DOCSLIB.ORG

Edition 1 | 2019-2020

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Edition 1 | 2019-2020 CONTENTS 4 Letters from AYS Leadership 6 AYS Board and Staff 8 About the Orchestra 12 Season at a Glance 16 Orchestra Roster 22 Thank You to our Donors 30 October 20, 2019 OPENING NIGHT CONCERT 40 November 23, 2019 APOLLO 13 IN CONCERT 45 November 3, 2019 SUNDAYS LIVE 45 November 5-14, 2019 GRAND PERFORMANCES PRESENTS AYS HOLIDAY BRASS ENSEMBLE 45 December 15, 2019 LAEMMLE LIVE 48 Glossary AMERICAN YOUTH SYMPHONY 2301 Rosecrans Boulevard, Suite 2160, ADVERTISING El Segundo, CA 90425 Onstage Publications 937-424-0529 | 866-503-1966 310.470.2332 e-mail: [email protected] www.onstagepublications.com www.AYSymphony.org This program is published in association with Onstage Publications, 1612 Prosser Avenue, Kettering, OH 45409. This program may not be Tax ID #95-2076046 reproduced in whole or in part without written Photography: Philip Hollahan permission from the publisher. JBI Publishing is a division of Onstage Publications, Inc. Contents © 2019. All rights reserved. Printed in the U.S.A. 3 Dear Friends, Welcome to a new season with the American Youth Symphony! As I begin my fourth season with AYS, there is so much I look forward to sharing with you, our audience, and the amazingly gifted musicians in the orchestra. Together, we'll tackle some of the greatest masterworks of the symphonic repertoire, while continuing our commitment to providing a platform for new voices. Mother Nature has inspired artists across the centuries, and there has been ample material for crafting the 2019/20 season around the theme of celebrating our earth, our planet, our home. Our Opening Night concert showcases the depth of this orchestra’s capability. We’ll pair a piece by a living composer, Joan Tower, with one of the greatest works of all time, Beethoven’s “Pastoral,” and feature the immense talent of the 2019 Concerto Competition winner, our Concertmaster Gallia Kaster, with the Sibelius Violin Concerto. Then, in November, our annual film concert will be a live-to- picture performance of James Horner’s superstellar score for Apollo 13. In 2020, we return to Walt Disney Concert Hall to feature the second year of the Korngold Commission Project. This series, generously sponsored by Peter Mandell and Sarah Coade Mandell, pairs esteemed film and media composers with world-class solo artists. This year AYS has commissioned Los Angeles-based Emmy-winning composer Kris Bowers to create a new concerto to be performed by the amazingly talented violinist Charles Yang. We’ll also make use of the beautiful organ at Disney Hall with Saint-Saëns’ third symphony. Our next Spring Concert will present an American premiere by Los Angeles-based Grammy-winning composer, Richard Danielpour. His piece, Ricordanza, for baritone and string orchestra, will be followed by an iconic work of nature, An Alpine Symphony by Strauss. This year’s gala will be extra special for me, as we present a world premiere by Jihyun Kim, in collaboration with American Composers Orchestra, and my own Alabama Symphony Orchestra, where the new work will receive further performances. This will be followed by one of America’s greatest symphonic masterpieces, Copland’s monumental Symphony No. 3. In addition to these large-scale symphonic concerts, chamber ensembles from the orchestra will also be performing at a number of smaller community venues, plus the schools where we operate our Share-A-Stand music education program. Finally, I want to thank all of you for being part of the AYS family. From the Board of Directors, to members, volunteers, audience members, and of course, the extraordinary musicians on stage, you are all vital to the American Youth Symphony's mission to inspire the future of classical music. I can't tell you how much I've enjoyed leading this great orchestra for the past three seasons, and I look forward to what we can achieve in years to come. Sincerely, Carlos Izcaray Music Director 4 Dear AYS Community, On behalf of the American Youth Symphony’s Board of Directors, I am honored to welcome you to the orchestra’s 55th season. Led by Music Director, Carlos Izcaray, now in his fourth year with AYS, 2019/20 concerts feature both beloved classics and new works by award-winning composers. We are eager to share another season of extraordinary performances with our community. The mission of AYS is to inspire our young musicians and our audience through the performance of great symphonic works. Achieving this is only possible with our loyal community of supporters and funders. Your generosity and belief in our work sustains us. This season includes programming anchored by Strauss, Beethoven, and Copland, along with premieres from local composers Kris Bowers and Richard Danielpour. In line with season’s theme, the orchestra will perform several of the many works throughout music history that have been inspired by nature, including the “Pastoral” Symphony, An Alpine Symphony, and All Things Majestic. I am constantly inspired by the artistry and dedication of these hard- working musicians on the verge of their professional careers, and year after year, I am thrilled by the success of our brilliant alumni. AYS is without question one of the best orchestras of its kind, and its success is directly connected to the support of its audience. Thank you for helping us achieve excellence. Yours sincerely, Kevin Dretzka Chairman of the Board of Directors 5 AYS BOARD AND STAFF Honorary President Zubin Mehta Founders Mildreth Sheinkopf Samson Mehli Mehta Music Director Carlos Izcaray Board of Directors CHAIRMAN EMERITUS Hebert M. Gelfand CHAIRMAN Kevin Dretzka VICE CHAIRMAN Krystyna Newman TREASURER David Papale SECRETARY Peter Mandell* Shoshana Claman* Mary Levin Cutler Beverly Gelfand James Newman Howard Russ Lemley Saul Levine Steven A. Linder Ilene Nathan David Newman* Doreen Ringer-Ross Peter Ross* Wendy Ruby William Sullivan STAFF Tara Aesquivel, Executive Director Isabel Thiroux,* Director of Orchestra Operations Mandy Matthews, SHOW YOUR LOVE FOR AYS Manager of WITH A COOL T-SHIRT! Community Engagement Mia McNeil, Available in men’s & women’s Development Associate sizes in the lobby or online at: Rich Johnson, https://aysymphony.threadless.com/collections Operations Specialist Max Mueller,* Share-A- Stand Lead Instructor 6 Dear AYS Community, Welcome to the American Youth Symphony’s 55th season! I’m so glad that you have joined us to celebrate great music and the extraordinary talent of our musicians. We continue to explore how music is interconnected with many aspects of our lives with a new season theme: A Celebration of Nature. Music is everywhere, and it's no surprise that composers and musicians across centuries have been inspired by or have tried to emulate the sounds of nature. Philosophers across the ages have also been inspired to explain the mysteries of the natural world through musical ideas, like the music of the spheres or string theory. From everyday sounds, like a melodious bird song, to musical masterpieces, I hope our Celebration of Nature will encourage our audience members to enjoy the music all around. Acoustics are a natural phenomenon, and the orchestra is a collection of beautifully-crafted instruments designed to produce specific frequencies and sound waves. Woodwinds and brass are powered by the wind of breath. String sections resonate through instruments constructed from wood. Reeded instruments produce sound through the vibration of thinly sliced canes. They all come together to produce a magnificent symphonic sound. Every year, through the changing themes of each season, AYS strives to prepare orchestra fellows for careers as professional musicians. This includes mastery of beloved classics— such as Beethoven, Copland, and Strauss—and curating new experiences, like the three world and U.S. premieres on our program. Our talented young musicians will perform in world-renowned Royce Hall and Walt Disney Concert Hall, as well as getting hyper-local in the community at our expanding variety of chamber concerts. These unique experiences and growth opportunities are only possible because of the generosity and dedication of the vibrant AYS community. To our donors, members, sponsors, audience members, volunteers, and our wonderful Board of Directors: thank you! Thousands of people are connected to the rich, creative, dynamic power of music because of your support. Although season themes will change year to year, I am committed to “inspiring the future of classical music” to be one that is more equitable and accessible for all people, for decades to come. Thank you for joining us on this journey. Sincerely, Tara Aesquivel Executive Director 7 ABOUT THE ORCHESTRA A Training Ground of the 21st Century The American Youth Symphony’s mission is to inspire the future of classical music by providing advanced artistic training and professional development opportunities to virtuosic young adults and exceptional, innovative, and free concerts to the Los Angeles community. Competitively selected, our orchestra is comprised of 100 musicians who represent extraordinary talent from all over the world. By offering remarkable concerts at world-class venues, we remain committed to creating access and opportunity for everyone to experience the inspiration of this beautiful art form. AYS is designed to prepare the concert artists of tomorrow for leadership in 21st century orchestras and ensembles. Musicians receive in-depth exposure to a wide variety of symphonic music, from classical masterworks to world premieres and unforgettable film scores. AYS is a tuition-free program, and each AYS Fellow receives an annual stipend ranging from $1,400-$4,000. Fellows perform at renowned venues like Royce Hall and Walt Disney Concert Hall, and work alongside world-class guest artists such as Sarah Chang, Daníel Bjarnason, Anna Clyne, Glenn Dicterow, Johannes Moser, John Williams, David Newman, Alan Silvestri, Takeshi Furukawa, and Lera Auerbach. Designed to challenge, nurture, and inspire, the American Youth Symphony is a musical laboratory where musicians not only master their parts and develop a deep understanding of musical scores, but also explore their roles as artist citizens within their community.
Load more

Recommended publications
  • Network Notebook
    Network Notebook Fall Quarter 2018 (October - December) 1 A World of Services for Our Affiliates We make great radio as affordable as possible: • Our production costs are primarily covered by our arts partners and outside funding, not from our affiliates, marketing or sales. • Affiliation fees only apply when a station takes three or more programs. The actual affiliation fee is based on a station’s market share. Affiliates are not charged fees for the selection of WFMT Radio Network programs on the Public Radio Exchange (PRX). • The cost of our Beethoven and Jazz Network overnight services is based on a sliding scale, depending on the number of hours you use (the more hours you use, the lower the hourly rate). We also offer reduced Beethoven and Jazz Network rates for HD broadcast. Through PRX, you can schedule any hour of the Beethoven or Jazz Network throughout the day and the files are delivered a week in advance for maximum flexibility. We provide highly skilled technical support: • Programs are available through the Public Radio Exchange (PRX). PRX delivers files to you days in advance so you can schedule them for broadcast at your convenience. We provide technical support in conjunction with PRX to answer all your distribution questions. In cases of emergency or for use as an alternate distribution platform, we also offer an FTP (File Transfer Protocol), which is kept up to date with all of our series and specials. We keep you informed about our shows and help you promote them to your listeners: • Affiliates receive our quarterly Network Notebook with all our program offerings, and our regular online WFMT Radio Network Newsletter, with news updates, previews of upcoming shows and more.
    [Show full text]
  • Sinatra Está Resfriado Frank Sinatra, Con Un Vaso De Bourbon En Una
    Sinatra está resfriado Frank Sinatra, con un vaso de bourbon en una mano y un pitillo en la otra, estaba de pie, en un ángulo oscuro del bar, entre dos rubias atractivas aunque algo pasaditas, sentadas y esperando a que dijera algo. Pero Frank no decía nada. Había estado callado la mayor parte de la noche y ahora, en su club particular de Beverly Hills, parecía aún más distante, con la mirada perdida en el humo y en la penumbra, hacia la gran sala, más allá del bar, donde docenas de jóvenes y parejas estaban acurrucadas alrededor de unas mesitas o se retorcían en el centro del piso al ritmo ensordecedor de una música folk que atronaba desde el estéreo. Las dos rubias sabían, como también los cuatro amigos de Sinatra, que era una pésima idea entablarle conversación cuando estaba de ese humor tan tétrico, un humor que le había durado toda la primera semana de noviembre, un mes antes de que cumpliera los cincuenta años. Sinatra había trabajado en una película que ahora le desagradaba y estaba deseando terminar, harto de toda la publicidad que había rodeado sus encuentros con Mia Farrow, la jovencita de veinte años que esta noche no había aparecido todavía; estaba enfadado porque el documental televisivo sobre su vida, hecho por la CBS, y que se proyectaría dentro de dos semanas, según se murmuraba, se metía con su vida privada e incluso especulaba sobre su posible amistad con jefes de la mafia; y preocupado también por su papel de estrella en un show de la NBC, de una hora de duración, titulado “Sinatra: el hombre y su música”, que le impondría la obligación de cantar dieciocho canciones con una voz que en este preciso momento, unos días antes de que empezara la grabación, estaba débil, dolorida e incierta.
    [Show full text]
  • Deepa Mehta (See More on Page 53)
    table of contents TABLE OF CONTENTS Introduction Experimental Cinema: Welcome to the Festival 3 Celluloid 166 The Film Society 14 Pixels 167 Meet the Programmers 44 Beyond the Frame 167 Membership 19 Annual Fund 21 Letters 23 Short Films Ticket and Box Offce Info 26 Childish Shorts 165 Sponsors 29 Shorts Programs 168 Community Partners 32 Music Videos 175 Consulate and Community Support 32 Shorts Before Features 177 MSPFilm Education Credits About 34 Staff 179 Youth Events 35 Advisory Groups and Volunteers 180 Youth Juries 36 Acknowledgements 181 Panel Discussions 38 Film Society Members 182 Off-Screen Indexes Galas, Parties & Events 40 Schedule Grid 5 Ticket Stub Deals 43 Title Index 186 Origin Index 188 Special Programs Voices Index 190 Spotlight on the World: inFLUX 47 Shorts Index 193 Women and Film 49 Venue Maps 194 LGBTQ Currents 51 Tribute 53 Emerging Filmmaker Competition 55 Documentary Competition 57 Minnesota Made Competition 61 Shorts Competition 59 facebook.com/mspflmsociety Film Programs Special Presentations 63 @mspflmsociety Asian Frontiers 72 #MSPIFF Cine Latino 80 Images of Africa 88 Midnight Sun 92 youtube.com/mspflmfestival Documentaries 98 World Cinema 126 New American Visions 152 Dark Out 156 Childish Films 160 2 welcome FILM SOCIETY EXECUTIVE DIRECTOR’S WELCOME Dear Festival-goers… This year, the Minneapolis St. Paul International Film Festival celebrates its 35th anniversary, making it one of the longest-running festivals in the country. On this occasion, we are particularly proud to be able to say that because of your growing interest and support, our Festival, one of this community’s most anticipated annual events and outstanding treasures, continues to gain momentum, develop, expand and thrive… Over 35 years, while retaining a unique flavor and core mission to bring you the best in international independent cinema, our Festival has evolved from a Eurocentric to a global perspective, presenting an ever-broadening spectrum of new and notable film that would not otherwise be seen in the region.
    [Show full text]
  • From the Editor Contact Elisabeth at [email protected]
    British Flute Society @BritishFluteSoc on Facebook @TheFluteEditor From the Editor Contact Elisabeth at [email protected] s December arrives, members of the British Flute Society can reflect on another successful year. In 2013, we have been privileged to enjoy exceptional recitals from our various Premier Flautists; our annual competitions continue to grow in both popularity and attainment, and there has been a growing involvement from Aour regional representatives, many of whom have organised local events. We are, as always, greatly indebted to many people: artists, trade specialists, and flute-loving volunteers, all of whom have made the events of the past year possible. In 2014 the BFS-RAM Premier Flautist recital series will continue, starting with the acclaimed duo of Andy Findon and Geoff Eales who will perform theirDancing Flute programme at the Duke’s Hall, Royal Academy of Music, on 16 February. Most excitingly, planning for the Convention is also now well under way, thanks to the hard work of Convention Director Carla Rees, and this issue unveils a preview of some of the artists who will be joining us in Warwick in August next year. Finally, on a personal note, I would like to thank everyone who has contributed to PAN over the past year. Without the generous commitment of time and expertise freely given by contributors and reviewers from around the world, this magazine could not exist. I am very grateful for your help and your flute- playing friendship. I hope you enjoy the December edition of PAN. Elisabeth Hobbs Editor December
    [Show full text]
  • Female Composer Segment Catalogue
    FEMALE CLASSICAL COMPOSERS from past to present ʻFreed from the shackles and tatters of the old tradition and prejudice, American and European women in music are now universally hailed as important factors in the concert and teaching fields and as … fast developing assets in the creative spheres of the profession.’ This affirmation was made in 1935 by Frédérique Petrides, the Belgian-born female violinist, conductor, teacher and publisher who was a pioneering advocate for women in music. Some 80 years on, it’s gratifying to note how her words have been rewarded with substance in this catalogue of music by women composers. Petrides was able to look back on the foundations laid by those who were well-connected by family name, such as Clara Schumann and Fanny Mendelssohn-Hensel, and survey the crop of composers active in her own time, including Louise Talma and Amy Beach in America, Rebecca Clarke and Liza Lehmann in England, Nadia Boulanger in France and Lou Koster in Luxembourg. She could hardly have foreseen, however, the creative explosion in the latter half of the 20th century generated by a whole new raft of female composers – a happy development that continues today. We hope you will enjoy exploring this catalogue that has not only historical depth but a truly international voice, as exemplified in the works of the significant number of 21st-century composers: be it the highly colourful and accessible American chamber music of Jennifer Higdon, the Asian hues of Vivian Fung’s imaginative scores, the ancient-and-modern syntheses of Sofia Gubaidulina, or the hallmark symphonic sounds of the Russian-born Alla Pavlova.
    [Show full text]
  • Musikliste Zu Terra X „Unsere Wälder“ Titel Sortiert in Der Reihenfolge, in Der Sie in Der Doku Zu Hören Sind
    Z Musikliste zu Terra X „Unsere Wälder“ Titel sortiert in der Reihenfolge, in der sie in der Doku zu hören sind. Folge 1 MUSIK - Titel CD / Interpret Composer Trailer Terra X Trailer Terra X Main Title Theme – Westworld - Season 1 / Ramin Djawadi Westworld Ramin Djawadi Dr. Ford Westworld - Season 1 / Ramin Djawadi Ramin Djawadi Photos in the Woods Stranger Things Vol. 1 / Kyle Dixon Kyle Dixon Eleven Stranger Things Vol. 1 / Kyle Dixon Kyle Dixon Race To Mark's Flat Bridget Jones's Baby / Craig Armstrong Craig Armstrong Boggis, Bunce and Fantastic Mr. Fox / Alexandre Desplat Alexandre Desplat Bean Hibernation Pod 1625 Passengers / Thomas Newman Thomas Newman Jack It Up Steve Jobs / Daniel Pemberton Daniel Pemberton The Dream and the Collateral Beauty / Theodore Shapiro Letters Theodore Shapiro Reporters Swarm Confirmation / Harry Gregson Williams Harry Gregson Williams Persistence Burnt / Rob Simonsen Rob Simonsen Introducing Howard Collateral Beauty / Theodore Shapiro Inlet Theodore Shapiro The Dream and the Collateral Beauty / Theodore Shapiro Theodore Shapiro Letters Main Title Theme – Westworld - Season 1 / Ramin Djawadi Westworld Ramin Djawadi Fell Captain Fantastic / Alex Somers Alex Somers Me Before You Me Before You / Craig Armstrong Craig Armstrong Orchestral This Isn't You Stranger Things Vol. 1 / Kyle Dixon Kyle Dixon The Skylab Plan Steve Jobs / Daniel Pemberton Daniel Pemberton Photos in the Woods Stranger Things Vol. 1 / Kyle Dixon Kyle Dixon Speight Lived Here The Knick (Season 2) / Cliff Martinez Cliff Martinez This Isn't You Stranger Things Vol. 1 / Kyle Dixon Kyle Dixon 3 Minutes Of Moderat A New Beginning Captain Fantastic / Alex Somers Alex Somers 3 Minutes Of Moderat The Walk The Walk / Alan Silvestri Alan Silvestri Dr.
    [Show full text]
  • Click to Download
    v8n4 covers.qxd 5/13/03 1:58 PM Page c1 Volume 8, Number 4 Original Music Soundtracks for Movies & Television Action Back In Bond!? pg. 18 MeetTHE Folks GUFFMAN Arrives! WIND Howls! SPINAL’s Tapped! Names Dropped! PLUS The Blue Planet GEORGE FENTON Babes & Brits ED SHEARMUR Celebrity Studded Interviews! The Way It Was Harry Shearer, Michael McKean, MARVIN HAMLISCH Annette O’Toole, Christopher Guest, Eugene Levy, Parker Posey, David L. Lander, Bob Balaban, Rob Reiner, JaneJane Lynch,Lynch, JohnJohn MichaelMichael Higgins,Higgins, 04> Catherine O’Hara, Martin Short, Steve Martin, Tom Hanks, Barbra Streisand, Diane Keaton, Anthony Newley, Woody Allen, Robert Redford, Jamie Lee Curtis, 7225274 93704 Tony Curtis, Janet Leigh, Wolfman Jack, $4.95 U.S. • $5.95 Canada JoeJoe DiMaggio,DiMaggio, OliverOliver North,North, Fawn Hall, Nick Nolte, Nastassja Kinski all mentioned inside! v8n4 covers.qxd 5/13/03 1:58 PM Page c2 On August 19th, all of Hollywood will be reading music. spotting editing composing orchestration contracting dubbing sync licensing music marketing publishing re-scoring prepping clearance music supervising musicians recording studios Summer Film & TV Music Special Issue. August 19, 2003 Music adds emotional resonance to moving pictures. And music creation is a vital part of Hollywood’s economy. Our Summer Film & TV Music Issue is the definitive guide to the music of movies and TV. It’s part 3 of our 4 part series, featuring “Who Scores Primetime,” “Calling Emmy,” upcoming fall films by distributor, director, music credits and much more. It’s the place to advertise your talent, product or service to the people who create the moving pictures.
    [Show full text]
  • Ÿþa N N U a L R E P O R T D O C U M E N
    Annual AMERICAN Report YOUTH 2015/16 SYMPHONY Concert Season Come as your are. Leave Inspired. New Music Our Mission, Our Our Our Fiscal Alumni AYS Our Our Director! Our Vision Programs Events Audience Responsibility Spotlights Testimonials Tea m Supporters I am incredibly honored and excited to become Orchestra, to name a few. And it is because of this the next Music Director of the American Youth belief that I cherish the opportunity to contribute Symphony, an ensemble with a deep history and to the future of classical music by taking what I view a bright future in the great city of Los Angeles. as the natural next step in the progression of my journey and my life -- the American Youth Symphony. I come to AYS as a dedicated musician who after years of experience as a regular guest I am thrilled to begin guiding our musicians both conductor across five continents, a concert cellist, off-stage and on for my inaugural concert season in and a composer, looks forward to working with 2016/17. Featuring several major classical works, the today’s most talented young musicians. I’m also repertoire prepares AYS musicians for the demands the Music Director of the Alabama Symphony of a 21st century professional orchestra. Such giants Orchestra, a husband, and father of three little kids. as Mozart and Korngold need no introduction, and I am particularly excited to kick off the season Having grown up in Caracas in a musical household has with Mahler’s Symphony No.1 on October 16 and to certainly been instrumental in my choice to become join electric-guitar icon Steve Vai on-stage at Walt both a musician and a passionate advocate of the Disney Concert Hall on March 11 for a concert that arts.
    [Show full text]
  • Dead Zone Back to the Beach I Scored! the 250 Greatest
    Volume 10, Number 4 Original Music Soundtracks for Movies and Television FAN MADE MONSTER! Elfman Goes Wonky Exclusive interview on Charlie and Corpse Bride, too! Dead Zone Klimek and Heil meet Romero Back to the Beach John Williams’ Jaws at 30 I Scored! Confessions of a fi rst-time fi lm composer The 250 Greatest AFI’s Film Score Nominees New Feature: Composer’s Corner PLUS: Dozens of CD & DVD Reviews $7.95 U.S. • $8.95 Canada �������������������������������������������� ����������������������� ���������������������� contents ���������������������� �������� ����� ��������� �������� ������ ���� ���������������������������� ������������������������� ��������������� �������������������������������������������������� ����� ��� ��������� ����������� ���� ������������ ������������������������������������������������� ����������������������������������������������� ��������������������� �������������������� ���������������������������������������������� ����������� ����������� ���������� �������� ������������������������������� ���������������������������������� ������������������������������������������ ������������������������������������� ����� ������������������������������������������ ��������������������������������������� ������������������������������� �������������������������� ���������� ���������������������������� ��������������������������������� �������������� ��������������������������������������������� ������������������������� �������������������������������������������� ������������������������������ ��������������������������
    [Show full text]
  • Orch Directory
    y r o t c e r i D Member Orchestras r e b m e 2006 M 6 0 AMERICAN SYMPHONY ORCHESTRA LEAGUE 0 2 ALABAMA MOBILE SYMPHONY (5P) ANCHORAGE YOUTH SYMPHONY (Y) E-Ms. Christina Littlejohn E-Mr. Ron Flugum ALABAMA SYMPHONY ORCHESTRA (2P) M-Mr. Scott Speck M-Mr. Linn Weeda E-Mr. Paul Ferrone 257 Dauphin Street T-251-432-2010 B-Mr. Gunnar Knapp B-Mr. Charles G. Brown III Mobile, AL 36652-3127 F-251-432-6618 P.O. Box 240541 T-907-566-7297 V-Ms. Sumner Starling, Symphony 30 www.mobilesymphony.org Anchorage, AK 99524-0541 F-907-333-0576 V-Ms. Susan Mason, Symphony Volunteer Council www.anchorageyouthsymphony.org 3621 6th Avenue South T-205-251-6929 MOBILE SYMPHONY YOUTH ORCHESTRA (YP) Birmingham, AL 35222 F-205-251-6840 E-Ms. Christina Littlejohn FAIRBANKS SYMPHONY (7P) www.alabamasymphony.org M-Mr. Orland Thomas E-Ms. Laura Bergh B-Mrs. Celia Mann Baehr M-Dr. Edward Zilberkant ETOWAH YOUTH ORCHESTRAS (YP) V-Mr. Ben Reece, Bay Area Strings B-Mr. Charles Lemke E-Mr. Bobby Welch P.O. Box 3127 T-251-432-2010 P.O. Box 82104 T-907-474-5407 M-Mr. Michael R. Gagliardo Mobile, AL 36652 F-251-432-6618 Fairbanks, AK 99708 F-907-474-5147 B-Mr. Jeff Cedarholm www.mobilesymphony.org www.fairbankssymphony.org V-Ms. Eileen Williams, Parents Organization 501 Broad Street T-256-543-2787 x32 TRI-STATE COMMUNITY ORCHESTRA (8P) JUNEAU SYMPHONY (7P) Gadsden, AL 35902 F-256-546-7435 M-Ms.
    [Show full text]
  • Packaging Copy Final
    U.S. STANDARD PACKAGING COPY FINAL ARTIST: Various RELEASE DATE: July 15, 2016 TITLE: Ghostbusters Original Motion Picture Soundtrack Compact Disc Album Selection No. 88985-32812-2 Digital Album Selection No. G0100035314741 IMPRINT LABEL: RCA Records/Columbia Pictures FRONT COVER Ghostbusters Original Motion Picture Soundtrack SPINES 88985-32812-2 [INSERT LOGOS] RCA RETRO, COLUMBIA PICTURES Ghostbusters Original Motion Picture Soundtrack TRAY CARD, REAR PANEL Ghostbusters Original Motion Picture Soundtrack 01 Ghostbusters WALK THE MOON [USRC11601201] 3:45 02 Saw It Coming G-Eazy X Jeremih [USRC11601122] 3:30 03 Good Girls Elle King [USRC11601121] 2:59 04 Girls Talk Boys 5 Seconds Of Summer [GBUM71603113] 3:36 05 wHo ZAYN* [USRC11601202] 2:55 06 Ghostbusters Pentatonix* [USRC11601203] 2:53 07 Ghoster Wolf Alice* [GBK3W1600481] 2:31 08 Ghostbusters (I’m Not Afraid) Fall Out Boy feat. Missy Elliott [US4DG1600451] 3:06 09 Get Ghost Mark Ronson, Passion Pit & A$AP Ferg [GBARL1600808] 3:37 10 Party Up (Up In Here) DMX [USDJ20010705] 4:31 11 Rhythm Of The Night DeBarge [USMO18500526] 3:51 12 American Woman Muddy Magnolias [USUM71508112] 3:01 13 Want Some More Beasts Of Mayhem [US4DG1600452] 2:04 14 Ghostbusters Ray Parker Jr. [QZ4KE1600002] 4:05 Executive Album Producers: Paul Feig, Amy Pascal, Peter Edge & Tom Corson Music Supervisor: Erica Weis Executive in Charge of Music for Sony Pictures: Lia Vollack Executive in Charge of Music for RCA Records: Karen Lamberton * DOES NOT APPEAR IN FILM ghostbusters.com twitter & instagram: @ghostbusters facebook.com/ghostbusters rcarecords.com [INSERT DOMESTIC BILLING BLOCK] [INSERT BARCODE] 88985-32812-2 [INSERT LOGOS] RCA RETRO, COLUMBIA PICTURES, FBI LOGO [INSERT] FBI ANTI-PIRACY WARNING: UNAUTHORIZED COPYING IS PUNISHABLE UNDER FEDERAL LAW.
    [Show full text]
  • 30 July 2021 Page 1 of 13
    Radio 3 Listings for 24 – 30 July 2021 Page 1 of 13 SATURDAY 24 JULY 2021 SAT 03:00 Through the Night (m000y1cq) Baroque – Music by Vivaldi and Geminiani RAI National Symphony Orchestra from Turin Nicola Benedetti (violin) SAT 01:00 Piano Flow with Lianne La Havas (m000wdkt) Vol 6: Lose yourself in an hour of piano love songs An all-Stravinsky programme with RAI National Symphony Benedetti Baroque Orchestra Orchestra and conductor Pietari Inkinen. Jonathan Swain Decca 4851891 Enthralling piano ballads from Sampha, Corrine Bailey Rae, presents. https://shop.decca.com/*/*/Baroque/6ZQK0000000 Teresa Carreño and more. 03:01 AM Johannes Brahms: Sonatas & Liebeslieder For Cello and Piano 01 00:00:51 alt‐J (artist) Igor Stravinsky (1882-1971) Emmanuelle Bertrand (cello) (Piano) Orpheus, ballet music Pascal Amoyel (piano) Performer: alt‐J RAI National Symphony Orchestra, Pietari Inkinen (conductor) Harmonia Mundi HMM902329 Duration 00:00:40 https://store.harmoniamundi.com/release/236250-emmanuelle- 03:34 AM bertrand-pascal-amoyel-johannes-brahms-sonatas-liebeslieder- 02 00:01:32 Sampha (artist) Igor Stravinsky (1882-1971) for-cello-and-piano-bonus-track-version Too Much Divertimento, from 'Le Baiser de la fée' (The Fairy's Kiss) Performer: Sampha RAI National Symphony Orchestra, Pietari Inkinen (conductor) Mangetsu – Music by Botti, Bartok, Dusman, etc Duration 00:02:53 Susan Botti (voice) 04:00 AM Airi Yoshioka (violin) 03 00:04:25 Charlotte Benton (artist) Carl Maria von Weber (1786-1826) Duo Della Lana Someone to Watch Over Me Grand duo concertant
    [Show full text]