Tectonics of Facades Designed by Alvar Aalto
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The Perspectival Inventions of Alvar Aalto
The Perspectival Inventions of Alvar Aalto RANDALL OTT University of Arkansas [Author's note: A considerably expanded and fully illus- rotation is based upon an incorrect assumption about these trated version of this paper will appear in SightBite, The planes' rectangularity. Waterloo Journal of Architecture.] The many perspectival inventions of Aalto reward careful study. Through them his buildings become illusionistic Aalto's architectural compositions never fail to engage our spaces, full of mock shapes and depths that alter unexpect- vision while we approach. No matter how sculptural the edly as we experience them. His distortions create spatial forms of his buildings might seem at first glance, they tensions energized only by a moving observer at the site, thus inevitably surpass themselves in dynamism and visual trans- entwining the viewer's motion and the architecture. These formation when we begin to move about them. Aalto's tensions dramatize our approach, contrasting first impres- success in manipulating complex, dynamic forms no doubt sions with subsequent experiences. Most importantly, they rests on many interrelated aspects of his work. Still, we create a virtual site which itself comes into tension with the should single out for special attention the way he was able to actual site. let his shapes unfold and gesture directly toward us as we walk the site, thus becoming expressive in the most interac- PRECURSORS tive and literal of ways.' The exterior facade of Aalto's Finlandia Hall in Helsinki Aalto, of course, was not the first to build illusory perspec- displays this highly interactive quality. As we move toward tives. -
Aalto and History
Keynote - Alvar Aalto Researchers’ Network March 12th – 14th 2012, Seinäjoki and Jyväskylä, Finland Aalto and history Aino Niskanen Professor Aalto University, School of Arts, Design and Architecture Department of Architecture Finland [email protected] Publisher Alvar Aalto Museum ISSN-L 2323-6906 ISSN 2323-6906 www.alvaraalto.fi www.alvaraaltoresearch.fi Keynote - Alvar Aalto Researchers’ Network March 12th – 14th 2012, Seinäjoki and Jyväskylä, Finland www.alvaraaltoresearch.fi In the present seminar the history of Alvar Aalto’s work is being dealt with on many different levels. As an introduction, I should like to discuss Aalto’s relationship with history. Many of the presentations over the course of the seminar will no doubt take these issues further. What do we know about Aalto’s formative years as an architect? During the period he was studying at the Helsinki Institute of Technology, 1916-1921, the teaching there had a strong emphasis on history: examples from the antiquities beckoned as a foundation for everything new. (Fig 1) Fig 1. Alvar Aalto in 1916. Photo: Schildt, Göran: The Early Years, p. 75. Nevertheless, those teachers considered important by Aalto were, according to Göran Schildt, above all important as pedagogues of attitudes: Usko Nyström, who taught the history of architecture of the antiquities and Middle Ages, emphasised the values of modesty, humanity, vitality, comfort and practicality. Armas Lindgren, who taught more recent architectural history, awoke a love in Aalto for Italian Renaissance architecture and an understanding of the organic thinking of Jugend architecture.1 In the paintings he made during his youth Aalto often portrayed historically layered urban milieus. -
Nordic Music Today
18 17 – 23 OCTOBER 2013 WHERE TO GO HELSINKI TIMES COMPILED BY ANNA-MAIJA LAPPI Until Sun 10 November Nathalie Djurberg & Hans Berg A blend of fantasy and nightmare created by the Swedish contempo- TIINA MIELONEN rary artist duo. Kunsthalle Helsinki Nervanderinkatu 3 Open: Nordic Music Today Tue, Thu, Fri 11:00-18:00 Nordic Music Days, one of the longest continuously running music festivals Wed 11:00-20:00 in the world, is celebrating its 125th birthday this year with a broad pro- Sat, Sun 11:00-17:00 Tickets €0/9/12 gramme of contemporary Nordic music. First held in 1888, the festival aims www.taidehalli.fi to promote the work of contemporary Nordic composers and offer the audi- ences a chance to experience new, vibrant music from the Nordic countries. Until Sun 17 November The theme this year is ‘Parallel Societies’. The theme will be highlight- Timo Heino Installations and collages by one of ed throughout the festival programme that falls into three different cat- the most uncompromising Finnish egories: orchestral and choral concerts, chamber-music concerts and club contemporary artists. evenings featuring electronic and electro-acoustic music. The main con- Helsinki Art Museum Tennis Palace cert venues will be the various halls of the Helsinki Music Centre, the Sibel- Salomonkatu 15 ius Academy Concert Hall, Temppeliaukio Church and the Korjaamo Culture Open: Tue-Sun 11:00-19:00 Factory. Tickets €0/8/10 The festival programme, including performances from choral music to electronic improvisation, has been compiled by a trio of artistic directors: Until Sun 15 December conductor Nils Schweckendiek, guitarist Petri Kumela and composer Sami Surreal Illusionism - Photographic Klemola. -
Global Innovations for Children and Youth Summit
GLOBAL INNOVATIONS FOR CHILDREN AND YOUTH SUMMIT 9-10 November 2015, Helsinki, Finland Dear Participant of the Global Innovations for Children and Youth Summit! Below you’ll find important information about the Summit and your stay in Helsinki. Location of the Venue The Summit is held on 9-10 November 2015, in Finlandia Hall, Helsinki. The Finlandia Hall is a 10 minutes’ walk from downtown Helsinki, the main Railway Station and Central Bus Station as well as Kamppi Bus Station. The Hall can also be easily accessed by public transport. Trams number 4, 7A, 7B and 10 stop right in front of the Hall (National Museum stop). The main entrances are at doors M4 and K4. The address of Finlandia Hall is Mannerheimintie 13. Detailed information about how to get to the Finlandia Hall can be found here: https://finlandiatalo.fi/en/are-you-a-visitor/how-to-get-here On Site Registration Registration opens at 8 AM on Monday 9 November at the Finlandia Hall. Please take your ID document with you. Summit Agenda Monday 9 November Tuesday 10 November 8:00 – 9:00 Registration and Coffee 9:00 – 10:30 Keynote 9:00 – 11:00 Opening, Welcoming remarks and Keynote 10:30 – 11:00 Keynote 11:30 – 12:45 Midi-Plenaries 11:30 – 13:00 Midi-Plenaries 12:45 – 13.45 Lunch 13:00 – 14:00 Lunch 13:45 – 15:00 Midi-Plenaries 14:00 – 15:30 Midi-Plenaries 15:30 – 17:00 Mini-Plenaries 16:00 – 16:30 Closing Keynote 17:30 – 19:30 Evening Reception at the Government Banquet Hall Evening reception Monday 9 November 17:30 – 19:30 The Ministry for Foreign Affairs of Finland will welcome all Summit participants to the evening reception at the Government Banquet Hall “Smolna”. -
Alvar Aalto and the Theory of Play: Through Analysis on Alvar Aalto’S Furniture Design
Alvar Aalto and the theory of play: Through analysis on Alvar Aalto’s furniture design Mayu Kamamoto / Osaka University / Osaka / Japan Blucher Design Abstract Proceedings November 2016, Play was an important concept for Finnish architect and designer Alvar Aalto (1898-1976). He Number 1, Volume 1 http://www.proceeding emphasized the importance of play in design activities. Aalto seems to have been influenced by s.blucher.com.br/articl Yrjö Hirn (1870-1952), a Finnish aesthetician and author of Barnlek [Child’s play, 1916]. From e-list/icdhs2016/list the late 1920s to 1940s, Aalto designed not only buildings, but also furniture. In functionalism, which spread from the early 1920s, experimentation with wood for furniture played a very im- portant role for Aalto. He emphasized that this experimentation was closely related to the idea of play. This study demonstrates Aalto’s suggestive idea through an analysis of his furniture de- sign. It can be said that the concept of play guided him to develop this idea. Keywords Alvar Aalto, Yrjö Hirn, play, furniture design, functionalism Introduction Alvar Aalto (1898-1976) was a Finnish architect and talented designer of furniture, glassware, lamps, and so on. He placed a lot of emphasis on play, a trait he shared with the Finnish aesthetician Yrjö Hirn (1870-1952). In 1916, Hirn wrote the book Barnlek [Child’s play], where he explained the importance of play. Aalto wrote an article entitled ‘Koetalo, Muuratsalo’ [Experimental house at Muuratsalo], pub- lished in the Finnish architectural journal Arkkitehti [Architect], where he stated the following: Whether or not Yrjö Hirn was the direct cause, at any rate the influence of his personality con- tributed to my firm conviction and instinctive feeling that in the midst of our laboring, calculating, utilitarian age, we must continue to believe in the crucial significance of play when building a society for human beings, those grown-up children. -
PROGRAMME Contents
Third European IRPA Congress NSFS Radiation protection – science, safety and security 14 – 18 June 2010 Helsinki, Finland www.irpa2010europe.com PROGRAMME Contents Welcome to European IRPA 2010 . 3 Organisation and committees . 4 Contributing organisations . 5 General information . 6 Finlandia Hall . .8 Programme outline . 1. 0 Monday, 14 June . .12 Tuesday, 15 June . .1 . 4 –27) and Eero Venhola (p. 28), Finnish Tourist Board’s Image Bank (p. 12 top), TVO (p. 12 below), Hotel Hilton Kalastajatorppa (p. 25 top and p. 41 right) and p. 25 top (p. Hilton Kalastajatorppa Hotel TVO 12 below), (p. 12 top), Image Bank (p. Board’s Tourist 28), Finnish (p. Venhola –27) and Eero Wednesday, 16 June . 16 Thursday, 17 June . 20 Friday, 18 June . 26 5), Katri Pyynönen (p. 8 and backdrops on pp. 12 on pp. 8 and backdrops 5), Katri Pyynönen (p. – Poster sessions and presentations . 2. 8 Social programme . 4. 0 Technical exhibition . 42 Graphic design and layout: Nina Sulonen STUK – Radiation and Nuclear Safety Authority Photos: City of Helsinki Picture Bank / Matti Tirri (cover and p. 19 top), Comma Image Oy (p.13 top), p. 15 Paul Williams (p. 40 left), Mika Lappalainen (p. 40 right), Pertti Nisonen (p. 41 left), Finlandia Hall Image Bank / Matti Tirri (pp. 4 (pp. Tirri Hall Image Bank / Matti 41 left), Finlandia Nisonen Pertti 40 left), 40 right), (p. Mika (p. Lappalainen (p. Williams 15 Paul p. top), Image Oy Comma (p.13 19 top), and p. (cover Tirri CityPhotos: of Helsinki Bank / Matti Picture 2 Welcome to European IRPA 2010 Dear colleagues from all over Europe and beyond The Nordic Society for Radiation Protection (NSFS) has the honour to host the regional European IRPA Congress in Helsinki on 14 – 18 June 2010. -
ALVAR AALTO & Finlandia HALL
ALVAR AALTO & FinLAnDiA HALL ALVAR AALTO & FinlanDiA hall To be able to understand the architecture of Finlandia Hall, one must be familiar with the larger vision of Helsinki of which Finlandia Hall is only a part, a vision that may never fully materialize. At the beginning of the 19th century, Helsinki was granted the position of capital of the newly established Grand Duchy of Fin- land, and the architect Carl Ludvig Engel designed the monumen- tal central square, known today as the Senate Square, which is flanked by the Cathedral, Senate Palace and the University. Alvar Aalto was of the opinion that independent Finland should con- Alvar Aalto in the 1930’s, Photo: Heinonen, struct a central square of its own in the new centre of the city, Alvar Aalto -museum which is in the vicinity of the Parliament House, the building that symbolizes the status won in 1917. lt was a lucky coincidence that right in front of the Parliament there lay a large railway freight yard which was to be re-sited elsewhere; Aalto thought that this area would provide a unique opportunity for the realization of an idea, originally suggested by Eliel Saarinen in 1917, for the con- struction of a new traffic route called Freedom Avenue (Vapau- denkatu) from the northern suburbs right to the heart of the city. Aalto envisaged a large, fan-shaped square terraced on three levels the topmost point of which would be where the equestrian statue of Mannerheim now stands. The square would open towards Töölönlahti Bay, and on one side it would be flanked by a concert and congress hall and further on by an opera house, an art mu- seum, the city library and, possibly, other public buildings, which would be erected in the midst of the greenery of Hesperia Park. -
See Helsinki on Foot 7 Walking Routes Around Town
Get to know the city on foot! Clear maps with description of the attraction See Helsinki on foot 7 walking routes around town 1 See Helsinki on foot 7 walking routes around town 6 Throughout its 450-year history, Helsinki has that allow you to discover historical and contemporary Helsinki with plenty to see along the way: architecture 3 swung between the currents of Eastern and Western influences. The colourful layers of the old and new, museums and exhibitions, large depart- past and the impact of different periods can be ment stores and tiny specialist boutiques, monuments seen in the city’s architecture, culinary culture and sculptures, and much more. The routes pass through and event offerings. Today Helsinki is a modern leafy parks to vantage points for taking in the city’s European city of culture that is famous especial- street life or admiring the beautiful seascape. Helsinki’s ly for its design and high technology. Music and historical sights serve as reminders of events that have fashion have also put Finland’s capital city on the influenced the entire course of Finnish history. world map. Traffic in Helsinki is still relatively uncongested, allow- Helsinki has witnessed many changes since it was found- ing you to stroll peacefully even through the city cen- ed by Swedish King Gustavus Vasa at the mouth of the tre. Walk leisurely through the park around Töölönlahti Vantaa River in 1550. The centre of Helsinki was moved Bay, or travel back in time to the former working class to its current location by the sea around a hundred years district of Kallio. -
Isew 2015 Survival Guide International Staff Exchange Week 2015
UNIVERSITY OF HELSINKI ISEW 2015 SURVIVAL GUIDE INTERNATIONAL STAFF EXCHANGE WEEK 2015 2 INTERNATIONAL STAFF EXCHANGE WEEK 2015 SURVIVAL GUIDE 2015 INTERNATIONAL STAFF EXCHANGE WEEK UNIVERSITY OF HELSINKI Cover photo: Dreamstime 3 Updated: September 2015 INTERNATIONAL STAFF EXCHANGE WEEK 2015 ACCOMMODATION Accommodation is arranged at Töölö Towers, Pohjoinen Hesperiankatu 23. Unless separately agreed with the ISEW team, each participant has a reservation for a single room. The cost for a single room is 329 euro / week (minimum charge). Any additional stay after the week cost 47 euro / day. Please pay for your stay when you check out. The participants will be picked up every day from the Töölö Towers and escorted to the first site of the day. It is possible to go ice skating at the Ice Park next to the central railway station. Photo: Susanna Kesänen/Visit Helsinki 4 INTERNATIONAL STAFF EXCHANGE WEEK 2015 CHECKLIST ATM’s: ATM’s are available throughout Taxis: A taxi from the airport to the the city - look for the sign Otto. city centre costs around 40 euro. In Helsinki you can either order the taxi by Contact information: The contact calling 0100 0700 or going directly to a information for your ISEW host team is taxi-stand. available in the Participants booklet. Transportation: Dress code: Then general dress code From the airport for ISEW is casual. From the Helsinki International Airport it is possible to take either a train, a bus Getting to know one another: or a taxi to the city centre. The train, i.e. Personal introductions will take place the Ring Rail Line, operates every 10-20 at the beginning of the week . -
Helsinki, Finland
S WEDEN © 2011 maps.com © 2011 NORWAY Helsinki Pohjoisesplanadi 35 HELSINKI a e S i c l t B a Helsinki, Finland POLAND PORT EXPLORER and SHOPPING GUIDE Look for this sign or flag VAT Most stores participate in the Value Added Tax program in which Non-European citi- in all of our preferred zens may be entitled to reclaim a portion or all of the taxes paid (depending on the total pur- shops. chase price). It is your responsibility to inquire as to whether or not the store participates in VAT refund program if the purchase qualifies for a refund. GENERAL INFORMATION Beware of “similar” signs Helsinki is the capital of Finland, of ways of serving Reindeer, one of which is cold and smoked. Bear at store fronts. GLOBAL BLUE Shop where you see this Global Blue - Tax Free Shop- situated on a peninsula on the southern coast, overlooking the Gulf and Elk may appear on the menu and there is also plenty of ‘game’. ping sign and ask for your tax refund receipt. To qualify, there are minimum of Finland and the Baltic Sea. It is a predominantly modern city with The Finns enjoy pastries and desserts, a particular favorite being the If the store is not men- amounts, per store, per day, so please ask the retailer for details. Show your a population of half a million inhabitants. Little remains of the original Cloudberry, found extensively in northern Scan di navia, it is a varia- tioned on this map, then purchases and Global Blue receipts to Customs officials when leaving the old town, this is largely due to the fact that the first buildings were tion of the Raspberry, slightly more tart. -
Lecture 22 Alvar Aalto and the Nordic Tradition
5/18/16 Lecture 22! ! ! ! ! ! ! ! ! ! Alvar Aalto and the Nordic Tradition Alvar Aalto 1898-1975 *Eliel Saarinen Hvitträsk *Eliel Saarinen Luomo, Finland, 1903 Hvitträsk Luomo, Finland, 1903 *Eliel Saarinen, Hvitträsk, Luomo, Finland, 1903 *Asplund, Stockholm Public Library, Stockholm, 1920-28 Erik Gunnar Asplund (1885-1940), *Stockholm Public Library, Stockholm, Sweden, 1920-28 *Eliel Saarinen, Hvitträsk, Luomo, Finland, 1903 1 5/18/16 *Asplund, Stockholm Public Library, Stockholm, 1920-28 *Asplund, Stockholm Public Library, 1920-28 *Asplund, Stockholm Public Library, 1920-28 Boullee, National Library project Stockholm Public Library *Asplund, Stockholm Public Library, 1920-28 Aalto, Civil Guard Buildings: Stables, Seinajoki, Finland, 1924-26 Alvar Aalto (1898-1975) Aalto, Villa Vekara Karstula, Finland, 1924 Turun Sanomat News, Turku, Finland, 1928 Aalto, House for Terho Manner, Töyszä, Finland, 1923 2 5/18/16 * Alvar Aalto, * Alvar Aalto, Library, Library, Viipuri, Viipuri, Finland, 1927-35 * Alvar Aalto, Library, Viipuri, Finland, 1927-35 Finland, 1927-35 * Alvar Aalto, Library, Viipuri, Finland, 1927-35 * Alvar Aalto, Library, * Alvar Aalto, Library, Viipuri, Finland, 1927-35 Viipuri, Finland, 1927-35 * Alvar Aalto, (Tuberculosis) Sanitorium, Paimio, Finland, 1928-33 *(Tuberculosis) Sanitorium, Paimio, Finland *Alvar Aalto, (Tuberculosis) Sanitorium, Paimio, Finland 3 5/18/16 * Alvar Aalto, (Tuberculosis) Sanitorium, Paimio, Finland, 1928-33 *Alvar Aalto, (Tuberculosis) Sanitorium, Paimio, Finland Alvar Aalto, three-legged stacking -
The Utzon Paradigm
THE UTZON PARADIGM Roger Tyrrell Co-Director of the Jørn Utzon Research Network (JURN) and Adrian Carter Co- Director of the Jørn Utzon Research Network (JURN), Director of the Utzon Research Center, Aalborg University. RE-CONSIDERING UTZON “Comparable in subtle ways to the protean achievements of Le Corbusier, Utzon’s architecture emerges today as paradigmatic at many levels not least of which is the manner in which, from the beginning of his career, he would challenge the assumed superiority of Eurocentric culture.” (Frampton. K. 2003 p 6) This Paper strives to address three objectives. The first is to discuss the Utzon’s oeuvre from a paradigmatic perspective, the second to layer that paradigm within two distinct but interconnected frameworks. The third objective is to explore the fusion of this dichotomous paradigm through the concept of ‘poetic conjunction’. Jørn Utzon (1918-2008) is now internationally recognised as one of the most original, innovative and socially concerned of modern architects, perhaps the last great exponent of the humanistic Nordic tradition within modern architecture. He is the architect of what is still widely considered the most noble and humane housing built in Denmark, a simple, yet poetic modern church at Bagsværd and the most iconic and popular building of the 20th Century, his great unfinished masterpiece, the Sydney Opera House. (Fig 1) The Opera House has become the symbol of not just Sydney, but also Australia; that owes it origins to the maritime environment of Aalborg, where Jørn Utzon spent his youth, and the inspiration of his father Aage Utzon, an esteemed yacht designer.