DOCSLIB.ORG

LANNY GORDIN “Duos” a TRIBUTE to a GUITAR LEGEND

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
LANNY GORDIN “Duos” a TRIBUTE to a GUITAR LEGEND LANNY GORDIN “Duos” A TRIBUTE TO A GUITAR LEGEND Gilberto Gil, Caetano Veloso, Gal Costa, Arnaldo Antunes, Zeca Baleiro, Jards Macalé, Chico César, Max de Castro, Vanessa da Mata, Adriana Calcanhotto, Junio Barreto, Fernanda Takai, Edgar Scandurra, Rodrigo Amarante and Péricles Cavalcanti teamed up for a tribute to Lanny Gordon Here is an artist who deserves a tribute. Lany Gordin had a fundamental role in the Brazilian pop music of the mid- 60's and 70's by playing his inventive guitar in most of the best records produced at that time. Today, after an absence of almost 30 years, he is back, with a new album: “Lanny - Duos” (a Barraventoartes/Universal Music production under the direction of Glauber Amaral). In this new work he is very much at ease in the presence of 15 artists of different generations and styles. The resulting album raises an intriguing question: why on earth did Brazilian music have to spend such a long time without him? The story of this master of the guitar is as unique as his style. Son of a Russian pianist and a Polish woman, Alexandre Gordin was born in Shangai, China, in 1951 . His family lived for some years in Israel before coming to Brazil in 1958. Self taught musician, at the age of 16 he already played the guitar and bass guitar in a night club owned by his father in rua sergipe 401 cj 1310 higienópolis 01243.001 são paulo brasil tel fax [55.11] 3259.0808 [email protected] www.barraventoartes.com.br the city centre of Sao Paulo, the legendary Stardust, a place often visited by top notch musicians such as Hermeto Paschoal and Heraldo do Monte. In 1968 , after having played in different rock and pop bands he had his big break. He was introduced to the members of the new tropicalist movement and was soon taking part in the records of Gilberto Gil, Caetano Veloso and Gal Costa ( usually with the arrangements of the irreverent conductor Rogerio Duprat) who were really shaking the musical scenario of the time. The audacious impromptus of Lanny also attracted the attention of artists of other musical groups like Tim Maia, Elis Regina, Jair Rodrigues and Erasmo Carlos. With a retrospective like that Lanny's talent crosses all age, groups, cultures and genres and is appreciated by fans of different generations. The first track of “Lanny - Duos” brings a tasty version of the song “ Lá vem o homem que matou o homem, que matou o homem mau” (Here comes the man, who killed the man who killed the bad man), composed by Jorge Benjor. It is a swingy recreation of Max de Castro's vocals and guitar helped by Lanny's improvisation. The new generation of Brazilian pop musicians is also present with Vanessa da Mata who sings sweetly “Era você”(It was you). There is also Junio Barreto, who injects some energy in the lyric ”Onde eu nasci passa um rio”( Where I was born a river flows), written by Caetano Veloso. Particularly special is the involvement of Caetano Veloso who donates his classic tropicalist “Enquanto seu lobo não vem” (While the wolf doesn't come) with an original jazzy introduction. The greatest muse of the tropicalist generation , Gal Costa, joins Lanny to emphasize the beautiful melodies of Tom Jobin's “Dindi”. Gilberto Gil comes up with a rendition of his old song:”Abre o olho”(Open your eyes), in a bluesy style. Jards Macalé appears with his usual irreverence revisiting “Let's Play That”, his partnership with poet Torquato Neto, another of the tropicalist leaders. The producer of the album, Pericles Cavalcanti plays his reggae “Farol da Jamaica”(Jamaica's lighthouse), also in a bluesy style due to Lanny's guitar. rua sergipe 401 cj 1310 higienópolis 01243.001 são paulo brasil tel fax [55.11] 3259.0808 [email protected] www.barraventoartes.com.br Rock people couldn't be left out of this album since they had an enormous significance in Lannys musical career. Rodrigo Amarante from the band “Los Hermanos “ has contributed with his warm ”Evaporar” ( Evaporate). Fernanda Takai, the vocalist of Pato Fu surprises with a moving interpretation of “Mucuripe”, by Fagner and Belchior. To contrast with Lanny's high pitched guitar phrases, Arnaldo Antunes comes in with his very low voice singing “Sol” (Sun), which he wrote together with guitarist Edgar Scandurra - from the Band Ira -who also shares the stage with Lanny in a sequence of tremendous impromptus and rich deep flowing rhythm in “El Blues”. Among the guest artists on the CD it is important to distinguish three top Brazilian pop musicians that came to fame in the 90's: Zeca Baleiro singing “Dê um role” in a cooler version compared to the original one by Gal Costa recorded in the 70's. Adriana Calcanhoto and Lanny also avoid being over dramatic on the single “Me dê motivo” (Give me a reason), composed by Sullivan and Massadas , a big hit of Tim Maia's. Chico Cesar ends up the duet series with “Lanny, Qual?”(Lanny, which one?) a nice song that was written as a tribute. And it is Lanny himself who finishes off the album with a soulful solo of Tom Jobin's “Corcovado”, demonstrating all his refined harmonic sense with an interpretation never heard before. What else could one expect from a genious? The artists that were accompanied by Lanny talk about his skills: Hermeto Paschoal: “I saw the birth of Lanny as a musician, playing his first notes back at Stardust. All of a sudden he had learnt everything! It was amazing! Heraldo do Monte gave him a great boost. Lanny’s father wanted him to play in too a commercial way, in order to make people dance, but we convinced him not to do it. We waited until his father was gone and then would join him to play in a more modern way. If his father would turn up we would quickly change to that commercial style. (laughs) Lanny is a great musician. I remember seeing him playing the bass guitar without ever having studied it. I am sure he hasn’t yet had the chance to show all he can do, to bring out what he has inside him. I hope he will do it some day.” Jards Macalé: “I was deeply touched when I first saw that boy playing. That was when Rogerio Duprat invited him during the “Tropicalia” time. Then, when Caetano and Gil had to leave the rua sergipe 401 cj 1310 higienópolis 01243.001 são paulo brasil tel fax [55.11] 3259.0808 [email protected] www.barraventoartes.com.br country, in 1969 , Gal Costa , Paulinho da Viola, Capinam and I opened a firm called “Tropicarte” (Tropicart) and produced a concert in the Oficina Theatre. This gig had three important characters: Gal, Lanny and me. That every day contact with him made me change the way I played the guitar. Besides his great talent, he played in a very particular, extremely rich way. I believe that he is the closest one to Jimmy Hendrix. He knew everything as far as guitar playing of that time was concerned and he was also able to play like “Garoto”, developing and improving the harmonies and melodies. Lanny is definitely one of the deepest music souls of Brazil. Those who want to learn to play the guitar must listen to him.” Chico Cesar: “Lanny Gordin is the top Brazilian guitarist. He was influenced by guitar players like Wes Montgomery, Joe Pass and Jimmy Hendrix but was also linked with the music of the world from Bach to Luiz Gonzaga.” Carlos Calado Março/2007 * “DUOS” É UM LANÇAMENTO DA BARRAVENTOARTES COM DISTRIBUIÇÃO DA UNIVERSAL. ASSESSORIA DE IMPRENSA Bebel Prates [email protected] - tel: (21) 3874 0544 Marcos Sassa [email protected] - tel: (11) 3032 4801 rua sergipe 401 cj 1310 higienópolis 01243.001 são paulo brasil tel fax [55.11] 3259.0808 [email protected] www.barraventoartes.com.br DISCOGRAPHY LANNY GORDIN > LANNY GORDIN (solo) - 2001 - Baratos Afins > PROJETO ALFA VOLUMES 1 E 2- 2004 - Baratos Afins Guest Appearances: > BRAZILIAN OCTOPUS - Lp Fermata, 1969 > SUELY E OS KANTICUS, C/ KI BACANA E ESPERANTO - Compacto Simples Philips, 1969 > DE KALAFE E A TURMA - Rosemblit Sem Data > GAL COSTA - Lp Philips, 1969 (including Não Identificado) > GAL COSTA - Lp Philips, 1969 > CAETANO VELOSO - Lp Philips, 1969 > GILBERTO GIL - Lp Philips, 1969 > ANA MARIA & MAURICIO C/ NO NO NO ESTAMOS NA NOSSA - Lp Continental 1970 > LE GAL, DE GAL COSTA - Lp Philips, 1970 > CARLOS, ERASMO, DE ERASMO CARLOS - Lp Philips - 1971 > GAL A TODO VAPOR, DE GAL COSTA - Lp Philips, 1971 > JARDS MACALÉ - Lp Polygram, 1973 rua sergipe 401 cj 1310 higienópolis 01243.001 são paulo brasil tel fax [55.11] 3259.0808 [email protected] www.barraventoartes.com.br.
Load more

Recommended publications
  • Market Access Guide – Brazil 2020 – Table of Contents 01
    Market Access Guide – Brazil 2020 – Table of Contents 01. COUNTRY OVERVIEW ....................................................................................................................................... 3 02. BRAZILIAN RECORDED MUSIC MARKET .................................................................................................... 5 THE MAJORS .......................................................................................................................................................... 1 INTERVIEW WITH PAULO JUNQUEIRO, PRESIDENT, SONY MUSIC BRASIL ................................ 10 THE INDEPENDENTS ........................................................................................................................................ 11 CHART SERVICES ................................................................................................................................................. 1 03. POPULAR BRAZILIAN MUSIC - GENRES ...................................................................................................... 1 GOSPEL .................................................................................................................................................................. 16 FUNK ...................................................................................................................................................................... 20 SERTANEJA ..........................................................................................................................................................
    [Show full text]
  • Quem Canta Seus Males Espanta
    Quem canta seus males espanta "A música tem sido um recurso interessante para atravessar esse momento" Fabiana Guerrelhas (Terapeuta Analítico-Comportamental) Ouvi dizer que dois dos sintomas da Covid-19 são a perda de olfato e de paladar e, consequentemente, de apetite. Acho que não contraí vírus algum, pois estou seguindo à risca o distanciamento social e todas as medidas de segurança, mas mesmo assim, a quarentena mexeu com meu apetite, por vários motivos. Não tenho muita vontade de me exercitar, de comer coisas gostosas, de beber, e de ler alguma coisa diferente de notícias relacionadas ao Corona. Muito curioso esse fenômeno, já que essas atividades fazem parte do meu cotidiano e algumas delas são praticamente diárias. Atualmente, eu como, basicamente, para me alimentar, e bebo um pouquinho, já que, conforme canta Chico Buarque, "a gente vai tomando, que sem a cachaça ninguém segura esse rojão". Ler e malhar, quase nada, "necas de pitibiriba". Isso não quer dizer que eu esteja deprimida ou desmotivada. Me divirto com filhas e marido, continuo atendendo intensamente meus pacientes agora no sistema online , tenho me reunido com outros psicólogos para discutir os efeitos emocionais de toda essa reviravolta e intensifiquei meu contato com amigos próximos e familiares. Sem falar nas atividades domésticas, que, aliás, são uma forma de "malhação". Cozinhar, lavar, varrer e desinfetar devem consumir muitas calorias e fortalecer alguns músculos. Posso até dizer que tenho encontrado algum prazer nisso: prazer de tarefa cumprida, de deixar o ambiente limpo e agradável, de cuidar de quem está confinado comigo. E como podem ver, a vontade e o hábito de escrever, eu não perdi.
    [Show full text]
  • Rádio Nacional Fm De Brasília
    Rádio Nacional FM Brasília RÁDIO NACIONAL FM Data Hora Descrição Intérprete Compositor 01/09/16 00:02:27 For Emily Luiz Eça Trio Pacífico Mascarenhas 01/09/16 01:56:02 Ser Brasileiro George Durand George Durand 01/09/16 02:54:31 A Última Dança Paula Nunes Vanessa Pinheiro / Lidiana Enéias 01/09/16 04:01:21 Uma Gaita Sobre O Morro Edu da Gaita Edu da Gaita 01/09/16 05:00:26 Pressentimento Grupo Toque de Salto Elton Medeiros / Hermínio Belo de Carvalho 01/09/16 06:00:56 Fita Amarela Martinho da Vila & Aline Calixto Noel Rosa 01/09/16 06:03:38 Tim Tim Por Tim Tim Leonel Laterza Haroldo Barbosa / Geraldo Jaques 01/09/16 06:07:43 Verdade, Uma Ilusão Carlinhos Brown/Paralamas do Sucesso Carlinhos Brown / Marisa Monte / Arnaldo Antunes 01/09/16 06:11:31 O Que Se Quer Marisa Monte Marisa Monte / Rodrigo Amarante 01/09/16 06:14:12 Geraldofla Mário Adnet & Lobão Mário Adnet / Bernardo Vilhena 01/09/16 06:18:14 Pagu Maria Rita Rita Lee / Zélia Duncan 01/09/16 06:22:27 Ela Gilberto Gil & Moska Gilberto Gil 01/09/16 06:25:16 Onde A Dor Não Tem Razão Mariana de Moraes & Zé Renato Paulinho da Viola / Elton Medeiros 01/09/16 06:29:06 Dois Cafés Tulipa Ruiz & Lulu Santos Tulipa Ruiz 01/09/16 06:32:46 Lenha Zeca Baleiro Zeca Baleiro 01/09/16 06:36:42 Milagreiro Djavan & Cássia Eller Djavan 01/09/16 06:42:26 Capitu Zélia Duncan & Hamilton de Holanda Luiz Tatit 01/09/16 06:47:27 Terra Caetano Veloso Caetano Veloso 01/09/16 06:53:55 Pavão Misterioso Ednardo, Amelinha & Belchior Ednardo 01/09/16 06:57:56 Estrelar Marcos Valle Marcos & Paulo Sérgio Valle 01/09/16
    [Show full text]
  • I Knew That Music Was My Language, That Music Would Take Me to See the World, Would Take Me to Other Lands
    "I knew that music was my language, that music would take me to see the world, would take me to other lands. For I thought there was the music of the earth and the music from heaven." Gil, about his childhood in the city where he lived, in Bahia, where he used to race to the first clarinet sound of the band, which started the religious celebrations, and seemed to invade everything. His career began with the accordion, still in the 50s, inspired by Luiz Gonzaga, the sound of the radio and the religious parades in town. Within the Northeast he explored a folk country sound, until Joao Gilberto emerges, the bossa nova, as well as Dorival Caymmi, with its coastal beach sound, so different from that world of wilderness he was used to. Influenced, Gil leaves aside the accordion and holds the guitar, then the electric guitar, which harbors the particular harmonies of his work until today. Since his early songs he portrayed his country, and his musicianship took very personal rhythmic and melodic forms. His first LP, “Louvação” (Worship) , released in 1967, concentrated his particular ways of translating regional components into music, as seen in the renown songs Louvação, Procissão, Roda and Viramundo. In 1963 after meeting his friend Caetano Veloso at the University of Bahia, Gil begins with Caetano a partnership and a movement that contemplated and internationalized music, theater, visual arts, cinema and all of Brazilian art. The so-called Tropicália or Tropicalist movement, involves talented and plural artists such as Gal Costa, Tom Ze, Duprat, José Capinam, Torquato Neto, Rogério Duarte, Nara Leão and others.
    [Show full text]
  • Clique Aqui Para Baixar a Edição Completa
    ELEFANTEBU CULTURA POP E PATO FU EDIÇÃO N°8 - SETEMBRO/OUTUBRO/NOVEMBRO DE 2005 Porão do Rock E mais: Ludov, Quadrinhos, Gizza Machado EDITORIAL/SUMÁRIO Esta pode não ser a melhor edição do Elefante Bu, mas é a mais especial. PATO FU Tudo porque ela correu um sério risco de não existir. Odair José e MTV Quando faltava pouco para Porão do Rock encerrar todo o conteúdo do fanzine, o computador Estado de Minas pifou. Levei a CPU para a primeira loja de informática que vi na lista telefônica e no dia seguinte o diagnóstico: processador e placa mãe foram para o MÚSICA espaço. Quase tive um piripaque! A moça da loja deve ter ficado com pena de mim e se comprometeu em salvar, pelo menos, os arquivos do computador. Los Hermanos E não foi uma tarefa tão simples. O técnico Ludov ligou dizendo que o equipamento era tão antigo, que seria preciso procurar peças compatíveis para salvar as Pitty e outros informações. Algo que poderia levar um dia ou dois. Senti que o meu computador era como um Corcel 79 que foi da oficina direto para o ferro-velho. O alívio GELÉIA GERAL chegou quase três dias depois, quando o técnico ligou para perguntar quais as pastas deveriam ser salvas. Pulos de alegria. A edição do Elefante Bu estava Gizza Machado garantida e foi finalizada num novo equipamento. Algo Quadrinhos como um Pálio Weekend Adventure 2005. Seria frustrante não poder mostrar a você a Verônica Mars passagem do Pato Fu no Porão do Rock em Brasília, o poema de Gizza Machado, o texto sobre quadrinhos de Sandro Marcelo.
    [Show full text]
  • Gender and Race in the Making of Afro-Brazilian Heritage by Jamie Lee Andreson a Dissertation S
    Mothers in the Family of Saints: Gender and Race in the Making of Afro-Brazilian Heritage by Jamie Lee Andreson A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Anthropology and History) in the University of Michigan 2020 Doctoral Committee: Professor Paul Christopher Johnson, Chair Associate Professor Paulina Alberto Associate Professor Victoria Langland Associate Professor Gayle Rubin Jamie Lee Andreson [email protected] ORCID iD: 0000-0003-1305-1256 © Jamie Lee Andreson 2020 Dedication This dissertation is dedicated to all the women of Candomblé, and to each person who facilitated my experiences in the terreiros. ii Acknowledgements Without a doubt, the most important people for the creation of this work are the women of Candomblé who have kept traditions alive in their communities for centuries. To them, I ask permission from my own lugar de fala (the place from which I speak). I am immensely grateful to every person who accepted me into religious spaces and homes, treated me with respect, offered me delicious food, good conversation, new ways of thinking and solidarity. My time at the Bate Folha Temple was particularly impactful as I became involved with the production of the documentary for their centennial celebrations in 2016. At the Bate Folha Temple I thank Dona Olga Conceição Cruz, the oldest living member of the family, Cícero Rodrigues Franco Lima, the current head priest, and my closest friend and colleague at the temple, Carla Nogueira. I am grateful to the Agência Experimental of FACOM (Department of Communications) at UFBA (the Federal University of Bahia), led by Professor Severino Beto, for including me in the documentary process.
    [Show full text]
  • POSTER Tribute to Antonio Carlos Jobim April 18, 1995 Avery
    POSTER Tribute to Antonio Carlos Jobim April 18, 1995 Avery Fisher Hall, Lincoln Center DVD Artist Title Cassia Eller acustico Carlinhos Brown World Music Portraits Daniela Thomas, Walter Salles Midnight Toquinto, Jobim, Miucha Musicalmente Jobim Sinfonico Jobim Olha Que Coisa Mais Linda Jorge Ben Jor acustico MTV Joao Gilberto, Caetano Veloso Live in Buenos Aires Adiana Calcanhotto Publico Roberto Menescal 40 anos cheios de Bossa Sonia Braga, Paulo Cesar Pereio eu te amo Compilation Me You Them Sandra Werneck Possible Loves Caetano Veloso Orfeu Marcel Camus Black Orpheus Fernanda Montenego O Auto da Compadecida Toquino Jobim, Buarque, Ivan Lins Gal Costa Canta Tom Jobim Bossa Entre Amigos Wanda Sa, Marcos Valle God Is Brazilian Carlos Diegues Chico Buarque e as cidades Caetano Veloso noites do norte ao vivo Escolas de Samba O Espetaculo Leila Pinheiro Coisas Do Brasil LPs Bossa Nova at Carnegie Hall The Classic Original Antonio Carlos Jobim Elenco de Aloysio de Oliveria/Creed Taylor Show Elis Miele Elis No Teatro Da Praia Vinicius de Moraes/Marcus da Cruz Mello Tom Jobim/Musica Popular Brasileira CD Joao Gilberto Amorosa Brasil House of Samba Part Two 40 anos de bossa nova Compilation Casa de Bossa Compilation Marisa Monte Rose and Charcoal Gal Costa Mina D’Agua do me canto Tom Jobim Viva Maysa Bossa Nova Historia Som & Imagem Milton Nascimento Club da esquina Lenny Andrade Bossa 3 Carol Saboya Danca da Voz Bossa Nova 40 anos compilation Luiz Bonfa, Roberto Menescal RIO Zea Pagodinho acustico Songbook Compilation Astrud Gilberto Leila
    [Show full text]
  • Os Jogos De Armar O Tropicalismo: Redescoberta E Ostracismo Nos Sons De Tom Zé
    OS JOGOS DE ARMAR O TROPICALISMO: REDESCOBERTA E OSTRACISMO NOS SONS DE TOM ZÉ Emília Saraiva Nery* 1 EM BUSCA DA REDESCOBERTA DO MÚSICO BAIANO TOM ZÉ Eu digo que é uma história de povo navegador. Vamos dizer: eu tinha uma garrafa jogada ao mar pedindo socorro. Essa garrafa eram meus discos. Um deles o Estudando o Samba1, o mais radical. Luís Calanca, da Baratos Afins2, pediu mil discos daquele à Continental, porque esse disco era procurado naquela porra daquele lugar dele que só se procurava coisa estranha. O disco ninguém falava, não tocou em nada, nunca. Então, um desses discos dele, não sei como, foi parar no Rio de Janeiro. Aí David Byrne3, levou, ele conta isso, a sacola botou lá. [...] Quando botou meu disco Estudando o samba, ele parou. Ele, conta, ele parou e diz: que porra é essa? E aí ligou, parou o * Docente de História pela Secretaria de Educação do Estado do Piauí. Doutoranda em História pela Universidade Federal de Uberlândia-UFU e mestre em História do Brasil pela Universidade Federal do Piauí - UFPI. Integrante do grupo de pesquisa História, Cultura e Subjetividade, do CNPq. 1 ZÉ, Tom. Estudando o Samba. São Paulo, Continental, 1976. 1. disco sonoro. 2 Produtora e gravadora musical paulista. Teve um importante papel, especiamente nos anos 1980,quando lançou bandas de rock, hevay metal e punk rock independentes da época. 3 David Byrne (14 de maio de 1952, Dumbarton, Escócia, Reino Unido) é um músico, compositor e produtor musical. É mais famoso por ter fundado e liderado a banda Talking Heads, em 1974, um dos precursores do new wave.
    [Show full text]
  • Compact Disc ARTIST: Devendra Banhart
    TRACKS Can't Help But Smiling Angelika Baby Goin' Back First Song For B Last Song For B Chin Chin & Muck Muck 16th & Valencia Roxy Music WEBSITES: Rats Official Compact Disc Maria Lionza MySpace ARTIST: Devendra Banhart Brindo TITLE: What Will We Be (Limited Edition) Meet Me At Lookout Point Walilamdzi Label: WB/Warner Bros. NOTES: Config & Selection #: CD 520960 Foolin' Street Date: 10/27/09 Order Due Date: 10/07/09 UPC: 093624973119 Box Count: 30 Unit Per Set: 1 SRP: $18.98 Alphabetize Under: B OTHER EDITIONS: For the latest up to date info on this release visit WEA.com. ALBUM FACTS Genre: Rock Producers: Devendra Banhart & Paul Butler Special Packaging Info: Includes a 36-page booklet with all illustrations and drawings done by Devandra Description: What Will We Be has a sunny, breezy feel with performances that evoke warm, lazy afternoons spent with good friends. The album is dominated by powerfully melodic, mid-tempo numbers played with relaxed expertise. But there's also ambitious stylistic range displayed with the inclusion of evanescent ballads like "Meet Me At the Lookout Point," the epic riff-rocker "Rats" sprightly R&B flavored groovers on "Baby," and the sultry Latin-flavored stunner "Brindo," the Roxy-inspired "16th & Valencia Roxy Music" among other pleasant surprises. What Will We Be was recorded in a sleepy Northern California town throughout the Spring of 2009, and was co-produced by Paul Butler (from UK outfit Band Of Bees). This is the second album Devendra's recorded with the same crew of players: Noah Georgeson (producer of Banhart's last two albums, Little Joy, Bert Jansch and Joanna Newsome) on guitar and backing vocals, Greg Rogove (Priestbird) on drums and backing vocals; Luckey Remington (The Pleased) on bass and vocals and Rodrigo Amarante (Los Hermanos, Little Joy) on guitar and backing vocals.
    [Show full text]
  • Pato Fu Para Todas As Idades Grupo Mineiro Apresenta ‘Música De Brinquedo 2’, Em Março, No Sesc Palladium
    Pato Fu para todas as idades Grupo mineiro apresenta ‘Música de brinquedo 2’, em março, no Sesc Palladium Esqueça o som da guitarra, do baixo e da bateria. Neste show do Pato Fu, grandes sucessos nacionais e internacionais, como Rock da cachorra (Eduardo Dusek), Severina Xique-Xique (Genival Lacerda), I saw you saying (Raimundos), Every Breath You Take (The Police), Private Idaho (B52’s), entre outros, são executados com instrumentos de brinquedo. Completando a trupe, o Grupo Giramundo leva monstros, ratos, galinhas e grande elenco de bonecos para o palco. Junte tudo isso e está pronta a receita de Música de Brinquedo 2, um espetáculo que é magia pura, ótima pedida para crianças e adultos. O show será no dia 31 de março, às 18h, no Grande Teatro do Sesc Palladium (rua Rio de Janeiro, 1.046, Centro). Os ingressos custam: Plateia I - R$100 (inteira), R$50 (meia- entrada) e R$40 (comerciário); Plateia II – R$80 (inteira), R$40 (meia-entrada) e R$32 (comerciário); Plateia III – R$60 (inteira), R$30 (meia-entrada) e R$24 (comerciário). SOBRE ‘MÚSICA DE BRINQUEDO 2’ Com sete anos de estrada, Grammy Latino e Disco de Ouro na bagagem, Música de Brinquedo ganhou crianças e adultos por onde passou. Em Música de Brinquedo 2, o Pato Fu apresenta agora um novo e ainda mais inusitado repertório, acompanhado do Grupo Giramundo, que soma à trupe: monstros, ratos, galinhas e grande elenco de bonecos. Um show imperdível! SOBRE PATO FU Com 26 anos de estrada, a banda mineira, que já se destacou nas principais premiações nacionais, conquistou um Grammy Latino, vendeu discos de ouro e emplacou canções em trilhas de novela, é conhecida por se manter incansavelmente original.
    [Show full text]
  • Redalyc.“Clara Crocodilo” E “Nego Dito”: Dois Perigosos Marginais?
    Antíteses ISSN: 1984-3356 [email protected] Universidade Estadual de Londrina Brasil Garcia, Walter “Clara Crocodilo” e “Nego Dito”: dois perigosos marginais? Antíteses, vol. 8, núm. 15, enero-junio, 2015, pp. 10-36 Universidade Estadual de Londrina Londrina, Brasil Disponível em: http://www.redalyc.org/articulo.oa?id=193340842002 Como citar este artigo Número completo Sistema de Informação Científica Mais artigos Rede de Revistas Científicas da América Latina, Caribe , Espanha e Portugal Home da revista no Redalyc Projeto acadêmico sem fins lucrativos desenvolvido no âmbito da iniciativa Acesso Aberto DOI: 10.5433/1984-3356.2015v8n15p10 “Clara Crocodilo” e “Nego Dito”: dois perigosos marginais? “Clara Crocodilo” and “Nego Dito”: two dangerous outlaws? Walter Garcia* RESUMO O artigo sistematiza informações sobre a trajetória artística de Arrigo Barnabé e a de Itamar Assumpção; e discute as formas de duas composições: “Clara Crocodilo” (Arrigo Barnabé/ Mario Lucio Cortes), gravada em 1980 no LP Clara Crocodilo; e “Nego Dito” (Itamar Assumpção), gravada em 1981 no LP Beleléu, Leléu, Eu. Em perspectiva interdisciplinar, a noção de forma se refere tanto à análise dos elementos que estruturam determinada obra quanto à interpretação do sentido de tal estrutura à luz do processo histórico brasileiro. Assim, os materiais sonoros que constituem cada gravação, bem como os modos como esses materiais se articulam são relacionados ao processo histórico brasileiro na passagem da década de 1970 para a de 1980. Palavras-chave: Canção popular brasileira. Arrigo Barnabé. Itamar Assumpção. Sociedade brasileira contemporânea. ABSTRACT The paper systematizes some information about both Arrigo Barnabé’s and Itamar Assumpção’s artistic career. The paper analyses, as well, the forms of two compositions: “Clara Crocodilo” (Arrigo Barnabé/ Mario Lucio Cortes), recorded in 1980 on the Clara Crocodilo album; and “Nego Dito” (Itamar Assumpção), recorded in 1981 on the Beleléu, Leléu, Eu album.
    [Show full text]
  • Download the Archives Here
    23.12.12 Merry Christmas Here comes the time for a family gathering. Hope your christmas tree will have ton of intersting presents for you. 22.12.12 Sting to perform in Jodhpur in march Sting is sheduled to perform in march (8, 9 or 10) for Jodhpur One World Retreat. It will be a private show for head injury victims. Only 250 couples will attend the party, with 30,000$ to 60,000$ donations. More information on jodhpuroneworld.org. 22.12.12 The last ship I made some updates to the "what we know about the play" on the forum. Please, check them to know all the informations about "The Last Ship", that could be released in 2013-2014. 16.12.12 Back to bass tour : the end The Back to bass tour has ended yesterday (well, that's what some fans hope) in Jakarta. You'll find all the tour history on the forum, and all informations about the "25 years" best of, that pointed the start of this world tour on this special page. What will follow ? We know that Sting's musical "The last ship" could be released in 2013/2014. We also know that he will perform in France and Marocco this summer. 10.12.12 Back to Bass last dates reports Follow the recent reports from the past shows from Back to Bass tour in Eastern Europe and Asia. Sting and his band met warm audiences (yesterday one in Manilla seems to have been the best from the tour according to Peter and Dominic's tweets and according to various Youtube crazy videos) You'll find pictures and videos on the forum.
    [Show full text]