DOCSLIB.ORG

Ozorian Prophet May 2013

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Ozorian Prophet May 2013 Universally Owned Monday, July 28, 2014 Independent and Free Morning clouds, then sunny (R)EVOLUTION DISCUSSION H 29° L 14° WELCOME TO THE Our Time for some fluffy clouds and a refreshing morning daily shower possibly. Tuesday: A south current OZORIAN VILLAGE! could bring both good and bread bad – TRIXX Weatherman By Blaze BEFORE PARTY Day #1: Wheat There’s more than a day ahead until the official Watching Vera kneading opening of O.Z.O.R.A. 2014, dough you understand what but the music has already it’s all about. She takes two been on since Saturday, loaves and rolls them with when the traditional before the flat of her palm against party at the Pumpui tent the weathered wooden board kicked off. P4 and against each other, car- ressing them whilst gently ASTROLOGY but firmly working out the Affection, imagination, air from both. The move- intuition, and desires will be ments seem relaxed and heightened and will help us instinctive, and they are; become more integrated. P4 but try copying her and you can’t. Behind them are years PSYCRUS of practice and generations Get to know Óperentzia, of tradition. long-time collaborator of the Vera grew up partly on Firebirds and Freak Fusion her family’s water mill muse- ensemble, and now, the Ozo- um in Orfü where her grand- rian Troupe. P3 father and father, both mill- ers ground flour and baked WORKSHOPS bread for visitors and locals. Artibarn is offering a count- “There was always fresh- less number of exciting ly baked bread on the table activities and workshops throughout my childhood”, this year. If you’re with chil- she recalls. dren or just want to release Hungarian bread is tra- your inner child, feel free to © F O T O K R U / O.Z.O.R.A. Festival ditionally made from white come and join us to create wheat flour and is made with something sweet, playful By olrajt tures and installations. ovated especially for them. erected on the festival sourdough, which is usually and even useful! P3 For example the new As you can guess from its grounds to stand in place scrapings from the bottom of Welcome back home Ozo- tower and art gallery of very telltale name, the AR- of the portable ones used the kneading trough.“These rians! Another year has Visionary Art crowns and Tibarn will house a most previously. are just loaves”, she says, passed and we can be in elevates not only the new diverse array of arts’n’crafts Even though evolution whilst shaping the dough our wonder-filled Valley exhibition area but also the workhops. is an ongoing process and into smallish balls “ ‘bread’ yet again! colorfulness of the festival’s We have the new mon- is never-ending, we feel we in Hungarian traditionally Listen to radiOzora live As you have seen or overall visual culture; a umental and breathtak- can finally say: “the Ozori- meant a 4-5 kilo piece.” This from the Ozorian Valley for are just discovering, major new addition to the end- ing beautiful set of stairs an Village is now standing.” was then eaten for a whole the 1st time ever! For the changes are on foot in the lessly evolving and expand- (pictured), an incredible We, ourselves are also week, sliced by holding it un- daily artist interviews and Valley. The biggest advan- ing playground experience. UV-forest – the Fluorest. constantly renewing forces der one arm: it was hugged; interactions, tune in on the tage of the Valley is that it Most of the other work- In addition to the more and energies – if we let go. it was loved. The word for FM 91.6. continually, with each new shops are moving to their than 200 shower stalls on Enjoy yourselves and be cutting or slicing bread is We're all connected through year, keeps evolving, grow- new home this year, into a site, more than 450 green excellent on each others. “megszegni” or “breaking it”. the same frequency! ing with permanent struc- building that has been ren- outdoor toilets have been Love and light! It is the same word used P3 MUSIC + HISTORY PREVIEW The Psytrance Labels #1 How about some “down time”? 2014 is the year of anniver- the twentieth anniversary of By Blaze healer. Sing: sounds heal. the world of dance styles dusk experienced profes- saries, and of course we don’t The Infinity Project’s record If you wish to use and physical exercises. sional trainers and mas- forget that it was exactly 15 label, TiP Records, with a his- Just as important as giv- more concentrated tech- The building is as com- ters will hold group activ- years ago that the world’s tory fused together with the ing it some ‘up time’, niques or energies, then pelling as its name sug- ities and teach beginners goanauts headed out to the history of Goa/Psy Trance. your body will need some we have a true rainbow gests. Although far from and intermediate partici- Ozorian valley to Solipse down time as well. Yes, go of offerings for you in the the mystical wonders of pants alike. The emphasis festival, to - as one of the For this occasion, thanks on, party and crash up on Dragon Agora and the ancient Egypt (similari- is on enhancing creativity greatest thinkera and tellers to the Goa – 20 Years the gentle shores of a new Pyramid each day. ties do exist however: it and body-consciousness, of our subculture, St. John of Psychedelic Trance day, but take time off to is oriented the same way regardless of age and sex. said - “become witness to an (Nachtschatten Verlag – recharge your body, your Re:lease as the Great Pyramid of It all kicks off with a extraordinary life-changing http://goabook.net), which temple, give it time to Giza), the simple geomet- morning chi kung session event”. (For our comprehen- has been an Ozorian Prophet regenerate. Drink plenty, In psychedelic Goa ric shapes, the soothing at 8:00am. Then, from sive report made with the participator for three years, eat healthy, do breathing culture spiritual “body wooden materials and 9:00 am onwards, the fol- participants of Solipse, see in the following issues we exercises. Take a walk and mind” techniques its open construction lowing workshops await the Thursday edition of the publish Kai Mathesdorf’s all around the truly stunning play an important role. provide a natural setting you with open arms: mon- Ozorian Prophet.) However, inclusive writing about The premises, collect flow- During the festival the comfort. ing yoga, ashtanga yoga, it’s dwarfed by such things as Psytrance Labels. P2 ers: nature is the greatest Pyramid will be home for From morning until pilates, free body free P3 DO NOT FORGET to set your parking / emergency hand-brakes and find some wheel chocks, rocks, bricks, logs, etc to put behind or in front of your tires! SMALL CHILDREN can only use the toilets with parental guidance. DO NOT THROW ANYTHING except toilet paper in the toilets, so that the waste can be later used for the fertilization of farmfieds.TAKE CARE of each other and watch out for your friends, fellow Ozorians! 2 Monday, July 28, 2014 LECTURES DETECTIVE GAME We make many many mistakes. That’s the plan Who burnt down the circus? This is the yes, burning ques- Could it have been….? tion at the centre of the whole Really? The trapeze artist? affair. Imagine. You, along with some fellow detectives The audience-turned-de- are standing in front of the tective-squad follows each smoking, smouldering re- clue in hope of solving the mains of a wooden structure. case, and get There are colours in there, entangled in the events of striped sail canvas, a black- the process. The case which ened star is visible. Could was said to be closed turns it have been? Yes? A Circus out to be very much open, and tent? very much affecting the audi- One of the detectives ence themselves. The line be- throws a cigarette butt into the tween fiction and reality is un- middle of the smoking mess. certain. The atmosphere, the “Let’s find these bastards,” he tension is heightened not only says, pulling his macintosh by mysterious scenery and together against the rain and characters but also by sur- steps over to ask questions prise action sequences along from the clown standing there the way. The backdrop: the looking at a blackened mir- rolling grounds of O.Z.O.R.A., ror, make up smudged, tears where the action is scattered © MÁRTON BODÓ / O.Z.O.R.A. Festival streaming down his face. around the fields. Bring your walking cranes, you Poirots By Blaze but they would return. What did they traditionally grow pesticide, what you are doing Was it the wife of the knife and Miss Marples. It will also I see this year in the garden there?” is like rattatatam, like with a thrower? She ran away with help in beating off any attacks The first lecture that we in- is that dormice do garden- “I love to plant edible gar- machine gun gunning ev- the cook… from the dark… troduce to You is the one ing themselves: they do not dens that also look good,” she erything down in your path. most rooted in the soil of kill off the plant, they chew says. Hers does. When asked Even the ladybirds…” Cluefinders bring us their No, it was the equestrienne the place. Literally so: Sára mainly on old, already dying why the plants are sprout- Sára points out that per- latest “piece” in which this with a limp! Varga, permaculturist is re- leaves.
Load more

Recommended publications
  • Spring Edition
    #173 Mar/Apr 2012 www.mushroom-magazine.com Spring Edition psychedelic trance music & culture psychedelic trance Festival Map | Summer Preview | Goa Special 1 year mushroom magazine + Goa book incl. DVD from only 44,90 € NEW FOR SUBSCRIBER ! Exclusive Pocket Party Planner with every mushroom magazine Subscribe for the whole year and receive mushroom mag straight to your door! Regular mushroom subscription: from only 12,90 Euro. mushroom subscription + 5 CD welcome pack: from only 34,90 Euro www.mushroom-magazine.com/shop INTRO 3 Hi, folks ! Willkommen zur ersten mushroom Welcome to the first issue of Ausgabe dieses noch jungen mushroom in 2012! We start Jahres. Wir starten das Jahr mit into this new year with a new einem neuen Erscheinungsrhyth- mus - und zwar ab sofort immer cycle of publication – from zu den ungeraden Monaten. Da now on each odd month. wir den Februar übersprungen Because we skipped February, haben bekommen alle Abonennten all subscribers will receive or selbstverständlich das Abo um magazine one more month, einen Monat verlängert. of course. Achja, und ein neues Layout haben wir auch... Nach nunmehr fast 9 Oh yes, and we also have a Jahren war mal eine grundlegende new layout… After 9 years the Überarbeiung fällig. Wie Du time had come for a fundamen- hoffentlich bemerkt hast ist die Schrift etwas größer geworden tal re-design. Hopefully you und die Seiten sind durch den already realized that the letters helleren Hintergrund auch iin grew a little bigger and the Mat Mushroom dunklen Räumen lesbar. Weiterhin pages became a little brighter, sind wir auf die immer wieder so you can read them also in mediocre lighting conditions.
    [Show full text]
  • Winterspell Playlist 1. Sweet Dreams
    Winterspell Playlist 1. Sweet Dreams (Are Made of This) – Sucker Punch – performed by Emily Browning 2. Towers of the Void – Red Riding Hood – Brian Reitzell 3. Is It Poison, Nanny – Sherlock Holmes – Hans Zimmer 4. Dyslexia – Percy Jackson & the Olympians – Christophe Beck 5. Maria Redowa – Little Women – Thomas Newman 6. La Fayette’s Welcome – Little Women – Thomas Newman 7. Port Royal Gallop – Little Women – Thomas Newman 8. Dead Sister – Red Riding Hood – Brian Reitzell & Alex Heffes 9. The Dance – Emma – Rachel Portman 10. Tavern Stalker – Red Riding Hood – Brian Reitzell & Alex Heffes 11. Wolf Attack Suite – Red Riding Hood – Brian Reitzell & Alex Heffes 12. Then Came the Purge – Underworld: Awakening – Paul Haslinger 13. The Wolve’s Den – Underworld: Rise of the Lycans – Paul Haslinger 14. The Lycan Van Escape – Underworld: Awakening – Paul Haslinger 15. Wtf – Green Zone – John Powell 16. Mike to Tavern – Underworld: Evolution – Marco Beltrami 17. Darkness Deep Within – Underworld – Paul Haslinger 18. Teahouse – The Matrix Reloaded – Juno Reactor and Gocoo 19. To Jerusalem – Kingdom of Heaven – Harry Gregson-Williams 20. Jean and Logan – X-Men: The Last Stand – John Powell 21. Dissolve – The Book of Eli – Atticus Ross 22. Pier 17 – The Adjustment Bureau – Thomas Newman 23. Blind Faith – The Book of Eli – Atticus Ross 24. Richardson – The Adjustment Bureau – Thomas Newman 25. The Journey – The Book of Eli – Atticus Ross 26. Mt. Grimoor – Red Riding Hood – Brian Reitzell & Alex Heffes 27. The Arrow Attack – Underworld: Rise of the Lycans – Paul Haslinger 28. Corvinus – Underworld – Paul Haslinger 29. Subterrania – Underworld – Paul Haslinger 30. A Thorough Education – Jane Eyre – Dario Marianelli 31.
    [Show full text]
  • T of À1 Radio
    ism JOEL L.R.PHELPS EVERCLEAR ,•• ,."., !, •• P1 NEW MUSIC REPORT M Q AND NOT U CIRCLE December 25, 2000 I www.cmj.com 138.0 ******* **** ** * *ALL FOR ADC 90198 24498 Frederick Gier KUOR -REDLANDS 5319 HONDA AVE APT G ATASCADERO, CA 93422-3428 ON BEING NO. 1, TOURING WITH U2 & WHY WILL OLDHAM AND RAYMOND CARVER KICK ASS tof à1 Radio HOW PERFORMANCE ROYALTIES WILL AFFECT COLLEGE RADIO WHAT IT'S DOING TO INDIE RETAIL INCLUDING THE BLAZING HIT SINGLE "OH NO" ALBUM IN STORES NOW EF •TARIM INEWELII KUM. G RAP at MOP«, DEAD PREZ PHARCIAHE MUNCH •GHOST FACE NOTORIOUS J11" MONEY PASTOR TROY Et MASTER HUM BIG NUMB e PRODIGY•COCOA BROVAZ HATE DOME t.Q-TIIP Et WORDS e!' le.‘111,-ZéRVIAIMPUIMTPIeliElrÓ Issue 696 • Vol 65 • No 2 Campus VVebcasting: thriving. But passion alone isn't enough 11 The Beginning Of The End? when facing the likes of Best Buy and Earlier this month, the U.S. Copyright Office other monster chains, whose predatory ruled that FCC-licensed radio stations tactics are pricing many mom-and-pops offering their programming online are not out of business. exempt from license fees, which could open the door for record companies looking to 12 PJ Harvey: Tales From collect millions of dollars from broadcasters. The Gypsy Heart Colleges may be among the hardest hit. As she prepares to hit the road in support of her sixth and perhaps best album to date, 10 Sticker Shock Polly Jean Harvey chats with CMJ about A passion for music has kept indie music being No.
    [Show full text]
  • Sussan Deyhim the House Is Black
    Sussan Deyhim The House is Black WORLD PREMIERE ABOUT THE PROGRAM Fri Jan 23 The House is Black is Sussan Deyhim’s media-film-performance project, inspired by the works Royce Hall of Forough Farrokhzad, one of Iran’s most influential feminist poets and filmmakers of the 20th Century. This project seeks to shed light on the importance of progressive Iranian contemporary arts through the vision of two of Iran’s most avant-garde female artists, Forough Farrokhzad and Sussan Deyhim. PERFORMANCE DURATION: Deyhim has created a series of non-linear poetic tableaux inspired by the poems of Forough Approximately 75 minutes Farrokhzad. The audience travels through a visual, sonic and theatrical journey into the heart of Forough ‘s prophetic vision where her most intimate, soulful and provocative moments leap off the page and onto the stage. Her message is as poetically and politically relevant today for the women of PRE-SHOW POETRY BUREAU Iran and the world as it was fifty years ago when she died tragically at the age of 32. Join us in the West Lobby and get a poem written An original score composed by Deyhim and Golden Globe-winning composer Richard Horowitz, on the spot. featuring brilliant special guests, creates a cinematic musical landscape, including influences rooted Doors open at 6:45 in Persian and Western contemporary classical music, jazz and electronic music with an elaborate vocal soundscape and intricate sound design component. Archival images and scenes from Forough’s documentary The House is Black and Bernardo CAP UCLA SPONSOR: Bertolucci’s 1965 interview with Forough, along with Deyhim’s original film and visual projections, Supported in part by the will create the backdrop and provide a window into the life of Iran’s most controversial poet and Performing Arts at Royce filmmaker.
    [Show full text]
  • Aliens, Afropsychedelia and Psyculture
    The Vibe of the Exiles: Aliens, Afropsychedelia and Psyculture Feature Article Graham St John Griffith University (Australia) Abstract This article offers detailed comment on thevibe of the exiles, a socio-sonic aesthetic infused with the sensibility of the exile, of compatriotism in expatriation, a characteristic of psychedelic electronica from Goatrance to psytrance and beyond (i.e. psyculture). The commentary focuses on an emancipatory artifice which sees participants in the psyculture continuum adopt the figure of the alien in transpersonal and utopian projects. Decaled with the cosmic liminality of space exploration, alien encounter and abduction repurposed from science fiction, psychedelic event-culture cultivates posthumanist pretentions resembling Afrofuturist sensibilities that are identified with, appropriated and reassembled by participants. Offering a range of examples, among them Israeli psychedelic artists bent on entering another world, the article explores the interface of psyculture and Afrofuturism. Sharing a theme central to cosmic jazz, funk, rock, dub, electro, hip-hop and techno, from the earliest productions, Israeli and otherwise, Goatrance, assumed an off-world trajectory, and a concomitant celebration of difference, a potent otherness signified by the alien encounter, where contact and abduction become driving narratives for increasingly popular social aesthetics. Exploring the different orbits from which mystics and ecstatics transmit visions of another world, the article, then, focuses on the socio- sonic aesthetics of the dance floor, that orgiastic domain in which a multitude of “freedoms” are performed, mutant utopias propagated, and alien identities danced into being. Keywords: alien-ation; psyculture; Afrofuturism; posthumanism; psytrance; exiles; aliens; vibe Graham St John is a cultural anthropologist and researcher of electronic dance music cultures and festivals.
    [Show full text]
  • {DOWNLOAD} Budgie
    BUDGIE PDF, EPUB, EBOOK Amanda O'Neill | 32 pages | 01 Jun 2006 | Interpet Publishing | 9781842860946 | English | Dorking, United Kingdom Budgie (TV Series –) - IMDb Generally speaking, the oldest chick is the first to be weaned. Although it is logically the last one to be weaned, the youngest chick is often weaned at a younger age than its older sibling s. This can be a result of mimicking the actions of older siblings. Lone surviving chicks are often weaned at the youngest possible age as a result of having their parents' full attention and care. Hand-reared budgies may take slightly longer to wean than parent-raised chicks. Hand feeding is not routinely done with budgerigars, due to their small size and because young parent raised birds can be readily tamed. The budgerigar has been bred in captivity since the s. Breeders have worked to produce a variety of colour, pattern and feather mutations, including albino , blue , cinnamon-ino lacewinged , clearwinged, crested, dark , greywinged, opaline, pieds, spangled, dilute suffused and violet. The eyes and beak can be almost totally obscured by these fluffy head feathers. English budgerigars are typically more expensive than wild-type birds, and have a shorter life span of about seven to nine years. Breeders of English budgerigars show their birds at animal shows. Most captive budgerigars in the pet trade are more similar in size and body conformation to wild budgerigars. Budgerigars are social animals and require stimulation in the shape of toys and interaction with humans or with other budgerigars. Budgerigars, and especially females, will chew material such as wood.
    [Show full text]
  • Music Selections REVISED 6 AUG 18:46 選曲 / Musiques As of FRI 6 AUG 2021
    Ariake Gymnastics Centre Rhythmic Gymnastics 有明体操競技場 新体操 / Gymnastique rythmique Centre de gymnastique d'Ariake Individual All-Around 個人総合 / Concours multiple individuel Music Selections REVISED 6 AUG 18:46 選曲 / Musiques As of FRI 6 AUG 2021 NOC Music Name Title Composer Performer Code Length IAKOVLEVA Lidiia AUS 1:30 Guerilleos Maxime Rodriguez Maxime Rodriguez 1:30 We Can't Stop Doug E. Fresh et al. Scott Bradlee and Postmodern Jukebox 1:30 Porto Worakls Worakls 1:30 Wonder Woman 1984 Edge Official Edge Official AGHAMIROVA Zohra AZE 1:30 The Odyssey X-Ray Dog X-Ray Dog 1:30 Back in Black AC/DC Sershen and Zaritskaya 1:30 Ona Hei Van Dyck Jeffrey Nelson Jeff Van Dyck 1:30 Chortovo Koleso Mutaforiya Lili Mutaforiya Lili HARNASKO Alina BLR 1:30 Moonlight Sonata L.V.Beethoven Tommee Profitt 1:30 The Hardest Button to Button Jack White Aluminium 1:30 L'Assasymphonie W.Rousseau Florent Mothe 1:30 Nocturne Y.Vesnyak Y.Vesnyak SALOS Anastasiia BLR 1:30 Damina Mgzavrebi Mgzavrebi 1:30 Magic Mirror X.Mortimer X.Mortimer, M.Rodriguez 1:30 Between Heaven and Earth Camerata Camerata 1:30 The Flight Attendant-Main Title B.Neely B.Neely KALEYN Boryana BUL 1:30 Kakamora (from Moana) Mark Manchina, Lin-Manuel Miranda, Opetaia Foai Mark Manchina 1:30 Vecherai Rado Arrangement of Bulgarian folk music Dessislava Dobreva & Vesko Eshkenazy 1:30 3 to tango PerzLandel/VeguilaJuan/LuisMorera/LunaManuel ... Pitbull 1:30 Mozart(Symph.N40)/Metalica Enter Sandman W A Mozart/Kirk Hammett/James Hetfield/Lars Ulrich Mozart Heroes GRYW1AA---------------------------_48A
    [Show full text]
  • Juno Reactor
    JUNO REACTOR UK RELEASES 7" SINGLES ?? NovaMute ? ??/?? 12" SINGLES Laughing Gas/Laughing Gas(On The Other Side Mix) NovaMute 12NOMU 26 ??/93 High Energy Protons(Orion Mix)/High Energy Protons (Voodoo People Mix) NovaMute 12NOMU 27 ??/94 Guardian Angel/Razorback Blue Room BR 008 ??/95 Conga Fury/Magnetic Blue Room BR 020 ??/96 Jungle High(Our House Remix)/Jungle High(Oakenfold Edit)/Jungle High(Original Mix) Perfecto PERF 133T ??/97 God Is God(Rock Of Sion Mix)/God Is God(CJ Bolland Mix) Blue Room BR 041 ??/97 GOD IS GOD FRONT 242 MIXES: God Is God (Godzilla)/God Is God(Grisha Zemix) Blue Room BR 054 ??/97 Pistolero(Fluke "Hang 'Em High" Remix)/Pistolero (Headrillaz 'Sandinista' Remix)/Pistolero(Man With No Name Remix) Blue Room BR 083 ??/99 Nitrogen(Part 1)/Nitrogen(Part 2) Blue Room BR 104 ??/00 CD SINGLES Laughing Gas/Laughing Gas(On The Other Side Mix)/ Lullaby NovaMute CDNOMU 26 ??/93 High Energy Protons(Orion Mix)/High Energy Protons (Voodoo People Mix)/The Heavens(Monolith Mix)/The Heavens(Vapour Mix) NovaMute CDNOMU 27 ??/94 Guardian Angel/Razorback Blue Room BR 008CD ??/95 Conga Fury/Magnetic(Robert Leiner Remix)/Feel The Universe(Koxbox Remix) Blue Room BR 020CD ??/96 Jungle High(Oakenfold Edit)/Jungle High(Our House Remix)/Jungle High(Original Mix) Perfecto PERF 133CD ??/97 God Is God(Rock Of Sion Mix)/Biot Messiah/God Is God(Revelation Mix)/God Is God(CJ Bolland Mix) Blue Room BR 041CD ??/97 Pistolero(Radio Edit)/Pistolero(Juno Reactor Remix)/ Pistolero(Fluke "Hang 'Em High" Remix) Blue Room BR 083CD ??/99 Pistolero(Tarantino
    [Show full text]
  • PACAD280-ALL ACCESS/Issue 6
    Hot off his success scoring The Matrix: Reloaded , not to mention the Is a classical music education still essential in cue to write, orchestrate, and record. Once it was contemporary film scoring? recorded, Ben took the orchestral tracks and trans - Wachowski Brothers’ two previous films, The Matrix and Bound , I’d have to say that a classical music education is formed them—along with some extremely involved syn - absolutely essential for a film composer. I don’t know thesizer and percussion tracks—into an elaborate elec - film composer Don Davis is definitely in demand. Before the phone how I could function without the background that I’ve tronica extravaganza. Finally, I was asked to support his rang with the next urgent “Get me Don Davis!” call, he filled us in had. It seems very unlikely that someone could simply synthesizer elements with still more orchestral and choir intuit their way through the literature without some sort tracks. It was challenging, because the constant evolu - on what it’s like to be a top composer in this competitive business. of guidance, whether in a university or through private tion of that scene was really quite difficult, but I think the study. But it’s also important to follow popular music results are very rewarding. styles and trends, which can only be done outside of the classroom. Some things can be taught, and others Your studio setup includes several Yamaha 02Rs. can only be intuited. Although most universities are now Yes. Four cascaded 02r96 boards occupy a central offering film music programs, the insight that connects position in my studio.
    [Show full text]
  • Download Discography for Free
    Download Discography For Free Download Discography For Free 1 / 5 2 / 5 They teamed up with The Creatures again in 1999 on the track “Exterminating Angel”, featured on that group’s album Anima Animus.. cue, Tracks Quality: MP3 320kbps CBR and FLAC Lossless Playtime: 27:45:32 Juno Reactor is a musical and performing group known for their cinematic fusion of electronic, global influences, and orchestral symphonic approach, collaborating with composer Don Davis and composing for the musical score of The Matrix.. The first track from the album, “Pistolero”, was a collaboration with Billy Idol’s guitarist, Steve Stevens. 1. discography 2. discography medical 3. discography synonym Their album Beyond the Infinite was Released in 1995 The 1997 Blue Room Released Bible of Dreams was Juno Reactor’s fourth album.. LA beat collective Soulection are celebrating achieving 200,000 followers on Soundcloud in a major way: by giving away their entire discography.. This was soon followed by their debut album, Transmissions This release was the first artist album in the genre. discography discography, discography meaning, discography music, discography medical, discography website, discography definition, discography synonym, discography bts, discography records, discography pronunciation, discography example, discography spine, discography for books Fast email extractor pro v5.1 crack Juno Reactor was formed as an art project in 1990 Ben Watkins wanted to collaborate with other artists, producing exciting projects that were not commercially driven. Crack
    [Show full text]
  • Strange Sounds Strange Sounds This Page Intentionally Left Blank Strange Sounds
    Strange Sounds Strange Sounds This page intentionally left blank Strange Sounds Music, Technology, &Oulture TIMOTHY D. TAYLOR ROUTLEDGE NEW YORK LONDON Published in 2001 by Routledge 270 Madison Ave, NewYorkNY 10016 Published in Great Britain by Routledge 2 Park Square, Milton Park, Abingdon, Oxon, OX14 4RN Routledge is an imprint of the Taylor & Francis Group. Transferred to Digital Printing 2010 Copyright © 2001 by Routledge All rights reserved. No part of this book may be printed or reproduced or utilized in any form or by electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording or in any information storage or retrieval system, without permission in writing from the publisher. The publisher and author gratefully acknowledge permission to reprint the following: An earlier version of chapter 7 appeared as "Music at Home, Politics Afar" in Decomposition: Post-Dis­ ciplinary Performance, edited by Sue-Ellen Case, Philip Brett, and Susan Leigh Foster, © 2000 by Indiana University Press. Example 4.1, an exceprt from "Moon Moods," music by Harry Revel, © 1946, reprinted by permission of Michael H. Goldsen, Inc., and William C. Schulman. Figure 4.5 used courtesy of Capitol Records, Inc. Figure 7.2 and figure 7.3 reprinted by permission of Geert-Jan Hobijn. Figure 8.1 and figure 8.2 reprinted by permission of Synthetic Sa:dhus. Figure 8.3, figure 8.4, and figure 8.5 reprinted by permission of Tsunami Enterprises, Inc. Cataloguing-in-Publication Data is available from the Library of Congress. ISBN 0-415-93683-7 (hbk.) - ISBN 0-415-93684-5 (pbk.) Publisher's Note The publisher has gone to great lengths to ensure the quality of this reprint but points out that some imperfections in the original may be apparent.
    [Show full text]
  • The DIY Careers of Techno and Drum 'N' Bass Djs in Vienna
    Seasoned Exodus The Exile Mosaic of Psyculture Feature Article Graham St John University of Queensland (Australia) Abstract Psychedelic trance music and culture (psyculture) is explored as a culture of exodus rooted in the seasonal dance party culture evolving in Goa, India, over the 1970s/1980s, and revealing a heterogeneous exile sensibility shaping Goa trance and psyculture from the 1990s/2000s. That is, diverse transgressive and transcendent expatriations would shape the music and aesthetics of Goa/psytrance. Thus, resisting circumscription under singular heuristic formulas, Goa trance and its progeny are shown to be internally diverse. This freak mosaic was seasoned by expatriates and bohemians in exile from many countries, experienced in world cosmopolitan conurbations, with the seasonal DJ-led trance dance culture of Goa absorbing innovations in EDM productions, performance and aesthetics throughout the 1980s before the Goa sound and subsequent festival culture emerged in the mid-1990s. Rooted in an experimental freak community host to the conscious realisation and ecstatic abandonment of the self, psyculture is heir to this diverse exile experience. Keywords: Goa trance, psytrance, psyculture, exodus, cultural exile, counterculture, festival Graham St John is an Honorary Research Fellow at the Centre for Critical and Cultural Studies at the University of Queensland. His book forthcoming with Equinox in 2012 is Global Tribe: Spirituality, Technology and Psytrance. Other recent books include Technomad: Global Raving Countercultures
    [Show full text]