Real-Time Deep Video Deinterlacing
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Problems on Video Coding
Problems on Video Coding Guan-Ju Peng Graduate Institute of Electronics Engineering, National Taiwan University 1 Problem 1 How to display digital video designed for TV industry on a computer screen with best quality? .. Hint: computer display is 4:3, 1280x1024, 72 Hz, pro- gressive. Supposing the digital TV display is 4:3 640x480, 30Hz, Interlaced. The problem becomes how to convert the video signal from 4:3 640x480, 60Hz, Interlaced to 4:3, 1280x1024, 72 Hz, progressive. First, we convert the video stream from interlaced video to progressive signal by a suitable de-interlacing algorithm. Thus, we introduce the de-interlacing algorithms ¯rst in the following. 1.1 De-Interlacing Generally speaking, there are three kinds of methods to perform de-interlacing. 1.1.1 Field Combination Deinterlacing ² Weaving is done by adding consecutive ¯elds together. This is ¯ne when the image hasn't changed between ¯elds, but any change will result in artifacts known as "combing", when the pixels in one frame do not line up with the pixels in the other, forming a jagged edge. This technique retains full vertical resolution at the expense of half the temporal resolution. ² Blending is done by blending, or averaging consecutive ¯elds to be displayed as one frame. Combing is avoided because both of the images are on top of each other. This instead leaves an artifact known as ghosting. The image loses vertical resolution and 1 temporal resolution. This is often combined with a vertical resize so that the output has no numerical loss in vertical resolution. The problem with this is that there is a quality loss, because the image has been downsized then upsized. -
Viarte Remastering of SD to HD/UHD & HDR Guide
Page 1/3 Viarte SDR-to-HDR Up-conversion & Digital Remastering of SD/HD to HD/UHD Services 1. Introduction As trends move rapidly towards online content distribution and bigger and brighter progressive UHD/HDR displays, the need for high quality remastering of SD/HD and SDR to HDR up-conversion of valuable SD/HD/UHD assets becomes more relevant than ever. Various technical issues inherited in legacy content hinder the immersive viewing experience one might expect from these new HDR display technologies. In particular, interlaced content need to be properly deinterlaced, and frame rate converted in order to accommodate OTT or Blu-ray re-distribution. Equally important, film grain or various noise conditions need to be addressed, so as to avoid noise being further magnified during edge-enhanced upscaling, and to avoid further perturbing any future SDR to HDR up-conversion. Film grain should no longer be regarded as an aesthetic enhancement, but rather as a costly nuisance, as it not only degrades the viewing experience, especially on brighter HDR displays, but also significantly increases HEVC/H.264 compressed bit-rates, thereby increases online distribution and storage costs. 2. Digital Remastering and SDR to HDR Up-Conversion Process There are several steps required for a high quality SD/HD to HD/UHD remastering project. The very first step may be tape scan. The digital master forms the baseline for all further quality assessment. isovideo's SD/HD to HD/UHD digital remastering services use our proprietary, state-of-the-art award- winning Viarte technology. Viarte's proprietary motion processing technology is the best available. -
A Review and Comparison on Different Video Deinterlacing
International Journal of Research ISSN NO:2236-6124 A Review and Comparison on Different Video Deinterlacing Methodologies 1Boyapati Bharathidevi,2Kurangi Mary Sujana,3Ashok kumar Balijepalli 1,2,3 Asst.Professor,Universal College of Engg & Technology,Perecherla,Guntur,AP,India-522438 [email protected],[email protected],[email protected] Abstract— Video deinterlacing is a key technique in Interlaced videos are generally preferred in video broadcast digital video processing, particularly with the widespread and transmission systems as they reduce the amount of data to usage of LCD and plasma TVs. Interlacing is a widely used be broadcast. Transmission of interlaced videos was widely technique, for television broadcast and video recording, to popular in various television broadcasting systems such as double the perceived frame rate without increasing the NTSC [2], PAL [3], SECAM. Many broadcasting agencies bandwidth. But it presents annoying visual artifacts, such as made huge profits with interlaced videos. Video acquiring flickering and silhouette "serration," during the playback. systems on many occasions naturally acquire interlaced video Existing state-of-the-art deinterlacing methods either ignore and since this also proved be an efficient way, the popularity the temporal information to provide real-time performance of interlaced videos escalated. but lower visual quality, or estimate the motion for better deinterlacing but with a trade-off of higher computational cost. The question `to interlace or not to interlace' divides the TV and the PC communities. A proper answer requires a common understanding of what is possible nowadays in deinterlacing video signals. This paper outlines the most relevant methods, and provides a relative comparison. -
EBU Tech 3315-2006 Archiving: Experiences with TK Transfer to Digital
EBU – TECH 3315 Archiving: Experiences with telecine transfer of film to digital formats Source: P/HDTP Status: Report Geneva April 2006 1 Page intentionally left blank. This document is paginated for recto-verso printing Tech 3315 Archiving: Experiences with telecine transfer of film to digital formats Contents Introduction ......................................................................................................... 5 Decisions on Scanning Format .................................................................................... 5 Scanning tests ....................................................................................................... 6 The Results .......................................................................................................... 7 Observations of the influence of elements of film by specialists ........................................ 7 Observations on the results of the formal evaluations .................................................... 7 Overall conclusions .............................................................................................. 7 APPENDIX : Details of the Tests and Results ................................................................... 9 3 Archiving: Experiences with telecine transfer of film to digital formats Tech 3315 Page intentionally left blank. This document is paginated for recto-verso printing 4 Tech 3315 Archiving: Experiences with telecine transfer of film to digital formats Archiving: Experience with telecine transfer of film to digital formats -
High Frame-Rate Television
Research White Paper WHP 169 September 2008 High Frame-Rate Television M Armstrong, D Flynn, M Hammond, S Jolly, R Salmon BRITISH BROADCASTING CORPORATION BBC Research White Paper WHP 169 High Frame-Rate Television M Armstrong, D Flynn, M Hammond, S Jolly, R Salmon Abstract The frame and field rates that have been used for television since the 1930s cause problems for motion portrayal, which are increasingly evident on the large, high-resolution television displays that are now common. In this paper we report on a programme of experimental work that successfully demonstrated the advantages of higher frame rate capture and display as a means of improving the quality of television systems of all spatial resolutions. We identify additional benefits from the use of high frame-rate capture for the production of programmes to be viewed using conventional televisions. We suggest ways to mitigate some of the production and distribution issues that high frame-rate television implies. This document was originally published in the proceedings of the IBC2008 conference. Additional key words: static, dynamic, compression, shuttering, temporal White Papers are distributed freely on request. Authorisation of the Head of Broadcast/FM Research is required for publication. © BBC 2008. All rights reserved. Except as provided below, no part of this document may be reproduced in any material form (including photocopying or storing it in any medium by electronic means) without the prior written permission of BBC Future Media & Technology except in accordance with the provisions of the (UK) Copyright, Designs and Patents Act 1988. The BBC grants permission to individuals and organisations to make copies of the entire document (including this copyright notice) for their own internal use. -
Alchemist File - Understanding Cadence
GV File Understanding Cadence Alchemist File - Understanding Cadence Version History Date Version Release by Reason for changes 27/08/2015 1.0 J Metcalf Document originated (1st proposal) 09/09/2015 1.1 J Metcalf Rebranding to Alchemist File 19/01/2016 1.2 G Emerson Completion of rebrand 07/10/2016 1.3 J Metcalf Updated for additional cadence controls added in V2.2.3.2 12/10/2016 1.4 J Metcalf Added Table of Terminology 11/12/2018 1.5 J Metcalf Rebrand for GV and update for V4.*** 16/07/2019 1.6 J Metcalf Minor additions & corrections 05/03/2021 1.7 J Metcalf Rebrand 06/09/2021 1.8 J Metcalf Add User Case (case 9) Version Number: 1.8 © 2021 GV Page 2 of 53 Alchemist File - Understanding Cadence Table of Contents 1. Introduction ............................................................................................................................................... 6 2. Alchemist File Input Cadence controls ................................................................................................... 7 2.1 Input / Source Scan - Scan Type: ............................................................................................................ 7 2.1.1 Incorrect Metadata ............................................................................................................................ 8 2.1.2 Psf Video sources ............................................................................................................................. 9 2.2 Input / Source Scan - Field order .......................................................................................................... -
Video Processor, Video Upconversion & Signal Switching
81LumagenReprint 3/1/04 1:01 PM Page 1 Equipment Review Lumagen VisionPro™ Video Processor, Video Upconversion & Signal Switching G REG R OGERS Lumagen VisionPro™ Reviewer’s Choice The Lumagen VisionPro™ Video Processor is the type of product that I like to review. First and foremost, it delivers excep- tional performance. Second, it’s an out- standing value. It provides extremely flexi- ble scaling functions and valuable input switching that isn’t included on more expen- sive processors. Third, it works as adver- tised, without frustrating bugs or design errors that compromise video quality or ren- Specifications: der important features inoperable. Inputs: Eight Programmable Inputs (BNC); Composite (Up To 8), S-Video (Up To 8), Manufactured In The U.S.A. By: Component (Up To 4), Pass-Through (Up To 2), “...blends outstanding picture SDI (Optional) Lumagen, Inc. Outputs: YPbPr/RGB (BNC) 15075 SW Koll Parkway, Suite A quality with extremely Video Processing: 3:2 & 2:2 Pulldown Beaverton, Oregon 97006 Reconstruction, Per-Pixel Motion-Adaptive Video Tel: 866 888 3330 flexible scaling functions...” Deinterlacing, Detail-Enhancing Resolution www.lumagen.com Scaling Output Resolutions: 480p To 1080p In Scan Line Product Overview Increments, Plus 1080i Dimensions (WHD Inches): 17 x 3-1/2 x 10-1/4 Price: $1,895; SDI Input Option, $400 The VisionPro ($1,895) provides two important video functions—upconversion and source switching. The versatile video processing algorithms deliver extensive more to upconversion than scaling. Analog rithms to enhance edge sharpness while control over input and output formats. Video source signals must be digitized, and stan- virtually eliminating edge-outlining artifacts. -
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US 20090067508A1 (19) United States (12) Patent Application Publication (10) Pub. No.: US 2009/0067508 A1 Wals (43) Pub. Date: Mar. 12, 2009 (54) SYSTEMAND METHOD FOR BLOCK-BASED Related U.S. Application Data PER-PXEL CORRECTION FOR FILMI-BASED SOURCES (60) Provisional application No. 60/971,662, filed on Sep. 12, 2007. (75) Inventor: Edrichters als Publication Classification (51) Int. Cl. Correspondence Address: H04N II/02 (2006.01) LAW OFFICE OF OUANES. KOBAYASH P.O. Box 4160 (52) U.S. Cl. ............................ 375/240.24; 375/E07.076 Leesburg, VA 20177 (US) (57) ABSTRACT (73) Assignee: Broadcom Corporation, Irvine, A system and method for block-based per-pixel correction for CA (US) film-based sources. The appearance of mixed film/video can be improved through an adaptive selection of normal deinter (21) Appl. No.: 12/105,664 laced video relative to inverse telecine video. This adaptive selection process is based on pixel difference measures of (22)22) Filed: Apr.pr. 18,18, 2008 sub-blocks within defined blocks of ppixels. SOURCE FILM FRAMES Frame 1 Frame 2 Fram Frame 4 Frame 5 Frame 6 INTERLACED 3:2 VIDEO (BE) 9.(BE) (BEXNCBE)( \(BE). FIELD PHASE DEINTERLACED FRAMES USING REVERSE 3:2 SOURCE OF f BWD WD AWG B WD B FWD AWG B) FWD BD MISSING FIELD Patent Application Publication Mar. 12, 2009 Sheet 1 of 4 US 2009/0067508 A1 I'61) CIE?OV/THE_LNIEC] €)NISTSEIN\/H-] Z.8ESHE/\EH Patent Application Publication Mar. 12, 2009 Sheet 2 of 4 US 2009/0067508 A1 W9. s W9. US 2009/0067508 A1 Mar. -
High-Quality Spatial Interpolation of Interlaced Video
High-Quality Spatial Interpolation of Interlaced Video Alexey Lukin Laboratory of Mathematical Methods of Image Processing Department of Computational Mathematics and Cybernetics Moscow State University, Moscow, Russia [email protected] Abstract Deinterlacing is the process of converting of interlaced-scan video sequences into progressive scan format. It involves interpolating missing lines of video data. This paper presents a new algorithm of spatial interpolation that can be used as a part of more com- plex motion-adaptive or motion-compensated deinterlacing. It is based on edge-directional interpolation, but adds several features to improve quality and robustness: spatial averaging of directional derivatives, ”soft” mixing of interpolation directions, and use of several interpolation iterations. High quality of the proposed algo- rithm is demonstrated by visual comparison and PSNR measure- ments. Keywords: deinterlacing, edge-directional interpolation, intra- field interpolation. 1 INTRODUCTION (a) (b) Interlaced scan (or interlacing) is a technique invented in 1930-ies to improve smoothness of motion in video without increasing the bandwidth. It separates a video frame into 2 fields consisting of Figure 1: a: ”Bob” deinterlacing (line averaging), odd and even raster lines. Fields are updated on a screen in alter- b: ”weave” deinterlacing (field insertion). nating manner, which permits updating them twice as fast as when progressive scan is used, allowing capturing motion twice as often. Interlaced scan is still used in most television systems, including able, it is estimated from the video sequence. certain HDTV broadcast standards. In this paper, a new high-quality method of spatial interpolation However, many television and computer displays nowadays are of video frames in suggested. -
Exposing Digital Forgeries in Interlaced and De-Interlaced Video Weihong Wang, Student Member, IEEE, and Hany Farid, Member, IEEE
1 Exposing Digital Forgeries in Interlaced and De-Interlaced Video Weihong Wang, Student Member, IEEE, and Hany Farid, Member, IEEE Abstract With the advent of high-quality digital video cameras and sophisticated video editing software, it is becoming increasingly easier to tamper with digital video. A growing number of video surveillance cameras are also giving rise to an enormous amount of video data. The ability to ensure the integrity and authenticity of this data poses considerable challenges. We describe two techniques for detecting traces of tampering in de-interlaced and interlaced video. For de-interlaced video, we quantify the correlations introduced by the camera or software de-interlacing algorithms and show how tampering can disturb these correlations. For interlaced video, we show that the motion between fields of a single frame and across fields of neighboring frames should be equal. We propose an efficient way to measure these motions and show how tampering can disturb this relationship. I. INTRODUCTION Popular websites such as YouTube have given rise to a proliferation of digital video. Combined with increasingly sophisticated users equipped with cellphones and digital cameras that can record video, the Internet is awash with digital video. When coupled with sophisticated video editing software, we have begun to see an increase in the number and quality of doctored video. While the past few years has seen considerable progress in the area of digital image forensics (e.g., [1], [2], [3], [4], [5], [6], [7]), less attention has been payed to digital video forensics. In one of the only papers in this area, we previously described a technique for detecting double MPEG compression [8]. -
Deinterlacing Network for Early Interlaced Videos
1 Rethinking deinterlacing for early interlaced videos Yang Zhao, Wei Jia, Ronggang Wang Abstract—In recent years, high-definition restoration of early videos have received much attention. Real-world interlaced videos usually contain various degradations mixed with interlacing artifacts, such as noises and compression artifacts. Unfortunately, traditional deinterlacing methods only focus on the inverse process of interlacing scanning, and cannot remove these complex and complicated artifacts. Hence, this paper proposes an image deinterlacing network (DIN), which is specifically designed for joint removal of interlacing mixed with other artifacts. The DIN is composed of two stages, i.e., a cooperative vertical interpolation stage for splitting and fully using the information of adjacent fields, and a field-merging stage to perceive movements and suppress ghost artifacts. Experimental results demonstrate the effectiveness of the proposed DIN on both synthetic and real- world test sets. Fig. 1. Illustration of the interlaced scanning mechanism. Index Terms—deinterlacing, early videos, interlacing artifacts this paper is to specifically design an effective deinterlacing network for the joint restoration tasks of interlaced frames. I. INTRODUCTION The traditional interlaced scanning mechanism can be de- Interlacing artifacts are commonly observed in many early fined as Y = S(X1; X2), where Y denotes the interlaced videos, which are caused by interlacing scanning in early frame, S(·) is the interlaced scanning function, and X1; X2 television systems, e.g., NTSC, PAL, and SECAM. As shown denote the odd and even fields. Traditional deinterlacing in Fig. 1, the odd lines and even lines of an interlaced frame are methods focus on the reversed process of S(·), which can scanned from two different half-frames, i.e., the odd/top/first be roughly divided into four categories, i.e., temporal inter- field and the even/bottom/second field. -
Using Enhancement Data to Deinterlace 1080I HDTV
Using enhancement data to deinterlace 1080i HDTV The MIT Faculty has made this article openly available. Please share how this access benefits you. Your story matters. Citation Andy L. Lin and Jae S. Lim, "Using enhancement data to deinterlace 1080i HDTV", Proc. SPIE 7798, 77980B (2010). © 2010 Copyright SPIE--The International Society for Optical Engineering As Published http://dx.doi.org/10.1117/12.859876 Publisher SPIE Version Final published version Citable link http://hdl.handle.net/1721.1/72133 Terms of Use Article is made available in accordance with the publisher's policy and may be subject to US copyright law. Please refer to the publisher's site for terms of use. Using Enhancement Data to Deinterlace 1080i HDTV Andy L. Lina, Jae S. Limb aStanford University, 450 Serra Mall Stanford, CA 94305 bResearch Lab of Electronics, Massachusetts Institute of Technology, 77 Massachusetts Avenue., Cambridge, MA USA 02139 ABSTRACT When interlaced scan (IS) is used for television transmission, the received video must be deinterlaced to be displayed on progressive scan (PS) displays. To achieve good performance, the deinterlacing operation is typically computationally expensive. We propose a receiver compatible approach which performs a deinterlacing operation inexpensively, with good performance. At the transmitter, the system analyzes the video and transmits an additional low bit-rate stream. Existing receivers ignore this information. New receivers utilize this stream and perform a deinterlacing operation inexpensively with good performance. Results indicate that this approach can improve the digital television standard in a receiver compatible manner. Keywords: Deinterlace, receiver compatible, 1080i, 1080/60/IS, HDTV, motion adaptive deinterlacing, enhancement data 1.