Filmography (DOP)
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International Production Notes
INTERNATIONAL PRODUCTION NOTES PUBLICITY CONTACT Julia Benaroya Lionsgate +1 310-255-3095 [email protected] US RELEASE DATE: SEPTEMBER 28, 2018 RUNNING TIME: 89 MINUTES TABLE OF CONTENTS PRODUCTION INFORMATION ..................................... 4 ABOUT THE CAST ................................................ 14 ABOUT THE FILMMAKERS ..................................... 18 END CREDITS ...................................................... 26 3 PRODUCTION INFORMATION In this terrifying thrill ride, college student Natalie is visiting her childhood best friend Brooke and her roommate Taylor. If it was any other time of year these three and their boyfriends might be heading to a concert or bar, but it is Halloween which means that like everyone else they will be bound for Hell Fest – a sprawling labyrinth of rides, games and mazes that travels the country and happens to be in town. Every year thousands follow Hell Fest to experience fear at the ghoulish carnival of nightmares. But for one visitor, Hell Fest is not the attraction – it is a hunting ground. An opportunity to slay in plain view of a gawking audience, too caught up in the terrifyingly fun atmosphere to recognize the horrific reality playing out before their eyes. As the body count and frenzied excitement of the crowds continue to rise, he turns his masked gaze to Natalie, Brooke, Taylor and their boyfriends who will fight to survive the night. CBS FILMS and TUCKER TOOLEY ENTERTAINMENT present a VALHALLA MOTION PICTURES production HELL FEST Starring Amy Forsyth, Reign Edwards, Bex Taylor-Klaus and Tony Todd. Casting by Deanna Brigidi, CSA and Lisa Mae Fincannon. Music by Bear McCreary. Costume Designer Eulyn C. Hufkie. Editors Gregory Plotkin, ACE and David Egan. -
Pr-Dvd-Holdings-As-Of-September-18
CALL # LOCATION TITLE AUTHOR BINGE BOX COMEDIES prmnd Comedies binge box (includes Airplane! --Ferris Bueller's Day Off --The First Wives Club --Happy Gilmore)[videorecording] / Princeton Public Library. BINGE BOX CONCERTS AND MUSICIANSprmnd Concerts and musicians binge box (Includes Brad Paisley: Life Amplified Live Tour, Live from WV --Close to You: Remembering the Carpenters --John Sebastian Presents Folk Rewind: My Music --Roy Orbison and Friends: Black and White Night)[videorecording] / Princeton Public Library. BINGE BOX MUSICALS prmnd Musicals binge box (includes Mamma Mia! --Moulin Rouge --Rodgers and Hammerstein's Cinderella [DVD] --West Side Story) [videorecording] / Princeton Public Library. BINGE BOX ROMANTIC COMEDIESprmnd Romantic comedies binge box (includes Hitch --P.S. I Love You --The Wedding Date --While You Were Sleeping)[videorecording] / Princeton Public Library. DVD 001.942 ALI DISC 1-3 prmdv Aliens, abductions & extraordinary sightings [videorecording]. DVD 001.942 BES prmdv Best of ancient aliens [videorecording] / A&E Television Networks History executive producer, Kevin Burns. DVD 004.09 CRE prmdv The creation of the computer [videorecording] / executive producer, Bob Jaffe written and produced by Donald Sellers created by Bruce Nash History channel executive producers, Charlie Maday, Gerald W. Abrams Jaffe Productions Hearst Entertainment Television in association with the History Channel. DVD 133.3 UNE DISC 1-2 prmdv The unexplained [videorecording] / produced by Towers Productions, Inc. for A&E Network executive producer, Michael Cascio. DVD 158.2 WEL prmdv We'll meet again [videorecording] / producers, Simon Harries [and three others] director, Ashok Prasad [and five others]. DVD 158.2 WEL prmdv We'll meet again. Season 2 [videorecording] / director, Luc Tremoulet producer, Page Shepherd. -
ARTICLE 10 Minimum Salaries and Working Conditions Of
ARTICLE 10 Minimum Salaries and Working Conditions of Directors Employed on "Free TV Pictures" 10-101 Minimum Salaries The minimum salaries and working conditions of employment set forth in the following schedules and footnotes shall apply to Directors employed in the making of "free" television films: Network Prime Time Shows* **Guaranteed Days (Shooting/Prep)*** Length 7/1/08 7/1/09 7/1/10 **** ½ hour $21,791 $22,445 $23,118 7 (4/3) 1 hour 37,005 38,115 39,258 15 (8/7) 1½ hours 61,675 63,525 65,431 25 (13/12) 2 hours 103,611 106,719 109,921 42 (27/15) The rate applicable to all such services shall be that in effect on the starting date of employment. For a double length episode of an episodic series or serial, Director may be employed at two hundred percent (200%) of minimum and two hundred percent (200%) of the guaranteed days appearing in the schedule above. For Network Prime Time programs in excess of two (2) hours, the minimum and guaranteed days shall be computed at the two (2) hour rate plus pro rata of the one (1) hour schedule and the additional days may be allocated between shooting and preparation time at Employer's discretion. For other than Network Prime Time programs, the following schedule shall apply, but in the event of the production of programs in excess of two (2) hours, minimum and guaranteed days shall be computed pro rata. - 115 - Non-Network or Network Non-Prime Time Shows* Type of **Guaranteed Days Employment/ (Shooting/Prep)*** Length of Film 7/1/08 7/1/09 7/1/10 **** Term Contract 20 out of 26 weeks or $7,760 -
CA Chart of Accts Film
CALIFORNIA CHART OF ACCOUNTS Qualifying and Non-qualifying Accounts Films - Movies of the Week - Mini-Series Effective July 1, 2014 Revised March 2014 The chart below is intended as a helpful guide, and not an exact list of what are considered Qualified Expenditures. Qualified Expenditures are for pre-production, production, and post-production - not for development, marketing, publicity, or distribution . The following listing assumes where "yes" is designated that the service is performed or property is used in the state of California. Items used or personnel services employed both within and outside of California can be qualified only for the prorata portion of costs incurred directly in California. Any expenditures incurred prior to issuance of the tax credit allocation letter are not qualified expenditures. Account # Description Qualified Comments 101-00 STORY & RIGHTS 101-01 Story Rights - Purchase NO 101-02 Acquisition Expenses NO 101-06 Title Report YES If work performed in California. 101-08 Copyright Fee NO 101-99 Fringe Benefits NO 102-00 WRITING 102-01 Writers NO 102-03 Editor and Consultants NO 102-05 Research YES 102-06 Script Timing YES 102-07 Secretaries YES 102-08 Script Duplication YES 102-18 Script Clearance Research YES 102-19 Clearance Fees YES If paid to CA company 102-20 Clearance License Fees NO 102-40 Materials & Supplies YES 102-45 Box Rentals YES On Qualified Labor Only 102-47 Car Allowances, Mileage YES On Qualified Labor Only 102-50 Rentals YES 102-80 Writer Entertainment & Meals YES 102-85 Script Publication -
EDITORIAL Screenwriters James Schamus, Michael France and John Turman CA 90049 (310) 447-2080 Were Thinking Is Unclear
screenwritersmonthly.com | Screenwriter’s Monthly Give ‘em some credit! Johnny Depp's performance as Captain Jack Sparrow in Pirates of the Caribbean: The Curse of the Black Pearl is amazing. As film critic after film critic stumbled over Screenwriter’s Monthly can be found themselves to call his performance everything from "original" to at the following fine locations: "eccentric," they forgot one thing: the screenwriters, Ted Elliott and Terry Rossio, who did one heck of a job creating Sparrow on paper first. Sure, some critics mentioned the writers when they declared the film "cliché" and attacked it. Since the previous Walt Disney Los Angeles film based on one of its theme park attractions was the unbear- able The Country Bears, Pirates of the Caribbean is surprisingly Above The Fold 370 N. Fairfax Ave. Los Angeles, CA 90036 entertaining. But let’s face it. This wasn't intended to be serious (323) 935-8525 filmmaking. Not much is anymore in Hollywood. Recently the USA Today ran an article asking, basically, “What’s wrong with Hollywood?” Blockbusters are failing because Above The Fold 1257 3rd St. Promenade Santa Monica, CA attendance is down 3.3% from last year. It’s anyone’s guess why 90401 (310) 393-2690 this is happening, and frankly, it doesn’t matter, because next year the industry will be back in full force with the same schlep of Above The Fold 226 N. Larchmont Blvd. Los Angeles, CA 90004 sequels, comic book heroes and mindless action-adventure (323) 464-NEWS extravaganzas. But maybe if we turn our backs to Hollywood’s fast food service, they will serve us something different. -
Directors Schedule 1
DGC/CMPA Standard Agreement 2019–2021 Directors Schedule 1 2019–2021 DGC/CMPA Standard Agreement Schedule 1 Table of Contents Directors DR1.00 ONE DIRECTOR DR13.02 .......................................................................................... 10 DR1.01 Unique Function and Participation ........................................ 4 DR14.00 DIRECTOR’S MINIMUM RATES DR1.02 ............................................................................................ 4 DR14.01 .......................................................................................... 10 DR1.03 ............................................................................................ 4 DR14.02 Payments .......................................................................... 10 DR1.04 ............................................................................................ 4 DR15.00 TIER LEVELS AND BUDGETS DEFINED DR2.00 SECOND UNIT PHOTOGRAPHY DR15.01 .......................................................................................... 11 DR2.01 ............................................................................................ 4 DR16.00 MINIMUM WEEKLY RATES FOR THEATRICAL MOTION DR2.02 ............................................................................................ 4 PICTURES DR2.03 ............................................................................................ 4 DR16.01 .......................................................................................... 13 DR2.04 ........................................................................................... -
Larry D. Horricks Society of Motion Picture Stills Photographers
Larry D. Horricks Society of Motion Picture Stills Photographers www.larryhorricks.com Feature Films: Spaceman of Bohemia – Netflix – Johan Renck Director Cast – Adam Sandler, Carey Mulligan Producers: Michael Parets, Max Silva, Ben Ormand, Barry Bernardi White Bird – Lionsgate – Marc Forster Director (Unit + Specials_ Cast: Gillian Anderson ,Helen Mirren, Ariella Glaser, Orlando Schwerdt Producers: Marc Forster, Tod Leiberman, David Hoberman, Raquel J. Palacio Oslo – Dreamworks Pictures / Amblin / HBO / Marc Platt Prods.– Bart Sher Director (Unit + Specials) Cast: Ruth Wilson, Andrew Scott, Jeff Wilbusch,Salim Dau, Producers: Steven Spielberg, Kristie Macosko Krieger, Marc Platt, Cambra Overend, Mark Taylor Atlantic 437 – Netflix. Ratpack Entertainment – Director Peter Thorwath Producers: Chritian Becker,Benjamin Munz The Dig – Netflix, Magnolia Mae Films – Simon Stone Director Cast: Ralph Fiennes, Carey Mulligan, Lily James, Ken Stott, Johnny Flynn Producers: Gabrielle Tana, Carolyn Marks Blackwood, Redmond Morris A Boy Called Christmas – Netflix – Gil Kenan Director (Unit + Specials) Cast: Sally Hawkins, Kristen Wiig,Maggie Smith, Jim Broadbent, Toby Jones, Michiel Huisman, Harry Lawful Producers: Graham Broadbent, Pete Czernin, Kevan Van Thompson Minamata - Metalwork Pictures /HanWay Films / MGM - Andrew Levitas Director (Unit + Specials) Cast: Johnny Depp, Bill Nighy, Minami, Hiro Sanada, Ryo Kase, Sato Tadenobu, Jun Kunimura Producers: Andrew Levitas,Gabrielle Tana, Jason Foreman, Johnny Depp, Sam Sarkar, Stephen Deuters, Kevan -
Steinhart Runaway Hollywood Chapter3
Chapter 3 Lumière, Camera, Azione! the personnel and practices of hollywood’s mode of international production as hollywood filmmakers gained more experience abroad over the years, they devised various production strategies that could be shared with one another. A case in point: in May 1961, Vincente Minnelli was preparing the production of Two Weeks in Another Town (1962), part of which he planned to shoot in Rome. Hollywood flmmaker Jean Negulesco communicated with Minnelli, ofering some advice on work- ing in Italy, where Negulesco had directed portions of Tree Coins in the Fountain (1954) and Boy on a Dolphin (1957) and at the time was producing his next flm, Jessica (1962): I would say that the most difcult and the most important condition of mak- ing a picture in Italy is to adapt yourself to their spirit, to their way of life, to their way of working. A small example: Tis happened to me on location. As I arrive on the set and everything is ready to be done at 9 o’clock—the people are having cofee. Now, your assistant also is having cofee—and if you are foolish enough to start to shout and saying you want to work, right away you’ll have an unhappy crew and not the cooperation needed for the picture. But if you have cofee with them, they will work for you with no time limit or no extra expense.1 Negulesco’s letter underscores a key lesson that Hollywood moviemakers learned overseas when confronted with diferent working hours, production practices, and cultural customs. -
Gerry Gavigan 1St Assistant Director
Gerry Gavigan 1st Assistant Director Credits include: THE RHYTHM SECTION Director: Reed Morano Action Mystery Thriller Producers: Barbara Broccoli, Michael G Wilson Additional Photography Featuring: Blake Lively, Jude Law, Sterling K Brown Production Co: Babieka / Eon Productions / Paramount Pictures ANGEL HAS FALLEN Director: Vic Armstrong Action Thriller Producers: Gerard Butler, Mark Gill, Matt O’Toole Action Unit Alan Siegel, Les Weldon Featuring: Gerard Butler, Morgan Freeman, Piper Perabo Production Co: CB Films / Eclectic Pictures / G-BASE / Millennium Films A STREET CAT NAMED BOB Director: Roger Spottiswoode Drama Producer: Adam Rolston Featuring: Ruta Gedmintas, Luke Treadaway Production Co: Shooting Script Films GUILT Director: Gary Fleder Crime Thriller Exec Producers: Steve McPherson, Nichole Millard, Kathryn Price Featuring: Katrina Law, Daisy Head, Billy Zane Production Co: Lionsgate / ABC FALLEN Director: Scott Hicks Romantic Fantasy Thriller Producers: Mark Ciardi, Gordon Gray, Bill Johnson Featuring: Addison Timlin, Joely Richardson, Jeremy Irvine Production Co: Lotus Entertainment / Mayjem Pictures MALEFICENT Director: Robert Stromberg Adventure Fantasy Thriller Producers: Don Hahn, Joe Roth Additional Photography Featuring: Angelina Jolie, Elle Fanning, Brenton Thwaites Production Co: MPC / Roth Films / Walt Disney MIDNIGHT SUN Director: Roger Spottiswoode Adventure Drama Producers: Rob Heydon, Karine Martin, Brando Quilici, Kim Todd Featuring: Bridget Moynahan, Dakota Goyo, Goran Visnjic Production Co: Hyde Park Entertainment/Original -
Lynn Falconer Costume Designer
LYNN FALCONER COSTUME DESIGNER FEATURES (Partial List) LITTLE EVIL Netflix Prod: Scott Struber, Beau Bauman Dir: Eli Craig Cast: Adam Scott, Sally Field, Evangeline Lily Mark Moran OUIJA ORIGINS OF EVIL Universal Pictures/Blumhouse Prod. Prod: Trevor Macy, Andrew Form Dir: Mike Flanagan Cast: Henry Thomas, Elizabeth Reaser Michael Bay HUSH Intrepid Pictures/Blumhouse Prod. Prod: Trevor Macy, Jason Blum Dir: Mike Flanagan BEFORE I WAKE Intrepid Pictures/Relativity Media/ Prod: Trevor Macy, Scott Lumpkin Dir: Mike Flanagan Cast: Jacob Tremblay, Kate Bosworth MICA Entertainment Dale Johnson, Sam Englebardt OCULUS Intrepid Pictures/Relativity Media Prod: Trevor Macy, Marc D. Evans Dir: Mike Flanagan Cast: Karen Gillan, Katee Sackhoff, Rory Cochrane, Miguel Sandoval * Toronto Film Festival, 2014 A CASE OF YOU Lagniappe Films Prod: Holly Wiersma, Justin Long Dir: Kat Coiro Cast: Justin Long, Evan Rachel Wood, Vince Vaughn, Sienna Miller THE FROZEN GROUND Emmett Furla Prods./Amber Ent. Prod: Randall Emmett, George Furla Dir: Scott Walker Cast: Nicolas Cage, John Cusack, Vanessa Hudgens Mark Ordesky SILENT HOUSE Liddell Ent./Open Road Films Prod: George Paaswell, Lynette Howell Dir: Chris Kentis, Cast: Elizabeth Olsen, Adam Trese Laura Lau Laura Lau *Official Selection, 2011 Sundance Film Festival SALVATION BLVD IFC/Sony Pictures/Mandalay Prod: Cathy Schulman, Celine Rattray Dir: George Ratliff Cast: Pierce Brosnan, Marisa Tomei, Jennifer Connelly, Ed Harris, Greg Kinnear *Official Selection, 2011 Sundance Film Festival STRAW DOGS Battle Plan -
L'effet Steadicam
NEWS FOR OPERATORS AND OWNERS ~ \ Pour En Finir Avec "L'effet Report from Steadicam" South Africa - - - -------- - -------------- ------ by Jean Marc Bringuier to the already abundant range of Chris faces many of the same devices aimed at gliding a camera in problems we all do, plus a few that The complete article originally space. are unique to his troubled land. appeared in Cahiers Du Cinema . The only va lid use offilm We've talked many times over the last In this excerpt , Jean Mar c has equipment, ho wever sophisticated or f ew years , including last spring when exci ting, is to help tell a story or instill [ was in South Africa. -Ed. given us a Gallic feast ofideas a visual atmosphere. It does requ ire _. _- . ~ ----- that are useful f or discussions with individuals to stru ggle with it. I'm not operators, novices, and producers. ju st hinting at the sweat dripping from Ch r is Haarhoff: I recently -Ed . the operator's face (nor at the produ c alam agated my Stead icam with a great tion manager's pallor. ..) for Cinem a rental house down here, the Movie Panaglide and Steadicam are will always be a team sport. It was Camera Company. They were unable tools a filmmaker may use to stabilize certainly not the dollies used by to resurect their own Steadicam, a some of his views of the world. They Hitchcock which created the well Mod el II, and so I joined forces with are expected to free the creators' known suspense, through some hidd en their ow n in house ope rator, Gi lbert minds of several old constraints of the secret of their technology, but indeed Reed , thus reinforcin g the we ll held traditional and subtle art of dealin g the inimitable style of this Aristoc rat Stead icarn notion that unity is with the logistics of moving a film of Vision. -
HILBERT HAKIM Second Assistant Director DGA
HILBERT HAKIM Second Assistant Director DGA FILM THE FATE OF THE FURIOUS (AKA The Key Second Assistant Director Fast and the Furious 8) Director: F. Gary Gray Producers: Neal Moritz, Vin Diesel, Michael Fottrell UPM: Carla Raij First Assistant Director: Cliff Lanning FRESH OFF THE BOAT Key Second Assistant Director 20th Century Fox Television/ABC Director: Various Producer: Jake Kasdan First Assistant Director: Carey Dietrich, Sean Kavanagh Unit Production Manager: Barbara Black TAMMY Key Second Assistant Director (Re-Shoots) New Line Cinema Director: Ben Falcone Producers: Will Farrel, Rob Cowan, Melissa McCarthy First Assistant Director: Michael Amundson Unit Production Manager: Brian Frankish INTO THE SKY Key Second Assistant Director (Re-Shoots) New Line Cinema Director: Steve Quale Producers: Rob Cowan First Assistant Director: Michael Amundson Unit Production Manager: Brian Frankish GULLIVER’S TRAVELS Key Second Assistant Director 20th Century Fox Director: Rob Letterman Producers: John Davis, Gregory Goodman First Assistant Director: Cliff Lanning Unit Production Manager: Janine Modder THE REAPING Second Assistant Director Warner Brothers Director: Stephen Hopkins Producers: Joel Silver, Robert Zemeckis First Assistant Director: Cliff Lanning Line Producer/Unit Production Manager: Herb Gains BATMAN BEGINS Key Second Assistant Director (Chicago) Warner Brothers Director: Christopher Nolan Producers: Emma Thomas, Larry Franco, Chuck Roven First Assistant Director: Clifford Lanning Unit Production Manger: Mike Malone THE MILTON AGENCY