The Waning of the Little Ice Age
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Pieter Bruegel the Elder 1 Pieter Bruegel the Elder
Pieter Bruegel the Elder 1 Pieter Bruegel the Elder Pieter Bruegel the Elder Bruegel's The Painter and The Connoisseur. drawn c. 1565 is thought to be a self-portrait. Birth name Pieter Bruegel Born c. 1525Breda, Duchy of Brabant, Habsburg Netherlands (now the Netherlands) Died 9 September 1569 (age 44)Brussels, Duchy of Brabant, Habsburg Netherlands (now Belgium) Field Painting, printmaking Movement Dutch and Flemish Renaissance Works Landscape with the Fall of Icarus, The Hunters in the Snow, The Peasant Wedding Pieter Bruegel the Elder (Dutch pronunciation: [ˈpitəɾ ˈbɾøːɣəl]; c. 1525 – 9 September 1569) was a Flemish Renaissance painter and printmaker known for his landscapes and peasant scenes (Genre Painting). He is sometimes referred to as "Peasant Bruegel" to distinguish him from other members of the Brueghel dynasty, but is also the one generally meant when the context does not make clear which "Bruegel" is being referred to. From 1559 he dropped the 'h' from his name and started signing his paintings as Bruegel. Life There are records that he was born in Breda, Netherlands, but it is uncertain whether the Dutch town of Breda or the Belgian town of Bree, called Breda in Latin, is meant. He was an apprentice of Pieter Coecke van Aelst, whose daughter Mayken he later married. He spent some time in France and Italy, and then went to Antwerp, where in 1551 he was accepted as a master in the painter's guild. He traveled to Italy soon after, and then returned to Antwerp before settling in Brussels permanently 10 years later. He received the nickname 'Peasant Bruegel' or 'Bruegel the Peasant' for his alleged practice of dressing up like a peasant in order to mingle at weddings and other celebrations, thereby gaining inspiration and authentic details for his genre paintings. -
Myth, Mediation, Marvel a Wikibook to Accompany Our Study of “Musée Des Beaux Arts” Contents
Myth, Mediation, Marvel A Wikibook to accompany our study of “Musée des Beaux Arts” Contents 1 Myth 1 1.1 Daedalus ................................................ 1 1.1.1 Family ............................................. 1 1.1.2 The Labyrinth ......................................... 1 1.1.3 Daedalus and Icarus ...................................... 2 1.1.4 Sicily ............................................. 2 1.1.5 Daedalus and Perdix ..................................... 3 1.1.6 Innovator ........................................... 3 1.1.7 Gallery ............................................ 3 1.1.8 See also ............................................ 3 1.1.9 References .......................................... 3 1.1.10 External links ......................................... 4 2 Myth, reconsidered and framed: Bruegel 5 2.1 Pieter Bruegel the Elder ........................................ 5 2.1.1 Life .............................................. 5 2.1.2 Historical background ..................................... 5 2.1.3 Subjects ............................................ 5 2.1.4 Family ............................................. 7 2.1.5 Work referenced in others’ work ............................... 7 2.1.6 Works ............................................. 8 2.1.7 Selected works ........................................ 9 2.1.8 References .......................................... 10 2.1.9 External links ......................................... 10 2.2 Landscape with the Fall of Icarus .................................. -
Brueghel's Winter
BRUEGHEL’S WINTER Introduction This poem is about the painting The Hunters in the snow also known as The Return of the Hunters by Pieter Brueghel the Elder. The Hunters in the snow and the series to which it belongs were made for a merchant in Antwerp that had asked Brueghel to make paintings which were study of the Labours of the months: they are The Winter, The Hay Harvest, The Gloomy Day, The Return Of The Herd, The Harvesters, And The Hunters in The Snow. Facts about the painting The painting is full of activities of winter. This painting was made during renaissance. 1516s was the time of religious revolution in the Netherlands. It is more different from Northern painting. There is no such landscape in Netherlands. This painting is a reminder that Brueghel had actually made his way from Northern Europe across the Alps to Italy. So this painting is not an actual view but a composed, partially imagined, composite landscape activated by human figures. Interpretation of the images We start from left hand side of the painting. I. The hunters in the snow • The painting shows a wintry scene. • The hunters are in the foregrounds taking up a large portion and they are returning from a voyage accompanied by their dogs. • The hunters appear to trudge tiredly and the dogs appear downtrodden and miserable. • One man carries the ‘corpse of a fox’ illustrating the paucity of the hunt. • We can also see the footprints of a rabbit. Probably, it must have been escaped from the hunters. • There are also several adults and a child preparing food at an inn. -
Amarílis Lage De Macedo Pinturas De Brueghel, Imagens De Williams
Amarílis Lage de Macedo Pinturas de Brueghel, imagens de Williams: tradução comentada de poemas Dissertação de Mestrado Dissertação apresentada como requisito parcial para obtenção do grau de Mestre pelo Programa de Pós-graduação em Estudos da Linguagem do Departamento de Letras da PUC-Rio. Orientador: Prof. Paulo Fernando Henriques Britto Rio de Janeiro Fevereiro de 2020 2 Amarílis Lage de Macedo Pinturas de Brueghel, imagens de Williams: tradução comentada de poemas Dissertação apresentada como requisito parcial para obtenção do grau de Mestre pelo Programa de Pós- graduação em Estudos da Linguagem da PUC-Rio. Aprovada pela Comissão Examinadora abaixo. Prof. Paulo Fernando Henriques Britto Orientador Departamento de Letras – PUC-Rio Profa. Teresa Dias Carneiro Departamento de Letras – PUC-Rio Prof. José Roberto Basto O’Shea UFSC Rio de Janeiro, 21 de fevereiro de 2020. 3 Todos os direitos reservados. É proibida a reprodução total ou parcial do trabalho sem autorização da universidade, da autora e do orientador. Amarílis Lage de Macedo Graduou-se em Comunicação Social pela UFC (Universidade Federal do Ceará) em 2000 e concluiu, em 2013, o curso de especialização em Formação de Escritores oferecido pelo ISE Vera Cruz, em São Paulo. Atua como jornalista e é pesquisadora no campo da tradução poética. Ficha Catalográfica Macedo, Amarílis Lage de Pinturas de Brueghel, imagens de Williams : tradução comentada de poemas / Amarílis Lage de Macedo; orientador: Paulo Fernando Henriques Britto. – 2020. 287 f. : il. color. ; 30 cm Dissertação (mestrado)–Pontifícia Universidade Católica do Rio de Janeiro, Departamento de Letras, 2020. Inclui bibliografia 1. Letras – Teses. 2. Poesia. 3. Tradução de poesia.