National Calendar June 2008–October 2009
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Alan Gilbert and the New York Philharmonic
FOR IMMEDIATE RELEASE UPDATED January 13, 2015 January 7, 2015 Contact: Katherine E. Johnson (212) 875-5718; [email protected] ALAN GILBERT AND THE NEW YORK PHILHARMONIC Alan Gilbert To Conduct SILK ROAD ENSEMBLE with YO-YO MA Alongside the New York Philharmonic in Concerts Celebrating the Silk Road Ensemble’s 15TH ANNIVERSARY Program To Include The Silk Road Suite and Works by DMITRI YANOV-YANOVSKY, R. STRAUSS, AND OSVALDO GOLIJOV February 19–21, 2015 FREE INSIGHTS AT THE ATRIUM EVENT “Traversing Time and Trade: Fifteen Years of the Silkroad” February 18, 2015 The Silk Road Ensemble with Yo-Yo Ma will perform alongside the New York Philharmonic, led by Alan Gilbert, for a celebration of the innovative world-music ensemble’s 15th anniversary, Thursday, February 19, 2015, at 7:30 p.m.; Friday, February 20 at 8:00 p.m.; and Saturday, February 21 at 8:00 p.m. Titled Sacred and Transcendent, the program will feature the Philharmonic and the Silk Road Ensemble performing both separately and together. The concert will feature Fanfare for Gaita, Suona, and Brass; The Silk Road Suite, a compilation of works commissioned and premiered by the Ensemble; Dmitri Yanov-Yanovsky’s Sacred Signs Suite; R. Strauss’s Death and Transfiguration; and Osvaldo Golijov’s Rose of the Winds. The program marks the Silk Road Ensemble’s Philharmonic debut. “The Silk Road Ensemble demonstrates different approaches of exploring world traditions in a way that — through collaboration, flexible thinking, and disciplined imagination — allows each to flourish and evolve within its own frame,” Yo-Yo Ma said. -
Windward Passenger
MAY 2018—ISSUE 193 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM DAVE BURRELL WINDWARD PASSENGER PHEEROAN NICKI DOM HASAAN akLAFF PARROTT SALVADOR IBN ALI Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East MAY 2018—ISSUE 193 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 NEw York@Night 4 Laurence Donohue-Greene: Interview : PHEEROAN aklaff 6 by anders griffen [email protected] Andrey Henkin: [email protected] Artist Feature : nicki parrott 7 by jim motavalli General Inquiries: [email protected] ON The Cover : dave burrell 8 by john sharpe Advertising: [email protected] Encore : dom salvador by laurel gross Calendar: 10 [email protected] VOXNews: Lest We Forget : HASAAN IBN ALI 10 by eric wendell [email protected] LAbel Spotlight : space time by ken dryden US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or VOXNEwS 11 by suzanne lorge money order to the address above or email [email protected] obituaries by andrey henkin Staff Writers 12 David R. Adler, Clifford Allen, Duck Baker, Stuart Broomer, FESTIVAL REPORT Robert Bush, Thomas Conrad, 13 Ken Dryden, Donald Elfman, Phil Freeman, Kurt Gottschalk, Tom Greenland, Anders Griffen, CD ReviewS 14 Tyran Grillo, Alex Henderson, Robert Iannapollo, Matthew Kassel, Mark Keresman, Marilyn Lester, Miscellany 43 Suzanne Lorge, Marc Medwin, Russ Musto, John Pietaro, Joel Roberts, John Sharpe, Elliott Simon, Event Calendar 44 Andrew Vélez, Scott Yanow Contributing Writers Kevin Canfield, Marco Cangiano, Pierre Crépon George Grella, Laurel Gross, Jim Motavalli, Greg Packham, Eric Wendell Contributing Photographers In jazz parlance, the “rhythm section” is shorthand for piano, bass and drums. -
Recital: Gilbert Kalish, Piano
Ithaca College Digital Commons IC All Concert & Recital Programs Concert & Recital Programs 10-1-1996 Recital: Gilbert Kalish, piano Gilbert Kalish Follow this and additional works at: https://digitalcommons.ithaca.edu/music_programs Part of the Music Commons Recommended Citation Kalish, Gilbert, "Recital: Gilbert Kalish, piano" (1996). All Concert & Recital Programs. 7903. https://digitalcommons.ithaca.edu/music_programs/7903 This Program is brought to you for free and open access by the Concert & Recital Programs at Digital Commons IC. It has been accepted for inclusion in All Concert & Recital Programs by an authorized administrator of Digital Commons IC. TV\esda}:'; October 11 1996 8:15 p.m. Ford t-lall .AV\ditoriV\m Jthaca College GILBERT KALISH is among the most revered musicians active today. Equally adept as solo pianist, collaborative artist, and educator, he exerts a profound influence on the musical community. Kalish commands an extraordinaril broad repertoire, from the 18th century to the present, and his performances have established him as a major figure in American music making. Many of this century's most prominent composers have written new works with Kalish's communicative powers in mind. His concert tours have taken him across the United States and to many of the world's music capitals and university centers. A native New Yorker and graduate of Columbia University, Kalish studied with Leonard Shure, Isabella Vengerova, and Julius Hereford. He is a founding member of the Contemporary Chamber Ensemble and pianist since 1969 for the Boston Symphony Chamber Players. He also appears as a guest artist with such distinguished ensembles as the Juilliard Quartet and the New York Woodwind Quintet. -
Download Booklet
572813 bk Zemlinsky EU_572813 bk Zemlinsky EU 23/05/2013 13:45 Page 4 Escher String Quartet Alexander Adam Barnett-Hart, Violin I • Wu Jie, Violin II • Pierre Lapointe, Viola • Dane Johansen, Cello Championed by the Emerson String Quartet, the Escher String ZEMLINSKY Quartet players were BBC New Generation Artists from 2010- 2012, giving débuts at both the Wigmore Hall and the BBC Proms String Quartets • 1 at Cadogan Hall. In their home town of New York, the quartet recently completed a three-year Escher String Quartet Rising Stars residency at The Chamber Music Society of Lincoln Center. Within months of its inception in 2005, the Escher Quartet was invited by both Pinchas Zukerman and Itzhak Perlman to be Quartet-in-Residence at each artist’s summer festival: the Young Artists Programme at Canada’s National Arts Centre; and the Perlman Chamber Music Program on Shelter Island, NY. Photo: Henry Fair In addition, the quartet has collaborated with artists such as Andrés Diaz, Lawrence Dutton, Kurt Elling, Leon Fleisher, Anja Lechner, Vadim Gluzman, Angela Yoffe, Gary Hoffman, Joseph Kalichstein, Kurt Muroki, Joseph Silverstein, Khatia Buniatishvili, Benjamin Grosvenor and Matthew Hunt, as well pop folk singer-songwriter Luke Temple. Recent performances include appearances at the Cheltenham, Lichfield and City of London Festivals, the Auditorium du Louvre in Paris, 92nd Street Y in New York, the Kennedy Center in Washington DC and the Ravinia and Caramoor festivals. Elsewhere, the quartet undertook a tour of China including Beijing, Shanghai and Hangzhou, and made its Australian début with Brett Dean at the Perth International Arts Festival. -
For Release: Tk, 2013
FOR RELEASE: January 23, 2013 SUPPLEMENT CHRISTOPHER ROUSE, The Marie-Josée Kravis COMPOSER-IN-RESIDENCE WORLD PREMIERE of SYMPHONY NO. 4 at the NY PHIL BIENNIAL New York Premiere of REQUIEM To Open Spring For Music Festival at Carnegie Hall New York Premiere of OBOE CONCERTO with Principal Oboe Liang Wang RAPTURE at Home and on ASIA / WINTER 2014 Tour Rouse To Advise on CONTACT!, the New-Music Series, Including New Partnership with 92nd Street Y ____________________________________ “What I’ve always loved most about the Philharmonic is that they play as though it’s a matter of life or death. The energy, excitement, commitment, and intensity are so exciting and wonderful for a composer. Some of the very best performances I’ve ever had have been by the Philharmonic.” — Christopher Rouse _______________________________________ American composer Christopher Rouse will return in the 2013–14 season to continue his two- year tenure as the Philharmonic’s Marie-Josée Kravis Composer-in-Residence. The second person to hold the Composer-in-Residence title since Alan Gilbert’s inaugural season, following Magnus Lindberg, Mr. Rouse’s compositions and musical insights will be highlighted on subscription programs; in the Philharmonic’s appearance at the Spring For Music festival; in the NY PHIL BIENNIAL; on CONTACT! events; and in the ASIA / WINTER 2014 tour. Mr. Rouse said: “Part of the experience of music should be an exposure to the pulsation of life as we know it, rather than as people in the 18th or 19th century might have known it. It is wonderful that Alan is so supportive of contemporary music and so involved in performing and programming it.” 2 Alan Gilbert said: “I’ve always said and long felt that Chris Rouse is one of the really important composers working today. -
Paul Jacobs, Elliott Carter, and an Overview of Selected Stylistic Aspects of Night Fantasies
University of South Carolina Scholar Commons Theses and Dissertations 2016 Paul Jacobs, Elliott aC rter, And An Overview Of Selected Stylistic Aspects Of Night Fantasies Alan Michael Rudell University of South Carolina Follow this and additional works at: https://scholarcommons.sc.edu/etd Part of the Music Performance Commons Recommended Citation Rudell, A. M.(2016). Paul Jacobs, Elliott aC rter, And An Overview Of Selected Stylistic Aspects Of Night Fantasies. (Doctoral dissertation). Retrieved from https://scholarcommons.sc.edu/etd/3977 This Open Access Dissertation is brought to you by Scholar Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. PAUL JACOBS, ELLIOTT CARTER, AND AN OVERVIEW OF SELECTED STYLISTIC ASPECTS OF NIGHT FANTASIES by Alan Michael Rudell Bachelor of Music University of North Carolina, Chapel Hill, 2004 Master of Music University of South Carolina, 2009 _____________________________________________________ Submitted in Partial Fulfillment of the Requirements For the Degree of Doctor of Musical Arts in Music Performance School of Music University of South Carolina 2016 Accepted by: Joseph Rackers, Major Professor Charles L. Fugo, Committee Member J. Daniel Jenkins, Committee Member Marina Lomazov, Committee Member Cheryl L. Addy, Vice Provost and Dean of the Graduate School © Copyright by Alan Michael Rudell, 2016 All Rights Reserved. ii ACKNOWLEDGEMENTS I wish to extend my thanks to the members of my committee, especially Joseph Rackers, who served as director, Charles L. Fugo, for his meticulous editing, J. Daniel Jenkins, who clarified certain issues pertaining to Carter’s style, and Marina Lomazov, for her unwavering support. -
Program Notes Hosted by the Score Board 7:00
DOUBLE TROUBLE SATURDAY JANUARY 22, 2011 8:00 DOUBLE TROUBLE SATURDAY JANUARY 22, 2011 8:00 JORDAN HALL AT NEW ENGLAND CONSERVATORY Program Notes hosted by the Score Board 7:00 MICHAEL TIPPETT Concerto for Double String Orchestra HAROLD MELTZER Full Faith and Credit (2004) (1938–39) I. Rugged I. Allegro con brio II. Homespun II. Adagio cantabile III. Blistering III. Allegro molto – Poco allargando IV. Viscous V. Genteel VI. Hymn VII. Rugged MATHEW ROSENBLUM Double Concerto for Baritone Saxophone, Percussion, and Orchestra (2010) Ronald Haroutunian, bassoon World Premiere Adrian Morejon, bassoon I. II. III. STEPHEN PAULUs Concerto for Two Trumpets and Orchestra (2003) IV. I. Fantasy V. II. Elegy III. Dance Kenneth Coon, baritone saxophone Terry Everson, trumpet Lisa Pegher, percussion Eric Berlin, trumpet INTERMISSION GIL ROSE, CONDUCTOR * Commissioned by the Fromm Music Foundation for Kenneth Coon and the Boston Modern Orchestra Project (Gil Rose, conductor) 4 5 PROGRAM NOTES By Robert Kirzinger TONIGHT’s COLLECTION OF DOUBLE CONCERTOS demonstrates the modern range of a genre that developed beginning about the end of the 1600s, essentially parallel to the solo concerto. Double and other multiple concertos were quite common in the High Baroque, including lots of examples by Vivaldi and, under his influence, Bach, but the solo concerto dominates the Classical period and beyond, with relatively few notable exceptions—Mozart’s two-piano concerto and sinfonias concertante, Beethoven’s Triple, Brahms’s Double—remaining solidly in today’s orchestral repertoire. This concert’s variety of approaches has as its chronological and stylistic extremes Michael Tippett’s 1939 GER Concerto for Double String Orchestra—one of the composer’s first works of significance— N and the brand-new, up-to-the-moment world premiere of the Double Concerto for Baritone GRAI Saxophone, Percussion, and Orchestra written for BMOP by Pittsburgh-based Mathew CLIVE Rosenblum. -
Escher String Quartet String Quartets: No
MENDELSSOHN · ESCHER STRING QUARTET STRING QUARTETS: NO. 5 IN E FLAT MAJOR & NO. 6 IN F MAJOR Front cover from left: Pierre Lapointe, Adam Barnett-Hart, Aaron Boyd, Dane Johansen BIS-2160 BIS-2160 booklet cover.indd 1 2016-01-29 14:29 MENDELSSOHN BARTHOLDY, Felix (1809–47) Quartet No.5 in E flat major 34'50 Op.44 No.3, MWV R28 (1837–38) 1 I. Allegro vivace 13'22 2 II. Scherzo. Assai leggiero e vivace 4'05 3 III. Adagio non troppo 8'34 4 IV. Molto allegro con fuoco 8'40 from Four Pieces for String Quartet, Op.81 5 3. Capriccio (Andante con moto – Allegro fugato assai vivace) in E minor, MWV R32 (1843) 5'37 6 4. Fugue (A tempo ordinario) in E flat major, MWV R23 (1827) 5'00 Quartet No.6 in F minor, Op.80, MWV R37 (1847) 25'02 7 I. Allegro vivace assai – Presto 7'05 8 II. Allegro assai 4'14 9 III. Adagio 7'52 10 IV. Finale. Allegro molto 5'44 TT: 71'17 Escher String Quartet Adam Barnett-Hart violin · Aaron Boyd violin Pierre Lapointe viola · Dane Johansen cello 3 he quartet has always been regarded as the purest and noblest of mu sical genres, which in particular heightens, educates, refines our appre cia tion ‘Tof music and, with the tiniest of means, achieves the ut most. Its clarity and transparency, which no trickery can cloak, make quartet music the surest yard- stick for measuring genuine composers; in renouncing the sensual lures of sound effects and contrasts, it highlights the gift of musical invention and the art of exploiting a musical idea. -
Concert Brian Lee, Piano Riverside Recital Hall 7:30 P.M
U N I V E R S I T Y O F I O W A S C H O O L of M U S I C UPCOMING EVENTS TROMBONE CHOIR .........................................................................................March 11, 2015 at 7:30 p.m. Riverside Recital Hall FACULTY/GUEST ARTIST..............................................................................March 23, 2015 at 7:30 p.m. Daniel Shapiro and Uriel Tsachor, piano Riverside Recital Hall Center for New Music SYMPHONY ORCHESTRA ..............................................................................March 25, 2015 at 7:30 p.m. Dr. William LaRue Jones, conductor IMU Main Lounge GUEST ARTIST ...................................................................................................March 26, 2015 at 7:30 p.m. Concert Brian Lee, piano Riverside Recital Hall 7:30 p.m. Tuesday, March 10, 2015 GUEST ARTIST ...................................................................................................March 27, 2015 at 7:30 p.m. Frank Almond, violin Riverside Recital Hall Riverside Recital Hall GUEST ARTIST ...................................................................................................March 27, 2015 at 7:30 p.m. David Gompper David Werden, euphonium UCC Recital Hall Center for New Music director A LITTLE LUNCH MUSIC .............................................................................March 27, 2015 at 12:00 p.m. UCC Breakroom Season 49 Concert XII PERCUSSION SPECTACULAR .......................................................................March 29, 2015 at 3:00 p.m. Riverside -
Prospective Encounters
FOUR INNOVATIVE EVENTS IN GREENWICH VILLAGE presented by the NEW YORK PHILHARMONIC PIERRE BOULEZ, Music Director EISNER AND LUBIN AUDITORIUM, LOEB STUDENT CENTER, NEW YORK UNIVERSITY Friday Evening, February 18, 1972, at 7:30 p.m. PROSPECTIVE ENCOUNTER IV PIERRE BOULEZ, Conductor STANLEY SILVERMAN PLANH Stanley Silverman, Guitar Violin Flute, Alto Flute Percussion Kenneth Gordon Paige Brook Richard Fitz Viola Clarinet, Gordon Gottlieb Sol Greitzer Bass Clarinet Mandolin Cello Stephen Freeman Jacob Glick Bernardo Altmann GEORGE CRUMB "Ancient Voices of Children" A Cycle of Songs on Texts by Garcia Lorca I "El niho busca su voz" ("The Little Boy Was Looking for his Voice") "Dances of the Ancient Earth" II "Me he perdido muchas veces por el mar" ("I Have Lost Myself in the Sea Many Times") III "6De d6nde vienes, amor, mi nino?" ("From Where Do You Come, My Love, My Child?") ("Dance of the Sacred Life-Cycle") IV "Todas ]as tardes en Granada, todas las tardes se muere un nino" ("Each After- noon in Granada, a Child Dies Each Afternoon") "Ghost Dance" V "Se ha Ilenado de luces mi coraz6n de seda" ("My Heart of Silk Is Filled with Lights") Jan DeGaetani, Mezzo-soprano Joseph Lampke, Boy soprano Oboe Harp Percussion Harold Gomberg Myor Rosen Raymond DesRoches Mandolin Piano Richard Fitz Jacob Glick PaulJacobs Gordon Gottlieb Orchestra Personnel Manager, James Chambers ERIC SALZMAN with QUOG ECOLOG QUOG Josh Bauman Imogen Howe Jon Miller Tina Chancey Garrett List Barbara Oka Tony Elitcher Jim Mandel Walter Wantman Laura Greenberg Bill Matthews -
Klezmer Madness
Klezmer Madness SATURDAY NOVEMBER 23, 2019 8:00 Klezmer Madness Welcome to New England SATURDAY NOVEMBER 23, 2019 8:00 JORDAN HALL AT NEW ENGLAND CONSERVATORY Conservatory’s Jordan Hall. Pre-concert talk at 7:00 New England Conservatory is home to acoustically superb Jordan Hall, where you’re seated now. Welcome, and enjoy the performance! AVNER DORMAN Uriah (2009) NEC is also the oldest independent music school in the United States, home to musical innovators across our College, Preparatory School, MATHEW ROSENBLUM Lament / Witches’ Sabbath (2017) and School of Continuing Education. David Krakauer, clarinet From chamber and orchestral music to jazz to Contemporary Improvisation, it’s all right here at NEC. INTERMISSION Join us for a concert, take WLAD MARHULETS Concerto for Klezmer Clarinet (2008) lessons, or join an ensemble: David Krakauer, clarinet necmusic.edu I. II. III. AVNER DORMAN Ellef Symphony (2000) I. Adagio II. Feroce III. Con Moto IV. Adagio GIL ROSE, conductor PROGRAM NOTES 5 By Clifton Ingram AVNER DORMAN (b. 1975) Uriah : The Man The King Wanted Dead (2009) Avner Dorman is not shy about his roots, which grow deep in his art. Born in Tel Aviv in 1975, Dorman has since transplanted to the United States, where he is currently an as- sociate professor at Sunderman Conservatory of Music at Gettysburg College. But whether composing music about the Tanakh (Hebrew Bible) or the American Civil War (both of which he has done, for the record) Dorman identifies Israel as home. Through his music, this sense of home becomes more a feeling, one almost utopian in its endless urge for a hopeful future in spite of harsh reality. -
Sfkieherd Sc~Ol Ofmusic
GUEST ARTIST RECITAL JEFFREY JACOB, Piano Thursday, September 18, 2008 8:00 p.m. Lillian H. Duncan Recital Hall sfkieherd RICE UNIVERSITY Sc~ol ofMusic PROGRAM Makrokosmos II George Crumb Twelve Fantasy-Pieces after the Zodiac (b.1929) (for amplified piano) 1. Morning Music (Genesis II) 2. The Mystic Chord 3. Rain-Death Variations 4. Twin Suns (Doppelganger aus der Ewigkeit) 5. Ghost-Nocturne: For the Druids of Stonehenge 6. Gargoyles 7. Tora I Tora I Tora I ( Cadenza Apocalittica) 8. A Prophecy of Nostradamus 9. Cosmic Wind 10. Voices from "Corona Borealis" 11. Litany of the Galactic Bells 12. Agnus Dei The reverberative acoustics of Duncan Recital Hall magnify the slightest sound made by the audience. Your care and courtesy will be appreciated. The taking ofphotographs and use ofrecording equipment are prohibited. BIOGRAPHY Described by the Warsaw Music Journal as "unquestionably one of the greatest performers of 20th-century music," and the New York Times as "an artist ofintense concentration and conviction," Jeffrey Jacob re ceived his education from the Juilliard School (Master of Music) and the Peabody Conservatory (Doctor ofMusical Arts) and counts as his prin cipal teachers Mieczyslaw Munz, Carlo Zecchi, and Leon Fleisher. Since his debut with the London Philharmonic in Royal Festival Hall, he has appeared as piano soloist with over twenty orchestras internationally including the Moscow, St. Petersburg, Seattle, Portland, Indianapolis, Charleston, Silo Paulo and Brazilian National Symphonies, and the Si lesian, Moravian , North Czech, and Royal Queenstown Philharmonics. A noted proponent ofcontemporary music, he has performed the world premieres of works written for him by George Crumb, Gunther Schuller, Vincent Persichetti, Samuel Adler, Francis Routh, and many others.