DOCSLIB.ORG

The Girl with the Dragon Tattoo /1

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
The Girl with the Dragon Tattoo /1 THE GIRL WITH THE around the same time. A legacy of violence and perversion has been transmitted down the DRAGON TATTOO generations; a nerve-wracking climax sees the killer (Cert 18) unmasked and destroyed. Reel Issues author: Mark Woods Salander provides the evidence against Wennerström Overview: First part of the film trilogy based on the that Blomkvist needs to clear his name, but not before best-selling novels by Swedish journalist Stieg Larsson. she has stolen millions of kroner from him. An investigative thriller dealing with themes of sexual violence, corruption and revenge. FIRST REACTIONS Director: Niels Arden Oplev (2009). • What is it about Stieg Larsson's trilogy that has caught people's imaginations and made the books Length: 152 minutes. best-sellers? Cautions: some scenes involving sex and violence are graphic and may be disturbing. • What's the event or piece of dialogue in the film that stays in your mind? PLOT SUMMARY • Who's the stronger personality, Blomkvist or As the film opens journalist Mikael Blomkvist has been Salander? sentenced to three months in prison for libel following • Stieg Larsson's original title was Men Who Hate allegations against Wennerström, a corrupt Women. Does that describe Bjurman and Martin industrialist he was unable to back up. Out of the blue, Vanger, or is there more to it than that? he's offered a job investigating the disappearance 40 years ago of the niece of another industrialist, Henrik INTERACTIONS Vanger. No trace was ever found of Harriet, but every • Harriet Vanger disappears for 40 years and dozens year Henrik receives pressed flowers on her birthday – more women are murdered. Is it her fault? sent, he believes, by her killer. Blomkvist is appointed after an investigation into him carried out by Lisbeth • How would you describe Lisbeth Salander's Salander, a troubled but brilliant computer hacker. character? Salander is assaulted by her manipulative and sadistic • One of the themes of the film is justice. Romans court-appoint guardian, but takes a gruesome revenge: 12.19 says, 'Do not take revenge, my friends, but having videoed the attack to use against him, she leave room for God's wrath, for it is written: "It is knocks him out with a taser, immobilises him and mine to avenge; I will repay," says the Lord' (NIV). tattoos 'I am a sadistic pig and a rapist' on his What's the difference between justice and stomach. revenge? Blomkvist and Salander go to Hedeby, the home of the • When Blomkvist asks Martin why he has tortured extended Vanger family. Using their combined skills and killed the women, he says 'I'm doing what they uncover the mystery of Harriet's disappearance, every man dreams of. I take what I want' which is linked to the murders of other women at (1:48:54). Is he right? reelissues.org.uk The Girl with the Dragon Tattoo /1 REELISSUESclip • Parts of the Bible contain scenes of violence Salander isn't convinced. She says, 'Don't make him against women as horrific as anything in this film. into a ****ing victim. He nearly killed you. He was a For instance, Judges 19 tells of the concubine of a killer and a rapist and he enjoyed it. Levite who is gang-raped and murdered in Gibeah. 'He had the same chances as everyone else. You The Israelites are horrified at what has been done choose who you want to be. He wasn't a victim. He and take a bloody vengeance on the city. was an evil mother****er who hated women.' • Read 2 Samuel 13 (the rape of Tamar by her • Do we choose who we want to be, or is our brother and his subsequent murder); and read John freedom limited by what's been done to us? Is it 8.1–11 (Jesus and the woman taken in the act of true that everyone has the same chances, and if adultery – what happened to the man?). Are not, how should that affect how we see them? women in the Bible of less value than men? Or just physically less able to defend themselves? • Salander could have saved Martin, but she lets him burn because she thinks he deserves it. Blomkvist • Read John 4. 4–26 Jesus has an encounter with a says, 'I would never have done that, Lisbeth.' Is Samaritan woman. She is female, an alien (think that because he's more moral? Or more Jews and Palestinians today) and of dubious moral squeamish? Or because she cares more? character, but he talks to her and listens to her with respect. How is what Jesus did an example for OTHER ANGLES us today? • Are there some things that are too bad to forgive? • Galatians 3.28 says that 'in Christ there is neither Jew nor Greek, slave nor free, male nor female, for • Should someone like Martin Vanger be given the you are all one in Christ Jesus'. Imagine (if you chance to repent? can!) reading this with Martin Vanger. • How should they be punished? • What does the fate of men who abuse women in • Suppose a sex offender or murderer were to start the Bible say to men today? attending your church – how would you react? CLIP • Are we horrified enough at violence, whether on screen or off? Watch 1:59:50 - 2:02:42. Blomkvist and Salander talk over what's happened after Martin has died in the car crash and Salander has refused to help him. Blomkvist Mark Woods is a Baptist minister who has pastored is still traumatised by the closeness of his brush with two churches and is now editor of The Baptist Times. death, and what he's seen in Martin's cellar, but he He has written widely on art, film and theatre. defends Martin: 'His father taught him to kill when he © Bible Society 2011 Permission is given to make up was 16 years old. That would make anybody sick in to ten copies for use within a single Reel Issues the brain.' discussion group. reelissues.org.uk The Girl with the Dragon Tattoo/2 .
Load more

Recommended publications
  • A Study on Lisbeth Salander's Fear of Intimacy in Steig
    PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI A STUDY ON LISBETH SALANDER’S FEAR OF INTIMACY IN STEIG LARSSON’S THE GIRL WITH THE DRAGON TATTOO A SARJANA PENDIDIKAN RESEARCH PAPER Presented as Partial Fulfillment of the Requirements to Obtain the Sarjana Pendidikan Degree in English Language Education By Fertunata Monica Darsono Student Number: 111214029 ENGLISH LANGUAGE EDUCATION STUDY PROGRAM DEPARTMENT OF LANGUAGE AND ARTS EDUCATION FACULTY OF TEACHERS TRAINING AND EDUCATION SANATA DHARMA UNIVERSITY YOGYAKARTA 2018 i PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI ABSTRACT Darsono, Fertunata Monica. (2018). A Study on Lisbeth Salander’s Fear of Intimacy in Stieg Larsson’s The Girl with the Dragon Tattoo. English Language Education Study Program, Department of Language and Arts Education, Faculty of Teachers Training and Education, Yogyakarta: Sanata Dharma University. Intimacy exists in human relationship. It happens between two individuals or more. However, intimacy is feared by some people. In literary works, fear of intimacy can be experienced by the character. This study discusses the fear of intimacy on Lisbeth Salander from a novel entitled The Girl with the Dragon Tattoo, written by Stieg Larsson. Lisbeth Salander, a pale, very skinny young woman who experts in internet hack culture but awkward in common social situation, is involved in a mystery disclosure. Salander traumatic experiences with other people result in her rejection towards relationship and human intimacy. The problem formulation is “How does Salander overcome her fear of intimacy?”. The objective of the study is to describe how Salander overcome her fear of intimacy using MacAdams’ theory.
    [Show full text]
  • As Seen in the Millennium Trilogy by Stieg Larsson: Coffee As Materiality
    Paper from the conference On the Move: ACSIS conference 11–13 June, Norrköping, Sweden 2013, organised by the Advanced Cultural Studies Institute of Sweden (ACSIS). Conference Proceedings published by Linköping University Electronic Press at http://www.ep.liu.se/ecp_home/index.en.aspx?issue=095. © The Author. Coffee and Class for the Swedes – as seen in the Millennium Trilogy by Stieg Larsson: Coffee as materiality Åsa Ljungström Independent researcher In the Millennium Trilogy coffee and class express the paradox of the dream of a classless society denying the divisiveness of class affiliation in Sweden. Coffee is used to create affinity while the consumption of other kinds of food and drink is used to subtly mark social hierarchies. Swedish people like to believe that it is possible for anyone to climb the social ladder; equality is the ideal since the 1960s. Having a coffee works to level the communication between people IRL as well as in the novels. The author uses the coffee as a formula to get the storyline going, introduce new characters or forecast events. Not until the New York Times’ columnist wrote about the pathological coffee consumption did the Swedes notice. The Swedes will have a coffee during a break at work, at home, with a friend, or whenever they open communication. The serving of coffee makes a self-evident statement in any group. Drawing on theory of materiality and presence the presentation aims to analyse coffee running through the human bodies creating chains of communication. Anything is possible with a coffee for Stieg Larsson’s characters coping with the morale of good and evil, black and white.
    [Show full text]
  • Tranen Bij De Woning Van Lisbeth Salander
    T 1 0 3 - 0 De Millenniumwandeling, door het decor van de succesvolle 7 - 1 0 k a t e boeken van de Zweedse auteur Stieg Larsson, voert langs r n 3 p a g i n mooie plekjes in Stockholm. ’Dus hier wonen ze echt?’ a 5 8 Tranen bij de woning van Lisbeth Salander Petra Sjouwerman Stockholm en enkele keer gebeurt het weleens dat de bewoners van E nummer negen in de Stock- holmse Fiskargatan toeristen bin- nenlaten om ze een kijkje te gunnen in het enorme appartement van Lis- beth Salander. Maar zelfs als dat niet gebeurt en de groep vóór het impo- sante gebouw stopt, reageren som- mige toeristen emotioneel. Aasa Da- nielsson, één van de gidsen die de Millenniumwandeling doen, kijkt er niet meer van op wanneer de men- sen in haar groep met tranen in de ogen voor de deur staan. „Oooh, hier heeft Lisbeth gewoond, zeggen ze dan vol bewondering”, aldus Da- nielsson. ’In het voetspoor van Mikael Blom- kvist en Lisbeth Salander’ is een twee uur durende wandeling door stads- deel Södermalm, gebaseerd op de boeken van Stieg Larsson. De wande- ling individueel lopen kan, maar wandelen met gids is een echte aan- rader. Op boeiende wijze vlechten de gidsen namelijk informatie over de auteur, de boeken, de films en de ge- schiedenis van Stockholm door el- k a a r. Södermalm of ’Söder’ (Zuid), zoals de Stockholmenaren zeggen, ligt ten zuiden van de gamla stan, het oude centrum. Larsson woonde en werkte hier, tot hij in 2004 op 50-jarige leef- tijd aan een hartaanval overleed.
    [Show full text]
  • City G U Id E Stockholm for Stieg Larsson Fans
    NS TRAVEL A SSON F SSON LAR G E I T S R ILLIONS of people have read the late Stockholm neighbourhoods, you can relate to the Stieg Larsson's novels. His Millennium author and his characters, before visiting other rel- Trilogy comprises The Girl With The evant areas, like Kungsholmen, Vasastan, and Sand- M FO Dragon Tattoo, The Girl Who Played hamn in the archipelago (Mikael Blomkvist's cottage). L M With Fire, and The Girl Who Kicked The But Stockholm is not just about the trilogy. One Hornet’s Nest. Filmgoers have enjoyed the adaptations third of it is water and it's built on 14 islands that are of his books, the latest being the 2011 American ver- connected by 57 bridges. Sweden's capital has 100 art sion of his first, starring Daniel Craig. So, what better galleries and over 100 museums. place to go than stunning Stockholm, where you can And Stockholmers must love their art - most of the go in search of some of the secrets behind Larsson's stations of the 68-mile long metro are decorated with OCKHO T success and the reason fans flock to Sweden's capital. mosaics, sculptures and paintings - making it well CITY GUIDE S In historic, trendy Södermalm (Söder), once a work- worth catching the tube. ing class district, but now one of the most desirable LOUISE CAHILL BEST TOUR GUIDES BEST WAY AT the Stockholm City Museum (www. the go, having new projects and new ideas”. TO GET stadsmuseum.stockholm.se) Ryssgården, Slussen, A poor boy from Northern Sweden, growing AROUND sited in a 17th-century palace, you can learn about up in humble circumstances who became a PURCHASE the the city’s history, before buying a Millennium Map renowned journalist who uncovered political Stockholm Card, (SEK 40/£3.70) to go it alone.
    [Show full text]
  • Life the a E Strug E Girl an Indiv Ggle O in with Th Vidual De F Mika N Stieg He Dra L Psych Esi Pur a 320 Ael Blo G Larsso
    LIFE STRUGGLE OF MIKAEL BLOMKVISST REFLECTED IN STIEG LARSSON’S THE GIRL WITH THE DRAGON TATTOO NOVEL (2008) : AN INDIVIDUAL PSYCHOLOGICAL PERSPECTIVE RESEARCH PROPOSAL Submitted as a Partial Fulfillment of the Requirements for Getting Bachellor Degree of Education in English Departement Proposed by : DESI PURNOMOSARI A 320 100 042 School of Teaching Training and Education Muhammadiyah University of Surakarta 2014 LIFE STRUGGLE OF MIKAEL BLOMKVIST REFLECTED IN STIEG LARSSON’S THE GIRL WITH THE DRAGON TATTOO NOVEL (2008) : AN INDIVIDUAL PSYCHOLOGICAL PERSPECTIVE DESI PURNOMOSARI A 320 100 042 Advisor 1 : Dr. M. Thoyibi, M.S. Advisor 2: Titis Setyabudi, S.Si, M.Hum ABSTRACT The reseach paper aims at knowing life strugle of Mikael Blomkvist in The Girl with the Dragon is a novel by Stieg Larsson which is analyzed by using individual psychological. The objective of the research is to analyze the novel based on the structual elements of the novel and to analyze the novel based on individual psychological proposed by Alfred Adler. The type of this research is descriptive qualitative. Data of the reseacrh are taken from primary and secon dary data. The primary data of research is The Girl with the Dragon Tattoo novel. The secondary data of the research are taken from books, other source and website that related to the study. The technique of collecting data are reading novel, clasifying the data, identifying the data that can be analyzed. The method to analize of this data is descriptive analysis. The researc show that moral massage The Girl with the Dragon Tattoo novel by Stieg Larsson that “ ni pain no gain” it is a n action taken by everyone to be able to struggle through everyting occupation that they do.
    [Show full text]
  • CHAPTER I INTROCUCTION A. Background of the Study the Girl with the Dragon (Original Title in Swedish: Män Som Hatar Kvinnor L
    1 CHAPTER I INTROCUCTION A. Background of the Study The Girl with the Dragon (original title in Swedish: Män som hatar kvinnor – literally, men who hate women) is a crime novel by the late Swedish author and journalist Stieg Larsson. It is the first book of the Millennium Series Trilogy, published in 2005, one year after the author Stieg Larsson’s death. It received the Glass Key Award form Crime Writers of Scandinavia in 2006, in 2008 Boeke Prize, and in 2009 the Galaxy British Book Awards for Books Direct Crime Thriller of the Year, and the prestigious Anthony Award for Best First Novel. According to figures from june 2011, the Millennium Serius Trilogy has together sold 60 million copies in more than 50 countries. Stieg Larsson was born on August 15, 1954, in Skelleftehamn, Sweden.As a journalist and editor of the Magazine Expo , Larsson was active in documenting and exposing Swedish extreme right and racist organizations. Larsson's political convictions, as well as his journalistic experiences, led him to found the Swedish Expo Foundation, similar to the British Searchlight Foundation, established to ―counteract the growth of the extreme right and the white power-culture in schools and among young people‖. He also became the editor of the foundation's magazine, 1 2 Expo, in 1995.Larsson lived much of his life in Stockholm and worked there in the field of journalism and as an independent researcher of right-wing extremism. When he died at the age of 50, Larsson left three unpublished thrillers and unfinished manuscripts for more.
    [Show full text]
  • Hantering Av Svenska Kulturspecifika Referenser I En Engelsk Och Tjeckisk Översättning Av Stieg Larssons Män Som Hatar Kvinnor
    UPPSALA UNIVERSITET Magisteruppsats, 15 hp Masterprogram Institutionen för nordiska språk i skandinavistik VT 2015 Adrián Takáč Hantering av svenska kulturspecifika referenser i en engelsk och tjeckisk översättning av Stieg Larssons Män som hatar kvinnor Handledare: Ulf Norberg Institutionen för nordiska språk Sammandrag Syftet med uppsatsen är att analysera och jämföra den engelska och tjeckiska översättningen av Stieg Larssons kriminalroman Män som hatar kvinnor och undersöka hur svenska kulturspecifika referenser har hanterats och om de överatta texterna blev domesticerade (målspråksorienterade) eller exotiserade (källspråksorienterade). Detta undersöks genom att kategorisera de svenska kulturspecifika referenser som finns i boken och genom att kartlägga de översättningstekniker som översättarna använt sig av vid översättningen samt genom att utföra en statistisk analys av översättningsteknikernas fördelning i texterna. Eftersom vissa översättningstekniker bidrar till att den översatta texten blir domesticerad och vissa till att den blir exotiserad borde denna analys tydligt visa vilken global översättningsstrategi, d.v.s. domesticering eller exotisering, som tillämpats på båda måltexterna. Resultatet visar att det finns 306 svenska kulturspecifika referenser i boken Män som hatar kvinnor. Dessa har kategoriserats i kategorierna Geografiska namn; Personnamn; Institutioner, företag och organisationer; Mat och dryck; Politiska begrepp; Tidningar och TV; Högtider; Fordon och Övrigt. Dessa kulturspecifika referenser har översatts med hjälp
    [Show full text]
  • Lisbeth Salander Lost in Translation - an Exploration of the English Version of the Girl with the Dragon Tattoo
    University of New Orleans ScholarWorks@UNO University of New Orleans Theses and Dissertations Dissertations and Theses Fall 12-18-2014 Lisbeth Salander Lost In Translation - An Exploration of the English Version of The Girl With The Dragon Tattoo Kajsa Paludan University of New Orleans, [email protected] Follow this and additional works at: https://scholarworks.uno.edu/td Part of the Comparative Literature Commons, Ethics and Political Philosophy Commons, European Languages and Societies Commons, Feminist Philosophy Commons, Literature in English, British Isles Commons, Literature in English, North America Commons, Modern Literature Commons, Other English Language and Literature Commons, Other Feminist, Gender, and Sexuality Studies Commons, Other Languages, Societies, and Cultures Commons, Philosophy of Language Commons, Rhetoric and Composition Commons, Scandinavian Studies Commons, and the Women's Studies Commons Recommended Citation Paludan, Kajsa, "Lisbeth Salander Lost In Translation - An Exploration of the English Version of The Girl With The Dragon Tattoo" (2014). University of New Orleans Theses and Dissertations. 1935. https://scholarworks.uno.edu/td/1935 This Thesis is protected by copyright and/or related rights. It has been brought to you by ScholarWorks@UNO with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Thesis has been accepted for inclusion in University of New Orleans Theses and Dissertations by an authorized administrator of ScholarWorks@UNO.
    [Show full text]
  • Millennium Trilogy, Published After His Death, He Named His Strange, Damaged Heroine After the Girl He Never Forgot: Lisbeth
    An Unlikely Heroine: Stieg Larsson’s Legacy is “Lisbeth Salander” By Laura Vasilion SPECIAL FOR FILMS FOR TWO® When Swedish author Stieg Larsson was a teenager, he stood by in silence while friends gang-raped a teenage girl. For the rest of his life, Larsson was haunted by the shame and guilt of his part in that incident. It is not a surprise, then, that when he began working on his bestselling Millennium Trilogy, published after his death, he named his strange, damaged heroine after the girl he never forgot: Lisbeth. It has been rumored that Larsson intended to write many more books than the three in his wildly popular series. That he never got to see his any of his completed work in print or witness their incredible international popularity seems a cruel joke. Then again, rumor also has it that Larsson wrote the books for himself, never intending for anyone else to read them. Sadly, we’ll never know. What we do know is that Larsson modeled his main character, “Lisbeth Salander,” after the victim of his youth, imparting her with qualities taken from “Pippi Longstockings,” the irreverent, rebellious child with superhuman strength in the popular Swedish children’s book by Astrid Lindgren. By giving his Lisbeth the same tenacity, strength, and unwavering desire to right the wrongs in her life as Pippi, the little red-haired girl in the storybook, perhaps Larsson hoped to cleanse his soul of that tragic moment in his young life. Larsson’s gripping tales have now been brought to the screen by the Danish director Neils Arden Opley (The Girl with the Dragon Tattoo) and the Swedish director Daniel Alfredson (The Girl Who Played with Fire and The Girl Who Kicked the Hornet’s Nest).
    [Show full text]
  • The Girl with the Dragon Tattoo
    THE GIRL WITH THE DRAGON TATTOO Written by Steven Zaillian 1 EXT. SWEDEN - DAY 1 A Christmas card vista is spoiled by a black line of railroad tracks stitched onto the snowy landscape like a scar pointing north to icy desolation. A phone rings - 2 EXT. CABIN - ESTABLISHING A2 2 INT. CABIN - LAKE SILJAN - DAY 2 An elderly man who lives alone in this rustic cabin - a retired policeman - regards the phone, both expecting and dreading the call. He picks up the receiver. MORELL What kind is it? VANGER O/S I don't know. White. MORELL And the frame? VANGER O/S Dark. MORELL Postmark? VANGER O/S Same as last time. MORELL No note. VANGER O/S No. 3 INT. VANGER'S STUDY - SAME TIME 3 Henrik Vanger - at 82, even older than Morell - listens to the silence from his end of the line in a wood-paneled room as baronial as the policeman's was spartan. VANGER I can't take it anymore. MORELL O/S I know. I'm sorry, Henrik. There's nothing more to say. Vanger sets the receiver down and regards a dried white flower in a 6" x 11" frame resting on the brown paper it was wrapped and mailed in. It's somehow ominous, like the dark storm clouds that now burst outside - 2. 2. 4 INT. COURTHOUSE - STOCKHOLM - DAY 4 Mikael Blomkvist - 40's - regards the gauntlet of reporters he'll have to pass to get out of the building. As he strides toward them, microphones and cameras swing in his direction.
    [Show full text]
  • Stieg Larsson Doesn't Give Us a Specific Address, but We Know There's a flight of City Stairs Nearby
    PICTURES - THE GIRL with the DRAGON TATTOO 0. PICTURES - THE GIRL with the DRAGON TATTOO - Story Preface 1. BEHIND THE SCENES 2. EXPO - STIEG'S REAL-LIFE MAGAZINE 3. SOURCES for MIKAEL BLOMKVIST 4. SOURCES FOR LISBETH SALANDER 5. PICTURES - THE GIRL with the DRAGON TATTOO 6. PICTURES - THE GIRL WHO PLAYED WITH FIRE 7. PICTURES - THE GIRL WHO KICKED THE HORNETS' NEST Uppsala—Sweden’s fourth-largest city—plays a significant role in Lisbeth Salander’s life. This evening-view of Uppsala, featuring the Fyris River which flows through the city, is by Georgios Karamanis. Online via Flickr; License: CC BY-NC 2.0. Mikael Blomkvist was born in Borlänge but never really lived there. His family moved to a part of Stockholm known as Lilla Essingen - depicted on this map - where he attended primary school. Stockholm is a city built on an archipelago. One of the city's islands is Kungsholmen, situated in Lake Mälaren. Blomkvist attended a prep school on that island. It also features prominently in other aspects of The Girl with the Dragon Tattoo. After military service, where he was a rifleman in Kiruna - Sweden's northernmost city (in Lapland) and home to the IceHotel (one of Sweden's "seven wonders" where everything, including chairs and sleeping rooms are made from ice) - Blomkvist established himself as a journalist. He owns an investigative magazine called Millenium. His office is at the corner of Götgatan and Hökensgatan. Larsson says Blomkvist and his team have an upstairs suite, but in real life those floors are used as residential apartments.
    [Show full text]
  • The Millennium Report
    The Millennium Report Economic impact and exposure value for the Stockholm region in the Swedish Millennium feature films Shortened English version A study conducted by Cloudberry Communications on behalf of the Sörmland Regional Council, Filmregion Stockholm- Mälardalen, Stockholm Business Region Development, the Municipality of Nyköping and Film i Sörmland April 2011 Cloudberry Communications AB Table of content 1. INTRODUCTION ............................................................................................................................................ 3 1.1. THE ASSIGNMENT ..................................................................................................................................................... 3 1.2. INTRODUCTION ......................................................................................................................................................... 3 1.3. METHOD AND LIMITATIONS ................................................................................................................................... 4 2. EFFECTS DURING FILM PRODUCTION .................................................................................................. 5 2.1. THE CREATIVE INDUSTRIES .................................................................................................................................... 5 2.2. ECONOMIC EFFECTS OF FILM PRODUCTION .......................................................................................................... 5 2.3. EFFECTS DURING THE PRODUCTION
    [Show full text]