The Earliest Arabic Magic Squares
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Almost-Magic Stars a Magic Pentagram (5-Pointed Star), We Now Know, Must Have 5 Lines Summing to an Equal Value
MAGIC SQUARE LEXICON: ILLUSTRATED 192 224 97 1 33 65 256 160 96 64 129 225 193 161 32 128 2 98 223 191 8 104 217 185 190 222 99 3 159 255 66 34 153 249 72 40 35 67 254 158 226 130 63 95 232 136 57 89 94 62 131 227 127 31 162 194 121 25 168 200 195 163 30 126 4 100 221 189 9 105 216 184 10 106 215 183 11 107 214 182 188 220 101 5 157 253 68 36 152 248 73 41 151 247 74 42 150 246 75 43 37 69 252 156 228 132 61 93 233 137 56 88 234 138 55 87 235 139 54 86 92 60 133 229 125 29 164 196 120 24 169 201 119 23 170 202 118 22 171 203 197 165 28 124 6 102 219 187 12 108 213 181 13 109 212 180 14 110 211 179 15 111 210 178 16 112 209 177 186 218 103 7 155 251 70 38 149 245 76 44 148 244 77 45 147 243 78 46 146 242 79 47 145 241 80 48 39 71 250 154 230 134 59 91 236 140 53 85 237 141 52 84 238 142 51 83 239 143 50 82 240 144 49 81 90 58 135 231 123 27 166 198 117 21 172 204 116 20 173 205 115 19 174 206 114 18 175 207 113 17 176 208 199 167 26 122 All rows, columns, and 14 main diagonals sum correctly in proportion to length M AGIC SQUAR E LEX ICON : Illustrated 1 1 4 8 512 4 18 11 20 12 1024 16 1 1 24 21 1 9 10 2 128 256 32 2048 7 3 13 23 19 1 1 4096 64 1 64 4096 16 17 25 5 2 14 28 81 1 1 1 14 6 15 8 22 2 32 52 69 2048 256 128 2 57 26 40 36 77 10 1 1 1 65 7 51 16 1024 22 39 62 512 8 473 18 32 6 47 70 44 58 21 48 71 4 59 45 19 74 67 16 3 33 53 1 27 41 55 8 29 49 79 66 15 10 15 37 63 23 27 78 11 34 9 2 61 24 38 14 23 25 12 35 76 8 26 20 50 64 9 22 12 3 13 43 60 31 75 17 7 21 72 5 46 11 16 5 4 42 56 25 24 17 80 13 30 20 18 1 54 68 6 19 H. -
Correspondence Course Units
Astrology 2 - Unit 4 | Level 4 www.gnosis-correspondence-course.net - 2 - Astrology 2 - Unit 4 | Level 4 www.gnosis-correspondence-course.net - 3 - Astrology 2 - Unit 4 | Level 4 AstrologyAstrology 22 The Magic Squares IntroductionIntroduction ‘In order to invoke the gods, one must know the mathematical figures of the stars (magic squares). Symbols are the clothing of numbers. Numbers are the living entities of the inner worlds. Planetary figures produce tremendous immediate results. We can work with the stars from a distance. Mathematical figures act upon the physical world in a tremendous way. These figures must be written on seven different boards.' Samael Aun Weor www.gnosis-correspondence-course.net - 4 - Astrology 2 - Unit 4 | Level 4 AA LittleLittle HistoryHistory A magic square is a table on which a series of whole numbers are arranged in a square or mould, in such a way that the result obtained by adding up the numbers by columns, rows and main diagonals is the same, this result being the square's magic constant. The first record of a magic square appearing in history is found in China, about the year 2,800 BC. This magic square is called ‘Lo-shu’ (Lo was the name of the river today known as ‘Yellow River’. Shu means 'book' in Chinese. ‘Lo-shu’ means, therefore, ‘the book of the Yellow River’). Legend has it that in a remote past big floods were devastating a Chinese region. Its inhabitants tried to appease the wrath of the river Lo by offering sacrifices, but they failed to come up with the adequate amount of them to succeed. -
Franklin Squares ' a Chapter in the Scientific Studies of Magical Squares
Franklin Squares - a Chapter in the Scienti…c Studies of Magical Squares Peter Loly Department of Physics, The University of Manitoba, Winnipeg, Manitoba Canada R3T 2N2 ([email protected]) July 6, 2006 Abstract Several aspects of magic(al) square studies fall within the computa- tional universe. Experimental computation has revealed patterns, some of which have lead to analytic insights, theorems or combinatorial results. Other numerical experiments have provided statistical results for some very di¢ cult problems. Schindel, Rempel and Loly have recently enumerated the 8th order Franklin squares. While classical nth order magic squares with the en- tries 1::n2 must have the magic sum for each row, column and the main diagonals, there are some interesting relatives for which these restrictions are increased or relaxed. These include serial squares of all orders with sequential …lling of rows which are always pandiagonal (having all parallel diagonals to the main ones on tiling with the same magic sum, also called broken diagonals), pandiagonal logic squares of orders 2n derived from Karnaugh maps, with an application to Chinese patterns, and Franklin squares of orders 8n which are not required to have any diagonal prop- erties, but have equal half row and column sums and 2-by-2 quartets, as well as stes of parallel magical bent diagonals. We modi…ed Walter Trump’s backtracking strategy for other magic square enumerations from GB32 to C++ to perform the Franklin count [a data…le of the 1; 105; 920 distinct squares is available], and also have a simpli…ed demonstration of counting the 880 fourth order magic squares using Mathematica [a draft Notebook]. -
The Paracelsians and the Chemists: the Chemical Dilemma in Renaissance Medicine
Clio Medica, Vol7, No.3, pp. 185-199, 1972 The Paracelsians and the Chemists: the Chemical Dilemma in Renaissance Medicine ALLEN G. DEBUS* Accounts of Renaissance iatrochemistry have traditionally emphasized the con flict over the introduction of chemically prepared medicines. The importance of this cannot be denied, but the texts of the period indicate that this formed only part of a broader debate involving the relationship of chemistry to medicine - and indeed, to nature as a whole. The Paracelsian chemists argued forcefully that much - if not all - of the fabric of ancient medicine should be scrapped, and that a new medicine based on a chemical philosophy of the universe should be offered in its place. For them a proper understanding of the macrocosm and the microcosm would indicate to the true physician the correct cures for diseases. Others - who spoke with no less conviction of the benefits of chemistry for medicine - disagreed with the Paracelsians over the application of chemistry to cosmological problems. For these chemists the introduction of the new remedies and the Paracelsian principles were useful and necessary for the physician, but they were properly to be used along with the traditional Aristotelian-Galenic conceptual scheme. The purpose of the present paper is to give some indication of the deep divisions that separated chemical physicians from each other in this crucial period. By way of background it should be noted that most chemical physicians of the sixteenth and the seventeenth centuries did not consider their work to be entirely new. They openly drew upon the writings of Islamic physicians and alchemists as well as a host of Latin scholars of the Middle Ages who had turned to chemical operations as a basic tool for the preparation of medicines. -
The Art of Sigils
The Art of Sigils Week 1: Desig! What are sigils? “a sign or image considered magical; a seal or signet” ♰ x Well, that’s a nice broad definition. Sigils in History monograms, goetic seals, symbols of profession, familial seals, alchemical and astrological symbols, icons, logos If a sign or image causes a shift in your mental/ emotional state, it can be used as a magical tool and thus can be considered a sigil. What are sigils? Visual focus for ritual, or meditation; magickal identifier Auditory and movement-based sigils work on the same principles, but we’re not going to get into them here. A way to bypass the conscious mind, as all the thinking is done during its construction, not its use Two types: labels and goals How are they used? Creation The sigil is made with full conscious intent, and then laid aside until the analytic basis for it has been forgotten. Charging The sigil is charged in a ritual context with energy related to its purpose. Example: work yourself into an ecstatic or trance state before gazing at the sigil; use it as a focus in meditation; touch with a drop of blood or sexual fluid Use Where the sigil is set loose to do its work. (May be synonymous with destruction in some cases) Focus for meditation, worn as jewelry, kept under a pillow Destruction After the ritual or once the goal is accomplished You’ve bound a piece of your Will into this object - once its purpose is done, give it back! Not applicable in all cases (more for goal-type sigils) How are they made? Most common (and easiest) is drawn on paper Draw, paint, carve, etch, mold, build! Just keep final use in mind It’s harder to destroy a cast-silver sigil, or to whirl in ecstasy about the temple bearing a 2’x3’ monstrosity carved in wood. -
Ge Hong's Master Who Embraces Simplicity (Baopuzi). In: Extrême-Orient, Extrême-Occident
Michael Puett Humans, Spirits, and Sages in Chinese Late Antiquity : Ge Hong's Master Who Embraces Simplicity (Baopuzi). In: Extrême-Orient, Extrême-Occident. 2007, N°29, pp. 95-119. Abstract This paper attempts to answer the questions : What was Ge Hong trying to do when he wrote the Baopuzi ? What were his arguments ? And why, within the context of the time, were these arguments significant ? In answering these questions, the essay claims that there is a unified set of ideas concerning humans, sages, and the spirit world in the Baopuzi. Moreover, it is a set of ideas that underlies both the inner and outer portions of the text. Michael Puett m^nMMtanammm.mi «##»*, «KHira, «h»a. mxu Résumé Hommes, esprits et sages dans l'Antiquité tardive : Le Maître qui embrasse la simplicité (Baopuzi) de Ge Hong Le présent article s'efforce de répondre à la question de savoir quelle pouvait être la visée de Ge Hong lorsqu'il composa le Baopuzi. Quelles idées y a-t-il avancées et comment les a-t-il défendues ? Enfin, qu'est- ce qui à la lumière de son époque donne à ses arguments un tour si particulier ? Nous soutenons dans ces pages qu'il y a une réelle cohérence argumentative et une vision d'ensemble dans le discours de Ge Hong sur les humains, les sages et les esprits. Cette ensemble d'idées innerve aussi bien les chapitres intérieurs qu'extérieurs de l'ouvrage. Citer ce document / Cite this document : Puett Michael. Humans, Spirits, and Sages in Chinese Late Antiquity : Ge Hong's Master Who Embraces Simplicity (Baopuzi). -
Kabbalah, Magic & the Great Work of Self Transformation
KABBALAH, MAGIC AHD THE GREAT WORK Of SELf-TRAHSfORMATIOH A COMPL€T€ COURS€ LYAM THOMAS CHRISTOPHER Llewellyn Publications Woodbury, Minnesota Contents Acknowledgments Vl1 one Though Only a Few Will Rise 1 two The First Steps 15 three The Secret Lineage 35 four Neophyte 57 five That Darkly Splendid World 89 SIX The Mind Born of Matter 129 seven The Liquid Intelligence 175 eight Fuel for the Fire 227 ntne The Portal 267 ten The Work of the Adept 315 Appendix A: The Consecration ofthe Adeptus Wand 331 Appendix B: Suggested Forms ofExercise 345 Endnotes 353 Works Cited 359 Index 363 Acknowledgments The first challenge to appear before the new student of magic is the overwhehning amount of published material from which he must prepare a road map of self-initiation. Without guidance, this is usually impossible. Therefore, lowe my biggest thanks to Peter and Laura Yorke of Ra Horakhty Temple, who provided my first exposure to self-initiation techniques in the Golden Dawn. Their years of expe rience with the Golden Dawn material yielded a structure of carefully selected ex ercises, which their students still use today to bring about a gradual transformation. WIthout such well-prescribed use of the Golden Dawn's techniques, it would have been difficult to make progress in its grade system. The basic structure of the course in this book is built on a foundation of the Golden Dawn's elemental grade system as my teachers passed it on. In particular, it develops further their choice to use the color correspondences of the Four Worlds, a piece of the original Golden Dawn system that very few occultists have recognized as an ini tiatory tool. -
Magic, Mysticism, and Modern Medicine: the Influence of Alchemy on Seventeenth-Century England
Illinois Wesleyan University Digital Commons @ IWU Honors Projects History Department 4-2004 Magic, Mysticism, and Modern Medicine: The Influence of Alchemy on Seventeenth-Century England Lindsay Fitzharris '04 Illinois Wesleyan University Follow this and additional works at: https://digitalcommons.iwu.edu/history_honproj Part of the History Commons Recommended Citation Fitzharris '04, Lindsay, "Magic, Mysticism, and Modern Medicine: The Influence of Alchemy on Seventeenth-Century England" (2004). Honors Projects. 16. https://digitalcommons.iwu.edu/history_honproj/16 This Article is protected by copyright and/or related rights. It has been brought to you by Digital Commons @ IWU with permission from the rights-holder(s). You are free to use this material in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This material has been accepted for inclusion by faculty at Illinois Wesleyan University. For more information, please contact [email protected]. ©Copyright is owned by the author of this document. • ILLINOIS WESLEYAN UNIVERSITY MAGIC, MYSTICISM, AND MODERN MEDICINE: THE INFLUENCE OF ALCHEMY ON SEVENTEENTH-CENTURY ENGLAND A THESIS PAPER SUBMITTED TO THE FACULTY IN CANDIDACY FOR AN HONORS BACHELORS OF ARTS DEGREE DEPARTMENT OF HISTORY BY LINDSAY A. FITZHARRIS BLOOMINGTON, ILLINOIS APRIL 2004 • [T]he historian of science can not devote much attention to the study of superstition and magic, that is, of unreason, because this does not help him very much to understand human progress. -
The Philosophers' Stone: Alchemical Imagination and the Soul's Logical
Duquesne University Duquesne Scholarship Collection Electronic Theses and Dissertations Fall 2014 The hiP losophers' Stone: Alchemical Imagination and the Soul's Logical Life Stanton Marlan Follow this and additional works at: https://dsc.duq.edu/etd Recommended Citation Marlan, S. (2014). The hiP losophers' Stone: Alchemical Imagination and the Soul's Logical Life (Doctoral dissertation, Duquesne University). Retrieved from https://dsc.duq.edu/etd/874 This Immediate Access is brought to you for free and open access by Duquesne Scholarship Collection. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Duquesne Scholarship Collection. For more information, please contact [email protected]. THE PHILOSOPHERS’ STONE: ALCHEMICAL IMAGINATION AND THE SOUL’S LOGICAL LIFE A Dissertation Submitted to the McAnulty College and Graduate School of Liberal Arts Duquesne University In partial fulfillment of the requirements for the degree of Doctor of Philosophy By Stanton Marlan December 2014 Copyright by Stanton Marlan 2014 THE PHILOSOPHERS’ STONE: ALCHEMICAL IMAGINATION AND THE SOUL’S LOGICAL LIFE By Stanton Marlan Approved November 20, 2014 ________________________________ ________________________________ Tom Rockmore, Ph.D. James Swindal, Ph.D. Distinguished Professor of Philosophy Professor of Philosophy Emeritus (Committee Member) (Committee Chair) ________________________________ Edward Casey, Ph.D. Distinguished Professor of Philosophy at Stony Brook University (Committee Member) ________________________________ ________________________________ James Swindal, Ph.D. Ronald Polansky, Ph.D. Dean, The McAnulty College and Chair, Department of Philosophy Graduate School of Liberal Arts Professor of Philosophy Professor of Philosophy iii ABSTRACT THE PHILOSOPHERS’ STONE: ALCHEMICAL IMAGINATION AND THE SOUL’S LOGICAL LIFE By Stanton Marlan December 2014 Dissertation supervised by Tom Rockmore, Ph.D. -
And What They Can Teach Us About Contemporary Financial Expertise
Klaus Oschema Heaven Can Tell ...Late Medieval Astrologers as Experts – and what they can Teach us about Contemporary Financial Expertise Abstract: In taking action, or rather in making the decision to act, humans are inevi- tably confronted with a fundamental dilemma: actions taken in the present seek to bring about consequences in an immediate or distant future, but that future is, by definition, unknown and unknowable. That even the present is characterized by a high degree of complexity can lead to the establishment of a particular group: experts or expert advisers. Experts are individuals credited with specific knowledge and who are relied upon in order to make informed decisions or solve particular problems. While many authors consider the development of cultures of expertise to be a uniquely modern phenomenon that responds to the increasing complexity of social organisation, this chapter argues that late medieval astrologers can be described as ‘experts’, and that their activities can be analysed fruitfully as being part of an ‘expert culture’. In order to appreciate fully the characteristics and workings of this culture, medievalists have to rely upon insights and findings derived from the Social Sciences. While an interdisciplinary dialogue benefits research on medieval subjects, I argue that the analysis of premodern ‘expert culture’ can (and must) inform reflex- ions on the role of experts in modern societies. Based on drawing a comparison between modern financial experts and late medieval astrologers, I argue that analysis of the latter enables us to better understand our reliance on experts as an act of belief rather than as an outcome of supposedly rational calculation. -
Volatility and the Alchemy of Risk
Volatility and the Alchemy of Risk Reflexivity in the Shadows of Black Monday 1987 Christopher Cole The Ouroboros, a Greek word meaning ‘tail debt expansion, asset volatility, and financial Artemis Capital Managment devourer’, is the ancient symbol of a snake engineering that allocates risk based on that consuming its own body in perfect symmetry. volatility. In this self-reflexive loop volatility The imagery of the Ouroboros evokes the can reinforce itself both lower and higher. In infinite nature of creation from destruction. The a market where stocks and bonds are both sign appears across cultures and is an important overvalued, financial alchemy is the only way to icon in the esoteric tradition of Alchemy. feed our global hunger for yield, until it kills the Egyptian mystics first derived the symbol very system it is nourishing. from a real phenomenon in nature. In extreme The Global Short Volatility trade now heat a snake, unable to self-regulate its body represents an estimated $2+ trillion in financial temperature, will experience an out-of-control engineering strategies that simultaneously exert spike in its metabolism. In a state of mania, the influence over, and are influenced by, stock snake is unable to differentiate its own tail from market volatility.2 We broadly define the short its prey, and will attack itself, self-cannibalizing volatility trade as any financial strategy that until it perishes. In nature and markets, when relies on the assumption of market stability to randomness self-organizes into too perfect generate returns, while using volatility itself symmetry, order becomes the source of chaos.1 as an input for risk taking. -
Early Greek Alchemy, Patronage and Innovation in Late Antiquity CALIFORNIA CLASSICAL STUDIES
Early Greek Alchemy, Patronage and Innovation in Late Antiquity CALIFORNIA CLASSICAL STUDIES NUMBER 7 Editorial Board Chair: Donald Mastronarde Editorial Board: Alessandro Barchiesi, Todd Hickey, Emily Mackil, Richard Martin, Robert Morstein-Marx, J. Theodore Peña, Kim Shelton California Classical Studies publishes peer-reviewed long-form scholarship with online open access and print-on-demand availability. The primary aim of the series is to disseminate basic research (editing and analysis of primary materials both textual and physical), data-heavy re- search, and highly specialized research of the kind that is either hard to place with the leading publishers in Classics or extremely expensive for libraries and individuals when produced by a leading academic publisher. In addition to promoting archaeological publications, papyrolog- ical and epigraphic studies, technical textual studies, and the like, the series will also produce selected titles of a more general profile. The startup phase of this project (2013–2017) was supported by a grant from the Andrew W. Mellon Foundation. Also in the series: Number 1: Leslie Kurke, The Traffic in Praise: Pindar and the Poetics of Social Economy, 2013 Number 2: Edward Courtney, A Commentary on the Satires of Juvenal, 2013 Number 3: Mark Griffith, Greek Satyr Play: Five Studies, 2015 Number 4: Mirjam Kotwick, Alexander of Aphrodisias and the Text of Aristotle’s Meta- physics, 2016 Number 5: Joey Williams, The Archaeology of Roman Surveillance in the Central Alentejo, Portugal, 2017 Number 6: Donald J. Mastronarde, Preliminary Studies on the Scholia to Euripides, 2017 Early Greek Alchemy, Patronage and Innovation in Late Antiquity Olivier Dufault CALIFORNIA CLASSICAL STUDIES Berkeley, California © 2019 by Olivier Dufault.