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SET THEM FREE Why We Shouldn’T Regulate Over the Top (OTT) Apps by Brian Williamson FIVE REASONS to Join the IIC
OCTOBER 2016 | VOLUME 44 | ISSUE 3 FREEDOM VS SECURITY Monroe Price discusses how freedom of expression is competing with national security AUDIOVISUAL CHALLENGES How media regulation is developing in a world moving from broadcasting, by Joan Barata THE CONSTANT GARDENER Jean-Jacques Sahel on shaping regulation to meet the challenges of convergence TV IN A MOBILE WORLD THE WORLD’S MOST INFLUENTIAL TELECOMS AND MEDIA POLICY, REGULATORY AFFAIRS AND COMPLIANCE JOURNAL Can broadcasters use mobile networks? SET THEM FREE Why we shouldn’t regulate over the top (OTT) apps By Brian Williamson FIVE REASONS To join the IIC The IIC enables the balanced open discussion that shapes the public policy agenda for the converged TMT sector. The Chatham House Rule gives participants the freedom of ‘off the “The llC is a platform record’ expression and debate. that brings together FCC Commissioner Jessica Rosenworcel at the IRF, 1 Washington, 2015 regulators and stakeholders from all over the world to Senior policy makers and regulators share their enable the challenges and success stories. inter-exchange of ideas A panel with Juan Manuel Wilches, CRC, 2 Colombia, TMF Miami, 2016 and experiences that allows us to push forward new policies Members build collegiate and projects.” relationships with international regulators. Jose M. Marín-Quemada, Time for networking, Annual Conference, President CNMC, Spain 3 Washington, 2015 Members attend local chapter meetings for free wherever Choose from four different they are in the world. membership types: 4 IIC Australia event on 5G spectrum. 2016 IIC Partnership Industry Membership Regulator Membership This collaborative supportive network helps facilitate the Associate Membership creation of good policy. -
Analysis and Discussion on the Network Self Made Drama Under the Network Platform
Analysis and Discussion on the Network Self Made Drama under the Network Platform Xiaoxia LI Zibo Vocational Institute Abstract: In recent years, with the continuous deepening of the integration of Internet and film and television creation, China has entered the online drama world spawned by the “Internet”. In the development trend of online drama, self-made content has become the foundation of every major platform. In 2020, the network self-made drama will be stable and new. Under the benign situation of stable development, it will move towards higher quality and broader stage. Keywords: Network; Platform; Homemade drama; Film and television DOI: 10.47297/wspciWSP2516-252708.20200409 1. The Rise of Self-made Drama in the Network Video Platform (1) The characteristics of network communication and the platform advantage of mastering the front market data, the network self-made drama has high interaction and market sensitivity. (2) Behind the rise of the network self-made drama is the network video platform that is eager for more control. n the increasingly fierce and cruel competition of “film and television winter”, Ithe network self-made drama makes these online video platforms escape the copyright purchase cost of the sky price, and change from passive content competition to active participation in content production, and become the core of platform differentiation competition. At the same time, this benign change also contains the vision of the film and television industry to reshape the content ecology. About the author: Xiaoxia LI (1978-02), female, from Zibo City, Shandong Province, master, lecturer, engaged in computer applications, network big data and artificial intelli- gence. -
Read the Report
23 Dec 2020 CMB International Securities | Equity Research | Company Initiation iQIYI (IQ US) BUY (Initiation) China’s online Disney in the making Target Price US$23.2 Up/Downside +34.8% Current Price US$17.2 We keep positive on IQIYI’s long-term subs trend and margin improvement , backed by its sizable users, unique original content and valuable IP. We forecast iQIYI to deliver 11% revenue CAGR during FY20-22E, with subs price hike and China Internet Sector ads recovery. Given fundraising partly priced in, we think iQIYI’s valuation is attractive. Initiate with BUY with DCF-based TP US$23.2. Sophie Huang An online video leader: Not only “Netflix”, but more. iQIYI is a leading (852) 3900 0889 online video platform in China, with 105mn subs. Backed by its sizable users, [email protected] vibrant original content and IP reserve, we forecast iQIYI to deliver 11% rev CAGR in FY20-22E, with subs price hike, ads recovery, and user expansion. Miriam Lu (852) 3761 8728 Original content makes the difference. With online video industry growth [email protected] tapering off, we believe content matters more to users than traffic or subsidies. iQIYI exceled itself with exclusive original content in both popular dramas and variety shows. Moreover, it bore initial fruits from short-episode dramas (e.g. Stock Data Mkt Cap (US$ mn) 13,499 the popularity of The Bad Kids <隐秘的角落>), and would further enrich Light Avg 3 mths t/o (US$ mn) 180.41 on Series (迷雾剧场) with stronger pipeline. We expect short-episode dramas 52w High/Low (US$) 28.03/ 14.51 series to stimulate its subs & brand ads momentum with higher ROI, such as Total Issued Shares (mn) 373 Who is Murderer<谁是凶手> in 2021 pipeline. -
From Western TV Sets to Chinese Online Streaming Services: English-Language TV Series in Mainland China
. Volume 16, Issue 2 November 2019 From Western TV sets to Chinese online streaming services: English-language TV series in mainland China Xiaoran Zhang, University of Nottingham, UK Abstract: In the age of multiple screens, online streaming has in the 2010s become the most significant way of consuming overseas television programs in Mainland China. Due to rather strict government policy and censorship, foreign television series are presently only legally distributed and circulated on licensed online streaming services. Focusing on the streaming of US/UK TV series, this paper examines online streaming services’ distribution activities in order to understand both streaming websites’ business practices surrounding transnational TV and the features they employ to cater to online audiences for these series. To grasp how the online distribution of English-language TV series operates in China, I begin by looking at China’s five major video streaming services, analyzing the design of their interfaces, scheduling of programs, and accessibility for different tiers of users. I then examine how streaming services use social media as a major tool to promote their US and UK TV series. Through this analysis, I argue that transnational TV flow has had to be localized to achieve distribution and marketing goals in a Chinese context, resulting in the uniqueness of these streaming practices. This article concludes that, with the development of online streaming technologies, distinctive modes of audience consumption in China have informed the localization of this specific transnational TV content. Keywords: Online streaming, streaming consumption, television distribution, transnational TV, Tencent Video, HBO, Game of Thrones Introduction As one of HBO’s most successful high-end shows, Game of Thrones (2011-) has earned a worldwide reputation that includes the fandom of Chinese viewers. -
Most Recent Chinese 'Ad Block' Judgment Affirms Ad-Based Revenue Model for Internet Businesses 13 November 2015
Most recent Chinese 'ad block' judgment affirms ad-based revenue model for Internet businesses 13 November 2015 On 14 October 2015, a local court in Shanghai adopted the The judgment latest in a series of judgments on the legality of software and On the ad block claim, the Shanghai court held that the VST other technical measures that block or skip advertisements on software had decrypted iQiyi's security key codes so that digital platforms. iQiyi's servers mistakenly took VST's access requests as In its judgment, the Shanghai Yangpu District People's Court coming from iQiyi's own platform. Through this approach, the found that Juwangshi Technology Corporation ("Juwangshi"), court found, the VST software was able to directly displaying a video streaming service aggregator, had breached anti- iQiyi's videos without the ads, which had the same effect as unfair competition rules by utilizing certain decryption explicit "ad blocking." The court pointed out that Juwangshi's measures to block ads while displaying videos streamed from ad blocking conduct was able to attract users who neither iQiyi, one of China's main online video sites. The judgment want to watch ads nor pay for iQiyi membership, which in turn also addressed the issue of online businesses "scraping reduces iQiyi's revenues. content" (i.e., using information) from other websites. On this point, the Shanghai court judgment is consistent with Background to the case a series of "ad block" judgments by various Chinese courts in the last two years. For example, in a judgment at the end of The plaintiff in this case was iQiyi, which streams video July 2015, the Beijing Shijingshan District People's Court programs for free but has ads embedded at the beginning of found Hualu Tianwei, also an online video aggregation the programs. -
Cinema 3 Cinema 3 Yestv Gold Yestv Silver Yestv Bronze Rp
Cinema 3 Cinema 3 Yestv Gold Yestv Silver Yestv Bronze Rp. 100,000.00 Rp. 100,000.00 Rp. 275,000.00 Rp. 199,000.00 Rp. 125,000.00 HBO 1 HBO 1 HBO 1 HBO Signature 1 HBO Signature 1 HBO Signature 1 Cinemax 1 Cinemax 1 Cinemax 1 Star Movies 1 Star Movies 1 Star Movies 1 Star Movies 1 Star Movies 1 MGM 1 MGM 1 MGM 1 MGM 1 HBO Hits HBO Hits HBO Family HBO Family Max Max Hallmark 1 Hallmark 1 Hallmark 1 Hallmark 1 Formosa TV Formosa TV Formosa TV Sports Sports Rp. 55,000.00 Rp. 55,000.00 Eurosport Eurosport ESPN 1 ESPN 1 ESPN 1 ESPN 1 ESPN 1 Star Sports 1 Star Sports 1 Star Sports 1 Star Sports 1 Star Sports 1 Tensports Tensports Mini Galaxy Entertainment Venus Rp. 22,000.00 Rp. 149,000.00 Animax 1 Animax 1 Animax 1 Animax 1 Asian Food Channel 1 Asian Food Channel 1 Asian Food Channel 1 Asian Food Channel 1 Universal Universal Ginx Ginx Mini Galaxy News Rp. 12,000.00 BBC World 1 BBC World 1 BBC World 1 BBC World 1 CNBC 1 CNBC 1 CNBC 1 CNBC 1 Mini Galaxy Kids Rp. 8,000.00 Boomerang Boomerang Playhouse Disney 1 Playhouse Disney 1 TelkomVision2 TelkomVision2 TelkomVision2 Galaxy Rp. 179,000.00 Celestial Movies 1 Celestial Movies 1 Celestial Movies 1 Baby TV Baby TV Cbeebies CBeebies Disney Channel 1 Disney Channel 1 Disney Channel 1 Disney Channel 1 Disney Channel 1 Nickelodeon 1 Nickelodeon 1 Nickelodeon 1 Cartoon Network 1 Cartoon Network 1 Cartoon Network 1 Cartoon Network Cartoon Network 1 Specatoon Specatoon Specatoon History History Biography National Geographic Channel 1 National Geographic Channel 1 National Geographic Channel 1 National -
Stream Name Category Name Coronavirus (COVID-19) |EU| FRANCE TNTSAT ---TNT-SAT ---|EU| FRANCE TNTSAT TF1 SD |EU|
stream_name category_name Coronavirus (COVID-19) |EU| FRANCE TNTSAT ---------- TNT-SAT ---------- |EU| FRANCE TNTSAT TF1 SD |EU| FRANCE TNTSAT TF1 HD |EU| FRANCE TNTSAT TF1 FULL HD |EU| FRANCE TNTSAT TF1 FULL HD 1 |EU| FRANCE TNTSAT FRANCE 2 SD |EU| FRANCE TNTSAT FRANCE 2 HD |EU| FRANCE TNTSAT FRANCE 2 FULL HD |EU| FRANCE TNTSAT FRANCE 3 SD |EU| FRANCE TNTSAT FRANCE 3 HD |EU| FRANCE TNTSAT FRANCE 3 FULL HD |EU| FRANCE TNTSAT FRANCE 4 SD |EU| FRANCE TNTSAT FRANCE 4 HD |EU| FRANCE TNTSAT FRANCE 4 FULL HD |EU| FRANCE TNTSAT FRANCE 5 SD |EU| FRANCE TNTSAT FRANCE 5 HD |EU| FRANCE TNTSAT FRANCE 5 FULL HD |EU| FRANCE TNTSAT FRANCE O SD |EU| FRANCE TNTSAT FRANCE O HD |EU| FRANCE TNTSAT FRANCE O FULL HD |EU| FRANCE TNTSAT M6 SD |EU| FRANCE TNTSAT M6 HD |EU| FRANCE TNTSAT M6 FHD |EU| FRANCE TNTSAT PARIS PREMIERE |EU| FRANCE TNTSAT PARIS PREMIERE FULL HD |EU| FRANCE TNTSAT TMC SD |EU| FRANCE TNTSAT TMC HD |EU| FRANCE TNTSAT TMC FULL HD |EU| FRANCE TNTSAT TMC 1 FULL HD |EU| FRANCE TNTSAT 6TER SD |EU| FRANCE TNTSAT 6TER HD |EU| FRANCE TNTSAT 6TER FULL HD |EU| FRANCE TNTSAT CHERIE 25 SD |EU| FRANCE TNTSAT CHERIE 25 |EU| FRANCE TNTSAT CHERIE 25 FULL HD |EU| FRANCE TNTSAT ARTE SD |EU| FRANCE TNTSAT ARTE FR |EU| FRANCE TNTSAT RMC STORY |EU| FRANCE TNTSAT RMC STORY SD |EU| FRANCE TNTSAT ---------- Information ---------- |EU| FRANCE TNTSAT TV5 |EU| FRANCE TNTSAT TV5 MONDE FBS HD |EU| FRANCE TNTSAT CNEWS SD |EU| FRANCE TNTSAT CNEWS |EU| FRANCE TNTSAT CNEWS HD |EU| FRANCE TNTSAT France 24 |EU| FRANCE TNTSAT FRANCE INFO SD |EU| FRANCE TNTSAT FRANCE INFO HD -
(12) Patent Application Publication (10) Pub. No.: US 2017/0142454 A1 JANG (43) Pub
US 201701 42454A1 (19) United States (12) Patent Application Publication (10) Pub. No.: US 2017/0142454 A1 JANG (43) Pub. Date: May 18, 2017 (54) THIRD-PARTY VIDEO PUSHING METHOD Publication Classification AND SYSTEM (51) Int. Cl. (71) Applicants: LE HOLDINGS (BEIJING) CO., H04N 2L/237 (2006.01) LTD., Beijing- - - (CN); LECLOUD H04N 2L/2582L/23 (2006.01) COMPUTING CO.,LTD., Beijing (CN) (52) U.S. Cl. CPC ..... H04N 21/237 (2013.01); H04N 21/25816 (72) Inventor: Yuhan JIANG, Beijing (CN) (2013.01); H04N 21/23109 (2013.01) (73) Assignees: LE HOLDINGS (BEIJING) CO., (57) ABSTRACT LTD., Beijing (CN); LECLOUD Disclosed are a method and system for pushing video to a COMPUTING CO.,LTD., Beijing third party, the method including: receiving a video request (CN) instruction from a third party, the video request instruction including third-party identification authentication informa (21) Appl. No.: 15/252,252 tion and third-party video stream identification information; retrieving a prestored list of local video streams correspond (22) Filed: Aug. 31, 2016 ing to a third party ID according to the third-party identifi cation ID authentication information; determining a video O O stream to be pushed by comparing the third-party video Related U.S. Application Data stream identification information with local video stream (63) Continuation of application No. PCT/CN2016/ configuration information in the list of local video streams; 083022, filed on May 23, 2016. pushing the video stream to be pushed to the third party. Sharing of different video streams between different video (30) Foreign Application Priority Data platforms is implemented by presetting a video stream matching list in a server, and a response to a video request Nov. -
Annual Report 2007 Creating and Distributing Top-Quality News, Sports and Entertainment Around the World
Annual Report 2007 Creating and distributing top-quality news, sports and entertainment around the world. News Corporation As of June 30, 2007 Filmed Entertainment WJBK Detroit, MI Latin America United States KRIV Houston, TX Cine Canal 33% Fox Filmed Entertainment KTXH Houston, TX Telecine 13% Twentieth Century Fox Film KMSP Minneapolis, MN Australia and New Zealand Corporation WFTC Minneapolis, MN Premium Movie Partnership 20% Fox 2000 Pictures WTVT Tampa Bay, FL Fox Searchlight Pictures KSAZ Phoenix, AZ Cable Network Programming Fox Atomic KUTP Phoenix, AZ United States Fox Music WJW Cleveland, OH FOX News Channel Twentieth Century Fox Home KDVR Denver, CO Fox Cable Networks Entertainment WRBW Orlando, FL FX Twentieth Century Fox Licensing WOFL Orlando, FL Fox Movie Channel and Merchandising KTVI St. Louis, MO Fox Regional Sports Networks Blue Sky Studios WDAF Kansas City, MO (15 owned and operated) (a) Twentieth Century Fox Television WITI Milwaukee, WI Fox Soccer Channel Fox Television Studios KSTU Salt Lake City, UT SPEED Twentieth Television WBRC Birmingham, AL FSN Regency Television 50% WHBQ Memphis, TN Fox Reality Asia WGHP Greensboro, NC Fox College Sports Balaji Telefilms 26% KTBC Austin, TX Fox International Channels Latin America WUTB Baltimore, MD Big Ten Network 49% Canal Fox WOGX Gainesville, FL Fox Sports Net Bay Area 40% Asia Fox Pan American Sports 38% Television STAR National Geographic Channel – United States STAR PLUS International 75% FOX Broadcasting Company STAR ONE National Geographic Channel – MyNetworkTV STAR -
Insight Notes Linked to the J.P. Morgan Quest 5G Thematic Basket (Jan 2021) Due February 18, 2022 Fully and Unconditionally Guaranteed by Jpmorgan Chase & Co
The information in this preliminary pricing supplement is not complete and may be changed. This preliminary pricing supplement is not an offer to sell nor does it seek an offer to buy these securities in any jurisdiction where the offer or sale is not permitted. Subject to completion dated December 15, 2020 January , 2021 Registration Statement Nos. 333-236659 and 333-236659-01; Rule 424(b)(2) JPMorgan Chase Financial Company LLC Structured Investments Insight Notes Linked to the J.P. Morgan Quest 5G Thematic Basket (Jan 2021) due February 18, 2022 Fully and Unconditionally Guaranteed by JPMorgan Chase & Co. The notes are designed for investors who seek exposure to the performance of the J.P. Morgan Quest 5G Thematic Basket (Jan 2021) of 32 unequally weighted Reference Stocks, which we refer to as the Basket, as reduced by the Basket Deduction of 1.50%. The Reference Stocks in the Basket represent the common stocks / common shares / American depositary shares / ordinary shares of 32 U.S.-listed companies associated with the ongoing roll-out of fifth-generation wireless technologies (“5G”). Investors should be willing to forgo interest and dividend payments and, if the Basket is flat, declines or does not increase by at least 1.50%, be willing to lose some or all of their principal amount at maturity. The notes are unsecured and unsubordinated obligations of JPMorgan Chase Financial Company LLC, which we refer to as JPMorgan Financial, the payment on which is fully and unconditionally guaranteed by JPMorgan Chase & Co. Any payment on the notes is subject to the credit risk of JPMorgan Financial, as issuer of the notes, and the credit risk of JPMorgan Chase & Co., as guarantor of the notes. -
Analysis of the Development Tendency of Network Video Programs
2020 4th International Conference on Education, Management and Social Science (EMSS 2020) Analysis of the Development Tendency of Network Video Programs Lei Xi a, Zaining Wang b, * School of Journalism and Communication, China West Normal University, Nanchong, 637009 Sichuan, China [email protected], [email protected] *Corresponding author Keywords: Internet self-made programs, development trends, characteristics. Abstract: "Audiovisual new media programs" refer to new media forms characterized by two-way interaction through the combined effect on human audiovisual senses, such as network video, IPTV, Internet TV, mobile TV, etc. With the rise of online media, the viewing habits of netizens are undergoing earth-shaking changes. People’s dependence on video sites is gradually increasing. Video sites have also become the main position for many people to draw on "spiritual food." In the development of audiovisual new media, due to changes in the relationship between the mediator and the audience, the increase in audience participation, the increase in micro-fragmented content, and technological application innovation, online video programs have been uploaded by the initial netizens and gradually developed into copyright Purchase and online self-made new media program production forms. 1. The transition from uploading to copyright purchase by netizens 1.1 Uploaded by netizens Online video programs first started with the uploading of netizens. Since YouTube was acquired by Internet crocodile Google in 2006, the attitude of the Internet ecosystem to video sites has undergone a tremendous change, and they have invested in the field of video sites. China’s video website platform has correspondingly come to a period of opportunity for development. -
Tbivision.Com April/May 2017
Kids TBIvision.com April/May 2017 KidspOFC AprMay17.indd 1 15/03/2017 18:01 LAGARDERE_SONIC_TBICOVER_0317_def.indd 1 15/03/2017 17:20 TBI KODY KAPOW FULL PAGE.pdf 1 13/03/2017 17:58:07 C M Y CM MY CY CMY K KidspIFC Zodiak AprMay17.indd 1 14/03/2017 14:45 CONTENTS INSIDE THIS ISSUE This issue 2 6 2 TBI Kids interview: Dan Povenmire and Jeff ‘Swampy’ Marsh The Phineas and Ferb creators tell Stewart Clarke about their new showMilo Murphy’s Law, and their take on the animation business 4 Kids Matrix What’s going on in kids TV, from digital to linear, and live-action to animated, at a glance 6 Kids OTT tidal wave 10 The people behind the growing number of kid-focused streaming services open up about their strategies and goals, and how younger consumers are enagaging with content 10 Emerging studios 14 Several kids studios are evolving from work-for-hire shops into content-creation hubs. Jane Marlow speaks to the wave of emerging studios about balancing service work with origination 14 Hot Picks The best new kids shows launching at MIPTV, from a newMr Magoo, to a live-action ballet series, to a princess knight 20 TBI Kids interview: Christina Miller, Boomerang The president of Cartoon Network, Adult Swim and Boomerang talks SVOD Editor Stewart Clarke • [email protected] • @TBIstewart Television Business International (USPS 003-807) is published bi-monthly (Jan, Mar, Apr, Jun, Aug and Oct) by KNect365 TMT, Maple House,149 Tottenham Court Road, London, W1T 7AD, United Kingdom.