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Roma-Parigi. Accademie a Confronto

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Roma-Parigi. Accademie a Confronto L’Accademia di San Luca, fondata a Roma alla fine del Cinquecento, era un sodalizio di artisti che riconoscevano nel disegno il principio fondatore dell’unità delle tre arti: la pittura, la scultura e l’architettura; la partecipazione era aperta agli artisti di ogni nazionalità. A Parigi la creazione delle accademie fu invece, fin dall’inizio, un’impresa promossa direttamente dallo Stato allo scopo di formare gli artisti che avrebbero lavorato nelle commesse pubbliche: nel 1648 venne fondata l’Académie Accademie a confronto Royale de Peinture et Sculpture e nel 1671 l’Académie Royale d’Architecture. A complemento delle nuove scuole di Parigi, venne aperta nel 1666 anche PARIGI una sede a Roma, dove gli artisti francesi avrebbero potuto completare - la loro formazione studiando l’antico e i grandi capolavori moderni. L’apertura di una sede romana di una istituzione francese intensificò ROMA i rapporti, già vivaci, tra le tre accademie e tra gli artisti. ROMA-PARIGI La mostra Roma-Parigi. Accademie a confronto. L’Accademia di San Luca Accademie a confronto e gli artisti francesi. XVII-XIX secolo, organizzata a Palazzo Carpegna in L’Accademia di San Luca e gli artisti francesi concomitanza con l’esposizione allestita a Villa Medici, 350 ans de création, les artistes de l’Académie de France à Rome de Louis XIV à nos jours, intende illustrare lo sviluppo di questi rapporti. A N LUC A S I LE D A N IO Z A N ISBN 978-88-97610-17-5 MIA DE A CC ACCADEMIA NAZIONALE DI SAN LUCA A ACCADEMIA NAZIONALE DI SAN LUCA ROMA-PARIGI Accademie a confronto ROMA-PARIGI Accademie a confronto L’Accademia di San Luca e gli artisti francesi XVII-XIX secolo a cura di Carolina Brook, Elisa Camboni, Gian Paolo Consoli Francesco Moschini, Susanna Pasquali ACCADEMIA NAZIONALE DI SAN LUCA ROMA-PARIGI INDICE Accademie a confronto L’Accademia di San Luca e gli artisti francesi Roma, Accademia Nazionale di San Luca Palazzo Carpegna 13 ottobre 2016 - 13 gennaio 2017 Mostra a cura di Carolina Brook Gian Paolo Consoli Susanna Pasquali 9 Presentazione Responsabile scientifico Carlo Lorenzetti Francesco Moschini 11 L’Accademia di San Luca: primati e declinazioni Coordinamento scientifico-organizzativo delle tre arti, pittura, scultura e architettura Elisa Camboni La mostra e la pubblicazione sono state Francesco Moschini realizzate sotto l’Alto Patronato del Collaboratori 17 Introduzione alla Galleria accademica Presidente della Repubblica Italiana, Fabrizio Carinci in concomitanza con l’esposizione Alessio Miccinilli Marisa Dalai Emiliani “350 ans de création, les artistes de Valentina Oodrah l’Académie de France à Rome de Louis XIV à nos jours” allestita a Villa Medici Progetto di allestimento dal 14 ottobre 2016 al 15 gennaio 2017. Francesco Cellini 21 Da Vouet a Errard: gli artisti francesi nell’Accademia di San Luca tra rifondazione e progettata unione Realizzazione allestimento Elisa Camboni Mekane srl L’Accademia Nazionale di San Luca desidera 31 I francesi in Accademia nel Settecento: i concorsi di ringraziare sentitamente l’Istituto Superiore Sp Systema PassePartout Persia per la Conservazione e il Restauro, in pittura e scultura Fast Multiservice particolare la direttrice, Gisella Capponi, Carolina Brook e l’Istituto per la Grafica, nella persona Restauri delle opere in mostra 43 Presenze francesi all’Accademia di San Luca: la collezione della dirigente, Maria Antonella Fusco, Fabio Porzio del direttore del Laboratorio di restauro dei ritratti degli artisti Davide Fodaro (ISCR) opere d’arte su carta, Fabio Fiorani e della Marica Marzinotto Gaia Gambari (ICG) coordinatrice Gabriella Pace. Giulia Venezia (ICG) Un ringraziamento speciale a Marisa Dalai 49 L’insegnamento del paesaggio in ambito accademico fra Settecento e Ottocento Emiliani. Fotografie Mauro Coen Luigi Gallo Andrea Veneri_vl9 53 I primi concorsi accademici di architettura tra Roma In copertina Registrar per la mostra e la Francia, 1677 Filippo Carlini, Copia del Galata morente Anna Maria De Gregorio Francesco Guidoboni capitolino, 1758. Roma, Accademia Nazionale di San Luca. Trasporto e movimentazione 65 La formazione accademica dell’architetto da Parigi a Roma Arteria srl tra fine Seicento e primo Settecento Nessuna parte di questo libro può essere Crown Fine Art Paris Tommaso Manfredi riprodotta o trasmessa in qualsiasi forma o con qualsiasi mezzo senza l’autorizzazione Assicurazione 81 Verso una nuova architettura: Académie Royale dei proprietari dei diritti e dell’editore. Willis Italia spa d’Architecture e Accademia di San Luca. 1750-1800 Gian Paolo Consoli Enti e musei prestatori © Copyright 2016 Académie de France à Rome - Villa Medici 105 Le riforme dell’Accademia di San Luca osservate da Parigi École Nationale Supérieure ACCADEMIA NAZIONALE DI SAN LUCA nel 1810: l’architettura al confronto con le altre arti del disegno 00187 Roma des Beaux-Arts de Paris Musée national des châteaux de Versailles Susanna Pasquali piazza dell’Accademia di San Luca 77 +39.06.6798850 | +39.06.6798848 et de Trianon 119 Progetti in onore di Napoleone Museo Napoleonico di Roma [email protected] Fabrizio Di Marco, Marco Pupillo www.accademiasanluca.eu Ufficio stampa 129 L’Accademia nel periodo francese. I nuovi statuti del 1812 isbn 978-88-97610-17-5 Maria Bonmassar Pier Paolo Racioppi DIPINTI 165 Concors0 Clementino 1711 Guy Louis Vernansal, Furio Camillo condanna 142 Gasper Dughet, Veduta dell’Aniene a Lunghezza il pedagogo di Faleri e Paesaggio fluviale o crepuscolare, XVII secolo Valentina Oodrah Valeria Rotili 166 Concors0 Clementino 1725 143 Charles-François Poerson, Apollon présidant à l’union Charles-Joseph Natoire, Mosè che dal ritorno dal Monte de l’Académie Royale de Peinture et de Sculpture de Paris Sinai si mostra al popolo con faccia risplendente et de l’Académie de Saint-Luc à Rome, 1677-1682 Stefania Ventra Riccardo Gandolfi 167 Concors0 Clementino 1728 145 Giovanni Paolo Panini, Alessandro visita il sepolcro Carle Van Loo, La cena di Baldassarre co’ Magnati del Regno di Achille, 1719 Livia Poletti Stefania Ventra 168 Concors0 Clementino 1750 146 Nicolas Vleughels, Il sogno di san Giuseppe, 1728 Jacques-François Martin, Giuseppe si palesa ai suoi fratelli Valentina Oodrah Maria Rosa Pizzoni 147 Pierre Subleyras, Studio per la Cena in casa di Simone, 1737 ? 169 Concors0 Clementino 1771 Fabrizio Carinci Nicolas Lejeune, Quando il principe Ammon nel convito, 148 Claude Joseph Vernet, Marina di Anzio, 1743 ca. che gli fece il fratello Assalonne viene ucciso da’ servi Fabrizio Carinci Nicolò Ranzani 149 Laurent Pécheux, Diana ed Endimione, 1761 ? 171 Concors0 Clementino 1783 Valentina Oodrah Laurent Blanchard, Gesù Cristo scaccia i mercanti dal Tempio 150 Pierre-Jacques Volaire, Marina, 1764-1777 Livia Poletti Ilaria Miarelli Mariani 172 Accademia del Nudo 151 Victor Schnetz, Caino dopo l’uccisione del fratello, 1817 Jean Laurent, Accademia maschile, 1772 Paola Picardi Laurent Blanchard, Accademia di pieghe, 1780 Laurent Blanchard, Accademia maschile, 1784 DISEGNI Emilia De Marco 154 Concorso accademico 1672, prova ex tempore CULTURA Bon Boullogne, Studio di panneggio S Emilia De Marco 176 Jean de Boulogne detto Giambologna, Figura allegorica 155 Concorso accademico 1673 di fiume, XVI secolo Alessandro dona Campaspe, opere di Louis Dorigny, Michela Corso Charles-François Poerson, Belardino Viviani 177 Pierre Legros, Le arti rendono omaggio a Clemente XI, 1702 Emilia De Marco Alessandra Imbellone 158 Concorso accademico 1673, prova ex tempore 178 Lambert-Sigisbert Adam, Dolore, 1733 Studio dell’attitudine del nudo, opere di Monsù Blanchet Valeria Rotili e Louis Dorigny 179 René-Michel Slodtz, Santa Teresa trafitta da un serafino, 1738 Emilia De Marco Valeria Rotili 159 Concorso accademico 1677 180 Concorso Clementino 1750 Louis de Boullogne il giovane, Alessandro Magno Antoine-Michel Perrache, Caio Marzio Coriolano che scioglie il nodo di Gordio rimanda addietro gli Ambasciatori e i Sacerdoti che Stefania Ventra domandavano la Pace, 1750 160 Concorsi Clementini 1704, 1758, 1775 Alessandra Imbellone Francesco Raffaelli, Copia delle statue di PalazzoVerospi; 181 Concorso Clementino 1758 Filippo Carlini, Copia del Galata morente capitolino; Luc-François Breton, Il Pontefice Metello salva il simulacro Pasquale Camporese, Copia dell’Apollo del Belvedere di Pallade durante l’incendio del Tempio di Vesta, 1758 Alessandra Imbellone Nicolò Ranzani 163 Concorsi Clementini 1707, 1708, 1709 182 Concorso Balestra 1773 Claude Jacquard, Il combattimento degli Orazi; Vincenzo Pacetti, Achille e Pentesilea, 1773 Il supplizio di Mezio Suffezio per ordine del re Tullio Ostilio; Fabrizio Carinci Morte di Lucrezia Carolina Brook 183 Concorso Balestra 1786 Carlo Lorenzetti* Presentazione Joseph Chinard, Perseo e Andromeda, 1786 Valeria Rotili 184 Antonio Canova, Ritratto di Napoleone Bonaparte come Primo Console, 1802 Paola Picardi 185 Antonio Canova, Autoritratto, 1812 Paola Picardi La mostra Roma-Parigi. Accademie a confronto. L’Accademia di 186 Étienne Maurice Falconet (copia da), Bagneuse, seconda San Luca e gli artisti francesi. XVII-XIX secolo, allestita nella metà del XIX secolo sede dell’Accademia Nazionale di San Luca a Palazzo Carpegna Valeria Rotili a Roma, documenta, congiuntamente a questo volume, il proficuo risultato scientifico di un importante progetto culturale 186 Calchi della Colonna Traiana sviluppato in accordo con l’Académie de France à Rome la quale, Cinzia Conti, Gian Giacomo Martines in concomitanza, presenta, a Villa Medici, la mostra 350 ans de 192 Pietro Santi Bartoli, Colonna
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