Helsinki – the Former Hometown of Tom of Finland - Is Mostly Famous for Its Design, Architecture and High Technology
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The Perspectival Inventions of Alvar Aalto
The Perspectival Inventions of Alvar Aalto RANDALL OTT University of Arkansas [Author's note: A considerably expanded and fully illus- rotation is based upon an incorrect assumption about these trated version of this paper will appear in SightBite, The planes' rectangularity. Waterloo Journal of Architecture.] The many perspectival inventions of Aalto reward careful study. Through them his buildings become illusionistic Aalto's architectural compositions never fail to engage our spaces, full of mock shapes and depths that alter unexpect- vision while we approach. No matter how sculptural the edly as we experience them. His distortions create spatial forms of his buildings might seem at first glance, they tensions energized only by a moving observer at the site, thus inevitably surpass themselves in dynamism and visual trans- entwining the viewer's motion and the architecture. These formation when we begin to move about them. Aalto's tensions dramatize our approach, contrasting first impres- success in manipulating complex, dynamic forms no doubt sions with subsequent experiences. Most importantly, they rests on many interrelated aspects of his work. Still, we create a virtual site which itself comes into tension with the should single out for special attention the way he was able to actual site. let his shapes unfold and gesture directly toward us as we walk the site, thus becoming expressive in the most interac- PRECURSORS tive and literal of ways.' The exterior facade of Aalto's Finlandia Hall in Helsinki Aalto, of course, was not the first to build illusory perspec- displays this highly interactive quality. As we move toward tives. -
Survival Guide
ESN HELSINKI Survival Guide by Annika Punkari Dear international reader, Exchange period makes it possible to become more independent, network with people around the world and get once-in-a-lifetime experiences in a foreign country. Remember that the journey itself is important and educative, not the studying part only. This guide was written for the incoming exchange students of Aalto University, Metropolia University of Applied Sciences, Haaga-Helia University of Applied Sciences Ltd. and University of Helsinki. Have an amazing time in Finland! Annika Annika Punkari, 2015 Cover photo by Visit Finland CONTENTS ESN & EXCHANGE PERIOD Metropolia (UAS) ESNcard Finnish grading scale Culture Shock HELSINKI FINLAND Attractions Language Banking Weather and climate Events in Helsinki What to bring with you Health care DOCUMenTATION & InsURANCE Housing Residence permit Most popular sights Health insurance Night life Travel insurance Pharmacy Travelling from Finland Public transport b Personal ID-code a Shopping, food, alcohol c k Working Sports t STUDYING CITY TRIPS o Student card Porvoo s t Haaga-Helia (UAS) a Turku r t University of Helsinki Tampere Aalto University Tallinn & Stockholm ESN & ExchaNgE pEriod ESNCARD Erasmus Student Network (ESN) is a non-profit international organization and the With the ESNcard you become a member of ESN and get thousands of discounts biggest student association in the whole Europe. ESN represents international all over Europe. You can find the discounts from here. students and help them to understand different cultures and develop themselves. If you purchase the card you get to participate to the events and trips of the local The whole network is based on the idea of ”students helping students”. -
CV Johanna Lecklin English
JOHANNA LECKLIN www.johannalecklin.com [email protected] EDUCATION 2018 PhD, Academy of Fine Arts, Helsinki, Finland, disputation in November 2008 MA, Art History, Helsinki University, Finland 2003 MFA, Fine Art Media, Academy of Fine Arts, Helsinki, Finland 1999 BFA, Painting Department, Academy of Fine Arts, Helsinki, Finland 1998-99 Slade School of Fine Art, Fine Art Media, UCL, Erasmus exchange, London, UK SELECTED SOLO EXHIBITIONS 2018 Galleria Heino, Helsinki 2017 Mediabox, Forum Box, Helsinki, Finland 2014-15 The Cage, Rappu Space, Pori Art Museum, Pori, Finland 2013 The Cage, Gallery Forum Box, Helsinki, Finland 2012 Language Is the Key to Everything, Haninge Art Hall, Haninge, Sweden 2012 Your Songs Transport Me to A Place I’ve Never Been, Galleri Sinne, Helsinki, Finland 2011 Story Café, Suomesta Gallery, Berlin, Germany 2009 Hitwoman, Heino Gallery, Helsinki, Finland 2007 Tomorrow, Photographic Gallery Hippolyte, Helsinki, Finland Story Café, Linnagallerii, part of the Young Artists’ Biennale, Tallinn, Estonia The Boxer and the Ballerina, Helsinki Kunsthalle, Studio, Helsinki, Finland 2006 Story Café, Galleria Huuto Uudenmaankatu, Helsinki, Finland 2005 There Is A Lot of Joy, Too, Gallery Heino, Helsinki, Finland 2004 A Few Nightmares, Kluuvi Gallery, Helsinki Art Museum, Helsinki, Finland 2003 Portraits of Everyday Life, Photographic Gallery Hippolyte, Helsinki, Finland 2002 Safe and Exciting, Cable Gallery, Helsinki, Finland 2001 A Sensible Use Of Time, Kluuvi Gallery, Helsinki Art Museum, Helsinki, Finland SELECTED GROUP EXHIBITIONS 2017 FOKUS Festival, Nikolaj Kunsthal, Copenhagen, Denmark 2017 Self-portrait in Time, Helsinki Kunsthalle, Finland 2017 Visible Country, Arktikum, Rovaniemi, Finland 2016 Eternal Mirror, group exhibition, Gallery Ama, Helsinki, Finland 2016 UN/SAFE, Kuntsi Museum of Modern Art, Vaasa, Finland 2015-16 Face to Face. -
Kallioperän Ja Maaperän Arvokkaat Luontokohteet Helsingissä
6/2004 Kallioperän ja maaperän arvokkaat luontokohteet Helsingissä Antti Salla Helsinki 2004 Kannen kuva: Vartiosaaren rapakivilohkare / Antti Salla Painettu Pohjosmaisen ympäristömerkin saaneelle paperille HELSINGIN KAUPUNGIN YMPÄRISTÖKESKUKSEN JULKAISUJA 6/2004 Antti Salla KALLIOPERÄN JA MAAPERÄN ARVOKKAAT LUONTOKOHTEET HELSINGISSÄ Helsingin kaupungin ympäristökeskus Helsinki 2004 Kuvat: © Antti Salla ISSN 1235-9718 ISBN 952-473-384-6 ISBN (URL:www.hel.fi/ymk/julkaisut/julkaisut.html) 952-473-385-4 Painopaikka: Helsingin kaupungin hankintakeskus Helsinki 2004 SISÄLLYSLUETTELO TIIVISTELMÄ............................................................................................................................................................... 1 RESUMÉ......................................................................................................................................................................... 2 ABSTRACT .................................................................................................................................................................... 3 1 JOHDANTO ................................................................................................................................................................ 4 1.1 ALKUSANAT ........................................................................................................................................................... 4 1.2 SELVITYKSEN TARKOITUS...................................................................................................................................... -
International Evaluation of the Finnish National Gallery
International evaluation of the Finnish National Gallery Publications of the Ministry on Education and Culture, Finland 2011:18 International evaluation of the Finnish National Gallery Publications of the Ministry on Education and Culture, Finland 2011:18 Opetus- ja kulttuuriministeriö • Kulttuuri-, liikunta- ja nuorisopolitiikan osasto • 2011 Ministry of Education and Culture• Department for Cultural, Sport and Youth Policy • 2011 Ministry of Education and Culture Department for Cultural, Sport and Youth Policy Meritullinkatu 10, Helsinki P.O. Box 29, FIN-00023 Government Finland www.minedu.fi/minedu/publications/index.html Layout: Timo Jaakola ISBN 978-952-263--045-2 (PDF) ISSN-L 1799-0327 ISSN 1799-0335 (Online) Reports of the Ministry of Education and Culture 2011:18 Kuvailulehti Julkaisija Julkaisun päivämäärä Opetus- ja kulttuuriministeriö 15.4.2011 Tekijät (toimielimestä: toimielimen nimi, puheenjohtaja, sihteeri) Julkaisun laji Opetus- ja kulttuuriministeriön Kansainvälinen arviointipaneeli: projektipäällikkö Sune Nordgren työryhmämuistioita ja selvityksiä (pj.) Dr. Prof. Günther Schauerte, johtaja Lene Floris, ja Toimeksiantaja Opetus- ja kulttuuriministeriö oikeustieteen tohtori Timo Viherkenttä. Sihteeri: erikoissuunnittelija Teijamari Jyrkkiö Toimielimen asettamispvm Dnro 23.6.2010 66/040/2010 Julkaisun nimi (myös ruotsinkielinen) International evaluation of the Finnish National Gallery Julkaisun osat Muistio ja liitteet Tiivistelmä Opetus- ja kulttuuriministeriö päätti arvioida Valtion taidemuseon toiminnan vuonna 2010. Valtion taidemuseo on ollut valtion virasto vuodesta 1990 lähtien ja sen muodostavat Ateneumin taidemuseo, Nykytaiteen museo Kiasma, Sinebrychoffin taidemuseo ja Kuvataiteen keskusarkisto. Tulosohjattavan laitoksen tukitoimintoja hoitavat konservointilaitos, koko maan taidemuseoalan kehittämisyksikkö sekä hallinto- ja palveluyksikkö. Organisaatiorakenne on pysynyt suurinpiirtein samanlaisena sen koko olemassaolon ajan. Taidemuseon vuosittainen toimintamääräraha valtion budjetissa on n. 19 miljoonaa euroa ja henkilötyövuosia on n. -
Nordic Music Today
18 17 – 23 OCTOBER 2013 WHERE TO GO HELSINKI TIMES COMPILED BY ANNA-MAIJA LAPPI Until Sun 10 November Nathalie Djurberg & Hans Berg A blend of fantasy and nightmare created by the Swedish contempo- TIINA MIELONEN rary artist duo. Kunsthalle Helsinki Nervanderinkatu 3 Open: Nordic Music Today Tue, Thu, Fri 11:00-18:00 Nordic Music Days, one of the longest continuously running music festivals Wed 11:00-20:00 in the world, is celebrating its 125th birthday this year with a broad pro- Sat, Sun 11:00-17:00 Tickets €0/9/12 gramme of contemporary Nordic music. First held in 1888, the festival aims www.taidehalli.fi to promote the work of contemporary Nordic composers and offer the audi- ences a chance to experience new, vibrant music from the Nordic countries. Until Sun 17 November The theme this year is ‘Parallel Societies’. The theme will be highlight- Timo Heino Installations and collages by one of ed throughout the festival programme that falls into three different cat- the most uncompromising Finnish egories: orchestral and choral concerts, chamber-music concerts and club contemporary artists. evenings featuring electronic and electro-acoustic music. The main con- Helsinki Art Museum Tennis Palace cert venues will be the various halls of the Helsinki Music Centre, the Sibel- Salomonkatu 15 ius Academy Concert Hall, Temppeliaukio Church and the Korjaamo Culture Open: Tue-Sun 11:00-19:00 Factory. Tickets €0/8/10 The festival programme, including performances from choral music to electronic improvisation, has been compiled by a trio of artistic directors: Until Sun 15 December conductor Nils Schweckendiek, guitarist Petri Kumela and composer Sami Surreal Illusionism - Photographic Klemola. -
Helsinki in Early Twentieth-Century Literature Urban Experiences in Finnish Prose Fiction 1890–1940
lieven ameel Helsinki in Early Twentieth-Century Literature Urban Experiences in Finnish Prose Fiction 1890–1940 Studia Fennica Litteraria The Finnish Literature Society (SKS) was founded in 1831 and has, from the very beginning, engaged in publishing operations. It nowadays publishes literature in the fields of ethnology and folkloristics, linguistics, literary research and cultural history. The first volume of the Studia Fennica series appeared in 1933. Since 1992, the series has been divided into three thematic subseries: Ethnologica, Folkloristica and Linguistica. Two additional subseries were formed in 2002, Historica and Litteraria. The subseries Anthropologica was formed in 2007. In addition to its publishing activities, the Finnish Literature Society maintains research activities and infrastructures, an archive containing folklore and literary collections, a research library and promotes Finnish literature abroad. Studia fennica editorial board Pasi Ihalainen, Professor, University of Jyväskylä, Finland Timo Kaartinen, Title of Docent, Lecturer, University of Helsinki, Finland Taru Nordlund, Title of Docent, Lecturer, University of Helsinki, Finland Riikka Rossi, Title of Docent, Researcher, University of Helsinki, Finland Katriina Siivonen, Substitute Professor, University of Helsinki, Finland Lotte Tarkka, Professor, University of Helsinki, Finland Tuomas M. S. Lehtonen, Secretary General, Dr. Phil., Finnish Literature Society, Finland Tero Norkola, Publishing Director, Finnish Literature Society Maija Hakala, Secretary of the Board, Finnish Literature Society, Finland Editorial Office SKS P.O. Box 259 FI-00171 Helsinki www.finlit.fi Lieven Ameel Helsinki in Early Twentieth- Century Literature Urban Experiences in Finnish Prose Fiction 1890–1940 Finnish Literature Society · SKS · Helsinki Studia Fennica Litteraria 8 The publication has undergone a peer review. The open access publication of this volume has received part funding via a Jane and Aatos Erkko Foundation grant. -
Loan Terms of Finnish National Gallery (Outgoing Loans)
LOAN TERMS OF FINNISH NATIONAL GALLERY (OUTGOING LOANS) Borrowing works from the collections of the Finnish National Gallery (“FNG”) – Ateneum Art Museum, Museum of Contemporary Art Kiasma and Sinebrychoff Art Museum. General terms These terms concern short-term or temporary loans. FNG lends only to museums and exhibition organizers with professional museum staff or a similar level of expertise, as well as appropriately secure and climate-controlled facilities. Loan requests must specify the works to be lent and the loan period, as well as provide an account of the environmental conditions, security and surveillance arrangements in the exhibition galleries. Loan requests must be made in writing to the director of the museum in question – Ateneum Art Museum, Museum of Contemporary Art Kiasma or Sinebrychoff Art Museum – at least eight months prior to the loan period for international loans. Each loan request is assessed separately. When deciding on a loan, the things considered include the condition of the work, display conditions particularly in the case of sensitive works, the status of the work in the FNG collections, and other relevant matters such as possible reservations for other exhibitions. Any deviation from these loan terms must be agreed in writing. There is always a loan agreement signed also for media art, whether original works or copies. Insurance Borrowed works of art must be insured against all risks for values determined by FNG. The insurance must run nail to nail, from the moment FNG gives the works over to the Borrower or their representative, up until the moment the works are returned to FNG. -
27.1. at 20:00 Helsinki Music Centre We Welcome Conrad Tao Sakari
27.1. at 20:00 Helsinki Music Centre We welcome Conrad Tao Sakari Oramo conductor Conrad Tao piano Lotta Emanuelsson presenter Andrew Norman: Suspend, a fantasy for piano and orchestra 1 Béla Bartók: Divertimento for String Orchestra 1. Allegro non troppo 2. Molto adagio 3. Allegro assai Conrad Tao – “shaping the future of classical music” “Excess. I find it to be for me like the four, and performed Mozart’s A-major pia- most vividly human aspect of musical no concerto at the age of eight. He was performance,” says pianist Conrad Tao (b. nine when the family moved to New York, 1994). And “excess” really is a good word where he nowadays lives. Beginning his to describe his superb technique, his pro- piano studies in Chicago, he continued at found interpretations and his emphasis on the Juilliard School, New York, and atten- the human aspect in general. ded Yale for composition. Tao has a wide repertoire ranging from Tao has had a manager ever since Bach to the music of today. He has also he was twelve. As a youngster, he also won recognition as a composer, and one learnt the violin, and several times in who, he says, views his keyboard perfor- 2008/2009 played both the E-minor vio- mances through the eyes of a composer. lin concerto and the first piano concerto His many talents and his ability to cross by Mendelssohn at one and the same con- traditional borders have indeed made him cert, but he soon gave up the violin. a notable influencer and a model for ot- Despite having all the hallmarks of a hers. -
City of Helsinki As a Platform for Wood Construction Development | K
22. Internationales Holzbau-Forum IHF 2016 City of Helsinki as a Platform for Wood Construction Development | K. Kuisma 1 City of Helsinki as a Platform for Wood Construction Development Städte im Wandel und die Rolle des Holz(haus)baus – Helsinki Les villes en transformation et le rôle de la construction bois – Helsinki Kimmo Kuisma City of Helsinki City Executive Office, Urban Development Project Manager Helsinki, Finland 22. Internationales Holzbau-Forum IHF 2016 2 City of Helsinki as a Platform for Wood Construction Development | K. Kuisma 22. Internationales Holzbau-Forum IHF 2016 City of Helsinki as a Platform for Wood Construction Development | K. Kuisma 3 City of Helsinki as a Platform for Wood Construction Development 1. Helsinki has always been a wooden city 1.1. Early days of wooden city Helsinki has always been a city of wooden buildings. Since its founding in 1550 until the late 19th century, wood was the main material of buildings. The city structure was formed by one and two storey wooden city blocks, where working-class people lived. Only the state and church could afford construction in brick or stone. Big city fires have destroyed Helsinki totally or partially approximately once a century between 1550-1900. 1.2. Historical wooden house districts Helsinki expanded rapidly in the early 1900s. Several working-class wooden house dis- tricts were developed to ease the considerable housing shortage. Many of these neigh- bourhoods were demolished in the big wave of urbanization of 1960s and 1970s, but at the same time the remaining wooden house districts were protected. The formerly working-class neighbourhoods then transformed into middle-class neigh- bourhoods favoured by urban bohemians, complete with corner bars, cafés and small street-level shops. -
PROGRAMME Contents
Third European IRPA Congress NSFS Radiation protection – science, safety and security 14 – 18 June 2010 Helsinki, Finland www.irpa2010europe.com PROGRAMME Contents Welcome to European IRPA 2010 . 3 Organisation and committees . 4 Contributing organisations . 5 General information . 6 Finlandia Hall . .8 Programme outline . 1. 0 Monday, 14 June . .12 Tuesday, 15 June . .1 . 4 –27) and Eero Venhola (p. 28), Finnish Tourist Board’s Image Bank (p. 12 top), TVO (p. 12 below), Hotel Hilton Kalastajatorppa (p. 25 top and p. 41 right) and p. 25 top (p. Hilton Kalastajatorppa Hotel TVO 12 below), (p. 12 top), Image Bank (p. Board’s Tourist 28), Finnish (p. Venhola –27) and Eero Wednesday, 16 June . 16 Thursday, 17 June . 20 Friday, 18 June . 26 5), Katri Pyynönen (p. 8 and backdrops on pp. 12 on pp. 8 and backdrops 5), Katri Pyynönen (p. – Poster sessions and presentations . 2. 8 Social programme . 4. 0 Technical exhibition . 42 Graphic design and layout: Nina Sulonen STUK – Radiation and Nuclear Safety Authority Photos: City of Helsinki Picture Bank / Matti Tirri (cover and p. 19 top), Comma Image Oy (p.13 top), p. 15 Paul Williams (p. 40 left), Mika Lappalainen (p. 40 right), Pertti Nisonen (p. 41 left), Finlandia Hall Image Bank / Matti Tirri (pp. 4 (pp. Tirri Hall Image Bank / Matti 41 left), Finlandia Nisonen Pertti 40 left), 40 right), (p. Mika (p. Lappalainen (p. Williams 15 Paul p. top), Image Oy Comma (p.13 19 top), and p. (cover Tirri CityPhotos: of Helsinki Bank / Matti Picture 2 Welcome to European IRPA 2010 Dear colleagues from all over Europe and beyond The Nordic Society for Radiation Protection (NSFS) has the honour to host the regional European IRPA Congress in Helsinki on 14 – 18 June 2010. -
Helsinki Echo
HELSINKI ECHO HELSINKI BITES – A GUIDE TO the HistORY OF the CitY WelcOME TO A JOURneY phere of the times. You can take a walk home and listen to the radio. You can thROUgh the Fascinating through the streets of the 1930s and also pop into a bar to play hits on the histORY OF Helsinki! This check out window displays or spend time jukebox or peer into the secret world of journey will take you through various on the beach trying on swimsuits. If you an inner courtyard. Helsinki Echo will eras and lets you experience the atmos- feel tired, you can have a rest in a 1950s show you the way, take it with you! VibRant CitY OF the 1930'S LeisURE TIME AT HOME in the 1950'S GRieF anD DRAMA The Chang- ing Face OF the CITY NOstalgic 1970'S BAR The CARE- takeR'S RealM A Skate- BOARDER'S KEEN EYE 2 | ALONG THE STREETS Helsinki echO | 3 The CAFÉ BRONDin at Etelä- Wäinö Aaltonen, Rudolf Koivu and having a permanent place to stay since Esplanadi 20 becomes a popular meet- Eino Leino. One of the “Brondinistas” student days, and every member of our ing place among artists in the 1910s. is named Ponkki. “Ponkki was no art- coterie felt it their duty to put him up The regulars include such names as ist. He had no speciality, but he under- when he turned up at your doorstep.”* Jalmari Ruokokoski, Tyko Sallinen, stood everybody. No one recalled him * Vilho Nenonen: Tavattiin Brondalla. SPReaDing like ElantO Shops of the Elanto Cooperative were a familiar sight in Helsinki.