Downloading Technologies and Software, Namely in Order to Paint a Picture of What Kind of Music Industry Youtube Would Inherit
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Course of Study for the Teaching of Music in the Junior High Schools of Lethbridge, Alberta, Canada
University of Montana ScholarWorks at University of Montana Graduate Student Theses, Dissertations, & Professional Papers Graduate School 1967 Course of study for the teaching of music in the junior high schools of Lethbridge, Alberta, Canada Mary Helene Wadden The University of Montana Follow this and additional works at: https://scholarworks.umt.edu/etd Let us know how access to this document benefits ou.y Recommended Citation Wadden, Mary Helene, "Course of study for the teaching of music in the junior high schools of Lethbridge, Alberta, Canada" (1967). Graduate Student Theses, Dissertations, & Professional Papers. 1926. https://scholarworks.umt.edu/etd/1926 This Thesis is brought to you for free and open access by the Graduate School at ScholarWorks at University of Montana. It has been accepted for inclusion in Graduate Student Theses, Dissertations, & Professional Papers by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. A COURSE OF STUDY FOR THE TEACHING OF MUSIC IN THE JUNIOR HIGH SCHOOLS OF LETHBRIDGE, ALBERTA, CANADA by Sister Mary Helene Wadden B. Mus. Manhattanville College of the Sacred Heart, 19^0 B. Ed, University of Alberta, 1965 Presented in partial fulfillment of the requirements for the degree of Master of Music UNIVERSITY OF MONTANA 1967 Approved by: A -{ILCaAJI/I( (P A —— Chairman, Board of Examiners De^, Graduate School m1 9 Date UMI Number: EP34854 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. -
Media Ownership Chart
In 1983, 50 corporations controlled the vast majority of all news media in the U.S. At the time, Ben Bagdikian was called "alarmist" for pointing this out in his book, The Media Monopoly . In his 4th edition, published in 1992, he wrote "in the U.S., fewer than two dozen of these extraordinary creatures own and operate 90% of the mass media" -- controlling almost all of America's newspapers, magazines, TV and radio stations, books, records, movies, videos, wire services and photo agencies. He predicted then that eventually this number would fall to about half a dozen companies. This was greeted with skepticism at the time. When the 6th edition of The Media Monopoly was published in 2000, the number had fallen to six. Since then, there have been more mergers and the scope has expanded to include new media like the Internet market. More than 1 in 4 Internet users in the U.S. now log in with AOL Time-Warner, the world's largest media corporation. In 2004, Bagdikian's revised and expanded book, The New Media Monopoly , shows that only 5 huge corporations -- Time Warner, Disney, Murdoch's News Corporation, Bertelsmann of Germany, and Viacom (formerly CBS) -- now control most of the media industry in the U.S. General Electric's NBC is a close sixth. Who Controls the Media? Parent General Electric Time Warner The Walt Viacom News Company Disney Co. Corporation $100.5 billion $26.8 billion $18.9 billion 1998 revenues 1998 revenues $23 billion 1998 revenues $13 billion 1998 revenues 1998 revenues Background GE/NBC's ranks No. -
Download Futuro Anteriore
Numero XVII Estate 2017 futuro anteriore Sommario L'Editorial L’Editorial 3 InSistenze 4 Gusci vuoti alla dervia di Simone Scaloni 5 Nella sottrazione utile... di Anna Laura Longo 9 SETTEMBRE 2017 - N.17- ANNO 5 La cristallomanzia delle vite interrotte di Gioele Marchis 13 L’attimo al fulmicotone di Lucio Costantini 17 www.rivistadiwali.it InVerso 21 «No, non è detto che il passato sia già accaduto, così alla perfezione piattamente presente del digitale, che an- Gianluigi Miani 22 come non è detto che il futuro non lo sia ancora. È cer- nulla ogni profondità dimensionale. O come le visioni vo- Valentina Ciurleo 23 to questo il modo in cui spontaneamente pensiamo il lutamente caricaturali del futuro nella fantascienza, che Direttore Editoriale tempo, ma...Lo spazio di questo ma raccoglie le infinite sappiamo non si produrranno mai come le immaginiamo, Roberto Marzano 24 Maria Carla Trapani possibilità della rappresentazione artistica del futuro an- ma che hanno proprio nel loro essere improbabili la forza Martina Millefiorini 26 teriore, questo tempo strano che già sui banchi di scuola di una protesta, di una resistenza. A volte l’anticato e il Direttore Responsabile Dona Amati 28 ci appariva misterioso. Ma è tutto lì il senso del tempo: futuristico si fondono in una sola immagine doppiamente Flavio Scaloni nella possibilità di pensare adesso qualcosa che oggi o anacronistica, come nello Steampunk, in cui le due dire- Focus Haiku 30 domani sarà passata… zioni convergono in una sola immagine, in un solo suo- Redazione InStante 35 Sarà passata, eccolo un esempio del nostro tempo, no, in una sola parola di resistenza. -
Happy Birthday!
THE THURSDAY, APRIL 1, 2021 Quote of the Day “That’s what I love about dance. It makes you happy, fully happy.” Although quite popular since the ~ Debbie Reynolds 19th century, the day is not a public holiday in any country (no kidding). Happy Birthday! 1998 – Burger King published a full-page advertisement in USA Debbie Reynolds (1932–2016) was Today introducing the “Left-Handed a mega-talented American actress, Whopper.” All the condiments singer, and dancer. The acclaimed were rotated 180 degrees for the entertainer was first noticed at a benefit of left-handed customers. beauty pageant in 1948. Reynolds Thousands of customers requested was soon making movies and the burger. earned a nomination for a Golden Globe Award for Most Promising 2005 – A zoo in Tokyo announced Newcomer. She became a major force that it had discovered a remarkable in Hollywood musicals, including new species: a giant penguin called Singin’ In the Rain, Bundle of Joy, the Tonosama (Lord) penguin. With and The Unsinkable Molly Brown. much fanfare, the bird was revealed In 1969, The Debbie Reynolds Show to the public. As the cameras rolled, debuted on TV. The the other penguins lifted their beaks iconic star continued and gazed up at the purported Lord, to perform in film, but then walked away disinterested theater, and TV well when he took off his penguin mask into her 80s. Her and revealed himself to be the daughter was actress zoo director. Carrie Fisher. ©ActivityConnection.com – The Daily Chronicles (CAN) HURSDAY PRIL T , A 1, 2021 Today is April Fools’ Day, also known as April fish day in some parts of Europe. -
Where Belongs
Communications issue • Proud Products of Ohio Public Schools June 2014 • Volume 58, Issue 3 J OURNALOHIO SCHOOL BOARDS ASSOCIATION Whereeverybody belongs Risk Management Solutions with CREATIVITY The Ohio School Plan is your partner in managing risk. We help you to actively manage risk through comprehensive risk assessments. For more information, Complimentary member services include: call 1-800-288-6821 • School inspection checklist; peer-reviewed by the Ohio School Environmental Committee of the Ohio Environmental Health Association Hylant Administrative Services 811 Madison Avenue • Technical assistance and resource materials Toledo, Ohio 43604 • Inspections by certified playground safety inspectors • Interactive bus driver in-service training ohioschoolplan.org The Ohio School Plan is exclusively sponsored by BASA, OASBO and OSBA. Table Of Contents ON THE COVER Where everybody belongs, p. 32 J OURNALOHIO SCHOOL BOARDS ASSOCIATION A North Olmsted City mentorship program is paying big dividends in the district’s middle school. — photo by Bryan Bullock FEATURES p. 16 Communicating school success 16 New communication tools present opportunities for school districts as well as challenges. District communication on a shoestring budget 18 Learn how districts with limited budgets can excel at communication. Proud Products of Ohio Public Schools 42 OSBA honors successful past graduates of Ohio public schools. NEWS p. 37 Who are you? 12 Business Honor Roll marks another successful year 14 OHSPRA connects school communicators 25 School finance — what is your district’s message? 30 Conference plans unfold 37 DEPARTMENTS p. 4 Executive Outlook 3 According to Law 4 Management Insights 7 Boardmanship 8 Capital Insider 10 OSBA: Working for You 40 New digital edition available! OSBA Journal (ISSN 0893-5289) is published bimonthly by the Ohio School Boards Association, 8050 N. -
November 8, 2001 DUKE DAYS EVENTS CALENDAR TABLE of CONTENTS NEWS THURSDAY, NOV
■ Par* IS ■ Paft3 ■ P*c*13 MMCiitstaki the race >«lc el a rewmtJee MakJH the meat ef M enertunity Election Day brings victoria to hrf* R>T"M,a">s O.A.R. s funky grassroots, rock and doum Meet senior David kovak. the modern day and Democrats U A furl WtnW beam* the first tempo ska sound shook the walls of a sold 'Rudy' ofJMU soccer, his story of athletic dedi- Democratic governor in eight |D out Wilson Hall Sunday night. cation and his lucky day on the field. - James Madison University Today: Sunny NOVO8 2001 * Hick: 74 THE Low: 43 Making the Club What it takes to be a successful organization or club at JMU, how to get recognized and why some groups don yt make it BY KATH SNYDER Organization. Kickball Club and information and empowerment the group's cause. Morrow said. staff writer the Association of Women in witliin new members to cany the New this semester JMU students an activtiy Science, according to Morrow. group," Morrow said. "It is One gnxip that formed this involved in maintaining leader- "As always, we have a wide vari- important to maintain good academic year is Making a Difference. Making A Difference, ship positions ami pmmohng ety" she said. management and strong rela- not officially recognized by the various (BUNS this vear and Many current groups have tiontraps with other members university, is a group of under- have throughout IMl I hi-tory. been around for a long time. The and faculty advisors." • graduate and graduate students, This is evident by (fie higli num- Honor Council began when |MU According to Morrow, about faculty and counselors who are ber of student-fun din and was founded in 1908. -
Kd Lang Landmarks Press Release FINAL
Press Contacts: Elizabeth Boone, WNET, 212-560-8831, [email protected] Dorean Pugh, WNET, 212-560-3005, [email protected] Press materials: http://pressroom.pbs.org or http://www.thirteen.org/13pressroom k.d. lang – Landmarks Live in Concert: A Great Performances Special Premieres Nationwide Friday, December 14 on PBS Iconic singer-songwriter k.d. lang performs complete “Ingénue” album in honor of its 25 th anniversary at the Majestic Theatre in San Antonio Iconic singer-songwriter k.d. lang performs a 25 th anniversary concert celebrating her critically acclaimed 1992 album “Ingénue” from the Majestic Theater in San Antonio, Texas, in k.d. lang – Landmarks Live in Concert – A Great Performances Special , premiering nationwide Friday, December 14 at 9 p.m. on PBS (check local listings). Lush and subtle, “Ingénue” allowed lang and co-writer-producer Ben Mink to explore jazz, cabaret and Tin Pan Alley songwriting, resulting in some of her greatest compositions. This Landmarks Live in Concert special features an uninterrupted performance of the complete “Ingénue” album, including lang’s GRAMMY ® Award-winning hit “Constant Craving,” “Save Me,” “Wash Me Clean,” “Season of Hollow Soul” and “Miss Chatelaine.” The concert also includes the beloved Leonard Cohen song “Hallelujah” and a previously unreleased song by lang and Joe Pisapia, “Sleeping Alone.” The special also features an interview with lang by James Reed, an entertainment editor at Los Angeles Times. Twenty-six years ago, k.d. lang was embraced by the music world, its elders (including collaborators such as Tony Bennett and Roy Orbison) and audiences all over the globe for her powerfully emotional voice and often quirky take on country music. -
2013 Victoria's Secret Fashion Show
PRESS ROOM EXCLUSIVELY FOR THE MEDIA THIS JUST IN… …from CBS Entertainment SEVEN-TIME GRAMMY® AWARD WINNER TAYLOR SWIFT AND GRAMMY AWARD-NOMINATED ARTIST FALL OUT BOY TO PERFORM ON “THE VICTORIA’S SECRET FASHION SHOW,” TUESDAY, DEC. 10 ON THE CBS TELEVISION NETWORK A Great Big World and UK Newcomers Neon Jungle Will Also Perform Seven-time GRAMMY® Award-winning artist Taylor Swift, GRAMMY Award-nominated artist Fall Out Boy, A Great Big World and Neon Jungle will perform on THE VICTORIA’S SECRET FASHION SHOW, to be broadcast Tuesday, Dec. 10 (10:00-11:00 PM, ET/PT) on the CBS Television Network. This year’s fashion show will include world-famous Victoria’s Secret Angels Adriana Lima, Alessandra Ambrosio, Lily Aldridge, Candice Swanepoel, Lindsay Ellingson, Karlie Kloss, Doutzen Kroes, Behati Prinsloo and many more. The lingerie runway show will also include pink carpet interviews, model profiles and a behind-the-scenes look at the making of the world’s most celebrated fashion show. Lauded by The New York Times as “one of the most important pop artists of the last decade,” and by Rolling Stone as “one of the few genuine rock stars we’ve got these days,” singer/songwriter Taylor Swift is a seven-time GRAMMY winner, and at 20, was the youngest winner in history of the music industry’s highest honor, the GRAMMY for Album of the Year in 2010. She is the only female artist in music history (and just the fourth artist ever) to twice have an album hit the one million first-week sales figure, and is the first artist since the Beatles (and the only female artist in history) to log six or more weeks at #1 with three consecutive studio albums. -
Carlton Barrett
! 2/,!.$ 4$ + 6 02/3%2)%3 f $25-+)4 7 6!,5%$!4 x]Ó -* Ê " /",½-Ê--1 t 4HE7ORLDS$RUM-AGAZINE !UGUST , -Ê Ê," -/ 9 ,""6 - "*Ê/ Ê /-]Ê /Ê/ Ê-"1 -] Ê , Ê "1/Ê/ Ê - "Ê Ê ,1 i>ÌÕÀ} " Ê, 9½-#!2,4/."!22%44 / Ê-// -½,,/9$+.)"" 7 Ê /-½'),3(!2/.% - " ½-Ê0(),,)0h&)3(v&)3(%2 "Ê "1 /½-!$2)!.9/5.' *ÕÃ -ODERN$RUMMERCOM -9Ê 1 , - /Ê 6- 9Ê `ÊÕV ÊÀit Volume 36, Number 8 • Cover photo by Adrian Boot © Fifty-Six Hope Road Music, Ltd CONTENTS 30 CARLTON BARRETT 54 WILLIE STEWART The songs of Bob Marley and the Wailers spoke a passionate mes- He spent decades turning global audiences on to the sage of political and social justice in a world of grinding inequality. magic of Third World’s reggae rhythms. These days his But it took a powerful engine to deliver the message, to help peo- focus is decidedly more grassroots. But his passion is as ple to believe and find hope. That engine was the beat of the infectious as ever. drummer known to his many admirers as “Field Marshal.” 56 STEVE NISBETT 36 JAMAICAN DRUMMING He barely knew what to do with a reggae groove when he THE EVOLUTION OF A STYLE started his climb to the top of the pops with Steel Pulse. He must have been a fast learner, though, because it wouldn’t Jamaican drumming expert and 2012 MD Pro Panelist Gil be long before the man known as Grizzly would become one Sharone schools us on the history and techniques of the of British reggae’s most identifiable figures. -
CBS National Agreement
(510) AGREEMENT BETWEEN CBS BROADCASTING INC. AND INTERNATIONAL BROTHERHOOD OF ELECTRICAL WORKERS February 1, 2018 – April 30, 2021 CBS/IBEW National Agreement INDEX Page PREAMBLE ..........................................................................................................................1 BASIC PRINCIPLES ............................................................................................................1 ARTICLE I ............................................................................................................................2 Section 1.01 – Term ...............................................................................................................2 Section 1.02 – Recognition and Scope ..................................................................................2 Section 1.03 – Work Jurisdiction ...........................................................................................2 Section 1.04 – Territorial Jurisdiction ...................................................................................14 Section 1.05 – Subcontracting & Contracting Out ................................................................16 Section 1.06 – Employment & Union Membership ...............................................................16 Section 1.07 – No Strike or Lockout .....................................................................................18 Section 1.08 – No Discrimination ..........................................................................................19 ARTICLE II -
Bob Dylan Musician, Keith Negus. This File Contains the Pre-Proof
Bob Dylan Musician, Keith Negus. This file contains the pre-proof versions of Chapter One and Chapter Five from Bob Dylan, presented here in this format with the permission of Equinox Publishing. I have called this text Bob Dylan Musician because this was the original agreed title of the book right up to the moment just before publication when pressure from the US publisher resulted in the term ‘musician’ being reluctantly (from my perspective) expunged from the title. That word – musician – was there to concisely signal how my approach differs from most other books on Bob Dylan. I am interested in his work and practice as a musician, rather than his lyrics as poetry or the relationship between his biography and musical art. The book contains five chapters, so these two chapters introduce and conclude the study. If anyone would like electronic copies of additional chapters I am happy to provide these, as long as they are used only for research and teaching. Keith Negus June 2013 CHAPTER ONE Surroundings On 31 October 1964 Bob Dylan performed at the Philharmonic Hall in New York City, just two years after signing a recording contract and with four albums already released. Having quickly gained recognition as a folk ‘protest singer’ he was rapidly moving away from songs of social commentary and ‘finger pointing’. Dylan was beginning to use the popular song in a new and radical manner to explore more internal or subjective experiences, whilst experimenting with the sound, meaning and rhythm of words. Within three months, when recording his fifth album, no longer performing alone with acoustic guitar and harmonica, he was beginning to create an abrasive yet ethereal sonority, mixing the acoustic and electric textures of folk, electric blues, rock’n’roll, gospel, country and pop. -
American Auteur Cinema: the Last – Or First – Great Picture Show 37 Thomas Elsaesser
For many lovers of film, American cinema of the late 1960s and early 1970s – dubbed the New Hollywood – has remained a Golden Age. AND KING HORWATH PICTURE SHOW ELSAESSER, AMERICAN GREAT THE LAST As the old studio system gave way to a new gen- FILMFILM FFILMILM eration of American auteurs, directors such as Monte Hellman, Peter Bogdanovich, Bob Rafel- CULTURE CULTURE son, Martin Scorsese, but also Robert Altman, IN TRANSITION IN TRANSITION James Toback, Terrence Malick and Barbara Loden helped create an independent cinema that gave America a different voice in the world and a dif- ferent vision to itself. The protests against the Vietnam War, the Civil Rights movement and feminism saw the emergence of an entirely dif- ferent political culture, reflected in movies that may not always have been successful with the mass public, but were soon recognized as audacious, creative and off-beat by the critics. Many of the films TheThe have subsequently become classics. The Last Great Picture Show brings together essays by scholars and writers who chart the changing evaluations of this American cinema of the 1970s, some- LaLastst Great Great times referred to as the decade of the lost generation, but now more and more also recognised as the first of several ‘New Hollywoods’, without which the cin- American ema of Francis Coppola, Steven Spiel- American berg, Robert Zemeckis, Tim Burton or Quentin Tarantino could not have come into being. PPictureicture NEWNEW HOLLYWOODHOLLYWOOD ISBN 90-5356-631-7 CINEMACINEMA ININ ShowShow EDITEDEDITED BY BY THETHE