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Ron Block Hogan's House of Music Liner Notes Smartville (Ron Block
Ron Block Hogan’s House of Music Liner Notes Smartville (Ron Block, Moonlight Canyon Publishing, BMI) Barry Bales - bass Ron Block - banjo, rhythm and lead guitar Tim Crouch - fiddle Jerry Douglas - Dobro Stuart Duncan – fiddle Clay Hess - rhythm guitar Adam Steffey – mandolin Hogan’s House of Boogie (Ron Block, Moonlight Canyon Publishing, BMI) Ron Block – banjo, rhythm and lead guitar Sam Bush - mandolin Jerry Douglas – Dobro Byron House - bass Dan Tyminski – rhythm guitar Lynn Williams – snare Wolves A-Howling (Traditional) Barry Bales - bass Ron Block - banjo Stuart Duncan - fiddle Adam Steffey - mandolin Dan Tyminski - rhythm guitar The Spotted Pony (Traditional, arr. Ron Block, Moonlight Canyon Publishing, BMI) Barry Bales - bass Ron Block - banjo, rhythm and lead guitar Stuart Duncan – fiddle Sierra Hull – octave mandolin Alison Krauss - fiddle Adam Steffey – mandolin Dan Tyminski - rhythm guitar Lynn Williams – snare Clinch Mountain Backstep (Ralph Stanley) Barry Bales - bass Ron Block - banjo, rhythm and lead guitar Stuart Duncan – fiddle Clay Hess - rhythm guitar Adam Steffey – mandolin Gentle Annie (Stephen Foster) Ron Block – banjo, guitar Tim Crouch – fiddles, cello, bowed bass Mark Fain - bass Sierra Hull – octave mandolins Mooney Flat Road (Ron Block, Moonlight Canyon Publishing, BMI) Barry Bales - bass Ron Block - banjo, rhythm and lead guitar Stuart Duncan – fiddle Sierra Hull – octave mandolin Alison Krauss - fiddle Adam Steffey – mandolin Jeff Taylor - accordion Dan Tyminski - rhythm guitar Lynn Williams – snare Mollie -
Windward Passenger
MAY 2018—ISSUE 193 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM DAVE BURRELL WINDWARD PASSENGER PHEEROAN NICKI DOM HASAAN akLAFF PARROTT SALVADOR IBN ALI Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East MAY 2018—ISSUE 193 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 NEw York@Night 4 Laurence Donohue-Greene: Interview : PHEEROAN aklaff 6 by anders griffen [email protected] Andrey Henkin: [email protected] Artist Feature : nicki parrott 7 by jim motavalli General Inquiries: [email protected] ON The Cover : dave burrell 8 by john sharpe Advertising: [email protected] Encore : dom salvador by laurel gross Calendar: 10 [email protected] VOXNews: Lest We Forget : HASAAN IBN ALI 10 by eric wendell [email protected] LAbel Spotlight : space time by ken dryden US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or VOXNEwS 11 by suzanne lorge money order to the address above or email [email protected] obituaries by andrey henkin Staff Writers 12 David R. Adler, Clifford Allen, Duck Baker, Stuart Broomer, FESTIVAL REPORT Robert Bush, Thomas Conrad, 13 Ken Dryden, Donald Elfman, Phil Freeman, Kurt Gottschalk, Tom Greenland, Anders Griffen, CD ReviewS 14 Tyran Grillo, Alex Henderson, Robert Iannapollo, Matthew Kassel, Mark Keresman, Marilyn Lester, Miscellany 43 Suzanne Lorge, Marc Medwin, Russ Musto, John Pietaro, Joel Roberts, John Sharpe, Elliott Simon, Event Calendar 44 Andrew Vélez, Scott Yanow Contributing Writers Kevin Canfield, Marco Cangiano, Pierre Crépon George Grella, Laurel Gross, Jim Motavalli, Greg Packham, Eric Wendell Contributing Photographers In jazz parlance, the “rhythm section” is shorthand for piano, bass and drums. -
Sunday.Sept.06.Overnight 261 Songs, 14.2 Hours, 1.62 GB
Page 1 of 8 ...sunday.Sept.06.Overnight 261 songs, 14.2 hours, 1.62 GB Name Time Album Artist 1 Go Now! 3:15 The Magnificent Moodies The Moody Blues 2 Waiting To Derail 3:55 Strangers Almanac Whiskeytown 3 Copperhead Road 4:34 Shut Up And Die Like An Aviator Steve Earle And The Dukes 4 Crazy To Love You 3:06 Old Ideas Leonard Cohen 5 Willow Bend-Julie 0:23 6 Donations 3 w/id Julie 0:24 KSZN Broadcast Clips Julie 7 Wheels Of Love 2:44 Anthology Emmylou Harris 8 California Sunset 2:57 Old Ways Neil Young 9 Soul of Man 4:30 Ready for Confetti Robert Earl Keen 10 Speaking In Tongues 4:34 Slant 6 Mind Greg Brown 11 Soap Making-Julie 0:23 12 Volunteer 1 w/ID- Tony 1:20 KSZN Broadcast Clips 13 Quittin' Time 3:55 State Of The Heart Mary Chapin Carpenter 14 Thank You 2:51 Bonnie Raitt Bonnie Raitt 15 Bootleg 3:02 Bayou Country (Limited Edition) Creedence Clearwater Revival 16 Man In Need 3:36 Shoot Out the Lights Richard & Linda Thompson 17 Semicolon Project-Frenaudo 0:44 18 Let Him Fly 3:08 Fly Dixie Chicks 19 A River for Him 5:07 Bluebird Emmylou Harris 20 Desperadoes Waiting For A Train 4:19 Other Voices, Too (A Trip Back To… Nanci Griffith 21 uw niles radio long w legal id 0:32 KSZN Broadcast Clips 22 Cold, Cold Heart 5:09 Timeless: Hank Williams Tribute Lucinda Williams 23 Why Do You Have to Torture Me? 2:37 Swingin' West Big Sandy & His Fly-Rite Boys 24 Madmax 3:32 Acoustic Swing David Grisman 25 Grand Canyon Trust-Terry 0:38 26 Volunteer 2 Julie 0:48 KSZN Broadcast Clips Julie 27 Happiness 3:55 So Long So Wrong Alison Krauss & Union Station -
Voices in the Hall: Sam Bush (Part 1) Episode Transcript
VOICES IN THE HALL: SAM BUSH (PART 1) EPISODE TRANSCRIPT PETER COOPER Welcome to Voices in the Hall, presented by the Country Music Hall of Fame and Museum. I’m Peter Cooper. Today’s guest is a pioneer of New-grass music, Sam Bush. SAM BUSH When I first started playing, my dad had these fiddle albums. And I loved to listen to them. And then realized that one of the things I liked about them was the sound of the fiddle and the mandolin playing in unison together. And that’s when it occurred to me that I was trying on the mandolin to note it like a fiddle player notes. Then I discovered Bluegrass and the great players like Bill Monroe of course. You can specifically trace Bluegrass music to the origins. That it was started by Bill Monroe after he and his brother had a duet of mandolin and guitar for so many years, the Monroe Brothers. And then when he started his band, we're just fortunate that he was from the state of Kentucky, the Bluegrass State. And that's why they called them The Bluegrass Boys. And lo and behold we got Bluegrass music out of it. PETER COOPER It’s Voices in the Hall, with Sam Bush. “Callin’ Baton Rouge” – New Grass Revival (Best Of / Capitol) PETER COOPER “Callin’ Baton Rouge," by the New Grass Revival. That song was a prime influence on Garth Brooks, who later recorded it. Now, New Grass Revival’s founding member, Sam Bush, is a mandolin revolutionary whose virtuosity and broad- minded approach to music has changed a bunch of things for the better. -
Hit & Run Bio 2014
2009 International Bluegrass Music Association "Recorded Event of the Year" Winner (Rebecca Frazier, Daughters of Bluegrass) 2006 First woman on cover of Flatpicking Guitar Magazine (Rebecca Frazier) 2005 International Bluegrass Music Association Showcase Artist First Place, 2005 SPBGMA International Band Championship (Nashville, TN) First Place, 2003 Telluride Bluegrass Festival Band Contest (Telluride, CO) First Place, 2002 Rockygrass Band Contest (Lyons, CO) Rebecca Frazier gained notoriety as the first woman on the cover of Flatpicking Guitar Magazine. With over a decade of touring under her belt, Frazier has returned to the national stage with her flatpicking and songwriting showcase, “When We Fall,” and her new affiliation with Compass Records. In 2013, Rebecca Frazier and Hit & Run have continued to delight audiences across the country with the “handspun yet motor-driven” music that earned Hit & Run their reputation as “one of the tightest groups performing.” They are the only band to win the top triumvirate of major bluegrass band contests at the Telluride, Rockygrass, and SPBGMA Festival Band Championships. Hit & Run formed in late 2001 with the mutual desire to play “authentic yet modern” bluegrass. They quickly launched themselves as a successful touring act out of Colorado, gracing stages of prestigious festivals and venues in 36 states and Canada and eventually migrating to Nashville in 2007 with two studio albums under their belts. Since 2002, Hit & Run has shared stages with the likes of Jimmy Martin, Hot Rize, Rhonda Vincent, Jerry Douglas, Sam Bush, Del McCoury, David Grisman, Ricky Skaggs, Creedence Clearwater Revisited, G. Love & Special Sauce, Galactic, Medeski Martin & Wood, and many other recognized acts bluegrass and popular music. -
Bright Moments!
Volume 46 • Issue 6 JUNE 2018 Journal of the New Jersey Jazz Society Dedicated to the performance, promotion and preservation of jazz. On stage at NJPAC performing Rahsaan Roland Kirk’s “Bright Moments” to close the tribute to Dorthaan Kirk on April 28 are (from left) Steve Turre, Mark Gross, musical director Don Braden, Antoinette Montague and Freddy Cole. Photo by Tony Graves. SNEAKING INTO SAN DIEGO BRIGHT MOMENTS! Pianist Donald Vega’s long, sometimes “Dorthaan At 80” Celebrating Newark’s “First harrowing journey from war-torn Nicaragua Lady of Jazz” Dorthaan Kirk with a star-filled gala to a spot in Ron Carter’s Quintet. Schaen concert and tribute at the New Jersey Performing Arts Fox’s interview begins on page 14. Center. Story and Tony Graves’s photos on page 24. New JerseyJazzSociety in this issue: New Jersey Jazz socIety Prez Sez . 2 Bulletin Board . 2 NJJS Calendar . 3 Jazz Trivia . 4 Prez sez Editor’s Pick/Deadlines/NJJS Info . 6 Change of Address/Support NJJS/ By Cydney Halpin President, NJJS Volunteer/Join NJJs . 43 Crow’s Nest . 44 t is with great delight that I announce Don commitment to jazz, and for keeping the music New/Renewed Members . 45 IBraden has joined the NJJS Board of Directors playing. (Information: www.arborsrecords.com) in an advisory capacity. As well as being a jazz storIes n The April Social at Shanghai Jazz showcased musician of the highest caliber on saxophone and Dorthaan at 80 . cover three generations of musicians, jazz guitar Big Band in the Sky . 8 flute, Don is an award-winning recording artist, virtuosi Gene Bertoncini and Roni Ben-Hur and Memories of Bob Dorough . -
View Or Download the Print
TheAppalachian August / September 2009Voice From drinking to agriculture to bathing to recreation, water is the most critical element to our existence. So why aren’t we treating it that way? Plus: Dancing for MTR • The Summer of Discontent • Monarch Migration • Operation Medicine Cabinet PAGE 2 THE App ALACHIAN VOICE INSIDE THIS ISSUE The APPALACHIAN VOICE The New River near its headwaters in Watauga A publication of It’s all about County, NC. Photo by Christine Arvidson, the water National Committee for the New River 191 Howard Street • Boone, NC 28607 hanks to the powerful flow of the 1-877-APP-VOICE Tearth’s complex water system, a www.AppalachianVoices.org rain drop that falls into the New River’s Appalachian Voices bringsAPPALACHIAN people together to solve VOICES the environmental headwaters in North Carolina will problems having the greatest impact on the central and southern Appalachian eventually flow through Virginia and Mountains. Our mission is to empower people to defend our region’s rich into West Virginia, combining with the natural and cultural heritage by providing them with tools and strategies for Ohio River and on to the mighty Mis- successful grassroots campaigns. Appalachian Voices sponsors the Upper sissippi, eventually spilling into the Gulf Watauga Riverkeeper® and is also a Member of the Waterkeeper® Alliance. of Mexico thousands of miles down- stream. All of our water is connected, EDITOR Bill Kovarik from stream to river, aquifer to well. It MANAGING EDITOR Jamie Goodman ASSOCIAT E EDITOR Sarah Vig is precious and irreplaceable. But are DISTRIBUTION MANAG E R Amanda Lewis we treating it that way? p. -
Hip Hop Feminism Comes of Age.” I Am Grateful This Is the First 2020 Issue JHHS Is Publishing
Halliday and Payne: Twenty-First Century B.I.T.C.H. Frameworks: Hip Hop Feminism Come Published by VCU Scholars Compass, 2020 1 Journal of Hip Hop Studies, Vol. 7, Iss. 1 [2020], Art. 1 Editor in Chief: Travis Harris Managing Editor Shanté Paradigm Smalls, St. John’s University Associate Editors: Lakeyta Bonnette-Bailey, Georgia State University Cassandra Chaney, Louisiana State University Willie "Pops" Hudson, Azusa Pacific University Javon Johnson, University of Nevada, Las Vegas Elliot Powell, University of Minnesota Books and Media Editor Marcus J. Smalls, Brooklyn Academy of Music (BAM) Conference and Academic Hip Hop Editor Ashley N. Payne, Missouri State University Poetry Editor Jeffrey Coleman, St. Mary's College of Maryland Global Editor Sameena Eidoo, Independent Scholar Copy Editor: Sabine Kim, The University of Mainz Reviewer Board: Edmund Adjapong, Seton Hall University Janee Burkhalter, Saint Joseph's University Rosalyn Davis, Indiana University Kokomo Piper Carter, Arts and Culture Organizer and Hip Hop Activist Todd Craig, Medgar Evers College Aisha Durham, University of South Florida Regina Duthely, University of Puget Sound Leah Gaines, San Jose State University Journal of Hip Hop Studies 2 https://scholarscompass.vcu.edu/jhhs/vol7/iss1/1 2 Halliday and Payne: Twenty-First Century B.I.T.C.H. Frameworks: Hip Hop Feminism Come Elizabeth Gillman, Florida State University Kyra Guant, University at Albany Tasha Iglesias, University of California, Riverside Andre Johnson, University of Memphis David J. Leonard, Washington State University Heidi R. Lewis, Colorado College Kyle Mays, University of California, Los Angeles Anthony Nocella II, Salt Lake Community College Mich Nyawalo, Shawnee State University RaShelle R. -
Showcase Booklet [PDF]
Showcases 2019 Arts Midwest Conference EXHIBIT 321/323B 1 Arts Midwest Conference September 4-7, 2019 Minneapolis, MN artsmidwest.org #ArtsMidwest Contents Spotlight Showcases Thursday 2 Friday 4 Independent Showcasing Wednesday 7 Thursday 10 Friday 13 Descriptions 17 Showcase Staff Matthew Keefe, Spotlight Showcase Producer Philip O’Toole, Spotlight Showcase Assistant Stage Manager Shon Parker, Independent Showcase Liaison Maria Vitelli, Spotlight Showcase Production Assistant 2 Spotlight Showcases Spotlight Showcases provide artists and ensembles with a forum for presenting work to a large, diverse audience in a professional setting, and offer attendees the opportunity to experience a wide range of performances. Arts Midwest strives to present high-quality artists selected from a pool of national and international applicants representing dance, music, theater, variety, and family programming, ranging from large ensembles to solo artists. An integral part of the Conference, the panel-selected artists/ensembles each present a 15-minute performance and gain main stage exposure to potential presenters and audiences. Pantages Theatre, 710 Hennepin Ave S Travel advisory: Plan extra time getting to the theater due to construction on Hennepin Ave between 6th and 12th Streets. From 6:00–9:45 p.m., shuttle buses will run approximately every 15 minutes on a loop between the Hilton Minneapolis and the Pantages. Access the shuttle from the 11th Street entrance to the hotel, directly under the skyway. The Pantages is five blocks from the Hilton Minneapolis, about a 10 minute walk. Thursday, September 5, 2019 TIME ARTIST/ENSEMBLE REPRESENTATION | EXHIBIT 6:40 p.m. Ananya Dance Theatre Exhibit 309 Sponsored showcase 7:00 p.m. -
"Star-Watchers Should Keep an Eye on Young Jake Armerding, A
John Cowan Sixty ( ( Compass 4630 ) ) John Cowan, also known as the Voice of Newgrass, has been singing his heart out for thirty-five years, and his soaring vocals have only improved with time. A true innovator, John applies his powerful pipes to genres from country, bluegrass, and gospel to soul, jazz, and rock-and-roll – often within the space of a single concert. His ability to move fluidly through multiple styles, and carry mesmerized audiences on the journey with him, has set him apart as one of the most loved and admired vocal artists of his generation, not just by fans and critics but among fellow musicians as well. Cowan’s rise to fame began in 1974 when he auditioned as the bassist for the then up-and-coming New Grass Revival. Needless to say, John was offered the gig, but it wasn’t until he’d accepted the job that the shy 22-year-old casually mentioned that he could sing. With his distinctive, rock-tinged tenor vocal and heart-thumping electric bass, John, along with fellow New Grass Revival band mates Sam Bush, Courtney Johnson, and Curtis Burch, and later Bela Fleck and Pat Flynn, introduced a new generation of music fans to an explosive, experimental and ultimately, eponymous brand of bluegrass. The “newgrass” sound spawned popular jam bands such as Leftover Salmon and Yonder Mountain String Band in addition to shaping the sensibilities of country megastars Garth Brooks, the Dixie Chicks, the Zac Brown Band, and Darius Rucker. After New Grass Revival disbanded in 1990, John went on to record a series of critically acclaimed solo albums in addition to laying down guest bass and vocal parts on some 120 recordings for artists including Steve Earle, Bela Fleck, Alison Krauss, and John Prine. -
Engaging Boys and Men in Gender Transformation: Engaging Boys and Men in Gender Transformation: the Group Education Manual
Engaging Boys and Men in Gender Transformation: Engaging Boys and Men in Gender Transformation: The Group Education Manual The ACQUIRE Project Promundo c/o EngenderHealth Rua México, 31/1502 440 Ninth Avenue Rio De Janeiro - RJ New York, NY 10001 U.S.A. Zip Code: 20031-144 Telephone: +1-212-561-8000 Brazil Fax: +1-212-561-8067 Phone/Fax: +55 (21) 2544-3114 e-mail: [email protected] e-mail: [email protected] www.acquireproject.org www.promundo.org.br This publication was made possible by the generous support of the American people through the Office of Population and Reproductive Health, U.S. Agency for International Development (USAID), under the terms of cooperative agreement GPO-A-00-03-00006-00. The contents are the responsibility of the ACQUIRE Project and do not necessarily reflect the views of USAID or the United States Government. Design and typesetting: LimeBlue Cover design: LimeBlue ISBN 978-1-885063-77-9 © 2008 The ACQUIRE Project/EngenderHealth and Promundo. All rights reserved. Acknowledgements A number of individuals contributed to the creation of this manual. EngenderHealth staff members Kent Klindera, Andrew Levack, and Manisha Mehta and Promundo staff members Christine Ricardo and Fabio Verani wrote the manual. Many sections and activities were taken or adapted from the Program H Working With Young Men Series produced by Promundo, ECOS, PAPAI, and Salud y Genero and the Men As Partners: A Program for Supplementing the Training of Life Skill Educators, 2nd Edition curriculum produced by EngenderHealth. We would like to acknowledge Megan McKenna and Dulcy Israel, who edited the manual, and LimeBlue in South Africa for designing the manual. -
Culture, Risk and HIV: the Case of Black African Migrants and Refugees in Christchurch, New Zealand
Culture, Risk and HIV: The Case of Black African Migrants and Refugees in Christchurch, New Zealand Gerida Joseph Birukila A thesis submitted for the degree of Doctor of Philosophy University of Otago, Dunedin, New Zealand July 2012 Abstract Black African migrants and refugees are disproportionately affected by heterosexually acquired HIV in New Zealand. Despite this, there are no data on their HIV related sexual attitudes, beliefs and behaviours. This sequential mixed methods study aimed to address this gap. The study had four phases: community consultation, social mapping, a survey, and focus group discussions. Ten community researchers were nominated during consultation and received training in research methods. The community researchers used social mapping techniques to identify social venues and events (such as churches, mosques, soccer games, drums of Africa, Miss Africa Christchurch, baby showers, hair salons, universities, colleges and formal and informal community organisations) from which to recruit participants for the survey phase. The questionnaire from the Mayisha I study in the UK was adapted for use in this study. The survey used a self-administered questionnaire on HIV-related sexual behaviours, attitudes and practices. A sub-sample of survey participants was purposively selected and invited to attend the focus group discussions to explore the issues identified in the survey findings in more depth. In total, 250 participants completed the survey questionnaire and five focus groups were conducted. Participants came from 13 different countries in Africa (Tanzania, Kenya, Ghana, Nigeria, Somalia, Ethiopia, Eritrea, Sudan, South Africa, Zimbabwe, Zambia, Malawi and Botswana). Risk factors identified in this study included low condom use, low HIV risk perception, having more than one sexual partner (including concurrently) and previous sexually transmitted disease (STD) diagnosis.