Phase One Aerial Camera Systems Applications
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Accurate Color Reproduction Workflow Guide
Accurate Color Reproduction Workflow Guide This document was prepared by Phase One’s Cultural Heritage team. For feedback and general inquiries please contact one of the team members: Carsten Wieser [email protected] Yair Shahar [email protected] Peter Stig-Nielsen [email protected] Liability Phase One disclaims any and all liabilities from the interpretation and use of the information presented in this document. All content and images are provided on an “as is” basis. Any images and/or information used or obtained from this document is done at your own risk and you will be solely responsible for all damage, including but not limited to damage to your computer system, hardware or loss of data. Trademarks & acknowledgements Capture One and Phase One are either registered trademarks or trademarks of Phase One A/S in the European Union and/or other countries. All other trademarks are the property of their respective owners. Revision: 04. July 2015. ©2015 Phase One A/S. All rights reserved. Made in Denmark. COCH WORKFLOW GUIDE V1.3 2 Phase One – Accurate Color Reproduction Workflow Guide Index INTRODUCTION ................................................................................................................................................................................................. 4 1. BASIC REFERENCES AND TOOLS NEEDED ............................................................................................................................................ 5 1.1 Imaging Guidelines ............................................................................................................................................................................. -
33 Phase One Ixu-RS1000 Accuracy Assessment Report Yu. Raizman
17th International Scientific and Technical Conference “FROM IMAGERY TO DIGITAL REALITY: ERS & Photogrammetry” Phase One iXU-RS1000 Accuracy Assessment Report Yu. Raizman, PhaseOne.Industrial, Israel 1. Introduction The main steps of the project were executed by The Phase One medium format cameras of the several geospatial, geodetic and photogrammetric series iXU-RS1000 are well known worldwide companies, which are most experienced in the and very popular for small and medium size area relevant fields: mapping projects, corridor mapping, LiDAR 1. Test field preparation mapping, urban mapping, 3D City modeling and a. Planning – Dr. Yuri Raizman, PhaseOne. oblique imagery capturing, constructions and Industrial (http://industrial.phaseone.com/) infrastructure monitoring and inspection. b. Geodetic measurements – ARMIG Geodetic The 100MP cameras with pixel size of 4.6 µ, Engineering Ltd. (www.armig.co.il/english) very high image capture rate -1 frame every 0.6 2. Test flight planning, flight execution and seconds and exposure time of up to 1/2500, a set of image preparation– Oodi Menaker, PhaseOne. metric lenses with different focal lengths (50, 70, Industrial 90, 110, 150 mm), provide a very effective solution 3. Image matching (automatic tie points in many areas of aerial mapping, monitoring and measurements), bundle block adjustment, GCP & object inspection. ChP measurements – Dr. Ziv Shragai from Simplex A very small form size (10x10x20cm including Mapping Solutions Ltd. (www.simplex-mapping. lenses) and a very light weight (less than 2 kg) are com) and Dr. Erwin Kruck from GIP, Dr. Kruck & also significant advantages of the camera – it may Co. GbR (http://bingo-atm.de/) be installed easily in every small and light aircrafts, 4. -
Phase One H 20 Getting Started
H 20 GETTING START E D PostScript billede (black logo) Phase One A/S Phase One U.S. Roskildevej 39 24 Woodbine Ave DK-2000 Frederiksberg Northport, New York Denmark 11768 USA Tel +45 36 46 01 11 Tel +1 631-757-0400 Fax +45 36 46 02 22 Fax +1 631-757-2217 Notice The name Phase One is a trademark of Phase One A/S. The names Hasselblad, Mamiya and Rollei are registered trademarks of their respective companies. All specifications are subject to change without notice. Phase One takes no responsibility for any loss or damage sustained while using their products. This manual ©2003, Phase One A/S Denmark. All rights reserved. No part of this manual may be reproduced or copied in any way without prior written permission of Phase One. Printed in Denmark. Part #: 80016001 Table of Contents 1 Contents 1 I n t r o d u c t i o n . .2 2 Special Phase One H 20 features . .3 ISO Settings . .3 Double exposure protection . .3 IR filter on CCD . .4 Large format photography . .4 3 Getting ready for taking pictures . .6 Mounting the viewfinder mask . .6 Mounting the H 20 on a Hsselblad Camera . .7 Cable mounting on Hasselblad . .8 Hasselblad 553 ELX . .9 Hasselblad 555 ELD . .10 Hasselblad 501 CM and 503 CW . .10 Mamiya RZ67 Pro II . .11 Rolleiflex 6008 AF/Integrale . .13 4 Maintenance . .17 Cleaning the IR filter . .17 5 Technical data . .18 1 H 20 Getting Started 1 Introduction The Phase One H 20 single shot camera back, is designed for high-end advertising studios with a need for productivity, flexibility and the absolute best in image quality. -
Irix 45Mm F1.4
Explore the magic of medium format photography with the Irix 45mm f/1.4 lens equipped with the native mount for Fujifilm GFX cameras! The Irix Lens brand introduces a standard 45mm wide-angle lens with a dedicated mount that can be used with Fujifilm GFX series cameras equipped with medium format sensors. Digital medium format is a nod to traditional analog photography and a return to the roots that defined the vividness and quality of the image captured in photos. Today, the Irix brand offers creators, who seek iconic image quality combined with mystical vividness, a tool that will allow them to realize their wildest creative visions - the Irix 45mm f / 1.4 G-mount lens. It is an innovative product because as a precursor, it paves the way for standard wide-angle lenses with low aperture, which are able to cope with medium format sensors. The maximum aperture value of f/1.4 and the sensor size of Fujifilm GFX series cameras ensure not only a shallow depth of field, but also smooth transitions between individual focus areas and a high dynamic range. The wide f/1.4 aperture enables you to capture a clear background separation and work in low light conditions, and thanks to the excellent optical performance, which consists of high sharpness, negligible amount of chromatic aberration and great microcontrast - this lens can successfully become the most commonly used accessory that will help you create picturesque shots. The Irix 45mm f / 1.4 GFX is a professional lens designed for FujiFilm GFX cameras. It has a high-quality construction, based on the knowledge of Irix Lens engineers gained during the design and production of full-frame lenses. -
Selecting Cameras for UAV Surveys
ARTICLE A REVIEW OF CAMERAS POPULAR AMONGST AERIAL SURVEYORS Selecting Cameras for UAV Surveys With the boom in the use of consumer-grade cameras on unmanned aerial vehicles (UAVs) for surveying and photogrammetric applications, this article seeks to review a range of different cameras and their critical attributes. Firstly, it establishes the most important considerations when selecting a camera for surveying. Secondly, the authors make a number of recommendations at various price points. While this list is not exhaustive, it is intended to present a line of reasoning that UAV practitioners should consider when selecting a camera for survey purposes. Weight, Velocity and Flight Time for Aerial Imaging Weight is an important consideration for aerial imaging that is often not a limiting factor for terrestrial photography. The growth of newer, higher-spec, low- weight cameras is therefore the focus of this article. In addition, the potential areal coverage of a survey is controlled by flight height, flight duration and UAV velocity – these become more tightly constrained with increased payload. Figure 1, Decrease in flight time with payload for a generic battery-powered multi-rotor UAV at a velocity of 6m/s (Bershadsky, 2016). In order to maximise flexibility in the selection of flight height, duration and velocity, weight must be kept to a minimum. A number of lightweight cameras for UAV use are reviewed below. Imaging parameters Sensor size is one of the key imaging parameters as this, along with focal length of the lens, is the core component in defining the ground sample distance (GSD) – the pixel size in the real world – of a survey configuration. -
May2018-Highlight-Article.Pdf
234 May 2018 PHOTOGRAMMETRIC ENGINEERING & REMOTE SENSING May 2018 Layout.indd 234 4/16/2018 12:05:54 PM ntroduction Since 2000, development and use of digital photogram- metric cameras for aerial survey has gained significant momentum. Many different cameras and systems de- signed for aerial photogrammetry were developed and presented to the market. After 15 years of intensive development, only a few of these products are in wide Productivity use in today’s mapping market. One of the prominent Isystems being provided is the medium format frame Analysis for camera from Phase One Industrial. With the development of CCD and CMOS technology, medium format cameras have come a long way from 40-60 Mpix to 80-100 Mpix cameras. Additionally, high Medium quality metric lenses with a wide range of focal lengths were developed and implemented. This enabled an ef- fective utilization of medium format cameras in many different small and medium sized urban and rural Format mapping projects, corridor mapping, oblique projects, and monitoring of areal and linear infrastructure. This article presents recent development in the ap- Mapping proach to flight planning and aerial survey productiv- ity analysis, firstly presented in Raizman (2012). The Raizman (2012) article referred only to large format Cameras cameras, whereas this article will compare large for- mat cameras vs. medium format cameras, which are getting more and more popular in aerial survey. This Yuri Raizman approach is based on some pre-defined common char- acteristics of the required mapping products. It en- Phase One Industrial ables an equivalent comparison between cameras with different parameters – focal length, sensor form and Denmark size, and pixel size. -
Hasselblad Expands Reach of Medium Format Imaging for Even More
Press information – for immediate release Gothenburg, Sweden 19 June 2019 HASSELBLAD EXPANDS REACH OF MEDIUM FORMAT IMAGING FOR EVEN MORE CREATIVE VERSATILITY Introducing the X1D II 50C, XCD 35-75 zoom lens, Phocus Mobile 2, and revealing details of the upcoming CFV II 50C digital back and 907X camera body Following the revolutionary introduction of the world’s first mirrorless medium format digital camera, the X1D-50c, Hasselblad introduces new additions to its product portfolio that bring the joy of medium format photography to image makers with the capabilities to support their creative endeavours. This includes the evolved X1D II 50C camera, the eagerly awaited XCD 3,5-4,5/35-75 Zoom Lens and Phocus Mobile 2. In addition, Hasselblad reveals the development details of the upcoming CFV II 50C digital back and 907X camera body. Hasselblad’s newest offerings yet again expand the potential of medium format pho- tography with modularity and flexibility, all while offering the brand’s renowned, stunning image quality. X1D II 50C – AN EVOLVED MEDIUM FORMAT PHOTOGRAPHY EXPERIENCE In the pursuit to continue the journey of taking medium format outside of the studio, Hasselblad is pleased to announce the next installment of the X System – the X1D II 50C Mirrorless Medium Format Digital Camera. Dedicated to optimising the X System for a wider audience of creatives, Hasselblad has listened to user feedback and improved upon the first generation with enhanced electronics for a quicker and more intuitive medium format experience. Continuing in the legacy of being the most portable and lightweight digital medium format camera, the X1D II 50C lets you take the power of medium format in a footprint smaller than most full frame DSLRs in a beautifully designed, compact package. -
Phase One P25
John Henshall’s Chip Shop Medium format digital is unshackled PHASE ONE P25 John Henshall looks at Phase One’s completely self-contained 22 megapixel medium format digital back and considers how well its images compare with large format film. ith a market share of over (1.9 x 1.4 inch) 22 megapixel sensor two thirds, Danish which virtually fills the imaging company Phase One are aperture of a 6 x 4.5 camera body. W the world leaders in This sizzling slice of silicon accounts medium format digital camera backs. for most of the cost of the P25 and is Almost six years ago I looked at the made by the world’s largest Phase One LightPhase 6 megapixel photographic company. back ( Chip Shop February 1999) and Yes, be it film of silver or sliver of described the images it produced as silicon in the back of your medium ‘exquisite’. Somewhat cheekily – format SLR, the recording of the image forever asking for more – I also is still down to Kodak. commented, ‘If Phase One … make When Eric Joakim brought the LightPhase completely portable, its P25 out to me in Oxfordshire, my first versatility will increase even more.’ impressions were of a digital back That was asking the impossible back which was a marvel of simplicity of then, when digital backs for medium design and perfection of construction. after the first few minutes. format digital cameras had to be The outer casing of the MFB-1 film Also on the rear of the P25 is a shackled to computers. -
Phase One Rainbow Fully Automated 100MP Multispectral Imaging Solution
Phase One Rainbow Fully Automated 100MP Multispectral Imaging Solution Unveil the invisible Discovering Multispectral Imaging Multispectral imaging (MSI) captures light from a range of wavelengths - visible and invisible to the human eye - across the electromagnetic spectrum using special camera technology, light sources, and filters. The resulting “stacks” of images are used to analyze substances and surfaces to determine readability, authenticity, age, and material-characterization and distribution. MSI in a wide range of applications: Analysis of documents - Readability of text on parchment, scrolls, and paper, often in poor condition is one application. Analysis of polychrome surfaces such as paintings - on canvas, wood, stone, and other materials. Applications include non-invasive analysis for conservation work and authentication. Analysis of Fabrics of all kinds -such as historic research to determine age and material. Police, forensic and crime scene investigation. Analysis for residue of human fluids on fabric, fingerprints, marks from use of weapons, and crime scene evidence. Materials characterization and sorting. Applications include quality assurance, research and development of new materials, and analysis for machine vision. General: MSI is used to differentiate subject matter based upon the differentiated response from materials with different chemical compositions Images credits R.B. Toth Associates / Equipoise Imaging MSI outstanding benefits for analysis Non-invasive & Quick first step for Nondestructive Modular & mobile non-desctructive further analysis – thanks to low energy capturing solutions contactless analysis Do it once, do it right LED lighting 2 Discovering Multispectral Imaging The Rainbow Multispectral Imaging Solution The Rainbow Software RAINBOW Multispectral cameras have been available in the market for many years but the calibration process, as well as the techniques for changing material sizes whilst maintaining consistent images that can be stacked and analyzed efficiently, has been a challenge and created significant overhead. -
The Resurgence of Large-Format Photography
THE RESURGENCE OF LARGE-FORMAT PHOTOGRAPHY Shutter Release, September 2006 Rustic large-format cameras frequently feature as picturesque props in television commercials and men’s fashion magazines. The quaint imagery sustains a nostalgic view of large-format photography that has nevertheless improved of late. The borderline eccentrics trotting out creaky wooden cameras with cracked leather bellows now tend to be nattily dressed, and include women. Depicting large format as a relic may have reflected reality 15 or 20 years ago, following a half-century of decline. Happily, times have changed. Large format is on the rebound. The past decade has seen a remarkable resurgence of large-format photography. Improvements in technology, materials and film, together with the introduction of digital backs of up to 39MP resolution, have made the ponderous into an instrument of finesse. Sinar (Switzerland) Large-format cameras, commonly called view cameras, allow photographers great creative potential in composition, perspective and focus. The cameras remain large by virtue of the film area, and are entirely manual and slow to set up and operate, but such is the appeal of large-format photography to those who have the calling. In principle, each photograph is treated as if a portrait, to be carefully planned and executed. Large Format and What It Offers Literally defined by the size of the negative or transparency, large format is photography using single sheets of film, most commonly 4x5 inches. Larger models take film sheets of 5x7, 8x10 and even 20x24 inches. Imagine a contact print the size of a huge enlargement! One benefit of large format, though by no means the primary benefit, is the size of the film. -
Save Your Time with Phase One 190MP Aerial System
The Forefront of Aerial Photography News on Cameras and Aerial Systems 1 History – Phase One: From 1993 to 2018 Phase One is an innovative international company headquartered in Copenhagen, Denmark With offices in New York, London, Cologne, Tokyo, Hong Kong, Shanghai and Tel Aviv. We are the world’s leader in open-platform, high-end, medium format camera systems and solutions for professional photographers. Phase One Industrial has Partners and Integrators worldwide. Russian market is done through our Partner NPK Fotonica in St. Petersburg 2 2 History – Phase One 3 3 History – Phase One 4 4 History – Phase One 5 5 © Antoine Rosé 6 6 Phase One Industrial In 2012, Phase One launched Phase One Industrial The new division targeted the aerial and industrial markets and leveraged its experience in producing digital backs into the aerial market. Phase One built a completely new airborne medium format camera from these experiences. 7 7 What is Medium Format? Mid Format is not fixed with a standard measurement, but the thumb rule would be a sensor with around 50mm cross track and around 40 mm along track. Along Track Cross Track 8 8 Phase One Industrial – Aerial Survey Products iXU-RS1900 iXU-RS1000, iXU1000 series Phase One 190MP Aerial System Phase One 50MP-100MP with DJI M600 9 What is a metric camera? Why? The Phase One aerial cameras are integrated, “medium format” camera systems that were designed from the ground up exclusively for aerial photography. True Metric Camera A true metric camera depends on structural integrity – ensuring consistency and rigidity of the camera and lens. -
Phase One 645 DF and IQ Digital Back Users Guide
User Guide: Phase One 645DF+ Camera and IQ2 Series Digital Back 2 3 Contents 1.0 Introduction 8 3.11 Flash Compensation Settings 46 1.1 Warranty 9 1.2 Installation and Activation of Software 9 1.3 Activation and Deactivation of Capture One 10 4.0 Introduction to the IQ2 Series Digital Back 49 1.4 Screen Calibration 11 4.1 Quick Start (shooting untethered) 50 4.2 General Hardware Setup 51 4.3 Indicator Lights 52 2.0 The 645DF+ Camera and IQ2 Digital Back System 12 4.4 Indicators 52 2.1 The Camera System includes 12 4.5 Tethered and Untethered Operations 53 2.2 Warranty and Services 13 4.6 CF Card Usage 55 2.3 Charging the Batteries for the IQ2 Digital Back 14 4.7 Secure Storage System (3S) 56 2.4 Camera Batteries (AA and rechargeable Li-ion battery) 15 4.8 Formatting your Memory Card 57 2.5 Sleep Mode 16 2.6 Attach and Remove Lens 17 2.7 Adjusting the Strap 18 5.0 Navigating the IQ2 User Interface and Menu System 58 2.8 Attaching the IQ2 Back 19 5.1 Menu Buttons 59 2.9 Names of Parts and Functions (Nomenclature) 20 5.2 Shortcuts 59 2.10 The Displays 21 5.3 Touch Screen Operation 60 2.11 Displays, Abbreviations and Electronic Dial Operation 22 5.4 ISO 61 2.12 The Buttons on the Back 23 5.5 White Balance 62 2.13 LED Lights 23 5.6 Custom White Balance 63 2.14 Setting Date and Time 24 5.7 Live View 64 2.15 Setting Diopter 24 Replacing the Diopter Correction Lens 25 2.16 Eyepiece Shutter 25 6.0 Play Mode 67 6.1 Play Mode Views 68 6.2 Play Mode: Context Menu 69 3.0 Basic Functions 28 6.3 Info Bar 70 3.1 Setting ISO 28 6.4 Play Mode Navigation