UA Modifies Fee Referendum by Andrew L
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WHITE AS SNOW Blue Monday Productions presents in co-production with MK2, Need Productions, Rhône-Alpes Cinéma and RTBF in collaboration with Canal+, Cinécinéma, TPS Star, Centre National de la Cinématographie, Région Rhône-Alpes, Région Provence Alpes Côte d'Azur in association with La Banque Postale Image 2, Cofinova 5, Cofinova 6, Soficinema 5, Belgacom and the support of Tax Shelter ING Invest and Procirep - Angoa Agicoa and the MEDIA Programme of the European Commission WHITE AS SNOW ACHRISTOPHE BLANC FILM Production company: Blue Monday Productions - Production year: 2009 Running time: 114 MINUTES - Language: French - Format: 35mm/Cinemascope/2:35 CREW CAST Director - CHRISTOPHE BLANC Maxime - FRANÇOIS CLUZET Screenplay - CHRISTOPHE BLANC and ROGER BOHBOT Grégoire - OLIVIER GOURMET In collaboration with BÉRYL PEILLARD Michèle - LOUISE BOURGOIN Director of photography - LAURENT BRUNET Abel - JONATHAN ZACCAÏ Assistant director - Frédéric GOUPIL Simon - BOULI LANNERS Sound - OLIVIER HESPEL Matti - PERTTI KOIVULA Sound Editor - BENOÎT GARGONNE Jukka - ILKKA KOIVULA Sound mix - STÉPHANE THIEBAUT Markku - KAI LEHTINEN Producer - BERTRAND GORE Timo - LAURI UUSITALO Associate producers - NATHALIE MESURET, MARIN KARMITZ, Camille - SACHA QUEILLE NATHANAËL KARMITZ, CHARLES GILLIBERT, DENIS DELCAMPE Nicole - JENNY BELLAY and ARLETTE ZYLBERBERG Romuald - GRÉGORY MONTEL Casting director - AURÉLIE GUICHARD Stéphane - HABIB SABOUR Editor - GUY LECORNE Franz - JÜRGEN ZWINGEL Production design - FRANCOIS GIRARD Werner - TIBO VANDENBORRE Production manager - Philippe HAGEGE Jonvelle - SERGE SWYSEN Composer - KRISHNA LEVY Indra - ALESKSANDRA KEDZIERSKA SYNOPSIS Everything is going great for Maxime: his luxury car dealership is booming, his house is magnificent, and his young wife is drop dead gorgeous. All of that changes when his partner is murdered by a group of Finnish gangsters, who threaten Maxime with the worst if he doesn't pay off his partner's enormous debt. -
French Film Festival UK
w 9 November – 7 December 2011 w w d e . v U o K l P f e re B mie r n r i e e i : n B n el a o n i ve o by Ch d r ris t top he c s Hono a ré M h a r a fi i h C l & e m v u e n e f D e e n i r s e h t a t C i v a l . o r g . u k la: ning Ga Ope tics Roman s nymou no Améris A -Pierre by Jean London I Glasgow I Edinburgh I Aberdeen I Dundee I Inverness I Stirling I Bo'ness I Warwick I Manchester INDEX Guest List 4 / 5 Bienvenue Preview 7 Opening Gala Romantics Anonymous / Les Emotifs anonymes (12A) 7 Angele & Tony / Angèle et Tony (15) 8 The Fairy / La Fée 8 and welcome The Look (12) 9 The Well-Digger’s Daughter / La Fille du puisatier (12) 9 “Acting is working with people who invite you into their dreams and trust you with Christophe Honoré Focus 11 / 12 / 13 their innermost being.” So said Catherine Deneuve who has had a few invitations in her Beloved / Les Bien-aimés (15) 13 time most recently from Christophe Honoré to appear alongside her daughter Chiara Belgian Cinema 15 Mastroianni as mère et fille in Beloved premiered as part of the official selection for Abel & Gordon – The Language of Laughs 15 /16 this year’s 19th French Film Festival UK, a celebration of Francophone cinema from Bouli Lanners – Heartbreak and Hilarity 17 France, Quebec, Switzerland, Belgium, and Luxembourg (and, indeed, any country Panorama Horizons 19 where French is spoken). -
Robin Renucci Maryline Canto Thomas Chabrol Jean-François Balmer
PATRICK GODEAU PRESENTS SCREENPLAY BY ODILE BARSKI AND CLAUDE CHABROL ROBIN RENUCCI MARYLINE CANTO THOMAS CHABROL JEAN-FRANÇOIS BALMER INTEGRAL FILM www.livressedupouvoir.com PAN-EUROPÉENNE PATRICK GODEAU PRESENTS ISABELLE HUPPERT FRANÇOIS BERLÉAND PATRICK BRUEL IN A COMEDY OF POWER AFILMBY CLAUDE CHABROL WRITTEN BY ODILE BARSKI AND CLAUDE CHABROL Running time: 1h50 / Format: 1.85 / Sound: SRD - DTS complete French text and images available at http://www.livressedupouvoir.com www.pan-europeenne.com SYNOPSIS Judge Jeanne Charmant is assigned the job of investigating and untangling a complex case of embezzlement and misappropriation of public funds, and bringing a case against the president of a powerful industrial conglomorate. As the investigation takes shape, as her questions dig deeper, she feels her power growing: the more secrets she penetrates, the greater her means of applying pressure. At the same time, and for the same reasons, her private life begins to fall apart. She is quickly confronted with two vital, inescapable questions: How far can she extend her power before colliding with a greater one? And for how long can human nature resist growing drunk on this power? Will she emerge shattered? Starring Isabelle Huppert and François Berléand, Claude Chabrol's A COMEDY OF POWER is the work of an undisputed master still at the height of his powers. INTERVIEW WITH You move back and forth with a disconcerting CLAUDE CHABROL DIRECTOR fluidity between the public and private stakes. For me it was essential. I admit that I desire "I still believe in the class struggle and hope that fluidity more and more, all the more so as I very those who are worst exploited can squeeze the rarely find it in cinema nowadays. -
Colonial French and Algerian Cinema
Gender and Space in Post- Colonial French and Algerian Cinema Mani Sharpe Thesis for the qualification of Doctor of Philosophy In the School of Modern Languages, Newcastle University Submitted March 2014 i Acknowledgements Firstly, I would like to thank the School of Modern Languages at Newcastle University, whose financial support for the first three years of this project made it possible, and Guy Austin and Sarah Leahy, for their constructive criticism, guidance, unfaltering intelligence and astute feedback. This praise also extends to Kathryn Robson, who provided excellent supervision for a number of months of this project. Within this School of Modern Languages, I would like to thank Gary Jenkins for his help organising our Film Factory workshops and Screening Atrocity conference, Tom Watson, for offering a number of insightful remarks regarding a number of papers I gave during the writing of this thesis, and Alex Adams both for his enduring patience during Screening Atrocity and priceless grammatical support during the very final stages of my PhD. Specific gratitude must also be extended to a number of people who were involved in the Film Factory workshops, including Johnny Walker, Katherine Farrimond. Eugenie Johnson, Joe Barton, David Spittle and Chris Baumann; and Screening Atrocity, Beate Muller, Iain Biddle and Maxim Silverman. I also thank Franck Michel and Jean-Christophe Penet for continuing to provide me with teaching work in the final year of my studies. Outside of Newcastle, my thanks extends to Claire Mcleod, Kaya Davis Hayon, Pauline Moret and Maria Flood, who provided encouragement and practical advice in the final few weeks of my project. -
The Pariahs of Yesterday: Breton Migrants in Paris
The Pariahs of Yesterday MA> I:KB:ALH? R>LM>K=:R X ;k^mhgFb`kZgmlbgIZkbl e^leb^iZ`^fh\a ]nd^ngbo^klbmrik^ll =nkaZfEhg]hg ∫ 2012 Duke University Press All rights reserved. Duke University Press gratefully acknowledges the support of Michigan State University, which provided funds toward the publication of this book. Printed in the United States of America on acid-free paper $ Designed by Jennifer Hill. Typeset in C&C Galliard by Keystone Typesetting, Inc. Library of Congress Cataloging-in-Publication Data appear on the last printed page of this book. for Sarah contents Illustrations and Tables ix Acknowledgments xi introducing the pariahs of yesterday 1 1 [ contexts 15 2 [ a breton crowd in paris The Beginnings 31 3 [ the turn of the century A Belle Époque? 69 4 [ between the wars 120 5 [ a long resolution in postwar paris 160 conclusion 179 appendix Marriage Records 185 Notes 193 Bibliography 231 Index 251 illustrations and tables maps 1. The Arrondissements and Suburbs of Paris 11 2. Brittany 13 3. Women in La Maternité, 1890–1900 63 figures 1. Bécassine’s Debut 74 2. L’Assiette au Beurre, October 1903 91 3. Poster for the Breton Mission, 1950s 165 4. Bécassine in Revolt 175 5. Bécassine Commemorative Stamp 176 tables 1. Breton Marriages in Saint-Denis, 1890–1925 190 2. Breton Marriages in the Fourteenth Arrondissement, 1890–1925 191 3. Witnesses to Breton Weddings in Saint-Denis and the Fourteenth Arrondissement, 1910 192 acknowledgments I am delighted to have the chance to express my gratitude for [ the material and personal support I have received in prepar- ing this book.