L'academie Francaise En 1863
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Roger Caillois, Games of Chance and the Superstar Roger Caillois, Games of Chance and the Superstar
Roger Caillois, Games of Chance and the Superstar Roger Caillois, Games of Chance and the Superstar Loek Groot Superstars are not by accident a conspicuous phenomenon in our culture, but inherently belong to a meritocratic society with mass media, free enterprise, and competition. To make this contention plausible I will use Caillois’s book, Man, Play and Games,1 to compare the mechanisms underlying the superstar phenomenon with a special kind of game, as set out by Caillois. As far as I know, Caillois’s book is not quoted in the literature dealing with income distribution theories, although the comparison with play and games is, for limited purposes, interesting. In play and games we find almost all elements which play a role in theories of just income distribution: equality of opportunity, chance, talent, competition and skill, reward, entitlement, winners and losers, etc. These are not chance similarities, for “. games are largely dependent upon the cultures in which they are practised. They affect their preferences, prolong their customs, and reflect their beliefs . One ...can . posit a truly reciprocal relationship between a society and the games it likes to play”.2 Moreover, as we will see, superstars combine the four basic characteristics of play that make their activities a special kind of play. Play or work Johan Huizinga,3 cited by Caillois, considers play as an activity which is not serious (that is, standing outside ordinary life), with no material interest and where no profit can be gained. Caillois disputes Huizinga’s belief that in games no material interests are involved. He sees this belief as a result of Huizinga’s restriction of his analysis to competitive games, and the consequent omission of games of chance. -
For Peer Review
Games and Culture Introduction. The Other Caillois: the many masks of game studies Journal:For Games Peer and Culture Review Manuscript ID Draft Manuscript Type: Caillois Special Issue Roger Caillois, Game studies, Dissymmetry, Gamification, Keywords: Interdisciplinarity, Mimicry, Ludus, Paidia, Marxism, Agency, Alea, Ilinx The legacy of the rich, stratified work of Roger Caillois, the multi-faceted and complex French scholar and intellectual, seems to have almost solely impinged on game studies through his most popular work, Les Jeux et les Hommes (1957). Translated in English as Man, Play and Games (1961), this is the text which popularized Caillois’ ideas among those who do study and research on games and game cultures today, and which most often Abstract: appears in publications that attempt to historicize and introduce to the study of games––perhaps on a par with Johan Huizinga’s Homo Ludens (1938). The purpose of this paper is to introduce the papers and general purposes of a collected edition that aims to shift the attention of game scholars towards a more nuanced and comprehensive view of Roger Caillois, beyond the textbook interpretations usually received in game studies over the last decade or so. http://mc.manuscriptcentral.com/sage/games Page 1 of 16 Games and Culture 1 2 3 4 5 6 Introduction––The Other Caillois: the many masks of game studies 7 8 9 10 11 The legacy of the multi-faceted and complex work of Roger Caillois, the French scholar and 12 intellectual, seems to have almost solely impinged on game studies through his most popular 13 work, Les Jeux et les Hommes (1957). -
Roger Caillois' Game Typology As Formalist Methodology
Enacting aporia: Roger Caillois’ game typology as formalist methodology Michel Ottens Utrecht University Singelstraat 91 6828JZ Arnhem 31 612216701 [email protected] ABSTRACT This game analysis experimentally transposes Louis Hjelmslev's linguistic methodology, for logically deducing semiotic schema from a given text, to the analysis of games. Roger Caillois' fourfold model of game type rubrics is therefore reconceptualized, as a logically coherent analytic framework, from which an analysis might proceed indefinitely. Such analysis was practiced on a Dutch translation of the board game Lord of the Rings, to observe how this game manifests Caillois' rubrics of agôn (competition), alea (chance), mimicry (role-playing), and ilinx (disruptive play). Game studies methods akin to Hjelmslev's work already exist, and Caillois' efforts are often reconceptualized. However, this present work finds valuable avenues of inquiry in synthesizing these two thinkers. In extending Hjelmslev's work, stratified images of interlinked categories and components now appear at play in games. By reconceptualizing Caillois' efforts, those two axes, along which his four rubrics seem divided, now point to valuable lines of future inquiry. Keywords game studies, formalism, semiotics, glossematics, game type rubrics, agôn (competition), alea (chance), mimicry (role-playing), ilinx (pursuing vertigo), board games INTRODUCTION In his well regarded Prolegomena to a Theory of Language, linguist Louis Hjelmslev (1969, 3-20, 114-127) proposes a formalist methodology for the logically coherent and comprehensive deduction of analytical schema. These serve to further the study of language usage, and of semiotics more generally. Even if the spoken word was then generally favored in his field, he promotes a field of linguistics capable of addressing all forms of language, by provisionally schematizing how language forms derive from the purport or substance addressed. -
Documents (Pdf)
Documents_ 18.7 7/18/01 11:40 AM Page 212 Documents 1915 1918 Exhibition of Paintings by Cézanne, Van Gogh, Picasso, Tristan Tzara, 25 poèmes; H Arp, 10 gravures sur bois, Picabia, Braque, Desseignes, Rivera, New York, Zurich, 1918 ca. 1915/16 Flyer advertising an edition of 25 poems by Tristan Tzara Flyer with exhibition catalogue list with 10 wood engravings by Jean (Hans) Arp 1 p. (folded), 15.3x12 Illustrated, 1 p., 24x16 1916 Tristan Tzara lira de ses oeuvres et le Manifeste Dada, Autoren-Abend, Zurich, 14 July 1916 Zurich, 23 July 1918 Program for a Dada event in the Zunfthaus zur Waag Flyer announcing a soirée at Kouni & Co. Includes the 1 p., 23x29 above advertisement Illustrated, 2 pp., 24x16 Cangiullo futurista; Cafeconcerto; Alfabeto a sorpresa, Milan, August 1916 Program published by Edizioni futuriste di “Poesia,” Milan, for an event at Grand Eden – Teatro di Varietà in Naples Illustrated, 48 pp., 25.2x17.5 Pantomime futuriste di Francesco Cangiullo, Rome, 1916 Flyer advertising an event at the Club al Cantastorie 1 p., 35x50 Galerie Dada envelope, Zurich, 1916 1 p., 12x15 Stationary headed ”Mouvement Dada, Zurich,“ Zurich, ca. 1916 1 p., 14x22 Stationary headed ”Mouvement Dada, Zeltweg 83,“ Zurich, ca. 1916 Club Dada, Prospekt des Verlags Freie Strasse, Berlin, 1918 1 p., 12x15 Booklet with texts by Richard Huelsenbeck, Franz Jung, and Raoul Hausmann Mouvement Dada – Abonnement Liste, Zurich, ca. 1916 Illustrated, 16 pp., 27.1x20 Subscription form for Dada publications 1 p., 28x20.5 Centralamt der Dadaistischen Bewegung, Berlin, ca. 1918–19 1917 Stationary of Richard Huelsenbeck with heading of the Sturm Ausstellung, II Serie, Zurich, 14 April 1917 Dada Movement Central Office Catalogue of an exhibition at the Galerie Dada. -
Copyright by Ashley Lynn Busby 2013
Copyright by Ashley Lynn Busby 2013 The Dissertation Committee for Ashley Lynn Busby Certifies that this is the approved version of the following dissertation: PICTURING THE COSMOS: SURREALISM, ASTRONOMY, ASTROLOGY, AND THE TAROT, 1920S-1940S Committee: Linda Dalrymple Henderson, Supervisor Richard Shiff John R. Clarke Bruce J. Hunt Kimberly A. Smith PICTURING THE COSMOS: SURREALISM, ASTRONOMY, ASTROLOGY, AND THE TAROT, 1920S-1940S by Ashley Lynn Busby, B.A.; M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin December 2013 Dedication To JWB Acknowledgements First, I want to thank my dissertation committee for their support of this project. John Clarke, Richard Shiff, and Bruce Hunt have helped shape my scholarly development since my arrival at the University of Texas. I am also very grateful for Kimberly Smith’s continued guidance and encouragement. During my undergraduate study at Southwestern University, her dedication to her students inspired me to pursue graduate work, and I continue to look to her as a teaching role model. As an advisor, Linda Henderson has been exemplary during my time at the university. Her scholarship on the intersections between art and science has helped show me the possibilities for my own work in this area. In addition to research pursued in the library and collections at the University of Texas at Austin, I spent the summer of 2008 completing research at the Bibliothèque nationale de France. Funding from the College of Fine Arts at the University of Texas at Austin, the Department of Art and Art History, the M.K. -
« Des Cris Étouffés » De Péret, Prolongement Du Chant VI D'« Exil »
« Des cris étouffés » de Péret, prolongement du chant VI d’ « Exil » de Saint-John Perse par l’intermédiaire (possible) de Caillois Richard Spiteri Le poème « Des cris étouffés » de Benjamin Péret a été publié pour la première fois en février 1957 ― sans doute peu après avoir été écrit ― dans une plaquette contenant des illustrations de Toyen. Le peintre Meret Oppenheim en a couvert les frais 1. Le poème se distingue par l’épanaphore, figure de rhétorique qui consiste en la reprise des mêmes éléments au début de la phrase 2. Dans le cas de « Des cris étouffés », il s’agit des termes « celui qui […] ». Mon propos est d’examiner cette épanaphore et dans le poème de Péret et dans d’autres de Saint-John Perse où, en fait, elle a son origine. Pour renchérir sur la définition qu’André Breton donne de Saint-John Perse ― « surréaliste à distance » ― nous dirions que le poète diplomate est encore plus distant de Péret. L’on sait que, pendant la période 1925-1932, Alexis Léger exerça les fonctions de directeur de cabinet au Quai d’Orsay lorsque ce ministère fut sous la houlette d’Aristide Briand. Or celui-ci figure parmi les personnages politiques que Péret traîne dans la boue dans son recueil de poésies, Je ne mange pas de ce pain-là . Pourtant le temps devait parfois tracer pour les deux poètes des trajets tortueux parallèles. Par exemple, en 1940, Péret est dénoncé par Le Pilori , journal collaborationniste 3. 1 Voir Benjamin Péret , Œuvres Complètes, tome 7, Librairie J. Corti, 1995, p. 534. -
Papers of Surrealism, Issue 8, Spring 2010 1
© Lizzie Thynne, 2010 Indirect Action: Politics and the Subversion of Identity in Claude Cahun and Marcel Moore’s Resistance to the Occupation of Jersey Lizzie Thynne Abstract This article explores how Claude Cahun and Marcel Moore translated the strategies of their artistic practice and pre-war involvement with the Surrealists and revolutionary politics into an ingenious counter-propaganda campaign against the German Occupation. Unlike some of their contemporaries such as Tristan Tzara and Louis Aragon who embraced Communist orthodoxy, the women refused to relinquish the radical relativism of their approach to gender, meaning and identity in resisting totalitarianism. Their campaign built on Cahun’s theorization of the concept of ‘indirect action’ in her 1934 essay, Place your Bets (Les paris sont ouvert), which defended surrealism in opposition to both the instrumentalization of art and myths of transcendence. An examination of Cahun’s post-war letters and the extant leaflets the women distributed in Jersey reveal how they appropriated and inverted Nazi discourse to promote defeatism through carnivalesque montage, black humour and the ludic voice of their adopted persona, the ‘Soldier without a Name.’ It is far from my intention to reproach those who left France at the time of the Occupation. But one must point out that Surrealism was entirely absent from the preoccupations of those who remained because it was no help whatsoever on an emotional or practical level in their struggles against the Nazis.1 Former dadaist and surrealist and close collaborator of André Breton, Tristan Tzara thus dismisses the idea that surrealism had any value in opposing Nazi domination. -
Facts and Data
FACTS AND D ATA COLLÈGE DE FRANCE ORGANIZATION CHART Administrator of the Collège de France: Pierre CORVOL The Administrator of the Collège de France is a Collège de France professor, elected by his/her colleagues to direct the institution for a period of 3 years. Professors of the Collège de France I – MATHEMATICAL, PHYSICAL AND NATURAL SCIENCES ❍ Analysis and Geometry — Alain CONNES ❍ Differential Equations and Dynamical Systems — Jean-Christophe YOCCOZ ❍ Partial Differential Equations and Applications — Pierre-Louis LIONS ❍ Number Theory — Don ZAGIER ❍ Quantum Physics — Serge HAROCHE ❍ Mesoscopic Physics — Michel DEVORET ❍ Physics of Condensed Matter — Antoine GEORGES ❍ Elementary Particles, Gravitation and Cosmology — Gabriele VENEZIANO ❍ Climate and Ocean Evolution — Édouard BARD ❍ Observational Astrophysics — Antoine LABEYRIE ❍ Chemistry of biological processes — Marc FONTECAVE ❍ Chemistry of Molecular Interactions — Jean-Marie LEHN ❍ Human Genetics — Jean-Louis MANDEL ❍ Genetics and Cellular Physiology — Christine PETIT ❍ Biology and Genetics of Development — Spyros ARTAVANIS-TSAKONAS ❍ Morphogenetic Processes — Alain PROCHIANTZ ❍ Molecular Immunology — Philippe KOURILSKY ❍ Microbiology and infectious diseases — Philippe SANSONETTI ❍ Experimental Cognitive Psychology — Stanislas DEHAENE ❍ Physiology of Perception and Action — Alain BERTHOZ ❍ Experimental Medicine — Pierre CORVOL ❍ Historical Biology and Evolutionism — Armand de RICQLÈS ❍ Human Paleontology — Michel BRUNET II – HUMAN AND SOCIAL SCIENCES ❍ Pharaonic Civilization: -
Jacqueline De Romilly
Jacqueline de Romilly A la demande de quelques-uns d'entre vous, rencontrés à l'issue de la conférence du 8 février, et qui lui avouaient assez peu connaître Jacqueline de Romilly, notre conférencier, André Duprez, a rédigé cette biographie, étude très sommaire au regard de l'immensité de ce personnage par ailleurs si attachant . Jacqueline David ( de Romilly est le nom de son mari ) voit le jour à Chartres le 26 mars 1913. C'est pendant les cours de philosophie d'Henri Bergson que son père, Maxime David, reçu 1er au concours de l' Ecole Normale Supérieure de la rue d'Ulm et 1er à l'Agrégation de Philosophie, a rencontré Jeanne Malvoisin, jeune femme élégante à l'esprit brillant , qu'il épouse en 1909 . Lui était juif, elle non : quelques années plus tard, le régime de Vichy fera payer cher cette filiation à leur fille .Hélas, dès les premières semaines de la guerre 1914 - 1918, tout comme Charles Péguy, le caporal Maxime David envoyé au front, est tué dans la Somme ( 2 octobre 1914 ). C'est donc seule que Jeanne David va élever sa fille Jacqueline .Aux dires de cette dernière, les difficultés financières n'entament en rien l'affection et le bonheur des deux femmes .Jeanne commence d'ailleurs, dès 1923, une carrière d'écrivain qui lui assure une excellente réputation auprès des auteurs, critiques et éditeurs de l'époque. Un moment, on parle même d'elle pour le prix Goncourt . Mais Jeanne David se fixe comme principal objectif la réussite de sa fille dans ses études, projet qui la comblera au-delà de ses plus grandes espérances . -
Illinoisclassica131988univ Bw 2.Pdf
CI Otyi^^c^ ILLINOIS CLASSICAL STUDIES VOLUME XIIL2 FALL/1988 Miroslav Marcovich, Editor ISSN 0363-1923 2 ILLINOIS CLASSICAL STUDIES VOLUME XIII. Fall 1988 Miroslav Marcovich, Editor SCHOLARS PRESS ISSN 0363-1923 2 ILLINOIS CLASSICAL STUDIES VOLUME XIII. Plutarch The Board of Trustees University of Illinois Copies of the journal may be ordered from: Scholars Press Customer Services P. O. Box 6525 Ithaca, New York 14851 Printed in the U.S.A. 2 EDITOR Miroslav Marcovich CO-EDITORS OF ICS XIII. Frederick E. Brenk, S.J. (Rome) Jackson P. Hershbell (Minneapolis) Philip A. Stadter (Chapel Hill) ADVISORY EDITORIAL COMMITTEE John J. Bateman Howard Jacobson David F. Bright J. K. Newman Gerald M. Browne David Sansone CAMERA-READY COPY PRODUCED BY Mary Ellen Fryer Illinois Classical Studies is published semi-annually by Scholars Press. Camera-ready copy is edited and produced in the Department of the Classics, University of Illinois at Urbana-Champaign. Each contributor receives twenty-five offprints. Contributions should be addressed to: The Editor Illinois Classical Studies Department of the Classics 4072 Foreign Languages Building 707 South Mathews Avenue Urbana, Illinois 61801 PLUTARCH ROBERT FLACELERE (1904-1982) INMEMORIAM Preface The present issue oi ICS comprises the papers presented at the Conference of the International Plutarch Society held in the summer of 1987 at Athens. I have included the contributions by the scholars unable to attend the Athens Conference. In preparing the typescripts for publication I have been assisted by such renowned Plutarchean scholars as Fr. E. Brenk, S.J. (Rome), J. P. Hershbell (Minneapolis), and Ph. A. Stadter (Chapel Hill). -
Jacqueline De Romilly Magic and Rhetoric in Ancient Greece
https://www.hallofpeople.com/en/fame.php?user=Romilly%20Jacqueline Jacqueline de Romilly Magic and Rhetoric in Ancient Greece Selected excerpts ….. In his work Phaedrus, Plato cannot focus, as he did before, on the aim of rhetoric; for he is now fighting a man who insists that he does aim at what is good, approved of, and thoroughly useful. Therefore we find in the Phaedrus a shift in the way rhetoric is criticized. It is still not an art. But the reason is not that it aims at pleasure; its fault is that it does not rest on real knowledge. In dealing with all the famous authors of Texnai(arts), Plato asserts that the programs of instruction they provide are not a texni (art). He goes back to the old example of drugs, which can produce suc and such a result in the human body; knowledge of these results, to him, is no scientific medicine, any more than the capacity to write a thesis is the art of tragedy, or the knowledge of how to produce one note or another with an instrument is the art of music. In each case, only a low practical experience is involved, and the same is true for rhetoric: all the teachings of the masters may have to be learned if one wants to study rhetoric, but they do not constitute real rhetoric. Finally there seems to be a"real" rhetoric, and it seems to be respectable; only it is a rhetoric that has not yet come into being. Now it is clear why, suddenly, Plato comes back to the parallel between medicine and rhetoric. -
Roger Caillois and the Negation of the Sacred in Hollywood Cinema
Economy and Society Volume 32 Number 1 February 2003: 74-89 The bureaucratic beyond: Roger Caillois and the negation of the sacred in Hollywood cinema Gary Genosko Abstract In a short paper written in the early 1950s, 'The representation of death in the American cinema', Roger Caillois theorized the representation of the afterlife in America through the Hollywood cinema of the late 1930s and 1940s. Caillois main- tained that the American afterlife is fundamentally bureaucratic and represents a prolongation of the world of the living. This prolongation is understood as a negation of the separation of the sacred and the profane domains in favour of a desacralized, profane pan-bureaucracy. Caillois's essay is read in the context of a sociology of the sacred in the tradition of the College de sociologie, with special attention given to his descriptions of how the sacred tends to wane in ordinary life and to his hybrid methodological strategies. The films Caillois used as evidence are critically reviewed and the Hollywood invasion of French film markets in the 1940s and 1950s is devel- oped as a critical historical context for grounding Caillois's claims about American 'originality': the negation of the sacred dimension of the afterlife, the power of cinema to replace oral tradition in collective life, and the consequences of a powerful, 'exported' mythology that negates the sacred. Keywords: American cinema; representation of death; sacred sociology; post-war French film policy; funeral rites. Roger Caillois's short study 'La representation de la mort dans le cinema ameri- cain' (Caillois 1964 [original publication 1951]; all further references to this essay are given in the body of the text by pages number only) is a theoretical analysis Gary Genosko, Department of Sociology, Lakehead University, 955 Oliver Road, Thunder Bay, Ontario P7B 5E1, Canada.