2009 Europe Spring Tour
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Tell-Tale Signs - Edgar Allan Poe and Bob Dylan: Towards a Model of Intertextuality
ATLANTIS. Journal of the Spanish Association of Anglo-American Studies. 31.2 (December 2009): 41–56 ISSN 0210-6124 Tell-Tale Signs - Edgar Allan Poe and Bob Dylan: Towards a Model of Intertextuality Christopher Rollason Metz, France [email protected] This article shows how the poetry and prose of Edgar Allan Poe (1809-1849) cast a long shadow over the work of America’s greatest living songwriter, Bob Dylan (1941-). The work of both artists straddles the dividing-line between ‘high’ and ‘mass’ culture by pertaining to both: read through Poe, Dylan’s work may be seen as a significant manifestation of American Gothic. It is further suggested, in the context of nineteenth- century and contemporary debates on alleged ‘plagiarism’, that the textual strategy of ‘embedded’ quotation, as employed by both Poe and Dylan, points up the need today for an open and inclusive model of intertextuality. Keywords: culture; Dylan; Gothic; intertextuality; Poe; quotation Tell-tale signs - Edgar Allan Poe y Bob Dylan: hacia un modelo de intertextualidad Este artículo explica cómo la poesía y la prosa de Edgar Allan Poe (1809-1849) proyectan una larga sombra sobre la obra del mayor cantautor vivo de Estados Unidos, Bob Dylan (1941-). Ambos artistas se ubican en una encrucijada entre la cultura ‘de elite’ y la ‘de masas’, puesto que la obra de cada uno se sitúa en ambos dominios a la vez: leída a través de Poe, la obra dylaniana aparece como una importante manifestación del gótico norteamericano. Se plantea igualmente la hipótesis de que, en el marco de los debates, tanto decimonónicos como contemporáneos, sobre el supuesto ‘plagio’, la estrategia textual, empleada tanto por Poe como por Dylan, de la cita ‘encajada’ señala la necesidad urgente de plantear un modelo abierto y global de la intertextualidad. -
Bob Dylan and the Reimagining of Woody Guthrie (January 1968)
Woody Guthrie Annual, 4 (2018): Carney, “With Electric Breath” “With Electric Breath”: Bob Dylan and the Reimagining of Woody Guthrie (January 1968) Court Carney In 1956, police in New Jersey apprehended Woody Guthrie on the presumption of vagrancy. Then in his mid-40s, Guthrie would spend the next (and last) eleven years of his life in various hospitals: Greystone Park in New Jersey, Brooklyn State Hospital, and, finally, the Creedmoor Psychiatric Center, where he died. Woody suffered since the late 1940s when the symptoms of Huntington’s disease first appeared—symptoms that were often confused with alcoholism or mental instability. As Guthrie disappeared from public view in the late 1950s, 1,300 miles away, Bob Dylan was in Hibbing, Minnesota, learning to play doo-wop and Little Richard covers. 1 Young Dylan was about to have his career path illuminated after attending one of Buddy Holly’s final shows. By the time Dylan reached New York in 1961, heavily under the influence of Woody’s music, Guthrie had been hospitalized for almost five years and with his motor skills greatly deteriorated. This meeting between the still stylistically unformed Dylan and Woody—far removed from his 1940s heyday—had the makings of myth, regardless of the blurred details. Whatever transpired between them, the pilgrimage to Woody transfixed Dylan, and the young Minnesotan would go on to model his early career on the elder songwriter’s legacy. More than any other of Woody’s acolytes, Dylan grasped the totality of Guthrie’s vision. Beyond mimicry (and Dylan carefully emulated Woody’s accent, mannerisms, and poses), Dylan almost preternaturally understood the larger implication of Guthrie in ways that eluded other singers and writers at the time.2 As his career took off, however, Dylan began to slough off the more obvious Guthrieisms as he moved towards his electric-charged poetry of 1965-1966. -
UIC FLAMES (8-9, 5-7 HL) Date: Feb
2020-21 UIC Men’s Basketball Notes | at IUPUI | Indianapolis, Ind. | Indiana Farmers Coliseum @UIC_MBB UIC Athletic Communications | 839 W. Roosevelt Rd. Chicago, IL 60608 Director of Communications (MBB Contact): Dan Wallace Office: 315-355-3139 Cell: 630-450-2077 | @_DanWallace @UIC_MBB E-mail: [email protected] | Web: UICFlames.com UIC Men’s Basketball GAME INFORMATION - UIC at IUPUI UIC FLAMES (8-9, 5-7 HL) Date: Feb. 12-13 Head Coach: Luke Yaklich (Illinois State, 1998) Time: 11:00 a.m. | 11:00 a.m. (CT) Record at UIC: 8-9 (1st season); Career Record: 8-9 (1st season) Site: Indiana Farmers Coliseum | Indianapolis, Ind. Watch: ESPN+ VS Announcers: TBD IUPUI JAGUARS (5-8, 4-8 HL) Live Stats/Twitter: UICFlames.com / @UIC_MBB Head Coach: Byron Rimm II (Cal State LA, 1999) nd th UIC vs. IUPUI All-Time: 9-1 Record at IUPUI: 12-33 (2 season); Career Record: 180-270 (15 season) Current Series Streak: UIC, 4 First Meeting: Feb. 12, 1980 (W, 78-67 @IUPUI) 3 POINT PLAY DISH IT OUT Last Meeting: March 3, 2020 (W, 93-59 @UIC) • UIC makes its final roadtrip of the regular • Teyvion Kirk had a stellar performance season this weekend, as the Flames head against Valparaiso on Dec. 1, finishing the 2020-21 SCHEDULE/RESULTS (8-9, 5-7 HL) to Indianapolis to take on IUPUI Feb. 12-13. game with 14 points and 14 assists. • The 14 helpers are the most for UIC this DATE OPPONENT TV TIME/RESULT Tipoff both days is set for 11 a.m. -
Bad Cops: a Study of Career-Ending Misconduct Among New York City Police Officers
The author(s) shown below used Federal funds provided by the U.S. Department of Justice and prepared the following final report: Document Title: Bad Cops: A Study of Career-Ending Misconduct Among New York City Police Officers Author(s): James J. Fyfe ; Robert Kane Document No.: 215795 Date Received: September 2006 Award Number: 96-IJ-CX-0053 This report has not been published by the U.S. Department of Justice. To provide better customer service, NCJRS has made this Federally- funded grant final report available electronically in addition to traditional paper copies. Opinions or points of view expressed are those of the author(s) and do not necessarily reflect the official position or policies of the U.S. Department of Justice. This document is a research report submitted to the U.S. Department of Justice. This report has not been published by the Department. Opinions or points of view expressed are those of the author(s) and do not necessarily reflect the official position or policies of the U.S. Department of Justice. Bad Cops: A Study of Career-Ending Misconduct Among New York City Police Officers James J. Fyfe John Jay College of Criminal Justice and New York City Police Department Robert Kane American University Final Version Submitted to the United States Department of Justice, National Institute of Justice February 2005 This project was supported by Grant No. 1996-IJ-CX-0053 awarded by the National Institute of Justice, Office of Justice Programs, U.S. Department of Justice. Points of views in this document are those of the authors and do not necessarily represent the official position or policies of the U.S. -
Bob Dylan Performs “It's Alright, Ma (I'm Only Bleeding),” 1964–2009
Volume 19, Number 4, December 2013 Copyright © 2013 Society for Music Theory A Foreign Sound to Your Ear: Bob Dylan Performs “It’s Alright, Ma (I’m Only Bleeding),” 1964–2009 * Steven Rings NOTE: The examples for the (text-only) PDF version of this item are available online at: http://www.mtosmt.org/issues/mto.13.19.4/mto.13.19.4.rings.php KEYWORDS: Bob Dylan, performance, analysis, genre, improvisation, voice, schema, code ABSTRACT: This article presents a “longitudinal” study of Bob Dylan’s performances of the song “It’s Alright, Ma (I’m Only Bleeding)” over a 45-year period, from 1964 until 2009. The song makes for a vivid case study in Dylanesque reinvention: over nearly 800 performances, Dylan has played it solo and with a band (acoustic and electric); in five different keys; in diverse meters and tempos; and in arrangements that index a dizzying array of genres (folk, blues, country, rockabilly, soul, arena rock, etc.). This is to say nothing of the countless performative inflections in each evening’s rendering, especially in Dylan’s singing, which varies widely as regards phrasing, rhythm, pitch, articulation, and timbre. How can music theorists engage analytically with such a moving target, and what insights into Dylan’s music and its meanings might such a study reveal? The present article proposes one set of answers to these questions. First, by deploying a range of analytical techniques—from spectrographic analysis to schema theory—it demonstrates that the analytical challenges raised by Dylan’s performances are not as insurmountable as they might at first appear, especially when approached with a strategic and flexible methodological pluralism. -
2020 Annual Report
We Are Meteors United! INVESTORS REPORT Honor Roll of Donors 2019–2020 Our Mission De La Salle Institute is an independent Catholic secondary school rooted in the tradition of Christian education begun by St. John Baptist de La Salle. Founded in 1889, its mission has been, and is, to foster a desire for excellence in education. Young people from a variety of ethnic and economic backgrounds are given the opportunity to fully develop their abilities so they may be active, contributing members of our complex, changing society. Table of Contents Message from the Board Chairman and President .1 Board of Directors . .1 We Are Meteors United! . 2 The Student Financial Assistance Program 3 2019–2020 Financial Reports . 4, 5 Son Acknowledges Act of Charity . 6 Principal Benefactors. .7 President’s Club Members. 8 The Legacy Circle . 9 Gifts as Tributes: Bequests, In Memory of, In Honor of . .10–11 LINK Unlimited Scholarship . 12 Establishing Your Legacy at De La Salle . 13 Alumni Donor Listing . 14–23 Anniversary Class Giving . 24 Lourdes Alumnae Donors . 25 The Parent Program . 26 The Helen Brach Foundation . 27 Corporate Matching Gifts. 28 Corporations, Foundations & Organizations . 29 Friends of De La Salle . .30–31 De La Salle’s Tolton Center . 33 Faithful Donors 33–35 Meteoric–Elevating De La Salle Institute. 36 Volunteers, Special Events & Event Sponsors . 37–40 2020–2021 Faculty and Staff. .Inside Back Cover Disclaimer It is with heartfelt gratitude that we acknowledge the generosity of our alumni, parents and friends who invested in De La Salle Institute dur- ing the 2019–2020 fiscal year. -
2002-03 MIH Media Guide
2002-03 Bemidji State Men’s Ice Hockey Table of Contents IFC Tradition Never Graduates 1 Table of Contents 2 BSU Hockey Quick Facts 2 2002-03 Season Outlook 4-6 Coaching & Support Staff 4 Head Coach Tom Serratore 5 Assistant Coaches Bert Gilling & Shawn Kurulak 6 Grad Assistant Marc Lafl eur & Support Staff 7-20 2002 Bemidji State Beavers 7 2002 Roster 8-18 Returning Student-Athlete Bios 19 Incoming Student-Athlete Bios 20 Pre-Season Line Chart 21-26 2002-03 Opponents 21-22 Non-Conference Opponents 23-24 College Hockey America opponents 24 2002-03 Travel Itineraries 25 Series Records vs 2002-03 Opponents 26 2002-03 College Hockey America Composite Schedule 27-40 2001-02 Season in Review 27 A Look Back at 2001-02 28 2001-02 Schedule & Results 29 2001-02 Final Statistics 30-31 2001-02 Player Game-by-Game Scoring 30 BSU’s record when... 31 The Last Time 32-37 2001-02 Game Recaps 38 College Hockey America 39 2001-02 CHA Recap 40 CHA Players of the Week / Statistical Leaders 41-67 BSU History and Records 41 Year-by-Year Results 42-47 All-Time Results 47 All-Time Series Standings 48-49 Year-by-Year Team Stats 50-51 Individual Year-by-Year Statistical Leaders 52-53 Individual Career Scoring Leaders 52 BSU Career Records 53 Division I-era Scoring Leaders 54 Individual Career Goaltending Leaders 54 BSU Season and Game Records 55 Team Records / Individual Single-Season Leaders 56-57 R.H. “Bob” Peters 58-61 BSU’s 13 National Champions 62-65 BSU Hockey Alumni 66-67 BSU All-Americans 68-76 Welcome to Bemidji State University 68 Welcome to Bemidji 69 Bemidji State University 70-71 John S. -
Worldwide Ticket Sales TOP 200 THEATRE VENUES 1-100
2018 MIDYEAR Worldwide Ticket Sales TOP 200 THEATRE VENUES 1-100 1 758,219 Auditorio Nacional Mexico City, MEXICO 51 78,389 Stadsschouwburg Antwerp, BELGIUM 2 419,539 Fox Theatre Atlanta, GA 52 78,207 Velma V. Morrison Ctr. For The Perf. Arts Boise, ID 3 253,361 Durham Performing Arts Center Durham, NC 53 76,060 Park Theater At Monte Carlo Resort & Casino Las Vegas, NV 4 207,375 Smart Financial Centre At Sugar Land Sugar Land, TX 54 74,948 The Theater At MGM National Harbor Oxon Hill, MD 5 205,717 Zappos Theater At Planet Hollywood Las Vegas, NV 55 74,817 Auditorio Pabellón M Monterrey, MEXICO 6 203,250 Auditorio Telmex Zapopan, MEXICO 56 71,494 Express Live! Columbus, OH 7 200,074 Dreyfoos Hall West Palm Beach, FL 57 67,914 SEC Armadillo Glasgow, UNITED KINGDOM 8 198,172 Broward Ctr. Au-Rene Theater Fort Lauderdale, FL 58 67,504 Hanover Theatre For Performing Arts Worcester, MA 9 167,681 Bill Graham Civic Auditorium San Francisco, CA 59 66,761 Peace Center Concert Hall Greenville, SC 10 167,166 Chicago Theatre Chicago, IL 60 65,652 The Colosseum At Caesars Palace Las Vegas, NV 11 154,160 Radio City Music Hall New York, NY 61 63,464 WinStar Global Event Center Thackerville, OK 12 150,221 The Smith Center / Reynolds Hall Las Vegas, NV 62 62,974 The Plaza Theatre El Paso, TX 13 150,179 Carol Morsani Hall Tampa, FL 63 62,815 Andrew Jackson Hall Nashville, TN 14 141,531 Fox Theatre Detroit, MI 64 62,673 Stage AE Pittsburgh, PA 15 123,333 Ryman Auditorium Nashville, TN 65 62,267 Bushnell Center Mortensen Hall Hartford, CT 16 118,705 Orpheum Theatre Minneapolis, MN 66 62,094 Fabulous Fox Theatre St. -
2018-19 Graduation Ceremonies ALPHABETICAL by SCHOOL
2018-19 Graduation Ceremonies ALPHABETICAL BY SCHOOL 5280 High School Colorado High School DELTA Friday, April 12, 2019 Charter - Osage Thursday, May 30, 2019 2 P.M. Friday, May 24, 2019 2 P.M. 899 Broadway 5:30 P.M. DCPA/Seawell Ballroom Denver, CO 80203 Auraria Campus/King Center, 1350 Arapahoe St. Concert Hall Denver, CO 80204 Abraham Lincoln 855 Lawrence Way Wednesday, May 29, 2019 Denver, CO 80204 Denver Center for 21st 9 A.M. Century Learning DU/Magness Arena Compassion Road Thursday, May 30, 2019 2240 Buchtel Blvd. 5 P.M. Denver, CO 80208 Academy Saturday, June 1, 2019 DU/Davis Auditorium, Sturm Hall 10:30 A.M. 2000 E. Asbury Ave. Academy of Urban West Campus Auditorium Denver, CO 80210 Learning 951 Elati St. Thursday, June 6, 2019 Denver, CO 80204 Denver Montessori 6 P.M. Monday, June 3, 2019 The Oriental Theater Contemporary Learning 5:30 P.M. 4335 W. 44th Ave. Auraria Campus/PE Event Center Denver, CO 80212 Academy Tuesday, May 21, 2019 900 Auraria Parkway 5 P.M. Denver, CO 80204 Bruce Randolph Auraria Campus/King Center, Tuesday, May 28, 2019 Concert Hall Denver Online High School 7 P.M. 855 Lawrence Way Wednesday, May 22, 2019 DU/Magness Arena Denver, CO 80204 5 P.M. 2240 Buchtel Blvd. Auraria Campus/King Center, Denver, CO 80208 Denver Center for Concert Hall 855 Lawrence Way International Studies Denver, CO 80204 CEC Early College Wednesday, May 22, 2019 Tuesday, May 21, 2019 6 P.M. Noon DU/Newman Center Denver School of the Arts DPAC/Boettcher Concert Hall for Performing Arts, Tuesday, May 21, 2019 1000 14th St. -
201920 Visiting Team Guide.Pdf
TABLE OF CONTENTS GENERAL INFORMATION……………………………………………………………………………….…….3 VISITING TEAM INFORMATION…………………………………………………………………….……...4-5 SPORTS MEDICINE…………………..………………………………………………………………….……6-8 BOX OFFICE INFORMATION……..…………………………………………………………………...…...9-11 MEDIA RELATIONS …………..…………………………………………………………………………........12 VENUES……………………………………………………………………………………………..………13-14 PHONE DIRECTORY………………...……………………………………………………………….…….15-16 LODGING……….…………………………………………………………………………………….……..17-26 TRANSPORTATION……………………………………………………………………………………..…27-28 RESTAURANT GUIDE……………………………………………………………………………………..…..29 PARKING MAP………………..……………..………………………………………………………………....30 AREA MAPS ……………………..……………………………………………………………………………..31 2 GENERAL INFORMATION Institution Name……………………………………………………………………………University of Denver Address………………………………………………….…………………………….2201 East Asbury Avenue Denver, Colorado 80208 National Affiliation………………………………………………………….…………………NCAA Division I Conferences…………….……….…………………………………...…National Collegiate Hockey Conference, Summit League, Mountain Pacific Sports Federation, Rocky Mountain Intercollegiate Skiing Association, Big East (Men’s Lacrosse) Founded…………………………...…………………………………………….……….………………......1864 Enrollment……………………………………………………...…………………………….…………….11,797 Nickname………..…………………………………………………………………………….………….Pioneers Colors………..…...……………………………………………………………………………Crimson and Gold Chancellor…………………….……………………………………………………………..…....Jeremy Haefer Director of Athletics and Recreation……...…………….………………………………...............Karlton Creech Competition Facilities Magness -
Amazon Looking to Sell Sports, Music Tickets and Encroach on Ticketmaster 11 August 2017, by Mike Snider, Usa Today
Report: Amazon looking to sell sports, music tickets and encroach on Ticketmaster 11 August 2017, by Mike Snider, Usa Today Live Nation earlier this week reported $2.8 billion in revenue for its second-quarter, which ended June 30. That up 27% over the $2.2 billion in the same period last year. Amazon has several jobs listed online for its Amazon Tickets, including a project manager for "Earth's most customer-centric ticketing company, a place where event-goers can come to find and discover any ticket they might want to buy online." Selling tickets could drive Amazon Prime memberships and bundled merchandise sales, according to the report. Amazon is reportedly in talks with sports and concert venues to sell tickets, a move that could Amazon and Live Nation declined to comment on challenge Ticketmaster's dominance in the the report. business. ©2017 USA Today Amazon, which two years ago began selling tickets Distributed by Tribune Content Agency, LLC. in the U.K., has approached U.S. venue owners about partnering to sell tickets here, too, Reuters reported Thursday, citing four sources knowledgeable about the development. The strategy amounts to a shot across the bow of event heavyweight Live Nation, which owns Ticketmaster and owns or is aligned with 196 U.S. venues, including The Fillmore in San Francisco, the Hollywood Palladium and House of Blues venues. Amazon hopes to take advantage of consumer displeasure in the current state of ticket fees and sports leagues and venue operators' desire for additional competition, Reuters reported. Ticket sales represent a prime business in the U.S. -
To See the Full #Wemakeevents Participation List
#WeMakeEvents #RedAlertRESTART #ExtendPUA TOTAL PARTICIPANTS - 1,872 and counting Participation List Name City State jkl; Big Friendly Productions Birmingham Alabama Design Prodcutions Birmingham Alabama Dossman FX Birmingham Alabama JAMM Entertainment Services Birmingham Alabama MoB Productions Birmingham Alabama MV Entertainment Birmingham Alabama IATSE Local78 Birmingham Alabama Alabama Theatre Birmingham Alabama Alys Stephens Performing Arts Center (Alabama Symphony) Birmingham Alabama Avondale Birmingham Alabama Iron City Birmingham Alabama Lyric Theatre - Birmingham Birmingham Alabama Saturn Birmingham Alabama The Nick Birmingham Alabama Work Play Birmingham Alabama American Legion Post 199 Fairhope Alabama South Baldwin Community Theatre Gulf Shores Alabama AC Marriot Huntsville Alabama Embassy Suites Huntsville Alabama Huntsville Art Museum Huntsville Alabama Mark C. Smith Concert Hall Huntsville Alabama Mars Music Hall Huntsville Alabama Propst Arena Huntsville Alabama The Camp Huntsville Alabama Gulfquest Maritime Museum Mobile Alabama The Steeple on St. Francis Mobile Alabama Alabama Contempory Art Center Mobile Alabama Alabama Music Box Mobile Alabama The Merry Window Mobile Alabama The Soul Kitchen Music Hall Mobile Alabama Axis Sound and Lights Muscle Shoals Alabama Fame Recording Studio Muscle Shoals Alabama Sweettree Productions Warehouse Muscle Shoals Alabama Edwards Residence Muscle Shoals Alabama Shoals Theatre Muscle Shoals Alabama Mainstreet at The Wharf Orange Beach Alabama Nick Pratt Boathouse Orange Beach Alabama