit, Donald B., ''The Good EnoughArtist: Beyond the MainstreamAvant-Garde Artist" Volume 6, Number 3 (1990)

Kuspit, Donald, B., "A Psychoanalytic Understanding ofAesthetic Disinterested­ ness." Volume 6, Number 2 (1990)

Kuspit, Donald, B., ''The Problem ofArt in the Age ofGlamour." Volume 6, Number 1 (1989)

Kuspit, Donald B., ": The New Gatsby." Volume 5, Number 1 (1988)

Kuspit, Donald, "Adrian Piper: Self-Healing Through Meta-Art." Volume 3, Number 3 (1987)

Kuspit, Donald, ''The Subjective Aspect of Critical Evaluation." Volume 3, Number 3 (1987)

Kuspit, Donald B., "Dorothea Tanning's Occult ." Volume 3, Number 2 (1987)

vol. 14, no. 1 71 Kuspit, Donald B., "The Narcissistic Justification ofArt Criticism." Volume 2, Number 2 (1986)

Kuspit, Donald, "Deadministering Art" Volume 2, Number 1 (1985)

Kuspit, Donald B., "Art in an Age ofMass Mediation." Volume 1, Number 3 (1981)

Kuspit, Donald B., "The Necessary Dialectical Critic." Volume 1, Number 1 (1979)

Kuzma, Sally, "Myth-making and Myth-Breaking: Multiple Meaning in Mel Chin's Revival Field." Volume 10, Number 2 (1995)

Langer, Sandra L., "Character and Sexual Politics in some Les­ bian Self-." Volume 1, Number 3 (1981)

Langer, Sandra, "Emerging History." Volume 1, Number 2 (1979)

Langhorne, Elizabeth, "George L.K. Morris: Critic." Volume 1, Number 4 (1981)

Laughlin, Tricia, '''s Women" Volume 13, Number 1 (1998)

Laughlin, Tricia, " and the Decorative Impulse in Modem Art" Volume to, Number 2 (1995)

Leenhardt, Jacques, "Artist Career, mainstream, andArt." Volume 6, Number 1 (1989)

Leenhardt, Jacques, "Archaism: Confronting the Past." Volume 4, Number 3 (1988)

Leuthold, Stephen M., "-lizing About Realism" Volume 12, Number 2 (1997)

Long, Timothy, "Art and Moral Resistance to Simulation." Volume 5, Number 3 (1989)

Luljak, David, Review: Hal Foster, Recodings. Volume 3, Number 1 (1986)

72 Art Criticism Luljak, David, "Criticism and Its Moral Imperative: An Interview with Mel Pekarsky." Volume 2, Number 3 (1986)

MacDonald, Erik, "Dis-seminating Cindy Sherman: The Body and the ." Volume 5, Number 2 (1989)

McDonnell, Patricia, "Kandinsky's Early Theories of Synaesthesia." Volume 6, Number 3 (1990)

McEvilIey, Thomas, ''The Tomb ofthe Zombie: AICA 1994" Volume 11, Number 1 (1996)

Margolis, Joseph, "Robert Morris: His Art and Thought" Volume 1, Number 2 (1979)

Masheck, Joseph, "A Plea (In Words) on Behalfof(Special) Things: Note on Art in Relation to Verbal Culture." Volume 1, Number 4 (1981)

Matthews, Patricia, ": Multiple Voices and Changing Para­ digms." Volume 5, Number 2 (1989)

Matthews, Patricia, "A Dialogue of Silence: May Stevens' Ordinary/Extraordi­ nary 1977-86." Volume 3, Number 2 (1987)

Mauzerall, Hope, "What's the Matter with Matter? Problems in the Criticism of Greenberg, Fried, and Krauss" Volume 13, Number 1 (1998)

Mehring, Christine, "Reexamining Greenberg's Impact: An Inquiry into His Lack ofReception in Germany." Volume 9, Number 2 (1994)

Melchionne, Kevin, "Rethinking Site-Specificity: Some Critical and Philosophical Problems" Volume 12, Number 2 (1997)

Menard, Andrew, "Cindy Sherman: The Cyborg Disrobes" Volume 9, Number 2 (1994)

Menard, Andrew, "Art and the Logic ofComputers." Volume 8, Number 2 (1993)

vol. 14, no. 1 73 Miller, Charles, v., "Mainstream Provincialism." Volume 6, Number 1 (1989)

Morgan, Robert C., ''The End ofthe (Art) World" Volume 11, Number 1 (1996)

Morgan, Robert C., ''The Without the Image," Volume 4, Number 2 (1988)

Morgan, Robert, C., "Review: Corinne Robbins: The Pluralist Era: American Art, 1968-1981" Volume 3, Number 2 (1987)

Morowitz, Laura, "Anonymity, Artisitc Brotherhoods and the in the Fin de Siecle," Volume 11, Number 2 (1996)

Mosquera, Gerardo, "New Cuban Art: Identity and Popular Culture," Volume 6, Number 1 (1989)

Nechvetal, Joseph,. "Machine Art: From Mechanical Repetition Into Electronic Flicker" Volume 12, Number 1 (1997)

Nechvatal, Joseph,. "Artistic Cynicism." Volume 5, Number 3 (1989)

Nechvatel, Joseph,. "High ," Volume 4, Number 2 (1988)

Neher, Ross, "As Stupid as a Painter: and the Politics of Self." Volume 10, Number 2 (1995)

Neville, Robert, "Reviewing the Relativist Perspective." Volume 1, Number 3 (1981)

Newton, Stephen J., "Guilt in Painting" Volume 13, Number 2 (1998)

Nickels, Bradley, "When the Realists Killed Realism," Volume 1, Number 3 (1981)

O'Connor, Francis v., "Painting Women; Feinting with Eros" Volume 7, Number 2 (1992)

74 Art Criticism 0'Connor, Francis v., "Depressive Elementalism and Modernism: APostmodemist Meditation." Volume 2, Number 2 (1986)

Olson, Kristina S., "Living With It: Michael Graves's Portland Building." Volume 5, Number I (1988)

Paradis, Jason, "Larry Poons" Volume 14, Number 1 (1999)

Paradis, Jason, "An Interview with Larry Poons" Volume 14, Number 1 (1999)

Parigi, Robert S., "Reading the Entrails: Splatter Cinema and the Postmodem Body." Volume 4, Number 2 (1988)

Peglau, Michael, "Facture, Painting and Norman Bryson." Volume 10, Number 2 (1995)

Peglau, Michael, "On Painting, the Gaze, and Lacan." Volume 6, Number 3 (1990)

Peglau, Michael, "On and Painting." Volume 4, Number 3 (1988)

Peglau, Michael, "Against Benjamin H.D. Buchloh's Attack on Painting." Volume 3, Number 2 (1987)

Peglau, Michael, "Review: Rosalind Krauss, The ofthe Avant-Garde and OtherModernist ." Volume 2, Numher 2 (1986)

Perrault, John, "First Person Singular." Volume 1, Number 2 (1979)

Ping, Zhou & Xin Bei, Fei, "The Making of Modernist Art in ." Volume 10, Number 2 (1995)

Plagens, Peter, "The McSacred and the Profane." Volume 5, Number 1 (1988)

Plagens, Peter, "A Letter from Home." Volume 2, Number3 (1986)

Platt, Susan Noyes, "Clement Greenberg,in the 1930's: A New Perspective on His Criticism." Volume 5, Number 3 (1989)

vol. 14, no. 1 75 Platt, Susan Noyes, "Fonnalism and American Art Criticism in the 1920's." Volume 2, Number 2 (1986)

Poleskie, Steve, "Reasons for Aerial Theatre." Volume 3, Number 1 (1986)

Rappaport, Herman, "'Can You Say Hello?': LaurleAnderson's United States." Volume 6, Number 3 (1990)

Rappaport, Herman, "Hans Breder and the Auras ofVideo." Volume 4, Number 1 (1987)

Raskin, David, "Adorno's Subject and Social: An Exegetical " Volume 12, Number 2 (1997)

Raskin, David, "Golub and Kosuth: Whose ?" Volume 12, Number 1 (1997)

Regester, Charlene, ''The Reading ofa Still: The Evocation ofDeath in Dorothy Dandridge's Photograph" Volume 13, Number 1 (1998)

Risatti, Howard, ''The Eighties Reviewed." Volume 6, Number 1 (1989)

Robins, Corinne, "The Women's Art Magazines." Volume 1, Number 2 (1979)

Rohn, Matthew, "Gendered Values in Clement Greenberg's Criticism." Volume 9, Number 1 (1991)

Rubin, James, "Art Criticism Studies and Their Consequences for Art History In­ troduction." Volume 3, Number 1 (1986)

Sandler, Irving, "The History ofContemporary Art: A Contradiction in Terms?" Volume 1, Number 1 (1979)

Seidell, Daniel A., "Kline Contra Kline" Volume 12, Number 1 (1997)

Seidell, Dan, "Rereading deKooning's ." Volume 10, Number 1 (1994)

Shanken, Edward A. , '''Le Coq, C'est Moil' Brancusi's Pasarea Maiastra: Na­ tionalistic Self-?" Volume 13, Number 2 (1998)

76 Art Criticism Sherlock, Maureen P., "Agoraphobia: The Contradiction ofCulture." Volume 7, Number 1 (1991)

Sherman, David, "Madness and Modernism, The Cult ofthe Avant-Garde Artist, and Empathic Art in the Mediascape." Volume 9, Number 2 (1994)

Shiff, Richard, "On Criticism Handling History." Volume 3, Number 1 (1986)

Silk, George, "Critic-Indentified Artists." Volume 1, Number 4 (1981)

Spector, Jack, "Review: Peter Burger, Theory ofthe Avant-Garde." Volume 2, Number 1 (1985)

Spector, Jack, "On Some Problems ofContemporary Art Criticism." Volume 1, Number 3 (1981)

Spitz, Ellen Handler, "An Insubstantial Pageant Faded." Volume 4, Number 3 (1988)

Stanton, Joseph, "A Langerian Comparison of a Starina Painting and a Richard Howard Poem." Volume 8, Number 2 (1993)

Stiles, Kristine, "Unbosoming Lennon: Yoko Ono's Experience" Volume 7, Number 2 (1992)

Strauss, David Levi, "American Beuys: 'I Like America & America Likes Me." Volume 8, Number 1 (1993)

Thill, Robert, ''THE SCREAM GIANT INFLATABLE" Volume 12, Number 2 (1997)

Tillim, Sidney, "Do Intentions Matter?" Volume 8, Number 2 (1993)

Tuchman, Phyllis, "The Road Now Taken." Volume 2, Number 2 (1986)

Tumasonis, Elizabeth, "Bocklin's Reputation: Its Rise and Fall." Volume 6, Number 2 (1990)

Ungersama Halperin, Joan, "Scientific Criticism and Ie beau moderne ofthe Age of Science." Volume 1, Number 1 (1979)

vol. 14, no. 1 77 Van Proyen, Mark, "The New Pusillanimity Art and the Post-Regional Climate." Volume 8, Number 1 (1993)

Van Scheppen, Randall K., "'s Criticism: Symptom of Formalist Crisis, Prophetic ofPostmodemist Promise." Volume 9, Number 2 (1994)

Van Schepen, Randall K., "Duchamp as Pervert" Volume 7, Number 2 (1992)

Vidler, Anthony, "The Architecture ofAllusion: Notes on the Postmodem Sub­ lime." Volume 2, Number 1 (1985)

Volkmar, Karl F., "A Natural Order: Observation and the Four Seasons" Volume 13, Number 1 (1998)

Wadlington, Will, "The Death ofArt; Review ofDonald Kuspit's The Cult ofthe Avant Garde Artist." Volume 11, Number 1 (1996)

Wallach, Alan, "The Avant-Garde ofthe Eighties." Volume 1, Number 3 (1981) Waugh, Joanne B., "On Picasso and Pornography" Volume 7, Number 2 (1992)

Webster, Mary, "Response to an Empathetic Critic." Volume 2, Number 3 (1986)

Welish, Marjorie, "The Visit." Volume 5, Number 1 (1988)

Welish, Marjorie, "Frame ofMind: Interpreting ." Volume 3, Number 2 (1987)

Welish, Marjorie, ": Transforming the Earth." Volume 2, Number 1 (1985)

Welish, Marjorie, " Painting: ANew Flowering ofthe Decorative." Volume 1, Number 4 (1981)

Werman, David S., "Psychoanalytic Perspectives on Art." Volume 2, Number 2 (1986)

Westfall, C.W., "On Razing the Primitive Hut." Volume 3, Number 1 (1986)

78 Art Criticism Whiting, Cecile, ''Regenerate Art: The Reception ofGennan Expressionism in the United States, 1900-1945." Volume 9, Numberl (1991)

Wiens, Ann, "Abject ofMy Desire." Volume 6, Number 2 (1990)

Wmgate, Jennifer, "Romare Bearden" Volume 14, Number 1 (1999)

Wmkenweder. Brian, "Art History, Sartre and Identity in Rosenberg's America" Volume 13, Number 2 (1998)

Wolf, Marlon, "Van Gogh, Vinnen, and Vasily Kandinsky: The Threshold to Ab­ straction." Volume 7, Number 1 (1991)

Yngvason, Hafthor. "Schiele, , and the ofthe Cave." Volume 6, Number 2 (1990)

vol. 14, no. 1 79 Chronological Index

Volume 1, Number 1 (1979)* Alloway, Lawrence, "The Complex Present." Baigell, Matthew, "Pearlstein's People." Craven, David, ''The 'Critique-Poesie' ofThomas Hess." Dillenberger, John, "Artists and Church Commissions: Rubin's The Church atAssy Revisited." Ungersama Halperin, Joan, "Scientific Criticism and Ie beau moderne ofthe Age ofScience." Kuspit, Donald B., ''The Necessary Dialectical Critic." Sandler, Irving, "The History ofContemporary Art: A Contradiction in Terms?"

Volume 1, Number 2 (1979) Alloway, Lawrence, "Women's Art and the Failure ofArt Criticism." Comini, Alessandra, "Titles Can Be Troublesome: Misinterpretations in Male Art Criticism. " Golub, Leon, "What Works?" Hobbs, Robert C., "Possibilities." Langer, Sandra, "Emerging Feminist Art History." Margolis, Joseph, "Robert Morris: His Art and Thought." Perrault, John, "First Person Singular." Robins, Corinne, "The Women's Art Magazines."

Volume 1, Number 3 (1981)* Baranik, Rudolf, "The State ofFormalism." Kangas, Matthew, "Artists on the Design Team: Three Seattle Projects." Kuspit, Donald B., "Art in an Age ofMass Mediation." Langer, Sandra L., "Character and Sexual Politics in some Romaine Brooks Les­ bian Self-Portraits." Neville, Robert, "Reviewing the Relativist Perspective." Nickels, Bradley, "When the Realists Killed Realism." Spector, Jack, "On Some Problems ofContemporary Art Criticism." Wallach, Alan, "The Avant-Garde ofthe Eighties."

Volume 1, Number 4 (1981) Adrian, Dennis, "Writing in Chicago." Braun, Barbara, "Rufino Tamayo: Indigenous or Cosmopolitan Painter?" Langhorne, Elizabeth, "George L.K. Morris: Critic." Masheck, Joseph, "A Plea (In Words) on Behalf of(Special) Things: Note on Art in Relation to Verbal Culture." Silk, George, "Critic-Indentified Artists." Welish, Marjorie, "Pattern Painting: ANew Flowering ofthe Decorative."

80 Art Criticism Volume 2, Number 1 (1985) Baigell, Matthew, "Robert Moriss' Latest Works: Slouching TowardAnnageddon." Colquhoun, Alan, "Postmodern Critical Positions." Guilbaut, Serge, "Art History After Revisionism: Poverty and Hopes." Kuspit, Donald, "Deadministering Art." Spector, Jack, "Review: Peter Burger, Theory ofthe Avant-Garde." Vidler, Anthony, ''The Architecture of Allusion: Notes on the Postmodem Sub­ 1nne.· .. Welish, Marjorie, "Harold Rosenberg: Transforming the Earth."

Volume 2, Number 2 (1986) Boettger, Suzaan, "Regression in the Service of..." Diamond, Josephine, "Baudelaire's Exposure ofthe Photographic Image." Glaser, David, "Spectacle in Recent Art." Kuspit, Donald B., ''The Narcissistic Justification ofArt Criticism." 0' Connor, Francis v., "Depressive Elementalism and Modernism: APostmodernist Meditation." Peglau, Michael,"Review: Rosalind Krauss, The Originality ofthe Avant-Garde and OtherModernist Myths." Platt, Susan Noyes, " and American Art Criticism in the 1920's." Tuchman, Phyllis, "The Road Now Taken." Werman, David S., "Psychoanalytic Perspectives on Art."

Volume 2, Number 3 (1986) Baranik, Rudolf, "Philistinism in Front ofArt and Art History." Berkowitz, Terry, "Report from Behind the Screens." Edelson, Mary Beth, ''Mary Beth Edelson on Saving the World." Gedo, Mary Matthews, ''The Meaning of Artistic Form and the Promise of the Psychoanalytic Method," Graziani, Ron, "Adrian Stokes and the Psychoanalytic." Luljak, David. "Criticism and Its Moral Imperative: An Interview with Mel Pekarsky." Plagens, Peter, "A Letter from Home." Webster, Mary, "Response to an Empathetic Critic."

Volume 3, Number 1 (1986) Cameron, Dan, "Transparencies." Crow, Thomas, ''The Critique of Enlightenmel1t in Eighteenth Century Art." Luljak, David, Review: Hal Foster, Recodings. Poleskie, Steve, "Reasons for Aerial Theatre." Rubin, James, "Art Criticism Studies and Their Consequences for Art History In­ troduction." Shiff, Richard, "On Criticism Handling History," Westfall, C.w., ''On Razing the Primitive Hut."

vol. 14, no, 1 81 Volume 3, Number 2 (1987) Davis, Douglas, "On Architecture." Greenberg, Allan, "Architecture ofDemocracy." Kuspit, Donald B., "Dorothea Tanning's Occult Drawings." Matthews, Patricia, "A Dialogue of Silence: May Stevens' OrdinarylExtraordi­ naryI977-86." Morgan, Robert, C., "Review: Corinne Robbins: The Pluralist Era: American Art, 1968-1981." Peglau, Michael, "Against Benjamin H.D. Buchloh's Attack on Painting." Welish, Marjorie, "Frame ofMind: Interpreting Jasper Johns."

Volume 3, Number 3 (1987) Bois, Yves-Alain, "Critical Evaluation." Christen, Barbara S., "Responses to the Scenographic in Postmodern Architec­ ture." Crow, Thomas, "The Critique ofEnlightenment in Eighteenth-Century Art" Gablik, Sozi, "Postmodernism and the Question ofMeaning." Hartoonian, Gevork, "Postmodernism: The Discrete Charm ofthe 'Other'" Kuspit, Donald, "Adrian Piper: Self-Healing Through Meta-Art" Kuspit, Donald, "The Subjective Aspect ofCritical Evaluation."

Volume 4, Number 1 (1987) Baigell, Matthew, "American and National Identity: The Stieglitz Circle and Emerson" Bisanz, Rudolf M., "More on a 'Discipline in Crisis' and Some Possible Rem­ edies; General Methodology in Art History and a Special Application to the 19th Century." Bisanz, RudolfM., ''Nexus, Plexus, Fidibus-Still, the Nineteenth Century Doesn't Add Up For Us!" Brensen, Michael, ''Newspaper Art Criticism." Rappaport, Herman, "Hans Breder and the Auras ofVideo."

Volume 4, Number 2 (1988) Dietrich, Linnea S., "Gauguin: The Eve ofMy Choice." High, Stephen S., "Young German Painting: Towards the Hyperreal." Morgan, Robert C., ''The Icon Without the Image." Nechvatel, Joseph, ''High Style." Parigi, Robert S., "Reading the Entrails: Splatter Cinema and the Postmodem Body."

82 Art Criticism Volume 4, Number 3 (1988)* Bonta, Juan Pablo, "Architectural Criticism, Values and Psychoanalysis." Gedo, John E., "Looking Through the Third Eye." Gedo, Maty Matthews, "An Autobiography in the Shape ofAlabama: The Art of Roger Brown." Leenhardt, Jacques, "Archaism: Confronting the Past." Peglau, Michael, "On Mimesis and Painting." Spitz, Ellen Handler, "An Insubstantial Pageant Faded."

Volume 5, Number 1 (1988) Barnard, Phillip, translator, "The Phallus Stripped Bare by its Non-Bachelors, Even: A Conversation Between Alain Kirili and Phillippe Sollers." Bisanz, RudolfM., "The Nude and Erotic Art: The Pick ofthe Crop Reviewed." Kuspit, Donald B., "David Salle: The New Gatsby." Olson. Kristina S., "Living With It: Michael Graves's Portland Building." Plagens. Peter. "The McSacred and the Profane." Wclish, Marjorie, "The Studio Visit."

Volume 5, Number 2 (1989) Bisanz, Rudolf M., "The Culture of Eros: A Frugal Guide to Sybaritic Art." Borum, Jennifer Penrose, "Robert Pincus-Witten: The Critic as Dandy." Hartoonian, Gevork, "Dom-ino and Its Tmjectory: Metamorphosis Deconstructed." MacDonald, Erik. ''Dis-seminating Cindy Sherman: The Body and the Photograph." Matthews, Patricia, "Feminist Art Criticism: Multiple Voices and Changing Para- d19ms.· "

Volume 5, Number 3 (1989) Alford, C. Fred, "Art and Reparation or, Poetry After Auschwitz?" Baigell, Matthew, "A Ramble Around Early Earth Works." Kultermann, Udo, "Pino Pascali and the Reconstruction ofNature." Long, Timothy, "Art and Moml Resistance to Simulation." Nechvatal, Joseph, "Artistic Cynicism." Platt, Susan Noyes, "Clement Greenberg,in the 1930's: A New Perspective on His Criticism."

Volume 6, Number 1 (1989) Bisanz, Rudolf, M., "Art History: Art Criticism and the Ideological Birth ofMod­ em Art." Kirsl1ner, Judith Russi, "A Narrative ofWomen's Experience." Kuspit, Donald, B., "The Problem ofArt in the Age of Glamour." Leenhardt, Jacques, "Artist Career, mainstream, and Art." Miller, Charles, v., "Mainstream Provincialism." Mosquem, Gerardo, ''New Cuban Art: Identity and Popular Culture." Risatti, Howard, ''The Eighties Reviewed."

vol. 14, no. 1 83 Volume 6, Number 2 (1990) Biro, Matthew, "Art Criticism and Deconstruction: Rosalind Krauss and Jacques Derrlda." Cone, Michele, "Suspicious 'Unheimlich' and Ambivalence in the Appropriation Strategy ofAnselm Kiefer." Kuspit, Donald, B., "APsychoanalytic Understanding ofAesthetic Disinterested­ ness." Tumasonis, Elizabeth, "Bocklin's Reputation: Its Rise and Fall." Wiens, Ann, "Abject ofMy Desire." Yngvason, Hafthor, "Schiele, Michelangelo, and the Allegory ofthe Cave."

Volume 6, Number 3 (1990) Kultermann, Udo, "John Dewey's'Art as Experience': A Revaluation ofAesthetic Pragmatism. " Kuspit, Donald B., ''The Good Enough Artist: Beyond the Mainstream Avant-Garde Artist." McDonnell, Patricia, "Kandinsky's Early Theories ofSynaesthesia." Peglau, Michael, "On Painting, the Gaze, and Lacan." Rappaport, Herman, "'CanYou Say Hello?': LaurleAnderson's United States."

Volume 7, Numberl (1991) Baldessari, John; Camnitzer, Luis; Gablik, Suzi; Koons, Jeff; Pekarsky, Mel; Sandback, Amy Baker; and Storr, Robert, contributors, "The Idea of the Moral Imperative in Contempomry Art." Bartell, Jeannine; Quizon, Cheree; and Williams, Ellen, contributors,''Three Re­ views ofHigh and Low! Modern Art and Popular Culture at the Museum ofMod­ ern Art." Dietrich, Linnea S. and Wyly, Katherine, translators, "Paul Gauguin's Notebook for Aline." Dietrich, Linnea S., "Introduction to Paul Gauguin's Notebookfor Aline." Kuspit, Donald B., "A Sceptical Note on the Idea ofThe Moral Imperative." Sherlock, Maureen P., "Agoraphobia: The Contradiction ofCulture." Wolf, Marion, ''Van Gogh, Vmnen, and Vasily Kandinsky: The Threshold to Ab­ straction."

Volume 7, Number 2 (1992) Gersh-Nesic, Beth S., "Countertransference and Critical Discourse: The Case of Andre Salmon and Guillaume Appollinaire" Hartoonian, Gevork, "Avant-Garde: Re-Thinking Architecture" Kiefer, Geraldine Wojno, "Alfred Stieglitz, Camera Work, and Cultural Radical­ Ism. " O'Connor, Francis v., ''Painting Women; Feinting with Eros" Stiles, Kristine, ''Unbosoming Lennon: Yoko Ono's Experience" Van Schepen, Randall K., "Duchamp as Pervert" Waugh, Joanne B., "On Picasso and Pornography" 84 Art Criticism Volume 8, Number 1 (1993) Bartel, Jeannine, "Cartoons, Comforters and the Cultural Industry: Mike Kelley's Art as Deception or Enlightenment?" Bisanz, Rudolph, "Proto-Modernist Aesthetics and Art Criticism Amended: From Behaviorist'Doctrinaire Realism'to Existentialist 'Process Art' and Wilhelm Liebl'Three Women in Church." Brockelman, Thomas, ''Modernism and Theatricality." Kozloff, Max, "The Anxieties ofIndulgence: Theophile Gautier as Critic ofArt." Strauss, David Levi, "American Beuys: 'I Like America & America Likes Me." Van Proyen, Mark, ''The New Pusillanimity Art and the Post-Regional Climate."

Volume 8, Number 2 (1993) Baigell, Matthew, "Reflections oniofRichard Estes." Baranik, Rudolf, "Art: Devilish, Diabolic, Satanic, Demonic." Brandl, Mark Staff and Daniel Ammann, "Beyond 'Like' and 'As' in Images: Metonymy and Metaphor in Some Recent Art" Elkins, James, "An Ambilogy ofPainted Meanings." Grisham, Therese, "Resisting the 'Obscure Art of Light': Reticence in the Art of Christian Boltanski." Hugunin, James R., "From 'catop-tricks'to 'Cliff Dwellings': the Art of Barbara Kasten." Jolly. Robert. "The Faith Dimension in Gestural Abstraction." Menard, Andrew, "Art and the Logic ofComputers." Stanton, Joseph, "A Langerian Comparison of a Starina Painting and a Richard Howard Poem." Tillim, Sidney, "Do Intentions Matter?"

Volume 9, Number 1 (1991) Babich, Babette, "On Malls, Museums, and the Art World: Postmodernism and the Vicissitudes ofConsumer Culture." Cash, Stephanie, ''The Art Criticism and Politics ofLucy Lippard." Comisarenco, "The Earliest Bullfight Images ofPablo Picasso." Jaffee, Barbara, "Purists and Pluralism Reconsidered: A Look at Criticism ofthe 1980s." Jensen, Robert, "The Politics of Silence: The Degenerate Art Show Revisited." Rohn, Matthew, "Gendered Values in Clement Greenberg's Criticism." Whiting, Cecile, "Regenerate Art: The Reception ofGerman Expressionism in the United States, 1900-1945."

vol. 14, no. 1 85 Volume 9, Number 1 (1994) Greenberg, Emily B., "Cindy Sherman and the Female Grotesque." Howard, Seymour, "LR.LS.: The Artist's Intent and Proliferation ofMeanings." Kuspit, Donald, "Art: Sublimated Expression Or Transitional Experience? The Examples OfVan Gogh and Mondrian." Kuspit, Donald, "The Expressive Gaze." Kuspit, Donald, "The Great Divide." Mehring, Christine, "Reexamining Greenberg's Impact: An Inquity into His'Lack ofReception in Germany." Menard, Andrew, "Cindy Sherman: The Cyborg Disrobes" Sherman, David, "Madness and Modernism, The Cult ofthe Avant-Garde Artist, and Empathic Art in the Mediascape." Van Scheppen, Randall K., "Leo Steinberg's Criticism: Symptom of Formalist Crisis, Prophetic ofPostmodernist Promise."

Volume 10, Number 1 (1994) Graziani, Ron, "Robert Smithson: An Esthetic Prospector in the Mining Industry (part 1: the 1960s)." Seidell, Dan, "Rereading deKooning's Critics." Grimm, Jay, "A Psychoanalytic Approach to Charles Burchfield." Clifford, Katie, "Scopophilia, Exhibitionism and the Art ofSophie Calle." Friedman, D.S., "Public Things in the Atopic City: Late Notes on 1ilted Arc and the Vietnam Veterans' Memorial." Eskilson, Stephen, ''The Many or the One?"

Volume 10, Number 2 (1995) Peglau, Michael, "Facture, Painting and Norman Bryson." Laughlin, Trisha, "Lee Krasner and the Decorative Impulse in Modern Art." Neher, Ross, "As Stupid as a Painter: Jackson Pollock and the Politics ofSelf." Ping, Zhou & Xin Bei, Fei, "The Making of Modernist Art in China." Kuzma, Sally, "Myth-making and Myth-Breaking: Multiple Meaning in Mel Chin's Revival Field." Farrell, Audrey, "Judy Chicago: Exploitation or Art?" ''Fall in Review: Selected New York Shows."

86 Art Criticism Volume 11, Number 1 (1996) Grauer, Victor A., "Mondrian and the Dialectic ofEssence." Jones, Peter, "Bacon and Bataille." Huhn, Tom, and Marsh, Georgia, "(A) History ofNew Abstract Painting: Toward a Theory ofDomestic Abstraction." McEvilley, Thomas, "The Tomb ofthe Zombie: AICA 1994." Morgan, Robert C., "The End ofthe (Art) World." King, James Roy. "Aesthetic Awareness in the Work ofRebecca West." Kuspit, Donald, "Author's Comments on The Cult ofthe Avant-Garde Artiat." Knafo, Danielle, "The Cult ofthe Avant-Garde Artiat by Donald Kuspit." Wadlington, Will, "The Death ofArt; Review of Donald Kuspit's The Cult ofthe Avant Garde Artiat."

Volume 11, Number 1 (1996) Knafo, Danielle, "In Her Own Image: Self-Representation in the Art ofFrida Kahlo and Ana Mendieta." Busbea, Larry, "Please Seat Your-Self: A Wmnicottian Reading of the Furniture­ Objects of Scott Burton." Gedo, Mary Mathews, "Public ArtIPrivate Iconography: Roger Brown's Transfor­ mation ofthe Myth ofDaedalus and Icarus." Ferb, Lara, "Dialectic Negation and the Unrepresentable Object ofNihilism in the Painting ofSigmar Polke." Morowitz, Laura, "Anonymity, Artisitc Brotherhoods and the Art Market in the Fin de Siecle." King, Elaine A., "The Post-Modern, Avant-Garde Enigma: Who and What is Kill­ ingArt:!" Jaffee, Barbara, "In the Name ofPeirce: Art Criticism and the October Circle"

Volume 12, Number 1 (1997) Golub, Adrienne M., "Towards A Newer Critique-The Missing Link: The Influ­ ence of T.S. Eliot's Ultra-Conservative Criticism on Clement Greenberg's Early Rhetoric and Themes" Raskin, David, "Golub and Kosuth: Whose Expressionism?" Jusidman, Ytshai, "Un-Ending Yad-Vashem: Some Notes Towards an Aesthetics ofMonuments and Memorials" Caranfa, Angelo, "The Inner Life in Claudel's Art Criticism" Bisanz, Rudolph M., "Hermeneutics and Art: From Schleiermacher to Derrida: On the Trail ofthe 'True Meaning' ofthe Work" Nechvetal, Joseph, "Machine Art: From Mechanical Repetition Into Electronic Flicker" Siedell, Daniel A., "Kline Contra Kline" Brzyski-Long, Anna, "Retracing the Modernist Origins: Conceptual Parallels in the Aesthetic Thought ofCharles Baudelaire and G.W.F. Hegel"

vol. 14, no. 1 87 Volume 12, Number 2 (1997)* Bradford, Thomasine, "Room 16" Thill, Robert, ''THE SCREAM GIANT INFLATABLE" Cohen, David, "In Search ofKitaj" Melchionne, Kevin, "Rethinking Site-Specificity: Some Critical and Philosophi­ cal Problems" Budick, Ariella, "Factory Seconds: Diane Arbus and the Imperfections in Mass Culture" Leuthold, Stephen M., "Genre-lizing About Realism" Raskin, David, "Adorno's Subject and Social: An Exegetical Study" Cutler, Jody, "Manet to Manet and Back Again: Modem Painting According to Michael Fried"

Volume 13, Number 1 (1998) Graziani, Ron, "Robert Smithson: An Esthetic Foreman in the Mining Industry (part 1\vo)" Volkmar, Karl F., "A Natural Order: Observation and the Four Seasons" Regester, Charlene, "The Reading ofa Still: The Evocation of Death in Dorothy Dandridge's Photograph" Karoll, Elizabeth, "Francesco Clemente and a Memory ofhis Childhood" Emmer, C.E., "Kitsch Against Modernity" Mauzerall, Hope, "What's the Matter with Matter? Problems in the Criticism of Greenberg, Fried, and Krauss" Laughlin, Tricia, "Tamara de Lempicka's Women" Kuspit, Donald, "Using Art To Laugh Oneself Sick: 1\vo Examples OfPunning in Early Avant-Garde Art"

Volume 13, Number 2 (1998) Kualo, Danielle, "The Dead Mother in Kiithe Kollwitz" , Stephen J., "Guilt in Painting" Carl, Katherine, ''Uprootedness and Reception in the Photographs ofJosef Koudelka" BaigeU, Matthew, "American Art around 1960 and the Loss ofSeIf' Cohalan, Mary Lou, "Reinventing the Avant-Garde: A Stylistic Analysis of Se­ lected Essays ofJacques Derrida" Shanken, Edward A. , "'Le Coq, C'eat Moil' Brancnsi's Pasarea Maiastra: Na­ tionalistic Self-Portrait?" Wmkenweder, Brian, "Art History, Same and Identity in Rosenberg's America" Grauer, Victor A., "Passage from Realism to Cubism: The Subversion ofPictorial Semiosis"

88 Art Criticism Volume 14, Number 1 (1999) Ganis, William, "Critical Moments Introduction" Wingate, Jennifer, "Romare Bearden" Bryson, Greg, "Suzi Gablik" Bryson, Greg, "An Interview with Suzi Gablik" Japel, Nathan, "Philip Guston" Dean, Kelly, "Robert Irwin" Barnett, Lisa, "Sally Mann" Budzynski, Scott, "Malcom Morley" Gattis, William, "Jules Olitski" Ganis, William, "An Interview with Jules Olitski" Paradis, Jason, "Larry Poons" Paradis, Jason, "An Interview with Larry Poons" Author Index Chronological Index General Subject Index

* Indicates issue available to subscribers only as a photocopy.

vol. 14. no. 1 89 General Subject Index

Abstract Painting 2.3 82-84 11.1 55-61 Adorno, Theodor 2.1 51-60 5.3 16-32 8.1 70-80 9.1 1-18 9.2 9-23 11.2 92-114 12.2 82-88 Aerial Theatre 3.1 78-84 Anderson, Guy Irving 2.3 89-101 Anderson, Laurie 2.2 11-21 6.3 43-62 Anfam, David 12.1 83-94 Apollinaire, Guillaume 7.2 79-88 Arbus, Diane 12.2 50-70 Architecture 2.1 61-69 3.1 11-26 3.2 49-62 3.2 63-70 3.3 1-8 3.3 32-53 4.3 26-36 5.1 34-56 5.2 41-48 7.2 100-107 9.1 93-109 Art Criticism and Baudelaire, Charles 2.2 1-10 12.1 95-111 and Buchloh, Benjamin 3.2 1-33 and Chicago 1.4 1-10 and Claudel, Paul 12.1 57-65 and Contemporary Art 1.3 3-24 and Critic-Identified Artists 1.4 40-51 and de Kooning, Willem 10.1 29-46 and Diachronic vs. Synchronic 1.1 32-41 and Dialectics 1.1 13-31 and the Eighties 9.1 1-18 and Eliot, T.S. 12.1 5-37 and Empathy 2.3 32-36 and Feminism 5.2 1-34 and Formalism 2.2 69-84 and Fried, Michael 8.1 49-69 12.2 89-112 13.1 81-96

90 Art Criticism and GabIik, Suzi 14.1 11-19 and Gautier, Theophile 8.1 13-48 and German Art 6.1 1-18 9.1 72-92 and Greenberg, Clement 5.3 47-64 9.1 41-64 9.2 9-23 12.1 5-37 13.1 81-96 and Hess, Thomas 1.1 83-100 10.1 29-46 and Kitsch 13.1 53-80 and Klimt, Gustav 1.2 50-54 and Kline, Franz 12.1 83-94 and Koudelka, Josef 13.2 25-41 and Kozloff, Max 3.2 71-87 13.2 25-41 and Krauss, Rosalind 13.1 81-96 and Lippard, Lucy 9.1 32-40 and Leibl, Wilhelm 8.1 97-108 and Moral Imperative 7.1 1-59 7.1 106-112 and Morris, L.K. 1.4 20-39 and Newspapers 4.1 12-22 and October 11.2 92-114 and Perreault, John 1.2 3-12 and Possibilities 1.2 96-104 and Post-modernism 2.1 31-38 and Psychoanalysis 2.2 85-92 3.3 74-83 and Rosenberg, Harold 1.2 96-104 2.1 10-28 10.1 29-46 13.2 83-102 and Science 1.1 55-71 and Steinberg, Leo 9.2 24-37 and Studio Visits 5.1 1-10 and Subjectivity 2.2 85-92 3.3 74-83 and the Twenties 2.2 69-84 and Verbal Culture 1.4 11-19 and Women's Art 1.2 55-65 Art Historical Methodologies 4.1 1-11 Bacon, Francis 11.1 27-54 Bataille, Georges 11.1 27-54 Baudelaire, Charles 2.2 1-10 5.2 49-60 12.1 95-111

vol. 14, no. 1 91 Baudrillard, Jean 5.3 65-80 Bearden, Romare 14.1 7-10 Becker, Howard 6.1 43-50 Beckett, Samuel 13.2 54-66 Bell, Clive 2.2 69-84 Benjamin, Walter 6.1 66-74 11.2 92-114 Bernard, Emile 11.2 71-79 Beuys, Joseph 6.1 66-74 8.1 1-12 Blashfield, Edwin Howland 7.2 76-78 Boas, George 1.3 91-103 BocklU1,~old 6.2 48-71 Boltanski, Christian 8.2 89-97 Boucher, Fran~ois 3.3 17-31 Brancusi, Constantin Pasarea Maiastra 13.2 67-82 Braque, Georges 13.1 107-113 13.2 103-136 Breder,Hans 4.1 48-55 Brooks, ROmaUle 1.3 25-40 Brown, Roger 4.3 37-49 Broude, Norma Feminism and Art History: Questioning the Litany 2.3 102-109 Brown, Roger 11.2 38-53 Brummell, George Bryan (Beau) 5.2 49-60 Bryson, Norman 4.3 1-25 10.2 1-31 13.2 103-136 Buchloh, BenjamUl H.D. 3.2 1-33 9.2 56-63 Burchfield, Charles 10.1 47-58 Burger, Peter Theory ofthe Avant-Garde 2.1 70-76 BurgUl, Victor 13.2 103-136 Burton, Scott 11.2 20-37 Cage, John 13.2 42-53 California 8.1 81-96 Calle, Sophie 10.1 59-65 Camera Work 7.2 1-20 Cameron, Dan 4.1 23-26 Carnegie, International 6.1 51-56 Cezanne, Paul 13.2 103-136 Chambray, Roland Fr6art de 3.3 17-31 Chasseguet-Smirgel, JanUle 7.2 53-75 Chicago 1.4 1-10 Chicago, Judy 10.2 94-106 Chin, Mel 10.2 82-93 92 Art Criticism ChineseArt 10.2 69-81 Cinema 4.2 1-18 Clark, Kenneth Feminine 5.1 62-72 5.2 61-71 The Nude: A Study in Ideal Form 5.1 62-72 5.2 61-7 Claudel, Paul 12.1 57-65 Clemente, Francesco 10.2 109-110 13.1 48-52 Cochin, Charles-Nicolas 3.3 17-31 Coe, Susan 3.1 1-10 4.1 23-26 Compositional Formalism ILl 55-61 8.2 58-67 12.1 78-82 Conger, William 2.3 1-16 Consciousness 4.2 38-46 Contemporary Art History 1.1 42-54 Craven, Thomas 2.2 69-84 Crow, Thomas 9.2 56-63 Cuban Art 6.1 57-65 Cubism 13.2 103-136 Cynicism 5.3 81-84 Dandridge, Dorothy 13.1 41-47 Dandyism 5.2 49-60 Deaccession 10.1 105-109 Degas, Edgar 3.1 60-77 de Kooning, Willem 1.1 83-100 7.2 76-78 8.2 37-49 10.1 29-46 "Demonic" Art 8.2 50-53 de Piles, Roger 3.3 17-31 Derrida, Jacques 6.2 33-47 13.2 54-66 13.2 103-136 Dewey,John 2.2 69-84 6.3 17-27 Dove, Arthur 4.1 27-47 Dubuffet, Jean 7.2 76-78 Duchamp. Marcel 7.2 53-75 13.1 107-113 Dunning, Jeanne 6.1 20-31 Eakins, Thomas 12.2 89-112 Earthworks 5.3 1-15 10.1 1-28 10.2 82-93 vol. 14, no. 1 93 13.1 5-21 Eco, Umberto 3.1 30-45 13.2 103-136 Eglington. Guy 2.2 69-84 Eliot, T.S. 12.1 5-37 Emerson. Ralph Waldo 4.1 27-47 13.2 42-53 Empson, William 8.2 26-35 Entarte Kunst 9.1 19-31 9.1 72-92 EroticArt 5.2 61-71 7.2 89-99 Estes, Richard 8.1 16-25 Expressive Gaze 9.2 81-97 Feminism 1.2 49-95 2.3 49-54 2.3 102-109 3.2 34-42 5.2 1-34 6.1 20-31 11.1 77-89 Feminist Art Journal 1.2 84-95 Feneon, Felix 1.1 55-71 Fitzgerald, F. Scott 5.1 57-61 Formalism 1.3 79-83 Foster, Hal Recodings 3.1 85-92 Foster, Stephen C. 12.1 83-94 Frampton, Kenneth 4.3 26-36 Freud, Sigmund 6.2 72-80 9.2 64-80 Fried, Michael 8.1 49-69 11.2 92-114 12.2 89-112 13.1 81-96 Fry,Roger 2.2 69-84 Gablik, Suzi 14.1 11-19 Garrard, Mary Feminism and Art History: Questioning the Litany 2.3 102-109 Gauguin, Paul 4.2 47-60 Notebookfor Aline 7.1 60-80 Gautier, Tbeophile 8.1 13-48 Gaze 6.3 1-16 10.2 1-31 Gedo,John 4.3 64-73 Gedo,Mary 4.3 64-73 Geertz, Clifford 3.1 30-45 German Art 2.3 32-36 94 Art Criticism 4.2 26-37 6.1 1-18 7.1 91-105 9.1 72-92 11.2 54-70 13.2 4-15 Golub, Leon 2.2 11-21 12.1 38-47 Gombrich, E.H. 3.1 30-45 Goodman, Nelson 5.3 16-32 Gouma-Peterson, Thalia 5.2 1-34 Art 4.3 50-63 Graham, Dan 5.3 65-80 Graves, Michael 3.3 32-53 5.1 34-56 Graves, Morris 2.3 89-101 Greenberg, Clement 1.4 40-51 3.3 54-66 5.3 47-64 6.1 66-74 9.1 1-18 9.1 41-64 9.2 9-23 10.2 32-54 10.2 55-68 11.2 92-114 12.1 5-37 13.1 53-80 13.1 81-96 13.2 103-136 Guilbaut, Serge How New York Stole the Idea o/Modern Art 2.3 39-45 Guilt 13.2 16-24 Gurlitt, Fritz 6.2 48-71 Guston, Philip 14.1 20-23 Halley, Peter 3.1 1-10 5.3 65-80 Harris, Ann Sutherland 1.2 55-65 1.2 66-83 Hartley, Marsden 4.1 27-47 Heidegger, Martin 6.2 12-20 Heizer, Michael 5.3 1-15 Hejduk. John 4.3 26-36 Hegel, G.W.F. 12.t 95-111 Hermeneutics 12.1 66-77 Hess, Thomas B. 1.1 83-100 10.1 37-46 High and Low!

vol. 14, no. 1 Modern Artand Popular Culture 7.1 43-59 Hofmann, Hans 5.3 47-64 Holt, Nancy 5.3 1-15 Homosexuality 1.3 25-40 2.3 89-101 13.1 97-106 Howard, Richard 8.2 68-87 Howard. Seymour LRIS. 9.2 1-8 Hunt, Bryan 2.2 22-25 1.1 55-71 10.2 111-112 Intentionality 8.2 54-57 International Association ofArt Critics 11.1 62-69 Irwin, Robert 14.1 24-27 Jakobson, Roman 8.2 98-108 Jameson, Frederic 6.3 43-62 Johns, Jasper 3.2 71-87 6.1 43-50 Johnson, Philip 3.3 32-53 Joyce, James 13.2 54-66 Judaica 12.1 48-56 12.2 25-35 13.2 83-102 Kafka, Franz 5.3 47-64 Kahlo, Frida 11.2 1-19 Kandinsky, Vasily 6.3 28-42 7.1 91-105 Kant, Immanuel 6.2 1-11 6.2 72-80 Kaplan, Donald M. 6.2 72-80 Kasten, Barbara 8.2 1-15 Keating, Andrew 1.3 48-69 Kelly,Mike 8.1 70-80 Kendrick, Mel 2.2 22-25 Kenny, Leo 2.3 89-101 Kiefer, Anselm 6.2 12-20 Kippenberger, Martin 10.2 107-108 Kirili, Alain 5.1 11-18 Kitaj, RB. 12.2 25-35 Kitsch 12.2 18-24 13.1 53-80 Klein, Melanie 2.3 17-31 5.3 16-32 Klimt, Gustav 1.2 50-54 6.2 1-11 Kline, Franz 12.1 83-94 Kollwitz, Kithe 13.2 4-15 96 Art Criticism Koons, Jeff 7.1 29-35 Koudelka, Josef 13.2 25-41 Kosuth, Joseph 12.1 38-47 Kozloff, Max 3.2 71-87 13.2 25-41 Krasner, Lee 10.2 32-54 Krauss, Rosalind 3.2 71-87 2.2 93-101 62 33-47 9.1 1-18 11.2 92-114 13.1 81-96 Kristeva., Julia 6.2 21-32 Kuspit, Donald The Cult ofthe Avant-Garde Artist 9.2 98-112 11.1 90-110 "Gennan Expressionist " 2.3 32-36 Lacan, Jacques 6.3 1-16 La Font de Saint-Venne 3.3 17-31 Langer, Suzanne 8.2 68-87 LeCorbusier 5.2 41-48 Leibl, Wilhelm 8.1 97-108 Lempicka, Tamara de 13.1 97-106 Lennon, John 7.2 21-52 Lesbian Sexuality 1.3 25-40 13.1 97-106 Levine, Sherrie 3.1 1-10 Lin, Maya Ymg 10.1 66-104 Lippard, Lucy 4.1 23-26 5.2 1-34 9.1 32-40 Longo,Robert 2.2 11-21 Lucie-Smith, Edward Sexuality in 5.1 62-72 Lyotard, Jean-Francois 2.1 31-38 MachineArt 12.1 78-82 Mainstream Art 6.1 43-50 6.1 51-56 Manet, Edouard 12.2 89-112 Mann,Sally 14.1 28-31 Marcuse, Herbert 5.3 16-32 Marin,John 4.1 27-47 Markowitz, Sherry 1.3 48-69 Marxism 2.1 39-50 3.2 1-33 McBride, Henry 2.2 69-84 Media 1.3 70-78 vol. 14, no. 1 97 Meier-Graefe 6.2 48-71 Mendieta, Ana 11.2 1-19 Michelangelo (Buonarroti) 6.2 1-11 Mimesis 4.3 1-25 Mondrian, Piet 9.2 64-80 11.1 1-26 Moral Imperative 2.3 55-62 7.1 1-41 7.1 106-112 Morley, Malcom 14.1 32-35 Morris, George L.K. 1.4 20-39 Morris, Robert 1.2 13-28 2.1 1-9 13.2 42-53 Munch, Edvard 12.2 18-24 Muntadas 4.2 19-25 Museum ofModern Art 7.1 43-59 10.1 105-109 12.2 5-17 New York Times 4.1 12-22 Nochlin, Linda 1.2 55-65 1.2 66-83 Northwest School 2.3 89-101 October 11.2 92-114 ()'Keeffe, Georgia 4.1 27-47 C>ldenburg, Claes 4.3 50-63 ()litski, Jules 14.1 36-46 ()no, Yoko 7.2 21-52 ()sbome, Harold 6.2 72-80 Pach, Walter 2.2 69-84 Commune 7.1 81-90 Parker, Roszika 5.2 1-34 Pascalli, Pino 5.3 33-46 Pattern Painting 1.4 68-79 Pearlstein, Philip 1.1 3-11 Perreault, John 1.2 3-12 Philipon, Charles 3.1 60-77 2.2 1-10 5.2 35-40 9.2 38-48 9.2 49-55 11.1 102-104 12.2 50-70 13.2 25-41 14.1 28-31 Picasso, Pablo 3.1 60-77 7.2 89-99 9.1 65-71 13.2 103-136 98 Art Criticism Pincus-Witten, Robert 5.2 49-60 Piper, Adrian 3.3 9-16 Pissarro, Camille 13.1 22-40 Pittsburgh 6.1 51-56 6.2 1-11 Pluralism 3.2 88-94 Poleskie, Steve 3.1 78-84 Polke, Sigmar 11.2 54-70 Pollock, Griselda 5.2 1-34 Pollock, Jackson 10.2 55-68 Poons, Larry 14.1 47-60 Porcheron, Emile 3.1 60-77 Portland, Oregon 5.1 34-56 Possibilities 1.2 96-103 Post-Modernism and Architecture 2.1 61-69 3.1 11-26 3.2 63-70 3.3 1-8 3.3 32-53 5.1 34-56 5.2 41-48 9.1 93-109 and the Art World ILl 70-76 and Burger, Peter 2.1 70-76 andChina 10.2 69-81 and Cinema 4.2 1-18 and Critical Positions 2.1 31-38 and Diachronic vs. Synchronic 4.3 74-82 and the Eighties 1.3 41-46 6.1 66-74 11.2 80-91 and Estes, Richard 8.2 16-25 and Feminist Critics 5.2 1-34 and Glamor 6.1 32-42 and the International Association ofArt Critics 11.1 62-69 and Mainstream Art 6.1 43-50 and Media 9.2 98-112 and Meaning 3.3 67-73 and Neoconservatism 3.3 54-66 and Performance Art 6.3 43-62 and Post-Structuralism 3.3 54-66 and Psychoanalysis 2.2 43-56 2.2 57-68 and Revisionism 2.1 39-51 and Spectacle 2.2 11-21 and Value 1.2 29-48 Price. Bruce D. 13.2 54-66 vol. 14, no. 1 99 Psychoanalysis and Adrian Stokes 2.3 17-31 and Aesthetics 5.3 16-32 6.2 72-80 and Artistic Form 2.3 1-16 and the Avant-Garde 6.3 63-72 11.1 90-100 11.1 101-104 11.1 105-110 and the Dead Mother 13.2 4-15 and Depressive Elementalism 2.2 43-56 and Gaze 6.3 1-16 9.2 81-97 and Glamor 6.1 32-42 and Guilt 13.2 16-24 and Narcissism 2.2 85-92 4.3 64-73 6.1 32-42 andPunning 13.1 107-113 and Regression 2.2 57-68 Psychoanalytic Readings ofArchitecture 4.3 26-36 ofArt 2.2 29-42 ofAvant-Garde Artists 6.3 63-72 ofBrancusi, Constantin 13.2 67-82 ofBurchfield, Charles 10.1 47-58 ofBurton, Scott 11.2 20-37 ofCalle, Sophie 10.1 59-65 ofClemente, Francesco 13.1 48-52 ofDuchamp, Marcel 7.2 53-75 ofGauguin. Paul 4.2 47-60 ofGraffiti Art 4.3 50-63 ofKollwitz, Kiithe 13.2 4-15 ofMondrian, Piet 9.2 64-80 ofSamaras, Lucas 6.2 21-32 ofvan Gogh, Vmcent 9.2 64-80 Pun.in, Nikolai 1.4 40-51 Raven, Arlene 5.2 1-34 Realism 1.3 84-90 12.2 71-81 Ramberg, Christina 6.1 20-31 Rauschenberg, Robert 13.2 42-53 Reginato, Peter 2.2 22-25 Regionalism 1.3 84-90 Reinhardt, Ad 13.2 42-53 Revisionism 2.1 39-50 Rimbaud, Arthur 7.1 81-90 Robins, Corinne 100 Art Criticism The Pluralist Era: American Art 3.2 88-94 Romania 13.2 67-82 Romero, George 4.2 1-18 Rose, Barbara 3.2 71-87 Rosenberg, Harold 1.2 96-103 2.1 10-28 10.1 29-37 13.2 83-102 Rubin, William S. Modern Sacred Art and The Church at Assy 1.1 72-82 SacredArt 1.1 72-82 8.2 37-49 Salle, David 3.1 1-10 5.1 57-61 Salmon, Andre 7.2 79-88 Samaras, Lucas 6.2 21-32 Sandrart, Joachim von 3.1 60-77 Sargent, Jobn Singer 7.2 76-78 Sartre, Jean-Paul 13.2 83-102 Sass, Louis Madness and Modernism 9.2 98-112 Scharf, Kenny 3.1 1-10 Schiele, Egon 6.2 1-11 11.1 101-102 Schliemann, Heinrich 4.3 74-82 Seattle 1.3 48-69 Segal, Hanna 5.3 16-32 Self-negation 13.2 42-53 Semiotics 3.1 30-45 4.3 1-25 6.2 33-47 13.2 103-136 Serra, Richard 2.2 11-21 5.1 19-33 10.1 66-104 Serrano, Andres 10.2 110-111 Shapiro, David 3.2 71-87 Sherman, Cindy 5.2 35-40 9.2 38-48 9.2 49-55 11.1 102-104 Sigler, Hollis 6.1 20-31 Simpson, Buster 1.3 48-69 Site-Specificity 1.3 48-69 5.1 19-33 10.1 1-28 10.1 66-104 12.2 36-49 vol. 14, no. 1 101 13.1 5-21 Smith. Bradley Erotic Art ofthe Masters 5.1 62-72 Twentieth Century Masters ofErotic Art 5.1 62-72 Smith. Kiki 10.2 108-109 Smithson, Robert 10.1 1-28 13.1 5-21 13.2 42-53 1.3 84-90 Sollers, Philippe 5.1 11-18 Sonfist, Alan 5.3 1-15 Spectacle 2.2 11-21 Splatter Cinema 4.2 1-18 Stamina 8.2 68-87 Starrett, Jim 5.3 65-80 Steinberg, Leo 9.2 24-37 Steiner, Rudolf 6.3 2842 Stella, Frank 13.2 42-53 Stevens, May 3.2 34-42 Stieglitz, Alfred 4.1 2747 7.2 1-20 Stokes, Adrian 2.3 17-31 Sukenick, Ronald 13.2 54-66 11.1 27-54 12.2 5-17 Synaesthesia 6.3 2842 1rannmng,I>orothea 3.2 4348 11.2 71-79 1ramayo, Rufino 1.4 52-67 1rannmng, Dorothea 3.2 4348 TIckner, Lisa 5.2 1-34 Times Square Show 1.3 4146 1robey. Mark 2.3 89-101 1rrosman, Harry 6.2 72-80 Van Gogh, Vmcent 7.1 91-105 9.2 64-80 Vamedoe, Kirk 12.2 5-17 Venturi, Robert 3.3 32-53 2.3 4648 2.3 85-88 4.1 48-55 Village Voice 1.2 3-12 Vumen,Carl 7.1 91-105 Warhol, Andy 2.2 11-21 12.2 50-70 13.2 42-53 Watson, Forbes 2.2 69-84

102 Art Criticism Webb,Peter The Erotic 5.1 62-72 West, Rebecca 11.1 77-89 Whitman, Walt 4.1 27-47 Wtnnicott, D.W. 92 64-80 11.2 20-37 Womanart 1.2 84-95 Woman Artists Newsletter 1.2 84-95 Yad-Vashem 12.1 48-56

vo1. 14, no. 1 103 104 Art Criticism Contributors

Lisa Barnett is currently an editor at Oxford University Press in New York.

Greg Bryson received his M.F.A. from SUNY Stony Brook in 1997 and is now teaching art at Vrrginia Tech in Blacksburg, Vrrginia.

Scott Budzynski is a Ph.D. student at SUNY Stony Brook and is writing his dis~ sertation under Donald Kuspit on "The History ofGerman Self-Portraiture." Scott is also an assistant at AU base in Manhattan.

Kelly Dean received her M.F.A. from SUNY Stony Brook in 1997 and continues to make sculpture from her Bayshore, Long Island studio.

WOllam Ganis is a lecturer and Ph.D. candidate at SUNY Stony Brook writing his dissertation, "Andy Warhol: A Photographer."

Nathan Japel received his M.F.A. from SUNY Stony Brook in 1998 and is cur­ rently a painter and instructor at the College ofNotre Dame of Maryland.

Jason Paradis received his M.F.A. from SUNY Stony Brook in 1998. Currently he is an artist living in Williamsburg, New York City and has been exhibiting his work at the Islip and Long Island's Prism Gallery. He also works as Bill Maynes's assistant at the Bill Maynes Gallery in Chelsea.

Jennifer Wingate is a Ph.D. student in American art at SUNY Stony Brook, she is currently conducting research for the upcoming , "Art and the Empire City: The in New York. 1825-1861" at the Metropolitan Museum of Art.

vol. 14, no. 1 105 Art Criticism

Founding Co-Editors: and Donald B. Kuspit

Editor: Donald B. Kuspit

Guest Editor: William V. Ganis

Advisory Committee: James Rubin and Mel Pekarsky

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Index Editor: William V. Ganis

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