Roma-Parigi. Accademie a Confronto
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Portrait D'artiste
<--------------------------------------------------------------------------------------------------------------- 210 mm ---------------------------------------------------------------------------------------------------------------><- 15 mm -><--------------------------------------------------------------------------------------------------------------- 210 mm ---------------------------------------------------------------------------------------------------------------> 2020 PORTRAIT D’ARTISTE PORTRAIT D’ARTISTE 74, rue de Seine — 75006 Paris Tél. — + 33 (0)1 43 26 89 80 e-mail — [email protected] www.galeriepaulproute.com PAUL PROUTÉ GPP_Portaits_oct2020_CV.indd 1 30/10/2020 16:15:36 GPP_Portaits_oct2020_CV.indd 2 30/10/2020 16:15:37 1920 2020 GPP_Portaits_oct2020_CV.indd 2 30/10/2020 16:15:37 PORTRAIT D’ARTISTE 500 ESTAMPES 2020 SOMMAIRE AVANT-PROPOS .................................................................... 7 PRÉFACE ................................................................................ 9 ESTAMPES DES XVIe ET XVIIe SIÈCLES ............................. 15 ESTAMPES DU XVIIIe SIÈCLE ............................................. 61 ESTAMPES DU XIXe SIÈCLE ................................................ 105 ESTAMPES DU XXe SIÈCLE ................................................. 171 INDEX .................................................................................... 202 AVANT-PROPOS près avoir quitté la maison familiale du 12 de la rue de Seine, Paul Prouté s’instal- Alait au 74 de cette même rue le 15 janvier -
Old Master Paintings Master Old
Wednesday 29 April 2015 Wednesday Knightsbridge, London OLD MASTER PAINTINGS OLD MASTER PAINTINGS | Knightsbridge, London | Wednesday 29 April 2015 22274 OLD MASTER PAINTINGS Wednesday 29 April 2015 at 13.00 Knightsbridge, London BONHAMS BIDS ENQUIRIES PRESS ENQUIRIES Montpelier Street +44 (0) 20 7447 7447 [email protected] [email protected] Knightsbridge +44 (0) 20 7447 7401 fax +44 (0) 20 7468 8307 London SW7 1HH To bid via the internet please visit CUSTOMER SERVICES www.bonhams.com www.bonhams.com SPECIALISTS Monday to Friday 08.30 – 18.00 Andrew McKenzie +44 (0) 20 7447 7447 VIEWING TELEPHONE BIDDING +44 (0) 20 7468 8261 Sunday 26 April Bidding by telephone will only [email protected] Please see back of catalogue 11.00 – 15.00 be accepted on lots with a low for important notice to bidders Monday 27 April estimate in excess of £500. Caroline Oliphant 09.00 – 16.30 +44 (0) 20 7468 8271 ILLUSTRATIONS Tuesday 28 April Please note that bids should be [email protected] Front cover: Lot 84 (detail) 09.00 – 16.30 submitted no later than 4pm on Back cover: Lot 1 Wednesday 29 April the day prior to the sale. New Lisa Greaves 09.00 – 11.00 bidders must also provide proof +44 (0) 20 7468 8325 IMPORTANT INFORMATION of identity when submitting bids. [email protected] The United States Government SALE NUMBER Failure to do this may result in has banned the import of ivory 22274 your bid not being processed. Archie Parker into the USA. Lots containing +44 (0) 20 7468 5877 ivory are indicated by the symbol CATALOGUE LIVE ONLINE BIDDING IS [email protected] Ф printed beside the lot number £18 AVAILABLE FOR THIS SALE in this catalogue. -
Encyklopédia Kresťanského Umenia Heslo PARÍŽ – PAS Strana 1 Z 62
Marie Žúborová - Němcová: Encyklopédia kresťanského umenia Paríž - Geo v súvislosti s heslom Kelti: viac ako 500 rokov spoluvytvárali dejiny Európy; ich vlasť sa rozprestierala severne od Álp; neskôr roku 387 pr.Kr. dobyli Rím; okolo 400 pr.Kr. založili mesto s menom Miláno a v rovnakom období Paríž, mesto pomenované podľa keltských kmeňov Parisi pozri Bartolomejská noc; Eligius; boutique Simultananée; gobelín; iluminátori; parížska škola/École de Paris (Baleka), parížski umelci; bulvár, internacionálna gotika, impresionizmus, abstraktné umenie; jednorožec (Wensleydalová); jezuiti; kabaret; kaplnka, capella; kašmírový vzor, kabelka, kníhtlač; manifest A C-Numéro d'Introduction du Groupe et de la Revue Art; J. B. Jongind; las Tullerías, Montmartre, bazilika Sacre Coeur, Le Pont-au-Change, Louvre, Tuileries, Francúzsko http://it.wikipedia.org/wiki/Parigi http://www.webumenia.sk/web/guest/graphic/- /staticresults?orderBy=DATING_ASC&items=14&query=&layout=gridLayout&images=true&se archFor=data&page=19 http://viticodevagamundo.blogspot.sk/2011_02_01_archive.html Heslo PARÍŽ – PAS Strana 1 z 62 Marie Žúborová - Němcová: Encyklopédia kresťanského umenia Attribution: Majster Getty Froissart: Kráľovná Isabella prichádza do Paríža (Historia Alexandri Magni, 1468-1475) Heslo PARÍŽ – PAS Strana 2 z 62 Marie Žúborová - Němcová: Encyklopédia kresťanského umenia M. Merian st.: Mapa Paríža (topografická ilustrácia, rytina, 1615) M. Merian st.: Mapa Paríža (topografická ilustrácia, kolorovaná rytina, 1615) Heslo PARÍŽ – PAS Strana 3 z 62 Marie Žúborová - Němcová: Encyklopédia kresťanského umenia C. Chastillon: Pohľad na Paríž (rytina, okolo 16.st.) Heslo PARÍŽ – PAS Strana 4 z 62 Marie Žúborová - Němcová: Encyklopédia kresťanského umenia C. Chastillon: Slávnosti zahájenia činnosti na „Place Royale“ (pri príležitosti svadby príležitosti dvojitej svadby kráľa Ľudovíta XIII. -
MASTER DRAWINGS Index to Volumes 1–55 1963–2017 Compiled by Maria Oldal [email protected]
MASTER DRAWINGS Index to Volumes 1–55 1963–2017 Compiled by Maria Oldal [email protected] The subject of articles or notes is printed in CAPITAL letters; book and exhibition catalogue titles are given in italics; volume numbers are in Roman numerals and in bold face. Included in individual artist entries are authentic works, studio works, copies, attributions, etc., arranged in sequential order within the citations for each volume. When an author has written reviews, that designation appears at the end of the review citations. Names of collectors are in italics. Abbreviated names of Italian churches are alphabetized as if fully spelled out: "Rome, S. <San> Pietro in Montorio" precedes "S. <Santa> Maria del Popolo." Concordance of Master Drawings volumes and year of publication: I 1963 XII 1974 XXIII–XXIV 1985–86 XXXV 1997 XLVI 2008 II 1964 XIII 1975 XXV 1987 XXXVI 1998 XLVII 2009 III 1965 XIV 1976 XXVI 1988 XXXVII 1999 XLVIII 2010 IV 1966 XV 1977 XXVII 1989 XXXVIII 2000 XLIX 2011 V 1967 XVI 1978 XXVIII 1990 XXXIX 2001 L 2012 VI 1968 XVII 1979 XXIX 1991 XL 2002 LI 2013 VII 1969 XVIII 1980 XXX 1992 XLI 2003 LII 2014 VIII 1970 XIX 1981 XXXI 1993 XLII 2004 LIII 2015 IX 1971 XX 1982 XXXII 1994 XLIII 2005 LIV 2016 X 1972 XXI 1983 XXXIII 1995 XLIV 2006 LV 2017 XI 1973 XXII 1984 XXXIV 1996 XLV 2007 À l’ombre des frondaisons d’Arcueil: Dessiner un jardin du XVIIe siècle, exh. cat. by Xavier Salmon et al. Review. LIV: 397–404 A. S. -
Rome in the 18R.Li Century
fl urn Rome in the 18r.li Century •ii" On the cover: Giovanni Battista Piranesi Detail of the Fontana di Trevi WS'? 0FP/C6- SLIDE UBRARY Artists in Rome in the 18th Century: Drawings and Prints The Metropolitan Museum of Art February 28 - May 7, 1978 Copyright © 1978 by The Metropolitan Museum of Art • This exhibition has been made possible through <^ a grant from the Esther Annenberg Simon Trust V V The drawings, prints, and oil sketches brought together for this exhibition offer eloquent testimony to the rich diversity of artistic activity in eighteenth-century Rome. They are the work of artists of many nationalities—Italian, French, English, Dutch, Flemish, and German—but all were executed in Rome in the course of the century. The city retained in the 1700's its position as a major artistic center, though outdistanced by Paris for first place. Rome continued to be the city to which artists came to learn, by studying and copying the ruins of Classical Antiquity and the great works of the Renaissance and Baroque periods. Papal and princely patronage continued to attract artists from all Europe, but commissions were no longer on the very grand scale of previous centuries. History painting remained a Roman specialty, occupying the highest rank in the hierarchy of painting. Preparatory drawings for major projects by Giuseppe Chiari, Pompeo Batoni, Benedetto Luti, and the Frenchman Pierre Subleyras document this side of Roman production. Sculpture flourished—witness drawings by Pietro Bracci and Camillo Rusconi for important tombs, and Luigi Vanvitelli's designs for the throne of St. -
Architectural Temperance: Spain and Rome, 1700-1759
Architectural Temperance Spain and Rome, 1700–1759 Architectural Temperance examines relations between Bourbon Spain and papal Rome (1700–1759) through the lens of cultural politics. With a focus on key Spanish architects sent to study in Rome by the Bourbon Kings, the book also discusses the establishment of a program of architectural educa- tion at the newly-founded Real Academia de Bellas Artes de San Fernando in Madrid. Victor Deupi explores why a powerful nation like Spain would temper its own building traditions with the more cosmopolitan trends associated with Rome; often at the expense of its own national and regional traditions. Through the inclusion of previously unpublished documents and images that shed light on the theoretical debates which shaped eighteenth-century architecture in Rome and Madrid, Architectural Temperance provides an insight into readers with new insights into the cultural history of early modern Spain. Victor Deupi teaches the history of art and architecture at the School of Architecture and Design at the New York Institute of Technology and in the Department of Visual and Performing Arts at Fairfield University. His research focuses on cultural politics in the early modern Ibero-American world. Routledge Research in Architecture The Routledge Research in Architecture series provides the reader with the latest scholarship in the field of architecture. The series publishes research from across the globe and covers areas as diverse as architectural history and theory, technology, digital architecture, structures, materials, details, design, monographs of architects, interior design and much more. By mak- ing these studies available to the worldwide academic community, the series aims to promote quality architectural research. -
Lowell Libson
LOWELL LIBSON LTD 2 014 • LOWELL LIBSON LTD · 2014 New York: January 25 – February 1 Annual exhibition at Mitchell-Innes & Nash: British Art: Recent Acquisitions & Thomas Gainsborough: The Landscape of Refinement london: february 17 – february 28 Thomas Gainsborough: The Landscape of Refinement Maastricht: March 14 – 23 TEFAF: The European Fine Art Fair London: July 4 – July 11 Master Drawings & Sculpture Week London Art Week London: October 16 – october 19 Frieze Masters LOWELL LIBSON LTD 2 014 • LOWELL LIBSON LTD CONTENTS 3 Clifford Street · Londonw1s 2lf William John Bankes 8 Telephone: +44 (0)20 7734 8686 Fax: +44 (0)20 7734 9997 James Barry 12 Email: [email protected] Louis-Gabriel Blanchet 15 Website: www.lowell-libson.com The gallery is open by appointment, Monday to Friday Francis Cotes 20 The entrance is in Old Burlington Street Alexander Cozens 24 Lowell Libson John Robert Cozens 26 [email protected] Arthur Devis 34 Deborah Greenhalgh [email protected] John Flaxman 39 Jonny Yarker [email protected] Lucius Gahagan 46 Daniel Gardner 50 Hugh Douglas Hamilton 52 Victor-Marie Hugo 58 Sir Thomas Lawrence 60 Edward Lear 68 William Marlow 72 Samuel Palmer 76 Published by Lowell Libson Limited 2014 Sir Joshua Reynolds 78 Text and publication © Lowell Libson Limited All rights reserved Thomas Rowlandson 82 isbn 978 0 9563930 7 4 Cover: a sheet of 18th-century Italian Thomas Stothard 82 paste paper (collection: Lowell Libson) Frontispiece: Francis Cotes RA 1726–1770 Joseph Mallord William Turner 89 Detail from Mary Colebrooke, later Lady Aubrey, 1766 Benjamin West 102 Photography by Rodney Todd White & Son Ltd Designed and typeset in Dante by Dalrymple Joseph Wright of Derby 105 Colour reproduction by Altaimage Printed in Belgium by Albe De Coker Johan Zoffany 112 our annual catalogue relies entirely on the works we have in hand and it is this serendipity that gives each of these volumes an individual character. -
Rome Vaut Bien Un Prix. an Artistic Elite in the Service of the State
Artl@s Bulletin Volume 8 Article 9 Issue 2 The Challenge of Caliban 2019 Rome vaut bien un prix. An Artistic Elite in the Service of the State: the Pensionnaires of the Académie de France in Rome, 1666-1968 Annie Verger Artl@s, [email protected] Follow this and additional works at: https://docs.lib.purdue.edu/artlas Part of the History of Art, Architecture, and Archaeology Commons, and the Music Commons Recommended Citation Verger, Annie. "Rome vaut bien un prix. An Artistic Elite in the Service of the State: the Pensionnaires of the Académie de France in Rome, 1666-1968." Artl@s Bulletin 8, no. 2 (2019): Article 9. This document has been made available through Purdue e-Pubs, a service of the Purdue University Libraries. Please contact [email protected] for additional information. This is an Open Access journal. This means that it uses a funding model that does not charge readers or their institutions for access. Readers may freely read, download, copy, distribute, print, search, or link to the full texts of articles. This journal is covered under the CC BY-NC-ND license. Artl@s At Work Rome vaut bien un prix. An Artistic Elite in the Service of the State: the Pensionnaires of the Académie de France in Rome, 1666-1968 Annie Verger* Résumé The Dictionnaire biographique des pensionnaires de l’Académie de France à Rome serves as a register for the artists sent to Italy by the French state from the time of Louis XIV in 1666 up until the abolition of the Prix de Rome concours in 1968. -
Not Exceed 7,500 Upwards and Should Shou~ Anginal Research
f Id ll ~ +t Rl 4~Al New Publication FURNITURE AT TEMPLE NEWSAM HOUSE AND LOTHERTON HALL, YORKSHIRE by Christopher Gilbert The defmitive catalogue of 662 items from the collections of Leeds City Art Galleries, 522 pages with 682 illustrations, 14 in colour, in two volumes. Published jointly by the National Art-Collections Fund and the Leeds Art Collections Fund, 1978. X48 the two volumes, including postage. Cheques or money orders payable to the NACF Leeds Furniture Catalogue; post to Percy Lund, Humphries 8t Co. Ltd., The Manningham Press, Drummond Road, Bradford BD8 8DH. SHELDON MEMORIAL TRUST ESSA Y PRIZE ,4 pnze of E50is offered for the best unpublished essay on history, literature or the arts in connectr'on uvth the City of York. The essay should not exceed 7,500 upwards and should shou~ anginal research. The Trust uill arrange publr'cation of the prize essay. Completed essays must be submitted by 3I March l979. ComPetitors should notify their intended toPicsin advance to the Secretary of the Trust, Mr. /. P. West-Taylor, The University of York, Heslington, York, YOI 5DD THF. LEEDS ART COLLECTIONS FUND Pres~dent The Rt. Hon. the Earl of Halifax; Vrce President The Rt. Hon. the Earl of Harewootl, t.t.,n.; Trustees C. S. Reddihough, George Black, r R t: s, W. T. Oliver, M rs.; Cornrnittee Mrs. S. Bidgood, S. H. Burton, Mrs. R. Copeland, Mrs. S. Gilchrist, J. M. McCloy, Councillor Dr. J. R. Sherwin, Dr. M. Wainman; Hon. Treasurer Martin Arnold, a a; Him. Secretary Robert Rowe; Hon. Membership Secretary W. -
San Giovanni in Laterano
(003/29) San Giovanni in Laterano St. John at the Lateran Piazza di San Giovanni Laterano (003/29) The official name is Archbasilica of the Most Holy Saviour and Sts. John the Baptist and the Evangelist at the Lateran, Cathedral of Rome, Mother and Head of all churches (003/29) History: On the façade, an inscription proclaims that this is SACROSANCTA LATERANENSIS ECCLESIA OMNIUM URBIS ET ORBIS ECCLESIARUM MATER ET CAPUT, "The Most Holy Lateran Church, Mother and Mistress of all churches of the city and the World". It is the first cathedral of Rome, where Emperor Constantine allowed the Pope to set up the episcopal chair after 312. The first mention in ancient sources is from 313, when a consistory of bishops was held in domum Faustae in Laterano. This refers to Fausta, Constantine's second wife, who was a convert. It is the first church not only in Rome but in the Christian world. The Popes lived in the Lateran palace until Clement V (1305-1314) transferred the papal seat to Avignon. After the return of the Pope to Rome in 1377, the Vatican palace was chosen as the papal residence. In this area, once stood a palace belonged to the Laterani family. Their house stood near the Basilica, probably towards the current Via Amba Aradam, and covered the entire land area that also includes the current basilica area. According to the "Annals" of Tacitus in 65 A.D. the palace and land was confiscated by the Emperor Nero, as Plautius Lateran, appointed consul for the year 65, conspired against the emperor himself in the conspiracy called the "Pisoni". -
Die Kaiserliche Gemäldegalerie in Wien Und Die Anfänge Des Öffentlichen Kunstmuseums
GUDRUN SWOBODA (HG.) Die kaiserliche Gemäldegalerie in Wien und die Anfänge des öffentlichen Kunstmuseums BAND II EUROPÄISChe MUSEUMSKULTUREN UM 1800 Die kaiserliche Gemäldegalerie in Wien und die Anfänge des öffentlichen Kunstmuseums 2013 BÖHLAU VERLAG WIEN KÖLN WEIMAR GUDRUN SWOBODA (HG.) Die kaiserliche Gemäldegalerie in Wien und die Anfänge des öffentlichen Kunstmuseums BAND 2 EUROPÄISCHE MUSEUMSKULTUREN UM 1800 2013 BÖHLAU VERLAG WIEN KÖLN WEIMAR IMPRESSUM Gudrun Swoboda (Hg.) Die kaiserliche Gemäldegalerie in Wien und die Anfänge des öffentlichen Kunstmuseums Band 1 Die kaiserliche Galerie im Wiener Belvedere (1776–1837) Band 2 Europäische Museumskulturen um 1800 Kunsthistorisches Museum Wien, Wien 2013 Redaktion Gudrun Swoboda, Kristine Patz, Nora Fischer Lektorat Karin Zeleny Art-Direktion Stefan Zeisler Graphische Gestaltung Johanna Kopp, Maria Theurl Covergestaltung Brigitte Simma Bildbearbeitung Tom Ritter, Michael Eder, Sanela Antic Hervorgegangen aus einem Projekt des Förderprogramms forMuse, gefördert vom Bundesministerium für Wissenschaft und Forschung Veröffentlicht mit Unterstützung des Austrian Science Fund (FWF): PUB 121-V21/PUB 122-V21 Bibliografische Information der Deutschen Nationalbibliothek: Die Deutsche Nationalbibliothek verzeichnet diese Publikation in der Deutschen Nationalbibliografie; detaillierte bibliografische Daten sind im Internet über http://portal.dnb.de abrufbar. Abbildungen auf der Eingangsseite Bernardo Bellotto, Wien, vom Belvedere aus gesehen. Öl auf Leinwand, um 1758/61. Wien, Kunsthistorisches Museum, Gemäldegalerie Inv.-Nr. 1669, Detail Druck und Bindung: Holzhausen Druck Gmbh, Wien Gedruckt auf chlor- und säurefreiem Papier Printed in Austria ISBN 978-3-205-79534-6 Alle Rechte vorbehalten. Dieses Werk ist urheberrechtlich geschützt. Jede Verwertung außerhalb der engen Grenzen des Urheberrechtsgesetzes ist unzulässig. © 2013 Kunsthistorisches Museum Wien – www.khm.at © 2013 by Böhlau Verlag Ges.m.b.H. -
Information to Users
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. University Microfilms International A Bell & Howell Information Company 300 North Zeeb Road. Ann Arbor, Ml 48106-1346 USA 313/761-4700 800/521-0600 fcg Order Number 1345754 The Salon Dord from the Hotel de Clermont Brewster, Edith Hutchinson, M.A. The American University, 1991 Copyright ©1991 by Brewster, Edith Hutchinson.