Colonial French and Algerian Cinema
Gender and Space in Post- Colonial French and Algerian Cinema Mani Sharpe Thesis for the qualification of Doctor of Philosophy In the School of Modern Languages, Newcastle University Submitted March 2014 i Acknowledgements Firstly, I would like to thank the School of Modern Languages at Newcastle University, whose financial support for the first three years of this project made it possible, and Guy Austin and Sarah Leahy, for their constructive criticism, guidance, unfaltering intelligence and astute feedback. This praise also extends to Kathryn Robson, who provided excellent supervision for a number of months of this project. Within this School of Modern Languages, I would like to thank Gary Jenkins for his help organising our Film Factory workshops and Screening Atrocity conference, Tom Watson, for offering a number of insightful remarks regarding a number of papers I gave during the writing of this thesis, and Alex Adams both for his enduring patience during Screening Atrocity and priceless grammatical support during the very final stages of my PhD. Specific gratitude must also be extended to a number of people who were involved in the Film Factory workshops, including Johnny Walker, Katherine Farrimond. Eugenie Johnson, Joe Barton, David Spittle and Chris Baumann; and Screening Atrocity, Beate Muller, Iain Biddle and Maxim Silverman. I also thank Franck Michel and Jean-Christophe Penet for continuing to provide me with teaching work in the final year of my studies. Outside of Newcastle, my thanks extends to Claire Mcleod, Kaya Davis Hayon, Pauline Moret and Maria Flood, who provided encouragement and practical advice in the final few weeks of my project.
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