LIST of QUALIFIED CANDIDATES for INTERVIEW @ HYDERABAD on 24Th & 25Th August 2019
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01 माच 2017 10:03:32 Roll No. Enrollment Name Father's Name
BA1 01 माच 2017 10:03:32 Roll No. Enrollment Name Father's Name Mother's Name Sub-1 Sub-2 Sub-3 711001 D1620001 AADARSH MISHRA SHREE NATH MISHRA AMRAVATI DEVI Hindi Anc. Political Sc. History 711002 D1620002 AAKASH YADAV SHYAM LAL YADAV JAGDEI DEVI Political Sc. Geography Anc. History 711003 D1620003 AASHISH KUMAR NIGAM R S NAINVI CHANDA DEVI Med. Political Sc. Education History 711004 D1620004 AAVESH AHMAD ANSARI RAIES AHMAD KABI ROON NISHA Med. Education Political Sc. History 711005 D1620005 ABHAY KUMAR PRABHA SHANKAR MISHRA PUSHPA MISHRA Hindi Political Sc. Anc. History 711006 D1620006 ABHAY PRATAP SINGH AJAY PAL SINGH NIRMALA SINGH Political Sc. Geography Anc. History 711007 D1620007 ABHIDEEP SINGH DIGVIJAY SINGH USHA DEVI Political Sc. Economics English Litt. 711008 D1620008 ABHIK NATH MANOJ KUMAR NATH KRISHNA NATH Economics Med. Political Sc. History 711009 D1620009 ABHINAV CHAUDHARY CHANDRA PRAKASH CHAUDHARY SHASHIKALA CHAUDHARY Economics Political Sc. Anc. History 711010 D1620010 ABHINAV KUMAR SINGH VIJAY SHANKAR SINGH REETA SINGH Political Sc. Geography Hindi 711011 D1620011 ABHINAV KUSHWAHA MULCHANDRA KUSHWAHA SURYA KALI Hindi Anc. Political Sc. History 711012 D1620012 ABHINAV MISHRA ASHUTOSH MISHRA JYOTI MISHRA Economics Defence St. Political Sc. 711013 D1620013 ABHINAY SINGH DEVANAND SONMATI DEVI Political Sc. Geography Anc. History 711014 D1620014 ABHISHEK DAYA SHANKAR AMRITA DEVI Hindi Anc. Political Sc. History Page 1 of 73 Roll No. Enrollment Name Father's Name Mother's Name Sub-1 Sub-2 Sub-3 711015 D1620015 ABHISHEK DWIVEDI KULDEEP KUMAR DWIVEDI KAVITA DEVI Economics Anc. Political Sc. History 711016 D1620016 ABHISHEK GUPTA SHARAD GUPTA SUSHILA GUPTA Geography Med. -
Compounding Injustice: India
INDIA 350 Fifth Ave 34 th Floor New York, N.Y. 10118-3299 http://www.hrw.org (212) 290-4700 Vol. 15, No. 3 (C) – July 2003 Afsara, a Muslim woman in her forties, clutches a photo of family members killed in the February-March 2002 communal violence in Gujarat. Five of her close family members were murdered, including her daughter. Afsara’s two remaining children survived but suffered serious burn injuries. Afsara filed a complaint with the police but believes that the police released those that she identified, along with many others. Like thousands of others in Gujarat she has little faith in getting justice and has few resources with which to rebuild her life. ©2003 Smita Narula/Human Rights Watch COMPOUNDING INJUSTICE: THE GOVERNMENT’S FAILURE TO REDRESS MASSACRES IN GUJARAT 1630 Connecticut Ave, N.W., Suite 500 2nd Floor, 2-12 Pentonville Road 15 Rue Van Campenhout Washington, DC 20009 London N1 9HF, UK 1000 Brussels, Belgium TEL (202) 612-4321 TEL: (44 20) 7713 1995 TEL (32 2) 732-2009 FAX (202) 612-4333 FAX: (44 20) 7713 1800 FAX (32 2) 732-0471 E-mail: [email protected] E-mail: [email protected] E-mail: [email protected] July 2003 Vol. 15, No. 3 (C) COMPOUNDING INJUSTICE: The Government's Failure to Redress Massacres in Gujarat Table of Contents I. Summary............................................................................................................................................................. 4 Impunity for Attacks Against Muslims............................................................................................................... -
Narendra Modi: Architect of Gujarat Genocide 2002
Modi: Architect of Gujarat Genocide. Targetting of Women May 01, 2002. The Milli Gazette. Syed Ubaidur Rahman. Were sexual crimes in Gujarat planned? Ahmedabad: Women have been the main target of the rioters in Gujarat. After visiting the state for more than a week and meeting hundreds of people in different camps spread over the four most affected districts of the state including Panchmahal, (under which Godhra comes) Baroda, Anand and Ahmadabad, I have reached the conclusion that women were consciously and specially targeted by the rioters who were being controlled by the VHP and Bajrang Dal criminals besides the members of the RSS and the BJP. The way the Hindu mobs acted while brutally dishonouring Muslim women will put the Serbs in Bosnia and Kosovo to shame. Wherever there were killings, there were large scale rapes of Muslim women irrespective of age differences. There are incidents when all this was done while their fathers, brothers and husbands were made to witness this brutality after being made captives. And at times all this was done inside the village mosques. Fatima Bibi Md Yaqub Sheikh whose family lost 19 members including her sisters and brothers says that whatever they did could have been justified, except the way they raped women. She says that when her family tried to flee Naroda Patia, the area where 90 people were burnt alive they all requested the police to save them, but police instead of doing anything for their safety asked them to surrender themselves to the mob. She says that her sister and her niece both were repeatedly raped by the mob. -
Women Performing Artists in Colonial India There Were Few Women Painters in Colonial India
I. (A) Personal Details Role Name Affiliation Principal Investigator Prof. Sumita University of Allhabad Parmar Paper Coordinator Prof Rekha Pande University of Hyderabad Author Dr. Archana Verma Independent Scholar Content Reviewer (CR) Prof Rekha Pande University of Hyderabad Language Editor (LE) Prof. Sumita University of Allhabad Parmar (B) Description of Module Items Description of Module Subject Name Women’s Studies Paper Name Women and History Module Name/ Title, Women performers in colonial India description Module ID Paper- 3, Module-30 Pre-requisites None Objectives To explore the achievements of women performers in colonial period Keywords Indian art, women in performance, cinema and women, India cinema, Hindi cinema Women Performing Artists in Colonial India There were few women painters in Colonial India. But in the performing arts, especially acting, women artists were found in large numbers in this period. At first they acted on the stage in theatre groups. Later, with the coming of cinema, they began to act for the screen. Cinema gave them a channel for expressing their acting talent as no other medium had before. Apart from acting, some of them even began to direct films at this early stage in the history of Indian cinema. Thus, acting and film direction was not an exclusive arena of men where women were mostly subjects. It was an arena where women became the creators of this art form and they commanded a lot of fame, glory and money in this field. In this module, we will study about some of these women. Nati Binodini (1862-1941) Fig. 1 – Nati Binodini (get copyright for use – (https://commons.wikimedia.org/wiki/File:Binodini_dasi.jpg) Nati Binodini was a Calcutta based renowned actress, who began to act at the age of 12. -
Koel Chatterjee Phd Thesis
Bollywood Shakespeares from Gulzar to Bhardwaj: Adapting, Assimilating and Culturalizing the Bard Koel Chatterjee PhD Thesis 10 October, 2017 I, Koel Chatterjee, hereby declare that this thesis and the work presented in it is entirely my own. Where I have consulted the work of others, this is always clearly stated. Signed: Date: 10th October, 2017 Acknowledgements This thesis would not have been possible without the patience and guidance of my supervisor Dr Deana Rankin. Without her ability to keep me focused despite my never-ending projects and her continuous support during my many illnesses throughout these last five years, this thesis would still be a work in progress. I would also like to thank Dr. Ewan Fernie who inspired me to work on Shakespeare and Bollywood during my MA at Royal Holloway and Dr. Christie Carson who encouraged me to pursue a PhD after six years of being away from academia, as well as Poonam Trivedi, whose work on Filmi Shakespeares inspired my research. I thank Dr. Varsha Panjwani for mentoring me through the last three years, for the words of encouragement and support every time I doubted myself, and for the stimulating discussions that helped shape this thesis. Last but not the least, I thank my family: my grandfather Dr Somesh Chandra Bhattacharya, who made it possible for me to follow my dreams; my mother Manasi Chatterjee, who taught me to work harder when the going got tough; my sister, Payel Chatterjee, for forcing me to watch countless terrible Bollywood films; and my father, Bidyut Behari Chatterjee, whose impromptu recitations of Shakespeare to underline a thought or an emotion have led me inevitably to becoming a Shakespeare scholar. -
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( E8 F F F ,./0,1 234 #)#)* .#,/0 +#,- < 8425?O#$192##618 46$8$+2#$218?7.2123*7$#2 6+@218$16+2694 234$3)9(17 5476354)5612# 6+ +6194$+6$)+ 9461$@6+4 72#$1#7)84$1$6 6##6##$16826847*2 9766*2+$96<$163 24+6)1 4>2+656.$?6> 66 39 )+* " ,,- & G6 # 2 6 ! %% 2# # 5 46 R! #$ O P R 12 234$ ment issue during the Covid 12 234$ sacrifice anyone to meet his Pradesh gets seven Ministers, era and gave enough fodder to 12 234$ the pandemic. Apart from political and governance objec- including Annupriya Patel of n dropping four top level the foreign media to inflict health, Dr Vardhan also held n a major Cabinet overhaul, tives. Aapna Dal (S), an NDA ally IUnion Ministers — Ravi heavy damage on the Modi e was always at the front- two Ministries — science and Iseen as a mid-term appraisal Despite the slogans of and Gujarat has five represen- Shankar Prasad, Prakash Government . Hline shielding the Modi led technology and earth sciences. of his Ministers and resetting “sabka sath sabka vikash,” the tations in the council of Javadekar, Harsh Vardhan, " The others axed a couple of Government’s Covid-19 man- The resignation is seen by Government’s profile post- Cabinet reshuffle has been Ministers. Karnataka is up by Ramesh Pokhriyal “Nishank” ! # hours before the oath-taking agement and Covid-19 vacci- the Government’s critics as an Covid-19 for the next three- based on caste consideration at four Ministers which includes and eight other Ministers — ceremony of new inductions, nation policy, but it did not admission that the pandemic year term, the Prime Minister every level. -
Nautch’ to the Star-Status of Muslim Women of Hindustani Cinema
Imperial Journal of Interdisciplinary Research (IJIR) Vol-2, Issue-7, 2016 ISSN: 2454-1362, http://www.onlinejournal.in A Journey from the Colonial Stigma of ‘Nautch’ To the Star-Status of Muslim Women of Hindustani Cinema Ayesha Arfeen Research Scholar, CSSS/SSS, J.N.U, New Delhi Abstract : This paper tries to explore and indulge Pran Nevile maintains that while the Mughal India into the debate of how the yesteryears tawaifs were saw the advent of the nautch girl on the cultural reduced to mere prostitutes and hence the stigma landscape of the country and her rise to the pinnacle of glory, the annexation by the British of attached to them in the colonial period and how Awadh (1856) in the north and Tanjore (1855) in with the post-colonial period, the stigma is erased the south - the two dominant centres of Indian art by the rising to fame of Muslim actresses of and culture - foreshadowed her decline and fall. Hindustani film industry. This paper turns out to be Pran Nevile, who himself hails from India (British a comparative study of the ‘nautch’ girls as India) surprises me when he uses the term ‘nautch’ portrayed by the British and their downfall on one in the above statement, for the larger than life hand; and the Muslim doyens of Hindustani cinema ‘tawaifs’ of North India. as stars on the other. The tawaifs were professional women performing artists who functioned between the nineteenth and Keywords: Muslim Women, Star Status, Muslim early twentieth century in north India. The word Actresses, Stardom, Hindustani Cinema, Film ‘tawaif’ is believed to have come from the Persian Stars, Nautch, Tawaif tawaif of circumambulation of the kaaba and refers to her movement around the mehfil space, the circle INTRODUCTION. -
Westminsterresearch Bombay Before Bollywood
WestminsterResearch http://www.westminster.ac.uk/westminsterresearch Bombay before Bollywood: the history and significance of fantasy and stunt film genres in Bombay cinema of the pre- Bollywood era Thomas, K. This is an electronic version of a PhD thesis awarded by the University of Westminster. © Prof Katharine Thomas, 2016. The WestminsterResearch online digital archive at the University of Westminster aims to make the research output of the University available to a wider audience. Copyright and Moral Rights remain with the authors and/or copyright owners. Whilst further distribution of specific materials from within this archive is forbidden, you may freely distribute the URL of WestminsterResearch: ((http://westminsterresearch.wmin.ac.uk/). In case of abuse or copyright appearing without permission e-mail [email protected] BOMBAY BEFORE BOLLYWOOD: THE HISTORY AND SIGNIFICANCE OF FANTASY AND STUNT FILM GENRES IN BOMBAY CINEMA OF THE PRE-BOLLYWOOD ERA KATHARINE ROSEMARY CLIFTON THOMAS A thesis submitted in partial fulfilment of the requirements of the University Of Westminster for the degree of Doctor of Philosophy by Published Work September 2016 Abstract This PhD by Published Work comprises nine essays and a 10,000-word commentary. Eight of these essays were published (or republished) as chapters within my monograph Bombay Before Bollywood: Film City Fantasies, which aimed to outline the contours of an alternative history of twentieth-century Bombay cinema. The ninth, which complements these, was published in an annual reader. This project eschews the conventional focus on India’s more respectable genres, the so-called ‘socials’ and ‘mythologicals’, and foregrounds instead the ‘magic and fighting films’ – the fantasy and stunt genres – of the B- and C-circuits in the decades before and immediately after India’s independence. -
Format 1 Report Regarding New Connections Released at Level 1 (L1)
Format 1 Report regarding new connections released at Level 1 (L1) and Level 2 (L2) under Scenario 53(d) (in accordance with para. 135.7 of the Order dated 12 June, 2017 in Case No. 182 of 2014) Name of Licensee:- Adani Electricity Mumbai Limited Month:- December '2019 CSS Details Address where connection Application No. Application Date Name of consumer is released done, done, if any Date of Date of (L1/L2) release released (KVA) CSS ID cable (mt) cable Load inLoad kw Existing LT connection Details of LT of Details connection is augmentation Tariff category feeder on which feeder Applicable Applicable Level Peak Demand Demand Peak Feeder Pillar /HT Pillar Feeder Length service of Capacity (KVA) 1026524433 03/12/2019 ANANT INFRALINK Poisar, Mumbai 400101 LT-VII(B) 2.00 L1 4292 1620 786.4 25101401 From Existing Service 04/12/2019 1026478081 22/11/2019 INVENTURE SEJAL REALTORS PVT LTD Poisar, Mumbai 400097 LT-I 38.00 L1 4563 630 234.4 23091039 From Existing Service 07/12/2019 1026563502 09/12/2019 KAMALA CONSTRUCTION CO. Poisar, Mumbai 400097 LT-VII(B) 2.00 L1 5073 4000 1015.2 23091625 From Existing Service 10/12/2019 1026236881 05/12/2019 SAMATA NAGAR CO-OP HSG SOCIETIES UN Poisar, Mumbai 400101 LT-I 15.00 L1 4589 630 188.4 25110901 10 13/12/2019 1026627126 18/12/2019 UDAYCHANDRA WAGHMARE Tilaknagar, Mumbai 400075 LT-I 9.48 L1 8941 630 226 6121308 From Existing Service 20/12/2019 1026669816 26/12/2019 RAVINDRA PARDHEE Tilaknagar, Mumbai 400075 LT-I 0.18 L1 8614 990 532.8 12151409 From Existing Service 28/12/2019 1026577905 27/12/2019 KAMLA -
Writing Women's Film History Against an Absent Archive
LeadershipArticle Insights from Jaina text Saman Suttam 9 BioScope Notes on a Scandal: Writing 4(1) 9–30 © 2013 Screen South Asia Trust Women’s Film History Against an SAGE Publications Los Angeles, London, Absent Archive New Delhi, Singapore, Washington DC DOI: 10.1177/097492761200483052 http://bioscope.sagepub.com Debashree Mukherjee Never as yet has there been an industry or profession over which so much ink has been spilled as the flm business, and never will there arise a more acute question than now over the exact status our society should grant those men and women whom we have come to know, as “stars”. Zahir B. Kureishi aka “Zabak” (Zabak, 1940) Very early into the life of cinema in India it became apparent that this new phenomenon would generate talk. In its affective manifestations, cinema was able to circulate more freely and widely than the physi- cal film object. Fan magazines and tabloids were regularly swamped by letters demanding biographical information about stars. The studios that were associated with these glamorous names became sites of intense speculation and wonder. The film studio was exciting both as an emblem of technological moder- nity and as a thrilling heterosocial work space. This combined excitement can be glimpsed in a descrip- tion of the new Ranjit Studio: “Ah, the new studio—the new Ranjit studio! It is big and beautiful with such perfect acoustics that even if the director tried a tete-a-tete in whispers with the heroine it would all come out on the sound track as distinct as the song of a lark.” (Judas, 1938, p. -
Hindi DVD Database 2014-2015 Full-Ready
Malayalam Entertainment Portal Presents Hindi DVD Database 2014-2015 2014 Full (Fourth Edition) • Details of more than 290 Hindi Movie DVD Titles Compiled by Rajiv Nedungadi Disclaimer All contents provided in this file, available through any media or source, or online through any website or groups or forums, are only the details or information collected or compiled to provide information about music and movies to general public. These reports or information are compiled or collected from the inlay cards accompanied with the copyrighted CDs or from information on websites and we do not guarantee any accuracy of any information and is not responsible for missing information or for results obtained from the use of this information and especially states that it has no financial liability whatsoever to the users of this report. The prices of items and copyright holders mentioned may vary from time to time. The database is only for reference and does not include songs or videos. Titles can be purchased from the respective copyright owners or leading music stores. This database has been compiled by Rajiv Nedungadi, who owns a copy of the original Audio or Video CD or DVD or Blu Ray of the titles mentioned in the database. The synopsis of movies mentioned in the database are from the inlay card of the disc or from the free encyclopedia www.wikipedia.org . Media Arranged By: https://www.facebook.com/pages/Lifeline/762365430471414 © 2010-2013 Kiran Data Services | 2013-2015 Malayalam Entertainment Portal MALAYALAM ENTERTAINMENT PORTAL For Exclusive -
South Asia's Lessons, Evolving Dynamics, and Trajectories
South Asia’s Lessons, Evolving Dynamics, and Trajectories Edited by Sameer Lalwani and Hannah Haegeland South Asia’s Lessons, Evolving Dynamics, and Trajectories Edited by Sameer Lalwani and Hannah Haegeland JANUARY 2018 © Copyright 2018 by the Stimson Center. All rights reserved. Printed in Washington, D.C. ISBN 978-0-9997659-0-6 Library of Congress Control Number: 2017919496 Stimson Center 1211 Connecticut Avenue, NW 8th Floor Washington, D.C. 20036 U.S.A. Visit www.stimson.org for more information about Stimson’s research. Investigating Crises: South Asia’s Lessons, Evolving Dynamics, and Trajectories CONTENTS Preface . 7 Key Terms and Acronyms . 9 Introduction . 11 Sameer Lalwani Anatomy of a Crisis: Explaining Crisis Onset in India-Pakistan Relations . 23 Sameer Lalwani & Hannah Haegeland Organizing for Crisis Management: Evaluating India’s Experience in Three Case Studies . .57 Shyam Saran Conflict Resolution and Crisis Management: Challenges in Pakistan-India Relations . 75 Riaz Mohammad Khan Intelligence, Strategic Assessment, and Decision Process Deficits: The Absence of Indian Learning from Crisis to Crisis . 97 Saikat Datta Self-Referencing the News: Media, Policymaking, and Public Opinion in India-Pakistan Crises . 115 Ruhee Neog Crisis Management in Nuclear South Asia: A Pakistani Perspective . 143 Zafar Khan China and Crisis Management in South Asia . 165 Yun Sun & Hannah Haegeland Crisis Intensity and Nuclear Signaling in South Asia . 187 Michael Krepon & Liv Dowling New Horizons, New Risks: A Scenario-based Approach to Thinking about the Future of Crisis Stability in South Asia . 221 Iskander Rehman New Challenges for Crisis Management . 251 Michael Krepon Contributors . 265 Contents 6 PREFACE With gratitude and pride I present Stimson’s latest South Asia Program book, Investigating Crises: South Asia’s Lessons, Evolving Dynamics, and Trajectories.