A Sort of Comprehensive Guide to Making a PDF/A-Compliant Thesis File
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2 Portable Document Format (Pdf)
ESCOLA TÈCNICA SUPERIOR D’ENGINYERIA ELECTRÒNICA I INFORMÀTICA LA SALLE PROJECTE FI DE CARRERA ENGINYERIA EN INFORMÀTICA PDFLab ALUMNE PROFESSOR PONENT Yuri González Azín Mª Antonia Mozota Coloma ACTA DE L'EXAMEN DEL PROJECTE FI DE CARRERA Reunit el Tribunal qualificador en el dia de la data, l'alumne D. Yuri González Azín va exposar el seu Projecte de Fi de Carrera, el qual va tractar sobre el tema següent: PDFLab Acabada l'exposició i contestades per part de l'alumne les objeccions formulades pels Srs. membres del tribunal, aquest valorà l'esmentat Projecte amb la qualificació de Barcelona, VOCAL DEL TRIBUNAL VOCAL DEL TRIBUNAL PRESIDENT DEL TRIBUNAL Abstract Este proyecto se ha encargado de desarrollar la herramienta PDFLab. PDFLab es una herramienta capaz de leer ficheros PDF y generar una estructura intermedia para implementar cualquier otro tipo de aplicaciones. En este documento se puede apreciar todo el estudio que ha sido necesario para desarrollar este proyecto. Así como, un estudio de las aplicaciones que existen en el mercado. Y documentación técnica sobre las etapas del desarrollo, tales como, Análisis, Diseño e Implementación. i A mi padre porque este trabajo es tanto suyo como mío. iii Resumen En este proyecto se ha desarrollado PDFLab, una herramienta capaz de leer ficheros PDF y generar una estructura intermedia para implementar cualquier otro tipo de aplicaciones. En el desarrollo se comprende el estudio de la estructura interna de los ficheros PDF, estudio de las técnicas de desarrollo, tanto metodológicas como de diseño, toma de requerimientos, análisis de requerimientos, diseño orientado a objetos, implementación, pruebas y mantenimiento. -
EDTA Conference: Part 1
EDTA, iText and INBATEK Conference Bangkok, July 27, 2017 © 2015, iText Group NV, iText Software Corp., iText Software BVBA How standards drive business . History of PDF . Umbrella of standards . Focus on: PDF/A, PDF/UA, PAdES, PDF 2.0, next-generation PDF © 2015, iText Group NV, iText Software Corp., iText Software BVBA Speaking the same language Not being able to understand each other is a punishment, NOT a business model! Standards are about speaking the same language! 3 How standards drive business © 2015, iText Group NV, iText Software Corp., iText Software BVBA History of PDF Version Date # pages Content Adobe PDF 1.0 June 1993 230 43 tables, 42 figures Adobe PDF 1.1 23 January 1996 302 20 references Adobe PDF 1.2 12 November 1996 394 137 tables, 86 examples Adobe PDF 1.3 July 2000 696 223 tables, 73 figures Adobe PDF 1.4 December 2001 978 277 tables, 20 color plates Adobe PDF 1.5 August 2003 1172 333 tables, 70 figures Adobe PDF 1.6 November 2004 1236 370 tables, 80 figures Adobe PDF 1.7 October 2006 1310 389 tables, 98 figures ISO 32000-1:2008 (PDF 1.7) 1 July 2008 756 (A4) 78 Normative References ISO 32000-2:2017 (PDF 2.0) 2017 970 (A4) 5836 “shall”, 411 “should” 4 How standards drive business © 2015, iText Group NV, iText Software Corp., iText Software BVBA PDF: an umbrella of standards PDF Portable Document Format First released by Adobe in 1993 ISO Standard since 2008 ISO 32000 PDF/X PDF/A PDF/E PDF/VT PDF/UA Related: graphic arts archive engineering printing accessibility • EcmaScript (ISO) • PRC (ISO) Since 2001 Since 2005 Since 2008 Since 2010 Since 2012 • PAdES (ETSI) ISO 15930 ISO 19005 ISO 24517 ISO 16612 ISO 14289 • ZUGFeRD (DIN) 5 How standards drive business © 2015, iText Group NV, iText Software Corp., iText Software BVBA PDF/A ISO 19005: long-term preservation © 2015, iText Group NV, iText Software Corp., iText Software BVBA Goals and concept ISO-19005, Long-term preservation of documents, Approved parts will never become invalid, Individual parts define new, useful features. -
0321722132.Pdf
Stunning CSS3: A project-based guide to the latest in CSS Zoe Mickley Gillenwater New Riders 1249 Eighth Street Berkeley, CA 94710 (510) 524-2178 Fax: (510) 524-2221 Find us on the Web at www.newriders.com To report errors, please send a note to [email protected] New Riders is an imprint of Peachpit, a division of Pearson Education Copyright © 2011 by Zoe Gillenwater Acquisitions Editor: Wendy Sharp Production Editor: Hilal Sala Project/Copy Editor: Wendy Katz Technical Editor: Chris Mills Cover design: Charlene Charles-Will Interior design: Mimi Heft, Charlene Charles-Will Compositor: Danielle Foster Indexer: Emily Glossbrenner Notice of Rights All rights reserved. No part of this book may be reproduced or transmitted in any form by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior written permission of the publisher. For information on getting permission for reprints and excerpts, contact [email protected]. Notice of Liability The information in this book is distributed on an “As Is” basis, without warranty. While every precaution has been taken in the preparation of the book, neither the author nor New Riders shall have any liability to any person or entity with respect to any loss or damage caused or alleged to be caused directly or indirectly by the instructions contained in this book or by the computer software and hardware products described in it. Trademarks Acrobat, Dreamweaver, Fireworks, and Photoshop are all trademarks or registered trade- marks of Adobe Systems, Inc. Many of the designations used by manufacturers and sellers to distinguish their products are claimed as trademarks. -
Web Typography │ 2 Table of Content
Imprint Published in January 2011 Smashing Media GmbH, Freiburg, Germany Cover Design: Ricardo Gimenes Editing: Manuela Müller Proofreading: Brian Goessling Concept: Sven Lennartz, Vitaly Friedman Founded in September 2006, Smashing Magazine delivers useful and innovative information to Web designers and developers. Smashing Magazine is a well-respected international online publication for professional Web designers and developers. Our main goal is to support the Web design community with useful and valuable articles and resources, written and created by experienced designers and developers. ISBN: 978-3-943075-07-6 Version: March 29, 2011 Smashing eBook #6│Getting the Hang of Web Typography │ 2 Table of Content Preface The Ails Of Typographic Anti-Aliasing 10 Principles For Readable Web Typography 5 Principles and Ideas of Setting Type on the Web Lessons From Swiss Style Graphic Design 8 Simple Ways to Improve Typography in Your Designs Typographic Design Patterns and Best Practices The Typography Dress Code: Principles of Choosing and Using Typefaces Best Practices of Combining Typefaces Guide to CSS Font Stacks: Techniques and Resources New Typographic Possibilities with CSS 3 Good Old @Font-Face Rule Revisted The Current Web Font Formats Review of Popular Web Font Embedding Services How to Embed Web Fonts from your Server Web Typography – Work-arounds, Tips and Tricks 10 Useful Typography Tools Glossary The Authors Smashing eBook #6│Getting the Hang of Web Typography │ 3 Preface Script is one of the oldest cultural assets. The first attempts at written expressions date back more than 5,000 years ago. From the Sumerians cuneiform writing to the invention of the Gutenberg printing press in Medieval Germany up to today՚s modern desktop publishing it՚s been a long way that has left its impact on the current use and practice of typography. -
Preservation with PDF/A (2Nd Edition)
01000100 01010000 Preservation 01000011 with PDF/A (2nd Edition) 01000100 Betsy A Fanning 01010000 AIIM 01000011 01000100 DPC Technology Watch Report 17-01 July 2017 01010000 01000011 01000100 01010000 01000011 Series editors on behalf of the DPC Charles Beagrie Ltd. 01000100 Principal Investigator for the Series Neil Beagrie 01010000 01000011 © Digital Preservation Coalition 2017, Betsy A Fanning 2017, and AIIM 2017, unless otherwise stated ISSN: 2048-7916 DOI: http://dx.doi.org/10.7207/twr17-01 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without prior permission in writing from the publisher. The moral rights of the author have been asserted. First published in Great Britain in 2008 by the Digital Preservation Coalition. Second Edition 2017. Foreword The Digital Preservation Coalition (DPC) is an advocate and catalyst for digital preservation, ensuring our members can deliver resilient long-term access to digital content and services. It is a not-for-profit membership organization whose primary objective is to raise awareness of the importance of the preservation of digital material and the attendant strategic, cultural and technological issues. It supports its members through knowledge exchange, capacity building, assurance, advocacy and partnership. The DPC’s vision is to make our digital memory accessible tomorrow. The DPC Technology Watch Reports identify, delineate, monitor and address topics that have a major bearing on ensuring our collected digital memory will be available tomorrow. They provide an advanced introduction in order to support those charged with ensuring a robust digital memory, and they are of general interest to a wide and international audience with interests in computing, information management, collections management and technology. -
Design and Implementation of a Framework for Viewing and Analysis of Malicious Documents
Masaryk University Faculty of Informatics Design and implementation of a framework for viewing and analysis of malicious documents Diploma Thesis Bc. Richard Nossek 2013 1 2 Statement I hereby declare that I have worked on this thesis independently using only the sources listed in the bibliography. All resources, sources, and literature, which I used in preparing or I drew on them, I quote in the thesis properly with stating the full reference to the source. 3 Acknowledgement I would like to thank my advisor, RNDr. Václav Lorenc, for his guidance and advice during my work on this thesis. 4 Abstract The goal of this thesis is to provide an in-depth assessment of the use of PDF (Portable Document Format) file format as an attack vector and the current state of the field of malicious document analysis. First, we provide detailed introduction into the inner organization and structure of PDF files and describe how different features can be used for obfuscation purposes. Next, we survey available options for viewing PDF documents in web browser environment, as well as tools for PDF document analysis. The practical part consists of designing and implementing a web application that serves as framework for malicious document analysis. Keywords Portable Document Format, PDF, malware, malicious documents, PDF analysis, PDF analysis tools, analysis framework. 5 Contents Introduction 8 1 Portable Document Format 9 1.1 Version history 9 1.2 PDF architecture 11 1.3 PDF file structure 11 1.3.1 File header 12 1.3.2 File body 12 1.3.2.1 Boolean objects -
EPUB Export in Libreoffice Writer by Miklos Vajna Software Engineer at Collabora Productivity 2018-02-03
EPUB export in LibreOffice Writer By Miklos Vajna Software Engineer at Collabora Productivity 2018-02-03 @CollaboraOffice www.CollaboraOffice.com About Miklos ● From Hungary ● More blurb: https://vmiklos.hu/ ● Google Summer of Code 2010/2011 ● Rewrite of the Writer RTF import/export ● Then full-time LibreOffice hacker, SUSE ● Now a contractor at Collabora FOSDEM 2018, Brussels | Miklos Vajna 2 / 20 EPUB export in LibreOffice Motivation ● EPUB is kind of the new PDF ● PDF is still nice on larger screens – Not going away ● Reflowable text is a hard requirement – E-readers and similar devices ● LibreOffice has great PDF support ● Native EPUB support would be nice ● LibreOffice 6.0 brings basic support FOSDEM 2018, Brussels | Miklos Vajna 4 / 20 Hyperlinks ● Clickable hyperlinks are now supported: ● To get there: ● Basic text support ● Set of character formatting attributes ● Same for paragraphs FOSDEM 2018, Brussels | Miklos Vajna 5 / 20 Table support ● Custom cell widths ● Custom row height ● Row span FOSDEM 2018, Brussels | Miklos Vajna 6 / 20 Image support ● Image borders ● Image captions ● To have this: ● Support various wrap types ● Multiple anchor types FOSDEM 2018, Brussels | Miklos Vajna 7 / 20 Font embedding ● File → Properties → Font → Embed to turn this on ● E.g. Calibre supports it nicely ● No font data manipulation ● Same format as ODF FOSDEM 2018, Brussels | Miklos Vajna 8 / 20 Cover images ● How Readium renders it: FOSDEM 2018, Brussels | Miklos Vajna 9 / 20 Export options ● Metadata and other tweaks: FOSDEM 2018, Brussels -
PDF/A in a Nutshell 2.0 PDF for Long-Term Archiving
PDF/A in a Nutshell 2.0 PDF for long-term archiving Alexandra Oettler ■ The history of the ISO standard ■ All versions – from PDF/A-1 to PDF/A-3 ■ How users benefit from PDF/A ■ The technical background ■ Tools for creating PDF/A files ■ Validating PDF/A files ■ PDF/A in law and administration ■ PDF/A in finance and industry PDF/A in a Nutshell 2.0 PDF for long-term archiving The ISO Standard – from PDF/A-1 to PDF/A-3 This work, including all its component parts, is copyright protected. All rights based thereupon are reserved, including those of translation, reprinting, presentation, extraction of illustrations or tables, broadcasting, microfilming or reproduction by any other means, or storage in any data-processing device, in whole or in part. Reproduction of this work or any part of this work is only permitted where legally specified in the Copyright Act of the Federal Republic of Germany dated the 9th of September 1965. © 2013 Association for Digital Document Standards e. V., Berlin [email protected] Printed in Germany The use of any names, trade names, trade descriptions etc. in this work, even those not specially identified as such, does not justify the assumption that these names are free according to trademark protection law and thus usable by anyone. Text: Alexandra Oettler Layout, cover design, design and composition: Alexandra Oettler Cover image: Paulgeor, Dreamstime.com Picture credits: Page 5: Photocase; Page 6: Sepp Huberbauer, Photocase; Page 8: aoe; Page 13: EU Publications Office; Page 14: Rui Frias, Istockphoto.com; Page 15: MBPHOTO, Istockphoto.com; Page 18: Photocase. -
Web Type: the Next Big Thing NYC Web Design Meetup July 19, 2010
Web Type: The Next Big Thing NYC Web Design Meetup July 19, 2010 Jaron J. Rubenstein Rubenstein Technology Group http://www.rubensteintech.com/ Overview Technology Licensing Foundries and Distributors Code Results Issues Conclusion References Copyright © 2010, Rubenstein Technology Group, Inc. All Rights Reserved. Evolution of Web Type Web Fonts – Arial, Times New Roman, etc. – Verdana, Georgia, Tahoma, Trebuchet MS, etc. Scalable Inman Flash Replacement (sIFR) – JavaScript/Flash text replacement – Requires Flash plugin – Limitations for animation, dynamic text, Cufón – Replaces text with VML (MSIE) or SVG (everything else) – Rather slow, complex, has some issues with text selection and screen rendering CSS and @font-face – Method of specifying and downloading fonts – Not “HTML5” , introduced in CSS2 in 1998, standardized in CSS3 – Works with MSIE4+, Firefox 3.5+, Safari 3.1+, Opera 10+ and Chrome 4.0+ – Specification: http://www.w3.org/TR/css3-fonts/#font-resources Copyright © 2010, Rubenstein Technology Group, Inc. All Rights Reserved. @font-face Font Formats TrueType (TTF) – Firefox 3.5+ , Opera 10+, Safari 3.1+, Chrome 4.0.249.4+ Embedded OpenType (EOT) – Microsoft Internet Explorer 4+ Web Open Font Format (WOFF) – Firefox 3.6+, Internet Explorer 9+, Chrome 5+ Scalable Vector Graphics (SVG) – iPad and iPhone Scalable Vector Graphics, gzipped (SVGZ) – Compressed SVG files (via gzip compression) – iPad only Copyright © 2010, Rubenstein Technology Group, Inc. All Rights Reserved. Format Browser Compatibility Browser TrueType WOFF EOT SVG SVGZ MSIE 4 - 8 Yes MSIE 9 Soon Yes Firefox 3.5+ Yes Firefox 3.6+ Yes Yes Safari 3.1+ Yes Yes Yes Chrome 4+ Yes Soon Yes Yes Opera 10+ Yes Soon Yes Yes iPhone Yes iPad Yes Yes Source: http://www.fontspring.com/fontface Copyright © 2010, Rubenstein Technology Group, Inc. -
Cufón: Custom Font Embedding Technique for Web
Technology Update Cufón: Custom Font Embedding Technique for Web Cufón, pronounced as attributes of Cufón font selectors. Koofo, is one among the Well, such other techniques, even popular font replacement with their certain merits, still remain any of you would painfully tricky to set up and use. techniques of its kind, have been curi- Prior to these developments, web which has attained much ous to know how sites were constrained by pages dis- attention and popularity Msome websites and blog pages display playing only the web-safe fonts, awesome choice of fonts with which are still a handful. Though among web developers. smoother curves on your browsers. designers and developers used Thanks to Simo Kinnuenen, You would have also noticed that images and splash as alternatives a Finland-based web guru such web pages stand out visually (many still do the same), these are attractive and mind grabbing. Well, either non-accessible, non-scalable or who developed this kudos to the several researchers and require plug-ins to display such vari- technique, which has web developers for their efforts in ety of fonts on web pages. evolved and enabled us to making it possible for us to embed numerous customized fonts so as to WHY CUFÓN? use non-web, based fonts on make the page look unique and spe- Cufón has a better edge over the oth- web pages with much ease. cial. Now, with some extra effort ers due to its specific merits: along the process of website develop- ment, you too can make this happen 1. It uses features that are natively on your website. -
PDF Format for Rfcs
Internet Architecture Board (IAB) T. Hansen, Editor Request for Comments: 7995 AT&T Laboratories Category: Informational L. Masinter ISSN: 2070-1721 M. Hardy Adobe December 2016 PDF Format for RFCs Abstract This document discusses options and requirements for the PDF rendering of RFCs in the RFC Series, as outlined in RFC 6949. It also discusses the use of PDF for Internet-Drafts, and available or needed software tools for producing and working with PDF. Status of this Memo This document is not an Internet Standards Track specification; it is published for informational purposes. This document is a product of the Internet Architecture Board (IAB) and represents information that the IAB has deemed valuable to provide for permanent record. It represents the consensus of the Internet Architecture Board (IAB). Documents approved for publication by the IAB are not a candidate for any level of Internet Standard; see Section 2 of RFC 78411. Information about the current status of this document, any errata, and how to provide feedback on it may be obtained at http://www.rfc-editor.org/info/rfc79952. Copyright Notice Copyright (c) 2016 IETF Trust and the persons identified as the document authors. All rights reserved. This document is subject to BCP 78 and the IETF Trust's Legal Provisions Relating to IETF Documents (http://trustee.ietf.org/license-info3) in effect on the date of publication of this document. Please review these documents carefully, as they describe your rights and restrictions with respect to this document. 1 https://www.rfc-editor.org/rfc/rfc7841.html#section-2 -
The Typography of Law Reviews: a Typographic Survey of Legal Periodicals
The Typography of Law Reviews: A Typographic Survey of Legal Periodicals Ambrogino Giusti Submitted to Professor Penny A. Hazelton to fulfill course requirements for Current Issues in Law Librarianship, LIS 595, and to fulfill the graduation requirement of the Culminating Experience Project for MLIS University of Washington Information School Seattle, Washington May 30, 2016 Typefaces are the clothes words wear, and just as we make judgments about people by the clothes they wear, so we make judgments about the information we’re reading by the typefaces. - Caroline Archer1 Times New Roman is a workhorse font that’s been successful for a reason. Yet it’s an open question whether its longevity is attributable to its quality or merely its ubiquity. - Matthew Butterick2 Keywords fonts, law reviews, law journals, legal periodicals, legal publications, typefaces, typography 1 Sam McManis, What Your Font Choice Says About You, THE ROANOKE TIMES (Jan. 13, 2008), http://www.roa- noke.com/webmin/features/what-your-font-choice-says-about-you/article_44076b07-db52-585b-af72- 84dc4bc4c8e6.html. 2 Matthew Butterick, A Brief History of Times New Roman, in BUTTERICK’S PRACTICAL TYPOGRAPHY (2016), http://practi- caltypography.com/times-new-roman.html. Table of Contents 1.0 Introduction ............................................................................................................................................ 1 2.0 History of Typography ............................................................................................................................