Cedric 'Im' Brooks United Africa Mp3, Flac, Wma

Total Page:16

File Type:pdf, Size:1020Kb

Cedric 'Im' Brooks United Africa Mp3, Flac, Wma Cedric 'Im' Brooks United Africa mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Reggae Album: United Africa Country: Jamaica Released: 1978 Style: Roots Reggae, Dub MP3 version RAR size: 1201 mb FLAC version RAR size: 1598 mb WMA version RAR size: 1549 mb Rating: 4.4 Votes: 587 Other Formats: AAC XM ASF MPC VOC ADX DXD Tracklist A1 Satta Masa Ganna 7:10 A2 United Africa 5:05 A3 African Medley 4:40 B1 Silent Force 6:21 B2 River Jordan 2:13 B3 Praises 4:27 B4 Elehreh 3:27 Companies, etc. Phonographic Copyright (p) – Aquarius Recording Co. Ltd. Copyright (c) – Wait A Bit Music Printed By – Solo-Graphic Printers Ltd. Credits Alto Saxophone – Gerrard Salmon Bass – Boris Gardiner Bass Drum – Desmond Jones Bass Drum, Percussion – Lloyd Barnes Bass Drum, Voice – Aston Russell Bass, Voice – Tony Allen Clarinet – Maxine Mitchell Design [Jacket], Photography By – Huntley Burgher Drum [Funde], Percussion, Voice – Gilbert Golding Drum [Funde], Voice – Austin Ricketts Drum [Repeater] – Joel Crawville Drums [Traps] – Calvin McKenzie, Nelson Miller Executive-Producer – Lloyd Chin-Loy Guitar – Ernest Ranglin, Lennox Gordon Organ – Leslie Butler Percussion – Alvin Haughton, Beres Hammond Piano – Harold Butler Soprano Saxophone – Dean Frasier* Tenor Saxophone, Drum [Repeater] – Cedric 'Im' Brooks* Trombone – Al Ahmad, Calvin Cameron*, Joe McCormak* Trumpet – Arnold Brakenridge*, David Madden, Jackie Willacy, Vivian Hall Voice – Cedric Brooks*, Joan Francis, Marcia Bailey, Paulette Chambers, Sandra Brooks Other versions Category Artist Title (Format) Label Category Country Year Cedric "Im" ARCO LP 009 United Africa (LP, RE) Water Lily ARCO LP 009 Jamaica Unknown Brooks Cedric "Im" United Africa (LP, none Water Lily none Jamaica Unknown Brooks Album, RP) Cedric 'Im' United Africa (CD, none Wait A Bit none Jamaica 2001 Brooks* Album, RE) Cedric "Im" United Africa (LP, ARCO LP 009 Water Lily ARCO LP 009 Jamaica Unknown Brooks Album, Re) Cedric "Im" United Africa (LP, ARCO LP 009 Water Lily ARCO LP 009 Jamaica Unknown Brooks Album, Lab) Comments about United Africa - Cedric 'Im' Brooks Felhalar First, the album cover is an incredible photo - Cedric's dashiki and saxophone all blend into the trees. Second, the horn intro for "Satta Masa Ganna" blows the roof off and draws in the listener. This album is definitely one for the archives and is a fusion of reggae, jazz, and African music. "United Africa" , "River Jordan" , "Praises" and "Elehreh" are some my noted favorites. "Elehreh" is a big track, not sure of the dialect but you can definitely feel the vibes. It can be said that Cedric "Im" Brooks was a master at his craft, unafraid to push the boundaries both in sound and word. Related Music albums to United Africa by Cedric 'Im' Brooks Various - Drum & Bass Headhunterz Wareika Hill Sounds - Coconut Head Various - UKF Summer Drum & Bass Vol. 2 Various - Drum & Bass & Vocaloid Various - Liquicity Drum & Bass 2017 Stokesly - Drum and Bass - Best of Breed semez... - drum'n'gress #01 Various - This is... Drum&Bass.
Recommended publications
  • EINZELHANDEL NEUHEITEN-KATALOG NR. 129 RINSCHEWEG 26 IRIE RECORDS GMBH (CD/LP/10" & 12"/7"/Dvds/Books) D-48159 MÜNSTER KONTO NR
    IRIE RECORDS GMBH IRIE RECORDS GMBH BANKVERBINDUNGEN: EINZELHANDEL NEUHEITEN-KATALOG NR. 129 RINSCHEWEG 26 IRIE RECORDS GMBH (CD/LP/10" & 12"/7"/DVDs/Books) D-48159 MÜNSTER KONTO NR. 31360-469, BLZ 440 100 46 (VOM 27.07.2003 BIS 08.08.2003) GERMANY POSTBANK NL DORTMUND TEL. 0251-45106 KONTO NR. 35 60 55, BLZ 400 501 50 SCHUTZGEBÜHR: 0,50 EUR (+ PORTO) FAX. 0251-42675 SPARKASSE MÜNSTERLAND OST EMAIL: [email protected] HOMEPAGE: www.irie-records.de GESCHÄFTSFÜHRER: K.E. WEISS/SITZ: MÜNSTER/HRB 3638 ______________________________________________________________________________________________________________ IRIE RECORDS GMBH: DISTRIBUTION - WHOLESALE - RETAIL - MAIL ORDER - SHOP - YOUR SPECIALIST IN REGGAE & SKA -------------------------------------------------------------------------------------------------------------- GESCHÄFTSZEITEN: MONTAG/DIENSTAG/MITTWOCH/DONNERSTAG/FREITAG 13 – 19 UHR; SAMSTAG 12 – 16 UHR ______________________________________________________________________________________________________________ *** CDs *** ALPHA BLONDY...................... PARIS BERCY................... EMI............ (FRA) (00/01). 19.99EUR GLADSTONE ANDERSON & THE MUDIE ALL STARS........................ GLADY UNLIMITED............... MOODISC........ (USA) (77/99). 21.99EUR HORACE ANDY....................... FEEL GOOD ALL OVER: ANTHOLOGY. TROJAN......... (USA) (--/02). 21.99EUR 2CD BADAWI............................ SOLDIER OF MIDIAN............. ROIR........... (USA) (01/01). 21.99EUR BEENIE MAN/BUJU BANTON/BOUNTY KILLER..........................
    [Show full text]
  • Dennis Brown ARTIST: Dennis Brown TITLE: The
    DATE March 27, 2003 e TO Vartan/Um Creative Services/Meire Murakami FROM Beth Stempel EXTENSION 5-6323 SUBJECT Dennis Brown COPIES Alice Bestler; Althea Ffrench; Amy Gardner; Andy McKaie; Andy Street; Anthony Hayes; Barry Korkin; Bill Levenson; Bob Croucher; Brian Alley; Bridgette Marasigan; Bruce Resnikoff; Calvin Smith; Carol Hendricks; Caroline Fisher; Cecilia Lopez; Charlie Katz; Cliff Feiman; Dana Licata; Dana Smart; Dawn Reynolds; [email protected]; Elliot Kendall; Elyssa Perez; Frank Dattoma; Frank Perez; Fumiko Wakabayashi; Giancarlo Sciama; Guillevermo Vega; Harry Weinger; Helena Riordan; Jane Komarov; Jason Pastori; Jeffrey Glixman; Jerry Stine; Jessica Connor; Jim Dobbe; JoAnn Frederick; Joe Black; John Gruhler; Jyl Forgey; Karen Sherlock; Kelly Martinez; Kerri Sullivan; Kim Henck; Kristen Burke; Laura Weigand; Lee Lodyga; Leonard Kunicki; Lori Froeling; Lorie Slater; Maggie Agard; Marcie Turner; Margaret Goldfarb; Mark Glithero; Mark Loewinger; Martin Wada; Melanie Crowe; Michael Kachko; Michelle Debique; Nancy Jangaard; Norma Wilder; Olly Lester; Patte Medina; Paul Reidy; Pete Hill; Ramon Galbert; Randy Williams; Robin Kirby; Ryan Gamsby; Ryan Null; Sarah Norris; Scott Ravine; Shelin Wing; Silvia Montello; Simon Edwards; Stacy Darrow; Stan Roche; Steve Heldt; Sujata Murthy; Todd Douglas; Todd Nakamine; Tracey Hoskin; Wendy Bolger; Wendy Tinder; Werner Wiens ARTIST: Dennis Brown TITLE: The Complete A&M Years CD #: B0000348-02 UPC #: 6 069 493 683-2 CD Logo: A&M Records & Chronicles Attached please find all necessary liner notes and credits for this package. Beth Dennis Brown – Complete A&M Years B0000348-02 1 12/01/19 11:49 AM Dennis Brown The Complete A&M Years (CD Booklet) Original liner notes from The Prophet Rides Again This album is dedicated to the Prophet Gad (Dr.
    [Show full text]
  • Street Hype Newspaper and Its Publishers
    Patriece B. Miller Funeral Service, Inc. Licensed Funeral Director From Westmoreland, Jamaica WI • Shipping Local & Overseas ‘Community Lifestyle Newspaper’ 914-310-4294 Vol: 8 No. 09 WWW.STREETHYPENEWSPAPER.COM • FREE COPY MAY 1-18, 2013 Court Restrains Pastor By Shirley Irons, Contributing Writer he Bronx Supreme Court has intervened in the ongoing Ttwo-year financial dispute between the Board of Trustees and Pastor Ivan Plummer of the Emmannuel Seventh Day Church Ministries in the Bronx. According to court docu- titles of the ments obtained by Street Hype, church's real or the Board of Trustees and the personal proper- Happy members alleged that Plummer ties to anyone. with the help of other church The court also officers misappropriated and decided that embezzled church funds and had Plummer acted C a r i b b e a n taken over sole control of all the unilaterally Mother’s Day Pastor Ivan church assets. Plummer when he entered See Page 11 & 13 Flavor The members also claimed into the agree- Rasta Pasta that Plummer had entered into an ment on behalf of the church and agreement with an “associate” on declared that agreement null and Jerk Chicken behalf of the church without con- void. Curry Coconut Salmon sulting the trustees and he had He was further ordered to Brown Stew Salmom refused to provide a financial present a written financial Run Down Snapper accounting of the church's assets accounting of the church's assets and funds with an estimated to the members and to comply by Jerk Salmon value of nearly $1 million.
    [Show full text]
  • Peter Tosh Burial Mp3, Flac, Wma
    Peter Tosh Burial mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Reggae Album: Burial Country: Jamaica Released: 1973 MP3 version RAR size: 1675 mb FLAC version RAR size: 1836 mb WMA version RAR size: 1573 mb Rating: 4.7 Votes: 610 Other Formats: VOC ASF DXD MPC DMF RA MP4 Tracklist A Burial B Burial (Version) Companies, etc. Recorded At – Treasure Isle Recording Studio Distributed By – Tuff Gong Music Ltd Credits Backing Vocals, Percussion [Uncredited] – Bunny Wailer Bass [Uncredited] – Aston "Family Man" Barrett Drums [Uncredited] – Carlton Barrett Engineer [Uncredited] – Errol Brown Keyboards [Uncredited] – Tyron Downie* Saxophone, Trumpet [Uncredited] – David Madden Vocals, Guitar, Keyboards [Uncredited] – Peter Tosh Notes Peter Tosh & The Wailers "Burial" single released on the Intel Diplo blue label. Recorded at Duke Reid's Treasure Isle Studio; eight track; Peter Tosh production. Dist. by Tuff Gong Records, 127 King St., Kgn, Ja. Barcode and Other Identifiers Matrix / Runout (Side A): INTEL - A TIS Matrix / Runout (Side B): INTEL - B TIS Other versions Category Artist Title (Format) Label Category Country Year Peter Tosh & The Peter Tosh & The Wailers - none Intel Diplo none Jamaica 1973 Wailers Burial (7") Peter Tosh & The Peter Tosh & The Wailers - none Intel Diplo none Jamaica 1973 Wailers Burial (7", Single) none Peter Tosh Burial (7") Intel Diplo none Jamaica 1975 none Peter Tosh Burial (7", Single, RP) Intel Diplo none Jamaica Unknown Peter Tosh & The Peter Tosh & The Wailers - none Intel Diplo none Jamaica Unknown Wailers Burial (7", Lig) Related Music albums to Burial by Peter Tosh Bob Marley & The Wailers, Peter Tosh - The birth of a legend Wailer's, Peter Tosh - Pound Get A Blow / Burial Aston Family Man Barrett - Legendary Wailers In Dub Bob Marley & The Wailers - Legend - The Best Of Bob Marley And The Wailers Peter Tosh - Burial Peter Tosh - Legalize It Bob Marley & The Wailers - Confrontation Bob Marley & The Wailers Featuring Peter Tosh - The Birth Of A Legend.
    [Show full text]
  • Airwaves Dub
    AIRWAVES DUB GREEN FUTURES FESTIVAL RADIO www.greenfuturesfestivals.org.uk/www.kingstongreenradio.org.uk + TuneInRadio Thurs - 9-11pm - Cornerstone feat. Baps and Nico aka Wiseman DESTINY RADIO 105.1FM www.ultracultureradio.com/www.destinyradio.uk Sat – 10-1am - Cornerstone Sun – 4-6pm – Sir Sambo Sound feat. King Lloyd, DJ Elvis and Jeni Dami Sun – 10-1am – Destination feat. Ras Hugo and Jah Sticks. Strictly roots session. Tues – 7-10pm - One Drop Collective feat. Garvin Dan, D-Ninety and Laura Peachy Wed – 10-midnight – Sir Sambo Sound NATURAL VIBEZ RADIO.COM – Daddy Mark - Stevenage - sessions Mon – 10-midnight Sun – 9-midday. Strictly roots session. Editor's Dub Dear Reader After leafing through and seeing the lack of reggae coverage in the five music magazines I recently picked up in the Truck Shop on Cowley Road, re-emphasised for me, the need to produce one: a regular channel, for the celebration of Roots Reggae music. So here’s the first issue, of the first roots reggae magazine, for the Thames Valley region. It’s envisaged as a quarterly production, focusing on Oxfordshire, Buckinghamshire and Berkshire. As well as a channel for roots reggae music, I hope this publication will also be a source of knowledge for Black History – and a showcase for local and regional talents: the poets, artists, writers and budding journalists. Salutes go to Gary Constant, Helen Baillie, Dan I Cameron and John Green: for the early boost they gave this initiative - the Dub Visionaries! To the Oxford City Council Culture Fund, Name It Youth Project, Alex and Jules Dalitz, Nick Barber and Sasha East.
    [Show full text]
  • International Reggae, Democratic Socialism, and the Secularization of the Rastafarian Movement, 1972–1980 Stephen A
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by The Keep Eastern Illinois University The Keep Faculty Research and Creative Activity Communication Studies January 1998 International reggae, democratic socialism, and the secularization of the Rastafarian movement, 1972–1980 Stephen A. King Eastern Illinois University, [email protected] Follow this and additional works at: http://thekeep.eiu.edu/commstudies_fac Part of the Communication Commons, and the Music Commons Recommended Citation King, Stephen A., "International reggae, democratic socialism, and the secularization of the Rastafarian movement, 1972–1980" (1998). Faculty Research and Creative Activity. 12. http://thekeep.eiu.edu/commstudies_fac/12 This Article is brought to you for free and open access by the Communication Studies at The Keep. It has been accepted for inclusion in Faculty Research and Creative Activity by an authorized administrator of The Keep. For more information, please contact [email protected]. International reggae, democratic socialism, and the secularization of the Rastafarian movement, 1972–1980 Stephen A. King During the 1970s, the Jamaican people appeared to rise “up in rebellion and revolt to . improve their social conditions” (Panton 31). After a decade of struggle against an increasingly repressive Jamaican Labour Party (JLP), Jamaica’s poor and dissident groups embraced the candidacy of People’s National Party (PNP) leader Michael Manley, the son of former Prime Minister Norman Manley, for Prime Minister in 1972. During the national election campaign, Manley attempted to appeal to the Rastafarians and Jamaica’s Black Power movement. Manley even adopted the Biblical name “Joshua” and promised the Jamaican people deliverance from oppression.
    [Show full text]
  • Tribute to Late Reggae Great Mittoo 5/17/08 9:05 AM
    CANOE -- JAM! - Tribute to late reggae great Mittoo 5/17/08 9:05 AM March 14, 2008 Tribute to late reggae great Mittoo By ERROL NAZARETH - Sun Media TORONTO - "He made me a better keyboard player in 30 seconds." That's keyboardist Jason Wilson reminiscing about reggae icon Jackie Mittoo's magic touch. And it was a magic touch, indeed. Widely considered one of the architects of reggae, rocksteady and ska music, Mittoo began playing keyboards when he was just four. And by 15, he became the musical director at Studio One, the legendary Jamaican label that was operated by Clement (Coxsone) Dodd, one of reggae's most prolific producers. Shortly after hooking up with Dodd, Mittoo formed one of the most influential ska bands in history, The Skatalites. To get an idea of his talent, consider this: Dodd stipulated that Mittoo would be paid only if he delivered five new rhythms every week! "I believe that," says Wilson, who was a close friend of the prolific songwriter. "He's the creator or co-creator of so many classic rhythm tracks like ram jam, pass the kutchie and dream song that are continuing to be reproduced by reggae and non-reggae artists. I can't even begin to list the people that Jackie collaborated with." Wilson says one of the reasons he admired Mittoo was because he elevated the role of keyboards and organ in reggae. "He helped popularize the idea that you could have multi keyboard parts on a single song," Wilson says. "For instance, he was big on clavinets and string pads and then he'd have a rhythm organ and then, of course, he'd have a lead organ.
    [Show full text]
  • The Dub Issue 23 April 2018
    1 2 Editorial Dub Front cover – Queen Ifrica – photograph of an original painting by Haile Mecael Dear Reader, Welcome to issue 23 for the month of Reuben. A sad month for many of us here in Oxford with the passing from prostate cancer on March 28 of Ras Brother John aka BJ, who featured on the cover of The Dub’s January 2018 issue. He will be much missed and our thoughts and prayers go out to his family and close friends. There are several interviews this month: Alex Caramellino aka Jah Fingers, GT Moore and Gary Constant with the first part of an interview that digs deep into Oxford’s sound system history of the early 70s. There will be more interviews with others who have been involved in our town’s reggae history in future issues. There are lots of events in this month’s Dub Diary featuring friends and contributors to The Dub, including Asher Messenjah, Jah Lion Movement, Field Frequency, Ali Zion and High Grade. I would like to offer a heartfelt salute to those who continue to write for The Dub and support the magazine in other ways – Steve Mosco, Pete Clack, Leo B, Ali Zion, Simon Wade, Jawara Ellis, Jah Porter, Zioness, Lew Lewis M, Asher Messenjah, Jules Dalitz and Natty Mark. Welcome to The Dub Editor – Dan-I [email protected] The Dub magazine is not funded and has no sponsors. While this allows for artistic freedom, it also means that money for printing is very limited. If anyone is interested in printed copies, they should contact me directly and I can ask our printers, Parchment of Oxford, to get some of the issues required for the cost of £2 each.
    [Show full text]
  • What Seems to Be Standard English Often Isn't
    MERIDIONAL Revista Chilena de Estudios Latinoamericanos Número 10, abril-septiembre 2018, 215-225 “What Seems to Be Standard English Often Isn’t”: A Conversation on Language and West Indian Literature with Jamaican Poet Mervyn Morris Thomas Rothe Doctor (c) in Literature, conicyt fellow/Universidad de Chile, Chile [email protected] Born in Kingston in 1937, Mervyn Morris is one of Jamaica’s most renowned poets and critics. Growing up in Jamaica, he witnessed the boom of West Indian literature in the 1950s and also the social changes brought on by Independence in 1962. He studied abroad at Oxford for three years on a prestigious Rhodes Scholarship and returned to Jamaica in 1961, devoting the rest of his career to teaching. From 1970 to 2002, Morris was professor of West Indian Literature at the University of the West Indies (uwi), Mona, where he also taught Creative Writing. In 1976, he received the Silver Musgrave Medal and in 2009 the Order of Merit, one of the Jamaican government’s highest awards. In 2014, he was named the first Poet Laureate of Jamaica since Independence, a title he held until 2017. Morris’ poetry deals with social concerns in post-Independence Jamaica without explicitly raising political banners, cultivating a poetics that critically examines the status quo through different literary devices, such as vernacular language and irony. In addition to his contributions in little magazines throughout the Caribbean, he has published many full volumes of poetry, which include The Pond (1973), On Holy Week (1976), Shadowboxing 216 MERIDIONAL Revista Chilena de Estudios Latinoamericanos 10, abril-septiembre 2018 (1979), Examination Centre (1992), I Been There, Sort of: New and Selected Poems (2006), and Peelin Orange (2017).
    [Show full text]
  • Deadly Meningitis Outbreak Hits B'klyn
    w Facebook.com/ Twitter.com Volume 59, No. 28 MONDAY, MAY 20, 2013 w BrooklynEagle.com BrooklynEagle @BklynEagle 50¢ BROOKLYN TODAY Deadly Meningitis Outbreak Hits B’klyn MAY 20 LGBT Pols Lead Effort By Mary Frost Good morning. Today is Brooklyn Daily Eagle the 140th day of the year. A coalition of LGBT city On this day in 1902, the representatives are ramping up Brooklyn Daily Eagle re- a campaign about a deadly ported on public hearings meningitis outbreak found about the “Brooklyn tunnel among men who have sex with contract.” This was a con- other men, with a special focus tract to connect the city’s on Brooklyn. new subway system to The New York City Depart- Brooklyn. The two bidders ment of Health said that cases were Interborough Rapid of this often-deadly infection of Transit (IRT), the owner of the brain lining are popping up in Brooklyn more than in any Manhattan’s subway system, other borough. Symptoms in- and Brooklyn Rapid Transit clude fever and chills, mental (BRT), which operated status changes, nausea and Brooklyn’s trolley and ele- vomiting, sensitivity to light, vated lines. The IRT (which severe headache and stiff neck. is now the IRT division of One third of the afflicted have the subway system) won the died, a higher rate than typical bidding war, and the IRT ex- meningitis, which kills roughly tension to Atlantic Avenue one out of five. (part of today’s 4 and 5 The hardest-hit neighbor- lines) opened in 1908. The hoods in Brooklyn are Bedford- BRT built its tunnel to Stuyvesant, Brownsville, Bush- Brooklyn a few years later.
    [Show full text]
  • Distribution Proposal
    Distribution Proposal Contents Executive Summary 3 Film Treatment 5 Featured Interviews 9 Target Markets 11 Industry Analysis 13 Marketing Plan 15 Production Team 17 Appendices 20 Appendix I: Production Budget 21 Appendix II: Licensing Budget 23 Appendix III: Music Cue Sheet 24 Appendix IV: Documentary Top 30 25 Appendix V: Full Credit List 26 Contact Infinite Mind Media Roger Landon Hall Phone: 415_269_4609 E-mail: [email protected] Investment opportunity Executive Holding on to Jah will greatly appeal to reggae fans and Jamaican enthusiasts all over the world, and tap into the vast audience of the Caribbean diaspora, festival Summary goers and educational institutions. The identified markets offer great profit opportunities in the global Holding on to Jah is the definitive feature marketplace, and we are currently seeking distribution documentary about the history of the partners who would like to participate in this promising Rastafarian movement and Reggae music film project. in Jamaica. Told by world renowned The American production companies Infinite Mind Reggae artists, the film chronicles the roots Media (Roger Landon Hall) and Groundation Films of Rasta and Reggae from the colonial (Harrison Stafford) still need to secure investment of period to the present day, including the $120,000 for the licensing of the music, images and critical roles played by Marcus Garvey and motion pictures used in Holding on to Jah. In total, a His Imperial Majesty Haile Selassie. collection of 34 songs, 125 still images and 10 film clips have been selected to feature in the documentary. Our Holding on to Jah offers viewers a unique music cue list contains a diverse array of famous reggae journey to the heart of the Rasta movement classics and is budgeted at $58,000.
    [Show full text]
  • The History of the System of Music Education in Jamaica: Emancipation in 1838 to the 21St Century
    University of Mississippi eGrove Electronic Theses and Dissertations Graduate School 2013 The History Of The System Of Music Education In Jamaica: Emancipation In 1838 To The 21st Century Randy Tillmutt University of Mississippi Follow this and additional works at: https://egrove.olemiss.edu/etd Part of the Music Education Commons Recommended Citation Tillmutt, Randy, "The History Of The System Of Music Education In Jamaica: Emancipation In 1838 To The 21st Century" (2013). Electronic Theses and Dissertations. 707. https://egrove.olemiss.edu/etd/707 This Dissertation is brought to you for free and open access by the Graduate School at eGrove. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of eGrove. For more information, please contact [email protected]. THE HISTORY OF THE SYSTEM OF MUSIC EDUCATION IN JAMAICA: EMANCIPATION IN 1838 TO THE 21st CENTURY A Dissertation presented in partial fulfillment of requirements for the degree of Doctor of Philosophy in the Department of Music The University of Mississippi by RANDY O. TILLMUTT July 2013 Copyright Randy O. Tillmutt 2013 ALL RIGHTS RESERVED ABSTRACT The rich and internationally respected Jamaican music culture has been influenced by the system of music education that exists in the country. Public school and college level music education programs in particular have provided the opportunity for students to have an early exposure to music and to pursue a career in music. However, the multitude of opportunities to study and pursue music did not always exist in Jamaica. The goal of this study is to examine the history of music education in Jamaica with particular focus on such influences as British colonialism, the African Diaspora, Jamaican folk music and Jamaican popular music.
    [Show full text]