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The Awards in the Various Categories Are As Follows: Feature Films

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THE AWARDS IN THE VARIOUS CATEGORIES ARE AS FOLLOWS: FEATURE FILMS S.No. Name of Award Name of Film Awardees Medal Citation & Cash Prize 1. Producer: Swarna Kamal BEST FEATURE Court Zoo and COURT is a powerful FILM Entertainment and stark depiction of (Marathi, Hindi, Gujarati & Pvt. Ltd. 2,50,000/- the mundaneness of English) each to judicial procedure revealed brilliantly by Director : the Producer the film’s form, forcing Chaitanya and Director us to reflect on the Tamhane heart-wrenching insensitivity of institutional structures. 2. Producer:F.O.R Swarna Kamal INDIRA GANDHI Asha Jaoar Majhe Films Pvt. Ltd. and For the portrayal of AWARD FOR BEST routine ordinary life DEBUT FILM OF A (Bengali) Director : 1,25, 000/- with extraordinary DIRECTOR Aditya Vikram each to cinematic finesse. Sengupta the Producer and Director 3. Producer: Swarna Kamal BEST POPULAR Mary Kom Viacom 18 and For an inspiring tale of a FILM PROVIDING Motion Pictures woman who becomes a WHOLESOME (Hindi) 2,00,000/- national icon through ENTERTAINMENT Director : each to her determined pursuit Omung Kumar of sporting excellence. the Producer and Director 4. Producer: Rajat Kamal For its empathetic BEST FILM ON Chotoder Chobi Shree and portrayal of SOCIAL ISSUES (Bengali) Venkatesh Films marginalized people Pvt. Ltd. 1,50,000/- and their struggle for a each to life of dignity. Director : Kaushik the Producer Ganguly and Director 5. Ottal, a visual poem, BEST FILM ON Ottaal Producer: Rajat Kamal expresses the beauty ENVIRONMENT Director Cutz and and serenity of the CONSERVATION/ (Malayalam) Film Company protagonist’s rural PRESERVATION (P) Ltd. 1,50,000/- environment and a way each to of life whose value is measured by the Director : the Producer poignancy of its loss. Jayaraj and Director 6. Producer: Swarna Kamal Kaakkaa Muttai for BEST CHILDREN’S Kaakkaa Muttai Grass Root and narrating a charming FILM Film Company story of two brothers (Tamil) 1,50,000/- who are unaware of Director : each to their deprived status Manikandan M the Producer and have a and Director confrontation with the & & tastelessness of (Cash globalization. Producer: component to Elizabeth Ekadashi Essel Vision be shared Elizabeth Ekadashi is a Productions Ltd. between films) delightful tale that (Marathi) reaffirms children's Director : ability to negotiate the Paresh complexities of life with Mokashi relative ease. 7. For its brilliantly BEST DIRECTION Chotushkone Srijit Mukherji Swarna Kamal reflexive use of the and cinematic idiom (Bengali) through a playful and innovative mise-en- 2,50, scene that tautens to an 000/- unexpected and gripping climax. 8. Vijay Rajat Kamal For his subtle and BEST ACTOR Nanu Avanalla and non-stereotypical Avalu (Kannada) playing of a woman 50,000/- trapped in a man’s body, portraying a gamut of emotions as s/he struggles through confusion, rejection and humiliation to finally chart her own course with confidence and dignity. 9. BEST ACTRESS Queen Kangana Rajat Kamal For an endearingly (Hindi) Ranaut and etched out performance that is 50,000/- grounded in contextual specificity and at the same time is disarmingly spontaneous as to appear almost improvisatory. 10. For an engaging BEST Jigarthanda(Tamil) Bobby Simhaa Rajat Kamal portrayal of a dreaded SUPPORTING and Mafia don who plays ACTOR both the villain and the comic with a rare 50,0 flamboyance and 00/- abandon. 11. For a very expressive BEST Pagdi The Honour Baljinder Kaur Rajat Kamal performance as a gritty SUPPORTING and rustic woman who ACTRESS (Haryanavi) struggles as wife and 50,000/- mother to keep her family intact in a society obsessed with patriarchal honour. 12. For their portrayal of BEST CHILD Kaakkaa Muttai J. Vignesh Rajat Kamal inseparable siblings ARTIST and living in a slum who (Tamil) & innocently struggle with 50,000/- rare dignity to acquire Ramesh (cash what attracts them in component to this vast market of be shared) products unleashed by a liberal economy only to realise the harsh reality of invincible class boundaries. 13. BEST MALE Haider Sukhwinder Rajat Kamal For a powerful PLAYBACK SINGER (Hindi) Singh and rendition which (Song: Bismil) effectively reflects the 50,000/- agony and anger of the protagonist. 14. BEST FEMALE Saivam Uttara Rajat Kamal For evoking an PLAYBACK SINGER (Tamil) Unnikrishanan and emotional resonance (Song: Azhagu) through the purity and 50,000/- innocence of her voice. 15. BEST Chotushkone Sudeep Rajat Kamal For exhibiting a wide CINEMATOGRAPH (Bengali) Chatterjee and spectrum of space and Y time while effortlessly knitting the 50,0 emotional fabric of the 00/- film. each 16. Chotushkone for the BEST SCREENPLAY masterful telling of a taut suspense thriller i) Screenplay which weaves a sinister Writer (Original): i. Chotushkone Srijit Mukherji Rajat Kamal web around the journey (Bengali) and and lives of four 50,000/- egotistical characters. ii) Screenplay ii. Ottal Writer (Adapted) : Joshy Mangalath Ottal for beautifully (Malayalam) Rajat Kamal transposing Anton and Chekov’s short story 50,000/- onto a canvas of nature that enhances the shades of the original. iii) Dialogues : iii. Haidar(Hindi) Haider for the multi Vishal layered and resonant Bhardwaj dialogues that evoke Rajat Kamal angst and passion with and crispness and brevity. 50,000/- 17. BEST AUDIOGRAPHY i) Location i. Khwada Mahaveer Rajat Kamal Khwada for its excellent Sound Recordist (Marathi) Sabbanwal and live sound quality which skillfully captures 50,000/- all the ambient sounds with the right tonal balance. Asha Jaoar Majhe for ii) Sound ii. Asha Jaoar Anish John creating a brilliant Designer Majhe Rajat Kamal soundscape which (Bengali) and enhances the narrative even in the absence of 50,000/- the spoken word. iii. Nirbashito(Ben iii) Re-recordist Anirban gali) of the final mixed Sengupta & Nirbashito for the Rajat Kamal track Dipankar Chaki seamless movement and from chaos into the 50,0 quietness of solitude 00/- while integrating various elements of sound. 18. BEST EDITING Jigarthanda(Tamil) Vivek Harshan Rajat Kamal For structuring the and different narratives of raw cruelty and urban cunning 50,0 that eventually intermin 00/- gle with positive and humourous overtones through skillful editing. 19. BEST Nachom – IA Kumpasar Aparna Raina Rajat Kamal For convincingly PRODUCTION (Konkani) and recreating spaces from DESIGN a different era and with 50,000/- minute attention to detail. 20. BEST COSTUME Haider (Hindi) Dolly Rajat Kamal For capturing the DESIGNER Ahluwalia and essence of the characters and moods 50,000/- with creative flourish. 21. BEST MAKE-UP Nanu Avanalla Nangaraju Rajat Kamal For the realistic creation ARTIST Avalu (Kannada) & and of gender duality in a character through Raju 50,000/- different phases of life. 22. BEST MUSIC For developing the DIRECTION Haider Vishal Rajat Kamal conflict of the inner and a) Songs (Hindi) Bhardwaj and outer landscape through haunting 50,000/- music. b) Backgrou Nineteen Eighty nd Score Three(Malayalam) Gopi Sunder Rajat Kamal For maintaining the and tempo of the film with an in-sync background 50,000/- score. 23. For embodying the BEST LYRICS Saivam (Tamil) NA. Rajat Kamal world as seen through (Azhagu) Muthukumar and the eyes of a child using common place images to make an appeal to an 50,0 adult world. 00/- 24. SPECIAL JURY Khwada(Marathi) Director:Bhaur Rajat Kamal For a hard-hitting but AWARD ao Karhade and restrained narration of the harsh realities of a 2,00,000/- nomadic shepherd community who are in search of stability. 25. BEST Haider (Hindi) Sudesh Rajat Kamal For the evocative fusion CHOREOGRAPHY (Bismil) Adhana and of performative grammars, interweaving 50,000/- a staccato whirling of masculinised bodies with larger than life puppets, to create a dance that is firmly embedded within the narrative. 26. BEST FEATURE FILM IN EACH OF THE LANGUAGE SPECIFIED IN THE SCHEDULE VIII OF THE CONSTITUTION a) BEST ASSAMESE Othello Producer: Rajat Kamal For its tangential FILM Artha Films and evocation of the Shakespeare play as it Director : 1,00,000/- explores mistrust and Hemanta each prejudice in a society Kumar Das ridden with political to the turmoil. Producer and Director b) BEST BENGALI Nirbashito Producer: Rajat Kamal For its poignant FILM Kaushik and articulation of the Ganguly suffocation one Productions 1,00,000/- experiences when each exiled in a land that is Director : not one’s own, as a Churni to the price that is paid for Ganguly Producer and asserting one’s right to Director freedom of expression. c) For a delightful BEST HINDI FILM Queen Producer: Rajat Kamal portrayal of a young girl Phantom Films and who emerges from her Pvt. Ltd. & cocoon of diffidence Viacom 18 1,00,000/- and middle-class mores Motion Pictures each to discover the pleasure and fulfillment of a life Director : to the lived on her own terms. Vikas Bahl Producer and Director d) Producer: Rajat Kamal For the lingering BEST KANNADA Harivu Om Studio and pathos of a father’s FILM struggle to provide Director : 1,00,000/- medical treatment to Manjunath S. each his only child and his (Mansore) long trek back home to the with his son’s corpse. Producer and Director e) For its nostalgic BEST KONKANI Nachom – IA Kumpasar Producer: Goa Rajat Kamal recovery of a distinctive FILM Folklore and musical legacy, as told Productions through the 1,00,000/- rollercoaster lives of its Director:Bardr each practitioners, that has oy Barretto remained unsung to the despite its influence Producer and upon Bombay cinema. Director f) BEST Ain Producer: 1: 1: Rajat Kamal For its gently nuanced MALAYALAM Enternatments and narrative in which a FILM carefree young man Director:Sidhar 1,00,000/- embraces responsibility tha Siva each and compassion for the lives of others. to the Producer and Director g) For its warm portrait BEST MARATHI Killa Producer:JAR Rajat Kamal of a young boy as he FILM Pictures& M R and emerges from the Film Works shadows of dislocation 1,00,000/- and loss in an unfamiliar Director:Avina each environment to sh Arun embracing what life has to the to offer.
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    Follow Us: Today's Edition | Thursday , October 4 , 2012 | Search IN TODAY'S PAPER Front Page > Calcutta > Story Front Page Like 30 Tw eet 4 0 Nation Tw eet Calcutta Bengal Let’s talk about films – again! Opinion International In 1947, a group of cinephiles started a film society that Business revolutionised Bengali cinema and brought it into the forefront of world cinema. The group of cinephiles in Sports question? Satyajit Ray, Chidananda Dasgupta, Bansi Entertainment Chandragupta, Harisadhan Dasgupta…. The society Sudoku was the Calcutta Film Society (CFS). The first film Sudoku New BETA screened there was Sergei Eisenstein’s Battleship Crossword Potemkin. Jumble Regular screenings of world cinema gave access to the Gallery best of cinema across the globe. There were regular Horse Racing addas on films and eminent people delivered lectures at Press Releases the society, film-makers of the stature of Jean Renoir Travel and John Huston. By now it is part of folklore the influence that Renoir had on the young Ray and how WEEKLY FEATURES Pather Panchali was made a few years down the line. 7days Graphiti There was a bulletin that was published where the contributors were the likes of Knowhow Chidananda Dasgupta, Satyajit Ray and Harisadhan Dasgupta and those are some of Jobs the best pieces of film-writing to come out from Bengal. Ray’s Our Films, Their Films Careergraph was written in that period of his life. Salt Lake The Calcutta Film Society has dwindled ever since, more so in the last few decades. CITIES AND REGIONS Concomitantly, the culture of discussing and debating films, or a film culture as started Metro by the CFS, has faded into oblivion in the current Bengali film industry.
  • VOLVIV January 2015 No. 1 HIGHLIGHTS

    VOLVIV January 2015 No. 1 HIGHLIGHTS

    VOLVIV January 2015 No. 1 HIGHLIGHTS Censor Board revamped Padma Awards announced 13th Pune International Film Festival held 60th Britannia Filmfare Awards presented Karnataka State Film Awards announced PK tax free in UP and Bihar Birth centenary of Honnappa Bhagavathar celebrated NATIONAL DOCUMENTATION CENTRE ON MASS COMMUNICATION NEW MEDIA WING (FORMERLY RESEARCH, REFERENCE AND TRAINING DIVISION ) MINISTRY OF INFORMATION AND BROADCASTING Room No.437-442, Phase IV, Soochana Bhavan, CGO Complex, New Delhi-3 Compiled, Edited & Issued by National Documentation Centre on Mass Communication NEW MEDIA WING (Formerly Research, Reference & Training Division) Ministry of Information & Broadcasting Chief Editor L. R. Vishwanath Editor H.M.Sharma Asstt. Editor Alka Mathur CONTENTS FILM AWARDS Bafta 2 Filmfare 4-5 Padma 1-2 State 6-7 FESTIVALS Indian Panorama 2-3 Pune International 3-4 OBITUARIES 8-11 PUBLICATIONS 7 REVIEW/DEVELOPMENT 1 REVIEW/DEVELOPMENT IN STATES 11 TAXATION 7 REVIEW/DEVELOPMENT Censor Board revamped In exercise of the powers conferred by sub-section (1) of section 3 of the Cinematograph Act 1952 (37 of 1952) read with rule 3 of the Cinematograph (Certification) Rules, 1983, the Central government has appointed Shri Pahlaj Nihalani as Chairperson of the Central Board of Film Certification in an honorary capacity for a period of three years or until further orders, whichever is earlier. Further, In exercise of the powers conferred by sub-section (1) of section 3 of the Cinematograph (Certification) Rulers, 1983, the Central government has appointed the following persons as members of the Central Board of Film Certification with immediate effect for a period of three years and until further orders:- Shri Mihir Bhuta, Prof Syed Abdul Bari, Shri Ramesh Patange, Shri George Baker, Dr.