DOCSLIB.ORG

A N T I C I P a T I

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
A N T I C I P a T I Anticipation T h e 6 7 t h W o r l d S c i e n c e Fiction Convention L e 6 7 e c o n g r è s mondial de science - f i c t i o n 2 paratoire é s R e p o r t pr P r o g rRapport e s J u l y J u i l l e t 2 0 0 8 Seattle in 2011 Come to Seattle where the past and future will join together for a vibrant present. Seattle is bidding to host its second There are huge varieties of culinary World Science Fiction Convention on offerings, famous coffee houses, and the 50th anniversary of its first, pubs all within a few blocks. Seacon, the 1961 Worldcon The International District, Belltown, Pioneer Square, Capitol Hill, and Uptown are all right outside the front door. For your extended travel plans, there are mountain The Vote for the 2011 Worldcon ranges, will be held during Anticipation, volcanoes, the 2009 Worldcon in Montreal. rain forests, the Show your support for Seattle ocean, and in 2011 by purchasing a hundreds of supporting membership, voting islands close by. in Site Selection at Anticipation and Joining the Bid Team. Bid Membership Rates Pre-Support $25 We would love to include you in Pre-Oppose $50 our list of volunteers, please contact Friend of the Bid $100 us at [email protected] to Enemy of the Bid $150 join us. Patron of the Bid $300 Nemesis of the Bid $500 Our location in downtown Seattle is a short distance from the Science Fic- tion Museum, the Experience Music Project, Pike Place Market, the Monorail, Space Needle, and the Pacific Science Center. Seattle in 2011, P.O. Box 1066, Seattle, WA 98111 [email protected] http://www.SeattleIn2011.org Seattle in 2011 Come to Seattle where the past and future will join together for a vibrant present. Anticipation t h Seattle is bidding to host its second There are huge varieties of culinary T h e 6 7 W o r l d S c i e n c e Fiction Convention e World Science Fiction Convention on offerings, famous coffee houses, and L e 6 7 c o n g r è s mondial de science - f i c t i o n the 50th anniversary of its first, pubs all within a few blocks. Seacon, the 1961 Worldcon The International District, Belltown, Pioneer Square, Committee list .....................................................5 .......................................... Le comité organisateur Capitol Hill, and Uptown 2 Membership Rates ...............................................7 ..................................................Taux d’inscription are all right outside the front door. Guest of Honour: Élisabeth Vonarburg ...................8 ................... Invitée d’honneur : Élisabeth Vonarburg Master of Ceremonies: Julie Czerneda .................10 .................... Maître de cérémonies : Julie Czerneda For your extended Guest of Honour Biographies .............................12 ...........................Biographies des Invités d’honneur travel plans, there are mountain Membership Map .............................................19 ...............................................Carte des membres The Vote for the 2011 Worldcon ranges, Hugo Awards Base Design .................................20 ............................................. Design du Prix Hugo will be held during Anticipation, volcanoes, the 2009 Worldcon in Montreal. rain forests, the Programming ....................................................24 .....................................................Programmation Show your support for Seattle ocean, and Montréal Fandom: Draconis ...............................25 ............................Le fandom montréalais : Draconis in 2011 by purchasing a hundreds of Montréal Fandom: MonSFFA ..............................26 .........................Le fandom montréalais : l’AMonSFF supporting membership, voting islands close by. in Site Selection at Anticipation Montréal Fandom: Con*Cept .............................28 ......................... Le fandom montréalais : Con*Cept and Joining the Bid Team. Bid Membership Rates paratoire Pre-Support $25 é We would love to include you in Pre-Oppose $50 s R e p o rA t word from the chairs Un mot des présidents our list of volunteers, please contact Friend of the Bid $100 Chances are you will be reading this at Denvention, Il y a de bonnes chances que vous lisiez ceci à Denvention, us at [email protected] to Enemy of the Bid $150 the 2008 Worldcon, and you will soon be looking la Worldcon de 2008, et bientôt vous vous tournerez join us. Patron of the Bid $300 pr forward to a Worldcon in Montréal. To help you do avec anticipation (osons le dire) vers la Worldcon de Nemesis of the Bid $500 Our location in downtown Seattle is a so, in addition to some articles on our Guests, we 2009. Pour vous y aider, en plus d’information sur nos short distance from the Science Fic- continue our series on Montréal Fandom in order to invités, nous continuons notre série d’articles sur le fandom tion Museum, the Experience Music give you a better feel for the welcome you can expect at montréalais afin de vous donner une meilleure idée de Project, Pike Place Market, the Anticipation. l’accueil qui vous attend l’année prochaine. Monorail, Space Needle, and the Pacific Science Center. PR3, due to be released this winter, will provide you Le Rapport préparatoire 3, émit cet hiver, incluera de with information on hotel reservations, articles about our l’information sur les réservations d’hôtel, des articles sur Seattle in 2011, P.O. Box 1066, Seattle, WA 98111 Guests, reports on what our various departments have nos invités, et sur les activités de nos départements, ainsi [email protected] been up to as well as Nomination Ballots for the Hugo que les bulletins de mise en candidature pour les Prix P r o g rRapport e s Awards. Hugo. J u l y J u i l l e t — Robbie Bourget and René Walling — Robbie Bourget et René Walling http://www.SeattleIn2011.org 2 0 0 8 Chairs/Présidents: Robbie Bourget, René Walling Finance and Facilities/Finance et installations: Bruce Farr Chair’s Assistants/Assistants au présidents: Sherri Benoun, Budget: Bruce Farr John Zmrotchek Treasury/Trésorerie Chair’s Advisor/Conseillère aux présidents: Peggy Rae Sapienza Pre-con Treasury/Trésorerie pré-convention: Joey Pride Reality Check/Descente sur terre: Evelyn Walling At Con Treasury/Trésorerie à la convention: Nicholas Shectman Facilities/Installations: Bruce Farr, Eugene Heller WSFS Registration, Pre-con/Registraire (pré-convention): Rebecca Downey Business Meeting/Réunion annuelle de la WSFS: Kevin Standlee Mailbox/Casier postal: Joey Pride Hugo Administration Committee/ Staff/Personnel: Marie-Astrid Walling Comité d’administration des Prix Hugo: Jeff Orth, Diane Lacey, Registration, At-con/Registraire (à la convention): Lea Farr Ruth Lichtwardt, René Walling Programming and Events/Programmation et événements: Advisor to the Hugo Administration Committee/ Terry Fong Conseiller au comité d’administration des Prix Hugo: Mark Olson Programming Director/ Site Selection for the 69th Worldcon/ Directrice de la programmation: Farah Mendlesohn Sélection du site pour la 69e Worldcon: Glenn Glazer Deputy Programming Director/ Assistant: Peter Jarvis Directrice adjointe de la programmation: Tamu Townsend Post-Hugo Party (at Denvention 3)/ Literature in English/Littérature en anglais: Graham Sleight Réception post-Hugo (à Denvention 3): Nancy Kathleen Bruce, Literature in French/Littérature en français: Christian Sauvé, Catherine Crockett Jean-Louis Trudel Academic/Académique: Graham Murphy, Chrissie Mains Information Office/Bureau des communications Children’s Programme/Programmation pour jeunes: Lisa Hertel Official Photography/Photographie officielle: Charles Mohapel Costuming and Craft/Costumes et artisanat: Dawn McKechnie, Staff/Personnel: Kerry Gilley, Ken Grimes, Deb King, Danny Low, Martin Christine Mak, Lenny Provenzano, Rod Smith Constantineau organisateur Public Relations/Relations publiques: Louise Alain Fan: Murray Moore Advertising/Publicité: Kimm Antell Filk: FilKONtario Press/Presse: Val Grimm, Jules-Pierre Malartre Fun Things/Le ludique: Andy Duncan, Sydney Duncan Sponsorships/Commanditaires: Jean-Louis Trudel Gaming/Jeux: Eugene Fong Dere é Web Site/Site web: Howard Picaizen Human Culture/Culture humaine: Jo Walton Backend/Interface dorsale: Stirling Westrup, Nicholas Shectman, Kaffeeklatsches: Elise Matthesen Lin Daniel, Rebecca Downey, Media/Médias: Howard Picaizen John Zmrotchek, Howard Picaizen Science and Technology/Science et technologie: Dave Clements Content Management/Gestion du contenu: Howard Picaizen, Visual Arts/Arts visuels: James A. Owen Mike McMillan Writing Workshops/Ateliers d’écriture: Gregory Frost, Translation/Traduction: Emilie D’Aoust, Saskia Latendresse, Oz Whiston Jules-Pierre Malartre, Sylvain St-Pierre, Alison Wall Events Director/Directeur des événements: Lance Sibley Deputy Events Director/ International Agents/Agents internationaux Directeur adjoint des événements: Andrew Gurudata Australian Agent/Agent australien: Craig Macbride Hugo Awards/Prix Hugo: Ian Stockdale, Jim Mann European and UK Agent/ Agent européen et britannique: John Harold Japanese Agent/Agent britannique: Tamie Inoue ConventionL e c o m i t Committee Continued on page 7/Suite à la page 7 Anticipation – Progress Report 2 5 Anticipation T h e 6 7 t h W o r l d S c i e n c e Fiction Convention L e 6 7 e c o n g r è s mondial de science - f i c t i o n Neil Gaiman (Guest of Honour / Invité d’honneur) Élisabeth Vonarburg (Guest of Honour / Invitée d’honneur) Ralph Bakshi (Artist Guest of Honour / Invité d’honneur artiste) Taral Wayne (Fan Guest of Honour / Invité d’honneur
Load more

Recommended publications
  • Customer Order Form
    #386 | NOV20 PREVIEWS world.com Name: ORDERS DUE NOV 18 THE COMIC SHOP’S CATALOG PREVIEWSPREVIEWS CUSTOMER ORDER FORM Nov20 Cover ROF and COF.indd 1 10/8/2020 8:23:12 AM Nov20 Ad DST Rogue.indd 1 10/8/2020 11:07:39 AM PREMIER COMICS HAHA #1 IMAGE COMICS 30 RAIN LIKE HAMMERS #1 IMAGE COMICS 34 CRIMSON FLOWER #1 DARK HORSE COMICS 62 AVATAR: THE NEXT SHADOW #1 DARK HORSE COMICS 64 MARVEL ACTION: CAPTAIN MARVEL #1 IDW PUBLISHING 104 KING IN BLACK: BLACK KNIGHT #1 MARVEL COMICS MP-6 RED SONJA: THE SUPER POWERS #1 DYNAMITE ENTERTAINMENT 126 ABBOTT: 1973 #1 BOOM! STUDIOS 158 Nov20 Gem Page ROF COF.indd 1 10/8/2020 8:24:32 AM COMIC BOOKS · GRAPHIC NOVELS · PRINT Gung-Ho: Sexy Beast #1 l ABLAZE FEATURED ITEMS Serial #1 l ABSTRACT STUDIOS I Breathed A Body #1 l AFTERSHOCK COMICS The Wrong Earth: Night and Day #1 l AHOY COMICS The Three Stooges: Through the Ages #1 l AMERICAN MYTHOLOGY PRODUCTIONS Warrior Nun Dora Volume 1 TP l AVATAR PRESS INC Crumb’s World HC l DAVID ZWIRNER BOOKS Tono Monogatari: Shigeru Mizuki Folklore GN l DRAWN & QUARTERLY COMIC BOOKS · GRAPHIC NOVELS Barry Windsor-Smith: Monsters HC l FANTAGRAPHICS BOOKS Gung-Ho: Sexy Beast #1 l ABLAZE Aster of Pan HC l MAGNETIC PRESS INC. Serial #1 l ABSTRACT STUDIOS 1 Delicates TP l ONI PRESS l I Breathed A Body #1 AFTERSHOCK COMICS 1 The Cutting Edge: Devil’s Mirror #1 l TITAN COMICS The Wrong Earth: Night and Day #1 l AHOY COMICS Knights of Heliopolis HC l TITAN COMICS The Three Stooges: Through the Ages #1 l AMERICAN MYTHOLOGY PRODUCTIONS Blade Runner 2029 #2 l TITAN COMICS Warrior Nun Dora Volume 1 TP l AVATAR PRESS INC Star Wars Insider #200 l TITAN COMICS Crumb’s World HC l DAVID ZWIRNER BOOKS Comic Book Creator #25 l TWOMORROWS PUBLISHING Tono Monogatari: Shigeru Mizuki Folklore GN l DRAWN & QUARTERLY Bloodshot #9 l VALIANT ENTERTAINMENT Barry Windsor-Smith: Monsters HC l FANTAGRAPHICS BOOKS Vagrant Queen Volume 2: A Planet Called Doom TP l VAULT COMICS Aster of Pan HC l MAGNETIC PRESS INC.
    [Show full text]
  • ENGL 2100A: Topics in Popular Culture: Canadian Comic Books Prerequisite: Second-Year Standing
    Carleton University Fall 2015 Department of English ENGL 2100A: Topics in Popular Culture: Canadian Comic Books Prerequisite: second-year standing Mondays & Wednesdays, 8:35-9:55 a.m. Location: TB 340 (Please confirm on Carleton Central) Instructor: Christopher Doody Email: [email protected] Office: 1905 Dunton Tower Office Hours: Mondays 10:30 – 12:00 a.m. Or by appointment This course introduces students to Canadian comic books published between WWII and the present. The course will offer a history of comic books in Canada, while focusing on iconic texts from this history. The chosen comic books represent a number of different genres. Through reading, writing, and discussion, the class will explore the ways in which these comics articulate notions of the nation-state, geopolitics, heroism, and Canadian identity. The course will also explore questions surrounding the materiality of comic books. As such, the course will ask students to consider the creation, publication, and reception of comic books. How are comic books different from other media? What role do comic books play in popular culture? Why are so many of these Canadian comics published in the United States? Are the terms “comic book” and “graphic novel” synonymous? Does it matter? By exploring the conditions under which comics are produced and disseminated, this course will explore the cultural role played by comic books in Canada. Required Reading List Books in Print: (Books can be bought at the Comic Book Shoppe, 228 Bank St.) Bachle, Leo. Johnny Canuck. Ed. Rachel Richey. Toronto: Comic Syrup Press, 2015. Print. Comely, Richard and George Freeman. Captain Canuck Compendium.
    [Show full text]
  • Representations of National Identity in Canadian Comic Books
    RED AND WHITE TIGHTS: REPRESENTATIONS OF NATIONAL IDENTITY IN CANADIAN COMIC BOOKS Benjamin Woo B.A.H., Queen's University, 2004 THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS In the School of Communication O Benjamin Woo 2006 SIMON FRASER UNIVERSITY Fall 2006 All rights reserved. This work may not be reproduced in whole or in part, by photocopy or other means, without permission of the author. NAME: Benjamin Woo DEGREE: TITLE: Red and White Tights: Representations of National Identity in Canadian Comic Books EXAMINING COMMITTEE: CHAIR: Peter Anderson Associate Professor, School of Communication Dr. Gary McCarron Senior Supervisor Assistant Professor, School of Communication Dr. Zoe Druick Supervisor Assistant Professor, School of Communication Dr. Colin Browne Examiner Professor, School of Contemporary Arts Date: 24 October 2006 i i SIMON FRASER UNIWERSINlibrary DECLARATION OF PARTIAL COPYRIGHT LICENCE The author, whose copyright is declared on the title page of this work, has granted to Simon Fraser University the right to lend this thesis, project or extended essay to users of the Simon Fraser University Library, and to make partial or single copies only for such users or in response to a request from the library of any other university, or other educational institution, on its own behalf or for one of its users. The author has further granted permission to Simon Fraser University to keep or make a digital copy for use in its circulating collection (currently available to the public at the "Institutional Repository" link of the SFU Library website <www.lib.sfu.ca> at: ~http:llir.lib.sfu.calhandle118921112~)and, without changing the content, to translate the thesislproject or extended essays, if technically possible, to any medium or format for the purpose of preservation of the digital work.
    [Show full text]
  • THE SUPERHERO BOOK SH BM 9/29/04 4:16 PM Page 668
    SH BM 9/29/04 4:16 PM Page 667 Index Miss Masque, Miss Acts of Vengeance, 390 Adventure Comics #253, A Victory, Nightveil, Owl, Acy Duecey, 4478 586 A Carnival of Comics, 229 Pyroman, Rio Rita, AD Vision, 21, 135, 156 Adventure Comics #432, “A Day in the Life,” 530 Rocketman, Scarlet Adam, 97 446 (ill.) A Distant Soil, 21 Scorpion, Shade, She- Adam, Allen, 117 Adventure Comics #482, A Touch of Silver (1997), 275 Cat, Yankee Girl Adam Strange, 3–4, 317, 441, 180 (ill.) AAA Pop Comics, 323 Academy X, 650 500, 573, 587 Adventurers’ Club, 181 Aardvark-Vanaheim, 105 Acclaim Entertainment, 563, Justice League of Ameri- Adventures in Babysitting, 525 Abba and Dabba, 385 613 ca, member of, 294 Adventures into the Unknown, Abbey, Lynn, 526 Ace, 42 Adamantium, 643 434 Abbott, Bruce, 147 Ace Comics, 160, 378 Adams, Art, 16, 44–45, 107, The Adventures of Aquaman ABC See America’s Best Ace Magazines, 427 254, 503 (1968–1969), 296 Comics (ABC) Ace of Space, 440 Adams, Arthur See Adams, Art Adventures of Batman (TV ABC News, 565 Ace Periodicals, 77 Adams, Jane, 62, 509 series), 491 ABC Warriors, 441 Ace the Bat-Hound, 59, 72, Adams, Lee, 545 The Adventures of Batman and Abhay (Indian superhero), 283 402, 562 Adams, Neal, 22, 25, 26, 32, Robin (1969–1970), 56, 64 Abin Sur, 240, 582 “Aces,” 527 47, 59, 60, 94, 104, 174, The Adventures of Batman and Abner Cadaver, 416 ACG, 42 177, 237, 240, 241, 334, Robin (1994–1997), 56, 67, Abomination, 259–260, 266, Achille le Heel, 342 325, 353, 366, 374, 435, 493 577 Acolytes, 658 445, 485, 502, 503, 519, The Adventures of Bob Hope, Aboriginie Stevie, 583 Acrata (Planet DC), 282 542, 582, 635, 642 103, 502 About Comics, 194 Acrobat, 578 Adapt (Australian superhero), Adventures of Captain Africa, Abra Kadabra, 220, 575 Action #23, 550 283 378 Abrams, J.
    [Show full text]
  • Canadian Superheroes
    Canadian Superheroes Canada Post's 1995 set of stamps captures the essence of Superman and 4 other Canadian comic book heroes - Johnny Canuck, Nelvana, Captain Canuck & Fleur de Lys - by using colours reminiscent of the early comic books, copying the comic's original typeface for the names, and enclosing the 45-cent stamp denomination in a circle as if it were the price of the comic book. They were issued only in booklet form. Even the booklet is super-sized. Measuring 4 x 6 inches, it is the largest stamp booklet ever produced in Canada. The first Canadian Superheroes – Nelvana, Johhny Canuck & Canada Jack – emerged during WW2 when a foreign-exchange crisis led to a ban on the importation of USA comics, including popular titles such as Superman. In part an outgrowth of national political-cartooning tradition, the early Canadian comic book superheroes threw themselves into the battle against the Axis Powers. Why is Superman included in this set of Canadian stamps? Isn’t he American? Joe Shuster, the comic strip artist who created Superman, was Canadian and his early drawings of Metropolis were fashioned after the buildings and skyline of Toronto, his hometown. In 1923 Shuster's family moved to Cleveland, Ohio, where he met Jerry Siegel, who became Superman's writer. The two were only 17 years old when they created Superman in 1933. Johnny Canuck is a fictional lumberjack and a national personification of Canada. He first appeared in early political cartoons dating to 1869 where he was portrayed as a younger cousin of the United States' Uncle Sam and Britain's John Bull.
    [Show full text]
  • List of Superhero Debuts
    List of SuperHero debuts The following is a list of the first known appearances of various superhero fictional characters and teams. A superhero (also known as a super hero) is a fictional character "of unprecedented physical prowess dedicated to acts of derring-do in the public interest."[1] Since the debut of the prototypal superhero Superman in 1938, stories of superheroes — ranging from brief episodic adventures to continuing years-long sagas — have dominated American comic books and crossed over into other media. A female superhero is sometimes called a superheroine or super heroine. By most definitions, characters need not have actual superhuman powers to be deemed superheroes, although sometimes terms such as costumed crimefighters[2] are used to refer to those without such powers who have many other common traits of superheroes. 1850-1900 Penny Dreadful Character / Team / Year Debuted Creator/s First Appearance Series George A. Sala or Spring-Heeled Jack, Spring Heeled Jack 1867 Alfred Burrage as the Terror of London "Charlton Lea" The folkloric Spring Heeled Jack came to be featured in a series of Penny Dreadfuls, first as a villain, then as a crime-fighter with a disguise, secret lair, and gadgets, hallmarks of superheroes.[3] 1900-1909 Play Character / Team / Year Debuted Creator/s First Appearance Series Baroness Emmuska The Scarlet Pimpernel 1903 The Scarlet Pimpernel Orczy The often cited as perhaps the earliest superhero akin to those to become popularized through American comic books.[4][5][6][7] 1910s Magazine Character / Team / Year Debuted Creator/s First Appearance Series Varick Vanardy[8] The Night Wind 1913 (Frederick Van Alias the Night Wind Rensselaer Dey) Doctor Syn: A Tale of The Scarecrow 1915 Russell Thorndike the Romney Marsh "The Curse of Zorro 1919 Johnston McCulley Capistrano" All Weekly Story 1920s Notable non-superhero characters that influenced the superhero genre Character Year Creator/s Media Comment / Team Debuted Adapted from the story Armageddon 2419 A.D.
    [Show full text]
  • Entraide Et Fraternité Dans Le Champ Des Comic Books Québécois (1984-1995) Philippe Rioux
    Document generated on 09/27/2021 7:19 p.m. Papers of the Bibliographical Society of Canada Cahiers de la Société bibliographique du Canada Une amitié nécessaire : entraide et fraternité dans le champ des comic books québécois (1984-1995) Philippe Rioux Oeuvrer ensemble. Les rouages collectifs dans la chaîne du livre Article abstract Working Together. Collective Mechanisms in the Book Circuit Since their first appearance in the 1930s, American comic books have been Volume 58, 2020 presented as collective works dependent on collaboration between a variable number of actors, namely writers, illustrators, inkers, colorists, letterers, and URI: https://id.erudit.org/iderudit/1076242ar publishers. In the fast-moving world of serial comic book publishing (new DOI: https://doi.org/10.33137/pbsc.v58i0.34804 works are generally released monthly), this teamwork-based approach is necessary for ensuring continuous productivity. This work method, having proven effective, was also adopted by the majority of Quebec comic book See table of contents publishers from the early 1980s onward. However, in these cases, collaboration sometimes moves beyond the sharing of work between creators employed by the same publisher. In fact, correspondence between publishers and the Publisher(s) peritexts of their published works reveal that a spirit of collegial solidarity unites rival producers, who exchange both ideas and advice about their The Bibliographical Society of Canada/La Société bibliographique du Canada respective series, and in doing so, contribute indirectly to the content of comic books published by their competitors. ISSN Nevertheless, the reasons giving rise to this mutual aid between publishers 0067-6896 (print) may be worth questioning.
    [Show full text]
  • Titles in Comicbase 9 2002 Tokyopop Manga Sampler 2010
    Titles in ComicBase 9 2002 Tokyopop Manga Sampler 2010 2020 Visions Titles in blue are new to this edition. 2024 Please see the title notes at the bottom 2099 A.D. of this document for a list of titles that 2099 A.D. Apocalypse have been changed since the previous 2099 A.D. Genesis version. 2099: Manifest Destiny 2099 Special: The World of Doom 100% 2099 Unlimited 1,001 Nights of Bacchus, The 2099: World of Tomorrow 1001 Nights of Sheherazade, The 20 Nude Dancers 20 Year One Poster 100 Bullets Book 100 Degrees in the Shade 20 Nude Dancers 20 Year Two 100 Greatest Marvels of All Time, The 20th Century Eightball 100% Guaranteed How-To Manual 21 for Getting Anyone to Read Comic 2112 (John Byrne’s…) Books!!! (Christa Shermot’s…) 21 Down 100 Pages of Comics 22 Brides 100% True? 24 101 Other Uses For a Condom 2 Fun Flip Book 101 Ways to End the Clone Saga 2-Headed Giant 10th Muse 2 Hot Girls on a Hot Summer Night 10th Muse (Vol. 2) 2 Live Crew Comics 10th Muse/Demonslayer 2 To the Chest 10th Muse Gallery 300 1111 303 13: Assassin Comics Module 30 Days of Night 13 Days of Christmas, The: A Tale of 30 Days of Night: Return to Barrow the Lost Lunar Bestiary 32 Pages 13th of Never, The .357! 1963 39 Screams, The 1984 Magazine 3-D Adventure Comics 1994 Magazine 3-D Alien Terror 1st Folio 3-D Batman 2000 A.D. 3-D-ell 2000 A.D. Extreme Edition 3-D Exotic Beauties 2000 A.D.
    [Show full text]
  • Falcone Salas Kniivila Issue 1
    SEASON 1 FALCONE SALAS KNIIVILA ISSUE 1 $4.99$2.99 US 001 SEP 2016 RATED T DIRECTDIGITAL EDITIONEDITION COVER A WRITTEN BY ANTHONY FALCONE ART BY RON SALAS COLOURS BY IRMA KNIIVILA LETTERS BY ED BRISSON COVER BY RON SALAS COVER A IAN HERRING COVER B EDITED BY TONY WHITE NORTHGUARD CREATED BY MARK SHAINBLUM AND GABRIEL MORRISSETTE NORTHGUARD GARCIA CLAYTON TYLER KINT WINGREEN (PHIL WISE) CIA AGENT LEADER OF AURORA DAWN AURORA DAWN ENFORCER AURORA DAWN ASSASSIN CHAPTER ONE: BAPTISM BY FIRE Following the destructive events in Cold Lake Alberta, Philip Wise is assigned to FADI HAKIM FOUNDER, CHIEF EXECUTIVE OFFICER infiltrate and investigate Equilibrium. Now returned none the worse for wear JAY BARUCHEL CHIEF CREATIVE OFFICER and with Equilibrium’s new secret weapon the Uniband in his possesion, Phil JOSEPH EASTWOOD CHIEF FINANCIAL OFFICER expected his next assignment to be a simple debrief. But there is a darkness KEITH WTS MORRIS PUBLISHER & EDITOR-IN-CHIEF rising across North America and whispers have been heard of a mysterious cult: JOWY PANGILINAN PUBLISHING ADMINISTRATOR The Aurora Dawn! TONY WHITE MANAGING EDITOR JOSH ROSE ASSISTANT EDITOR RIAN HUGHES TRADE DRESS DESIGN CINDY LEONG PRODUCTION & DESIGN RIELLE SAMONTE IN-HOUSE DESIGN ANDREW THOMAS SOCIAL MEDIA MANAGER & FAN RELATIONS LEVGLEASON.COM CHAPTERHOUSE.CA @CHAPTERHOUSECA TWITTER NORTHGUARD™ Season 1 Issue 1 (Issue #1) September 2016. CHAPTERHOUSECA FACEBOOK CHAPTERHOUSECA INSTAGRAM Published by Chapterhouse Publishing Inc. 25 Skey Lane, Toronto, Ontario, Canada M6J 3V2. NORTHGUARD™ Copyright © Chapterhouse Publishing Inc. 2016. All Rights Reserved. All characters featured in this issue, the distinctive names and YOUTUBE.COM/CHAPTERHOUSESTUDIOS YOUTUBE likenesses thereof and related elements are trademarks of Chapterhouse Publishing Inc.
    [Show full text]
  • Lijst 548 Euro
    € LIJST: FAX/MODEM/E-MAIL: 23 nov 2020 PREVIEWS DISK: 25 nov 2020 [email protected] voor Nieuws, Aanbiedingen en Nabestellingen KIJK OP WWW.PEPCOMICS.NL PEP COMICS SLUITINGSDATUM: DCD WETH. DEN OUDESTRAAT 10 FAX: 23 november 5706 ST HELMOND ONLINE: 23 november TEL +31 (0)492-472760 UITLEVERING: (€) FAX +31 (0)492-472761 januari/februari #548 ********************************** __ 0081 [M] Criminal H/C DLX Vol.01 64.49 b *** DIAMOND COMIC DISTR. ******* __ 0082 [M] Criminal H/C DLX Vol.02 64.49 b ********************************** __ 0083 [M] Criminal Coward TPB Vol.01 19.34 b __ 0084 [M] Criminal Lawless TPB Vol.02 19.34 b DCD SALES TOOLS page 024 __ 0085 [M] Criminal The Dead A TPB Vol.03 19.34 b __ 0019 Previews January 2021 #388 3.69 i __ 0086 [M] Criminal Bad Night TPB Vol.04 19.34 b __ 0020 Marvel Previews Ja EXTRA Vol.05 #7 1.58 b __ 0087 [M] Criminal The Sinner TPB Vol.05 19.34 b __ 0021 Previews Jan 2021 Customer Or #388 0.79 i __ 0088 [M] Criminal Last/Innoc TPB Vol.06 19.34 b __ 0022 Previews Jan 2021 Custo EXTRA #388 1.58 i __ 0089 [M] Criminal Wrong Time TPB Vol.07 19.34 b __ 0024 Previews Jan 2021 Retai EXTRA #388 2.62 b __ 0090 [M] Fade Out Comp Coll TPB 32.24 b __ 0025 Game Trade Magazine #251 0.00 E __ 0091 [M] Incognito Classified H/C 58.04 b __ 0026 Game Trade Magazine EXTRA #251 0.58 E __ 0092 [M] Dead Body Road TPB Vol.02 21.92 b IMAGE COMICS page 030 __ 0093 [M] Dead Body Road TPB Vol.01 19.34 b __ 0030 [M] Haha A Del Rey #1 5.15 b __ 0094 [M] Reaver TPB Vol.01 21.92 b __ 0031 [M] Haha B Malavia #1 5.15 b __ 0095
    [Show full text]
  • Chasing Captain Canada: National Identity Challenged Through Superheroes in Canadian Comic Books
    CHASING CAPTAIN CANADA: NATIONAL IDENTITY CHALLENGED THROUGH SUPERHEROES IN CANADIAN COMIC BOOKS A Thesis Submitted to the College of Graduate and Postdoctoral Studies In Partial Fulfillment of the Requirements For the Degree of Master of Arts In the Department of English University of Saskatchewan Saskatoon By JASMINE REDFORD © Copyright Jasmine Redford, August 2020. All rights reserved. PERMISSION TO USE In presenting this thesis in partial fulfillment of the requirements for a Postgraduate degree from the University of Saskatchewan, I agree that the Libraries of this University may make it freely available for inspection. I further agree that permission for copying of this thesis in any manner, in whole or in part, for scholarly purposes may be granted by the professor or professors who supervised my thesis/dissertation work or, in their absence, by the Head of the Department or the Dean of the College in which my thesis work was done. It is understood that any copying or publication or use of this thesis/dissertation or parts thereof for financial gain shall not be allowed without my written permission. It is also understood that due recognition shall be given to me and to the University of Saskatchewan in any scholarly use which may be made of any material in my thesis/dissertation. Requests for permission to copy or to make other uses of materials in this thesis/dissertation in whole or part should be addressed to: Head of the English Department 9 Campus Drive University of Saskatchewan Saskatoon, Saskatchewan S7N 5A5 Canada OR College of Graduate and Postdoctoral Studies University of Saskatchewan 116 Thorvaldson Building, 110 Science Place Saskatoon, Saskatchewan S7N 5C9 Canada i ABSTRACT This thesis explores the connections between nationalism and the superheroic effigy in domestically produced Canadian superhero comics, with an eye on how Indigenous superhero comics published within Canada may enrich or complicate this landscape.
    [Show full text]
  • Entraide Et Fraternité Dans Le Champ Des Comic Books Québécois (1984-1995)
    Une amitié nécessaire : entraide et fraternité dans le champ des comic books québécois (1984-1995) Philippe Rioux Résumé Depuis leur apparition dans les années 1930, les comic books américains se présentent comme des œuvres collectives sur lesquelles travaillent à relais un nombre variable d’intervenants : le scénariste, le dessinateur, l’encreur, le coloriste, le lettreur et l’éditeur, principalement. Imposée par le rythme de publication (généralement mensuel) de ces imprimés fasciculaires, la création en équipe devient alors un gage de productivité. Ayant prouvé son efficacité, cette méthode de travail est aussi adoptée par la majorité des producteurs québécois qui se lancent dans l’édition de comic books à partir des années 1980. Or, dans ces cas, la collaboration dépasse parfois le partage du travail entre les créateurs à l’emploi d’une même maison d’édition. En effet, le péritexte des œuvres et la correspondance des éditeurs indiquent qu’un esprit de collégialité unit les producteurs rivaux, qui échangent idées et conseils au sujet de leurs séries respectives. Ce faisant, ils contribuent indirectement au contenu des comics publiés par leurs compétiteurs. Cela dit, on peut s’interroger quant aux motifs donnant lieu à cette entraide. De l’amitié entre collègues à l’opportunisme commercial, quels sont les enjeux propres au champ des comics québécois que révèle cette apparente fraternité ? Quelles sont les conditions favorisant les échanges de services entre éditeurs, scénaristes et illustrateurs ? Bref, comment s’explique la collaboration entre producteurs concurrents évoluant au sein d’un même marché ? Cet article répondra à ces questions afin de mieux éclairer la dimension sociale liée à la production de comic books sériels au Québec et au Canada.
    [Show full text]