33 Phase One Ixu-RS1000 Accuracy Assessment Report Yu. Raizman

Total Page:16

File Type:pdf, Size:1020Kb

33 Phase One Ixu-RS1000 Accuracy Assessment Report Yu. Raizman 17th International Scientific and Technical Conference “FROM IMAGERY TO DIGITAL REALITY: ERS & Photogrammetry” Phase One iXU-RS1000 Accuracy Assessment Report Yu. Raizman, PhaseOne.Industrial, Israel 1. Introduction The main steps of the project were executed by The Phase One medium format cameras of the several geospatial, geodetic and photogrammetric series iXU-RS1000 are well known worldwide companies, which are most experienced in the and very popular for small and medium size area relevant fields: mapping projects, corridor mapping, LiDAR 1. Test field preparation mapping, urban mapping, 3D City modeling and a. Planning – Dr. Yuri Raizman, PhaseOne. oblique imagery capturing, constructions and Industrial (http://industrial.phaseone.com/) infrastructure monitoring and inspection. b. Geodetic measurements – ARMIG Geodetic The 100MP cameras with pixel size of 4.6 µ, Engineering Ltd. (www.armig.co.il/english) very high image capture rate -1 frame every 0.6 2. Test flight planning, flight execution and seconds and exposure time of up to 1/2500, a set of image preparation– Oodi Menaker, PhaseOne. metric lenses with different focal lengths (50, 70, Industrial 90, 110, 150 mm), provide a very effective solution 3. Image matching (automatic tie points in many areas of aerial mapping, monitoring and measurements), bundle block adjustment, GCP & object inspection. ChP measurements – Dr. Ziv Shragai from Simplex A very small form size (10x10x20cm including Mapping Solutions Ltd. (www.simplex-mapping. lenses) and a very light weight (less than 2 kg) are com) and Dr. Erwin Kruck from GIP, Dr. Kruck & also significant advantages of the camera – it may Co. GbR (http://bingo-atm.de/) be installed easily in every small and light aircrafts, 4. Stereoscopic GCP&ChP measurements – gyrocopters, medium size drones or UAVs that Mapping Technology Ltd. essentially increase a range of airborne vehicles 5. Accuracy analysis and report preparation – utilized for mapping and significantly reduces Dr. Yuri Raizman, PhaseOne.Industrial operational costs of mapping projects. The main goal of the report is photogrammetric The following software was used for the project: accuracy analysis and assessment of IXU-RS1000 • iX Capture – original image processing and camera. export to TIFF format • Agisoft Photoscan Pro – automatic image 2. Testing procedure matching and GCP & ChP measurements The photogrammetric accuracy assessment was • Bingo – aerial triangulation, bundle block done according to widely accepted aerial survey adjustment, camera calibration, and accuracy camera testing procedure, including the following assessment steps: • AtlasKLT – stereoscopic measurements of • Test field establishment GCP & ChP • Flight planning and flight execution • Automatic image matching and aerial 3. Test Field triangulation (AT) 3.1. Area • Flight camera calibration based on AT The test field is situated in the area of a village • AT accuracy analysis with different GCP & Kfar-Vitkin, Israel. It extends on 2.0 km in the ChP configuration West-East direction and 1.2 km in the South-North • Stereoscopic measurements of GCP & ChP direction. It is mostly an urban area with low height • Final conclusions one-two-story buildings. 33 October 16-19, 2017, Hadera, Israel Figure 1: Test field The area characterized by existence of many as signalized GCPs. All GCPs are located on the permanent, visible from all sides and well-defined ground. The following manmade features were manmade features, which were chosen to serve mainly used as GCPs: There are 53 GCPs in the test field. by two independent half-hour long observation sessions. 3.2. Geodetic measurements Before making the field measurements, all The following accuracies of the GCPs were GCPs were identified and marked on the Phase One received after processing all the observations: images of the area. The geodetic observations were RMSxy (cm) RMSz (cm) made according to static GPS survey procedure CSAR ± 0.3 ± 0.5 with one reference station 903AGR. The reference 903AGR vs CSAR ± 0.1 ± 0.1 station was established at the high and open area GCPs internal between ± 0.7 ± 1.2 in the north part of the test field. The reference observations station was measured against CSAR permanent GCPs absolute ± 0.8 ± 1.3 GPS station by two independent 1-hour long observation sessions. Every GCP was measured 34 17th International Scientific and Technical Conference “FROM IMAGERY TO DIGITAL REALITY: ERS & Photogrammetry” 4. Flight Planning 4.1. Aerial camera The aerial camera iXU-RS1000 with focal length of 90 mm was used for the test. The main parameters of the camera are as following: Camera Specifications Lens type Rodenstock Focal length (mm) 90 FOV (across flight, deg) 33.0 FOV (along flight, deg) 25.1 Aperture f/5.6 Exposure principle 1 Leaf shutter Exposure (sec) 1/2500 to 1/125 Image capture rate (sec) 0.6 Light Sensitivity (ISO) 50-6400 Dynamic Range (db) >84 Sensor Specifications Sensor type CMOS Pixel size (µm) 4.6 Array (pix) 11,608 x 8,708 Array volume (MP) 100 Analog-to-digital-conversion (bit) 14 Frame / Image Specifications Frame geometry Central projection Typical image size (MB) for TIFF 300 Image format PhaseOne RAW, Undistorted TIFF, JPEG Frame Coverage Frame width for 10 cm GSD (m) 1,161 Frame height for 10 cm GSD (m) 871 Frame area for 10 cm GSD (sq.km) 1.01 4.2. Aircraft installation Aircraft Cessna 172 was used for the flight. The camera was installed in the rear part of the plane with the following parameters of lever arm (distance between GPS antenna and the exit pupil of the camera): dX (cm) -15.4 dY (cm) 10.1 dZ (cm) 0.99 35 October 16-19, 2017, Hadera, Israel 4.3. Aerial survey parameters • Side overlap – 49% • Forward overlap – 80% The flight was planned and executed with the • Frame size – 450m x 340m following aerial survey parameters: • Orthophoto angle - 17° • Flight altitude (above ground) - 2,500 feet • Building lean – 15% • GSD – 4 cm • Ground speed – 100 knot • Distance between flight lines – 230 m • Strips: SN – 9; WE – 2; Figure 2: Test field with flight lines 5. Image matching and aerial triangulation residuals on GCPs, which are not participated in the adjustment – Check Points (ChP). The image matching was performed with Agisoft Photoscan Pro software. There were There were five runs of Bingo for different 202 images in the matching and 6,434 tie points purposes: (39,335 x,y image measurements) were identified 1. Tie point and all 53 GCP adjustment with during the matching. The image coordinates of all additional parameters 61, 62 for camera calibration GCPs were manually measured in Photoscan Pro. 2. Tie point and all 53 GCP adjustment with After the matching, all tie points and GCPs additional parameters 17,18,19,39,61,62 and 65 image coordinates were provided to Bingo software for camera calibration for further processing. 3. Tie points, 5 GCP and 48 ChP for the block geodetic accuracy estimation The Bingo software was used for bundle-block 4. Tie points, 9 GCP and 44 ChP for the block adjustment with additional parameters for self- geodetic accuracy estimation calibration and exterior orientation of the block 5. Tie points, 15 GCP and 38 ChP for the block with different number and configuration of used geodetic accuracy estimation GCPs. Photogrammetric accuracy of the block is estimated by residuals on tie points or by sigma Common parameters of the block for the above 0. Geodetic accuracy of the block is estimated by Bingo runs are as following: 36 17th International Scientific and Technical Conference “FROM IMAGERY TO DIGITAL REALITY: ERS & Photogrammetry” • Number of images – 202 • Number of used tie points – 3600 The following graph presents a tie points • Number of skipped tie points - 2835 distribution per images: • Mean number of points per image – 222 • Number of measured GCPs - 53 Images in the middle of the block with multiple images along the perimeter of the block with only overlaps have more identified tie points than a few overlapping images. 6. Camera self-calibration analysis participated in the adjustment. Only approximate GPS data was used for the adjustment. The self-calibration procedure is a simultaneous bundle adjustment of all images of the block with The camera self-calibration procedure was many tie points and many GCPs participating in processed twice with different sets of additional the adjustment. During the self-calibration, the parameters. The first set included additional camera interior orientation parameters (camera parameters 61 and 62, which correspond to K1 model), F, xo, yo, k1, k2, p1, p2, p3 are calculated. and K2 radial distortion coefficients in standard The accuracy of these parameters depends on Brown-Conrady distortion model. many factors – number and size of image overlaps, The second set included additional parameters number and accuracy of identified tie points, 17, 18, 19, 39, 61, 62 and 65 and was provided and number and accuracy of GCPs, existence and tested by Dr. Erwin Kruck, the developer of Bingo accuracy of GPS during the flight and some more. software. As mentioned above, 202 images with an After the adjustment of all images, the following average 202 tie points per image and 53 GCPs results obtained: 37 October 16-19, 2017, Hadera, Israel Tie points residuals 57 GCP Image Ground Ground dx (µm) dy (µm) dX (cm) dY (cm) dZ (cm) dX (cm) dY (cm) dZ (cm) MIN -7.1 -8.1 0.3 0.3 0.5 -3.0 -3.1 -0.3 MAX 7.2 9.3 5.7 3.5 16.6 1.2 1.7 0.3 Mean 0.0 0.0 0.7 0.6 3.2 0.0 0.0 0.0 STDEV 1.7 1.6 0.4 0.3 2.1 0.6 0.7 0.1 RMS 1.7 1.6 0.8 0.7 3.8 0.6 0.7 0.1 Sigma 0 1.79 / 1.83 µm (depending on a number of additional parameters) 0.4 of pixel size The results clearly present a very high F (mm) Xp (mm) Yp (mm) photogrammetric accuracy of the block.
Recommended publications
  • Accurate Color Reproduction Workflow Guide
    Accurate Color Reproduction Workflow Guide This document was prepared by Phase One’s Cultural Heritage team. For feedback and general inquiries please contact one of the team members: Carsten Wieser [email protected] Yair Shahar [email protected] Peter Stig-Nielsen [email protected] Liability Phase One disclaims any and all liabilities from the interpretation and use of the information presented in this document. All content and images are provided on an “as is” basis. Any images and/or information used or obtained from this document is done at your own risk and you will be solely responsible for all damage, including but not limited to damage to your computer system, hardware or loss of data. Trademarks & acknowledgements Capture One and Phase One are either registered trademarks or trademarks of Phase One A/S in the European Union and/or other countries. All other trademarks are the property of their respective owners. Revision: 04. July 2015. ©2015 Phase One A/S. All rights reserved. Made in Denmark. COCH WORKFLOW GUIDE V1.3 2 Phase One – Accurate Color Reproduction Workflow Guide Index INTRODUCTION ................................................................................................................................................................................................. 4 1. BASIC REFERENCES AND TOOLS NEEDED ............................................................................................................................................ 5 1.1 Imaging Guidelines .............................................................................................................................................................................
    [Show full text]
  • Phase One H 20 Getting Started
    H 20 GETTING START E D PostScript billede (black logo) Phase One A/S Phase One U.S. Roskildevej 39 24 Woodbine Ave DK-2000 Frederiksberg Northport, New York Denmark 11768 USA Tel +45 36 46 01 11 Tel +1 631-757-0400 Fax +45 36 46 02 22 Fax +1 631-757-2217 Notice The name Phase One is a trademark of Phase One A/S. The names Hasselblad, Mamiya and Rollei are registered trademarks of their respective companies. All specifications are subject to change without notice. Phase One takes no responsibility for any loss or damage sustained while using their products. This manual ©2003, Phase One A/S Denmark. All rights reserved. No part of this manual may be reproduced or copied in any way without prior written permission of Phase One. Printed in Denmark. Part #: 80016001 Table of Contents 1 Contents 1 I n t r o d u c t i o n . .2 2 Special Phase One H 20 features . .3 ISO Settings . .3 Double exposure protection . .3 IR filter on CCD . .4 Large format photography . .4 3 Getting ready for taking pictures . .6 Mounting the viewfinder mask . .6 Mounting the H 20 on a Hsselblad Camera . .7 Cable mounting on Hasselblad . .8 Hasselblad 553 ELX . .9 Hasselblad 555 ELD . .10 Hasselblad 501 CM and 503 CW . .10 Mamiya RZ67 Pro II . .11 Rolleiflex 6008 AF/Integrale . .13 4 Maintenance . .17 Cleaning the IR filter . .17 5 Technical data . .18 1 H 20 Getting Started 1 Introduction The Phase One H 20 single shot camera back, is designed for high-end advertising studios with a need for productivity, flexibility and the absolute best in image quality.
    [Show full text]
  • Phase One P25
    John Henshall’s Chip Shop Medium format digital is unshackled PHASE ONE P25 John Henshall looks at Phase One’s completely self-contained 22 megapixel medium format digital back and considers how well its images compare with large format film. ith a market share of over (1.9 x 1.4 inch) 22 megapixel sensor two thirds, Danish which virtually fills the imaging company Phase One are aperture of a 6 x 4.5 camera body. W the world leaders in This sizzling slice of silicon accounts medium format digital camera backs. for most of the cost of the P25 and is Almost six years ago I looked at the made by the world’s largest Phase One LightPhase 6 megapixel photographic company. back ( Chip Shop February 1999) and Yes, be it film of silver or sliver of described the images it produced as silicon in the back of your medium ‘exquisite’. Somewhat cheekily – format SLR, the recording of the image forever asking for more – I also is still down to Kodak. commented, ‘If Phase One … make When Eric Joakim brought the LightPhase completely portable, its P25 out to me in Oxfordshire, my first versatility will increase even more.’ impressions were of a digital back That was asking the impossible back which was a marvel of simplicity of then, when digital backs for medium design and perfection of construction. after the first few minutes. format digital cameras had to be The outer casing of the MFB-1 film Also on the rear of the P25 is a shackled to computers.
    [Show full text]
  • Phase One Rainbow Fully Automated 100MP Multispectral Imaging Solution
    Phase One Rainbow Fully Automated 100MP Multispectral Imaging Solution Unveil the invisible Discovering Multispectral Imaging Multispectral imaging (MSI) captures light from a range of wavelengths - visible and invisible to the human eye - across the electromagnetic spectrum using special camera technology, light sources, and filters. The resulting “stacks” of images are used to analyze substances and surfaces to determine readability, authenticity, age, and material-characterization and distribution. MSI in a wide range of applications: Analysis of documents - Readability of text on parchment, scrolls, and paper, often in poor condition is one application. Analysis of polychrome surfaces such as paintings - on canvas, wood, stone, and other materials. Applications include non-invasive analysis for conservation work and authentication. Analysis of Fabrics of all kinds -such as historic research to determine age and material. Police, forensic and crime scene investigation. Analysis for residue of human fluids on fabric, fingerprints, marks from use of weapons, and crime scene evidence. Materials characterization and sorting. Applications include quality assurance, research and development of new materials, and analysis for machine vision. General: MSI is used to differentiate subject matter based upon the differentiated response from materials with different chemical compositions Images credits R.B. Toth Associates / Equipoise Imaging MSI outstanding benefits for analysis Non-invasive & Quick first step for Nondestructive Modular & mobile non-desctructive further analysis – thanks to low energy capturing solutions contactless analysis Do it once, do it right LED lighting 2 Discovering Multispectral Imaging The Rainbow Multispectral Imaging Solution The Rainbow Software RAINBOW Multispectral cameras have been available in the market for many years but the calibration process, as well as the techniques for changing material sizes whilst maintaining consistent images that can be stacked and analyzed efficiently, has been a challenge and created significant overhead.
    [Show full text]
  • Save Your Time with Phase One 190MP Aerial System
    The Forefront of Aerial Photography News on Cameras and Aerial Systems 1 History – Phase One: From 1993 to 2018 Phase One is an innovative international company headquartered in Copenhagen, Denmark With offices in New York, London, Cologne, Tokyo, Hong Kong, Shanghai and Tel Aviv. We are the world’s leader in open-platform, high-end, medium format camera systems and solutions for professional photographers. Phase One Industrial has Partners and Integrators worldwide. Russian market is done through our Partner NPK Fotonica in St. Petersburg 2 2 History – Phase One 3 3 History – Phase One 4 4 History – Phase One 5 5 © Antoine Rosé 6 6 Phase One Industrial In 2012, Phase One launched Phase One Industrial The new division targeted the aerial and industrial markets and leveraged its experience in producing digital backs into the aerial market. Phase One built a completely new airborne medium format camera from these experiences. 7 7 What is Medium Format? Mid Format is not fixed with a standard measurement, but the thumb rule would be a sensor with around 50mm cross track and around 40 mm along track. Along Track Cross Track 8 8 Phase One Industrial – Aerial Survey Products iXU-RS1900 iXU-RS1000, iXU1000 series Phase One 190MP Aerial System Phase One 50MP-100MP with DJI M600 9 What is a metric camera? Why? The Phase One aerial cameras are integrated, “medium format” camera systems that were designed from the ground up exclusively for aerial photography. True Metric Camera A true metric camera depends on structural integrity – ensuring consistency and rigidity of the camera and lens.
    [Show full text]
  • Phase One 645 DF and IQ Digital Back Users Guide
    User Guide: Phase One 645DF+ Camera and IQ2 Series Digital Back 2 3 Contents 1.0 Introduction 8 3.11 Flash Compensation Settings 46 1.1 Warranty 9 1.2 Installation and Activation of Software 9 1.3 Activation and Deactivation of Capture One 10 4.0 Introduction to the IQ2 Series Digital Back 49 1.4 Screen Calibration 11 4.1 Quick Start (shooting untethered) 50 4.2 General Hardware Setup 51 4.3 Indicator Lights 52 2.0 The 645DF+ Camera and IQ2 Digital Back System 12 4.4 Indicators 52 2.1 The Camera System includes 12 4.5 Tethered and Untethered Operations 53 2.2 Warranty and Services 13 4.6 CF Card Usage 55 2.3 Charging the Batteries for the IQ2 Digital Back 14 4.7 Secure Storage System (3S) 56 2.4 Camera Batteries (AA and rechargeable Li-ion battery) 15 4.8 Formatting your Memory Card 57 2.5 Sleep Mode 16 2.6 Attach and Remove Lens 17 2.7 Adjusting the Strap 18 5.0 Navigating the IQ2 User Interface and Menu System 58 2.8 Attaching the IQ2 Back 19 5.1 Menu Buttons 59 2.9 Names of Parts and Functions (Nomenclature) 20 5.2 Shortcuts 59 2.10 The Displays 21 5.3 Touch Screen Operation 60 2.11 Displays, Abbreviations and Electronic Dial Operation 22 5.4 ISO 61 2.12 The Buttons on the Back 23 5.5 White Balance 62 2.13 LED Lights 23 5.6 Custom White Balance 63 2.14 Setting Date and Time 24 5.7 Live View 64 2.15 Setting Diopter 24 Replacing the Diopter Correction Lens 25 2.16 Eyepiece Shutter 25 6.0 Play Mode 67 6.1 Play Mode Views 68 6.2 Play Mode: Context Menu 69 3.0 Basic Functions 28 6.3 Info Bar 70 3.1 Setting ISO 28 6.4 Play Mode Navigation
    [Show full text]
  • Cultural Heritage Solution Guide
    Cultural Heritage Solution Guide 1 “We are not makers of history. We are made by history.” Martin Luther King Jr. 2 Content Contents The World of Phase Cultural One HeritageiXG Camera 4 System 34 Cultural Heritage Collection Types and Applications 5 Archives and PhaseManuscripts One 6 XF Camera System 38 Rare Books Archiving 7 IQ Digital Back Range 42 Transparent Film and Glass Plate Negatives 8 Fine Art Phase Reproduction One 9 Lenses 44 Special Digitization SchneiderProjects Kreuznach 10 Blue Ring lenses 44 Multi-Spectral Imaging 11 Phase One AutoColumn Copy Stands 46 Instant Capture vs.Phase OneScanning RPS 122300XL – Floor stand 46 Phase One RPS 1600 – Table top 46 Phase One Film Scanning Solutions 16 Phase One Film Phase Capture One Stage2-Motion 18Copy Stand 48 Phase One Flat Copy CulturalScanning SolutionsHeritage 20 Solution Partners 50 Phase One 50 Phase One Book Scanning Solutions 22 Digital Transitions, USA 50 DT Atom 22 Cambo, The Netherlands 50 DT Versa 24 Kaiser Fototechnik, Germany 50 DT BC100 26 Phase One Scanning Solutions 52 Capture One for Cultural Heritage 28 References 54 Content 3 The World of Cultural Heritage The Cultural Heritage world is diverse, with many different standing as photography itself. Historic collections in needs and challenges. For this reason Phase One offers museums and libraries have often had a dedicated modular and configurable solutions, which can be tailored photographic studio for creating photographs of sensitive to specific needs. material, or for producing paper copies for researchers and scholars, protecting the original objects from wear The need for digitization is rapidly growing, with increasing or even damage.
    [Show full text]
  • Phase One Camera User Guide( 9 MB )
    User Guide Phase One Camera On rights ©2008 Phase One A/S. All rights reserved. Made in Denmark. Ver. 1.11 - Updated 18 August 2008 Learn more about Capture One 4 on www.phaseone.com/4 Learn more about Phase One 645 AF on www.phaseone.com/camera Cover and back images Photo by: Torben Eskerod On liability The information in this user guide is provided “as is”. Under no circumstances, including negligence, shall Phase One be liable for any incidental, special, direct, indirect or consequential damages arising out of or relating to use of the information provided in this guide with or without the software described in the guide. Trademarks & acknowledgements Capture One and Phase One are either registered trademarks or trademarks of Phase One A/S in the European Union and/or other countries. All other trademarks are the property of their respective owners. 2 Contents 5.0 Tethered shooting 54 5.1 Connecting 54 1.0 Introduction 4 5.2 Driver set-up 54 1.1 Open Platform – Freedom of Choice 4 5.3 Tethered operations 55 1.2 warranty 5 1.3 Recommended hardware 5 6.0 The Back 56 1.4 Installing and Activation of software 6 6.1 CF card usage 57 1.5 Deactivation of Capture One 4 8 6.2 Mounting and dismounting card on computers 60 1.6 Screen calibration 9 6.3 Navigating the Back menu 62 6.4 Playmode 65 2.0 The Body - the system 10 6.5 Playmode – zoom functions 66 2.1 Unpacking the system 10 6.6 Menu Mode 68 2.2 Batteries for camera 12 2.3 Batteries for the back 13 7.0 Custom function 80 2.4 The parts of the camera system 14 7.1 Setting custom functions
    [Show full text]
  • Capture One 11.1 Engineered for Your Creativity Capture One Release Notes
    Capture One 11.1 Engineered for your creativity Capture One Release Notes Capture One is made by Phase One (the world’s leading manufacturer of high-end digital camera systems) in collaboration with the world’s leading professional photographers. Capture One is a professional RAW converter offering you ultimate image quality with beautiful colors and incredible detail for more than 500 high-end cameras. It offers state- of-the-art tethered capture, powerful digital asset management, extensive adjustment tools and a flexible workflow through customizable workspaces. All run modes are included in the one installer and the run mode is determined by the license key used. The trial is also included in the installer and is registered as the full product upon activation. Capture One is available in 5 modes: • Capture One Pro • Capture One Enterprise • Capture One DB (Digital Back only) • Capture One Pro Sony • Capture One Express Sony The release notes include notes for all releases of Capture One. Previous release notes can be found in the Phase One download archive. Best regards, Team Phase One Contents 11.1 Feature Summary 1 Supported Cameras 11.1 Feature Walk Through 2 11.1 Camera and Lens Support 3 Phase One 9 11.1 Bug Fixes 4 Phase One Industrial 10 System Requirements 5 Mamiya Leaf 11 Installation 6 Leaf and Mamiya Legacy 12 Recommendations and limitations 7 Sony 13 Known issues 8 Canon 15 File support: Notes and limitations 8 Nikon 18 Leica 20 Fuji 21 Olympus 22 Ricoh 24 Panasonic 25 Pentax 27 Konica Minolta 28 Samsung 28 Other 28 Supported
    [Show full text]
  • XF Camera System User Manual
    XF Camera System User Manual XF Camera System Manual | Table of Contents 1 Jump to XF Camera System Manual | Table of Contents 2 Table of Contents Content | XF Camera System Manual Primary parts of the XF Camera System 4 Basic settings, and how to restore defaults. 39 Lens, XF Camera Body, IQ Digital Back 4 Custom White Balance 41 Dials, Buttons and Touch Screen Interface 6 Creating a Custom White Balance 41 Lens, XF Camera Body, IQ Digital Back 6 HAP-1 AF Focusing system 42 Assembling the XF Camera System 8 Working with hyperfocal distance 45 Digital Back and camera body modularity 8 XF Camera System Capture Modes 47 Readying the camera system 10 General advice for using the battery and charger 11 XF Camera System Exposure Modes 48 Navigating the XF Camera System 14 Exposure Compensation 49 XF Camera Body Controls 15 Long Exposure 50 OneTouch User Interface Flow Diagram 18 Live View 51 XF Camera Menu Overview 18 Live View on the LCD, Capture One or HDMI monitor 51 IQ Digital Back Menu Overview 20 XF Camara Body OneTouch User Interface Overview 23 Custom Presets 53 XF Camera Body Navigation 23 Top Touch Screen Display 24 Flash Photography 54 Locking the Touch and/or the Dials on the XF Camera 25 Tools on the XF Top screen 25 XF Camera System Lenses 55 IQ Digital Back Navigation 27 Capture One Pro 56 IQ Digital Back Navigation Shortcuts 28 The XF Camera System is bundled with Capture One Pro, 56 IQ Digital Back Viewing images 28 Capture One Tethered Use 59 IQ Digital Back Contextual Menu 29 Overview of Contextual Menu 29 Built-In WiFi and
    [Show full text]
  • CULTURAL HERITAGE Solution Guide
    CULTURAL HERITAGE Solution Guide 1 “We are not makers of history. We are made Contents The World of IQ Cultural Digital Heritage Back 4 Range 40 Cultural Heritage Collection Types and Applications 5 by history.” Archives and LensesManuscripts 6 42 Schneider Kreuznach Blue Ring lenses 42 Rare Books Archiving 7 Transparent Film and Glass Plate Negatives 8 Phase One Standard Copy Stands 44 Martin Luther King Jr. Fine Art Phase Reproduction One 9 RePro 2Motion 45 Special Digitization PhaseProjects 10 One RePro 46 Multi-Spectral Imaging Phase One 11 RSDmot 46 Instant Capture vs.Solutions for High VolumeScanning Programmatic Imaging 4812 The Transparency Digital Kit Transitions 16 DT RGC180 49 Phase One Film Digital Capture Transitions Stage DT 21 BC100 50 Phase One Film Carriers and Glass Plate Holders 21 The General CulturalPurpose Heritage Kit Solution 22 Partners 52 Phase One 52 Software 24 Digital Transitions, USA 52 Capture One for Kaiser Cultural Fototechnik,Heritage 24 Germany 52 Phase One iXG References Camera System 54 30 Phase One XF Camera System 34 Phase One IQ Digital Backs 38 2 Content 3 Melk Abbey Library, Melk, Austria © Will Pryce The World of Cultural Heritage The Cultural Heritage world is diverse, with many different standing as photography itself. Historic collections in for the future is often a race against time, as much of nature of collections, Phase One invests in developing, needs and challenges. For this reason Phase One offers museums and libraries have often had a dedicated the material has a limited lifespan before it is gone forever, implementing and delivering specialized and tailored modular and configurable solutions, which can be tailored photographic studio for creating photographs of sensitive thus solutions that enable rapid capture are not only solutions, designed to produce the best output quality, to specific needs.
    [Show full text]
  • Air Sync Air Remote User´S Guide
    Air Sync Air Remote User´s Guide Air Remote – Sync 2 www.profoto.com Thank you for choosing Profoto Air Remote – Sync Thanks for showing us your confidence by investing in a Profoto Air device. For more than four decades we have sought the perfect light. What pushes us is our conviction that we can offer even yet better tools for the most demanding photographers. 3 Before our products are shipped we have them pass an extensive and strict testing program. We check that each individual product comply with specified performance, quality and safety. For this reason our flash equipment is widely used in rental studios and rental houses worldwide, from Paris, London, Milan, New York, Tokyo to Cape Town. Professional photographers around the world have come to value Profoto’s expertise in lighting and light-shaping. Our extensive range of Light Shaping Tools offers photographers unlimited possibilities for creating and adjusting their own light. Every single reflector and accessory creates its special light and the unique Profoto focusing system offers you the possibility to create your own light with only a few different reflectors. Enjoy your Profoto product! www.profoto.com Safety instructions SAfeTy PRecAUTionS! Do not operate the equipment before studying the instruction manual and the accompanying safety. Make sure that Profoto Safety Instructions is always accompanied the equipment! Profoto products are intended for professional use! Generator, lamp heads and accessories are only intended for indoor photographic Air Remote – Sync use. Do not place or use the equipment where it can be exposed to moisture, extreme electromagnetic fields or in areas with flammable gases or dust! Do not expose the equipment to dripping or splashing.
    [Show full text]